#i fucking hate the word literally

[orangeslikesbread]

Why do we, as a society, spell literally wrong ?? WTF DO YOU MEAN ITS ONE T DOUBLE L ?!?!?!?!

I have beef with the fucking English language dude it's so dumb

the word liter (with ONE t) is pronounced /ˈlēdər/, whereas litter (with TWO t's) is pronounced /ˈlidər/ AND HOW IS LITERALLY (WITH ONE T) PRONOUNCED ??!?!?!?! /ˈlidərəlē,ˈlitrəlē/ !!!!!!!!!!!!

SO WHY THE FUCK IS IS SPELLED THAT WAY !?!?!?!?!?!

I HAVE MISSPELLED THIS WORD SO MANY FUCKING TIMES THAT THE DEFAULT AUTOCORRECT ON MY PHONE HAS BECOME THE WRONG SPELLING.

-sincerely, a dyslexic person.

[mossy-aro]

sorry but i am SO deeply tired of the 'aphobia isnt real' arguments because they are literally always being conducted in such bad faith. NO there is not specific societal or legal discrimation against aces and aros BECAUSE we are asexual and or aromantic. you cannot hold specifically bigoted beliefs towards a group you do not even know exist. there ARE, however, underlying and deeply pervasive systems and beliefs that actively erase, dehumanise and make life tangibly more difficult for aro and ace people on a social, economic and legal basis. most of this is due to hyperinvisibility, the medicalisation of any nonnormative + misunderstood orientations, the elevation of romance + romantic structures as the most important aspects of interpersonal relationships in society, as well as the nuclear atomisation of the family. among other things. like. amatonormativity has never been ABOUT aromantic people specfically oh my GOD. its simply the underlying social belief that everyone is expected to be in monogamous romantic relationships and that those relationships are expected to the default centre of one's life. its something that affects EVERYONE! but within that it affects aromantic people in a specific and heightened way because of our inability to participate in it in a societally acceptable way. like these are not 'aromantic' or 'asexual' or 'polyamorous' issues specifically. these are theories and terms that originated within feminist + queer sociology studies! its all part of the wider underlying social fabric! aspec people are simply pointing out that we are often affected by these things in unique and often unseen ways.

the idea that we believe people actively 'hate' us for being asexual or aromantic is completely ridiculous. most people i know do not even know the definition of those words! so how could they hate me for it. they could however, for example, hold the pervasive + societally unchallenged belief that not experiencing sexual or romantic attraction is a medical issue or something concerningly abnormal in a human being + something i should get fixed. and its not uncommon that when you DO explain that its simply your orientation to them, they continue to medicalise it and see it as some sort of issue. genuinely so deeply tired of having to explain this to people time and time again when they only want to cherry pick the most ridiculous arguments to respond to and then act as if that's a majority held opinion in the aspec community. like i actually think we are aware of how society views us we're not fucking deluded and stupid. we don't have victim complexes we are just pointing out facts that yall are so desperate to ignore. UGHHHHH

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[prismatiger]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[mamawasatesttube]

this might be mean but. it really ticks me off when people respond to authors and artists wishing for actual community and engagement with their works by saying "oh but you see im just so anxious i cannot offer you any kind words." with the optional "but do please keep making things for me anyway!" because like...

a) do you understand how anxiety-inducing it can be to pour a little piece of your soul into a work of art and share it publicly? i feel like you don't see the people creating these things as people like you and that is an issue. we are people who just really love a thing and want to talk about it with other people who also love that thing.

but moreover, and this is the part that might be mean, b) damn why doesn't your anxiety prevent you from making excuses to us then? i wish it did! like if you're SO anxious about a fic author blocking you for saying something nice, why are you not anxious about getting blocked for telling that author "okay but i don't want to comment on your works though"??? because i can tell you which of these two things is way more likely to piss me off and it isn't the comment.

like. idk man. if you really don't want to comment on and engage with people's creative works, no one can force you to. but also consider maybe not commenting on and engaging with those people's posts just to explain that you don't want to comment on/engage with their works. if you are so committed to staying quiet and being a passive consumer then commit to the bit and stop asking creative people who put way more of themselves out there than you are to pat you on the back and reassure you that you'll still keep getting free content even if you can't do so much as drop a "this was really good!" in the comments.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[nevertheless-moving]

Stormlight AU 17B Part Two

Continued from Here

Kaladin takes the honorblade because Syl insists it’s too dangerous to leave, collapses on the way back because holy shit exhaustion and injuries and also it's draining his stormlight a bit.

(There’s some interference between Syl Bond/ Honorblade Bond that takes time to sort out.)

When the storm starts dying, Kaladin and Szeth are found laid out like a Rosharan Renaissance painting.

Kaladin’s sprawled on the palace steps, still clutching the blade. There’s probably a single beam of light streaming down from a break in the clouds, illuminating Kaladin’s artistically devastated and storm soaked body with golden light, because of course there is.

The Assassin in White has dagger wounds in his heart and throat. Wounds from a darkeyes weapon. A LOT of witnesses to that messy aftermath because people are too freaked out to move either of them until Dalinar comes downstairs

When Kaladin wakes up he's injured. Syl isn’t answering. He’s surrounded by lighteyes and a handful of his men. The shardblade is on a pedestal.

Unfortunately this hits right in the incredibly specific trauma.

Adolin wasn't exactly sure what he imagined would happen when the bridgeman woke. No, that wasn't true. Over the last two days vigil, he had had plenty of time to think.

A haughty sneer, maybe. Or maybe a victorious smile, gloryspren, stormfather knew he deserved glory. More likely shock, surprise at even being alive — his body must have been devastated, he couldn't have expected the blade to heal him after he won, could he? A suspicious part of him had considered the idea of an attack, some form of betrayal, but not...

Whatever this was.

Prince Adolin Kholin stood in full shardplate watching bridgeboy — bridgeman — the Captain who killed the Kingkiller, face him down. Kaladin stood in a corner, one hand outstretched towards Adolin, wielding a scalpel like a dagger.

That arm was the only part of him that wasn’t shaking.

His eyes were feral, terrified. Storms, he had seen the man tackle the Assassin in White out a fifty foot drop with less fear. Shudders wracked his body. His other arm was gripping the one armed Hardashian that had been tending him, pushing him behind, protecting him.

Protecting him from Adolin.

Adolin took a hesitant step forward, hands held placatingly in front of him, feeling abnormally overly large and clumsy in his shardplate, like a chull, or a chasmfiend.

Captain Stormblessed finally spoke. "No," he said.

No, he didn't just say it, he begged. Adolins jaw dropped with shock. Before that moment, he would have laughed at anyone who claimed that the proud man could lower himself to plead like that. It felt...wrong.

"No," he said again, and almighty, were those tears in his eyes?

"Just let my men go. They won't say anything. I won't say anything. I don't want it. You can have it. I don't want it. Don't hurt my men. Please."

He was babbling. The proudest, most taciturn man on Roshar was babbling, pleading. Fearspren writhed sickly around his chest.

Adolin felt sick. He...must have been wounded in the head. That would be the most singularly cruel injury he could imagine. Worse than rotspren taking a hale warrior.

He glanced helplessly at his father, but he looked just as disturbed as Adolin felt.

Or — could the blade be doing this? It was impossible to miss the way it glowed, pulsing in time with the bridgemans gasps for air. Could it be cursed? Granting power, somehow healing a shardtaken arm, a body shattered from falling, but stealing the mind of the man who bore it?

"It's alright gancho," the hardassian said softly. "The fights over, eh? You can put it down, see, we're all friends here?"

"You have to run Hab," Stormblessed whispered, audible in the too still room. "It's a trap. They're going to..." he was barely able to stay on his feet, but he pushed at the smaller man, making sure to stay in between the Kholins and the uncertain bridge four guards.

More fearspren choked the air. Stone faces too — almighty above agonyspren too? Those hadn't even shone up when light had flooded to his shardtaken feet, and that couldn't have been comfortable.

The hardassian frowned. "Gancho, I'm getting the feeling you ain't completely with me. Surely you remember the Lopen? One armed hardassian? Irresistible to women? Your favorite wall decor?"

The Captain didn't seem to hear him, eyes glassy and unfocused. "No," he whimpered, looking at Adolin and Dalinar. "They're not a threat." He pushed the Herdassian further back. "I don't want the blade."

Adolin was glad his helmet was off, because he was pretty sure he was going to puke. This wasn't...he had tried sometimes, to put the darkeyed Captain in his place but storms...it wasn't right. The memory of his own behavior made him sick. Did the Captain really think so badly of him? That he would kill to steal the blade? Or was it just the delirium?

"It's alright Kaladin," one of the guards — Moash said, stepping forward. "It's not going to happen again. Bridge four is guarding the hall, just a shout away."

He glared at Adolin. Storms. Their entire guard thought that little of them?

Kaladin shook his head in Moash's direction, tears falling freely now. "We cant take them all, Coreb," he rasped. "We — you — you have to run."

His father finally spoke. "It's alright Soldier. I'm not Amaram. You're not there. You're safe. You're a hero."

Adolin and Kaladin stared in confusion.

Amaram? What in Damnation?

"I —" Stormblessed's voice cracked.

Father looked... hollowed out. He took a deep breath, then stepped toward the pedestal that held the sword. Moash, incredibly, lowered his spear at him.

Kelek's breath, Adolin knew that his men were loyal to their captain, but...stormfather.

Dalinar ignored him, lifting the sword, cloth wrapping the hilt, stepping forward.

Stormblessed's whole body was shaking now, scalpel barely staying in his grip. Still, Adolin barely restrained himself from stepping up to protect his father. On one hand, he could hardly imagine Stormblessed in a less threatening state. On the other hand, the Assassin in White might have thought the same.

Kaladin pushed Moash back, eyes fixed on Dalinar's approach.

"I am not Amaram," he repeated. "You know that soldier. Do you remember our conversation, after I exchanged the shardblade for you and your men?"

The captain blinked, scalpel still brandished in warning.

“What is a man’s life worth?” Dalinar asked, calmly stepping forward.

“The slavemasters say one is worth about two emerald broams,” Kaladin mumbled, frowning.

 “And what do you say?”

“A life is priceless,” he said immediately, blinking hard.

Dalinar smiled, then knelt down holding the blade in front of him, still not touching the hilt directly. Moash sucked in a shocked breath, and Adolin couldn’t help but agree with the sentiment.

“Coincidentally,” his father said. “That is the exact value of a Shardblade. Two days ago, you saved the four lives I hold most precious in this world, not to mention countless other priceless lives across Roshar. There is no treasure great enough to serve as payment for such a deed. If, as a start, you would be willing to accept what you have already earned, I would consider it a bargain.” He extended the sword, holding it perpendicular to them both.

“I…” Stormblessed blinked down at Dalinar in confusion. “Sir…?” 

The scalpel slipped through his fingers and landed on the floor with a clatter. Adolin exhaled in relief. I mean, the man could probably  do unreasonable amounts of damage with his bare hands but — still. One less thing to worry about.

The man blinked harder, eventually turning away from the blade to look at Moash.

"Syl," he said fervently. "Something's happened to Syl."

The lieutenant's eyes widened — he clearly recognized the name. Did bridgeboy have a girlfriend?

"It's alright Kal," he said soothingly. "Syl's tough, right? She always comes back."

"She always comes back," bridgeboy said, squeezing his eyes shut and swaying on his feet. Moash and the little Herdasian both moved quickly to steady him. "She has to come back," he whispered.

Dalinar rose smoothly, stepping back. "Perhaps it would be wise to allow the Captain more time to rest before discussing anything further."

"Of course brightlord," Moash said, nodding respectfully, as if he hadn't leveled a storming spear at his Highprince minutes ago. "Come on Kal." The three started moving slowly back to the bed.

Perhaps they were all going to pretend the last ten minutes hadn't happened. That seemed like a good plan to Adolin right now.

Upside of all this, Dalinar is pretty convinced about the Amaram accusation.

Funny conversation with Zahel because yeah fair enough you didn't need shardblade training but also because of that you definitely need shardblade training

REALLY funny conversation with Shallan because the boot stealing incident already happened, Kaladin's getting feasts and parades, and she's like oh. oh i done goofed.

Don't worry Syl's fine, it's just a tight fit until Kaladin's soul adjusts. She maybe even gets a nebulously defined sick power boost (ability to hold honorblade in physical realm perhaps?!?)

Kaladin gets ordered to go master his new powers and is just like. Ok. But i'm doing it because i want to, not because you told me to.

comes back a day later like Ok I can stick rocks together wahoo.

Comes back three days later like "I CAN FLY!! GUYS, GUYS I CAN STORMING FLY!!" it is the first time any lighteyes in camp have seen him smile and might cause several minor sexual crises

Learning to fly and getting to joyfully share it with bridge four right away because why not :)

Happily swapping the blade around bridge four giving a bunch of lighteyes aneurysms, though Syl insists on always taking it back after a bit because she's maybe sort of also bonded with it and its uncomfortable for it to go too far for too long

Incredibly resistant of new titles/lands. It becomes a thing.

Whitespine Uncaged except its like, 20 guys because it's a desperate trap for Kaladin specifically, trying to get him before he masters the honorblade and becomes the Blackthorn's unbeatable champion and the rest of the world get washed away in a river of blood.

...People are kindof freaking out about the blackthorn having a personal magic assassin

Adolin gets a little more beat to shit but they still manage to wreck everyone. I think Renarin also gets the honorblade for a hot minute and gets to go to town since this one doesn't scream. Possibly more of bridge four gets involved.

Absolute epic clusterfuck of a duel. 'Duel' is really the wrong word for 20 shardbarers trying desperately to kill a minor demigod and two pissed off kholins.

Dalinar and the King actually end up giving back a bunch of the shardblades and plate after the Kholin win because keeping all of them would be it's own political nightmare

i mean the 'duel' was already a painfully obvious metaphor. it's Kholins v Everyone Else time and the odds are not looking good for the everyone else side.

Kaladin gets his boon and duel with Amaram but of course it doesn't go how he wanted. Was there ever even a best case scenario here?

(Amaram desperately wants to become a radiant)

(Amaram has also accurately judged his likelihood of victory against the OP darkeye who has gotten even more OP since the last time he saw him to be approximately zero)

(Amaram sees the writing on the wall for house Sadeas now that Kholin is on the rise)

Amaram surrenders completely, throwing himself at Kaladin's feet, swearing over his lands and all that he owns, swearing eternal service to Kaladin in repayment for his sins. Kaladin really really really wants to kill him in cold blood but FUCK he's got morals that's like his whole thing

Kaladin: oh god does this mean i have to deal with Amaram all the time now

Dalinar: i mean he's yours to do with what you want. you could lock him away forever without trial.

Kaladin: oh god why is that even an option

Dalinar: ...the more politically expedient thing to do would be to keep him on as an advisor, at least until you get a better grip on his lands

Kaladin: oh GOD

Adolin kills Sadeas so now the other highprinces are REALLY freaking out

Actual radiant status gets hidden by glowing sword clearly giving Magic powers.

Like. The crabcat is out of the bag on the magic and flying but the sword is VERY CLEARLY GLOWING so. Fun sideways reveal.

TREMENDOUS number of assassination attempts because i can not stress this enough — this sword makes you unkillable and also gives you the power to fucking fly.

Oh! Forgot to mention: Shortly after waking up/bonding the blade he attends the meeting with Stormform!Eshonai, still dissociating slightly, because Syl is high on honorblade and extremely attuned to cognitive realm. Ends up helping Eshonai get rid of stormspren and bond her own light spren. End result for plot is this:

Rumors filter out that one of his powers is making people Radiant, so that's definitely adding to people going wild over him/The Blade/Dalinar's weird religious midlife crisis

new uneasy partial detante with Parshendi because at least one of them has superpowers now (thanks for that)

the desolation gets pushed back another year (tbh mostly because I want more time to explore plot device/political fallout of Kaladin being an absolutely overpowered freak amongst normies)

Stormlight AU Masterlist

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[dykedvonte]

there’s something i really adore about curly being revealed to being this beautiful blond man after we see him post crash like what happens to him is so awful and dehumanizing like he really loses everything but especially as a viewer/player watching this game i love the commentary it’s silently making and this uncomfortable feeling in my chest that i have to wrestle with. love it when stuff makes me feel

I think it’s so poignant that Jimmy never hallucinates or sees Curly as his pre-crash self. He only speaks to Curly about and in terms of his own thoughts and projections and rarely lets him have his own inner personal thoughts. Even before the crash it is like this. He is the perfect captain to him and to an extent the rest of the crew even if he is more actualized around the others.

So much of how Curly is dehumanized by Jimmy and the rest is representative of how the Pony Express and capitalism strips workers of their identity, into objects of service. Once he can’t do anything who or what he was is no longer important, worthless, a burden. He is both the dandy dish in HFIM, the idea of going up being before the crash, while the ball is after the crash, his forced decent downwards.

There is an argument he is dehumanized to less than an even object with how his ID card lacks a name and face in Jimmy’s hallucination. Even Anya gets her name, and identify. He is just an empty spot, a role to fill to a lot of them, which is think is why so many fans have a hard time pin pointing who Curly was before the crash and what he stood for.

So much of what we saw of Curly was a man on duty, a man serving under his job and starting to find conflict with that. We don’t really get to see Curly acting for himself and it think it tells about the way he has been molded along with the way he was trying to reshape himself outside of P.E before it was too late.

I always finding intriguing how people almost prefer to draw post crash Curly, to draw his suffering and continue, to an extent, him being the scapegoat, faceless and facing repercussions other characters and entities should. Being a figure to vent frustration to because he can’t fight back, we don’t know what he would say or how he would feel or what he would’ve done. We don’t really know that when he had skin either…

[xia0ming56]

Hated that last episode so i drew this to convince myself i liked it

[ar1mas]

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-

[dedicatedfollower467]

okay maybe a hot take but like. people going "spirk is canon now omg!!!" after that short film that just dropped - you do realize that like. it's not any more canon than it has been for like, forever, right?

they held hands and watched the sunset together. big whoop.

yes vulcans have a whole hand-holding thing, but like. kirk and spock have held hands before, this is not? any different? than any of that???

like people are out here screaming "OMG SPIRK IS CANON AFTER 57 YEARS" guys if holding hands and staring into each other eyes while the music swells is good enough to call it "canon" then spirk has been canon since the motion picture came out in 1979.

[carlyraejepsans]

youtube be like "teen bullies getting arrested" *traumatized child* *traumatized child* *homeless child with clear mental issues* *hysterical child with pigs escalating the situation* *baseless accusationed turned battery of an officer because the pig would rather pin down and handcuff a child than do the barest attempt at de-escalation* *TRANSGENDER KID WHO COULDN'T BE MORE CLEARLY A RAPE VICTIM ACTING ERRATIC AND AFRAID AROUND THE FEMALE OFFICER AND GETTING JUMPED FOR IT*

[sergle]

I love to hear what people say about Youtube Drama* but it's SO tacky when it gets so offbase that the posts people make start to be about completely off topic infighting within the Watcher fanbase

[hilacopter]

If your reaction to seeing an antisemitic statement is "if you replaced the word Jews with Zionists and I'd agree" I don't trust you actually