#i fucking hate drifter

[elevatorelevenhatesyou]

Destiny 2′s Gambit Mode Exists To Bully Destiny 2 Players

I want to play Darktide, but it's not out yet. Instead I play Destiny 2, which is really quite sad. Been writing a post analyzing and complaining about a bunch of shit in Destiny 2, the thesis of which is that it has no idea what it's doing and hates its players with a passion, but this little side segment about how much I hate Gambit kinda ballooned into a long enough post of its own.

So, I fuckin hate Gambit mode. I hate PvP in all its forms of course. Crucible is bad with its usual brand garbage for PvP Assholes, but Gambit,

Man, Gambit is something else.

Gambit is the most hateful game mode I've ever seen. As if it weren't bad enough that playing it necessitates interacting with the most annoying cunt in the game.

(howling dickhole noises)

It's like they got some evil scientists together to craft an experience that would generate the most rage out of people who don't like PvP. It's advertised as "Competitive PvE" but this is a blatant lie; Gambit isn’t that at all. 

Gambit is a Fun Ruining Simulator.

I'm just gonna steal screenshots from the internet, because, I really don't want to go play this garbage again.

Here's the basic run down of how Gambit works for the uninitiated: There are two teams, each with four players, in two identical arenas. Regular enemies spawn in, and players kill them. These enemies drop little glowy tokens called Motes, which players must collect and deposit in a big glowy machine thingy called the Bank. 

Depositing enough motes at one time sends a big tough enemy called a Blocker to the opposing team, and they can't deposit motes until the Blocker is killed.

At certain intervals, a portal opens up and one person can Invade the opposing team's area, and if you kill a player they drop all their motes. Invading is something of a trade off: if you invade, you can sabotage the enemy, but you stop banking tokens yourself, and if you just get killed right away you don't hinder the enemy but you still miss out on the tokens you could have been getting.

So far, okay.

Once enough tokens are banked, mote dropping enemies stop spawning, and instead a giant monster shows up, called the Primeval. Killing your team's Primeval wins the game. Invading is still part of this phase; but now if you kill someone while invading, the enemy team's Primeval gets some of its health back.

So on paper this all sounds basically fine. Competitive PvE, right? It's the number balance that turns it all into shit.

Everything is ABSURDLY stacked in the invader's favor. The amount the Primeval gets healed by when an invader scores a kill is like a quarter of its entire health bar. Yeah. Getting two or three kills during an invasion will pump that sucker back to full health. Strategy guides aren't shy about telling you that Invading is the most important part of the whole game mode by far. One good invasion can turn an entire game around.

Compound this with power weapons like rocket launchers and heavy machine guns, and super abilities, and the fact that, for some fucking reason, the Invader can SEE WHERE ALL THE OPPOSING TEAM'S PLAYERS ARE, AT ALL TIMES, getting multiple kills as the invader is VERY easy.

The damage you deal to the Primeval is TINY. It increases over time when you kill these other guys who periodically show up to shield the Primeval, and it goes up by A LOT. Once you've killed like six of them the Primeval goes down like a bitch. In other words, fighting the boss doesn't really matter. It doesn't matter how well you can take the monster down, because after a little while it becomes incredibly easy. The only thing that matters is invading so you can kill the enemies and undo all their progress. No role matters compared to The Invader. Invading is everything. Everything else exists only for there to be something to Invade. There's no thought to it, no point to it, it's not fun or interesting or unique in any way except that some fucking cocksucker might barge in and ruin everything, and there's basically nothing you can do about it, because they see you and you don't see them, and it only takes a few shots from a machine gun or a rocket or a grenade launcher or a super to kill you. Often, only one shot.

It's not Competitive PvE, because the PvE doesn't matter. It's just more PvP, because the PvP is the only part that matters. It just has to lie so it can entice PvE players into trying it. The entire game mode exists to create a little playground for PvE players to play in so that a PvP Asshole can have fun stomping on all their sand castles. 

Mreh mreh but what about blockers? What ABOUT blockers!? These little piss weak NOTHINGs? These things I casually run over on my way to turn in my tokens? They are barely a speed bump, who cares.

Mreh mreh if you hate invaders beating you why don't you get good at invading? Because I don't fucking WANT to be the invader! I WANT to fight monsters! I WANT to do PvE stuff because I don't get any fun out of PvP! That's why Gambit sucks so much; it seems to have been designed literally to piss off people like me, and reward people I hate! Mreh mreh if you hate gambit so much then just don't play it OH IF ONLY A WHOLE BUNCH OF SHIT DIDN'T FUCKING REQUIRE ME TO.

I don’t even want your shitty revolver anymore. This is the part that would have segued back into the main point that Destiny fucking hates you. We'll get to that in the other post.

[choccy-milky]

the place me and my roommate were supposed to move into today was so disgusting and uninhabitable we just took our stuff and left and now we're gonna be staying at airbnbs and hotels until further notice/until we can find a new place hopefully quickly...........im in my homeless drifter era y'all!!!😍😍so if im not as active then thats why LMFAO

1 like = 1 prayer

[ritasanderson]

Seeing how all the protoframes hate when Eleanor is sneaking inside their heads I just KNOW they won't be happy to also find Drifter here

[scannersombre]

Anyway imagine if they tried to make a movie out of harvester i think i would hit the director with rocks

[lillybean730]

nobody look at me rn i need to go stare at the wall for a while

[downfallofi]

Fuck though, I DO have to get to sleep because I have fuck ass work tomorrow and I'm going to have emails to catch up on because I took off Monday and fucking Joe is gonna make me wanna burn the rest of my days up because he's a piece of shit and my neighbors have been setting off fireworks for 4 god damn hours and rargh ranting over sleep now

[pinknatural]

Pick out the biggest, reddest, juiciest strawberries. Wash ‘em real good. Lay them out on a tray covered in parchment paper. Pat them dry, and leave them out. Put some chocolate chips in a bowl, and microwave in 30 second intervals. After the chocolate is good and melted, pick up the strawberries by the stem and dip them in, coating them thoroughly before putting them back on the tray. 

Dean’s never made chocolate-covered strawberries before. Never had a reason to. It’s kinda nice, to dedicate all his focus to making sure the chocolate is covering up the berries evenly. To try not to get them to drip. 

Since moving into the Bunker, Dean’s found that baking is fun. He likes putting a bunch of stuff together and seeing delicious results. And chocolate-covered strawberries aren’t exactly rocket science, but he knows they’ll taste good and make Sammy happy and that’s all he really wants, right?

Plus, he thinks, gently placing another strawberry back on the parchment paper. He doesn’t think Jack has ever had a chocolate-covered strawberry before, and he can just picture the kid’s excited eyebrows at the taste. 

He picks up another strawberry, pinching all the leaves between his fingers so they don’t get chocolatey. He dips it nice and slow into the glass bowl, turning it gently as he brings it out of the chocolate.

“What are you doing?” 

Dean yelps, nearly dropping his strawberry. 

“Jesus christ, Cas, you snuck up on me!” he says, turning to glare over his shoulder. Cas is standing just behind him, staring curiously. He could’ve been there for two minutes or twenty. Dean didn’t even know he was in the Bunker, let alone the kitchen. “I’m not kidding about that bell, dude.”

“Apologies,” Cas says. He doesn’t sound a bit sorry at all. Dean rolls his eyes and turns back to his strawberry, putting it on the tray next to the other completed ones. Cas moves in closer. “What is the purpose of this exercise?”

“Chocolate-covered strawberries,” Dean says. 

“I see that,” Cas says. He sniffs, as if the smell disagrees with him. “But why are you covering the strawberries in the chocolate? Is it for a spell?”

“No, it’s a dessert. Like a candy, I guess,” Dean says. “For Valentine’s Day.”

“Ah, yes,” Cas says. “Unattached drifter Christmas.”

Something in Dean’s heart stabs, at that. He hates that Cas has heard him say that, or heard Sam reference it, or whatever. 

“Yeah,” he says, looking away from Cas’ eyes. The strawberries are safer to look at. “I guess.”

Cas’ big hands enter Dean’s field of view, and he plucks up a strawberry. Not one with chocolate on it. A naked one. Despite himself, Dean looks back up at Cas. It’s hard to not look at him. He has a very nice face.

“What does chocolate strawberries have to with the patron saint of bees?” 

“Bees?”

“And epilepsy,” Cas says, squinting at the strawberry. “And the mentally ill. And happy marriages.”

“Uh, it’s more about the happy marriages thing,” Dean says. “Valentine’s Day is about love and shit.”

“And strawberries,” Cas says, nodding wisely, as if he understands everything. He sets the strawberry back on the tray. Dean’s not sure if he’s fucking with him or not. Surely after all this time on earth, Cas knows what fucking Valentine’s Day is. 

“You give the strawberries to your Valentine,” Dean says. “Or chocolate or whatever. Or those fucking disgusting chalky heart things. But Eileen loves chocolate-covered strawberries and so these are for Sam. To give to her.”

Dean told Sam to make his own chocolate-covered strawberries, but Sam said that either Dean could make them or he would buy some from the store. And Dean does not trust fucking Hy-Vee to have quality chocolate-covered strawberries. He picks up Cas’ naked strawberry--the last one--and dips it into the chocolate. 

“That’s very kind of you,” Cas says, watching him. “To help Sam out.”

“Whatever,” Dean mutters, holding the strawberry up so the excess chocolate can drip back into the bowl. “I wanted Jack to try some, too.”

“You say that like it will make me think you less kind,” Cas says. Dean is tempted to throw him out of the kitchen. But goddamnit, he likes Cas and likes when Cas hangs out with him and asks stupid questions about Valentine’s Day. But knows that Saint Valentine is the patron saint of epilepsy, or whatever. Ugh. 

Dean never knows when Cas is leaving, anyway, so he’s gotta take all the time he can get. He leaves his strawberries behind and fetches another glass bowl. The white chocolate chips are already out, beside the opened bag of regular chocolate chips. 

“I thought you said white chocolate was an abomination,” Cas says, watching Dean pour some into the bowl. 

“It is,” Dean says. “But it will look fancier this way, trust me.” He puts the bowl in the microwave, punches in a 3-0-enter then turns around to look at Cas. He’s inspecting the neat line of chocolate-covered strawberries. They’re a little messier than Dean wants, but hell, it’s his very first try. 

“I don’t understand why you would put the chocolate on the strawberries,” Cas says. “My understanding is that strawberries are perfectly good on their own.”

“Dude, bacon is perfectly good on its own and we put chocolate on that,” Dean says. He crosses back to the counter and picks up a strawberry by the stem, holds it out to Cas. “Go on, try it.”

He expects Cas to take the strawberry from him--chocolate end first, and then he’ll get chocolate all over his fingers and Dean will die a million deaths watching him lick the chocolate off. Instead, Cas does something a thousand times worse and leans forward, biting into the strawberry without taking it, like Dean’s feeding it to him or some shit. 

Dean has a vision of a picnic somewhere, red and white checkered blanket and all. The sky is blue and the grass is soft and Cas’ head is in Dean’s lap and Dean’s feeding him strawberries and kissing him between each one. 

But instead Cas just--doesn’t break eye contact. Just stares, as he bites into the strawberry, chews and swallows. 

“Good?” Dean says, mouth dry. 

Cas closes his eyes, licking his lips. “Mmm, very.” He straightens back up. Even though he licked his lips, he missed a little--has a chocolate mustache. Dean has the insane urge to lick it right off his face. 

“Uh, you got some--chocolate,” Dean croaks instead. He mimes with his own thumb. Cas swipes the chocolate and succeeds in smearing it everywhere. 

“Did I get it?” he asks, and his wide blue eyes hypnotize Dean into reaching forward and wiping the chocolate off Cas’ face with his own fingers. Then Dean licks the chocolate off his thumb. 

Then Dean realizes that the microwave is beeping and the white chocolate’s first 30 seconds have been up for a long time, and he should probably go get that, and he escapes across the kitchen. 

“The strawberry molecules and chocolate molecules are very pleasing together,” Cas says. “Do humans put chocolate on other fruits?”

“Yeah,” Dean says, stirring the white chocolate frantically. If he doesn’t look at Cas maybe Cas will think that what just happened was normal, and that Dean isn’t fucking insane. “Uh, apples, bananas, pineapples. I think I saw it on kiwi once. Uh, maybe orange slices.”

“Fascinating,” Cas says. Dean puts the white chocolate back into the microwave. “Yes, I think Jack would like that very much.”

“Good,” Dean says. He goes to the fridge, gets a beer. Opens it on the side of the counter and takes a big swig. The microwave beeps.

It’s all melted. Dean grabs a spoon and goes over to the berries. He is not confident about this part at all, but crazyforcrust.com said to use a spoon. And hopefully he can get, like four or five good-looking ones for Sam, and the rest can be for him to pig out on on the fourteenth alone in his room while he tries not to wonder where Cas is. 

He dips the spoon into the white chocolate and covers it, then raises it over a strawberry and zig-zags over it, letting the white chocolate drip and drizzle overtop.

“See?” Dean says to Cas, who he knows is watching. “You can hardly taste the white chocolate this way but it looks good.” Well, it doesn’t look bad. Dean’s sure they’ll look better as he goes.

“I see,” Cas says. He points to the drizzled strawberry. “Are you giving that one to Sam?”

“No,” Dean says. “That one was just a practice one.”

“Good,” Cas says, and he picks up the strawberry by the stem. Dean’s never, ever seen him go for seconds before, but he makes a mental note of it. But then Cas turns the strawberry around, unmistakably offering it to Dean. “You should have one. You made them.”

“But--” Dean starts to say, and then Cas brings it up, so it nearly touches Dean’s lips. He looks at him with the same kind of focus he gives to a hunt, or smiting demons. 

“Eat it,” he says, nudging Dean’s lips with the fruit. Dean opens his mouth and bites into it. Maybe Dean would lay his head on Cas’ lap in their picnic, and Cas would feed Dean. 

The strawberry is good, probably. Dean’s not really sure what it tastes like. All he can see are Cas’ eyes, boring into his. 

Dean swallows. 

“You don’t have any chocolate on your face,” Cas says. He sounds disappointed. Dean can’t unpack that. 

“That’s ‘cause the chocolate is less melty,” Dean says, mostly on autopilot. He feels a million miles away. “Cause it’s starting to harden.”

“Okay,” Cas says. “Can I help with the drizzle?”

“Oh,” Dean says, shaken out of some kind of trance. “Sure. Get a spoon.”

Cas fetches one. He holds it like an instrument of war. Dean loves him so fucking much.

They drizzle white chocolate over the strawberries. Cas does it so precisely his drizzles look like they came from the store. Dean’s drizzles improve. He makes a couple decent ones. For Jack, he guesses, ‘cause the ones Cas made should probably go to Sam.

“I gave you a strawberry,” Cas says out of nowhere. “And you gave me one. Does that make us Valentines?”

Dean freezes. 

A moment later, his heart restarts and he looks at Cas, who is solemnly drizzling. Then he looks innocently up at Dean, and Dean realizes that Cas has absolutely been fucking with him this whole time. Absolutely knows about Valentine’s Day, absolutely ate that strawberry out of Dean’s hand on purpose. Dean narrows his eyes at him. Cas tilts his head. 

“You’re a menace,” Dean grumbles. 

“That’s not a no,” Cas says. 

“You’re right,” Dean says. “I guess it does make us Valentines.” Cas smiles, a tiny, private thing, and then looks back down at his drizzling. 

“Good,” he says quietly, and Dean ducks his head, cheeks warm and heart fluttering, and he lifts up his spoon. 

It’s kind of cold in Kansas in February, but Dean imagines him and Cas wrapped in blankets,  feeding each other chocolate-covered strawberries in front of the TV. This time, he thinks, he’ll actually taste the strawberry. And you know what? Dean’s sure that those strawberry molecules and those chocolate molecules are gonna be fucking fantastic.

Especially if he gets to kiss them off Cas’ lips. 

(ao3)

[sun-snatcher]

Hey!! Just wondering if you do headcanons? If so can we get some hcs from We Lucky Few about Deadpool and the Gang™ being a domestic happy family 🥲🥲

#WELUCKYFEW | Headcanons galore !

i. —— THE FIRST DAY IN A NEW UNIVERSE means Wade has to break it to Blind Al that there’s gonna be 3 more strays that’ll be staying over at the apartment for a while (in tragic addition to Mary Puppin’s and Logan).

The old lady agrees (very vehemently disagreed, actually, but she knows Wade already made up his mind) only because she’d hoped he meant stray cats this time, to which she’d been disappointed with: “Say hello to Logan’s hispanic feral cat-daughter, your local homeless war veteran with a PhD and a dash of PTSD, and Amateur David Blaine—! But if he was born in the South.”

Regardless. It’s only, like, for 2 weeks! As long as they don’t touch her cocaine. Anywho, Vanessa’s already pulling strings to get you and Remy an apartment; Laura’s first instinct was to seek out the Professor and Logan’s… a drifter. Vagrancy is nothing new to him. He’ll figure his things out one way or another.

ii. —— GROCERIES COST TENFOLD during the time everyone was still crammed in that little house. Dogpool is in the trolley seat having a good time. Wade and Laura stock up on junk food and Logan’s dumped an armful of canned goods that “will actually last for the fuckin’ week.”; Meanwhile Gambit’s been banished to trolley-pushing ever since he’d admitted to stealing Skittles, M&M’s and small tidbits from the candy aisle without anyone noticing.

And you— well, you were on breakfast duty, which means bread, jams, cereals; but it’s all just a tad bit overwhelming. I mean, why is there a need for this many flavours? You can’t remember the last time you had much of a choice when it came to food since the war.

(It’s Wade who finds you. He gets it; 10 years serving Canadian military/the JTF2 means he’s seen just about every other middle-eastern country that’s a battleground— And then suddenly he’s discharged and thrown into civilian life with zero assimilation and the expectation of exercising autonomy after living his whole life under orders and the threat of damn a bullet in his head. So. Yeah, he gets why you kinda just… Blank out.)

“You can roulette it,” Wade advices. “Or pick one with your favourite colour. That’s how I did it my first few years out. Just don’t even fucking think of picking Special K or I’ll prune your ass back to the Void mys—”

iii. —— MOVIE NIGHTS ARE ON FRIDAYS. That means Gambit’s on permanent popcorn duty ever since Laura accidentally destroyed the microwave (she insists it’s Logan but the 2 holes say otherwise). And by popcorn duty I mean: having Remy shake the bag and generate enough kinetic energy to heat and pop the kernels. “Mais, if it works, it works, mes amis.”

iv. —— EVERYONE ROTATES TAKING Dogpool out on a walk. Remy uses the opportunity to have you tag along and tell him about New York when really he just likes spending time with you.

Logan has to be convinced to walk her; though he usually relents because it puts his mind to work and it helps that he can map out the city again. Sometimes Laura joins him, too. If she’s lucky, she’ll hear an X-Men story or two when Logan’s feeling particularly nostalgic. (Half of them are him shitting on Scott, but hey, she’ll take what she can get.)

v. —— LOGAN DOESN’T SLEEP. Can’t is a better way to put it, and neither can you and Remy at times; you figure maybe it’s because everything feels a little too.. fine.

Almost perfect. Too good to be true. Logan always loses all that’s close to him and as much as he hates to admit it: all of you are beginning to matter. Family, dare he even think. And it terrifies the absolute shit out of him.

Meanwhile, you get night terrors, and you’ve already alarmed everybody approximately five times now (Closing your eyes now means facing an apocalyptic warzone and the weight of life and death. You don’t talk about it. Everybody knows not to ask) so sleep is just an option to you if you could help it.

Remy stays up just out of pure habit. They used to alternate shifts back in the Void (which was why he sometimes caught Laura wide awake in the kitchen at weird hours of the night, too) because the Hideout became too vulnerable with their dwindling numbers. Losing Daredevil had been the catalyst.

Fortunately, sleep still does happen: You’re curled in the loveseat with Gambit’s coat over you as a makeshift blanket— you must’ve lighted out first. Remy and Logan are dead asleep on the ratty, squeaky couch; Laura half-melted beside them, legs hanging off the pleated sofa arms with Dogpool asleep in her arms. Love Island drones from the outdated home TV.

vi. —— WADE TAKES A SELFIE when he catches the scene.

He’s used it as the icon of the groupchat he created (lovingly titled: LIMBO LOSERS CLUB!) once he made sure everyone got some means of communication for when they moved out.

Not that Logan will ever use it.

Or Blind Al— “I mean, she doesn’t even text Wade, why is she in the chat?”

[a-bright-comet]

Jade Shadows Thoughts

(NOTICE: I have edited this post after a few days and many lovely replies and tags giving me more insight and opinions, overall my view of this quest has gotten a lot more positive, thank you all <3) okaaayyyy I am utterly rattled rn lmao also made the mistake of looking at tumblr after doing the quest and as expected it seems to be a 50/50 of hating or loving it. so here are my personal thoughts, I am a little scared but talk seems to be civil thankfully. I can definitely agree on the sentiment that this quest needed more time, cause let's be honest the people hating this quest wouldn't be jumping to the things they're jumping to if Jade herself got more screen-time before the big drop, warframe's style has always been vague and never 100% straight-forward and I think that unfortunately hurt it a bit this time, as what they didn't show came off wrong to many people and while I sorta see why I disagree on some parts. I also feel like the quest kinda got a bit *too* hyped both by DE and the fanbase's theories, way too short, it deserved and needed to be a bit longer for it's special narrative. Jade kinda got a weird spot, both being the main focus alongside Stalker but also hardly explored. But let's be honest, most of the negativity is caused by this outside-circumstance alone. Now, what I absolutely disagree with is people insisting that DE was trying to say "bodily autonomy bad" or that Stalker didn't care about her and only the child, thing is I thought it was pretty fucking clear that she *wanted* the child in what little was shown and she was going to die no matter the outcome (thanks to the orokin to absolutely no one's surprise) and Stalker in his guilt for all she's done for him wanted to make sure that he at least kept this one promise to Her, cause She wanted it. she still had bodily autonomy in the fact She wanted this, she wanted the child no matter what. and she wanted stalker to protect her and the kid. And he did, like a true loving partner. DE has a long track record of being very autonomy-positive. A point they make time and time again is that ripping it away is *bad* and horrifying, the quest is a bittersweet tragedy, not a horror. Honestly there would be 0 issue if DE had given us a Jade-only quest before this one, I personally would've preferred it as well, she's cool as hell she deserves it. who knows maybe DE will see all of this and make prequel quests? we can only hope. I do not want to assume the worst of anyone or anything cause that's a miserable existence. Look I personally enjoyed the quest and get the feeling whoever wrote it did it out of some personal experience or sorrow, that's at least the vibe I got. It's a tragedy, but her choice was seen till the end, many women choose to still have a child despite knowing they won't make it, many also don't, that's why choice is important. and she did, she chose her child that she was having while likely forcibly infested and turned into a warframe. (also remember there are women on the team who likely looked at this.) there are some other iffy parts of the quest, (really should've been the drifter instead of the operator if they were gonna do that, but that's personal discomfort.) but overall I enjoyed it and open to explore the implications of a born-warframe-child and Stalker healing as they both grow together. These are my thoughts, and I can understand why people like or dislike this quest, but I think it's fine and just ended up in a very unfortunate spot due to outside circumstances beyond it's control. (sorry if any of this comes off as aggressive it is not my intention despite how riled I am by some folk online, I disagree with you but I do not hate you, I don't even know you.)

Her choice, His promise, Their light.

Thank you for reading my first ever text post about something I care about, not sure I'll be doing this again any time soon out of anxiety lol (Edit: and thanks to everyone responding to this post wonderfully, ya'll are great and have lessened my anxiety and have made me appreciate this quest more <3)

[butchcarmy]

ALEXITHYMIA CH 1: onions, weed, and pizza

Roommate AU: Carmy Berzatto x Reader (R18)

ao3 link ch 2 ch 3 ch 4

Summary: Carmy can’t put into words how he feels about his roommate. It’s only been a couple months, but here he is looking forward to going home and sharing a smoke with them. That’s all it is, though. There are no underlying feelings, none at all, even if everyone around him has something to say about it. 

Or: Carmy is repressed as ever, but through the combined power of vulnerability, weed, and the horny, Carmy too can find love. 

Tags: hurt/comfort, friends to lovers, mutual pining, slow burn, cursing, yearning, repression, SO MUCH REPRESSION, angst, mental illness, canon-typical imagery, unresolved tension, for now, virgin carmy, use of weed, alcohol, all that good stuff, carmy character study, eventual smut, gender neutral reader, nonbinary reader, up to you

A/N: HI I've never posted fic on tumblr before but i deeply love Carmy...please enjoy!!!

CHAPTER 1: onions, weed, and pizza

It always stays the same. 

This is the thought that Carmy has when he wakes up, gasping for a chance to just catch his breath and keep it. It’s a kitchen knife twisting like a lock and key in his chest. It fits just right, as all awful and familiar things seem to do.

No matter how many times he wakes up, he’s never anywhere different. That drowning feeling suffocates him in his sleep and follows dutifully into his waking hours. He can’t remember when that haunting started, only that it’s always been with him.

He hates feeling like a drifter, like he’s lost (even though he is both of those things), so he picks a goal and runs after it like a monster. He’s an animal, hunting and working and bleeding until he fucking makes it work , because that’s who he is, and that’s who he’s always been. He can’t not make it work. Because if he can’t do it, then…then what was it all for? 

What is he even for?

These are the thrilling thoughts that serve as the background music to the swirl of his cheap morning coffee, oils rotating in a slow circle. He thinks about getting a nicer brand next time he goes grocery shopping. But that would mean change. That would mean less money on the restaurant, too.

Yeah, so it tastes like shit, but it doesn’t matter. Even if it mattered once. Less and less matters to him these days.

Mornings in Chicago are not technically quiet by definition, but when compared to other times of day, they are. Especially when most of his day is spent in the kitchen wringing out his throat. It isn’t bad to have a quiet morning by normal means, but for him…

The quiet is dangerous.

It’s not silent, but it’s not enough. There’s distant beeping of impatient cars. The whirring sound of the old AC unit. He tries to listen to them, but his rampant thoughts nonetheless rise above them all, buzzing everywhere with nowhere to land. 

A brief analysis of his thoughts reads as such:

Beef sandwiches eggs flour shipment Michael cigarettes smoking sore throat late shipment so tired not sleeping Michael Sugar Mom coffee tastes bad it’s too early my stomach hurts Michael fucking hates you Michael Michael Michael Michael Michael you piece of shit you fucking ki—

“Mornin’, Carmy.”

Until his roommate wakes up, that is. 

When he moved back to Chicago, there was a fact, plain, simple, and unchanging. He wasn’t gonna make rent on his own, not with the restaurant. Not with everything. So maybe he didn’t need to deal with a new roommate, but it’s not like there was a choice. It seemed bearable, survivable enough.

He keeps waiting for the thing that’ll make him grit his teeth, make him regret not getting a place on his own, but it never comes. They’re easy to live with. It’s so easy, as a matter of fact, that it feels strange. The difficulty that he was so certainly expecting just isn’t there. 

If anything, he looks forward to being at home. For someone who lives at work, that feeling is completely foreign.  

They don’t steal his food (not that there’s much). Instead, they cook him food, leaving heated leftovers on the stove on late nights. In Carmy’s case, that’s most nights. They don’t bring over obnoxious company and keep him up with the noise. Rather, he basks in their company, and they make a ruckus between their laughter. Their presence doesn’t stifle him, it soothes him, just like the candle they leave lit in the kitchen for him when he comes home.  They’re not just easy to live with, they’re good to live with, and that’s…

That’s been a hard adjustment, Carmy would say. It’s too much of a good thing that he’s not sure what to do with himself.

On those late nights, they’re usually fast asleep by the time he’s home. But as he sits and eats the leftovers they’ve kept for him, he wants to say something. Something about how a long time ago, there was once a Carmy who cooked for himself, who looked after himself, but that he’s not that Carmy anymore. That it doesn’t matter that he’s a five star chef and they’re just some guy in the kitchen, as they would put it, because he’s…

He’s grateful. Incredibly so.

And yet, the words will never come out. He feels the words tingling on his lips, but it feels scary. He can thank them as many times as he likes (which he does) but it will never capture what he’s really trying to say when he says thank you . There’s too many words, and it just can’t…it just can’t—

It always stays the same. 

“You’re up early,” he says to them when they enter the room. It’s a rare sight to see them up at the early hours he frequents. He sees the morning drowsiness in their mussed hair and big t-shirt stained with hair dye. They yawn back at him, nose scrunching.

Cute , he thinks, and he stamps it down as soon as it flashes through his mind. 

“Randomly woke up.” They fall into the empty seat next to him on the couch, and they rub at the crust around their eyes. “About to head off to work?”

“Unfortunately, yeah,” he replies. There’s a certain sentiment that lies on the tip of his tongue, something about how he wishes he could have a slow morning with them instead. Of course, he can’t voice it. He can’t even come close.

“The plague of the working man,” they sigh. “Well, I got an idea that might cheer you up.”

“...And that would be?”

“Let me paint you a beautiful picture,” they start. They clear their throat and gesture widely with their hands. He notices their chipped nail polish, the writing callus on their middle finger. “Imagine this—you come home from work, tired. You need to relax —something you need to do more often,” they add with a pointed look.  No comment. “And I have dinner ready. Some sort of soup, pasta maybe. I need to check the fridge.” They pause with a yawn. “And before we eat, we smoke a big, fat joint.”

He snorts as they finish, unable to hold back a laugh. 

“That’s a nice picture,” he admits. He doesn’t remember when he started smiling. “Y’know, I was wondering when the joint was gonna pop in.” 

“You fucking know me, man,” they reply, blooming with his interest, his smile. Not that he can perceive that. “So? Thoughts? Haven’t done that in a while, right?”

“Right, right,” he echoes faintly. His mind is already sorting through the pile of tasks on the schedule. “Well, I gotta go over this new recipe with Marcus, today,” he mutters, partially under his breath. “But before that, ingredient orders. And those invoices before the end of the day—and that, that toilet guy was supposed to come today…I think?”

“Dude, I do like, one task, and the day’s over for me,” they say sympathetically, and the look on their face is so serious that Carmy struggles to hide his smile. “You’re crazy.”

“I, I’ve seen you do tasks,” he argues. 

“Name one,” they argue back.

“You did two loads of laundry and did the dishes all before lunch time once,” he says, the memory clear and instant. “And when I woke up, you were vacuuming the whole place.” The immediacy surprises him, and it seems to surprise them, too. 

“Damn, I said name one , but I guess I’m just that good!” They laugh, a breathy, exasperated sort of thing. “Well, point taken. Anyway, it sounds like you’re not gonna be home early tonight.” 

“It is a Friday,” he says, “but…”

“But.”

“Can’t make promises I can’t keep,” he sighs, and shame melts over him like butter on a stainless steel pain. This isn’t anything new. 

“I know, I know,” they say, gracious as ever. “It’s okay. Such is the life of a business owner, yeah?” He searches for some thinly veiled shred of disappointment, frustration in their expression, but he doesn’t. No matter how many times he lets them down, the explosion he’s waiting for never comes. They remain patient, collected through it all. 

Says more about him than them, he supposes. 

“Yeah,” he mutters, “such is the life.” 

“C’est la fucking vie,” they say, and he laughs with a shake of his head. 

It can feel strange to laugh. He worries that the lightness in his chest will expand like a balloon, and he’ll float away. It’s uncontrollable, foreign. It should be scary, how his emotions lead him when he’s around them, not the other way around, but it’s not. 

It’s not scary to loosen up around them, and that’s the scary part. There are no words to describe why. All he can see is that the fear exists, stubborn and persistent. That fear is what makes him snap out of it, makes him look at the clock. He holds back a sigh. 

“Time to go,” he mutters, and they nod.

“And time for me to go back to bed.” They salute him. “Best of luck with your day, brave soldier. And just shoot me a text if you do end up coming back early, ok?”

“Yeah, sure. I’ll try. And, thanks. You, you too,” he gets out. He stands up, readjusting the waistband of his pants. “I’ll, uh, see you later.”

“See you,” they say through a yawn, waving at him from where they’re lying down. They’ve taken his spot, sprawled across the couch, tangled hair flayed out on the pillows. 

Cute , he thinks again, and hearing the thought in his brain makes him wanna panic. 

He doesn’t wanna panic, doesn’t wanna think about it at all, so he nods, shuts the door, and heads out to work with a cigarette hastily lit in his mouth. 

By the time it’s Carmy’s lunch break, he swears his vocal cords must have snapped by how tight he was wringing them. 

The soreness has never stopped him from lighting a cig, though. As he stands outside in the back, finally forced to go on his 30, he smokes rather than eating. There’s a sandwich in his pocket, one that was bearing the brunt of test ingredients. He can feel the aluminum wrapping at his fingertips. 

Eventually, he does eat, though, because he sees the way his hands are shaking when he flicks his lighter. He doesn’t wanna shake when he uses a knife, so he eats. He tastes it, but he doesn’t really taste it.

In truth, he wasn’t even planning on taking his lunch break at all. Most days, he forgets about it. The kitchen’s always busy, there’s always something missing, there’s always something that hasn’t been prepped that’s ruining everything, the lights in the hallways keep flickering because they need to fixed, Fak’s supposed to fix them, but he can’t, because Richie’s still out getting the replacement bulbs, the pile of papers on his desk are bigger than he remembers, he doesn’t have enough fucking time—

But then he’s in the middle of chopping an onion, and the cutting board slips. The half-chopped onion and its sliced offspring scatter on the floor with the cutting board. The sound of its fall draws Sydney in like a whip. 

“You okay? Need a bandaid?” Sydney’s already kneeling by him, helping him pick the onions off the floor. 

“I, I’m fine, didn’t drop the knife,” he explains, and it feels like an ocean current is rushing by his ears. “Fucking, I just—such a stupid fucking—” He sucks in a breath and goes silent. 

His entire body feels tight, wound like a spring. He can barely fucking breathe. 

“Hey.” Carmy turns his intense stare from the onions to Sydney, and when he sees her searching expression, he remembers himself. “Maybe you should go take your lunch break.”

“No, I’m fine, really,” he repeats, and he feels like he’s heard this before. From someone else. He can’t remember. Who was it? “The onions—we’re behind on onions—”

“I can handle onions for 30 minutes,” she interrupts, decisive and firm. “Seriously.”

Carmy’s about to say something, but then he’s looking at the onion half in his hand. His hand is shaking. 

“Okay,” he sighs after a beat. “Okay, yeah. Sorry. For fucking up.”

“It happens. We all have our moments.” She shrugs. When he keeps standing there, she makes this shoo-ing motion with her hand. “Go on. Take your 30!”

So here he is, taking his lunch break a whole hour later than he’s supposed to. Although it’s better than most days where he doesn’t take it at all.

She wouldn’t have had to tell you to take a break if you didn’t fuck it all up, he thinks to himself, eyebrows knitted together. When the last time I’ve fucked up something so fucking easy?

He thinks about his dream from last night. A familiar sight of red fire and flames up to the ceiling, crackling so loud it sounded like screaming. The only good part is that when he woke up, he wasn’t at the stove burning his place down. It hasn’t happened at this apartment yet. Carmy hopes it never happens. 

Just get it together, he thinks. He aggressively taps the ash out onto the decrepit ash tray they have in the back. It’s full. You’re supposed to be at this shit. So just be good.

“Cousin.” Carmy snaps his head up, and Richie’s at the door, stepping out. His presence yanks him out of his inner whirlpool, a quickly descending spiral. “Gimme one.”

Wordlessly, Carmy hands him a cigarette. Richie plucks it out of his hand like a flower.

“You had a lighter, but no cigarette?” Carmy comments, squinting at Richie pulling a busted up red lighter from his jean pocket. 

“Shut up,” Richie mutters, but there’s no heat behind it. “Got the wrong damn light bulbs,” he explains unprompted. 

“Alright,” Carmy sighs. He has so little energy that the frustration bypasses him completely, diving instantly into deflated acceptance. “Just return ‘em.”

“Can’t,” Richie says, and when Carmy gives him a look, he elaborates, “no receipt.” 

“ Dude .” Carmy opens his mouth, but then he shuts it again. It’s just not worth it. “Thanks anyway, cousin. We’ll get it done.”

“Don’t fuckin’ thank me, you asshole. I didn’t do shit.” Richie nudges him, but like before, it’s not an angry thing. “Also, toilet guy’s not comin’ today.”

“The fuck? Why ?”

“Canceled,” he replies simply. 

“Fucking hell,” Carmy mutters under his breath. “Did he say when he could reschedule?”

“Not yet.”

“Great.”

“Yep.” Richie tilts his head up, blowing out a slow stream of gray cigarette smoke. “Might as well wait for Fak to get his ass back in town at this rate.”

“I guess.” Carmy sighs. He thinks about all the things he still needs to do. “I dropped this onion I was chopping, earlier,” he mentions out of nowhere. 

“Okay.” Richie gives him a look. “And? You bitches chop those things up faster than I could cut one in half.” 

“I dropped it on the floor,” Carmy tries again, but Richie’s expression remains unchanged. “I never do shit like that.”

“Well, cousin, you did.” Carmy feels something in him deflate. “What’s the big deal?”

“Nevermind,” he replies, because he’s a coward. “Just—just forget it.”

Silence. The spark of a lighter. 

“I’m gonna leave early,” Richie says, like he can just do that. Which…he can, Carmy supposes. “If no one’s gonna show up, what’s the point?” He slaps Carmy’s back, and Carmy doesn’t watch him as he heads back inside. 

Guess all I need to do later is get rid of those papers on the desk , Carmy thinks to himself, idly moving the shortening cigarette between his lips. Then that’ll be it, I guess.

He doesn’t remember the last time he’s gone home early. It’s hard to even imagine what he does on days like those. Sleeping, probably.  There’s nothing much else for him to do, not with how tired he is—

Shoot me a text, okay?  

He hears them in the back of his head all of a sudden, and he remembers. 

Oh, he remembers, hands moving to take out his phone. Almost forgot.

“Sorry to bother you, chef.” Carmy’s not sure how he didn’t hear the door opening. Marcus’ head pops out, nose covered in flour. “Just wanted to let you know that we’re gonna need more flour for tomorrow.”

“Order’s not gonna come for a couple days. I thought we had an extra bag left,” Carmy tries, but the guilty look on Marcus’ face explains it all. 

“Dropped it,” Marcus grimaces, and Carmy’s already fucking over it. 

“We’re all fucking up today, chef,” Carmy replies, and the day goes on. 

. . . . .

It’s a strange, delightful miracle, but he manages to get out of the restaurant before the sun sets.

Considering their collective track record, the fact everyone was able to leave early was cosmic intervention. It helps that the toilet guy didn’t come, in an unfortunate way, but still. Standing outside of the restaurant in the evening like this feels…weird. 

It’s not that Carmy’s complaining about a nice thing, it’s just that he wasn’t prepared to have anything good today.

Shower, dinner, and weed, he thinks absentmindedly on the way home. He juggles the three around in his brain. Just the thought of it feels like relaxing. A little.

With company , his brain helpfully adds, and his stomach squirms. 

Self control, he thinks. He needs more self-control. He can’t just keep thinking of them so indulgently. He’s not allowed to think of them that way, because it’s not fair to them. Even if no matter how many times he chastises himself, it never works. Even if they remain in his brain like sun-spots in his vision. Even if it’s not his fault that he just can’t help it.

The thing is, though, it always is. Even when it’s not his fault, it actually is. Always.

You dropped that fucking onion , his brain helpfully adds for no particular reason. Fucking loser.

Fuck off , he thinks back as he approaches his front door. Predictably, it does not stop.

Just as his fingers search for his keys in all of his pockets, he hears something that makes him pause, hands stopped on his waist. It’s music, distant and muffled. They’re probably listening to music in the kitchen. He stands, trying to place the song, but he doesn’t recognize it. 

He does recognize the voice that’s singing over the music, though.

Oh, he realizes. That’s them.

The way their voice clumsily layers over the music shouldn’t make him pause like this. He shouldn’t be doing this, standing in the doorway and listening rather than opening the door. The keys are in his hand. This, this is a breach of privacy, he tells himself, feeling a little dizzy with distress, he just needs to just—

There’s an abrupt, loud clang, and he shoves the door open.

Concern is on the tip of his tongue, but it dies there. The source of the noise lays face-down on the floor—a pan sitting in what seems to be tomato sauce. The matter next to it is what makes the words evaporate from his lips, like they were never there at all. 

They’re kneeled down next to the pan, paper towels in hand, but all they’re wearing is an apron. 

His mind blanks. He thinks he stops breathing. He’s never seen so much of their skin at once. He needs to look away, he thinks, but his eyes keep traveling, traveling, and traveling. It just happens so quickly. He doesn’t mean to look, he doesn’t, but they’re right there and he can see right down their—

“No, I—I’m sorry! I didn’t know you were coming back early!” They exclaim, quickly crossing their arms over their chest, and that’s what makes him tear his eyes away. 

“I—I thought I texted you,” he says quickly, hot face turned to the side, “on my lunch—...“ He stops there, the memory reconstructing itself. 

He forgot.

“It’s fine, I just feel bad about dinner, and, uh—okay, I’m just gonna change real quick, and then I’ll clean this up,” they reply, words rushing out. In the corner of his vision, he sees their bare legs dart to their room.

It seems wrong to just stand here staring at the tomato sauce slowly expand outwards on the floor, so he cleans it up. A couple paper towels later, he’s gotten most of it, and they’ve returned with a change of clothes.

“Sorry,” Carmy starts right as they also go “I’m sorry”. He pauses, meeting their eyes. It’s a lot easier now that they’re wearing leggings and a t-shirt as opposed to, well, nothing. Not to say he doesn’t appreciate the leggings. 

“Sorry you had to see me like that,” they sigh. “I don’t—I don’t usually walk around the place naked, I just—I didn’t think you’d be back—“

“I should’ve texted,” he interrupts. He struggles to not think about them walking around the living room naked. “I forgot. But it, it’s fine. You’re fine. Really. Sorry for not texting.”

“Okay. Cool.” They exhale, a tired noise. “And it’s okay. It happens.” They look at the floor and make a sound of surprise. “Did you clean this up?” The look they give him has far too much gratitude, and it feels like a searing hot iron.

“Yeah, uh.” His hands are moving like he’s trying to explain something, but no words crop up. “Felt weird not to.”

“Well.” They smile, grateful. “Thank you. That was gonna be dinner, but…” They trail off, looking at the floor with a sour expression. “I fucked up.”

“It’s just that sort of day today,” Carmy mutters.

“Shitty day for you, too?” 

“Yeah. Lots of shit went wrong.” Especially me, he thinks, but he doesn’t say it. “You?”

“Gotcha.” They shrug. “As for me—yeah. Really not my best day. It was just, uh, some family shit. You know how it is.”

Carmy makes a sound of acknowledgement. “That sucks.” He doesn’t know much about their family other than that they’re fairly shitty. It’s the same the other way around, too. 

“It’s whatever,” they say, even though it really isn’t, and he knows it. They look at the floor one more time before looking up at him. “Do you just wanna order pizza or something?”

“Yeah, I do,” Carmy replies, his words coming out much more despondent than expected. 

They settle on some pepperoni pizza from a place down the street. It’s a tried and true method—they deliver, it’s cheap, it’s oily, it’s cheesy, it’s good. Just talking about it makes Carmy taste it on the tip of his tongue. 

“You can go and shower if you want. I’ll get the door when pizza comes,” they offer. They’re standing at the sink, sleeves rolled up. 

“Okay, thanks.” Carmy pauses then, gears turning. He’s vaguely worried his memory is going to shit. “Did—did I just say I was gonna shower?” 

“Oh, no, you didn’t, you just always shower when you get home from work, right?” They say it like it’s the weather, like it’s familiar, and that’s when Carmy realizes because it is. After several months of living together, of course they’ve picked up on his habits. It doesn’t need to be a thing. There’s no reason for it to be a thing.

“I do,” Carmy replies faintly, and for some reason, that’s all he can say. 

“Thought so.” They look at him for just a moment, but it makes him feel like his body’s gone transparent. “I notice these things, you know.”

“Yeah.” Carmy looks at them when they turn back to the dishes, back facing him. “You do.” 

He tells himself he’s not gonna think any harder about any of it. He’s not gonna think about the singing, the apron, the way they just notice these things, but then he does. 

He’s in the shower, and he thinks about everything.

The water pressure is pathetic, but the warmth still feels nice. Between that and the sound of the running shower, it’s usually enough to quiet his thoughts. This time, though, it doesn’t. To his credit, he does try to think about anything else. 

He thinks about work, because he always does. He thinks about flour, about onions, about knives. He thinks about the shampoo lathered in his hair. He thinks about those lightbulbs they still need to get. He thinks about food. He thinks about them. He thinks about pizza. He thinks about the way they sing when no one’s around. He thinks about the way they know him. 

He thinks about them, knees on the floor only in a—

He thinks of bashing his head into the tile wall until he explodes.

“Shut the fuck up,” he whispers to himself, rivulets of hot water trailing down his forehead and dripping off his lips. “Shut the fuck up.”

The soreness is still present in his body, but that never quite goes away. He does feel a bit better now that he doesn’t have sweaty, sticky skin, though. It gets even better when he puts on a clean white t-shirt and his favorite sweatpants. It’s a nice surprise from his past self who did his laundry for him. 

This amount of niceness is okay. This is what he’s used to—a shower and comfortable clothes when he’s home from work. That’s enough.

He steps out into the kitchen with a damp towel on his head. He finds them sitting by their one shitty window that opens, pizza box in front of them and joint lit. It casts an orange glow to mix with the golden light from the window. 

“Hey, pizza’s here!” They slap their hand on the greasy cardboard box. “Just got this joint started for us, too.”

“So you weren’t gonna smoke it all on your own?” He doesn’t mean to tease, but he does. He slips into the seat across them, arms resting on the table they placed by the window. 

“I couldn’t smoke this whole thing even if I wanted to,” they protest. “Besides, joints are made for sharing. Here—now you get to take it. Isn’t that nice?” With their elbow propped up on the pizza box, they hold up the joint to him. The lit end of it sizzles a bright orange, emitting a thin trail of smoke up to the ceiling. 

“That is very, very nice,” Carmy agrees, taking it carefully from their fingers. Their face spreads into that contagious grin of theirs, and he’s far from immune. Sometimes he smiles so much around them that his face hurts, rusty and unused. 

Sure, he can blame that on the weed, but if he’s being honest with himself (a rare occasion), that’s a complete lie. Obviously the weed lessens the tension, the stress that winds him up tight. It’s not just the weed that gets him to relax, though. 

It’s them. There’s something disarming about their presence, something that makes him loose-lipped around them. Even when he’s sober, he finds himself feeling comfortable. He’s not quite sure how that happened, or if that’s ever happened. He supposes that isn’t a bad thing. Just something he’s noticed. 

He wonders if they’ve noticed. 

“You like the new rolling papers?” They tuck their knees under their chin, propping their feet up on the chair. 

“Hm.” Carmy lowers the joint from his mouth to give it a good look. He rotates it around in his fingers. “Strawberry?”

“Yeah, it’s strawberry,” they confirm, poorly hiding the excitement in their demeanor. Not that they were trying to. “Can you taste it?” 

He pulls from the joint, the edges of the paper sizzling red with the weed. It’s an even burn this time. He rolls his tongue around in his mouth after he exhales a cloud of smoke. 

“Still no,” he decides after a beat, and they sigh. 

“I don’t know why I ever get my hopes up.”

“I do taste something else in this, though.” He takes another hit, stews on it. “Lavender?”

“Shoulda known you would’ve gotten it on your first tray. Yeah, it’s lavender. I found some lying around.”

“You made this one pretty nice,” he observes, eyes tracing the shape of the joint. “Between the lavender and the new papers, I mean.”

“Well, y’know.” The smile on their face is small and shy. “I don’t smoke joints often, so I wanted to make it nice, and I, uh…”

They’re paused for so long that Carmy interjects. 

“And?”

“And I—want that joint,” they finally say, outstretching their hand. Carmy has a strong feeling that they weren’t originally going to say that, but he hands over the joint nonetheless.

“Strain?” He asks curiously. He can feel the body high creeping up his shoulders, fluid and light.

“The strain that gets you high,” they reply with a grin.

“Oh, thank god,” Carmy sighs in relief, and the way that makes them laugh… It makes his chest tight. 

“To actually answer your question, though—I dunno.” He likes watching the smoke drift from the tip of the joint as they talk, thin gray wisps in the air. “I think it’s a hybrid? Not sure if it’s more one way or not, though…”

“As long as it’s not the weed that puts you to bed.”

“Um…well, if you smoke enough of it, it can.”

They sit together like this for a while, just sitting and taking turns with the joint. It’s an easy, fluid exchange, flowing between them like smoke. No matter how much they both try to blow it out the window, it always comes back in. The smell of weed is strong in the air, earthy and pungent.  

Although he would never describe himself as a talkative person, sitting stoned across from them makes the words come out. Sometimes, he thinks he likes himself better when he’s high—his mind isn’t running circles around itself, and the soreness of his body just floats away. He feels more like a human than a poor imitation of one like he usually does. 

This weed smells kinda good, he thinks, and when they laugh, nose scrunched up, he realizes he said that out loud. 

“That’s literally what I’ve been saying,” they agree, a bright grin lingering on their face. “That’s how you know you’re a fuckin’ stoner!” 

“Feels weird to call myself a stoner,” he muses. He plucks the joint from their outstretched hand. It definitely looks shorter from when they started a moment ago. “But I guess…”

“If you like the smell of weed, you’re too far gone,” they say with a grave expression. “It’s so fucking over for you.”

“Fuck,” he whispers, equally as serious, and then they’re both bursting out into laughter. He likes the sound of their laugh—it’s unabashed, fills up the space. 

“Dude, I’m high,” they whisper after they both calm down, like it’s some sort of secret, and Carmy can’t stop himself from laughing all over again. “Oh my god. Are you high?”

“I—I think I might fucking be,” he gets out between laughs, and that sparks them straight into another cackle of laughter. He’s not supposed to be able to make others laugh, he doesn’t even make himself laugh—but then he’ll say something, and they’re lit up with laughter. 

“We need to eat this pizza now, ” they yell, projecting over their combined noise. They flip the pizza box open, and it smacks Carmy right in the face. 

“Oh,” he reacts mildly.

“Shit, I’m so sorry—”

“It’s fine, it’s not like you punched me in the face,” he reasons, but their guilty expression persists. “It didn’t hurt, it’s just cardboard.”

“I’m sorry, I’m high,” they sigh apologetically. 

“I know,” he replies with a little smile. His eyes drift down to the pepperoni pizza sitting before them, glorious in its perverse amount of oil. “So, we’re gonna eat this, right?”

“Oh my god, yes we are,” they gasp, and the moment is forgotten. 

When he tears off a pizza slice, the cheese stretches in thin, gooey strings. They grab the slice adjacent to it to snap the strings in half, but they’re both leaned back in their chairs, pizzas in hand, and the cheese is still connected. 

“This doesn’t seem right,” Carmy mutters, eyebrows furrowed in confusion. “We should’ve just cut it.”

“How could we have predicted this?” They pull their pizza further back, and the string still doesn’t break. “Wow. I’m honestly impressed. I don’t think it’s ever been this insane before.”

“I think we’d remember.” He’s not sure why he’s still talking and not just running his finger across the string to break it. 

“I think we would, too.” They snort, shaking their head. “This—this is some spaghetti type shit.”

“What? Spaghetti?” He’s genuinely perplexed.

“I—I mean like—that fucking disney movie. With the dogs.” They pause for a moment, mouth silently moving. “Fucking—lady and the, the truck—”

“Uh.” He has to hold back a laugh. “...The lady and the tramp?”

“ Holyshittheladyandthetramp ,” they blurt out in a rush, and the cheese string finally snaps in half. “…Well, I guess it’s not exactly like the lady and the tramp, then.” They take a large bite of their pizza, and it reminds Carmy exactly how hungry he is. 

“You mean lady and the truck,” he corrects, and he can’t stop himself from smiling. Especially not with how good this hot pizza is, delightfully salty and greasy in his mouth. 

“Shut up, I was trying,” they grunt through a mouthful of food. 

“How exactly is this like the lady and the tramp, again? Or, uh, not like it?” 

“Well, it was just like it, but then the string broke.” Somehow, they’re already halfway through their slice. “Could’ve been a beautiful spaghetti moment.”

“Spaghetti moment,” he echoes under his breath, holding back a laugh. “Remind me how that scene goes?”

They go quiet for a moment. It’s like he can see the gears turning in his head. If he’s being honest, he already remembers how that scene goes, but…he wants to hear them say it. He needs to hear them say it. 

“Uh, well, they’re…eating spaghetti. The titular lady and tramp.”  Their eyes are fidgety, flickering back and forth between their pizza and the window. “And they’re sharing the plate, the two of them. They’re eating together, and, um…” 

“...And?” 

They meet his eyes, mouth hanging open, and then they close it. 

“Um, I don’t remember, actually,” they say, shaking their head and blinking. He sees it for the blatant lie that it is, and yet. “Do, do you remember?”

As he stares back at them, unable to look away, he wonders. He wonders about what this really means. About if this really means anything at all, about if he’s going to find out if it does. 

“I don’t remember,” he answers quietly, cowardly, and neither of them say anything else.

Out of the two of them, they’ve always been better with recovering from awkward moments, so they do. They start talking about something else, and the world keeps turning. But in the back of his head, Carmy remains in that moment, unwilling to let it go. 

Why did you say that you didn’t remember? He wants to say. Why didn’t I say that I remembered how it went? Because I remember. They kiss—they fucking kiss. Is that what you wanted to hear? Is that what I wanted to hear?

But because he’s Carmy, he doesn’t say anything. He just eats.

He’s so hungry that the pizza disappears in minutes. It’s delicious, but he’s so high he’s not completely sure he can taste it. Somehow, it remains the best thing he’s ever eaten. 

The rest of the night is a blur. He remembers getting onto the couch at some point. They both decide on a random movie he doesn’t catch the name of. They finish off the joint on the couch together, sinking into its cushions. It burns hot in his throat as it reaches the end. 

And as it turns out, the weed he smoked is the one that puts him to bed. 

“...Ca…Car…” Someone’s calling him. “...Carmy, c’mon. You’re gonna complain about your neck tomorrow if you keep sleeping here.”

“Mhm,” he replies helpfully. He turns his head into the cushion. His body feels like an abstract blob, perfectly molded into the couch cushions.

“Okay, you made a good point. But. ” They laugh quietly, under their breath. “Movie’s been over for like 20 minutes now.”

“Mhm,” he repeats, nearly inaudible. He doesn’t wanna get up. Whenever he falls asleep, it always feels like he’s never gotten an hour of sleep in his life. There’s nothing he needs to think about, worry about. He’s warm and comfortable, and he doesn’t feel like letting that go just yet.

Everything goes silent again for a moment, save for the cars on the road. He begins to drift away again, slipping back into his dreamless sleep. 

But then there’s a hand on his shoulder, and it’s like a smoking brand on his skin. His eyes fly open and he jolts awake, jerking upright. 

“I’m sorry, I didn’t mean to startle you,” they apologize, fretful. Between the dark of night and haze of sleep, they look pretty different. The blue light from the television is streaked across the blurry planes of their face.

“It’s fine,” he replies, drowsy. Speaking feels…heavy. Begrudgingly, he adjusts to sit up. “Didn’t mean to fall asleep.”

“Weed,” they say with a shrug. 

“How, how long was I—?” He cuts himself off with a yawn, wide with condensation in the corners of his eyes. 

“Only like, 30 minutes.” They yawn back. Typical infectious yawning. “End of the movie sucked anyway.”

“Oh.” Pause. “What was the ending?”

“Love interest died,” they state plainly. “He told her about how he felt, got rejected, and then she died in a car accident. Pretty tragic.”

“Huh.” Carmy makes a face. “That does suck.”

“Yeah, a bit.” They’re idly fiddling with the remote, scrolling through Netflix without reading anything. “I feel like the movie was trying to say something profound about the unpredictability of life or something, but the writing was shit.”

“I guess it’d be too perfect if they got together,” he muses.

“I guess,” they echo. They turn off the tv, and the room goes dark. The only light is from the yellow street lamp right outside their window, wonderful in its inconvenient placement. It illuminates the shape of the back and leaves their face in shadow. “I think I remember how that scene went,” they say suddenly. 

“Oh.” Carmy’s heart feels stuck in his throat. “And how does it go?”

“Well, they’re—both eating spaghetti. Like I said.” They’re not facing him, leaving their face shrouded in shadow. He’s not sure if he’s imagining the shake in their voice or not. It’s beyond him why there would be any shakiness at all. “They somehow get the same noodle, so they, uh, kiss.”

“They kiss,” he repeats for some unknown reason.

“Yeah.” They let out a quick laugh, but it doesn’t sound like they actually find this funny. He wishes he could see the look on their face. 

“I don’t think pasta works like that,” he hears himself murmur faintly. For some reason, he can’t help but think that was the wrong thing to say. But he’s already said it. Maybe it’s the same reason as to why his heart is beating so urgently. 

“No, I, I don’t think so either,” they mumble. He refuses to place the way they’re feeling. 

I can’t fucking do this.

The thought resounds like a gong, hit with a mallet right next to his ear. 

“It’s late, I gotta head to bed.” It feels like someone else is speaking for him, moving his body for him. He can’t stop them. When he stands up, he avoids their face.

What the fuck are you doing?

Another thought resounds. He doesn’t respond.

“Right, I—didn’t even notice the time.” He pretends he doesn’t hear the strain in their voice. No, he didn’t word that right—there is no strain in their voice. “G’night.”

"Night,” he murmurs back.

This is enough, he tells himself as he falls into bed. His sheets are tangled. This is enough , he repeats, and it’s not because he’s scared, afraid, anxious, or any other stupid synonym. It’s because he believes it, needs to believe it. 

He tells himself, this is enough , even though he wonders, what is supposed to be enough? He doesn’t listen. He stamps down the protests, the thoughts that are out of line. The high usually helps with that, but it’s worn off, now just leaving him in a weary, sleepy state of things. 

This is enough, he thinks, and he falls asleep looking at their shrouded face behind his eyelids.

[lovelytsunoda]

proud mary // han lue

summary: now living a quiet life with their daughter, han and y/n reflect on how they got there, and all the good moments that are still yet to come.

pairing: han lue x wife! reader

warnings: this is a big one so listen up: mentions of post pregnancy mental illness, mentions of pregnancy and starting a a family, weddings, ignoring tokyo drift canon because I fucking can, (actually I ignored a lot of canon) han is about to activate a shit ton of daddy issues

I left a good job in the city, working for the man every night and day and I never lost one minute of sleeping, I was worrying 'bout the way the things might've been.

big wheel keeps on turning, proud mary keeps on burning. and we’re rolling, rolling, rolling down the river

2009, tokyo, japan.

the garage was dark, lit only by the moonlight and the small lamps atop the workstations. han lue had closed up hours ago, and everyone was gone save for him and his lover.

“han, what are you doing?” y/n laughed, sitting at a table scattered with nail polish bottles and a shellac brisa light. “it looks like a smudge.”

“it’s a drifting car!” han laughed, staring through the large magnifying glass that was allowing him to see the design he was attempting to paint on his lovers thumbnail. “see, there’s the spoiler and those are the headlights!”

friday night manicures had become somewhat of a tradition. y/n hated painting her nails with her non dominant hand, but she also didn’t speak enough japanese to venture out and get her nails professionally done. when she and han started dating, he offered to do it for her, easing the aggravation that sometimes came with doing mail designs yourself.

“well, now that you’ve pointed it out.” she laughed, kissing him on the cheek. “I love you.”

they had been together coming up on two years. two long, wonderful years. she was a mechanic and he was drifter, it was almost meant to be. she stopped him from getting himself killed, and in return, he loved her unconditionally.

they were sympatico like that. she loved his sense of humour, his protectiveness. he loved her smarts and the excited way she talked, animatedly and with hand gestures.

“what do you say we get out of japan for a bit?”

han should have known this question was coming. y/n was a restless spirit, never meant to stay in one place for too long. in a way, han was as well. he could tell that his lover had been more restless than usual, either from missing home or needing a change of scenery.

“a friend of mine, his name is dominic torretto, he’s got this place down in the dominican republic.” han started slowly, unsure of how much he wanted to involved her in. y/n was his whole world, and what dom and mia would be running was far bigger than street racing in shibuya.“he called me the other day wondering if I would run a job with him. but it’s not entirely legal and I don’t blame you if you don’t want any part in it.”

“baby,” she frowned, placing her hand inside the blue light machine. “of course I’ll go with you. I never pass up a chance to go somewhere sunny, and you know that I’d go anywhere with you. what we’re running here with twinkie and sean isn’t exactly legal either, you know. I’m a big girl, seoul-oh. I can handle myself.”

“I know. I just want you to know what you’re getting into. you’re important to me, y/n.”

“I know.” she said softly, running her hand up his arm as she rested her head on his shoulder, gently kissing his neck. “so when does our flight leave?”

“whenever you want it to. I haven’t even bought the tickets yet. are you ready for an adventure?”

“fuck yeah.” y/n smiled, pressing her lips to his. “but you have to paint my other nails first.”

han laughed, the kind of laugh that would always set loose the butterflies in y/n’s chest, the kind that reminded her why she fell in love with him in the first place.

“I don’t think I have it in me to paint another drifting car.”

“then what are you going to paint on my thumbnail?” y/n laughed back, looking down at her nails and realizing that her lover had actually done a very good job painting a drifting car manicure.

“I don’t know,” han shrugged. he would deny it if asked, but he actually loved painting y/n’s nails. he thought it brought them closer together, built up intimacy in their relationship.

they were moments he wouldn’t trade for the world.

“I’ll just do like a checkered flag or something.”

“but you did that on my index finger!”

laughing, y/n turned her head to kiss him. “come on, you big dork. the sooner we get my nails done, she sooner I can model that new lingerie set I bought last weekend.”

“sold!” han laughed, knocking over bottles of gel polish as he searched for the bright pink he had used to paint the car on his girlfriends other hand. “drifting car? f1 car? whatever my gorgeous gorgeous girl wants.”

“I love you, han lue.”

“love you more, pretty girl.”

2010, monte carlo, monaco.

it was set up to be another sleepless night without her lover by her side, and y/n was having none of that as she wandered the deck of the comfortable yacht, looking around at the decorations that the crew had spent the day putting up.

she was just praying that it wasn’t going to rain.

nothing was about to spoil her big day.

she scurried below deck, past a half open door through which she could hear roman pearce’s guttural snores. fingers curled around the door knob, she tried not to make any noise as she eased the door open, slipping into the cabin.

“you couldn’t sleep either?” she laughed, looking at the king size bed where her fiancé lay, phone in his hands as he texted his mother, who the crew was picking up in the harbour in the morning before the ceremony began.

“got a lot on my mind.” han shrugged. “fucking tej won’t shut up about the reception and the playlist and I’ve told him a million times that it’s not going to be some crazy rave kinda thing.” the man sat up, gesturing for his soon-to-be wife to come closer. "it's doing my head in. seriously, he wants to do a club mix of 'i would do anything for love'."

y/n snorted. han thought she looked like an angel in the low cabin light, a halo glowing around her head and shining off her white silk pajamas, the ones with the tiny shorts and 'bride' embroidered on the butt. "how the fuck do you turn the best meat loaf song in existence into a club rave song?"

"the fuck if i know." han shook his head, hands sliding up her thighs as she came to stand in between his legs. "jagi, sarang-hae."

honey, i love you.

"mhm." she hummed, a smile on her lips as she leaned down to kiss him sweetly. "i love it when you speak korean. it's so fucking sexy."

the last year had been stressful. the dominican job had been way more complex than y/n had expected, and it took a while for han's old crew to warm up to her. it took a while, but eventually she managed to crack dom toretto, and two weeks later, han got down on one knee and asked y/n to marry him.

hence why they were on a yacht off the coast of monaco, the entire thing decked out in fairly lights and tulle.

"if you think tej is bad, you try getting in between letty and those large plastic ribbons on the back of the deck chairs." y/n laughed. "who knew letty ortiz was so serious about weddings?"

she was practically sitting on his lap now, head resting comfortably on his shoulder as the boat rocked back and forth.

han seoul-oh was her home. her safe harbour. she always felt safe in his arms, at his side, even when they were plunging into almost certain danger like they had in the dominican.

"i brought you something." y/n hummed, reaching into the pockets of her shorts and withdrawing the small cardboard packet.

"fake nails?"

"help me put them on? for old time's sake." she passed him the glittery white french tips, no doubt chosen to match her dress for the ceremony tomorrow.

"i can't wait to spend my life with you. and believe me, there will be plenty more manicure mondays."

2014, monterrey, california.

"daddy, where's mommy?"

"i don't think she's feeling well, poppy." han lue frowned, looking over at his daughter, who was perched in her little kiddie chair at the kitchen table. "i'm going to go check on her, okay? stay right here."

how do you explain depression to an infant? poppy jae-i han had been one of the best things to have ever happened to han seoul-oh. but in the almost twenty-four months since their bundle of joy had been born, something had felt off about his wife.

everyone hears about the mental health complications that can come with childbirth, but no mother ever thinks it would be her.

every husband fears it, too.

"y/n, jagi?" han tried to keep his voice level as he eased open the bedroom door. the couple had bought a ranch house in monterrey when they learned they were expecting. it was one of the few things they used their ill-gotten gains as a part of dom's crew for. "poppy's asking for you."

it broke his heart to see his wife like this, hair messed and greasy, red splotches under her eyes from where she had been crying.

"am i a bad mother, seoul-oh?" she asked, voice small. she seemed so tiny and fragile underneath the layers of blankets on the queen bed. "she always seems to cry when i'm around, but never with you. poppy loves you more than she loves me."

"what?" it was all han could do to stop himself from crying as he sat on the bed, gently running his fingers through y/n's hair. "sweetheart, what's brought this on? poppy loves you. you're her mom. she needs you."

"mia makes it look so easy." y/n sniffled, pulling herself up to a sitting position. she's lost weight. not a noticeable amount, or even an unhealthy one, but enough that her husband knows. there are many things that you can hide from the man you share your bed with, but han knows. he knows she's not doing well. "and i'm fucking shit at it, han."

"look at me, pretty girl." han encouraged, reaching for her hands. "you are such a good mother. i know you're struggling right now, and i know you're hurting but you need to know that poppy loves you so much. she was asking about you over breakfast, you know."

"i don't know who i am any more. i've lost my sense of self."

han frowned, brushing a few strands of greasy hair away from her forehead before leaning down and gently kissing her hairline.

"listen, i was talking to brian last night-"

"of course you were fucking talking to brian."

"-and he thinks you should talk to mia. they're passing through town today on their way back from dom and letty's, brian and i are going to take the kids out to the zoo or whatever, and you and mia should do something." he suggested, running his hand comfortingly up and down his lover's back. "go to the mall, get a coffee. i think she could really help you. she's been through this before."

y/n inhaled shakily, pulling away from han. "what if something happens to poppy and i'm not there?"

"y/n, everything is going to be okay. i promise. brian will be there, the kids will be in great hands. go do something with mia, darling. find yourself again, yeah?"

"okay." y/n nodded, still clutching his hand like it was her lifeline. "i can do that."

"mommy?" a small voice called. poppy had managed to get herself all the way from the kitchen to the master bedroom, where han had left the door ajar just in case poppy needed them. "are you okay?"

"oh, sweetheart, come here." y/n said, tears beginning to fall.

because how could she ever think that her little bundle of joy didn't love her as much as she did? poppy waddled over to the bed, and han hefted the toddler onto the mattress so that y/n could pull her close.

"you know that mummy loves you, right?"

"yes. i love you too, mommy."

"see." han smiled. "you're going to be okay. we're going to get through this."

2017, monterrey, california.

"i genuinely can't comprehend that roman pearce is getting married."

the family of three was walking down the nail care aisle at walmart, a welcome addition to their weekly shopping trip as y/n scanned the packages on the rack for a set of acrylic nails.

han laughed, one hand around his wife's waist and his chin on her shoulder as he leaned against the shopping cart. "it's not going to last. they may be getting married on saturday but i bet that by christmas roman is going to call and tell us she asked for a divorce."

"don't be so cynical." y/n laughed, kissing her husband softly before holding up a small white box. "do these go with my dress?"

"they'll go with anything, babe." han said, moving to whisper in her ear “they'd look even better wrapped around my c-"

"i want nails like mom's!" poppy han's shout cut him off, the little girl looking at the array of disney princess nails on the lower shelves.

laughing, han knelt down next his daughter, one hand on her shoulder. "which one do you want, princess? do you want frozen, tinker bell? mulan?"

"i want the ariel ones." poppy smiled, reaching for the pack of little mermaid nails. han helped her get them off the hook before lifting her up, carrying the six year old securely against his chest.

"seoul-oh, she's like six, you're spoiling her by carrying her all the time." y/n laughed, dropping both packs of nails in the cart.

"what, she's not heavy, sweetheart." han grins. "besides, i have to stay in shape somehow."

y/n rolls her eyes. "sweetie, it's bold of you to assume that you were ever in shape. but i loved you anyways, didn't i?"

back at home, they settled in the living room, near the large bay window. y/n watched contentedly from the kitchen as han sat at the coffee table across from poppy, delicately brushing nail glue across his daughter's tiny nails, dropping the glittery little mermaid nails on top.

it had taken a while to get to this peaceful, quiet part of their life, but y/n han was so glad that they had made it. that she had seoul-oh and that she had little poppy.

"be careful with your nails, they might come off. now, go get your homework done before we make the pizza, okay?"

poppy scurried off down the hall to her room, and y/n padded across the shag carpet, looping her arms around her husbands neck as she gave him a kiss.

"i'm so lucky, you know that. i'm happy and healthy again, and i have you and poppy. that's everything i could ever ask for." she said softly, resting her head against han's chest as the man tilted his head down, pressing a gentle kiss to the top of her head.

of course they both missed the good old days. the days of adrenaline and adventure. but brian and mia had left, and then y/n and han, and soon after was letty and dom. they were moving on with their lives, a chapter of glitz and glamour coming to a close.

"i want another one."

y/n froze, pulling back from her husband. "what?"

"i want another baby. and i know what we went through last time, and i fully understand if you're not willing to take that chance again, but god, y/n, i want a big family with you." han explained, holding his wife's hands. "poppy is growing up. soon she's going to be too cool for dear old dad. and then there will be boys-"

"or she'll be like you," y/n cuts him off with a laugh. "in which case there will be lots and lots of girls."

"god help us all. my little girl is going to break a lot of hearts one day."

"and you want another one?"

"honestly? yeah, i do."

"then i guess we'd better start trying. multiplication isn't that hard, so poppy's gonna be looking for us within the next hour." y/n hummed, kissing her lover softly.

han smiled against her lips, hands slipping into her jeans pockets to cop a feel of his wife's ass. "i only need half that."

TAGS:

@libraryofloveletters @magnummagnussen @mignonricciardo @sidcrosbyspuck @cartierre @monzabee @scuderiamh @daydreamingleclerc @diorleclerc @oconso @cl16version

[calamitys-child]

Grabbing the faggots of tumblr by the throat with my outlaw country agenda and I won't stop. Transmasc anthem about beating up your transphobic dad until you reach an understanding that he didn't mean to hurt you he was just scared of how the world would treat you and you know you still hate him and have every right to kill him but a part of you is strangely grateful for the fact that you ended up tough as fuck in the face of everyone else's bigotry cause you grew up on it and it cannae hurt you any more. A hundred songs about how sending folk to jail doesn't do anything to improve society. Dreaming of a magical anarchist drifter paradise where there's always enough to eat and the cops can't hurt you and you can travel wherever you like. These motherfuckers would do gigs about killing cops performed INSIDE THE PRISONS. Theeee original thesis statement of "im dressed in black and look scary because im defending against a cruel world, I'd love to be sunshine and rainbows but until it ends I will never stop mourning for the cruelty of poverty and war". Society wants you to be the same as everyone else to fulfil capitalist reproduction and thats an unforgivable tragedy. The secret bonus verses of this land is our land. You wanna listen to outlaw country and protest music so bad this is a Threat

[leolithe]

this has been sitting in my drafts forever so i'm just gonna post it!!! these are my Plural Lotus headcanons that are Integral to my interpretation of them

Lotus represents balance while Natah and Margulis represent extremes, but she also represents Acceptance in The Sacrifice. So it makes sense that Lotus is the most passive, or "watching and waiting" one of the three

Lotus is also the most withdrawn and cautious one because she's the one who holds the trauma of every event leading to The New War. From her kidnapping in Apostasy Prologue, she was Lotus-turned-Margulis. From the Sacrifice to her death in New War, she was Lotus-turned-Natah.

After holding back Wally, Lotus fainting was a direct result of realising that the war was over. That she was finally free. That she could finally get the rest she desperately needed. And her entire body took that realisation and completely shut down. The need for rest was that dire.

This is when Natah and Margulis start to awaken. In the epilogue, when the Operator and Drifter are asking Lotus Radiant questions, Natah and Margulis also answer at the same time, each with their own insight and inflections. This is what leads to Lotus saying that she hears voices.

Natah was just as dead as Margulis when her body was reprogrammed. (Jovian Concord monologue: "I became a memory, a ghost"). Therefore, Lotus was formed from a blank slate of a (powerful) Sentient husk and Margulis' memory.

Natah, being the Sentient body personified, is able to access everyone's memories at will. She can also read everyone's minds, while still being able to focus perfectly on the present/outer world. She uses this to watch over Lotus and monitor her wellbeing.

Natah hates accessing or reading Margulis' mind though. She does not enjoy the imperfect, inaccurate, messy nature of Human memory. So she leaves Margulis alone for the most part.

Because she sees everyone's memories, Natah is the first to realize that she was formed to protect the Lotus. She takes the role of prosecutor, and she's very fiercely protective. Natah places much more weight in remembering the trauma rather than suppressing it like Margulis did.

Margulis is someone Lotus remembers for caring for and loving the Tenno, so she was formed with the intent of having a caretaker in the Lotus system. She's best at grounding Lotus, whispering soothing words to her and generally being a gentle and comforting presence.

There is very clear friction between the way Natah and Margulis handle their roles. Natah's decisiveness can be pushed into being cutthroat and stubborn, and Margulis' healing can veer into unrealistic idealism. Natah doesn't like how Margulis encourages Lotus to neglect her traumatic memories, and Margulis doesn't like Natah's insistence on forcing her to remember. They both think the other is pushing back Lotus' progress; Natah by intentionally surfacing painful memories and Margulis by exposing Lotus' weak points to the same aggressor again.

Very much a fight between, "If you don't remember how it damaged you, it will always happen again" vs "It will never happen again, you're safe and free to live like it never did"

Natah vs Margulis isn't only about Power vs Healing/Destroying the enemy vs Protecting your allies... it's about Remembrance vs Oblivion in regards to distress and trauma.

Lotus gets intermittently pulled around by these two for a while, until Margulis' comforting lies become unignorable and Natah's ruthlessness becomes unbearable. And when Lotus finally snaps and asserts herself to them... it's a wake up slap to both Natah and Margulis. This marks the point where they start quietly trying to work together... pushing past their rivalry to then FINALLY. Explore each other's bodies. Sentient-Human headmate style.

Thank you for reading. I can go on and on but I'm just gonna leave u with the mental image of Lotus walking in on Natah and Margulis having ravenous floor sex because they've actually never fucked a woman in their lives and they're not normal about it

[aqg-arts]

I still have a lotta lore questions about these two besties. DE, answer these, or I will send a decapitated Excalibur plushy head on an Erra body- Red Wedding style- to your office. Your actions have consequences and I will be fucked with a chainsaw before I let my questions go unanswered (for the long run) 😎

1. So, with Shadow being besties with ol man Hugh, have his ideologies about the Orokin changed? I mean, Hunhow must've rubbed some of his anti-fascist opinions onto him, surly...

2. Using the idea that he's a sentient Warframe, does he remember his past? Does he know what Mr AssBalls did to him? Is he thinking about finding his dust particals and doing the warframe equivalent of t-bagging them?

3. Will we get him as a playable Warframe in the future, considering that he and the Drifter aren't too hateful of each other?

4. If Shadow is just someone in a transference loop... whomst be he? We know he was a low guardian, but just how low can he go? Was he a Limbo master?

5. Do they be fuckin?

I have more questions that must be answered- especially about this duo- but for now, I shall ponder in silence and art...

I await your response, DE...

Also, this post was inspired by this post right here :3

[charnelhouse]

Oh god not to twist everything back round to my current hyperfixation but Ghost zombie au. Theyve definitely eaten people before, they are survivors. And traumatised and fucked up. Ghost Bleeding out all over Red and begging her to make use of his body after he's gone. They have no supplies, just let him save her this one last time

THE WAY THIS HAS FLOODED ME WITH AROUSAL

my god - also this may not be as dark as you expect it to be by the end :). Warnings for suicide/subtle insinuations of cannabilism

She'd be sobbing, cradling his bare face. "No...no...you can't...you can't." She'd stand, try and grip him under his arms and drag him across the floor but to where? To where? Everything is gone. No hospitals, and he's too heavy.

There's too much blood, and she slips, the crown of her head cracking on the tile.

"Duchess," he whispers as he reaches out to her, his hand flexing and searching for her frantically. "You hurt?" He coughs it out, specks of blood on his t-shirt, and she fucking hates him for that.

He's dying and worried about her. A stupid fool. An idiot.

She crawls back to him, and he wordlessly pulls her to his chest. She's lying on top of him, her legs between his thighs, and how many times had they done this exact pose. Her cheek pressed to his heart as she'd listen to it thump in the dark until she fell asleep.

He was so enormous. A behemoth of a man. Her savior, and she thought he was too big and dangerous to ever be taken down. Every night, he'd curl himself around her until she was swallowed into the safety of his massive torso.

"I want you to use me after this," he says, and there's a particular inflection in his voice that makes her sit up and stare at him.

Horrified.

"No," she growls. "No - I won't."

His knuckles drag across her cheek and he smiles at her. A genuine smile. Earnest and tender. "Let me save you," he urges. "You're starving."

She shakes her head before collapsing against him. Sobbing harder. She grips his gray face and kisses him so roughly that it hurts her teeth.

She won't.

"Please, Red."

"I'll die with you," she murmurs as she wipes her nose, her tears turning his blood pink. She suddenly raises her head, swallowing thickly. She's calm now. Full of resolve. "Yes," she nods again, reaching for the same knife the drifter had shoved into his chest and taking him by surprise. Simon snapped his neck before stumbling against her because he hadn't realized he'd been hit.

Her fingers rub through his drying blood.

"No," he protests as he attempts to lift himself. His voice is audibly stronger. He grimaces, his grip on her waist tightening. "Don't be fuckin' stubborn-

"What's the point?" she growls. "What's the point if you're gone - there is nothing else, Simon. There's nothing - nothing-" The words dissolve into a knot that sits in her throat. She can't cry again. "Let me do this with you. If you love me, you'll let me do this."

But Simon's eyes are clearing - his expression twisting into something familiar. The same expression he'd had when there was the potential of failure on a difficult mission -

None of it mattered. None of it.

Simon's hand slips over her back before he presses it against the wound in his chest. "I won't let you," he grunts, brow furrowing in pain. He steps away from death and regards her silently - sharply - like he's cross with her for even thinking of killing herself.

"Let's - fuck that hurts - pull this shirt off me - maybe we can staunch it."

[imonthemoonitsmadeofcheese]

Hello! Me again, back to pester you about lore.

So what's going on with The Drifter? For once I know a little about the character, I read 'A Man With No Name', but I still have questions. From how the book read, Drifter convinced Felwinter to get revenge for the destruction of the village. Did that go anywhere? And what did Drifter get up to for the (unspecified very long) timeskip between the book and the game?

And with the modern day, does the Vanguard know he's running a fighting ring out of the basement? Or does every single guardian look away when Zavala tries figuring out where people keep getting these weapons? I guess first rule of fight club and all that. What's he even trying to do? He seems to be pretty against most of the Vanguard's leadership.

Anyway, another invitation to infodump about your other blorbo. I hope you don't mind XD

If you thought I was long-winded about Eris... She's maybe 400 years old whereas the Drifter may be 900... get comfy... this will not be quick.

"Dark Age was wild times."

I adore the Drifter and a good chunk of how and why I adore him is his voice - both the voice acting and the syntax/diction/phrasing used in the writing, but voice alone does not cover why I find his character so utterly enthralling and fantastic.

I wrote a short piece consisting of Eris telling Ikora what she sees in him in my story Finders Keepers. It's basically a personality analysis and some people have (I think probably accurately) accused it of being a love letter to that character. (Reminder: that link is fanfiction - I wrote it - it is not lore, but it is based on lore. However, everything else I list after this is actual lore.)

But, personality aside, ultimately the Drifter's story is what I find most compelling about him and makes him so empathetic. You mentioned you've read A Man with No Name, but there's more. A lot more.

To start, the Drifter is D2's most violent pacifist.

He doesn't want to fight and when he does, it's vicious. The Emissary of the Nine, formerly Orin (his ex-best friend and/or ex-lover, depending upon how you read it) aptly says "He hates violence. He hates it so much he'll murder anyone who tries to inflict it on him."

In A Man with No Name, we see him go from hiding in a town and having it obliterated by warlords, to running a bar at the bottom of Felwinter peak, to getting Lord Felwinter himself to avenge the town. Drifter doesn't fight anywhere in there and gets other people to do his fighting for him, which is a pretty standard tactic for him. And yes, it is strongly implied that Felwinter does indeed murder the fuck out of Lord Dryden when he says "Call Lord Dryden. Prepare my Iron Banner arsenal."

But then we get Dark Age Drifter entries where he's gunning down Fallen attackers with quotes like "He had never brought himself to shoot a human. Or anything even resembling a human. Risen included." (Bonus mention: notice "Alright" repeated here and compare to his standard Gambit opening of Alright, alright, alright...") Where he's slipping away from non-violence, specifying, in particular, that he won't shoot a human but will defend himself from aliens.

And then he becomes something else entirely in these amazing entries with what I've been calling his Breakneck crew:

Now Otto's a Sword man. He's all about "craft." Technique. Precision. It's disgusting, but I don't care how he does it, as long as it gets done, so I just let him do it. And Otto does it so beautifully that, when he's done, you're standing there holding your guts in your hands and thanking him for the show.

Never touches a gun, that girl. She likes to get close. Likes to look right in their eyes and be the last thing they see.

The chumps that run out to stop us are babies. That's the kicker with Warlords—other than ours, there's not a Ghost in sight here. Just civilians who can barely hold their guns without wetting their pants, who can't aim worth a damn, who stick their necks out for the bad guys with eternal life. Real geniuses.

Cenric stood up. That vein of his looked about ready to pop. Drifter let his feet down as he reached for his rifle, asp-quick. "And you know what we do with rats, don't you, brother."

And the thing I love about this is the character development this speaks to where he goes from pacifist who won't fight at all... to someone who will use a machine gun competently, repeating "Alright" and getting himself used to killing, but not humans, never humans... to stone cold vicious murder-Drifter talking about the lightless who die to his crew in ways that make them (and himself) seem no longer human, to gunning down his own crew, people he felt were a perfect team, when they make deals with warlords behind his back and lie to him about it.

The Drifter started out adhering to an ideal of nonviolence and it destroyed him and everyone he cared for. His sense of self, his principles, everything he believed in is eroded until he completely loses all hope and in order to survive the cruelty of the world he lives in he becomes a ruthless monster.

Either before or after his Breakneck-era crew (it's not clear), the Drifter (under the name Eli) joins the Pilgrim Guard, a group of Titans protecting lightless people as they travel to the Last City. He does this out of a desire/need to be near Orin, a Titan with a complicated past and strong ties to both Queen Mara and the Nine. But then after spending time with Eli/Drifter and the Pilgrim Guard, Orin, the one person Drifter's ever had a deep human connection with, the person he considers his best friend, leaves without a word.

It's very telling that the green snakes, the jade coin, and the red string on those same coins that form such profound parts of the Drifter's symbolism and identity all come from Orin. When the Drifter truly cares for someone, he incorporates part of them into himself, into his identity, making them part of who he becomes, so they live on inside of him.

After his time with Orin, we get into the extremely confusing, contradictory mess that is the Drifter's intersection with Shin Malfur-related Rose/Thorn/Lumina lore. And by this I mean that the Drifter, after fighting alongside people doing genuinely noble good work, in the wake of losing Orin, leaves the Pilgrim Guard and eventually ends up joining the evil cult of evil: following in the footsteps of one of the most reviled risen to ever exist - the guardian-killer: Dredgen Yor.

If you're gonna hang with me, you need to know about the Shadows of Yor. They follow the edicts of a very bad man named Dredgen Yor. And what're his Shadows after? Everything the Light can't provide. I thought they could help me find an answer to the battles of Light versus Light that raged during the Dark Age. But the longer I flew with them, the more I saw they're blind as all those who follow the Traveler. One albatross for another. I was done with 'em.

And while in the cult, in some sort of ritual, he communes with the Darkness directly and gets some sort of Darkness powers (possibly Stasis, possibly something else - it's super unclear) and the Darkness whispers to him his Dredgen name: Dredgen Hope, which is particularly brutal in context with this quote from Dredgen Yor himself:

I care only to give hope to the frightened, huddled masses so that when I come upon them they will have more to lose. Their pain will be greater. Their screams more pure… Nothing dies like hope. I cherish it.

But it is also particularly pointed because hope is the thing the Drifter doesn't have. Trust is the thing he doesn't have the ability to do any more because of his experiences (and is also the name of the hand cannon he wears shoved into his pants). He is the most jaded (literally - constantly fidgeting with a jade coin) character in the D2 universe. He loses everything and leans in on it and follows that path to full evil.

And then he walks away. Because evil doesn't work for him either.

But also (either before or after he's completely left the cult - it's ambiguous, but possibly when he's still entangled but it's already fracturing and falling apart) he finds Orin again (he's using the name Wu Ming at this point - either having returned to it, or because he hasn't changed it yet from Felwinter Peak, or perhaps this happens before Felwinter Peak - the order and timeline is somewhat fuzzy).

Orin does not remember who he is when he finds her the second time (she's pretty nuts at this point - her story is filled with madness and tragedy), and is going insane with grief over losing Namqi (the person she left with when she disappeared the first time) as well as her obsession with the Nine. And the Drifter is once more drawn to her and once more connects deeply with her:

Wu Ming leaves his questions by the wayside as he is drawn inexorably into the gravity well of her desperate honesty. Her confessions lower his defenses. He talks of himself. Of his fear. Of his loneliness. How he feels he is one fingernail away from plummeting into an abyss. How he feels vicious resentment every time he is brought back from the dead: He never asked for the gift of the Light... They make excuse after excuse to meet again. Every conversation is colored by excavated truths; every day they feel they will reach some bedrock that will break them to pieces. It is as frightening as it is intoxicating.

But then Orin finds out about him being a Dredgen, terminates their relationship, goes off to become the Emissary of the Nine and, as someone I was talking with once referred to it: 'it was a breakup so bad he had to leave the solar system.'

Things go very poorly the first time the Drifter loses Orin but the second time is far worse. He has a full-on Lovecraftian 'At the Mountains of Madness' style horror-movie-plot experience with a crew he calls his 'best friends' (which may or may not be all ex-Dredgens but there's at least evidence they might be) out on a frozen planet being stalked and driven to insane levels of paranoia by Darkness creatures able to snuff out their light:

I think I mentioned we're all raving psychos at this point. Well, we did what all measured raving psychos would do. We thought we each had been betrayed by the others. We drew on each other.

The Drifter kills them all to keep them from killing him (at least, that's what he says - no one else is alive to argue). Then his ghost, who up until now has been kind of a moralistic asshole, suggests he hunt down the ghosts of his former crew and Frankenstein them together in order to survive:

And the craziest thing happened. My Ghost snapped... But we would need parts. Ghost parts. And we knew where we could get some... The Ghosts of my former crew all fled as soon as their charges hit the dirt. So me'n mine, we hunted them... "Hey. There's always hope. For what it's worth, I'm proud of you." It was the last thing my Ghost ever said, and the last lie it ever told.

The Drifter's ghost is rendered mute from the experience (either mechanically or due to the trauma of hunting down and murdering other ghosts - it's not clear) but the plan works, they survive, and the Drifter builds the Derelict out of scrap, returning to the Tower where he sets up Gambit.

It's super unclear (again, the Shin-related lore is just a mess and deliberately confusing) but it turns out that Drifter going on about how the Man with the Golden Gun is out to get him is actually a deal he made with Shin to set up Gambit (because, spoiler: the leader of the entire Dredgen cult, Dredgen Vale, turns out to be none other than Shin Malphur, the Man with the Golden Gun, who hunts Dredgens and who the Drifter has been saying is out to get him this entire time) to draw out the truly Darkness-corrupted guardians so Shin can kill them. (And this is ultimately why the Vanguard lets him run a fighting ring in the basement - because Shin convinces them it will help find the truly bad guardians so they can be eliminated).

If you find that confusing, that's because it is. Anything to do with Shin Malphur/Dredgen Yor/Rose/Thorn/Lumnia is pretty much an acid-trip, continuity-wise. It hurts my brain.

As for where the Drifter gets the weapons he gives us for Gambit? To the surprise of no one, he's stealing them. Because of course he is. It's him.

While running Gambit, he ends up visited by the Emissary of the Nine (formerly Orin - same body, different person) and has the Haul attached to the Derelict as a 'gift' in this amazing cutscene: https://www.youtube.com/watch?v=wFtmr___dSw

And he pretty much stays in "shifty morally ambiguous guy in the basement" mode until Arrivals when the pyramids show up on Io and we get one of my favourite lore tabs in all of D2: Whispering slab.

The two sit. They speak. They listen. Linkages forged in Light and Dark of traded secrets as the Derelict hangs in orbit around the Earth. Pacts are made. Soon, there is only the silence of knowing left between them.

"Next time you fly over the Moon, dust your boots. Tracking that crap all over my floors."

Both of the Drifter's deep emotional entanglements with Orin happen when he really genuinely talks to her, and now in Whispering Slab, he's genuinely talking to someone else, plus we get the origin of why he calls that someone else Moondust.

Then, during Arrivals, we get the amazing banter between him and Eris, and in Beyond Light they learn to control Stasis together with the result being (in my highly subjective opinion) the best cutscene in all of D2 : https://www.youtube.com/watch?v=IQAB-sSi6P0

At the end of Haunted we get Eris' message to him about healing and finding joy , he has this line in Plunder "What we do now matters more than who we were", we end up with the Kept Confidence lore tab during Season of the Witch where the person who previously insisted he trusted no one now is saying: "He didn't trust them. He trusted her" and then in the Gloaming Journeyer tab, he pulls her into a hug and reminds her of what she told him once (in the Prophesy dungeon dialogue): "That we'll live in the night if we have to. We do it for what comes after." (What comes after is dawn, hope, the continuance of existence after the darkest point.)

Someone in a chat I was in once summed up the core dynamic of the Drifter and Eris' relationship perfectly as "He gives her trust. She gives him hope."

There are people online who are very frustrated with the Drifter's character development, feeling that the Drifter has 'had his teeth filed off' and that he 'got his depression cured by getting a goth girlfriend' but I feel that's just people who don't like change. The Drifter has, throughout his entire storyline been constantly changing who he is. Change is part of his many self-constructed identities which he re-creates over and over as his old sense of self is destroyed and remade. Gritty vicious Drifter is still in there and he will be just as brutal as ever if he needs to be.

He doesn't want to be, though. He never has. And as someone who deals with medical-grade depression and who found themselves in a situation where they needed to reconstruct a sense of self to replace the one that was lost, the Drifter finding a way to hope and trust again after all he's been through is an extremely powerful and poignant narrative which speaks to me on many levels.

It's not trite, thoughtless happy fluffy rainbows, friendship-fixes-everything-whee! It's painful and slow and beautiful as the Drifter learns to have healthy relationships with other people. We need stories like this to speak to us at an unconscious level and tell us that even if you're not Eris Morn and you failed, and you gave up, and you didn't make it out of the Hellmouth, and you in fact gave in to despair and completely lost all hope, your experience erasing who it was you were and having that old you replaced with someone else, you can still find hope again. Even if you've been burned so severely by so many, many, negative human interactions that you cannot trust anyone, if you find the right people, you can slowly learn how to trust again.

The Drifter's story has been called a redemption arc, and I guess in a way it is that too but, for me, the essential quality of the Drifter's narrative isn't redemption: it's healing.

Stories have power. We incorporate them into who we are. Dredgen Hope ultimately does live up to his name. Within D2 he is finally starting to heal. I find that idea, of healing in spite of being so altered by one's experiences as to have had to become an entirely different person in order to survive, of being unable to trust and still finding a way to learn how to trust again, to be important and beautiful to have in my subconscious as something to draw from. It is a story that is very much needed by a lot of people. We need to be reminded that we can be irrevocably changed and have everything taken from us and still find a way to trust and hope and love again. That might seem a bit much for a shooty game, but I maintain this is why D2 has some of the best storytelling of any game I've ever played and that the character of the Drifter is a huge part of what makes that storytelling so compelling.

Sorry this took so long to answer. This seriously was as short as I could make it and still say everything that I felt needed to be said. There's more, and more detail, of course, but this is my treatise on why the Drifter is as awesome as I think he is.

That is all.