#oh this was SO fun to write

[sun-snatcher]

Hey!! Just wondering if you do headcanons? If so can we get some hcs from We Lucky Few about Deadpool and the Gang™ being a domestic happy family 🥲🥲

#WELUCKYFEW | Headcanons galore !

i. —— THE FIRST DAY IN A NEW UNIVERSE means Wade has to break it to Blind Al that there’s gonna be 3 more strays that’ll be staying over at the apartment for a while (in tragic addition to Mary Puppin’s and Logan).

The old lady agrees (very vehemently disagreed, actually, but she knows Wade already made up his mind) only because she’d hoped he meant stray cats this time, to which she’d been disappointed with: “Say hello to Logan’s hispanic feral cat-daughter, your local homeless war veteran with a PhD and a dash of PTSD, and Amateur David Blaine—! But if he was born in the South.”

Regardless. It’s only, like, for 2 weeks! As long as they don’t touch her cocaine. Anywho, Vanessa’s already pulling strings to get you and Remy an apartment; Laura’s first instinct was to seek out the Professor and Logan’s… a drifter. Vagrancy is nothing new to him. He’ll figure his things out one way or another.

ii. —— GROCERIES COST TENFOLD during the time everyone was still crammed in that little house. Dogpool is in the trolley seat having a good time. Wade and Laura stock up on junk food and Logan’s dumped an armful of canned goods that “will actually last for the fuckin’ week.”; Meanwhile Gambit’s been banished to trolley-pushing ever since he’d admitted to stealing Skittles, M&M’s and small tidbits from the candy aisle without anyone noticing.

And you— well, you were on breakfast duty, which means bread, jams, cereals; but it’s all just a tad bit overwhelming. I mean, why is there a need for this many flavours? You can’t remember the last time you had much of a choice when it came to food since the war.

(It’s Wade who finds you. He gets it; 10 years serving Canadian military/the JTF2 means he’s seen just about every other middle-eastern country that’s a battleground— And then suddenly he’s discharged and thrown into civilian life with zero assimilation and the expectation of exercising autonomy after living his whole life under orders and the threat of damn a bullet in his head. So. Yeah, he gets why you kinda just… Blank out.)

“You can roulette it,” Wade advices. “Or pick one with your favourite colour. That’s how I did it my first few years out. Just don’t even fucking think of picking Special K or I’ll prune your ass back to the Void mys—”

iii. —— MOVIE NIGHTS ARE ON FRIDAYS. That means Gambit’s on permanent popcorn duty ever since Laura accidentally destroyed the microwave (she insists it’s Logan but the 2 holes say otherwise). And by popcorn duty I mean: having Remy shake the bag and generate enough kinetic energy to heat and pop the kernels. “Mais, if it works, it works, mes amis.”

iv. —— EVERYONE ROTATES TAKING Dogpool out on a walk. Remy uses the opportunity to have you tag along and tell him about New York when really he just likes spending time with you.

Logan has to be convinced to walk her; though he usually relents because it puts his mind to work and it helps that he can map out the city again. Sometimes Laura joins him, too. If she’s lucky, she’ll hear an X-Men story or two when Logan’s feeling particularly nostalgic. (Half of them are him shitting on Scott, but hey, she’ll take what she can get.)

v. —— LOGAN DOESN’T SLEEP. Can’t is a better way to put it, and neither can you and Remy at times; you figure maybe it’s because everything feels a little too.. fine.

Almost perfect. Too good to be true. Logan always loses all that’s close to him and as much as he hates to admit it: all of you are beginning to matter. Family, dare he even think. And it terrifies the absolute shit out of him.

Meanwhile, you get night terrors, and you’ve already alarmed everybody approximately five times now (Closing your eyes now means facing an apocalyptic warzone and the weight of life and death. You don’t talk about it. Everybody knows not to ask) so sleep is just an option to you if you could help it.

Remy stays up just out of pure habit. They used to alternate shifts back in the Void (which was why he sometimes caught Laura wide awake in the kitchen at weird hours of the night, too) because the Hideout became too vulnerable with their dwindling numbers. Losing Daredevil had been the catalyst.

Fortunately, sleep still does happen: You’re curled in the loveseat with Gambit’s coat over you as a makeshift blanket— you must’ve lighted out first. Remy and Logan are dead asleep on the ratty, squeaky couch; Laura half-melted beside them, legs hanging off the pleated sofa arms with Dogpool asleep in her arms. Love Island drones from the outdated home TV.

vi. —— WADE TAKES A SELFIE when he catches the scene.

He’s used it as the icon of the groupchat he created (lovingly titled: LIMBO LOSERS CLUB!) once he made sure everyone got some means of communication for when they moved out.

Not that Logan will ever use it.

Or Blind Al— “I mean, she doesn’t even text Wade, why is she in the chat?”

[unavernales]

"Good boy." from Arvin

one of the few things joaquim allows itself to pride itself in is its reflexes. superhuman, due to his hybrid monster nature. made twice as extreme in the presence of arvin. arvin can handle himself. the fellow hunter knows this.

but joaquim can't help but be protective, muscles twitching at any potential threat or contact. it's as natural as breathing. fucking. eating.

the hunt this time around was simple enough. a gigantic, sulfurous creature that was stinking up the lower hills of a tourist town. not good for business, which meant the mayor paid a hefty amount for the couple to get rid of the monster in question. the hideous thing had finally gone down with a final arrow to its supposed weakpoint. joaquim and arvin exchange a victorious kiss and joaquim gives arvin's bum an appreciative pat.

arvin goes to retrieve her last arrow when joaquim notices the spark in the air. a chemical reaction, no doubt, as the creature's skin began to recede and decay in mere seconds.

it happens in a moment. the monster's corpse combusts violently, but joaquim has already tackled and manhandled arvin behind a nearby tree, completely shielding her with his impressive frame, draped, of course, in the pelt of the firebear they slayed together years ago. even with the pelt, joaquim can feel the tickle of warmth on his own back. joaquim looks over a broad shoulder once it is sure the explosion has died down.

the surrounding trees and land are charred horribly. a bubbling, hissing pool of violet left in the wake of the sulfuric beast. the pool condenses into a crystal: beautiful and shining and expensive, no doubt.

"good boy," is what arvin says in place of a boring "thank you." joaquim cracks a sharp toothed grin and straightens out.

oh, he's going to make arvin squirt into next thursday.

[citrenecult]

Drew the Lamb, Narinder, and the Follower Bishops.

Some close ups.

[soosoosoup]

Chord Striker Au by @thatbennybee

[starrystevie]

eddie knows his crush on steve harrington is a hopeless cause, okay?

he's somehow been friends with steve long enough to know what he looks like when he's flirting, what he looks like when he has a crush, when his sights are set on someone very non-eddie munson shaped. he also now knows how to hide his jealousy in a fake smirk that he flashes steve's way when yet another pretty girl walks their way with her sights set on him and a smirk of her own.

eddie always watches as steve reaches out a hand just so to gently brush it against a lovely lady's arm with that charming fucking smile and sees how that lovely lady will always melt at the touch. and who could blame her? certainly not eddie, the same eddie who's had his own sights set on steve harrington for what feels like a life time. if anyone knows how painfully a heart can beat when it sees him from across the room and imagines a date and a future and a life with steve, it would be eddie.

but that's where it ends. steve harrington, the ladies man that he is, always stops things there with a smile and a wave thrown in the woman's direction as she walks away. it throws eddie for a loop every time. he would watch the two flirt for minutes that that felt like torturous hours for him only for it to end with a disappointed look on her face and steve turning his attention back to eddie like nothing had happened.

it makes no sense.

"i don't get it, man," he says one day as steve lets yet another girl walk away down to the opposite end of the grocery store aisle they're in. steve's turned back to staring at the shopping list in his hand and is muttering to himself instead of watching her walk away like eddie is, disbelief coloring his face.

"don't get what?" steve asks back, not bothering to look up until the silence goes on for too long. his eyes land on eddie's and he frowns slightly, shaking his head slowly. "... did i miss something?"

eddie reels back, eyebrows furrowing together and motions his arms every which way, from the girl's retreating form to the empty space around them.

"steve, you're just going to let her walk away and not get her number? she was obviously hitting on you, dude."

he watches as steve's face crinkles slightly before smoothing out and shrugs his shoulders, turning back to grab the cat food eddie feeds to the strays off the shelf. he lurches forward and places his hands on steve's shoulders to face him, watching as his eyes go wide.

"what do you want me to say?" steve shrugs again and eddie can feel the movement under his hands. "i guess i wasn't feeling it."

eddie sighs, scrubbing a hand down his face before returning it back to steve's shoulder. "wasn't feeling it... steve, i'm gay, not blind. you two obviously were hitting it off with your fucking charming lines and flirty eyes. you always do this and it makes zero fucking sense-"

"-you're gay?"

steve says a bit too loud for eddie's liking even if they are currently hidden in the pet food aisle. heat floods his cheeks and he throws a hand cover steve's mouth while shushing him to keep him from saying it again. he sees steve's eyes go even wider and feels warmth spreading under his fingers.

is steve...

"you knew this!" eddie accuses in a whisper and tries to breathe evenly while steve's gaze travels all over his face. "we talked about it with robin that one time!"

... is he blushing?

there's a sudden pressure at his side and he looks down to see steve's fingers curling over his waist. eddie takes in a stuttering breath and brings his own wide eyes up to meet steve's. it's like looking in a fun house mirror, seeing his flush creeping up steve's neck and watching steve blink in time with him. he can feel when steve tries to say something, his lips ghosting over his palm and eddie pulls back like he's been burned, but steve's hand stays right where it is on his side.

"i absolutely would have remembered if you told me that before," he says and his voice is a little breathless. "there's no way i was there when you guys talked about it."

eddie thinks back to the party when he and robin were huddled up on their couch together. argyle and nancy were dancing in their socks on the living room floor, bouncing around to some experimental track that had been badly recorded on a cassette. jonathan was sitting at the coffee table snapping photos of them, joint hanging from his lips and easy smile spreading on his face.

eddie's trying to pinpoint where steve is in this memory and that's usually the easiest thing for him to remember, but he can't...

until suddenly he can, because steve walked in through the sliding door with his shirt over his shoulder and his swim trunks low on his hips and water dripping down his chest and a cigarette behind his ear and the sunset bleeding in through the windows was painting him golden and he was walking over to dance with nancy with a wide grin pulling at his cheeks and-

"god, i'm gay," eddie had breathed out. robin followed his line of sight and nodded because she gets it like she has a steve problem of her own and that was that.

eddie focuses back in on steve while they stand in the fucking pet food aisle, focuses on the shrill jingle pouring out of the grocery store speakers and not on the way he can hear his heartbeat in his ears, focuses on the way steve can look good even in harsh fluorescent lights.

"well, now you know," is all he can breath out.

steve smiles, all white teeth and crinkled eyes, and his fingers curl even tighter around eddie's waist as he takes a half step even further into his personal space.

"you're why," steve says back easily and eddie reminds himself to breathe as the other side of his waist suddenly has a hand covering it, too. "i don't take their numbers, i don't give them mine, i don't go on the stupid dates they ask me out on because..."

the fingers dance up his side and eddie can't breathe.

"... they're not you, so why would i?"

eddie sends up a silent thank you to whoever is listening that they're hidden away from prying eyes in the pet food aisle so he can lean it and learn for the first time what steve's smile tastes like.

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[starry-bi-sky]

Unpleasant Revelations - DPxDC Ficlet Idea for the Stillborn Au

"Have you met my youngest, Damian, Mr. Masters?"

Its only from twenty years of long, hard experience and practice that Vlad doesn't increase the room temperature from 'borderline uncomfortably cool' to 'unbearably hot' the moment Bruce Wayne pulls his youngest and "only" biological son out in front of him.

He puts only in quotations because twelve year old Damian Wayne looks scarily, uncannily like one Daniel Brown. Jack and Maddie's foster son, second victim of their foolishness, and only other halfa in existence. Second only to him.

It's nauseating how similar they look. From the scowl and terrible glare on the young boy's face, to his brown skin -- which was only a few shades lighter than Daniel's, the shape of his nose, and even the strange winged edge of his eyebrow. Something that Vlad has long since come to find endearing on the child he considered a son of his own. The only difference was that Damian had dark, sharp green eyes.

Daniel's eyes were blue. The same glacier shade as his father's, who stood behind Damian with a proud, oafish smile on his visage.

It was infuriating how similar they look. Vlad might not have rapidly swung the room temperature from one extreme to the other, but he can't stop himself from letting the fury burning within his core from slipping out and raising the temperature up a few degrees.

Because it really only meant one thing.

Damian Wayne and Daniel Brown were related.

Damian Wayne and Daniel Brown were brothers.

Standing in front of him, it was clear as day. He can already picture a phantom image of Daniel standing beside Damian, the same scowl written on his face, the same glare carved into his eyes. The only difference being the dark, exhausted circles beneath them that seemed to be permanently painted onto his skin. The only thing missing being the permanent loneliness and vigilance permeating his being like a scar.

This, if revealed, would be enough to ruin Bruce Wayne's reputation. Or, at the very least, darken it quite a bit. The great philanthropist Bruce Wayne with another secret blood child? One related to his youngest? One that had been put into foster care? Seemingly thrown away?

It would be a firestorm.

One that Vlad is not keen on starting.

It would ruin Bruce Wayne's reputation, yes. But it would hurt Daniel in the process -- the harassment he would face alone might just be enough to break that fragile child completely. That was just not something he could allow. Or, even worse, bring him into his biological father's care and custody -- something Vlad was even less willing to allow.

It's not out of kindness to Wayne that Vlad will keep mum about this.

His grip on his champagne flute tightens, just a bit. He's still aware enough of the world around him to not let it shatter in his hands. His plastered, pleasant smile tightens around the corners, and he forces his focus to slide from Damian to Wayne.

"The resemblance is uncanny, Mister Wayne." He says, slanting his smile to the side slyly. Although he's not talking about the resemblance between Wayne and his son. Rage simmers beneath his skin, burning coal and embers in the core of his chest, nestled between his lungs, as he meets the man's eyes.

Wayne swaggles his head proudly, his ditzy smile widening as he squeezes his son's shoulder affectionately. Bastard, Vlad wants to spit.

He breathes in through his nose, and exhales out through his mouth. The champagne in his hand cools, and stops its unusual bubbling.

The Damian boy scoffs under his breath, his mouth still coiled upward into a scowl. With the revelation of his blood relation to Daniel evident, Vlad's not sure if he should find it endearing or not.

He is not Daniel, so he decides that it's just simply irritating. He decides to ignore it.

"And you said he was your only biological son?" He asks, voice lilting and head tilting. He knows its a suspicious question at worst, insulting at best. But considering Wayne's past proclivities, he can hardly call it an unexpected question.

Damian puffs in great offense, face twisting angrily. It reminds him of Daniel when Vlad insisted that he was wrong about something or other, and for a moment his heart swells, fond.

But this is not his child, and so the feeling quickly crashes and burns, simmering back into rage. This was not Daniel -- this was his replacement. A replacement that Wayne was free to keep.

Wayne chuckles, idiotically, as if he'd said some funny joke. Vlad's other hand, the one gripping his cane -- something he's required ever since he was dispatched from the hospital all those lonely years ago -- tightens instead. He grinds his teeth -- him and Jack Fenton would get along like a house on fire, he hates it.

"I can understand why you'd ask that, Mister Masters," Wayne says, squeezing Damian's shoulder again, "but yes, Damian is my only biological son. Although that doesn't mean I don't love my other children any less."

Bastard.

For all his posturing and flouncing about caring for his city and his children, Vlad never would have thought the Prince of Gotham capable of abandoning one of them.

But, well.

They all have their dark secrets.

And what one man throws away, another man picks up. If Bruce Wayne didn't want the treasure child that was Daniel Brown, then Vlad Masters was more than happy to take him instead.

"I see."

[stuckinapril]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[duu-kiwi]

I bet aziraphale wrote about the day the universe was made, about the angel whose voice recited the words that created the stars, about how bright they shone, and still shine, in those angel eyes✨🪐

Here you have some detailss and a cropped version with just!! them!!!

edit: prints link !

[svampira]

commission for @astarionz 💞💓 com info

[electrozeistyking]

Yeah, I don’t know where this came from (beyond N’s new coat in this AU being baggy).

[year2000electronics]

people whose posts where they’re bitching and complaining accidentally get into tag searches because tumblrs tag system is stupid and will drag every mention of a tag onto that tag’s search: i forgive you. and i love you. your post made me mad but that is your right to post on your blog. that is your Hater’s Sanctuary and it is just unfortunate that our paths have crossed like this.

people who bitch and complain and then put posts directly in the tag on purpose: i’m going to get you.

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[ghosttotheparty]

based on this post by @liightsnow <3

“Lucas, what’s your favourite song?”

“Oh, uh. I don’t know.”

“Figure it out,” Steve says tightly. “And tell me. If we don’t have the taPes we can get some in town in the morning.”

The room is quiet, tense, and everyone knows what’s going through Steve’s head.

Just in case.

It’s almost uncomfortable, all of them sitting around the basement of Nancy’s house, on the sofas and the floor like they’re waiting for something.

“Mine’s Time After Time,” Erica says after a moment. “Cyndi Lauper.”

Dustin snorts.

“Excuse me?” Erica says, tilting her head, and Eddie suppresses a smile, looking back and forth between them. “Why is that funny?”

“Nothing,” Dustin says, shrugging.

“‘Nothing?’ Why’d you laugh then, huh?”

“Just…” The others are all watching too, suppressing their own tired smiles as they bicker. “You’re such a hard-ass, it’s kinda funny that your favourite song’s a romantic ballad.”

“Language,” Steve scolds. Eddie’s smile grows.

“What’s your favourite song, then, asshole?” Erica asks.

“Language,” Steve says louder. Eddie is grinning now, rocking back and forth, looking away from Steve’s scandalised expression to Dustin’s face, which is now flushing pink.

“…Angeleyes,” he admits. “By ABBA.”

There’s a chorus of muffled laughter around the room.

“ABBA?” Eddie questions, making a face, and Dustin raises a finger at him.

“This needs to be a judgement-free zone—“

“You were just laughing at me for Cyndi Lauper,” Erica interrupts, shoving at him.

“That’s ‘cause it was funny.”

“ABBA’s kinda funny, too,” Lucas says, shrugging. Max is next to him, giggling behind her hand, headphones around her neck, and Eddie can’t remember the last time he saw her laugh. Dustin flips Lucas off.

“What’s your favourite song?” he asks, slumping into his seat and crossing his arms, almost pouting.

Lucas pauses, thinking for another moment before he says, “Rio,” firmly. “Duran Duran.”

Steve gives an approving nod, and Eddie rolls his eyes. Figures the jocks would have the same music taste.

“Why?” Dustin asks. Lucas makes a face, tossing a hand.

“‘S a good song, why do I need a reason?” he asks, then leans forward. “Why do you like Angeleyes?” he teases. Dustin turns pink again.

“Makes me think of Suzie,” he says begrudgingly. “Does Rio make you think of anyone special?”

“Shut up,” Lucas snaps, backing off. Eddie glances at Max, whose cheeks are pink she she looks down, still smiling. Eddie’s grin widens.

When he glances at Steve, he’s smiling too, watching the kids fondly. And Eddie is grateful for this moment, for the softness and banter and bickering and normalness, even if it’s brief.

“Robin, what’s your favourite?” Lucas asks, ignoring the way Dustin is snickering at him.

“Uh,” she sighs, looking up at the ceiling, arms around her legs that are drawn to her chest. “Emerald Eyes, Fleetwood Mac.”

“Wait, do we all have the tapes for these?” Steve asks. "I think I have Fleetwood Mac, but..."

“I have Erica’s,” Nancy says. “In my room. I might have Dustin’s too.”

“I have mine at my house,” Lucas says. Steve hesitates.

“I might have it too,” he says. “I’ll check when we stop at mine tomorrow.” Lucas nods. “Nancy, what’s yours? You have it?”

“Yeah,” Nancy says. “I have it, its’s One Way or Another. Blondie.”

Steve nods.

The rooms falls quiet again. Eddie looks at Steve again, at the way he’s sitting on the floor, arms around his legs like Robin. at the way he’s biting his lip, deep in thought. There’s a crease between his eyebrows. He looks too old, not at all like the boy Eddie used to see in the hallways at school. It feels weird to miss him.

“Steve,” he says quietly. Steve blinks, looking up at him like he’s startled. “What’s yours?”

“Uh, Shout At The Devil by Mötley Crüe,” he says. “I have it in my room.”

He’s met with silence.

Eddie finally stops rocking back and forth, staring at Steve, wondering if he really just said what Eddie heard. Steve blinks and looks back at him, then at the kids.

“…What?”

“Mötley Crüe?” Lucas says slowly.

“Yes?”

“Since when do you listen to metal?” Dustin says, and Eddie would go after him for his tone (he sounds disgusted) if he weren’t still frozen, stuck in place.

“Since, like, middle school,” Steve says defensively, rocking Eddie’s world even more. “What’s your deal?”

“I thought you were gonna say something by, like, Wham,” Max says dryly. Steve makes a face.

“Or ABBA,” Erica adds, dodging Dustin’s elbow.

“He listens to metal all the time,” Robin says, and Eddie finally tears his eyes away from Steve to look at her, wide-eyes. “Drives me crazy.”

“You don’t mind Van Halen,” Steve says defensively, leaning forward to look at her, and Eddie’s gaze finds him again.

“I do when I get out of school,” she says sassily. “And I’m tired, and I want a nap, and I get into your car to hear some guy yelling—“

“It’s not yelling, oh my god—“

Eddie’s lips are parted as he looks at Steve in awe as they bicker. He snaps out of it when Steve looks at him, their eyes meeting across the coffee table, and he blinks.

“What?” Steve says, half-smiling like he knows. Eddie shrugs, starting to rock back and forth again.

“Didn’t know you had it in you,” he says lightly. Steve raises an eyebrows. (God, why is that hot?)

“To have good music taste?” he asks, amused. Eddie shrugs again.

“Debatable.”

“The hell do you mean debatable?” Steve says, defensive again. Eddie grins.

“Mötley Crüe’s glam metal—“

“You are so fucking annoying,” Steve says, his eyes wide. “Oh my god.”

Eddie throws his head back with a loud Hah! as a chorus of Language! rings around the room, followed by giggles as Steve makes a face.

“What’s yours?” Nancy asks, kicking Eddie lightly from where she’s sitting on the sofa.

“Master of Puppets,” he says, his smile fading. “Metallica. I have it in my room, but I don’t know if we’ll be able to get it from the trailer—“

“I have it.”

Eddie’s eyes snap back across the coffee table. Steve is looking at him. Earnestly. Seriously. Eddie furrows his brows.

“What?” Steve says. “I have it.”

“Who are you?” Dustin says, and Steve finally looks away from Eddie to glare at Dustin.

“You be quiet, Angeleyes.”

“It’s a good song—“

“For a twelve year old girl, maybe.”

“What’s that supposed to mean?” Erica interrupts.

Their voices turns to white noise. Eddie stares at Steve, his cheeks flushing with heat, and he pulls a piece of his hair across his face absentmindedly, gazing and gazing and gazing at Steve while he bickers with Dustin. Steve’s smile when Lucas joins him in teasing Dustin makes Eddie’s face flush warmer, and Eddie blinks hard, dropping his hair and looking away so he doesn’t combust.

He turns a little bit to find Nancy staring at him, her head tilted, eyebrows raised a little, her eyes shining with amusement even though her expression kind of looks like she’s watching a house fire.

“Unbelievable,” she says after a moment, and his face turns hot, and he knows he’s blushing profusely as he points at her.

“You can’t say shit to me.”

She raises her hands in surrender, wide-eyed.

She gives him the same look the next day when Steve comes back with the tapes. Steve calls, “Eds,” while Eddie is laying upside down on one of the sofa, and Eddie tries to sit up before Steve tosses the tape to him. He manages to catch it, looking at it curiously in a lapse of memory before he remembers just as he spots his name written on the label, slanted and a little loopy in Steve’s handwriting.

He looks up at Steve while Steve walks away to find Robin, and he’s smiling again, and Nancy is rolling her eyes.

“You’re acting like he made you a personal mixtape,” she says when Steve is out of earshot. “He’s getting you a tape so you don’t die a gruesome death—“

“Listen, Wheeler, I’ve been through a lot,” he says, letting his head fall again as his eyes close. holding up a hand to shut her up. “Let me have this, please.”

“Okay, Eddie.”

She’s smiling.

—————————

Without you, my hope is small Let me be me all along

Eddie inhales slowly, feeling coming into his body. He can see bright light through his eyelids, and he feels cold, but something warm is touching his hand.

Let the fires rage inside Knowing someday I'd grow strong

Fingers playing with his, tracing them, running across his knuckles, squeezing and massaging and holding gently. The music that's playing is quiet, like it’s coming from headphones instead of a speaker, and Eddie’s lips twitch into a smile when he recognises the song.

Without you, without you

His hand finally shifts, his fingers twitching, and the hand holding his tightens as weight makes the bed he’s on shift.

“Eddie?”

Eddie exhales, squeezing his hand a little bit and turning his head. The pillow he’s laying on is really soft, and he hears his hair scratch over the fabric.

“Hey, Stevie,” he says weakly. His voice is scratchy and rough and almost unintelligible, and it hurts to speak. He winces. Feeling seeps back into his body, and he groans.

“You okay?” Steve asks softly, and his other hand is touching Eddie’s face, tracing his cheek lightly.

“My whole body hurts,” Eddie grumbles, closing his eyes again.

“Yeah, no shit, moron,” Steve says, but he’s laughing a little, and Eddie snorts, coughing. He turns his head so he isn’t coughing into Steve’s face.

“Fuck.”

“You’re gonna be okay,” Steve says softly.

Eddie sighs, relaxing into the bed as Steve touches his face again, squeezing his hand. His fingertips brush over his forehead and cheek and the bridge of his nose.

But with you in my life You're the reason I'm alive

Eddie slowly turns his head toward the music, squinting in the bright lights of the hospital that reflect off the sterile walls and while blankets that are covering his body. There’s a walkman next to him on the bed, the chord of the headphones tangled as the music plays quietly but loud enough to be heard. Eddie closes his eyes again, smiling softly.

“I was hoping you wouldn’t mind glam metal,” Steve says. Eddie can hear his smile. “Pretentious fucker.”

Eddie laughs weakly again, coughing.

“I don’t mind,” he whispers.

He turns his face into Steve’s palm and kisses it. And then his face flushes with heat as Steve leans down and presses his lips to his forehead. He wants to hide behind his hair, but he’s too tired to reach up to pull it across his face, and then he doesn’t really want to hide as Steve smiles at him with this softness in his eyes that no one’s ever looked at Eddie with before.

“I thought they were gonna follow us through,” Eddie says quietly. “The— The bats. ‘S why I stayed.”

Steve squeezes his hand.

“I told you not to be a hero,” he whispers.

“I know, I’m sorry.”

Steve kisses his forehead again, and then he leans over Eddie, pressing their foreheads together.

“You’re okay,” he breathes, so softly that it seems like it’s to himself.

Eddie sighs, focussing on the pressure of Steve’s forehead against his, of Steve’s fingers twisted around his. He smells like expensive soap, citrusy and warm.

“You wanna go to a Sabbath gig with me someday?” he mumbles. Steve laughs softly.

“Yeah. Sure.”

“Cool.”

[da-birb-writes-sometimes]

How You Turn My Word; Chapter 2

The day continues, and this time you find yourself in an entire new world... a world called The Underground.

Character; Lilia Vanrouge

Content; Gender-neutral reader, more shenanigans, reader isn't happy

Content Warning; Intoxication (Lilia), swearing

Word Count; 2.7 K

Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 |

Don't put my work into AI; I'll make sure you end up in the Bog of Eternal Stench.

Lilia’s night was not going according to plan and he was mentally cursing himself over it.

Thing Lilia did not plan for #1; he got lost. To be fair though, many a thing had drastically changed since the last time he romped around the mortal realm. A few hundred years would do that though. Humans now seemed to live in tall metal boxes rather than the humble cottages of ages past. 

Thing Lilia did not plan for #2; a red flower deceiving him and containing something akin to liquor. So he was flying around lost while under the influence, which only worsened his situation. (Lilia did not know it, but the red flower was in fact a hummingbird feeder with sugar water which had been left out in the sun for too long and had fermented. Make sure to change your hummingbird feeder often on hot days so you don’t cause a nectar-loving friend to fly while wasted) 

Thing Lilia did not plan for #3; getting himself stuff in one of those tall metal boxes, and he was now stuck inside some cursed metal labyrinth. At least it was not iron or silver, as it did not burn, apparently, humans no longer fortified their abodes with those metals. Perhaps the times have changed for the better?

But Lilia finally escaped the infernal metal labyrinth, perhaps luck was finally on his side tonight after all! He bumped around a few corners. My my, what a small hovel. Perhaps things have not changed all that much from the last time I was here… But Lilia was rudely pulled from his thoughts when something swatted him clean out of the air. And the culprit? A rather rotund grey cat with large blue eyes, which was now carrying Lilia into its lair, most likely to play with him for a bit before deciding that it had had it’s fun and ultimately put him out of his misery.

His night went from a jolly and somewhat embarrassing tale he would regale about at the local tavern, to a bedtime story parents would tell their children about the dangers of going places that you really shouldn’t. Should he get out of this sticky situation Lilia would not live this incident down. 

The cat placed Lilia in a collection of socks and then sauntered off, calling out at the top of its lungs. Great, it's getting company for supper, and I’m the appetizer. How lovely. But Lilia knew he would have a better chance of getting out of this situation if he stayed calm and waited for an opportunity to escape. Even while tipsy, he could keep his cool.

And the feline was back and yanked Lilia out of the sock hole. Cracking open his one eye he saw that the cat did not come back with its hungry friends, but rather, a human. That was both good news and bad news. Good news; he most likely was not going to be eaten tonight! Yippee! Bad news; the last time he was in bat-form in a human’s abode, he was chased around with a torch, which he really did not want to go through again. So his best course of action was to play dead in this situation.

When the human left the room though, he took his chance and took flight once again, trying to find a way out. The cat was trying to catch him again, but Lilia knew of its tricks this time and dodged every swipe it sent his way.

But he was pulled out of his thoughts when the human screeched at the cat, “YOU CAUGHT A FUCKING BAT?!” 

Oh yeah, they did not sound happy, not at all, but it seemed to be directed more at their feline companion rather than him.

As he was busy flapping around, trying to find an escape but to no avail, he also heard the human whispering to him. “Don’t fly towards my head, bat. I’m just trying to get you back outside. You’re a nice bat, right? Nice bat, nice bat.”

Were he not preoccupied and in a better state of mind, Lilia would have been amused by this. Currently, though he was occupied with trying not to be eaten and finding a way out of this cursed place. He was not in a laughing mood. All Lilia wanted to do was get back home, pass out in his bed but he would also be happy with his sofa as well, and pretend that this was nothing more than a bad dream after a night spent tavern hopping. Dealing with a horrid hangover would be better than this… and he was most likely going to have one of those anyways. Tonight really wasn’t Lilia’s night, not at all.

Then the human grabbed the cat, and Lilia was finally left alone. The window was open, but he didn’t know that, as his mind was too preoccupied with you know, not dying, that he hadn’t noticed that the human had opened it for him. So where did Lilia go? Well, he went back into the metal labyrinth (air duct), and fumbled around until he tired himself out. It wasn’t the most ideal of spots to crash for the night, but it was better than going back and possibly being eaten, Lilia would rather avoid that. So this was going to be his bed for the night, a lonely quiet corner of the air duct system, where he could hopefully wake up sober tomorrow. But he yearned for his warm quilts that awaited for him back at home, back in Faerie, or as some call it, the Underground.

Lilia wasn’t even supposed to be in the mortal realm in the first place, but curiosity had won him over, and he even ignored the travel advisory that was in place. Some crow fae had travelled there about a century or so ago and had yet to return back, hence a travel advisory. But yet here he was in the mortal realm, tiny, drunk, and utterly lost. His bad decisions could be looked into further detail once he got some shut-eye. So he wrapped himself in his wings and passed out in the corner of the air vent. Hopefully, when he woke up he could turn this disastrous day around.

…

Upon waking up, Lilia groaned — or rather, in this case, squeaked — and stretched his wings out. So the wretched metal maze and last night's fiasco was not some liquor-hazed dream; how lovely. Utterly delightful.

At least the strange maze echoed sound quite well, so he knew what exits to avoid. Not that one, he could hear a dog barking, and the feline encounter was enough for him. No, not that one either, he could hear children screaming.

Finally, he came to an opening, there was some quiet chatter, but it was far enough away where Lilia felt comfortable enough to explore this potential escape route. 

Why does this look familiar? AM I BACK IN THE BUILDING?! Yes, yes he was. At least there was no sign of the ca–

“Mrp?” Speak of the devil.

The cat got out of its den and lept at Lilia, who dodged the attack, and the cat pushed some books off a desk. The cat was also screaming at him, and causing an all-around ruckus. Lilia managed to outmaneuver the feline, but soon a brand new human came into the scene.

The new human took one look at Lilia and backpedalled out of the room. But the human had just created another escape route for him, and Lilia flew, well, like a bat straight out of hell for it. Too bad the next room contained two more humans, including the one he had encountered from last night… maybe they would be nice again and spare him for trespassing on their small abode?

In the midst of the chaos, the human from last night knocked him out of the air with a broom. Okay, that hurt little Beastie. But that swing and the crash landing into a table caused Lilia to shift back into his human form, which also caused sparkles to happen. Did humans still think magic was evil? Well, he was about to find out.

Everyone remained silent, and after the sheer noise of the chaos, it was deafening, even the cat was quiet. And Lilia stared at the human that had knocked him out of the air, you. And you were staring straight back at him, looking utterly baffled. Well, this is awkward… I think I have overstayed my welcome… 

Lilia snapped his fingers, and he started to disappear into sparkles yet again, this time going home since he wasn’t able to use his magic when stuck in bat form. And it was happening without a pinch, but you seemed to trip on thin air and crash landed on his feet, disappearing with him; a stowaway coming to Faerie. 

… Well this is no good now, is it?

…

…

…

 When the green sparkles subsided, you found yourself sitting in some sort of bog, and the water had made it into your mouth by some twist of fate. While you were busy spitting the bog water out of your mouth, the stranger was standing by the bank, dry, without any sulfuric-tasting water in his mouth, and looking better for wear.

Pulling yourself out of the bog water — eugh, you smelled like eggs now, great — you pointed an accusatory finger at him, water dripping from the end. “Where,” you spat out some extra bog water from your mouth, “am I? And why does it reak of eggs?!” You would have looked and sounded more imposing, but you were sopping wet, covered in mud, and spitting out coughs trying to get the bad taste out of your mouth; which wasn’t really commanding any sort of respect.

The stranger, Lilia, snorted before letting out a cough, trying to hide his amusement very poorly. He waved his hand, green sparkles surrounded you and you were now dry, still covered in mud, but dry. “Faerie, although some call it the Underground.”

You opened your mouth, but he wagged his finger at you. “And before you blame me for bringing you here, you have no one to blame for this but yourself!” Despite the cheeriness, there was something cold and off putting in his eyes, like he was calculating something. But that moment passed, and the almost annoying cheerful facade came back in full. “As for the smell? That so happens to be The Bog of Eternal Stench!”

“Like eternal eternal?” You really didn’t need to smell like rotten eggs for the rest of your days.

The stranger just chuckled, “Fret not, Beastie, I decided to return the favour, since your feline friend decided not to eat me. But it is indeed ‘eternal eternal’ if you don’t have the means to get rid of it.”

Beastie? “Uh, okay.” not the most eloquent of things to say, but really, could anyone blame you? You just fell through some kind of portal, magic(?) was real, and oh yeah, so were fae/faeries or whatever the hell they called themselves. So ‘Uh, okay’ was perfectly fine in this situation.

Mr. Sparkles — if he was going to call you Beastie, he deserved a dumb nickname — just gave you a smile, exposing the barest hint of his fangs; despite his small frame, he was still dangerous, and the hairs on the back of your neck stood on end. It was as if he was assessing you, to see if you would be worth the trouble to help. You didn’t know if either option would be good by the way his magenta eyes twinkled with mischief.

He let out a huff and started walking away, and you followed. “I wouldn’t recommend following me, Beastie,” he hummed, and you tripped over a rock, vines keeping you to the moss. “The court would not take kindly to you.” 

You glared at him and tried ripping the vines off of your feet, but they didn’t budge. “And why should I listen to you?” 

Mr. Sparkles booped you on the nose, “Well, it would ensure that you made it out of here alive, which I believe you would find beneficial and all.” 

Obnoxious prick. But he did have a point, you would rather make it back home alive rather than fucking around and finding out (aka dying). “So what? Are you going to just leave me here? No welcome brochure? Thanks.” 

You were being sarcastic, since it was either sarcasm or having a full-on existential crisis, since hey, magic wasn’t real in your world! Dimension? Galaxy? Where the fuck was this place?! How the hell did you end up here?!

“Hmm good point…” he snapped his fingers and there was now a book sitting in your lap. “This should suffice, do be warned though, Beastie, I may call on you later to return the favour. For now though,” he started to turn into green sparkles, “toodaloo!~” And he turned into a bat, flying off into the sunset, leaving you alone at the edge of the swamp with the only things to your name being the clothes on your back and a book in your lap.

How to Survive the Underground; For Humans! … Did he just give you this world’s equivalent of a For Dummies book? What the fuck? Was this kind of sick joke to him?

…

…

Once some of your ire had subsided, you decided to sit down on a boulder and read a bit of the book while there was still some sunlight out, but it was dipping into the horizon fast.

How to Survive the Underground; For Humans! By Yelworc Erid Preface …… i - iv Chapter 1; Surviving Your First Night…… 1 - 10 Chapter 2; Edible Food for Humans …… 11 - 31 Chapter 3; The Basics of Fae Etiquette …… 32 - 35 3.1; Species Specifics …… 36 - 146 3.2; Government Specifics …… 147 - 169 Chapter 4; Help! I Have Been Indentured to a Fae! …… 170 - 200 Chapter 5; Adjusting to Fae Social Life …… 201 - 224 Chapter 6; Transmittable Illnesses & Diseases …… 225 - 261 Chapter 7; Fae Courting Practices …… 262 - 264 7.1; Species Specifications …… 265 - 366 7.2; Government Specifications …… 367 - 389 7.3; Accepting a Courting Proposal …… 390 - 393 7.4; Refusing a Courting Proposal …… 394 - 401 Chapter 8; How to Handle Fae Children …… 402 - 452 Chapter 9; How to Leave the Underground … 453 Chapter 10; Adjusting to Life in the Underground …… 454 - 482 Acknowledgments …… 483 - 485

Looking back up to the horizon, you quickly turned the pages to Chapter 1; Surviving Your First Night.

“If you are unable to find yourself some suitable shelter, one should find themselves safe by camping out in a rowan tree. These trees can easily be found by their vermillion clusters of berries. They keep away all native species of the Underground,” you read out loud, turning your attention to the trees nearby, searching for those berries. “Rowan tree, rowan tree–”

A loud screech coming from the undergrowth only pushed you further. 

Nope, I do not want to find out what THAT was! Nope! NoPe! NOPE! 

Finally, you found a tall enough tree and you hauled your ass up it like there was a fire below you, and you were up in the canopy, far enough up that nothing could reach you, but also high enough where you needed to be careful, since you didn’t want to meet an early death because you made a wrong move. But for now, you were safe.

“Nice try buddy,” you muttered to yourself, trying to get comfy. Wood wasn’t the comfiest thing in the world, but you weren’t really in the position to be complaining. “I am not on the menu.”

The screech came again, this time closer; yeah, you weren’t sleeping tonight. The sun was now beyond the horizon, and there was no moon, the only light coming from the stars above; it was very pretty, but you could see jack shit. This was going to be a long night… and not a fun one, since you could also see the glowing eyes of unknown creatures which were, quite frankly, freaky as fuck. So yeah, no sleep for you.

“This fucking sucks,” you grumbled, and a chittering from the bog seemed to mock you. “This really fucking sucks.”

…

…

…

…

Tags; @busycloudy, @eynnwwyjth, @identity-theft-101, @ithseem, @krenenbaker, @lucid-stories, @ryker-writes, @twistwonderlanddevotee, @xxoomiii

~~~~~~~

Author's Note; This chapter is shorter, but it felt natural to end the chapter like this. This chapter, and the previous one, were both rewrites of an old WIP, so from here on out I don't have to rewrite! YIPPEE!!! Rewriting takes me forever, so we shall see what I come up with next.

If you liked this, do check out my masterlist for more content!