#i for sure have more thoughts about These Many Episodes but like that's all i can think of for now

[myechoecho]

Watch the first two episodes of When the Phone Rings and where has something like this been ALL year in kdramaland???

There is something delicious about how Sa Eon and Hee Joo are both in communication yet have zero communication with one another. I love that she told him off at the party in sign language knowing he would not understand. The fact that she's been quietly defying him this entire time and he's only just realizing it now.

Did I suspect that Hee Joo was not actually mute? Absolutely. It would have been more surprising if she was mute. However, I was floored when it was revealed that Hee Joo had the phone and was using it to taunt Sa Eon in a moment of sheer rage and hurt. The utter betrayal she feels because he told the kidnapper to go ahead an kill her then he has the nerve to say at the party she is his weakness what just too much for her. I fully support this deranged and brilliant move.

Now we get this bizarre flirtation between the two, with them weirdly learning more about the other all through the voice modulated cell phone that Hee Joo swiped. . Hee Joo taunting him with all he doesn't know about her. Sa Eon learning he does not know about Hee Joo and then becoming determined to learn about her. Though that, Hee Joo learning that he actually does care and probably always did. This is what is going to push them together.

Though for someone that says they are in absolute control of everything, it's slightly odd that Sa Eon would not learn sign language. Like what if she was telling the ambassador that she is being held hostage and needs help? I guess she's been isolated and hidden enough to not matter. Even the way he "confirmed" how she was home in order for him to say to the kidnapper to kill her was a bit lazy.

At the same time, there was clearly some nagging doubt that Sa Eon had. He was very much relieved that she was safe. He was also absolutely furious to learn that the kidnapping was real as seen by his bloody knuckles. Not sure why he thought he knew her when they did not speak through their 3 year marriage, but now it's driving him nuts to know that there are pieces of her he simply does not understand. He is going to rectify that.

I am very curious as to how their marriage came to be. The reveal at the end that it was Sa Eon to suggest the bride swap seemingly to save Hee Joo from marriage to a terrible person. Even though he is cold and indifferent to her and literally called her a hostage so it's still not a great situation for Hee Joo to be in. I have a strong suspicion that person texting Sa Eon was Hee Joo, and NOT her sister. The language used in the text is identical to the language Hee Joo used in the present to threaten Sa Eon.

If I am right about this, that opens up so many questions. Why did Hee Joo want to stop the marriage? Where is her sister? Did her sister know? What secrets of Sa Eon's family did Hee Joo know? Why did Sa Eon suggest the bride swap after leaning Hee Joo was to be married? Did he always care for her? Why did Hee Joo agree to this marriage, since the person on the other end of the text was obviously thrown by the suggestion? We know that Hee Joo's mom/step mom uses her father to manipulate her so that probably plays a role but is there more to it?

Clearly the kidnapper is also going to make a reappearance since he's not going to let all his carefully laid plans go to waste. The preview for the next episode has me excited. And Hee Joo and Sa Eon have bucket loads of chemistry.

I will end with my now obligatory rant on how this show should be 16 episodes. At least it's 12 episodes since those shows tend to work a bit better than the ones that are 10 eps or less. But I am still bitter about the episode count.

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[oriley42]

Serious question but no need to answer if you don’t want to

I see a lot of talk about Amber’s portrayal being sexist in the show, but I’m not quite sure why? To me her motives always seemed really well-defined (high pressure = “I’m only worthy when I’m successful”) so she puts on this sharky mask with a feminine facade so she is feminine enough to get a certain amount of approval but never shows how much she cares (which could be used against her but also could be used to undermine her “oh you’re too soft”). I thought the show did an excellent job of showing a mask for her

But a lot of people talk about 00s sexism and how it impacts her characterization. The sexism… Is it that she gets called a cutthroat bitch? Or how her story revolves around a man after she leaves House’s team? Is it the fridging?

Any of those could be it I guess but it just sounds like you and others are talking about something a little more fundamental to her personhood so I thought I’d ask if I’m missing anything.

Very interesting question! I think you're getting at exactly the trickiness of the issue, which is that sexism always operates systemically. It's not that any key aspect of Amber's character "is" misogynist, it's that every aspect of her character is automatically filtered through a lens of sexism.

In today's world where "bitch" has been very de-clawed, turned into a more casual and way less gendered insult that's used without cruel intention in queer slang, I think it's hard to understand just how violent the term was--and was meant to be--in the aughts. House in canon is not calling Amber a bitch in a cute, almost self-deprecating, friendly way (though I think it's valid to re-write it that way in fic to defuse the term!). He is calling her a bitch to contain and belittle and dehumanize her. We see the term mobilized this way against Cuddy in 5 to 9 as well: calling a woman a bitch was an extremely powerful rhetorical tool to turn any dangerously competent, brilliant, threateningly accomplished woman back into a harmless, debased, controllable object. So, "CB" reflects how easily the fact that Amber is the "female House" gets turned against her--it doesn't mean she's an eccentric genius like him, it means she's an evil copycat who needs to be put down. And this kind of structural logic applies to her whole characterization--it doesn't matter that House does it all more frequently and worse, if she does it, it's unacceptable because she's a woman. (There are parallels here with how racism means that when Foreman acts like House, he also gets the axe instead of the narrative bending over backwards to make what he did alright.) That's why she was fired, after all!

And her death. Woof. Classic case of killing a woman for man-pain. Everything supposedly about her death is actually about how her violent destruction can be used to fuel Wilson and House's character arcs. The narrative is occasionally conscious of this, for example, Wilson saying "none of you even liked Amber" is an almost metatextual reminder of how cruelly she was disenfranchised in every way (including the sexism of her trying to "defect" to the men's team early on, having no female friends, because unlike House who has so many people orbiting him, she is truly alone). Comparing her death to Kutner's is instructive: Kutner gets a whole episode that's about characters desperately trying to know him better. They trace their relationships towards him. Amber, on the other hand, is nearly absent from her own death. The characters trace away from her and towards the way male characters feel (Wilson's loss, House's guilt). Amber becomes just an imagined figure of House's guilt. Even her ghost is not her own. (Though I think many fans do a more feminist read and reclaim the way she haunts the narrative--but imho that would be a negotiated if not fully oppositional reading, to use Stuart Hall's decoding/encoding terms.)

One easy way to see that gendered difference is in how the show refers to these characters after death. Kutner is always "Kutner," never just "House's dead fellow" or rarely "our dead colleague." Amber is often referred to as "Wilson's dead girlfriend." Kutner is his own person, Amber rhetorically gets reduced to an object belonging to a man.

In conclusion: sexism operates structurally, which can make it hard to identify! And one of the funny effects of contemporary fandom doing so much good work to un-fridge women and give marginalized female characters richer personalities and more chances to grow is that canon's intended message of sexism gets obscured. Which, is awesome? Keep up the good work! Let's make misogyny unintelligible 🎉

[buddiebeginz]

Reminder that this is how bummys talk about Oliver and worse. Let's not forget some of them also made a 4hr podcast months ago saying awful stuff about him, all because he was posting about hanging out with Ryan and not Lou. They've also been repeatedly calling him biphobic/homophobic because he said Buck should get to explore his sexuality more and have sex.

Some of these people used to be Buddie shippers but the truth is they never really cared about Oliver or Buck. They have the nerve to call us fetishists when a lot of us have been shipping two best friends for years who we just want to see take their relationship to the next level. The main draw for them with b/t is wanting to see two guys they think are hot together because it certainly wasn't about Buck and his happiness. They weren't ever looking at his scenes with Tommy thinking is this really the best relationship for Buck? They've always been more concerned with Tommy and wanting him to be a permanent fixture on the show. Almost immediately after 704 some of them were calling him Buck's endgame. Even though we were shown time and time again how much Tommy was never the right person for Buck.

Now that their ship is over they've inevitably turned on Oliver and are blaming him for it even though at the end of the day the person who made that decision was Tim.

Also and this is something I really really wish bummy stans would get through their heads, actors are allowed to have personal opinions about the media they act in. Oliver has said he's a fan of 911 so I'm sure he watches the show. It's clear from many things he's said that he genuinely cares about Buck every bit as much as we do. So acting like he's not allowed to have preferences for the show and for Buck just makes no sense. He's connected to Buck in a way none of us are so if anyone should get to have thoughts on Buck's story it should be him. He's allowed to like or dislike a ship or a storyline. I know it sucks if an actor that's part of a ship you like doesn't support that ship but it does happen.

Oliver has supported Buddie for years and been very transparent that he wants to see it happen. He was never going to become the captain of the b/t ship. He's never really been super supportive of any of Buck's other ships nor does he have to be. Oliver has always been respectful towards his co-stars and fans and always given respectful answers about Buck's past ships in interviews and that's all he's really required to do.

It's honestly baffling how bummy stans continue to play the victim and continue to try and come up with all these reasons for why they think Oliver is a bad person for not supporting their ship and Lou. The reality is b/t was never meant to last. Oliver knew this and didn't want to lead anyone on. It's also very likely that Lou didn't get along with the cast especially given how they went out of their way to say goodbye to Callum and there was nothing for Lou. Not to mention Oliver very deliberately leaving Lou out of his photography spoke volumes.

I also think Oliver saw at least some of the drama online this year both from b/t stans and from Lou and it made him less likely to engage with that part of fandom. Bummy fans spent a not insignificant amount of time this year saying terrible sometimes racist things about Ryan and Eddie (like telling Ryan he should have finished the job when he talked about his s*icide attempt). Ryan is clearly someone that Oliver cares a lot about so if he saw any of this I'm sure it didn't endear him to those fans. On top of that they continually pushed for a guest character, who was never meant to be anything more than a plot device in Buck's story to be a main character and have his own Begins episode.

I'm just really sad and angry that this is the kind of stuff Oliver is having to deal with. Buck's bisexual journey should be this amazing positive thing and bummy stans have repeatedly tried to warp it to be their way or no way. I just really hope that Oliver knows there are so so many of us who love him and appreciate all the work he's done.

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[sinfiltrate]

Act 3 spoilers

I just wanted to voice my opinions on the entirety of act 3, I will be making another post focusing on Jayce because I am disappointed with his story specifically.

Let's start with what I'm happy with!

The display of Mel's magic was amazing. All her scenes were so powerful.

CaitVi is canon! (which was predictable for obvious reasons but i'm still happy for them)

The music choice was perfect, as well as the quality of the episodes, as expected. No matter the storyline's flaws, the art style itself is undeniably gorgeous.

Maddie dies IMMEDIATELY after betraying Piltover, so I'm happy with that. Don't get me wrong, I think the season looked rushed, but the instant karma of that scene was enjoyable. It's well executed shock value.

The Caitlyn/Mel and Ambessa fight sequence was SICK. They really emphasized Ambessa's strength and battle IQ here, and while I dislike her, it was satisfying to watch.

The JayVik ending. Now, I am very conflicted with this, but I'll focus on the positive part. THIS MOMENT WAS SO TENDER!! It revealed how much Jayce truly loved and cared for Viktor, and that Viktor thought Jayce to be the only person who could ever make him acknowledge the importance of humanity. Jayce was his last and only hope, and Jayce proved Viktor right in every timeline.

Jayce defenders, we won. We got an entire episode dedicated to what Jayce and Ekko/Heimerdinger went through, and it proved that JAYCE WAS RIGHT AND HIM AND EKKO ARE OUR SAVIORS THANK YOU 🙏

Jayce looked fine asf. That is a beautiful man and I'm expecting many more edits (pretty please).

Alright, now let's get to what I'm upset about.

Jayce's wasted potential. The way I see it, they just reduced him to a pawn in Viktor's character arc, considering that his life begins and ends with Viktor. It's sweet, yes, and can be counted as a win for JayVik shippers, but I really wanted more for Jayce. And yes, I will most definitely come back to this on my Jayce-centric post.

The lack of reaction to Jinx's and Jayce's "death". I'm honestly not sure if either of them are dead (I am also somewhat in denial). Mel lost her lover, of whom brought out a softer side of herself that she didn't even know existed, and there's no reaction? Not even a scene of her finding out? The same goes for Caitlyn, since she literally saw Jayce as an older brother. Then there's Vi, who's seen completely fine with Caitlyn, and Ekko, who's having the only appropriate reaction, but even so, it's too calm. We'd have to assume that there's been another timeskip, but it couldn't have been long since the war. ALSO XIMENA, Jayce's MOTHER, she's seen putting a paper of Jayce's name to burn and honor him after his supposed death, but her expression is blank. Just simple resignation. I don't know, the lack of reaction had me questioning why I was sad.

No proper reunion scenes besides Ekko/Jinx and Mel/Jayce?????I actually liked Ekko and Jinx's reunion, but Mel and Jayce? Not even close to what I expected or wanted.

This season was rushed; that's something everyone can agree on. I think it was very focused on action rather than the complexity of these people's relationships and minds, while the first season had a balance between both. There just wasn't enough time for that balance with all the information they had to give us.

Honestly, and this is gonna sound horrible but hear me out, I would've preferred it if they had episode 6 be the last episode instead, and used the act 2 to explore Caitlyn's dictator arc and truly emphasize how long Jayce, Ekko, and Heimerdinger had been gone. I know how this sounds, but I really wanted to see more of Caitlyn and her mindset during the whole fascism plot rather than have her throw it all away three episodes later. It would've helped others understand her more, while also acknowledging how blinded she had become with anger and sadness. Also, this would've given more time for people to grow an attachment to Isha and see how she reminds Jinx of Powder!!! Just imagine it, the season closing with Jayce "killing" Viktor, no sign of Ekko or Heimerdinger, and Isha dying would have been even MORE devastating; the ultimate cliffhanger. There's no denying people would've been angry and shocked, but it would've made us want more, just like the first season did. I would be 100% willing to wait 3 or more years for the next season than have such an underwhelming ending.

Okay, I think that's it. Might add more to this post later if I come up with any other critiques, be prepared for the Jayce post because I NEED to talk about him.

[thegirlwhorideslikeasamurai]

Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.

[egophiliac]

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[brucequeensteen]

character wrapped 2023 💥

tagged by @davidtennantpussytulpa ^-^ i didn't know how many to do so i copied tara and did top 10. i know the severance guys are Four Of Them but i can't separate them theyre all equally important to me

will graham (hannibal), em haywood (nope), aziraphale (good omens), mark & dylan & helly & irving (severance), hawkeye pierce (mash), martha jones (doctor who), ivan karamazov (the brothers karamazov), kim kitsuragi (disco elysium), stewy hosseini (succession), ruescott melshi (andor/rogue one)

i will tag... @fagician @britomart @libraryfag @roadwhores @majorbaby @globuspolski @hadleyfraserfaggot @tenderscience if u want to ^-^

[autism-disco]

the unending cosmic horrors of the universe versus A Song

[octoagentmiles]

do you have any hcs for barnacles and dashi ? I'm rewatching it and many episodes start with the two of them in the main area , oftentimes there's a third person involved but it's always the two of them so they must spend alot of time around each other :O 10 / 10 bonding

Had to think hard about this since Dashi's role in the main series is so small—but you're actually so right 👀 10/10 buddies 👍

You'll get my headcanons I promise but first you gotta listen to me infodump, okay? Deal:

I personally headcanon that Dashi was one of the first Octonauts, she hasn't been around a super long time- but at least long enough that she was probably around for the first Octopod, and that would give her and Barnacles (and the other OGs) plenty of time to get close.

We know Inkling canonically founded the Octonauts, but I imagine that it was actually Barnacles who picked out the crew—over various fateful encounters (Kwazii, Peso), or already knowing them (Tweak)—with the two exceptions of Dashi and Shellington.

Shellington heard about them through the kelp vine by pure chance, and got himself a job via determination. Then, at some point—he recommended Dashi to Barnacles or Inkling, and got her a position as an intern. (He knew her through her photography; she took pictures for him once or something like that.)

I also headcanon they weren't called The Octonauts yet at that point. I headcanon that Dashi came up with the "Octonauts" name during her first few days, and they kept it. (Coincidentally, the first Octopod crashed during those first few days. T'was completely unrelated, I promise 😅)

Fast forward: I've been thinking about Dashi in AnB a lot lately, and the one question that keeps coming up is: "Why did Barnacles make her the Captain of the Octoray?"

They haven't addressed it in the show yet, and it felt a little bit like the writers just wanted her to Do Something, y'know? So I went back to rewatch some of her main series episodes, and this scene from The Surfing Snails stuck out:

This scene shows how much he trusts her. He trusts her to make the right calls, and to be careful. He shows this trust in her again in the Wild Windstorms:

"...I'm ready for this!"

"I know you are, Dashi."

I REALLY wish they had spent more time giving her some kind of arc, showing this trust being built. She absolutely deserved an arc like Peso's, where we could've seen her growth and her bond with Barnacles getting stronger. It would've made the Octoray thing make much more sense, and I would've loved to actually SEE her evolution from "getting stuck in a whale shark" to "inventing stuff with Tweak" to the level of respect that Barnacles clearly has for her in S4 and Beyond, but instead it feels like all that stuff happened off-screen.

I also wanna point out real quick; that Dashi is one of the select few characters to ever call Barnacles by his first name only. This is something that the writers frequently use to emphasize closeness between Barnacles and someone else (Kwazii, Natquik, etc), and Dashi has done it twice. I'll admit I thought it was an error the first time, but then I caught her doing it again in Sac Actun. SO CLEARLY THEY ARE CLOSE. YES? WE AGREE. YES.

ok I'm done. pleasure doing business with you 🤝

*slams hands down on table* MISC. HEADCANON TIME ‼️ (which technically, could all totally be canon until the writers finally decide to give us real information ✨)

She has 100% read ALL of his books and journals, at least twice. Sometimes he gives them to her so she can beta read them, and she's also helped edit a few.

She has written her own journals, mostly in the form of scrapbooks, that she shares with him too. He has a first edition signed copy of one of them.

She made friendship bracelets for everyone on the ship after the Octopod was rebuilt, and he keeps his on his desk. It's still in mint condition.

I feel like at least ONE of the cameras in her collection was a gift from him.

She is trained on how to steer the Octopod manually. Considering the only two on board at the time who knew how to do it were Barnacles and Tweak—her showing slight interest was the only convincing he needed to teach her.

Sadly, she's never needed to use this skill. Yet.

She learned how to play harmonica when he decided to learn accordion, so they could duet together, but she got the hang of it much faster than he did.

They work out together sometimes. She's much stronger than she looks—and has won an arm wrestling match against him at LEAST once. She's also beat him in a foot race; it was almost a very close tie, and she needed to lay down for an hour after—but she did it. He will never live either of these down.

They definitely gossip in HQ sometimes, when it's just the two of them.

[aq2003]

almost forgot. ten's run episode ranking (nine ranking here)

some stray thoughts and opinions under the cut

my overall ranking for the series so far would be 4 > 1 >= 3 > 2. donna sweep babygirl

"i have brain damage" tier would've been called "the qpr meth has gotten to me" but then i remembered how absolutely glued to the screen i was for sound of drums <3 all of the other episodes there are either donna episodes or episodes where ten goes through horrors specifically bc donna isn't there and sound of drums is the exception lmao

by default i think simm!master is the best main villain in ten's run. he is still very goofy like the cybermen and the daleks (and 98% of the villains in this show really) but simm!master has that toxic doomed yaoi backing him and that means everything in the world. rtd drop your simm!master spotify playlist

it is SO CRAZY how an episode called "planet of the ood" can make me cry. but it did. and i love it for it. i love the ood so much. they are my little guys

stolen earth/journey's end was my least favorite arc in main series 4 - which is just a testament to how much i loved the rest of it lmao. like i still rly liked the finale, and the scene of davros pointing out that ten turned their friends into soldiers and how it was framed almost like they were being put on trial. Was so fucking juicy. but it felt overall like the story was doing that "trying to include everyone" thing and the pacing felt off as a result. like i rly needed the donna mind wipe scene to be longer it was goin so fast i couldn't process it

42 goes so crazy and i love it so much bc to me it is the defining tenmartha episode. you have that showcase of deep inherent trust, of swearing to save each other, of being the person the other needs bc is there anyone else. but you also have ten screaming at her to kill him so that he won't hurt anyone and then at the end, deflecting and refusing to talk w her about it. "burn with me martha" is like that previously-unspoken-now-brought-to-front undercurrent to their whole relationship and ten says it while being possessed by a rageful vindictive sun. waow

i really dislike the temporary companions (astrid and christina in voyage of the damned and planet of the dead respectively). not the characters themselves but the timing and role they have in the story and how they're framed. i do understand that part of ten's character is that he gets attached very easily and can't stand being on his own, but also for astrid this was directly post-martha where ten's realized he's been fucking up her life by acting the way he did. and for christina this was post-donna and pre-time-lord-victorious. forming a friendship that ends w/ tragedy or ten pushing them away i can see, but romantic tension is pushing it HARD. which leads me to my next deranged point

ten is aroace to me i'm so sorry society he clocked the aroace meter the minute the story decided to introduce donna and then in series 4 make them the soulmates of all time while there isnt a HINT of romantic tension between them. and there is something so narratively aspec about ten being created by and for love but sometimes his love isn't enough/isn't the right kind and everyone will leave or find someone else. being an alien can be a metaphor for being aroace if i'm crazy enough about it (and also if their humanity is a constant theme to their arc that is hammered in time and time again)

i forgot i was supposed to talk about the episodes hold on a second

one of the most out of body experiences i had was watching love and monsters, really quite liking it (despite finding the ending weird) because it's a grounded and solid episode w strong characterization and really great jackie and rose moments, only to find out this episode is nearly universally despised by the dr who fanbase. help girl

the human ten arc probably has the most underrated villains in the show. i just really love that concept of monsters that need to eat timelords in order to survive, and ten giving them one chance to be spared of his rage and die peacefully by turning himself into a human for a hot minute. it's just really neat idk.

time lord victorious my babygirl. like oh my god i was wondering for the entire time how the fuck does ten go from "vain/overconfident but at heart always driven by his love for others" to "god complex" and the answer to this question is "you take away everyone he cares about and make him watch more and more people die in front of him until he just fucking snaps". at the end of waters of mars i was almost expecting him to knock 4 times on the tardis door himself and was so glad it didnt happen. etc etc. i'm also really glad that it doesn't last for more than 5 minutes. what he does essentially haunts him for the rest of his (short) life and that's so so important

end of time part 2 doesn't get a ranking. it is simultaneously the best episode and worst episode. it made me cry my eyes out three separate times. like it's not even an episode anymore it's like an experience. specifically one akin to watching a good friend you made over the course of 16 days die in front of you. i felt my soul being sucked out and i wont ever feel anything again (until the 60th anniversary specials fix me). god fucking bless

but pairing up martha and mickey out of nowhere was so so fucking bad and i need to actually murder whoever made that decision

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[agatharkn3ss]

Nicky's Rio son too.

I feel there were so many lines that imply this and the finale is starting to make more sense - especially because the dandelion in the trial!

Jen explains that Green Craft™ is about the cycle of all living things - growth and decay in constant flow. So it's not just about dying but being born too.

So it would track that Rio's love for Agatha was so strong that it actually created life - Nicky. However, there would be consequences to this because proper balance had to be maintained somehow. Rio probably even warned Agatha about it, but Agatha always believes she is above the rules so in her head she probably thought she had every right to Nicky (maybe even her "prize" that she alludes to in their final confrontation). This would really add to Rio's hurt - Nicky was her son too. She thought she was giving Agatha a gift of life, but instead Agatha sees her as this cruel "evil" that "gave her nothing". To her Rio is the one who just "took."

It feels like it is also implied by Rio at the start of the episode when she says "This walk with another woman's son on a road that doesn't...". She could be referring to Nicky being her son.

But I think Agatha finally accepts her truth during the final trial when she sees the dandelion seed in her cameo. She even says "Out of Death - life" as she grows it because she finally understands the literal implications of that phrase.

That Dandelion is representation of Nicky. And sure enough, as soon as the flower grows and blossoms, it quickly enters the final stage - when it turns into the seeds that can be scattered by the wind again and continue the cycle of life. Because guess what, "dandelions produce seeds asexually by apomixis, where the seeds are produced without pollination, resulting in offspring that are genetically identical to the parent plant".

When Nicky is born, we could probably assume it was indeed asexual reproduction - Agatha says she didn't use a spell or incantation, but instead he was made from scratch (obviously a clever nod to his name). On one hand it could be read like Agatha is astonished how something this magical could happen without actually using any witchcraft. However, this also feels like a suggestion that maybe she is just amazed at how he could possibly exist. Kathryn Hahn in her recent interview alluded to how the witches didn't need men, babies were just born. So it was Rio's "dandelion seed" that made it happen.

It is the second characteristic of dandelion species is what seals the deal for me - "the offspring being genetically identical to the parent plant". Nicky as the offspring of Death needs bodies to survive in this realm. During his birth Rio says she can offer only time, because she can maintain the balance, as long as Nicky gets his bodies.

That's why she hates Rio and calls her evil - not because of Rio herself, but because of what her "genetics" did to Nicky. Agatha would rather have people believe that she is this evil witch killer that traded her child for the Darkhold, than anyone to know the awful truth that it was Nicky who was the cause of the killings.

In the flashbacks, there are those remarks about how they haven't "eaten for days" and that whenever Nicky was poorly he said he was hungry. Agatha said she couldn't create the food for him (and protect him from what's coming). She could've cooked that goat they had with them if they were really that hungry (btw, I still believe that goat is Senor Scratchy), but that wasn't the "food" that Nicky meant.

And just like Billy, Rio couldn't just take Nicky. He had to "turn himself in". It was his choice not to kill any more witches. On the day Nicky dies, he says "My mother needs me home". I think he is talking about Rio here, since he usually calls Agatha "Mama". This is the moment the decides for himself and goes home to Death.

I feel like this opens the possibility that we will indeed see Nicholas Scratch in the future (and have a role similar to the one in the comics). That maybe even he might not have "died" because he is an offspring of death, so he just exists in some Underworld realm, where he no longer needs bodies to survive. Maybe Agatha might have hoped that by killing more and more witches, she will bring Nicky back to life/this realm?

And the Ballad really was a protection spell she made for him too?

This would also be a more plausible explanation why Agatha went to kiss Rio when Billy asked "Is this how Nicky died?". I feel this was more of an apology to Rio for hating her for Nicky's treatment, because she finally understood why she had to do it?

[soft4gguk]

yearning | jjk one shot

the one that finds you in Jungkook's doorstep after a night out...

Description: idol!jungkook x reader, fwb 

Content: porn with loads of plot!

Word Count: 7.5k

Warnings: oc smokes 1 cigarette lol, they’re so flirty ouch, so much kissing, cutest little dynamic, dry humping (a personal fave in this house), fingering, protected sex (they’re so smart!!), loads of spanking, jaykay ass man forever. 

Author’s Note: i once sworn to never write idol aus because… i know nothing about this man ok? i do not claim to know what he’s like in a relationship or a situationship or in his personal life!! so please thread carefully when reading <3333 that being said, his lives last year and these first couple of episodes of “are you sure?” have me feeling very delulu so here u go!! hope you enjoy xo

★ masterlist ★

This is a work of fiction. Please respect the members and their privacy. x

The moment you exit the club, a gust of summer breeze engulfs you. It makes you wrap your arms around your body, but it amounts to nothing, the little black dress that you’d made the executive decision to wear, in the name of fashion, betraying you. The tequila shots you'd downed before leaving the house sure had deceived your senses, too.

Needless to say, you regret said decision, a shiver running down your spine all the way to your legs, making you jump a little in place as you tipsily look around you. You’d cut the night short. Your friends had found another lonely pair they’d quickly gotten cozy with, leaving you to drink one too many gin & tonics all by yourself. You hadn’t minded it for the first two hours, enjoying the music, sparking conversation with the bartender from time to time and entertaining the occasional stranger. Eventually though, it became boring, predictable, and you’d be lying if you said it didn’t make you feel a little shitty about yourself. 

It was all getting repetitive. Friday nights, the same faces, small talk, ice breakers. Even the strangers you met had a similar M.O., making it all seem predictable. It made it feel like a waste of self, more than a waste of time, and it ate at you in moments like these, where it was strange to feel lonely amongst a sea of people, unable to shake the feeling.

The bright city lights illuminate the night, lacing it with something livelier than your mood and you smile. At least the scenery is always pretty. Pretty places. You hear the laughter of a group of people that stand a couple of feet away from you, they seem happy in that genuine way that reflects in pure, unadulterated beauty. Pretty people. 

You think of him. 

It’s rather instant. Or perhaps instinctive. The very own butterfly effect of your thoughts because to you, he’s the prettiest of them all. He’d been since the very first day, and as you lose focus of the pretty sights the more you stare into the city lights with him on your mind, you can’t help but think nothing will ever stand close. 

A girl stands next to you, audibly shivering as she exits the club and the air greets her with the same fate it did you. She holds a cigarette between her red lips, the fire from her pink lighter shining on her red hair. It makes you crave one, too, rummaging through your bag for your own. You smile when you remember how he would tease you for smoking “the skinny kind” as he would call them. Calling you a bit of a snob, but all in lighthearted nature. After all, he could. He knew you enough to let your closeness turn into inside jokes, banter. 

Perhaps giving into a vice could prevent you from falling into another. 

“Can I borrow your lighter?” she smiles at you before she’s handing it over. Her nails are pink, too. 

The fire feels pleasant for all of five seconds, warm against your face as you take the first drag. You give into one instinct so as to distract yourself from the one that’s tugging at your heart and senses, begging you to make a reckless call. 

You check the time. 

2:32 A.M.

~

Jungkook scrolls through the endless list of channels aimlessly. Small snippets from whatever’s playing that he cuts short, not really giving it much thought. He settles on one, solely so he can stop putting exertion on his thumb and go back to leaning against his couch – fully relaxed. He sighs. On the screen, some drama he hasn’t gotten around to watching plays, and the story seems to be developing quickly. He doesn’t care for it, if he’s honest, simply content with the white noise it fills the room with. 

Bam leaves his dog house, standing right in front of him and they seem to start an unspoken staring contest. He smiles, patting the spot right next to him on the couch and the pup rushes to take the place excitedly. He gets cuddles and kisses simply for existing. For keeping him company – his presence giving Jungkook more peace than he’ll ever know. 

“Hey, Bam, should we, like, meet up in our next life as well? Perhaps I’ll be the dog in that one and you’ll be my owner.”

Bam simply stares and Jungkook swears if he could, he’d let out a deep sigh right now. This makes him laugh. 

“Hey, don’t be jumping of excitement at the idea, man.”

At this, he attacks. With kisses, that is – wet, sloppy kisses that have Jungkook giggling and pushing back, though it is no use, his dog is that determined to give him love.

“Alright, you win. Let’s go get a beer. For me, not for you. You’re still too young. One day, son.” His voice takes on a lower tone, imitating his father. Or maybe Yoongi’s, he can’t tell anymore. 

He retrieves a cold beer mug from his freezer and cracks the can open, nodding his head at the sound it makes, the fizziness bubbling up before he pours it in the cold glass. He takes a sip as he walks back to the couch, blissed out in leisure.

He doesn’t mind being alone, specially not on nights like this when sleep leaves him and everything but seems more tempting. He likes the way everything slows down at this time of day, the ease of it all. No one to see, no texts to reply to. As for what the world is concerned for, he’s asleep. It’s peaceful, just being. 

Plopping down on the couch, he rests against the pillows, making himself comfortable. He must’ve spoken too soon, he thinks, because it’s not thirty seconds after this that his phone buzzes on the coffee table in front of him. He ponders on the possibility of simply ignoring it, let it sit there, facing down. But something tells him he should check the message. It could be important, or not. The pull isn’t necessarily violent, just a quiet voice that tells him so, like a little nudge. He leans forward, setting his beer on the table before he’s taking a hold of his phone. 

He gets it now – the pull. 

From ___: jungkookie, u awake?

To ___: no

From ___: can I call?

He smiles – so fucking big he almost hates that he does, slightly flustered and embarrassed you have this quick of an effect on him. And before he can talk himself out of it, he calls you. 

~

Seeing his name flash on your phone screen does more to you than anything you’ve deemed exhilarating tonight. The simple prospect of hearing his voice rushes more excitement through your body than any of the mindless conversations you had this evening. Than any of the conversations you’ve had all week perhaps. You smile and there’s no doubt that he can hear it in your voice when you say,

“Hey.”

“Hey.”

There’s a moment of silence and you can hear the smile on his face, too. It’s warmth – he’s warmth, even far. How far is he, you wonder. Did you happen to demand of him at a bad time? Will the end of this call find you disappointed?

You cut to the chase. 

“What are you up to?”

There’s a pause and you can hear the way he sinks into his couch. “Can’t sleep so I’m having a beer and watching some TV with Bamie.”

He’s home and a giddy giggle escapes you. “Ahh,” you say.

“You? It sounds busy in there.”

“Yeah, I’m outside the club.”

“Fun night?”

“No.” You don’t lie, you never lie to him. Don’t have the need to, or the want to. Everything about Jungkook is comfort – the kind that welcomes. 

“Yeah, had a feeling. It’s not really your scene, is it?”

Your head leans to the side, eyes closing for a moment. He knows you in ways most people don’t, and it’s a simple remark but it gets to you. The fact that he doesn’t see you for the parts of you that feel the emptiest settles on your heart. It’s good, you think, to be seen by someone who observes.

“I want to see you.” There’s all the point in the world to be honest right now. 

“Come over. I’ll make you ramen.”

“Will you show me your cat?”

There’s a pause. You picture him smiling, biting his lip, running a hand through his hair. 

“Yeah, that too.”

~

You sway from side to side, a little drunkenly and a whole lot excited, as you stand in front of his door. It’s brief, but as you wait you make a little reflection on your emotions. What exactly do you feel right now? It’s been so long – probably not that long – but long enough to make you happier than usual to be seeing his face. Anyone else would make you nervous, and perhaps he does, too, if only a little. But it’s a different kind of nervous. It’s laced with sweetness, as opposed to anxiety. And the minute he opens his front door, it’s replaced by something sweeter. 

Yearning. 

He stands there, glasses and black sweatpants on, signature oversized shirt – something so very home about him. Your eyes widen as you take in his hair, it’s grown significantly, giving you a rough idea of when it was you last saw him. Two, three months ago. He looks good; rested, fresh, beautiful. You can smell him before you even touch him and it makes you smile. He returns it. 

Yeah – yearning. 

“I like your hair,” you say, because anything else would give you away. 

“Yeah?” he runs a hand through it. “I like you.”

“I like you, too.” Let it give you away, you think. Who cares?

“Alright, well- it was nice seeing you.” He says, closing the door in a too casual, yet dramatic manner and you laugh, simply standing there – a little flustered because, oh does it feel good when Jeon Jungkook flirts with you in that boyish, teasing way only he knows how. 

He doesn’t close the door all the way. Instead, he leaves it open far enough for you to see the way he peeks his head out, nose scrunch and toothy smile to signal just how proud he is of himself right now. 

“Come here,” he tells you, reaching his hand out from the little gap and pulling you closer as you yelp, squeezing through the nearly closed door. “I missed you.”

You’re in his arms again, and the moment he closes the door behind you, his lips are on yours. It’s a soft kiss, one that says I missed you because you know him well enough by now to understand the things he says with his lips, and his eyes. With his hands, too.

“Mm,-“ you don’t want to pull back to get your words out, so you don’t. “Me more.”

Jungkook was always a happy coincidence – or at least that’s what you told yourself in a futile attempt to tame the feelings down. But the truth was that being back in his arms felt like fate, in that gentle way that doesn’t come in a movie-like encounter or in some sort of catastrophe bringing you together. Just being here. Anywhere, with him, felt fateful. You opt to believe in angels right this second just to thank them. 

“How are you,” his hand cups your cheek, pecking your lips before you can answer. 

“Good- better now.” His kisses muffle your words and you think you could live with this interruption for the rest of your life. 

“Yeah, me too.”

You wrap your arms around his neck, bringing him closer as he circles his around your middle. You take him in, not one for big displays of affection yet this one you could never deny, could never not welcome. 

It’s a sweet moment but the pull turns hasty soon enough the more your lips become familiar with one another yet again. You run your fingers through his long hair, rejoicing in its softness and length. His hand travels down, slowly but a bit desperately, squeezing when they meet your ass. 

What has a promising ending is cut short by none other than your rumbling stomach. It’s rather loudly and you both hear it, laughing in the middle of the kiss you two seem to refuse parting from. 

“You hungry, baby?”

“You promised ramen. And something about a cat.” Your lips part and you look at him, a pretty smile on his equally pretty face. 

“Mm, yeah. I did. I’m all stocked up on ramen but the cat…,”

“I prefer Bamie anyways.” 

You leave his arms, a smile on your face as you walk towards his beloved child’s crate. The moment he sees you, he hesitates for a moment, not yet having Jungkook’s command to leave his space but he’s excited – you can even make up his little tail wagging from side to side. 

“Come here, baby.”

He runs to you and nearly tackles you, settling into the floor to give him the proper cuddles he deserves. He steps on you the way he did when he was a puppy, sitting down on your knees as you scratch under his ears. 

“No one’s allowed to tell him he’s grown up. He’s little forever.”

Jungkook laughs. “He’s Jiminie’s height.” 

You sneer at him, shaking your head at his joke. He stands there, staring at you with a fondness he reserves for certain things that bring him that kind of comfort that’s gotten rarer over the years. He’s grown up, matured and gotten real about a lot of things but not you.

Never you. 

You’re still the innocence he kissed you with that very first time and the little bit of fear it wouldn’t go further than that. You’re the excitement he had when it did. You’re the flirty teasing and the falling in trust, opening himself little by little. You’re still something he once dreamt about – he still does. You’re the thing he has and doesn’t at the same time. You’re you. 

Your loud giggles as Bam licks your cheek wake him up from his little daydream and he winces at the sloppy kisses he’s leaving. You don’t seem to mind though and he knows that if it were up to you, you’d stay there til dawn. No ramen, no cat. 

“Alright, alright. Daddy’s getting jealous now. You can’t have her all to yourself.”

Your cheeky smile tells him you’re up to no good. “Daddy, huh? Have we ever tried that?”

“What haven’t we tried?” He genuinely ponders on his own question. 

“Pegging!” You say, a little too quickly and excitedly for his liking. 

“Absolutely not.”

“Mean.”

“Come on, let’s feed you.”

You smile. “Okay, daddy.”

~

It’s a chaos in the kitchen in between distracting kisses and your tipsy antics, munching on Jungkook’s leftover fried chicken as you scavenger hunt his cupboards for anything that could satisfy your alcohol induced need for sweets and carbs. You’d begged for pancakes, but he didn’t have any honey, and what’s pancakes without honey, really? 

“Ramen. Enoki and spring onions.” He says, convincing himself more than he convinces you.

“Okayyyyy. Ramen, enoki- what else did you say?”

His thumb and pointer finger rest at his temples in mock exasperation, making you giggle. “Hey, why don’t you go shower? This’ll be ready when you’re done.”

“Will you be able to work a knife with the thought of me all wet and naked in your shower?” 

“I’ll get you wet and naked later. Go sober up. Quick, quick!”

You laugh, kissing his cheek loudly and ruffling his hair before you leave the kitchen, making your way to his bedroom with familiarity - like you’ve done it hundreds of times and perhaps you have if you were to count. 

You know where he keeps the towels, that it’s the left tap that opens the hot water, the way his soap smells and what brand of shampoo he uses. His face wash and moisturizer are familiar to you because it’s the same brand you use. You’d left them here once and never got the bottles back. He began purchasing them after they ran out. 

You put on the same black Carhartt shirt you always do. It feels and smells the same. It makes you yearn and when you miss him, you smile in the comfort of knowing he’s in the kitchen, probably eating ramen from the pot as you take your sweet time in the bathroom. 

All clean and cozy, his house always being the perfect temperature with the add on warmth that swarms your insides at knowing you’re with him, you make your way back to the kitchen. He’s reaching for bowls, back to you and your voice startles him when you say,

“Don’t get dishes dirty, let’s eat from the pot.”

He turns to you, a boyish smile forming on his lips at the sight of you in his comfy, oversized shirt. He’s seen you in it more times than he can count but it still makes his insides tingle. Butterflies, dare he say, is what the sight gives him. 

“You sure?”

“Aren’t you? Afraid of exchanging saliva?” You poke your tongue at him and he grabs your wrist, pulling you swiftly towards him. 

“Not the funnest way we’ve exchanged juices, but it’ll do for now.”

“Juices.” Your nose scrunches at his words.

“Mm.”

He kisses you, ramen getting cold in the pot as your lips make him forget all about his hunger in the first place. Your stomach doesn’t, though. Interrupting your heated little moment yet again. 

“Feed me.”

“On your knees, then.” He teases, lips still on yours. 

“That sounds more like a treat than a threat.”

He smiles, passing you the chopsticks. “I knew you’d say that.”

“Am I that predictable?”

“With me. Yes. Just me.”

His words are selfish, of this much he’s aware. He knows exclusivity is too much to ask for. He knows the baggage he comes with and the hesitation that shines through your eyes whenever you find yourselves slipping into comfort and familiarity a little too much. How he can almost tell he’s about to go a season without you, just by this comfort alone. But he can’t help but want you, all to himself. He can’t help but say you’re his even if he’s just saying it. And when the smile on your lips meet your eyes in an almost nostalgic way, he knows you feel the same. 

“Yeah. I am.”

“I am with you, too.”

“I’d say I tried to talk myself out of texting you tonight, but I’d be lying.” Your chopsticks play with the noodles, eyes not meeting his. 

“Why would you talk yourself out of texting me?”

You shrug. 

“Don’t.” His voice is firm and your eyes finally look at his. “I’m always- I always want to see you, ___.”

“I know, it’s just- you know.” You say, and he does. He knows what you mean and he’s glad you don’t voice it because he doesn’t think he can bear the words that would only add insult to injury to the way your gaze falls, that spark threatening to dim its light.

“Yeah,” he gets closer, but it’s almost careful. His thumb caresses your cheek and you lean into his touch. “But you’re here now. I want you here now. Come back to me.”

You stare into his big eyes, smiling at him not because your heart isn’t breaking but because you wouldn’t dare break his with the reality of the situation. So you lie, but it holds truth. “I’m always with you.” 

As you two eat, in bursts of comfortable silences and mindless yet meaningful conversations, you start to get used to him again. You’re too tired to fight it, and when you welcome it, it’s sweet. 

~

The pot is empty, your bellies full. You lean against the counter as he puts you to date, catches you up on what his life has looked like for the past two months or so. Trips to L.A., New York, photoshoots, late nights in the recording studio, music videos, long flights and a Calvin Klein campaign you shamelessly admit to swoon over every time you pass by it. He asks about you and you keep your updates mostly work related. Long flights, long meetings, long days. Short bursts of inspiration and even shorter waves of motivation. You omit to tell him about the things you’re maybe not so proud of. The partying, the drinking on a wednesday night, the way your friends don’t feel like your friends anymore, more like acquaintances that keep you around when they deem convenient. You think his words could help, provide comfort and advice, but at the same time you fear the reality of the situation could burst the bubble of bliss you find yourself in right this moment. 

So you talk. You catch up. You play friends for a while, feel real mature when he shares snippets of his life that involve other people, other girls. People in his radar, his line of work, the love interest in his music video. Jungkook does, too. Feels like perhaps he’s come a long way when you tell him about trips you’ve taken with friends, new restaurants you’ve tried, galas he knows you haven’t attended alone. It’s all fine, it’s good. Total control of your feelings as you take each other in. 

Bam interrupts him mid-sentence, a sleepy whine in half protest he lets out as he walks inside the kitchen. 

“Aw, Jungkook,” you coo, “he’s sleepy.”

“Time for bed, Bamie?” He smiles, reaching down to scratch under his ears. “I’ll be right back.” 

“I’ll be here.” 

You smile, well aware that he keeps his dog bed in a cozy room in his house, quite literally puts him to bed every night. It makes you think about how good of a dad he’ll make one day, how much love is stored inside of him, how he likes to be needed and shows affection through acts of service. Your smile drops a bit, a feeling taking over you that you don’t like but have grown used to over the years. 

You snap out of it, busying yourself as you begin to tidy up the kitchen, sliding his pink rubber gloves over your hands before you start washing the single pot, knife and chopsticks he’d used to make you dinner. It doesn’t take him long to be back, though, walking back inside the kitchen and smiling at the sight before him. You hum a song he can’t make up, hips shimmying to the beat as you scrub the pot. Your shirt rides up a little and he cocks his head to the side, smiling at the way your underwear peeks from underneath the fabric. A black and lacy thong that has him nodding his head in boyish satisfaction. 

“You don’t have to do that,” he tells you, making you jump in place a bit at the sound of his voice.

You turn around, bringing a gloved finger to your lips as you shush him before you’re pointing it at the couch and shooing him away. “I’ll only be a second. Wait for me there.”

“‘Kay, boss.” He army salutes you, turning around and walking back to the couch, sitting down and sinking further into the cushions, legs spreading as he scrolls through his phone, a bit impatiently, missing you even though you’re so close. 

And to Jungkook’s great fortune, he doesn’t have to wait for much longer. Wrapping it up in the kitchen, you give it one last glance to make sure it’s back to its pristine state before you’re making your way towards him. He looks up at you, throwing his phone to the side and following you with his eyes, smiling when you’re in front of him.

“Thank you for dinner,” you say, voice sweet and low, eyes a bit hazy.

“Come here.” He takes your hand in his, pulling you closer to him, bottom lip getting caught between his teeth as you throw your legs at either side of him, straddling him. 

“I needed this,” you admit.

“Me too,” he breathes. “I’m glad you called.”

You pout, eyes looking up for a second as you ponder. “You called me.”

He chuckles, not a single ounce of desire to deny you. “I’m glad I called.”

You giggle, arms wrapping around his neck and fingers getting lost in his long hair. His head draws back as your nails massage his scalp gently and he relaxes at your touch, goosebumps adorning his skin. His hands travel under your shirt, promptly finding your hips, waist, and then threatening to go higher but Jungkook wants to take his time tonight. He wants to stay in the sweet state of wanting you for a bit longer. When his eyes are back on yours, you kiss him. He sighs against your lips, bringing you closer to him by the waist, letting his tongue taste your bottom lip before he’s tasting your mouth. It’s slow, a bit sloppy and lazy, holds the quality of anything that happens in the middle of the night, when no one’s watching and time stills for the two of you. 

“Your skin is so soft,” he says, lips still on yours. 

“It’s your body lotion.” You roll your hips over his, smiling when you pull a low groan straight out of him. 

“Yeah,” he says, hands traveling down before he’s squeezing your ass, guiding your hips into his. “You smell like me. I like it.”

“I like it, too.” Your words get caught up in a moan as the outline of his cock parts your slit perfectly. 

You pull away a bit hesitantly, hands coming to rest at his shoulders as your hips pick up the pace. You go slow but sink deeper into him with every roll of your lips, eyes never parting from his as you take in the way his face starts to contort in pleasure, mouth parting slightly as his breathing grows heavier, little grunts leaving his lips with every push and pull. His hands travel back down to your hips, squeezing a little at the soft flesh, guiding them as you move over his cock. He’s so hard, can feel you through the layers, can bet on the fact that you’re wet and pulsing for him right now. 

“That feels good,” he sighs, gaze dropping as he rides your shirt up a bit at the front. His eyes fixate on the way the thin, lacy fabric of your panties bunches up every time you throw your hips back. 

“Brings back memories,” you say, voice a bit shaky when a particular roll of your hips has the tip of his cock hitting right against your clit. 

Jungkook smiles, mind hazy but perfectly able to picture the memories you refer to. “Mhm,” he sighs, so entrapped by the feeling he swears he can feel you pulse against him. He likes the way you consume his senses. The way everything around him stills and all he can think about is you. His hands squeeze at the flesh on your hips before he says, “turn around, baby.”

“‘Kay.”

Jungkook feels the loss of your warmth as you stand up before him once again, smiling at him before you’re turning around and sitting on his lap. You press your back to his chest, letting your head fall to his shoulder, your lips meeting his cheek in an open mouth kiss. His hands travel up your body, palms closing around your tits, thumbs playing with your nipples over the thick fabric of your shirt. You circle your hips, chasing the same friction from before but it’s not enough in this position. You bring your body forward, hands resting on his thighs as you throw your ass back at him, your pussy perfectly aligned on top of his cock, making you both moan at the same time. Jungkook’s gaze drops to your ass, enthralled by the way he feels, by the way you look. He rides your shirt up your back, exposes you to him and it only eggs you on, moving against his cock at the perfect rhythm. 

He hooks a finger down the side of your panties, letting it travel down, smiling lazily at the way you trap his knuckles between your pussy and his cock, moaning as you grind on them. He can feel how wet you are, dripping for him already even though he hasn’t touched you yet. “Want my fingers, baby?”

“Yes, please,” you plead, voice shaky as you look back at him. 

He’d usually tease you, make you beg for it a little longer, but tonight Jungkook obliges. It’s been long – too long – and all he can think about is being inside you, feeling you around him, making you feel good. He takes his time simply so he can savor the moment. So he can memorize it well enough to store it somewhere inside of him, just in case it’s another three months until he sees you again. 

He pushes his middle and ring finger inside of you, hissing at your warmth, cock jumping inside his sweatpants in anticipation and a little big of neglect. You close your eyes, pleasure taking over you as he begins to thrust his fingers inside of you slowly, arching expertly every time they hit your g-spot. His free hand squeezes around your ass cheek, groaning when the hand that fucks into you pushes down on his cock, aiding at giving him some much needed friction. You feel lightheaded already, all-consumed in his hold as he takes over your every sense. Your body relaxes and you can feel the way your tummy tenses right away. 

“Fuck, I think I’m gonna cum,” your voice is faint but he hears you well enough. 

“Already? That was fast, baby.” You don’t miss the cocky tone his words hint at. 

“Shut up and don’t stop,” you say, looking back at him playfully. 

You see the way he smiles at you before his gaze is dropping back down, fingers moving expertly inside of you at the same pace, applying a bit more force as he pushes in, massaging that spot with the tip of his fingers. The added pressure has you mewling in no time, nails digging into his thighs, teeth biting at your bottom lip to ground you back into the moment as you let go. 

“Fuck,” he says as he feels you cum around his fingers, sweet moans filling the space around you and he so badly wishes he could look at your face right now. “Yeah, baby, that’s it.” He feels the way you contract around him, hips circling over his hand as you ride the waves of pleasure. 

You come down after a minute, mind still hazy as you fall back into him, lips finding his the moment he turns his head to the side. You kiss him, breathing into his mouth, smiling in your fucked out bliss. “That was so good.”

“Yeah?”

“Mhm,” you say, pressing your forehead to his. “I need you to fuck me now.”

“Want it?” he asks, and you nod your head. “You can have it.” 

“Yeah, want it so bad, Jungkook.” Your voice is needy, holds a dreaminess to it that Jungkook doesn’t miss – one that makes him melt into your words, your touch, your lips as you kiss him again. 

Jungkook presses his hips into you, raising them a bit as he pushes his sweatpants down. You help him take them off, hand reaching back before you’re wrapping it around his cock. He’s hard and pulsing for you and if you weren’t pulsing for him, too, you’d probably want him in your mouth right this second. He feels heavy, big and thick in your hold, a grunt leaving his lips when your thumb circles around the head. You love how sensitive he is, how receptive. 

“Condom,” he says, before he runs out of blood in his brain and it all falls down to his cock. 

“In my bag,” you say, reaching to the side and pulling it towards you. You rummage around it for a second too long – a second that has Jungkook’s mind betraying him. He shouldn’t. He knows he shouldn’t. But nonetheless he can’t help but wonder where you’d be right now if he’d been asleep and hadn’t seen your text. Perhaps in the same position but with a stranger. Or maybe a stranger only to Jungkook. Perhaps he hadn’t been the only person you texted tonight. “Here you go, baby.” 

Your voice dismantles his worries and he’s warm again, all thoughts vanishing and it’s back to you and him. He leans forward, kissing your lips as he takes the condom from your hand. It makes you blush slightly, biting your lip in anticipation as you watch as he rips the foil of the packaging with his teeth. You watch the way he smirks as he rolls the condom on. 

“Why are you smiling?”

“Just thinking,” he says, smile growing wider, cheek dimples making him look cute but something about his voice begs to differ. 

You hum. “Thinking about what?”

He smiles. “July 14th, 2021.”

You both crack up, laughter filling the air the moment the words leave his mouth because of course you know what July 14th, 2021 meant. You’d been in a position very similar to this one, perhaps a bit more hazy minded, the true meaning of the heat of the moment finding you the minute you’d realized neither of you had a condom. You’d looked into each other’s eyes and made the silent agreement to be a little reckless and put a whole lot of trust on birth control and Jungkook’s pull out game. 

He said he’d never forget that day. 

“Long live, July 14th, 2021,” you say. 

“Shhh,” he says, squinting his eyes and bringing a finger to his mouth. “Don’t remind me.”

“You reminded yourself,” you bite back. “Now, can you fuck me? Pretty please.”

“Yeah, baby, come here.”

You push your ass back at him, looking at him from over your shoulder, biting your lip in anticipation as he strokes his cock once, twice, before he’s lining himself against your entrance. His hand comes to your hip, pulling you down towards him as you push him inside of you. You both sigh, moaning as he bottoms out, so deep and warm it has Jungkook throwing his head back against the couch, sinking further into it and pushing impossibly deeper into you. 

“Fuck, Jungkook,” you whimper, nails digging into his flesh. 

“Fuck me, baby,” he says, running a hand through his long hair. You nod, circling your hips a couple of times as you adjust to his size before you start moving your hips into him, ass bouncing with every push and pull. He hisses at the sight alone, bringing his hand down as he delivers a hard slap against your cheek, making you moan. “Shit, just like that. You’re so hot, ___.”

“Jungkook,” you whisper.

“Yeah, baby?” His eyes are back on yours, threatening to close in pleasure at the way your pussy feels around him. 

“I missed you.”

“I missed you, baby. So much.”

You fall into his chest, kissing him as he wraps his hand around your throat, not applying any pressure, just simply holding you. You gasp into his mouth when his other hand travels down and finds your clit, drawing lazy circles against the sensitive bundle of nerves. You whine and he moans when you move your hips to the rhythm of his touch.

“I don’t wanna be on top anymore,” you say, pouting into his lips, frowning when you feel his chest shake in laughter. 

“Of course you don’t.”

“I’m an awful top.”

“You’re not a top.”

“Hey, I was a good top that one time,” you protest.

“Mm, yeah, that was hot. You got all bossy on me.”

“Oh, but that’s regardless,” you tell him, pushing your lips into his once more and straightening your back, smiling as you look back at him. He wipes said smile off your face in a second, hand meeting your ass in another hard slap. 

“Stay there,” he says, holding firmly onto your hips. 

“Okay, daddy.” That earns you another slap, though you can’t say it wasn’t exactly the goal in mind. 

“Behave.”

Your face grows pliant as you nod at him and Jungkook has to fight to keep up the front because if he’s being honest, the sight alone drives him crazy, threatens to break him down completely and leave him a needy, whiny mess. He holds you in place, legs raising you up a bit before he starts pistoling his hips against you, fucking you hard and fast and even though you saw it coming, it still takes you by surprise. The force of his thrusts, how good he feels as the pain translates into pleasure, the noises he makes – it’s all too much but fuck, you don’t want him to ever stop. Your mouth parts in a silent moan, eyes closing as your face contorts in pleasure before the sensation ripples through you and you’re crying out. Your hand holds onto his arm and the firm grasp you have on it let’s him know.

“Fuck, I’m cummin,” you breathe out.

“Fuck yeah, baby. Cum all over my cock.”

“Oh my God,” you say, voice shaky and faint as you throw your body back into his. 

“Fuck, I love your pussy.”

“I love your cock,” you say, fucked out giggles escaping your lips. 

It takes you both a minute to steady your breathing and regain your strength. Jungkook kisses your neck, snaking a hand inside your shirt and squeezing your boob as you arch your back at the feel. “Let’s get you to bed, princess.”

“Music to my ears,” you say, giddy and excited. 

Your knees buckle a bit when your feet touch the floor, the both of you laughing at your loss of balance, Jungkook a bit more cockily than you. He slaps your ass softly once, then twice as you begin to walk towards his bedroom. Once inside he takes his shirt off and when you turn around, your eyes scan over his body, metaphorically and possibly physically drooling over him. Your hands find the hem of your t-shirt before you’re pulling it off your body and tossing it aside until it’s landing on top of his. Your tits bounce as you do, and he nods his head at you, a satisfied pout adorning his lips. The pout turns sour the moment you turn around but is soon enough replaced with a smile when you start to crawl on top of his big mattress, finding the perfect spot over his pillows and laying down comfortably. 

“You’re so perfect.” Jungkook says, because anything else would downplay it and he’s not in the mood to run away from the truth. You giggle, soft and sweet and he feels the way his heart aches for you inside his chest. 

“Come to me,” you say, arms outstretched towards him. He makes his way to you, letting himself hover over you for a minute as he takes you in before he’s falling perfectly between your legs. You kiss him, letting your fingers get lost in his hair, breathing into the kiss and you swear this moment is laced in pure, unadulterated bliss. “Want to feel you inside me.”

“I’ll give it to you, baby. I’ll give you anything you want.”

There it is, yet again, and without a fail. It’s so common you nearly miss it – the way the moment turns tender. It’s mostly soft, this unspoken agreement you’ve fallen into with Jungkook. It’s friendship and attraction, good sex and years of exploring each other. It’s trust and communication. It’s understanding. It’s soft at the beginning and tender halfway through. It’s so tender it feels tangible, like the moment itself could fit inside the palm of your hand and feel ripe to the touch as you hold onto it. It’s tender when he looks into your eyes, it’s tender when his voice says your name, when you kiss his lips. It’s tender when the lust borders on something else. It’s tender when it lingers, when it threatens to fall. 

He fucks you, hips moving against yours slowly, pulling moans out of your lips that get caught between his own when he kisses you. 

“You feel so good,” you whisper into his mouth, words that only he could hear even if it weren’t just the two of you. 

“Fuck, baby, so do you,” he whines, supple and yours, even if for that moment. “I’m not gonna last much longer.”

You smile, hand running through his hair before your fingers are pushing a strand behind his hear. “Cum for me, Kookie. Wanna feel you cum for me.”

Your words throw him over the edge, falling blissfully into you. It feels so fucking good. Your fingers running through his hair, down his neck and then back up again. The way your pussy clenches around him, cock throbbing for you at the wake of his release. Your lips are soft and the rise and fall of your chest falls into perfect sync with his. His hand squeezes at your breast before it’s traveling down your body, squeezing at your thigh before you’re wrapping your legs around his waist, flushed to him. Every little thing you do heightens his senses until all he can breathe, think and feel is you. His face falls down the crook of your neck and you breathe out a moan into his ear, unraveling him completely.

“Fuck, I’m gonna cum, baby.” His hips slow down before they still completely, a moan passing his lips as he releases into the condom, your nails softly running down his spine. His body feels spent but he doesn’t miss the way it relaxes on top of you, blissful and peaceful, growing sleepy right away. 

“Feel good?” you ask, your fingertips running down his back in what feels like a feathery whisper. 

“So fucking good,” he mumbles against the skin of your shoulder before his eyes are finding yours again. He kisses you. He kisses you because in moments like this he wants to say something else, something that makes more sense to his heart than anything his brain could say.

You kiss him back, afraid your heart will betray you, too. 

~

You stare at him as you make your way back to his bed. He lays on his tummy, cheek pressed against the soft pillow, his pretty hair framing his face in a way that makes him look dreamlike. He doesn’t move an inch when you pull back the covers, if only for a second, to get back in bed with him. You lay on your side, eyes still fixed on him and your heart grows a new kind of tender at the sight of his sleeping form. He’s pouty and soft and so, so peaceful. Something sinks in your tummy, but it’s not in a way that signals bad news. Perhaps it’s the butterflies settling, perhaps the heat of the moment has began to cool down. 

Your hand comes to his face, fingers gently pushing his hair out of his eyes before you let them wander down his face. His cheeks are soft, his ears cold and when it tickles, he frowns. Your thumb travels up again, smoothing his brow bone and he relaxes. Your eyes follow your touch as you trace the bridge of his nose, slowly, softly, as if you were being quizzed on it later. Wanting to take everything in, afraid that even blinking could take away from the moment. And when your finger lands on his lips, you trace that too the way your own did only minutes prior. 

His eyes begin to flutter, a failed attempt to open them but you know he’s partially awake from the smile that pulls at his lips. You feel it on your finger before your eyes meet his gesture and when they do, you close them instinctively, leaning over and kissing him. His body can’t respond to his brain right now, exhausted and more asleep than he is awake, but he hums in satisfaction, lips puckering as he tries to give into his instincts. 

“Let’s have breakfast together tomorrow,” he mumbles against your lips. “I’ll go buy honey and make you pancakes.” 

You smile, though he can’t see, and perhaps it’s for the best. Your voice is a whisper when you say, “deal.”

His smile is the last thing you see before you fall asleep.

~