#i finished the series rip me

[shallanspren]

i love you annie. i love you lee. i love you griff. i love you delo. i love you crissa. i love you cor. i love you rock. i love you duck. i love you freyda. power.

[shannonsketches]

he's so important to me

[theredengineapologist]

Most other TTTEblr users: *makes their Humanized!Thomas have a normal last name like "Awdry" or "Billinton"*

My Thomas: *attempts to make his full legal name be Thomas The Tankengine*

[dareduffie]

abuse, especially of the kind that donny experiences in baby reindeer, rarely manifests its effects in a way that is not complicated, or that doesn't warp one's sense of self, which is part of why i think these stories are so hard to tell, and why it can be difficult for someone without similar experiences to understand its spiderweb of effects.

a huge part of this show is donny coming to terms with his own victimhood, which acts as a great incentive for the story, as well as a doorway for the audience who may be unfamiliar with how victimhood looks when outside of the accepted parameters, the "norm". i love that this series was unafraid to explore every corner of trauma, even the ones confusing or disagreeable. the effects of trauma are muddled more often than not, and i'm glad to have that represented.

[colorfulandblack]

It is the year of our lord 2024 and here I'm eating carrots and desperately digging in the infinity of the abyss that is this hellhole to find some crumbs pertaining a pink haired, three eyes, purple goober with anger issues and going absolutely FERAL about the fact that apparently Starco is canon.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[rooscandraw]

tryin to figure out how to draw these kids

[grenadine-blood]

favorite ship of destiny moments: “give me a face you could love,” amber obsessively drawing fitz over and over, malta steamrolling everyone with the power of rhetoric

least favorite ship of destiny moments: whatever brashen was doing in the last two chapters (althea should have been allowed to shoot him with a gun)

[somegrumpynerd]

Me: ah I have a day off tomorrow, I can use it to relax and do something easy for a bit

My brain: hey real quick before you go to bed [elaborate interesting idea that will involve several comics of multiple pages]

[oldestenemy]

Thinking about Duncan Grimwater again.

Thinking about the wizard letting that fight play out.

About letting him win, landing in the commons, and using dungeon recall to go back, showing up behind him.

Thinking about "Did you really think with everything I've been through, that I would go down that easily?"

[cordeliawhohung]

just wondering, are we going to get anymore in the soft spot Simon series?

i've got to be getting trolled at this point surely

[itstimeforstarwars]

I have not managed to get into any of these highly recommended Discworld books yet but every once in a while I pick a new one to abandon 30% of the way in just in the hopes that this will be the one that clicks with me.

[thymelessink]

Me: starts watching a tv show with more than one series

My attention span:

[layalu]

started watching vox machina and this alone already made it worth it hsfljflds

[airenyah]

uhhhhh so.......

ร้านพันดาว [ráan pan daao] (thousand stars shop)

you know, as in

นิทานพันดาว [ní-taan pan daao] (a tale of thousand stars)

?????????

[lesbiansanemi]

Lets see how many episodes of revolutionary girl utena I can slog through today before I wanna fucking end it all