#i feel like this universally agreed on

[inkblot-inc]

Ink!!!!!

I imagine Jeweler!Wanda to still be so stressed and caring when Skitch gets sick even with just the common cold!! But like,, what if it’s The Flu or something spicy and Skitch is all “Wanda I’m fine please don’t come over you’ll get sick too” and that’s like the last thing wanda ever wants to hear yk???

Ria!!!!!

Skitch is definitely the type to make light of how sick they actually are so they don't have Wanda "worrying about them needlessly". I can see this happening when Skitch got sick earlier on in their relationship with Wanda.

Skitch is so used to taking care of themselves just because of how they grew up. Their mindset is very much "I can do this on my own, just give me the time to do so/figure it out". Seeing how they deal with their work injuries, it's a very rudimentary treatment: Aspirin, and NyQuil to actually knock them out because you know Skitch is still tryna work through the sick days 😑

It's not necessarily recklessness, but it's a lonely way of thinking that they can just "do everything", especially when Skitch doesn't have to think that way all the time, I can see them readjusting that mindset after dating Wanda and seeing just how involved she is in their life.

Looking back, Skitch definitely gets the point that that shit was counterproductive because it's Wanda and she's going to be concerned regardless, but hindsight is always 20/20 y'know 😅

Of course Wanda doesn't like Skitch sick or hurt, but she will always want to look after them to make sure they're recovering properly. I can see Wanda taking time off work when Skitch has any sort of spicy sick to take care of them, otherwise (common cold, light migraine, etc.) Wanda's definitely sending reminders and checking in while she's away.

Wanda makes sure a quick lunch is set aside for skitch in the fridge so they just have to heat it up, tea and tissues are stocked, and she'll queue up one of Skitch's favorite shows on the TV before she leaves if their still asleep so Skitch doesn't wake up to a quiet house.

[technically-human]

Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...

Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...

Part one

[gutiuniverse]

Legend, teaching the young heros: Okay, what's the first rule? Wind, Wild and Hyrule: Don't wake up Sky before 12, if you want to live. Legend: Second rule? Wind, Wild and Hyrule: If Warriors tells you no, go to Four. Warriors, shouting from a distance: WHAT ARE YOU TEACHING THEM!?!?!

[grumpyghostdoodles]

Frisk: "Oh, so you make fun of Asriel for not telling humans apart very well, but then you go and do this? Shame on you"

---------------

The character design for the new kid of "The Fairly OddParents: A New Wish" is so unintentionally hilarious. Hazel looks like a very sweet kid, and retired Cosmo and Wanda was a nice surprise, but holy shit out of all the fandoms they could accidentally reference, im wheezing

[spaghetticat3899]

When you absolutely despise something a lot of people like, and no matter what way you look at it you cannot see the appeal, but you know you can’t talk about it in public or else you’ll get dogpiled to hell and back, so you just kinda sit there frothing at the mouth like this

[caffeinatedopossum]

I actually find it really bizarre and counter intuitive that clinically speaking, you cannot legally be diagnosed with a personality disorder until you're at least 18. The reason given for this is because "the personality has not fully developed before this age" like ???

Ah yes, my favorite strategy. Not diagnosing the problem until it's already been virtually cemented into your brain for life! Wouldn't it be easier (and more painless) to address the problem before it's fully developed?

[b0nelessdoodles]

espresso needing to weigh the moral pros and cons of the research he wants to conduct and shadow milk is just floating there like DO IT

(he's gonna do it 'cause that stupid blonde jock likes him a whole lot for reasons he cannot understand)

[opens-up-4-nobody]

:-P

[fist-of-vengeance]

am i the only person alive who ships sayid and danielle rousseau? i feel like an...um. what's the phrase? when you're alone.. it's almost like. um. it's like. um... it's like...i feel like. uh...AN ISLAND

[screwpinecaprice]

[buggachat]

Basically, what's your favorite non-cat-related Adrien lovesquare petname?

[vaguely-concerned]

Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).

many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.

(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)

[utilitycaster]

Do you think that Laura and Marisha are deliberately making their relationship somewhat toxic and unsustainable or do you think they see the relationship as healthy? It is just so different from all of the other relationships they have been a part of and not really in a good way. Would love to get your perspective on it if you have one

I am honestly unsure. I would like to say it's deliberate. Prior to it becoming canon, in fact, I, and a lot of other people who were less than enthused by Imogen and Laudna's romance and weren't entirely sold from the start, made the case that we expected they would be talking to each other and would put together a compelling story, not the dull fluff so common in fanon. While whether it's compelling is a subjective judgment, we know for a fact they didn't talk to each other. We know for a fact Marisha was surprised by the question of "Can I kiss you," and Laura was surprised by the answer. We know from a 4SD not long after (4SD #16, Kiss and Tell) that several episodes later they still hadn't talked. We know that Marisha perceives Laudna as holding Imogen back (and that Laudna perceives herself as doing so) from the Rose City Q&A. We know that from 4SD #20 (Episode Twenty) that Laura doesn't like conflict in narrative and Marisha does, and that Laura was thrown by Laudna's regression following Ashton's attempt to absorb the shard (4SD #19, Shard Candy).

I don't know if it's deliberate or not; I don't have any extra insight that isn't public knowledge any fan can easily access. But man, it doesn't feel like these are two actors on the same page about what's going on.

I've touched on this before but mostly in tags or whisper posts but I've always felt ill at ease with a number of for lack of a better term "fandom-approved opinions" and one of the ones that has baffled me the most is this idea that Marisha and Laura have exceptional chemistry. I watched Campaign 1 knowing the endgame ships but deliberately avoiding the fandom, and Vex and Keyleth did not even once occur to me as a thing. I watched the first year of Campaign 2 without a ton of fandom interaction because I was avoiding additional C1 spoilers and it seemed crystal clear that the obvious ship was Beau and Yasha; it felt like Beau and Jester only even had enough potential for me to multiship it as my general "whomever Jester picks" for like, 30 episodes. And yet people - people who didn't even ship either of the above ships and in some cases disliked them- would just say "oh man I can't wait until we get to a campaign where we can finally explore Marisha and Laura's incredible chemistry!" and it's like. I feel like I'm the kid in the Emperor's New Clothes on this! I understand that chemistry is to an extent a matter of taste and subjectivity, but it just increasingly feels like people looked at two campaigns of tables where Ashley was frequently absent and said "well, if I want an F/F ship that's between two of the women in the cast, I guess this is what I have to work with" and repeated to themselves that a flat pamplemousse La Croix was a Piña Colada until they started to believe it. I mean if someone wants to explain it to me in good faith I suppose be my guest and I will try to take it in, but it feels like people just treat this as incontrovertible fact and if you doubt it they're like "don't you have eyes" and it's like, well, pretend I don't. Explain like I'm eyeless and five because I have never understood this. They both have more chemistry with every single other cast member; it's not all romantic but man, I didn't even buy Laudna and Imogen as platonic best friends of two years. I have never had this problem with any other pre-existing character relationships Marisha and Laura have played, platonic or otherwise. It's literally just them. I just never feel like they're quite on the same page.

Back to the relationship between Imogen and Laudna onscreen, this was easily the best conversation since the start of the gnarlrock fight, and it is my hope it doesn't fizzle out the way that did. You can't keep kissing Laudna whenever she fears she's lost forever to Delilah, Imogen. Or you can, but that won't fix the problem. Again: are you disgusted? Do you feel betrayed? If you're not, why did you say that? If you are, how will you move past it? Do you want to be with someone who never feels like they're good enough for you? Laudna, do you want to be with someone who, no matter what they say, you feel you're holding back?

Early in the campaign, my feeling was that of our current situation, switched - Imogen felt her powers were a burden and a curse and Laudna kept referring to them and to her glowingly. It's just...ships passing in the night, no pun intended here. I hope it's on purpose and whatever comes from it is a good story - and either a tragedy or a happy story could be a good one. But I have a nagging sensation that Laudna wants out but is afraid to say no, and Imogen is afraid to let go, and I honestly don't know if the actors have realized this impasse and how the characters might resolve it, one way or another, besides the insufficient bandaid of a kiss whenever the conversation gets too uncomfortable.

[sadkachow]

And Then It Is Monday - Why Sunday's plan did not (and could not) work

So normally I don't really make longer analysis posts, but I kept seeing people on social media outright supporting Sunday's actions in 2.2, and I wrote something out about why I personally think that Sunday's plan is wrong. I don't know if this is an issue with tumblr as well, given that the people I saw supporting him were on different forms of social media, but regardless.

Before I begin, I'd like to pose a reminder that the opinions in this are mine and mine alone. If you agree, awesome! If not, I'd love to hear your thoughts on it, so long as you're respectful! I have no idea if this is well written or will make any logical sense, but here we go!

(Spoilers for the 2.2 Trailblazer quest under the cut, if that wasn't already obvious)

So the first thing to get off the table: I feel Sunday is a very sympathetic villain, but a villain nonetheless. I understand the people that sympathize with him. I do too, to an extent. He was raised on unhealthy ideals and the belief that he was a "religious figure," one that people looked up to. Other people were allowed to just be, but Sunday always had to be better. He loved his sister, and the people around him, and he wanted to make a better world for them.

But that does not excuse what he did. Making a 'better world' can never come at the cost of taking away people's free will, because that world will never be "better". That's where Sunday's plan falls apart.

Because, yes, there are shitty people in the world, and yes bad things happen. Would it be amazing if we could stop all the bad things from happening ever again, and make the world a much better place? Yes! It would! I would love to live in a world where I don't have to fear for my life and my freedom for an assortment of reasons! But that world doesn't exist--in real life or on Penacony--, and getting it to exist shouldn't be the result of subjugating and controlling other people, because that in and of itself is violence. Albeit a different kind of violence, but violence nonetheless.

Not to mention that things like Sunday's plan and the concept of forcing everyone to act a certain way just to fit this "better world" to me almost serves as a condemnation of human nature and of the very act of choice itself. Your better world starts by saying that some choices are bad, so those choices get taken away, but where does it end? What if someone in charge views a harmless choice as a bad one, and takes away that one in return? Does it stop there, or does it continue, until no one at all is allowed to make any decisions, except those in charge? Who, really, does that benefit?

Consequences for certain choices exist. Generally, society says murder is bad (except for specific circumstances such as self-defense, which technically at that point is no longer even considered murder (at least where I live, it may be different in other areas, but I'm basing this off of my own experience)), so there is a concrete consequence to people murdering people--assuming that they don't get away with it. It doesn't stop people from murdering people, because the liberty of choice is still there, but it shows that just because you can do something doesn't mean you should or that you will escape without consequence.

People are going to do bad things. That is, unfortunately, how humans are. But our responsibility lies in holding ourselves accountable and in promoting growth and healing. That is how you build a better world. Not trapping everyone inside a dream world without any care for their feelings or beliefs, but in getting people the help they need, in fostering a society of positive change and human connection.

And that is why, as "golden" as Sunday's dream may have seemed, it was never going to work. In the end, as the story quest shows, human will and the desire for freedom wins out in the end. When there's a will, there's a way.

[moonlit--wonders]

I Love You So F***ing Much + Space Themes

[celiaelise]

bro Marcille was really having her White Woman Moment this episode.