#i feel like the character they’re talking about is not one i’ve seen

[pjsk-hot-takes]

To add onto Anons before me I’ve noticed that whenever misogyny is brought up in the PJSK fandom the people talking about it always specifically refer to L/N, MMJ and even N25. Which.

Actually I think we should talk about Emu Nene An and Kohane more. They face SO much misogyny. Constantly. And nobody even mentions them in discussions about misogyny BECAUSE of said misogyny. Literally every single time an Emunene or Anhane song comes out people call it bad or say it should’ve gone to someone else. Every time. Without fail. It gets ignored at best outright hated at worst.

Ok so thought experiment time. Name a popular Emunene or Anhane song that’s as beloved or gets as much attention as Aun no Beats and Fixer.

If you couldn’t name one - that isn’t even because they don’t have bangers people just don’t like women unless they’re standing right next to men. Anhane alone has Imperial Girl and Odo and Pheles and Love is War and the Night Sky Patrol of Tomorrow and Butterfly on your Right Shoulder archives and you’re telling me that none of those are “good enough”????? Idk I think that’s just bias. Ruikasa and Akitoya songs have gotten popular with worse. Anhane and Emunene could drop the most jaw dropping gorgeous songs ever and not a single person would care and I firmly believe and will stand by that statement.

This isn’t even getting into how they’re treated in group covers!!!!!! Everybody ignores or hates on them!!!! If people feel like they got even slightly more lines than Ruikasa or Akitoya, even in their *own focus songs* (cough forward cough) they get so upset. And yet when Anhane and Emunene get the EXACT same treatment in Ruikasa or Akitoya songs nobody says a single thing!!!

And that’s not just speculation I KNOW that’s the case I can literally prove it. An has three total solo lines in the entirety of blender. That’s the exact same amount of solo lines as Toya gets in Ready Steady. They pretty much have the exact same amount of duet lines as well. In both songs. But Ready Steady is infamous and hated for it whereas blender nobody has even pointed this out and it’s universally beloved. It’s not even just a “blender is a focus song” thing because this happened with Forward too. It’s just misogyny.

I’ve seen people complain about Daybreak Frontline. Because and I quote “I hate it when the girls get most of the lines”. I can’t even go into any of the Nene or Emu tags without filtering every single Tsukasa and Rui tag first and even then finding any sort of content is almost impossible I think that’s a problem.

People will call Kohane “just a girl” despite the fact that she has a solid character arc and a personality and development. You can think she’s boring or not for you but????????? Don’t call her “just a girl”????? Esp not when she has social difficulties that are intentionally supposed to be relatable to the audience. A lot of people might actually relate to her character and journey even if they don’t necessarily like her. Idk leaves a bad taste in my mouth.

An has it only SLIGHTLY better because there’s a niche little fanbase for her and she’s somewhat popular (in the western fanbase. I think Kohane is more popular in Japan iirc.) but she still gets treated as an accessory to Akito and Toya just like Kohane. Also people keep trying to be weird and frame her as abusive or toxic which. Considering that possibility isn’t like a bad thing but people are just straight up reaching to try to prove stuff that either isn’t implied at any point or is outright refuted in the text just to villainize her??? Which is weird??? Especially because these people will turn around and defend Rui and Akito. Like. What did she ever do to you….. you’re willing to defend Rui who has canonically put people in mortal danger because teehee autism (I am autistic FYI I still think that’s a really stupid thing to use as justification especially if he’s aware it’s dangerous????) but An. Just existing with her fear of abandonment was too much??????

I could go ON and on and on there are so many examples….. help me……… help me anons…..

It’s not even that liking Akito and Toya or Rui and Tsukasa is inherently bad!!!!! But the favoritism as a whole is…….. something. Especially when it turns into hating the fem characters.

Also Mizuki suffers this too with Rui as another anon mentioned and it’s like. Really guys. Like first off it’s not about him it’s about Mizuki and if you’re gonna involve anyone else it should be the Nightcord girlies. Second off It’s a double whammy because people will bring up Rui but make no mention of An despite the fact that An is the one who’s canonically defended Mizuki from transphobes. Like. Why only Rui.

(I tried to word this as neutrally as possible I hope it didn’t come off as too aggressive ausuxuvhxhgxhgshg…. Anyways….. introspection and growth is good and cool actually…. Also I’m using Anhane and Emunene and Akitoya and Ruikasa for ease of use not as like a ship thing just to clarify it’s just tiring typing out each name individually)

.

[ickypuppi3]

i’m confused because is that not literally how she’s written in the show- her storylines do revolve her love life 99% of the time

like as shitty as that is, it is canon & surely you can’t blame fans for how crap the shows writing is and how characters are depicted?

[mabaris]

no youre completely right - im a gay (trans)man and i legit wanna see so much more about the women bc There Is So Little. I wanna make a lesbian oc who gets bent in half by taash. im very normal.

i’m just tired man!!!! it feels so obvious how disproportionate it is when you’ve got. a cast of characters that we know almost equally little about. and a few of them explode in popularity and it’s like spongebob sticking his hand out the curtain. literally all a character needs to do numbers is to be a light-skinned man

[lowcallyfruity]

SEBEK AND EPEL SIT TOGETHER AT LUNCHHHHH

GREEN APPLE SEBEPEL WINNNNN WINNNNN

Yes Jack is there too but this isn’t about him

[tariah23]

Well, I’m still glad that Gojo was always a character who was growing and learning at least. He’s literally one of my favorite characters of all time now. Like, he’s never been as perfect as how the fans would make him out to be despite canonically being viewed as an absolute nuisance to everyone around him (I don’t think his peers necessarily hate him but a lot of them probably hate to see him coming and the ones who’ve dealt with him long enough to consider him a friend, tolerate him and groan whenever he opens his mouth, too 😭… out of love. He’s extremely childish so there is only sm the other adults around him can take and to an extent, his students. I think the only characters in canon who adore him and their eye’s sparkle whenever he’s around, and being a silly teacher was Yuuji and Miwa (she asked him for his autograph (he’s the most famous sorcerer in the jjk world) and when she was alone, she did a little dance in the empty hallway 🥺…) from what we’ve seen even though the others still care about him, too. They just find him rather annoying, which he most definitely is. And he does it on purpose. He plays too much.)

[nazumichi]

really is something when you have thoughts about a piece of media and the fandom and how it thinks about characters and stuff, but you’ve just watched a playthrough so how qualified are you really

[victory-cookies]

being in the throes of specifically a gravity falls hyperfixation is terrible because when I’m brainrotting about smth, I really love to send one of my friends snapchats detailing how it’s driving me crazy, expect I’m getting them to watch gf rn and as a result, I’m having to be so vague about everything because I don’t want to spoil stuff! But I also need to talk about it or I’ll explode

[tautozhone]

YES YES YES ALL OF THIS. me personally i’m giving any character i can more scars on average, and if there isn’t canon basis for them having those then i’m making up useless lore for how they got the scars and then also i’m thinking about how they’d handle scar pains and also if they’d need phsyical therapy around recovering from the injuries i’m thinking about that too! all especially in the case of extreme scarring, but always with the case of everyday encounters a character may have had- i’m thinking of scrapes and scratches and burns that even small can and likely will still leave a mark behind them.

if not being ableist wasnt already enough of a motivator for people reading this rn to embrace characters being disabled different ways, then please further realize there’s literally no excuse that will not lead back to ableism. the only good faith one i could even imagine is “i don’t know how to draw scars right”- and to that i say: learn how or you will fall into ableism immediately. so many characters are scarred and so many real people who are scarred often feel seen by those characters, removing that aspect removes a very literal part of them, who they are and how they became that way.

its straight up fascinating how many people dont know that lessening characters scars is based in ableism honestly. like what the fuck else did you THINK it was for???

[actiniumwrites]

patches

synopsis: even though you’re both self-proclaimed enemies, they can’t bear to see you hurt. or in which, you show up at your enemies door all bloodied and bruised and they’re forced to take care of you

characters: xiao, gaming, alhaitham, and arlecchino x gn!reader (separately)

warnings: angst to fluff, hurt/comfort, injuries, crying, enemies to lovers, some of them are kinda mean, extremely mild misunderstandings, probably swearing idk

notes: i’m in a massive enemies to lovers kick right now omg you guys don’t understand. this was also inspired by arlecchino’s voiceline from a heavy hit or something where she says, “wanted my full attention, did you?” she’s so fine i’m sobbing 😖

Xiao:

It was a relatively quiet night before you showed up at Xiao’s room at the Wangshu Inn. For the first time in a while, he had felt a semblance of peace. That was until the indistinguishable scent of blood forced itself in his nose and a weak knock sounded at his door.

Xiao opens it immediately. He doesn’t care to know who it is, but rather what they want with him at nearly three in the morning. No one ever bothers Xiao this late. Not unless it was serious.

“What do you—“ he starts harshly but stops mid sentence when he recognizes your face. You’re doused in blood, your clothes all ripped up. And god, you look so weak it almost makes him feel bad for you. “Get inside,” he grabs your arm harshly, but still manages to avoid all your injuries.

You start to speak, but your mouth is full of blood too. He can barely understand what you’re saying aside from a bunch of nonsensical, I’m sorries. And if your injuries weren’t enough to show it, the fact that you’re apologizing to him at all tells him something is seriously wrong. Most of the time you talk to him it’s a bunch of insults thrown back and forth, some even result in physical fighting. Neither of you have been able to get along for centuries, yet here you are getting patched up in his house.

Xiao remains mostly silent as he sets you on the counter and pulls out his medical supplies. First he cleans up all the excess blood with a cloth before tossing it aside and moving to work on the actual injury itself. You can’t help but watch him, feeling nothing but shame as you do. You couldn’t help it. There was no one else you could think to go to.

“You are unbelievably weak and irresponsible. It’s idiotic to think you could ever handle anything in this world, not even a few monsters,” he grumbles between stitches, “Pathetic.”

You just stare at him as tears well up in your eyes. You aren’t one to cry. In fact, you can’t even remember the last time something so bad happened that you did. But sitting here, terrified of the monsters that had you within an inch of your life combined with Xiao’s cold words made you completely shatter inside and out.

Quietly, you sob into your other half-cleaned arm, “I know. You don’t have to say it.” You begin to get up right after, mumbling about it being a mistake coming here but he pushes your knee back down before you can fully stand up.

Xiao looks up surprised from where he sits as he does, his hands drop the thread and needle against the counter. Without word, he stands up and furrows his brows. “I should not have said what I said,” he practically whispers, a twinge of embarrassment hitting him too. A darker look shades his gentle amber irises as he stares into yours, “I don’t entirely dislike you. As stupid as your actions may have been, seeing you injured makes me…upset.”

“They weren’t normal monsters,” you breathe out between the remaining sobs that still involuntarily leave your mouth. You know you don’t owe him an explanation, but you figured you could at least make it known you weren’t taken out by some random hilichurls. “I was down in the Chasm. Those…things weren’t anything like I’ve ever seen before. I didn’t even have time to react.”

Xiao nods and places the last bandage on your face, “You shouldn’t go down there by yourself. It’s too dangerous. The last time I was there I hardly escaped.”

“What do you mean?” you raise a brow, your interest suddenly peaked. Xiao wipes the remaining tears off of your face in silence before turning to walk away.

“Call for me next time and I’ll be there.”

Gaming:

Gaming and you had gotten off on the wrong foot when you first met each other years ago. As children, you always felt like he stole your spotlight and he never seemed to care. And as you got older, it never seemed to go away. You constantly bickered and loathed having to see each other whenever one another’s name was brought up.

Yet whenever you got hurt, he was always the first person you went to. Although normally, it was for small things like paper cuts and bruised elbows. Not for your face having a cut so deep you could barely see and an arm twisted out of place like today.

“Fuck,” you mutter as you bang on his door, hoping it was the right one. There was too much blood in your eyes. Every door in the village looks the same right now, and even if it is the right one, you aren’t sure he’s even home. “Please be home,” you pace back and forth. Gaming stopped asking questions years ago when it first started.

You were forced to go with him after a group of bandits had found and beat you up, taking nearly everything you had in your bag. Gaming had found you while on delivery, and like the sweet guy he is, he stopped and helped you even though you could both barely stand each other. He didn’t want to see you dead either.

You weren’t often hurt, but it became somewhat of a cycle whenever you were. You were a nice person, well liked by most, but you also enjoyed stirring up trouble and it often landed you in some pretty hot water countless times. You knew Gaming wouldn’t say anything to anyone or turn you away like other people would. And above all, you like the kinder side of him whenever he patched you up, which he was good at too.

“Gaming!” your fist pounds on the door again. It’s almost nightfall and a few villagers have begun staring. You almost go to knock again, but your body begins to give out. You mumble a few more curse words before the door opens and you fall forward, directly onto the very person you were looking for.

“Ow ow ow, oh my god my arm!”

“Sorry! Is that blood?! What happened to you?”

“I don’t know! Ask the guys who thought my joke wasn’t funny.”

Gaming picks you up off the floor in a state of panic and rushes you to the bathroom. Luckily for you both, his dad isn’t home to see all of this.

Gaming begins to wipe the blood off your face and examine the cut that runs all the way from your forehead to your cheek, narrowly missing your eye. “This is bad,” he says and begins rummaging through his drawers for medical supplies.

You scoff, “Yeah, you think?”

“You didn’t have to come here, you know. You should’ve gone to a doctor,” he bites back nicely. Sometimes you wish he would just be a little meaner to you. It was easier to hate him that way.

You quiet down and let him take care of your face, “I’m sorry. You’re the only one who I can actually trust to take care of me.”

Gaming hides a small smile while avoiding eye contact with you. Not that you could even see, but just in case. He’d never admit it, but he actually really enjoys when you go to him for help. He’s never resented you like you’ve resented him, but he never bothered to change it either. Somehow he hoped bandaging you up would make you change your mind about him.

“It’s alright,” he says softly, pouring disinfectant onto a small cloth and wiping the cut gently. You wince and he places a hand on your upper arm to silently comfort you, “If you want some good news, you don’t need stitches on your face.”

You breathe out a sigh of relief, having always hated needles, “Thank god.”

“But you will have to see a doctor for your arm. There’s no way for me to fix that on my own,” he says bashfully, “I can maybe…take you if you’d like?”

You peer up at him, shocked at the question. Perhaps this could be a new start between the two of you, and you’re not so against it.

“Yeah, I’d like that.”

Alhaitham:

It’s pouring outside when Alhaitham hears banging on his front door. At first, he ignores it thinking it was just Kaveh forgetting his keys again and he doesn’t care enough to let him in. But the banging persists and then comes the faint sound of pained sobs.

He slams his book shut and groans as he gets up and trudges angrily to the door. He swings it open only to be met with the sight of you clutching your waist, barely keeping yourself standing as the rain envelopes you.

“Please,” you whisper weakly.

Alhaitham scoffs, “Really? I’m not a doctor, go somewhere else.” He begins to shut the door, and he almost does so successfully before you collapse on the floor, blood beginning to mix with the puddle outside his door. And there’s a lot of it.

The next thing you know, you’re in your least favorite scholar’s arms as he carries you to his room. He sets you on a chair and you take the time to take in what his room looks like. It isn’t much different than you expected, yet you never thought you’d see it.

“Don’t move. I don’t want you making any more of a mess than you already have,” he sneers, walking off to the bathroom connected to his room to grab out a small bag of medical supplies. When he returns you’re blankly staring ahead of you, barely conscious as tears start running down your face. It’s like you don’t even know you’re crying. Alhaitham stares at you for a moment in utter disbelief before snapping in your face, “Take your shirt off.”

“Huh?” you snap out of your daze, confusedly wiping your tears as you do so. A few sniffles leave your nose as you do so.

“Do you want help or not?” he snaps again, losing his patience with you. He’s beginning to seriously regret not leaving you on his doorstep. You quickly follow his instructions, taking off your shirt to reveal a huge cut stemming from one side of your stomach to the other.

Alhaitham’s eyes slightly widen in shock, and he almost can’t pull them away. For a brief moment, you even catch them soften but it’s fleeting and doesn’t give you enough time to register that maybe the stoic scribe really does care for you, even just a little bit.

You both sit in complete silence as he begins working. You catch his eyes every so often, but he quickly looks back down at the injury before either of you can speak on it.

“Who was it?” Alhaitham grumbles as he finishes wrapping it up, his arms wrapped around your waist. The feeling of his hands distracts you from the question.

“What?”

“The people that did this. Who was it?” he repeats it, more anger this time around. You shake your head and look off to the side.

“I don’t know. It was too dark to get a good look at them,” you try to explain, but Alhaitham doesn’t have any of it. You’re not sure why, but he doesn’t seem like the normal him. The guy that normally finds any and every chance to torment you.

He gets up and grabs the bag, noting something down on a nearby piece of paper and shoving it in the left pocket of his pants before angrily walking out the door of his bedroom, “I’ll be back.”

“Wait! Don’t go,” Your hand reaches out and grabs his. You pull back suddenly, not realizing how impulsive your decision was until it was too late. You go to mumble a sorry, but before you can, you find your hand back in his.

You stare at him in shock, but he just squeezes your shaking hand. “Stay here,” he says somehow both coldly and warmly at once, pulling the blankets back and gesturing to his bed, “I’ll be back in an hour.”

“Where are you going?”

“To deal with the people that hurt you.”

Arlecchino:

You wince as the door swings open aggressively, not expecting Arlecchino to open the door before you could even think to knock.

“What are you doing here?” she asks, squinting her eyes so as to scale you up and down. For a moment, they linger over your bloodstained clothes and the already bruising cuts that litter your body. You don’t notice the way they widen in shock for a moment, too distracted by the adrenaline wearing off.

You still manage to crack an arrogant smile and sarcastically mutter, “Couldn’t think of anyone worth patching me up but you.”

Without waiting for a response, you push past her figure and let yourself inside already knowing where the infirmary is. Although, you don’t make it two steps before your legs give out and your body tumbles toward the hardwood floors.

The clicking of heels stops from just beside you before a strong hand grips your arm and aggressively pulls you up, “Don’t dirty my floors. The children worked hard to clean those today.”

“Yeah? Well they can clean them again tomorrow,” you grumble and weakly attempt to push her hand off of your body. Arlecchino doesn’t budge, however. She instead drags you all the way to the infirmary and sets you down on one of the beds.

“Wow these are surprisingly comfortable. Didn’t know you had it in you to be so accommodating to all the children you like to hold hostage,” you tease to keep yourself from focusing on the pain. She ignores you and instead places a firm hand on your uninjured chest and slams your back against the bed.

Immediately, she begins working on all the little cuts and gently wipes all the blood away, saving your bigger injuries to be dealt with in a moment. For now, she didn’t mind if you suffered for a little longer.

“So,” Arlecchino starts after a few minutes of silence, finally deeming it worthy to have a real conversation with you, “was this your way of getting my full attention? If you wanted me to notice you, you should have just said something.”

“What? No! I got attacked, I wasn’t trying to ‘get your attention’ or whatever.”

“You don’t sound so sure.”

“I really wasn’t,” you cross your arms and turn your head away from her, “I was scared, you know? I didn’t know who else to go to. Make fun of me all you want, but it’s the truth.”

“Oh.”

“Yeah.”

She doesn’t say anything more after the conversation takes its turn. You’re glad she doesn’t, not wanting to engage in the horrible embarrassment you already felt from having to show up here anyway. She was the last person you’d want to have see your weakness, yet here you are covered in the House of the Hearth’s bandages.

When Arlecchino is done with stitching up your leg, she moves to your face and gently brushes away the blood. And cut by cut, she heals each one and leaves you feeling brand new again. You stare up at her for a brief moment, unable to look anywhere else when the red X’s in her eyes are so focused on you.

“So who did it?” She asks suddenly, her tone a little more caring than before. It almost shocks you, but then again, deep down you knew she cared more than she let on. No matter how much either of you didn’t get along, you always had her back. Even if she didn’t know it. You always liked the think that she had yours too.

You sigh and scribble down a few names on a nearby clipboard left by the bed, “That’s only a few of them…the ones I was able to get talking before everything happened. I’m sure you’ll have no problem finding their leader though.”

Her eyes scan over the paper before she glances back at you and nods. She begins to walk away but stops at the doorway and calls out over her shoulder, “I’ll be back in the morning. My room is on the second floor, last door at the end of the hall. I expect to find you resting there when I return.”

[nagichi-boop]

Gerald’s Journal - Disability representation

I read scans of Gerald’s Journal and I have to talk about it. Not the lore or anything like that, but the disability rep. I didn’t expect to cry reading this.

Please don’t look at this post if you don’t want to be spoiled about what’s in this journal. If you do want to read it, you can find scans here. Credit to this Twitter/X thread for the images I’ll use.

I don’t have much to say about this image, but it is nice to see Maria using a mobility aid. It’s not often we get representation for an ambulatory wheelchair user.

I do wonder about Maria’s relationship with her parents. They weren’t happy with Gerald’s wish to bring her to the ARK so that he could research a cure for her, but they let her go anyways? Maybe Gerald got some sort of order to get her to go or Maria decided she wanted to go with him, but it seems a little odd to me. I’ll expand on this a little later.

Quote from right page: “[Maria] is growing into a lovely young woman. It breaks my heart that someone as bright and energetic as her is diminished by disease. There are no visible effects, and I’ve caught my fellow researchers muttering to each other, doubting her illness. It is infuriating. I find all my reason and restraint vanished when she’s slighted.”

Oh my days, I’ve never felt so seen by a piece of media and it just so happens to be my special interest video game. I am tearing up again thinking about this. Maybe that’s silly but to have a character express his frustrations about people doubting the invisible disability of his grandchild is so touching. I wish people in my life were more like Gerald. People with invisible illnesses get doubted so much because we “look fine”, but it’s so invalidating to have your struggles questioned just because the symptoms aren’t as visibly obvious.

Quote from left page: “[Maria] doesn’t know the full scope of what [Shadow] has been designed for, but she understands he will be under tremendous strain. She’s helped me conceptualize a number of accessories that will help focus his power and aid in his mobility.”

So we now have confirmation that Shadow’s air shoes and inhibitor rings are akin to mobility aids. I headcanoned this but I didn’t know they’d flat out confirm it like that. My favourite character is canonically disabled physically (and I’d argue mentally given his PTSD). I don’t have much to say about this besides being happy that my favourite character is now even more relatable.

It also makes a lot of sense for Maria to help create them because she has experience with her own disability and can offer a perspective that an able bodied person couldn’t. That and it makes Shadow’s connection so much stronger. His mobility aids were designed by Maria. He didn’t just help her with her disability - she helped with his. He wouldn’t be able to function without what she and Gerald created for him.

Quote from the right: “Back on Earth [Maria’s?] parents have been blessed with another little girl. They’re already run tech(?) and she has none of the genetic markers like to [Maria’s] condition. While this was welcomed news, the unspoken commentary was received loud and clear.”

(I am assuming they’re talking about Maria’s sister, but I guess they could also be talking about her cousin.)

So did Maria’s parents see their new daughter as a replacement? If I’m reading that correctly, it’s so sad. Do you think Gerald told Maria about her sister/cousin? If she did know about it, I bet she was excited to meet her. But I get the feeling that her parents back home didn’t really care about her anymore given what Gerald says in his journal. It hurts that much more when you consider how much Maria wanted to go home, perhaps even return to her family.

I feel like all of this makes Maria’s death more tragic for both Gerald and Shadow. For Gerald, he did so much reason and sacrificed so much in order to try and find a cure for Maria. He supported her when no one else did. And from his perspective, despite her illness and the judgement of others, including potentially her own family, she was still positive. And yet she was killed, and he only found out about her death because of a report that had her name on it (I think anyways?).

From Shadow’s perspective, she is the person who gave his name meaning. Despite most being distant and weary of her, she was immediately friendly to him and helped teach him about the world. She helped created the devices used to reduce his pain and control his powers. He quite literally carries part of him with her. She was his sole reason for existing for a long time. And despite being this super supportive, kind, loving person, she was killed. I can imagine him being mad at Gerald for messing with his memories, but I figure there’s a degree of understanding, even if he doesn’t fully agree with what Gerald did. The difference between them both is Shadow’s purpose shifted beyond Maria while Gerald’s did not. Anyways, I digress - this post is about disability rep, not Shadow lore.

I love this and Dark Beginnings for their direct and indirect disability rep. My love for Shadow and Maria has only grown and I have a deeper appreciation for Gerald. I wish more people were as understanding as he is towards people with invisible disabilities.

I don’t really have a conclusion. I just really wanted to yap about the journal entries.

[thatanimeramenchick]

Hi! I’m new and wanted to ask if it’s alright you you could do something for Yander Lucifer?(Hazbin?) if not that’s alright!

Yandere Lucifer Headcannons

Ah, no problem, I’ve been waiting for this one. Out of all of the guys on this show, he is my personal favorite. I have suddenly become a fan of short kings. Also, hope you have fun on this personal little hell spawn known as Tumblr.

I feel like his character very much would be in line with soft yandere content. Despite being Lucifer himself, he comes off as very gentle and affectionate, wanting the best for those he loves, even if it means doing things that make them unhappy. He just wants what’s best for you. Or at least he thinks he does.

He also comes off to me as someone who is afraid to get too close to people out of fear of either disappointing them or hurting himself. Before making up with Charlie, he doesn’t talk with her much, seems to be internally clinging to the memories of the family he once had, and views most if not all of his citizens as too far gone to salvage. If he found himself with feelings for someone, I see him trying to push the object of his affection away, until something happens that causes his feelings to spiral out of control. This could be fear the of you being corrupted or permanently endangered; it’s something that pushes him over the edge to acting on the feelings he been trying so hard to push away.

Some of this manifests in being overprotective. He can present this as being a reasonable stance considering how dangerous hell actually is. Besides the typical problems of sinners running rampant and demons trying to trick you into deals, there are also angelic weapons floating around hell that you could be killed by even when it’s not extermination day. The idea of losing someone he cares for deeply in such a permanent manner is horrifying to him. He’d rather upset you by having you locked away by force than have you tainted by hell.

Has a jealous side, as can be seen with how he interacts with Alastor. Even as the king of hell, he can be quite insecure with his relationships considering his separation from Lilith and estrangement with Charlie. He can easily see other friendships in your life as competition, depending on who they are and how much time they want to spend with you. While he isn’t against the idea of you having any companions ever, he frowns on you spending too much time with them. Besides, they’re literally citizens of hell, why would you even want to be associate with them?

Tends to pamper you. He may have you trapped in a bubble, but he wants it to be pleasant for you. Anything that you wish that is within his power to grant he will do so happily. Your imagination is the only thing limiting you when you’re with him. Well, that and whatever restrictions have been placed on you to keep you “safe.”

Showing repeated frustration at his treatment, especially if you are being particularly passionate with shouting and tears, will leave him depressed. While he’ll try to hide it from you, in private there may be long bouts of self disgust and guilt. If you are lucky enough to find out about this and you’re particularly emotionally intelligent, you may be able to work this to your advantage. It’s your best shot at escaping him, as you’re definitely not going to be overpowering him any time soon and probably aren’t going to be able to outsmart him.

[sparklee-gem]

I hope you don’t mind my thoughts cuz it is a really interesting thing I’ve seen!

I do 100% agree that Yami and Atem are the same, and it’s a matter of growth and regaining more and more of himself that connects the two identities of the same person. I’ve really only seen people seperate them in ways like fanart, for example things like monarch or mobiumshipping, or to have comics or drawings of Atem and Yami meeting at the different stages in their life and how that goes (like meeting a past version of yourself)

I think in these cases the separation is interesting because to Atem his “completed self” is his main goal of the entire series. He questions who he was. He questions his roles in the story. He wonders if he was the same or if his personality was entirely different. And like.

There’s times Yugi is called a vessel, but funny enough Atem is a vessel for everyone else’s images of him, and he just has to carry those throughout the story.

To Yugi he’s the version of Yugi that’s able to be everything he wants to be. To Anzu he’s the handsome reliable hero who will always come in to save the day. To Kaiba he’s the ideal rival, one who he assigns all his goals and frustrations onto. To the Ishtars he’s this personification of the prophecies and fate they have endured, both good and bad, despite him not even being alive for that they endured. To Yami Bakura he’s the personification of the royal court, and thus has all their sins assigned to him. Everyone has an idea of what he should be, despite the fact Atem doesn’t even know who he’s supposed to be, so he just has to shoulder all these roles he’s assigned by other people.

All this to say, the “yami” imagery is fitting because he really is like the shadow cast from Atem: Atem is the original source, the original body, while Yami is the shadow cast from the image of that… doesn’t become a different person or anything, but doesn’t reveal the whole picture, doesn’t reveal all that’s there, we only have the silhouette. So I think people separate them more to contrast the stages in their identity that they’re at, rather than really believing they’re two different people. It’s more to reflect on how he’s changed and how he had the images of other people (hell he was borrowing an appearance wasn’t his for a lot of it) and how it compares to the one that is completely his own. I’ve seen some great character analysis fics through this sort of lens, that focus on the point they are the same person, despite being so different.

(Tho I like to joke that season 0/ early manga yami Yugi *is* completely different because he actually was written to be just an alter ego of Yugi, but dark and powerful, and he truly did believe himself to be Yugi before Takahashi changed the plot while writing it, so it’s funny to contrast this sadistic twisted version of his identity to him at the end and them both being like “who the heck is this guy”)

I think it’s a cool way to explore his character, so like you said, everyone’s interpretations and opinions are valid, but obviously to recognize the canon that this is the same guy who is just going through his own growth and transformation as a person.

I will explain the merch thing tho. The complaints I always see from other people who get upset over “all this Yami but no Atem!” are upset that Atem’s real physical form, the one the whole story goes to the length to discover and find and establish as his own identity, is not being sold nearly as often, and we have to wonder why the character with brown skin is not allowed to have the same attention the one with pale skin is. These are complains **I** also have because I’m one of those people who gets upset at the lack of “Atem” merch, its not because I think they’re different characters and I prefer one more, but because it’s a simple fact that brown characters tend to get ignored or whitewashed in merch. It’s a known thing that there are issues of colorism and whitewashing within merchandise of black and brown characters. Which when we see yet another figure of Yami in a similar pose in the same outfit in a similar style, yeah we wonder where the variety is.

You’re right, they are the same character! So why does his version where he is in his past life so omitted from everything. Going off of figures alone (so not even character goods) Atem has about 5 figures while Yami has about 40 (going off of figure databases) you have to admit, it feels a bit unfair haha. Why does he *have* to mainly be shown in an appearance that isn’t even his, it’s Yugi’s. Obviously it’s what we see for most of the series, but we would just like to see more of his real appearance is all. We know he’s Egyptian, so why don’t we get to see it.

I feel the same about Dark Magician girl and Mana. Plenty of figures and merch for DMG, but nothing for Mana at all other than one time she got some pins.

Priest Set only just recently getting one figure and his skin was pale for it, I don’t need to mention how much Kaiba gets, etc etc etc.

So any frustration is more at that than any actual annoyance or dislike of the actual character of Yami. (tho if anyone does hate Yami Yugi and loves Atem I would be confused because. They’re the same guy lol) I also get mad at the lack of Yugi Mutou merch rather than Yami Yugi, so Yami is just the unfortunate target of my annoyance lol

I hope that clears up why some people might feel the way they do or portray the characters a certain way. Atem’s identity is such a major part of the story that it would make sense why so many different ways of exploring or interpreting it come out.

Sorry for the rambling, but thank you for sharing your thoughts on it! I always love seeing different perspectives and opinions on the characters and series as a whole, so I wanted to give my thoughts as well. ✨

When I see people talking about Yami Yugi and Atem like they're not the same person I imagine in my head the 'if you didn't like me at my worst, then you don't deserve me at my best' type of meme, or the 'I can be your angle... or yuor devil' too.

Has anyone made those memes yet?

[davidtennantgenderenvy]

On David Tennant and Aging

So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.

David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.

It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…

He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.

Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.

David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.

There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!

I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.

[camillelespanayesbtch]

Seven Devils All Around Me (18+)

Summary: It isn't your fault you like the feeling of power, the sensation was addictive, and although it never worked out well for those around you, it certainly worked well for you. You weren't to blame that people seldom survived attacking you, it was their fault after all. But you can only run for so long before your misdeeds catch up to you, and where will you be left after? It's dangerous to walk certain paths alone as a young witch.

Content: Eventual smut, graphic depictions of murder and violence, character death, power imbalance, manipulation, addiction, grief, discussion of sexual violence (r receiving) (I will add more as I think of them)

Word Count: 4690

Agatha Harkness x fem!reader

Chapter One

You hum to yourself as you follow the marks you carved into the trees, a hidden path you had created that left those who follow you believing you were the perfect victim, blissfully unaware of the danger that followed you. You could hear the boys talking among themselves, their gleeful snickering as they think about all the things they could do to you now that they had you alone and unaware. Like most evenings, the forest was a cacophony of sound, there wasn’t an inch of space where there was silence, every crevasse had sound, even the ants clicked to one another to inform the other of the crumbs of bread that were left abandoned on the floor of the community hall that hosted giants. The leaves crunch underfoot, small twigs snapping as you step on them, continuing to hum the tune until you come to a clearing in the forest.

There was a space where no leaves were, a perfect circle that had been made over years of the same trick, black as the night sky is dark. “Look boys,” Douglas says with a grin, “She’s made a spot for fucking, just for us.” He moves closer to you, the others surrounding you as well, all of them giving each other encouraging looks. They didn’t believe the stories about boys going missing because every coven had tales like that, even the girls were told tales about their powers being taken when lured to walk the witch’s road, but everyone believed that it was just the danger of the road and not one of their own doing it. “I wonder if her tits are as big as her top makes them look,” Douglas says, advancing on you quickly, his hands twitching by his side as he thinks about tearing your shirt from your body.

“I’ve seen them through her window when she changes,” Clint says, “They’re small, no bigger than a handful, but at least they’re perky.” He cracks his knuckles, his eyes glinting dangerously. This wasn’t his first time taking what he wanted, and it wouldn’t be his last, just like the other boys he was with- if he sees something he wants, he takes it. His mother did raise him to be respectful towards women, especially those in the coven, but she always spoke about you as being the exception. You were the freak of the group, the one people whispered about, warned the kids to stay away from least you corrupt them. So, really, what he and his friends were about to do wasn’t a bad thing, it was deserved. “We should take pictures and add them to the wall.”

“We should take pictures and add them to the wall,” you mimic, turning to face them. “Didn’t anyone tell you not to keep trophies? Or was that too much for your tiny little boy-brains to comprehend?” You run your fingers through your hair, letting out a sigh as you shake a few knots loose. You were hungry, and these boys would be enough to last you a few weeks. Sure, they weren’t as powerful as the elders, too jumped up on the testosterone coursing through their bodies to focus on mastering the craft, instead relying on brute force to get things done. “Didn’t mommy teach you better? Or even your fathers? No, I suppose not. No, daddy left you boys behind, didn’t he? Went off to go fuck some young maiden the next town over,” you make a vulgar gesture, thrusting your hips before laughing when you see the group clench their fists in anger. “Oh no, did I hurt your feelings? What’re you gonna do? Blast me?”

It would only take one. It only ever takes one, but they didn’t know that. Of course they didn’t know that they barely knew how to groom themselves let alone see the signs of a trap, to even see that sometimes there is truth in the tales they have been told since childhood. You mightn’t have believed the ones about the Purple Witch, but you wouldn’t deny that there is something alluring about her. The ability to take someone’s powers? You wondered what it felt like, if it was as addictive as watching people burn, using their own powers to cause their deaths. “Lucas and Clint, hold her down,” Douglas orders, his eyes burning into yours.

The two boys he orders raise their hands, their magic shooting from their hands and wrapping around your wrists. They both were smirking until they see the lopsided grin on your face, a darkness settling into your eyes. You breathe in deep through your nose, tilting your head back up to the sky as your eyes drift shut, feeling the warmth starting to spread through your body and bloom out from your palms, “Oh boys,” you exhale. “Silly, stupid, little boys.” Your head rolls forward and you open your eyes to look at them, a fire burning in your eyes that makes them take a step back. “Didn’t you hear the stories? Didn’t your mother tell you not to go into the woods at night?”

“She’s just- She’s just bluffing,” Douglas stutters, “She’s just trying to scare us.” He puffs his chest out in false bravado before moving closer to you, his hands coming up to tear the front of your blouse open, but he hisses in pain, pulling his hands back. Your body had grown hot to the touch, as though he had just put his hands over the hot embers of a campfire, “What trickery is this?”

“You haven’t figured it out, have you?” You yank your hands free of Clint and Lucas’ magic, grabbing a handful of Douglas’ shirt, and pulling him so his body was against yours, a feral grin spreading across your face. “Smell that?” You lean in, taking a deep breath as the scent of burning fabric starts to fill the air, “Maybe you can feel it. It’s getting hot, isn’t it? I wonder if I’ll see eyes explode this time like popcorn.” You stare at him intensely, your hands glowing like magma as you start to cook him from the inside out, feeling his energy seeping out of him and into you. You let out a content sigh a the sensation, watching as his eyes go wide, his skin turning a deep red before starting to melt from his muscles and bones. He cries out in agony, trying to get away from you, to put the fire out inside of him but it was of no use, and soon he falls to the ground, his body quickly going up in flames. “Now,” you smile and turn to look at the other boys who were looking on in horror, “Who’s next?”

“You’re a monster,” Clint says, clenching his fists, “He didn’t even do anything to you! We were just playing!” He was quick to attack you, seemingly forgetting what he had just witnessed you do to his friend. You eagerly drink his energy up, your body glowing like a reactor before his body turns into barbecue. He claws at his clothes, trying to remove the flaming fabric from his body as he writhes on the ground, his screams drowning out the music of songbirds. You wonder if the woods would muffle the sound so it didn’t carry to the houses that lived along the edge of it, that the neighbors wouldn’t have their windows open to let the warm spring breeze in. Then again, if you didn’t want them to hear, you simply shouldn’t be doing what you are, but you couldn’t help yourself, could you? You enjoy it too much. You enjoy luring men into the woods, using their own powers to burn them alive as some sort of penance for all the women burned before you because their power was seen as a threat.

You take a few breaths to calm yourself, looking at your hands, they were turning black, tendrils creeping up your forearm and tickling your inner-elbow. This happened every time, the only evidence of your crimes. They were easy to hide though, you wore long-sleeves, and had a pair of gloves that your mother gave you to protect you from the judgmental gaze of your coven. Your mother wasn’t consciously aware of what you were doing, thinking you were just going into the woods to practice your craft, but she couldn’t deny it was suspicious that boys kept going missing whenever you did.

The remaining boys fall quickly, you wave your hands, letting out a hot blast of fire that turns their remains to ash. You knew the rain would disperse the ashes, returning them to the earth and helping to keep the forest alive, although your circle never grew back- the grass has remained dead and black for years. You were in your twenties now, and you had been doing this since you were sixteen. You do the buttons back up on your blouse then pull your sleeves down, doing the cuff buttons up so the sleeves wouldn’t go out of place. You flick your hair from your face, a smile settling on your features as you start to head back, humming to yourself once more.

As you walk, you stop occasionally to pick some flowers for your mom, making a bouquet for her. Your father wasn’t around to do this for her, not that he had done such thoughtful things when he was alive, that had always been your thing. You loved making your mom smile because it meant she wasn’t worrying about anything which had become her normal. If she wasn’t worrying about you getting in trouble, she was worrying about the coven being run out of town, and if she wasn’t worrying about that, she was worrying about taxes which only seemed to go up every year. It’s not that you couldn’t afford the taxes, she had been around for centuries, she had more than enough money to cover them, but it was still an unnecessary stress in her life that she simply did not need. If you could get away with it, you would burn the tax collector alive, maybe even roast him over a fire like you would toast a marshmallow.

“You can’t help yourself, can you?” A familiar voice asks, disappointment evident in her tone. “I tell them- I tell them every meeting that it isn’t you, that my daughter would never bring harm to her coven, and every time you go out and prove me wrong.”

You look up from the flowers you were examining, your features falling, “Mama… I- They attacked me,” you explain. “I was just coming here to practice, like you always want me to. And they followed me, taunting me, telling me all the horrible things they were going to do to me.” You turn your head slightly, just enough to see the open area out the corner of your eye that was a few hundred feet away by now before looking back at your mom. You try to smile, holding the sad looking bouquet out for her, “I picked you flowers. Your favorites. I know you like having fresh flowers in the house because you like when the bees-“

“Enough,” she cuts you off, “Enough,” she repeats, softer this time. She walks closer to you, a sadness on her face as she gently takes your free hand in hers- your skin was like charcoal, and still hot to the touch like the furnace in winter. Her heart aches painfully in her chest, why was her only child like this? Had she done something wrong? Those questions hurt her; how could she think so poorly of you? She loves you dearly, she would do anything for you, absolutely anything for you, why couldn’t you do this one thing for her? Her touch was soft, cooling your burning skin as she runs her fingers over it, your skin slowly turning back to your normal shade. She turns your hand over so your palm was facing her, running her finger in a circle on your palm, a small smile tugging on her lips, “Round and round the garden,” she whispers, “Went the teddy bear, one step,” she walks her finger up your forearm, healing as she goes, “two step,” another step onto your bicep, “Tickle you under there,” she says and gently tickles your underarm, a soft giggle escaping her. “You used to squeal whenever I did that to you as a toddler.”

You can’t help the quiet giggle you let out, unaware of the tears spilling from your eyes, “Mama,” you whisper back, “I’m not a little kid anymore.” She gives your arm a squeeze at that, looking pained by the reminder. You rest your hand over hers, looking remorseful immediately, “I know- I know I’m still your little girl. You still make my boo boo’s better.” You look down at your hands, they were no longer black as tar, and you could see the blue and purple of your veins on the backs of them instead of a deep red that glowed against the black. You felt a knot form in your stomach, “They’re gonna kill me, aren’t they, mama?” You ask her quietly, a waver in your voice. “For what I’ve done- They’re gonna burn me.”

Your mom blinks back tears but it was futile, the salty liquid running down her cheeks, “When they find out,” she replies softly, “Yes. They will.” She raises her hand to tenderly stroke your cheek, and as always, you lean into her touch. Her thumb brushes against your rosy skin, wiping away any tear that dared to fall. She didn’t know how long you would both have together, whether she could wash your hair and braid flowers into it, or whether now was the only time you two would get. “Why couldn’t you stop?”

“I can’t help it, mama, you know that,” you answer, your eyes closing as you relax into her touch. Her hands never caused the same pain and suffering that yours have, they have always healed and protected. There was never a moment where she didn’t help someone, where she turned them away when they showed up to the door pleading for her to make their sick child better. There was always a spare bed for the child or adult to recover, your mother watching over them during the night to ensure their condition didn’t worsen. You. You had always been the one to hurt, to harm, to inflict suffering and pain. Your mother, try as she might to get you to do things for the betterment of the coven such as burning the fields to return the nutrients to the earth, or helping start the bonfires for when there was a community barbecue, even trying to get you to take out the wolves that threatened the farm animals, but it never satiated you.

It wasn’t until you turned sixteen did it become a problem, but she brushed it off because you had been terribly bullied, she kept brushing it off when the first group of boys went missing. She had moved you both after that, found another coven. Six months of peace before it happened again. Every time, you would come home with blackened skin and a bouquet of flowers. She never had to worry about running out of dried flowers for her potions, the basement was full of them, your peace offerings to her. You always were so sincere in your apologies, and she believed you every time, why wouldn’t she? “They deserved it,” you add, “They were going to hurt me.”

“Not every single boy was out to hurt you, surely, sweetheart. What about Tommy? He was always so kind to you, he tutored you. You were friends.”

Tommy had been your friend two moves ago, you two had bonded over being excluded from most of the college class you were enrolled in, even the lecturer refused to acknowledge you in class. You both were good students, handing your assignments in on time and not once even asking for an extension. You thought you were just friends, you told him you only liked women, and he told you he was okay with it. You had gone over to his house one afternoon to study for an upcoming exam, the two of you were in his room on his bed reading notes when he had asked you if you’d ever kissed anyone before. The question made your skin crawl, “No,” you had answered, “I haven’t.” He got this look in his eyes at that answer, his hand had come up to turn your head to face him before he leaned in to kiss you, his tongue forced its way into your mouth, pocking and prodding your throat. You had frozen; your eyes wide as he assaulted you. It wasn’t until he had pulled back did the anger kick in. You don’t really remember much of what happened, only running out of the house as the fire department showed up to extinguish the flames, two of the firefighters checking over you for injuries. You had told your mother what happened, what he did, and she had brushed it off, saying it was just how it was done- nobody needed to ask for permission to kiss, it was spontaneous. You had cried in your room that night, you didn’t understand why your mom didn’t see why it was wrong of him to do that to you. She knew you liked women, why on earth would you ever want some man to kiss you?

“We- You know what he did to me, mama. He hurt me. He hurt me,” you tell her, more tears falling onto your cheeks, “He knew I didn’t like him like that. Every single one of them deserved it.” That wasn’t true, there had been a couple of groups you took out because you enjoyed the thrill of it, the screams, the feeling of power that filled your system. Even thinking about it now made you giddy, your pupils dilating as though a drug was coursing its way through your system. “You have to believe me, mama, please.”

Her hand falls from your face, “We should head back. You need a shower, and I’d like to braid your hair.” Her voice was cold, the older woman turning her back on you, not even taking the flowers from your hand. She usually hummed with you, the same song she sang to you as a child, but tonight the only sound was the owls hooting in the forest. You wipe your eyes on your sleeve, holding the flowers close to you as you follow along behind her. You hum quietly to yourself, looking up into the trees to see the glowing eyes of birds watching you. There was something comforting about them being so attentive, like they were looking out for the inhabitants that called the woods their home, even as they swoop on the mice that scamper across the leafy floor. It was the balance of things, and even as they eat the mice, they too would return to the earth and continue the cycle anew.

When you get home, your mother sits on a chair and has you sit on the floor between her legs as she starts to braid your hair, her fingers working deftly. She carefully takes the dried flowers and works them into your hair, willing the protection to keep you safe when the leaders come knocking. Only now does she hum, the strands of gold that hold the flowers in place starting to glow. She new deep down this day would come, that moving towns, cities, states would only get you so far because the tales that were told about a witch of destruction would catch up to you, that one coven was going to be smart enough to figure things out and realize it is one of their own. “You’ve always had such beautiful hair,” she murmurs, adding another flower to the braid and tying it into place, “Ever since you left my body, you had a mop of hair on your head. Whenever you woke in the morning, your hair was all over the place, and it would take so much water to tame it.”

“I’ve seen the photos,” you reply with a giggle, your eyes closed as you relax, enjoying the calming sensation of your mom braiding your hair. There had been times she had yelled at you for not brushing your hair, threatening to cut it all off if you didn’t want to take care of it. She had always apologized afterwards though, blaming her anger on something that had been said in a coven meeting as she carefully brushed the knots and tangles from your hair. “How long do we have?”

Your mother doesn’t look up from your hair, the wards she had set around the house were starting to crumble, only meant to slow them down, “Not long, my dear,” she picks the hairtie up and ties the braid off, securing a crystal in with it. “There,” she says, running her hand lightly over her work before you turn to look at her, your eyes holding the light of a thousand flames, “My beautiful girl. If you survive, you know you must never return.” Her hand caresses your cheek, her eyes held the river of life which you always loved looking into because you could feel the cool refreshing water wash over you, keeping you calm.

“I can’t leave you behind, mama. I can’t- I promised you that I would look after you,” you rest your hand over hers, they were the perfect balance. It always made you laugh how whenever her hands were cold, yours were burning hot, and on the rare occasion hers were warm, yours were colder than the glacier high in the mountains. You didn’t want to leave her behind, she would be an outcast unless she participated in your execution which she was unlikely to do because despite everything you have put her through, she still loves you and you knew there was nothing stronger than a mother’s love. “I can’t go without you.”

“You have to, sweetheart. You must find your own path, in a coven that will understand you,” she pulls back from you when the front door flies open, standing up she calls out to them. “She’s in here!”  She looks at you, pain visible in her eyes, “She killed them! I saw it with my own eyes. No daughter of mine shall harm our coven.”

You felt your spirit break, unable to realize she was doing this for a reason, to keep herself safe, to keep you safe from seeing her harmed. “Mama-“ You start, struggling against the witches as they bind you with their magic, “Mama, please,” you beg, “Please don’t let them do this to me. I didn’t mean to. I didn’t mean to do it, mama.” The women haul you to your feet, the magic tightening around your wrists behind your back, cutting off the circulation to your hands.

“I saw the look in your eyes, Yn. You enjoyed it.” She follows the other women out of the house, the path to the stake lined with other members of the coven holding burning torches. “I’ll bind her to the stake,” your mother tells the women, “To make up for what I have done. I have let this coven down too many times before, I won’t let it happen again.” Her magic felt different this time as it wraps itself around you, your hands pulled taut behind the stake, the cold no longer soothing, instead it felt icy, the frost burning your skin. She couldn’t look you in the eyes, she didn’t want you to see how much this was hurting her, and she didn’t want to see how betrayed you looked as she prepared to watch her daughter burn.

“I never thought I’d see the day, Theodora,” the elder-witch comments, “Preparing to burn your own flesh and blood after so long of defending her. Had this evening turned out differently, you would be on that stake along with her, there is no doubt about that.” She gestures for the others to surround you, a group of six women all part of the higher counsel, and every single one of them deeming you guilty. There was no room in their coven for someone like you, someone so dangerous, someone without remorse. Were they unbiased in their judgement? Four of them were not, all having lost a son to you. The other two had daughters, but even they feared that one day your hatred would spread to women. Although whenever their daughters had caught a glimpse of you, their cheeks turned as red as a rose, and a carefree giggle escaped them which they thought was arguably worse. “Get into position, Theodora. It’s time.”

“Mama please,” you beg, “Please. I didn’t mean to. I can’t control it. Please.” You look at her, desperate for her to believe you one last time, “Please, mama. Tell them. Tell them that I didn’t know what I was doing. That I didn’t mean to. That they hurt me too.”

Your mother wanted to stroke your cheek one last time, to wipe your tears away but she couldn’t do that, not anymore. She breathes you in, inhaling the floral scent of the shampoo you used before stepping down from the platform and joining the other women encircling you. “I should have let you burn the first time,” is all she says.

The elder-witch gives a nod, everyone raising their hands in preparation, “Begin!” She commands, their powers shooting out of their hands and hitting you full force, a pained scream tearing itself from your throat. It felt like your insides were being roasted, your skin prickling from the heat. It was agony, you had never felt anything like this before and you wanted it to stop.

“Please!” You scream, your head falling back against the stake, “Stop! I can’t-“ You could feel that familiar sensation starting to build in your stomach, and it wouldn’t be long until it broke free. “Mama- Mama run!” Your face was wet with tears, your head tipping forward, your eyes making contact with your mom’s. She couldn’t run, you both knew this, but you hoped this last time she would break the rules for you. The binding around your wrist starts falter, the women behind you noticing it.

“Elder- Her bindings! She’s going to break free!” One of them exclaims yet she does not stop her attack on you, none of them do because they hoped that if they continued, you would finally burn.

The elder-witch encourages them to push through it, “She is glowing! We are close! Keep going!” Your mother knew what was about to happen, finally she meets your eyes, mouthing an apology to you before the blast happens, all the women letting out agonizing screams as the fall to the ground ablaze. You slump somewhat against the wooden stake, your hair blowing in the draft created from the fires, your skin flush a deep red and your hands glowing brighter than the sun. You didn’t want to hurt them. You didn’t mean to, you begged for them not to do this. You warned them you couldn’t control it. You were going to wallow in that feeling until you remembered your mother. You look around frantically, counting the bodies: seven. Your mother-

“Mama-“ You jump down from the pedestal and rush over to where she had last been, sinking to your knees as you desperately try and put out the flames. She was unrecognizable, her skin blackened and burned. “Mama, I’m sorry,” you sob, cradling her burnt body close to you. She was the only person to look out for you, the only one to have stood by your side, and you had repaid her by killing her. Your tears drip from your chin and onto her corpse, the tears evaporating before they even touch her skin. You look down at her, “I’m sorry.”

[python333]

im in love with your content omg😭 your writing style is just chefs kiss

can i req a reader with the tf141 being on a mission and hearing an enemy say something in british slang and they just go "what did they just say.." in comms? like a reader who doesnt know anything about slang like not even that bars in the uk r called pubs (if im not wrong) and just nods whenever a private talks in slang, and their brain is just trying to figure out what they just said?

its just a really silly plot with a silly reader :3

pardon? — python333

— — — —

synopsis just as the req says, you know nothing about british slang and on a mission the enemy speaks british and you dont know what theyre saying :3

relationships platonic!taskforce 141 & reader.

characters cap. price, soap, ghost, gaz.

word count 2.6k

warnings 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign].

note HI YES I LOVE THIS REQ!! i take every opportunity i can to make fun of british people so this is right up my alley!! tysm for the compliments hjfhdjskf recently ive been getting more praise on my works and it makes me so happy i love yall. again, sorry if this sounds a little rushed or if any parts are incoherent, i wrote this at 12/1am and im both more productive and write more nonsense at this time + this one is wayyyy shorter than ones i usually do because i didnt know what else to write for it so i apologize for that as well! this is pure fluff and humor (i like to think im funny) so enjoy!!

“—eah, and now we have to camp out here ‘cause he can’t be arsed to do it ‘imself, so I feel like we should have a chat with the others, see if they’re willing to leg it out of here with us,” An enemy soldier suggests to you, his British accent thick enough that you think it might be cockney.

You cross your arms to hide your shaking hands and nod in agreement, as if you understood anything he said, and put on the same shitty British accent you’d been using for the past five minutes you’d been talking to this guy.

“Yeah, yeah, totally,” You agree, clearing your throat before asking, “You know where the others are stationed?”

“You don’t?” He asks, raising an eyebrow at you suspiciously.

“Mate, all the orders I was given went in one ear and out the other,” You sigh, holding back a wince at your desperate attempt to sound more natural using British slang, “I just know I’ve got to stand out here and shoot the enemy.”

The enemy eyes you suspiciously and he takes a moment to try and read your face before he says, “I don’t think I’ve seen you before, actually. Which would be weird, if we’re in the same platoon, don’t you—” 

You sigh and quickly pull out the small switchblade you had hanging on your belt, stabbing the enemy in the neck before he can say anything else and grabbing him before he can drop to the ground, putting a hand behind his back as you half lead half drag him into a dark alleyway beside the building he was stationed outside of. 

You quickly set him down into a sitting position and take your knife out of his throat, tucking the blade back into the handle before adjusting it to latch onto your belt once again, letting out a frustrated huff as you stare at the now dead man in front of you. 

“[c/n], how copy?” Price’s voice crackles through on your ear piece. 

You push in the PTT button and lower your voice, “Copy, I fucked up a little bit. One of the guys was onto me.”

“You were there for five bloody minutes,” Gaz’s voice rings through, his tone both disbelieving and amused, “How’d he already catch onto you?” 

“The British are smarter than I thought,” You breathe out, standing up and looking around for a ladder to climb to get to higher ground before anyone spots you. You go farther into the alley and find an old, rusty ladder with rungs that look like they’d snap if someone sneezed on them too hard—perfect for climbing up.

You wrinkle your nose as your hand makes contact with one of the rungs but don’t say anything otherwise, instead wordlessly hauling yourself up onto the ladder. 

“Reminder that there’s three British people with you, currently,” Ghost’s deadpan tone crackles, his breathing heavy, as you can tell he’s whispering into his mic, “All of which are very smart.”

“I caught you reading the instructions on a box of tea bags the other day, don’t fuckin’ talk right now,” You grumble, slowly climbing up the ladder, hating the creaking noises it makes as you do. It sounds like it’s going to snap at any minute, and you try to go up as fast as you can, but one wrong move and you’ll easily slip, some of the rust that flakes off of the ladder enough to make you slip up. 

“They were circles,” Ghost says, exasperated, “I didn’t know if that made a difference.” 

“I thought British people were supposed to know everything about tea,” You roll your eyes, putting your hand on the next rusty rung up on the ladder. 

“Yeah, L.t,” Soap agrees with you teasingly, the wind hitting his mic, making it obvious that he’s running, “Thought ye Brits were s’possed to ken everything ‘bout tea.” 

You laugh quietly to yourself as you finally make it to the top of the building, the top just high enough for you to look at the few soldiers below and hear a majority of their conversations without them noticing you.

You get to the edge of the rooftop and pull the sniper rifle you’d been carrying around off of your back, glad to finally be back in your element rather than trying to get in undercover, and set it up. 

You pull the stand out and set it on the edge of the roof, and look through the scope of the rifle, lining it up so that it’s aiming directly at one of the soldier’s heads, specifically the one that was standing directly out of the entrance you originally were meant to try and get into—but doing this didn’t change much.

Regardless of if you got in or not, he would’ve died, and the others would’ve gotten in too. You getting in first was just meant to make it more efficient.

You press down on the PTT button on your earpiece as you look through the scope of your sniper rifle, keeping the aim on the soldier in front of the entrance, “The guy in front of the entrance is just standing still, so whenever you need me to, I can shoot ‘im down.” 

“I don’t think we need to get in just yet,” Price hums, “But maybe in a minute.” “M’kay,” You hum, taking your eye away from the scope, instead just looking over at the enemy soldiers. You lay on your stomach, leaning your head down a bit to try and listen in on the enemy’s conversations easier, trying your best not to make yourself too obvious.

The conversations were pretty boring and almost the same for every soldier you’d eavesdropped on, for the most part. Enemy soldiers joking around, talking about what they’ll do once they’re on leave—like they would be able to do that after you completed your assignment—and just some general team camaraderie.

The lackluster subjects of their conversations weren’t bad at all, no, in fact, you could care less what they talk about. 

It was their stupid accents you hated. 

Are you surrounded by British people everyday? Yes. Does that stop you from hating on the British everyday? No. Okay, maybe the accents aren’t stupid, but God, they had the thickest cockney accents you’d heard in your entire life, and it was making your eavesdropping so much harder, and had almost been the reason you were given away earlier.

They used slang words that you’re certain you’ve never heard before in your life, and used analogies that didn’t even make sense—you heard one of them use the words, verbatim, ‘Don’t get stroppy’. Stroppy? Stroppy? 

You narrow your eyes down at the soldiers below you, listening to a conversation they’d just started up. 

“—eah, ‘cause he can’t be arsed to do anything about it, so now we have to camp out here and wait for somethin’ to happen,” One of the soldiers scoffs, “I’m telling you, man, if I see that skull-masked bloke runnin’ ‘round out here, I’m legging it from ‘im immediately.” 

You draw your eyebrows together in confusion, but you stay silent for now. Isn’t that exactly what the other soldier said? Are they like a hive mind or something?

“You’re legging it?” The other soldier asked, sounding almost incredulous, “What happened to you chattin’ to some of the others about your loyalty and what not?” “All that’s irrelevant when the fuckin’ grim reaper rolls around and starts murkin’ people like he’s been doing for the entirety we’ve been here, mate,” The first soldier laughs, “You think I wanna be here when he does that?” 

“Don’t act like a prat about it, man—fuckin’ talking’ like you can outrun him.” “A prat? I’m not—” You tune out the rest of their argument and instead try and figure out what they were saying.

A prat? Legging it? Can’t be arsed? What the fuck? You push the PTT button on your earpiece and as quietly as you can, you ask, “I need some help. Serious help. Life or death situation.” Immediately, Price’s voice rings through, “What? What is it? What happened?” “The soldiers are British and I can’t tell what they’re saying,” You answer, ignoring Price’s relieved sigh on his end, “I need help.” “Jesus, fuck, don’t scare me like that,” Price sighs, taking a few breaths before continuing, “Alright, what do you need help with?” 

“Figuring out what they’re saying.” This time, you hear Gaz’s voice crackle through, “Well, you’ve got three British people here—tell us what he’s saying.” 

“One of the guys was talking about ‘legging it’ if he saw Ghost heading towards him, and talked about Ghost ‘murking’ people, and then the other guy he was talking to told him he was being a ‘prat’ about it and he got all offended,” You eloquently say into the earpiece, watching as the argument gets a little more heated. You can hear an amused huff from Ghost on his end and a scoff from Soap in return. 

“They’re just saying they’re gonna run away if they see Ghost because he’s been killing a lot of their soldiers, and the other guy said he was being a prat, which I guess is like…” Gaz pauses to think of how to explain the slang term before settling on, “Someone who’s kind of full of themselves, I guess. Or ignorant. Either or.” 

“They couldn’t just say that?” You muse quietly, still staring down at the enemy soldiers. 

“I’m gonna pretend you didn’t just say that,” Price’s voice cuts through, “Go ahead and shoot the guy down. I’m ready to head in.”

“Got it,” You hum, quickly putting your eye back up to your scope and readjusting it a bit before quietly warning, “Shooting him now.” 

You pull the trigger and the enemy goes down immediately, and through your scope you can see the small twitching of his body as the other soldier starts to freak out.

You quickly aim the gun at his still-alive friend and shoot him down as well, silently congratulating yourself on your good aim and continuing to look through the scope, watching as Price runs in with Gaz and a few other soldiers. 

They struggle with the door for a moment and you sigh before pressing in the PTT button on your earpiece and quietly saying, “Price, Gaz, move away from the door for a sec.”

Wordlessly, they do as they’re told, and you take the opportunity to line up the gun’s aim with the complex electronic panel on the outside of the door and pull the trigger, shooting the most crucial part of the panel, causing it’s functions to disrupt and as a result, the doors open. 

“Thanks for that,” Gaz breathes out as Price kicks open the door, his voice cut off a bit at the end as he takes his hand off the PTT button too quickly in order to follow after Price. 

“Uh huh. Of course,” You say offhandedly, taking your eye away from the scope of your sniper rifle and listening to the loud sirens go off in the facility the others break into, and push yourself up so that you can sit up straight to properly watch it. You grunt as you sit up, stretching your arms out for a moment before letting them fall into your lap. 

“Are they in?” Soap asks, curious, his voice a little strained and breathy. There’s no loud gusts of wind coming through his mic anymore, and you look around for a moment, before your eyes catch on to him climbing up a ladder to get to the rooftop adjacent to yours.

Your lips twitch into a smile at the sight of him completely clueless to your presence and you press your PTT button to talk. 

“Yeah, they’re in,” You say, watching as he finally gets to the rooftop, “Didn’t you hear the sirens?” 

You can see Soap’s eyebrows furrowed together in confusion for a moment, and he looks around for a moment before finally seeing you on the rooftop directly next to his, and he looks surprised for a moment before a grin splits across his face. You see him press the PTT button on his mic as well. 

“I did, yeah, just wanted tae be sure,” He says into his mic, looking right at you as he does, “It’s a surprise seeing you here.” 

“Imagine how I feel,” You muse, almost to yourself, before looking away from Soap and speaking up, “Ghost, you don’t wanna join us on the rooftops?” 

“Absolutely not,” He replies almost immediately, making you huff out a small laugh and Soap’s grin grow, “I’m perfectly fine on the ground.” 

“Where are you?” You ask, scanning the area around you for Ghost, “I feel like I haven’t seen you this whole time.” 

“I’m just behind the facility,” Ghost hums, voice still a low whisper, “I’m gonna be heading in once Gaz and Price make it to the second floor to clean up the first, in case there’s anyone left.” 

“You’ve been behind the facility this whole time?” Soap’s voice cuts through, surprised by the fact. 

“Mhm,” Ghost hums. 

“It’s a bit boring back there, innit?” Gaz’s voice crackles through, his voice a little breathy, “You can sweep the first floor, by the way. Should be nobody left, though. Pretty sure all the soldiers were just faffing around, not doing much.” 

“Fucking faffing around?” You ask incredulously to yourself, though apparently your voice is loud enough to make Soap chuckle. 

As if he can read your mind, Price’s voice comes through, “Faffing around is just doing nothing or doing nothing particularly productive, [c/n].” 

You sigh and push your PTT button this time, talking into your mic, “You couldn’t just say that, Gaz? You had to say something silly like faffing around?” 

“It’s not silly,” Gaz says, his frown audible, “They were faffing around.” 

“Jesus, fuck,” You breathe out, laughing lightly, “It’s totally silly.”

“No, it’s not.”

“Yeah it is.”

“No it’s—” 

“I just want one day where you two don’t start up stupid arguments like this,” Price’s tired sigh comes through, “Just one day, I beg of you both.” 

“Aw, Captain, we were just faffing around,” You whine playfully, the misuse of the slang making Soap cover his mouth with his hand to muffle his laughter and you hear Ghost groan into his mic. 

“That is absolutely not how you use that,” Gaz says, though you can hear some laughter in his voice—from your very non-British accent saying British phrases, you presume, a small grin gracing your lips at the thought. 

“It sounded natural to me,” You lie straight through your teeth, shrugging even though only Soap can see you. 

“You’re insufferable,” Gaz groans, making you laugh quietly, “Never use British slang again, please.” 

“What if I get a British accent? Will that fix it?”

“Nothing can fix what you’ve said today, [c/n].”

“Well that’s dramatic,” You scoff, “I’ll learn British just for you guys.” 

“Holy shit, please stop talking,” Price’s exasperated voice interrupts the both of you, “You’re both insufferable. Drop it.” 

“… I don’t think I will,” You say defiantly, making all three British people in the same voice channel as you groan in unison, the sound sounding like some sort of middle school choir trying to sing in harmony, “I’ll use Duolingo or something to learn it.” 

“British isn’t a language you learn, you muppet,” Price grumbles, making you snort. 

“Muppet?” 

“It’s someone who’s dumb and clueless and can’t take a hint, like you,” Ghost defines, “And Soap, most of the time.” 

“Daen’t go draggin’ mae into this,” Soap’s voice quickly cuts through, “I haven’t said onything.” 

“Uh, yes you absolutely did, earlier, remember?” Gaz argues, ignoring Price’s protests for him to stop arguing, “About Ghost being stupid with the tea thing?” 

“Oh, I’ll have you all know—” 

“Ghost, don’t start—” 

You listen as the once casual, teasing conversation turns into an argument and chuckle quietly to yourself, knowing that they’d be arguing about this until you all finished your assignment.

[uriekukistan]

i wanna talk about this thing gege said

i’ve seen a lot of people saying that this is a bad way to write a story, and i couldnt disagree more. from a writer’s perspective, there is no reason to kill off a character if it’s not going to have impact.

in any case, i think this reaction points out two things i’ve noticed about the jjk fandom.

i. jjk fans prioritize enjoyment of characters over the plot

which is fine, i guess. i’m not gonna begrudge any readers the space to enjoy their fav characters. however, what i disagree with is the constant trashing of gege and jjk as a story because the narrative doesnt treat the characters as you want it to.

i mostly talk about these things from the perspective of someone who has been writing for a while, so i will take a second to acknowledge from the reader perspective. it’s easy to get attached to characters and see them as real people in your life.

but they arent real people. they only exist for the author’s intentions. every time i see someone complain that “x character only died because plot” i just think “yes?” characters exist for the plot. they exist to serve the narrative. they live and die for the plot, and that isn’t a bad thing. this is a story. that is how stories work.

with characters like gojo or choso, it’s easy to look back and see their character arcs and how their ends fit their purpose in the story, but i think people get so caught up in wanting to fuck the character, or fanon, that they forget their original purpose is to do what gege wants them to do.

this is a war against the most powerful, most evil sorcerer in history. of course characters are going to die, and of course it’s going to be characters we love. it’s honestly unrealistic to expect anything else.

and i think it’s really disrespectful to say so many rude things to gege because he is thinking about the story he wants to tell, and not the story that best suits your favorite character.

ii. few people want to feel anything from what they’re reading anymore

which again, is totally fine, but maybe read something else?

tragic stories have existed and enjoyed immense popularity for millennia. and theres nothing wrong with that. there’s nothing wrong with authors intentionally stirring up their readers’ emotions.

i wanna bring attention to the origins of the words “tragedy” and “catharsis”

“tragedy” is a genre that stems from greek drama based on human suffering and the terrible or sorrowful events that befall the main character. the intention of of tragedy is to invoke “catharsis”

“catharsis” is commonly used to refer to the purification of thoughts and emotions by way of expressing them. in terms of tragedy, this refers to arousing a negative emotion with the intention of expelling it so the audience can walk away feeling relieved.

for all intents and purposes, jjk is a tragedy. it’s meant to make you feel sad. that’s gege’s intention. yet every time people feel upset by a specific event, they call “bad writing.” if anything, according to what jjk is, it’s good writing if you feel sad.

i have seen some people say that jjk wasn’t set up this way, and i disagree so strongly that it’s hard to comprehend.

jjk0 ends with gojo having to kill his best friend, his one and only. tragedy. yuuta’s story is tragic too, having cursed rika and accidentally isolated himself just because he didn’t want her to die.

jjk starts with yuuji faced with execution just because because he wanted to honor his grandfather’s dying wishes. within a handful of chapters, there’s yuuji’s “death” and junpei, and there’s a clear set up of tragedy and repeated loss, despite characters giving their best effort.

i could get into how this relates to my interpretation of the themes of jjk, and sharing burden/responsibility to be stronger together, but that’s another point.

tldr; the point of this post is to say that gege killing characters and making readers feel sad is not bad writing or a bad narrative choice. it’s true to his intentions and the essence of jjk. if you don’t like that, then don’t read. but there’s no reason to disrespect gege and his hard work just because it’s not your cup of tea