#i feel like that would have been a good and fun choice.

[olderthannetfic]

Someone recently left a comment on one of my fics that they were disappointed I wasn't addressing any of the criticism or comments I got on Goodreads. After all, I reply to comments on the actual fic. Why am I ignoring the Goodreads commenters?

Well, 1. I didn't know there was a Goodreads page for my fanfic 2. I think if they wanted a reply they'd say it where I'm known to reply to every single comment without fail and 3. the kind of dumbass who treats 800k of free fanfics in a series like something they paid for is not the sort of person I want to engage with. If 800k of stories, with main stories, tie-ins, prequel asides, missing scenes, etc. for free wasn't to your liking, just... go read another? We have stories in this fandom whose whole series clock in at over a million words. We have stories where people have done fan songs and fanart and fancomics tying into their main work. We have stories with multiple timelines. You have so many options, all of them totally free and easy to access. If my stories, which I fully admit ares flawed and show some of my weaknesses as an author, don't do it for you, you have options. You have wonderful options.

If I had an editor and a publisher and my stories were actual books, I wouldn't have this reaction to this comment. But these stories have one person working on them total. I'm not making income off of this. This is what I write while working two jobs, for fun. As much as I do view writing fanfic as something that helps me learn the ins and outs of writing and put my all into it, it's going to be rougher than if I'd had help with it or had time to do more drafts than the three I normally do.

And if I was known for ducking criticism, I would get having comments on another site. There are authors in my fandom who delete anything that's not praise. But I have had long conversations with my haters in which I take everything in good faith and explain my writing choices, word choices and ideas. I have my tumblr which is just about my fandom stuff listed in the AN of every chapter. DMs are open and anon is on. My Dreamwidth account, also under the same name, also has DMs open. I have publicly stated when I have made shit narrative choices and owned that yes, sometimes I have genuinely dropped the ball. This has influenced later chapters where things go off of the original outline in order for the shit choice to have consequences in a way that makes sense and feels true to the characters in the story.

So "why are you hiding from the Goodreads commenters?!" feels like the most baffling thing I've ever been asked. I tried to be nice about it, but all I could think was, "why didn't the Goodreads commenters who wanted a reply post their comments where they know I 100% would've responded to it?"

--

Madness!

(Also, lol, half the pro shit with a lot of comments on Goodreads is barely edited. Maybe they were bitching about content? But if it was whining about craft, the bar is in the floor and they have nothing to complain about.)

[pepperf]

Genuinely can't decide if the writers intended the Five and Lila relationship to be toxic, or if that's just their idea of romance - just like Rochester, Heathcliff, Darcy, and that dude from Twilight, right???

Okay, let's have a readmore. Note tags, ppl, and curate your experience.

Lila has a relatively sensible approach to relationships, which is consistent, despite her somewhat Machiavellian approach to getting what she wants out of them - she put Diego in his place about having realistic expectations back in s3. She's pretty clear about who she is and where her lines are drawn, and is "weirdly self-actualised", according to Klaus. And Five - romantically inexperienced, thinks everyone should do what he says at all times - tries to impose his notion of How This Should Go onto her, from nearly the start of their brief romance, but leaning hard into it once it starts going sour - which also checks out: he was alone for 45 years and his previous relationship was all in his head, giving him full control, so that's what he's used to. But I couldn't tell if they genuinely intended to show it as him being incredibly selfish in prioritising his feelings over her wishes, or if they honestly thought it was romantic. I mean, the barbed wire-style bracelet is a little on the nose, and there's some symbolism that I'll get into in a sec. Truthfully, I'm not inclined to give them the benefit of the doubt - I think SB at least thought it was hot, judging by what he's said about identifying with Five, and about how he finally gets to have a romance. This seems to have been his pet project for the season, blergh.

It's that tedious old misogynist chestnut, that all women secretly want A Man to take control. It's frustrating, because they already established that Lila likes to be in charge, she wants to be free to make her own choices, she'd already had twenty-plus years of being told what to think and do. And yet she has to remind Five, who really ought to know her better by now, "You do not get to decide what I do with my life!" It's also very disconnected from reality. It's not actually fun or sexy to be gaslighted, to be lied to by some insecure asshole who thinks they know better about what's good for you, that they have a right to stick their nose into your personal relationships or keep you away from your kids. Not cool, Five, not cool. He's lucky she didn't kick him in the nuts on the way out. But another reason I think they didn't do this consciously is that Five doesn't seem to realise his assholery - there's no hint that he's regretting anything other than being dumped.

Lila was trapped for seven years in an intense, claustrophobic situation with Five - and if they'd continued to exist, she could have worked through the feelings that come out of that. Like Ritu said, of course there's going to be love there: they've spent seven years together, on the run. If nothing else, it would be a matter of survival - either you find a way to get along, or you kill each other. And they went in with a fair amount in common already (although being adopted by the Handler at age four is not at all the same as being recruited by her at age fifty-something). So I'm annoyed that Lila's whole arc this season is one of frustration about having to be the grown up in her relationship, taking a break to reassess, going off to do something a bit crazy and fun - and promptly getting stranded with someone considerably less emotionally competent.

Okay, I'm being somewhat harsh - Lila unexpectedly getting the timeout she wanted could've been a decent storyline, she could have some time to reflect, live the child-free life without consequences, and have some adventures (she actively enjoys danger!). And she and Five got to bond, that had lots of interesting potential, especially with their complicated history. But it tipped over from being a potential opportunity into an immensely over the top punishment for her impulsivity, and took them so far from where they'd started that there's a total emotional disconnect with the main story. Which is a fucking weird choice for one episode in such a short season, ngl.

And then, ugh, she's right back to dealing with the apocalypse, visibly thrown by a Diego who has unexpectedly thought about what she said and is trying to be a better husband, and dealing with a Five who has decided to get territorial. It's deeply uncomfortable, Five is gearing up to start trouble, so wrapped up in his own hurt feelings that he's functionally useless for the actual problem in front of them - leaving Lila to deal with the mess he creates, and then leverage said feelings to get him to put on his big boy pants and help. She still reaches out to him in the end, I think she knows him well enough by this point to understand what makes him tick...and she's having to be the sensible one up to the end of her existence. Can't she have someone who's willing to meet her halfway? The reflecting that Diego did, him making a start on making amends (given that it was only a few hours for him, that's about as much as they could squeeze in) was basically just wasted. They start to reconnect at the end, and mutually apologise for the damage they've done - but that's all they get, and it's a travesty.

Personally I think the whole storyline should have been cut, but if - if - they really felt it added something, they could have given it some time in the real world, see how this shaky new romance holds up against a serious relationship that's been massively fractured. In a different show, that might have been a fine story. But they don't do that. Whatever she might have wanted, Lila doesn't get time to even think about her choices. She gets to stop existing. (Or they could just have not gone there in the first place, god I hate love triangle plotlines, they do no favours for anyone involved!)

Given a continued existence in which to do so, I'm sure Five would have moved on pretty quickly. It's his first romance with a real person, he feels it intensely - but once the dust settled, he'd see that they were in very different emotional places (she wanted to get back to her family, the break from reality is way overdue to end - and he wanted to stay in their little bubble and leave all that behind). The actual romance part was actually pretty brief, and lacking in any deep communication - as Lila says, it wasn't real. They're playing house in an attempt to feel normal - in a greenhouse (a fragile structure, not a real home), eating strawberries (a treat more than real sustenance), like children...hey, maybe I'm wrong and the writers DID intend to do that, bc that's some choice visual metaphors. And they're playing roles: all their normal antagonism - what made them so fun and sparky in previous seasons, and even during the earlier part of their adventure! - disappears. Lila is a chameleon, taking on a character is her happy place - and this was how Five kept himself going, last time he was in this situation, so he's slipping back into that method of survival (although he's not as good as she is at separating reality from fiction). So while all that is totally understandable, it's insubstantial. If Five had the space to do some self-reflection, or if one of his more rational siblings (Luther maybe, or...um...or a friend, if he can make one...or maybe that dude in the Losers Department at the CIA...) sat down with him and explained that you need to treat a partner as an equal, maybe he could do better next time - or double down and keep being an asshole, that's also a strong possibility.

idk - I still don't honestly think the show intended it that way, unfortunately. I think they shoehorned the characters into the scenes they wanted, regardless of sense or even plot requirement. There are a LOT of badly-explained or badly-thought out moments in this season, and this whole mess just adds to the incoherency. Or maybe it's just a consequence of TV - you get multiple creative people involved, and the reasoning gets muddied, especially over time. Maybe it was SB's intention from the start, but he didn't inform the actors until the final season, so they've been playing it straight.

This show has an...interesting tendency to do something that you think is totally unacceptable and just gloss over it at the time, and then address it next season (like Luther apologising to Viktor), as if the writers all brought it up in their respective therapy sessions during the break, and worked through the issues - so maybe if they'd had another season, they would have gone into all that. Maybe. But we're clearly not going to get that, and they're all gone from existence so I can't headcanon that in this universe, they eventually sort it out. So I'm putting it down to one thing:

Break out the dodgy facial hair (I see you're ahead of me, Five) and let's get kicking babies!

[balkanradfem]

Okay so I know I just hit you all with the controversial chestnut poll, but I have some new development in life that I want to complain about, and in order for me to complain about it, I need to give you the context.

I don't particularly want to give you the context. You're going to diagnose me with female socialization, and some of you will feel the urge to click the anonymous ask button and tell me off. Today I need you to fight that urge! I am feeling insecure, I am feeling lost, I'm not certain in my choices, I've acted without thinking, and got myself into a situation I can't control. So please don't be mean to me. I deserve to complain on the internet and not be called out, alright?

So this is the story of how I accidentally became a live-in caretaker for an injured, elderly woman. It's temporary! She'll get better, hopefully.

I worked for her occasionally, and she's always been kind to me. She would give me a little jar of jam sometimes, and I love little jars of jam, it's a way to win my heart. A few days ago, she called me in a panic, telling me she fell, and she needs my help. I came over, and found out she broke her arm in two places, and one of her rib is broken. She fell unconscious, after being dizzy all day, and fell on a big metal lantern, breaking it. She was now in so much pain she couldn't get up by herself, dress herself, or do any kind of household tasks. She went to the ER, got her arm wrapped up, and was trying to get a pain injection. I helped her get trough the day, and promised to come early next morning, to help her up from the bed.

Next day I found her in tears in her bed, unable to get up, desperate to go to the bathroom. It became clear she needed 24/7 assistance, and she asked me if I would move in until she got better. I said yes without thinking, because I was at this point, severely concerned, and wanted to do anything to help her out.

So this is all not so bad, right, I'm being normal, it's normal to offer help to an injured elderly woman who is nice, but there's a catch. She doesn't live alone. She lives with her older husband. Who is also disabled and can't help her at all. So in order to help her out.. I had to move into a place where a male lives. That is the worst part of this.

I'm still in the first few days of living like this, and my own life had to fall to the background. I can't go foraging for chestnuts every day, I can't go to my garden as much, I'm still going to work, just from her place. I'm overwhelmed and struggling to get used to the new situation. I'm not used to being around people at all, and now I'm forced to socialize almost all day. Caring for someone comes fairly natural! I'm already so in sync with her, she can just look in the certain direction and I know what she wants me to do. I've figured out where everything is in her kitchen, closet, and basement. She's pleased that I know how to do basic household tasks, and am willing to do it in her way. And she's nice, she's telling me things like 'thank you' and 'what would I do without you', which feels good. But I am very exhausted and sleep deprived, she wakes me up at 1am, and then 5am again, and I'm unable to fall back asleep in a room I lack familiarity with. I miss my room.

She and her husband said they were going to pay me, and in my natural ways, I said something like 'no you don't need to' which I feel like everyone will get mad at me for, but they did insist they would pay me anyway. I as usual lack the sense to care about money – someone's arm is broken, that's way more serious issue to me!

Alright so now to the part of the post I wanted to write, a fun poll where you guess, what has her awful husband done by this point :) go ahead and guess!

You have one day to guess! Which one of these scenarios happened in the first few days of his wife breaking three bones in her body. I'll tell you the correct option tomorrow!

[kisskiss-slashslash]

Can we have where the Slasher's S/O's friend was about to kill the slasher to save the S/O, but turns out that she didn't want him/her to kill him? When the friend asked "why the hell not" or "Why are you defending him" etc. She would say: "Because I love him!" Which was the first time the slashers ever heard her say something like that. (Not sure what would happen to the friend, so it doesn't matter what you decide)

Include: Jason Voorhees, Freddy Krueger, Bubba Sawyer, Thomas Hewitt, and if possible the Sinclairs; if that's too much, don't worry about the Sinclairs, the others are just fine.

Thank you

There you go! Hope you like it.

The reader stopping their friend from killing the slashers

Jason Voorhees

Normally, being caught alone by Jason would be a death sentence. But from the first moment you two had laid eyes on each other, there had been a spark. Perhaps it was the way you showed no fear to him, you didn't insult or belittle him, the way so many others did. You saw him, recognized him and showed… empathy. Something Jason hasn't experienced since the death of his mother. And you, seeing his hard gaze soften at being showed basic kindness, find yourself making excuses to be alone, just hoping that Jason would seek you out again. Your friend is already starting to get concerned about you isolating yourself, and worse, leaving them alone and vulnerable while the rest of the group is getting picked off one by one. Then there's only the two of you left, and your friend managed to corner Jason, ready to strike with an axe… "STOP!" You quickly maneuver yourself between them and Jason. "Please… stop. No more." "Get out of the way", your friend says, voice strained with rage. You shake your head, tears burning your eyes. "No. Don't hurt him. I-…" You look over your shoulder, meeting Jason's gaze. "I… love him." Jason's eyes widen in the shadows of his mask. "Don't be an idiot!", your friend shouts. "Do you think he will spare you just because you've got a stupid crush on him?!" Your heart is hammering in your chest as you slowly lift your hands in a pacifying gesture. "Please. We can end this here. Put down the axe." Let's out a furious snarl, but tosses the axe aside nonetheless and stomps off. You lower your hands again and take a deep breath to calm yourself, when a huge, rough hand curls itself around one of your hands. You manage a shakey smile, letting your fingers intertwine with his.

Freddy Krueger

If this is what Freddy is usually like, you don't feel like you need to be all that scared of him. In fact, the dreams he sends you into are fun more than anything; but maybe that is just the adrenaline junkie in you speaking. Though at first your lack of fear was met with exasperation by Freddy, now he seems to find it quite endearing, and enjoys coming up with new things to try and scare you. Of course, if you ever break and actually do get scared, things won't look too good for you. But for now, your dreams consist of macabre banter in spooky locations that are oh so fun to explore. You come up with a scoring system of how well Freddy's ideas would work on someone who was less fearless than you. Over the many nights, the banter goes from dark jokes to light flirting to downright dirty talk, and you are enjoying the hell out of it. But then he involves a friend of yours; someone who is much more easily frightened. Freddy is testing you, you know that. Forcing you to make a choice. But when your friend turns out way more resilient than either of you expected, and actually finds a way to harm him… for the first time since Freddy entered your dreams, you feel fear. You are absolutely terrified. They stand over Freddy, who is snarling at them like a trapped animal. You don't know where you got the knife. It just suddenly appeared in your hand. So you approach your friend and hold the blade against their neck. "Step away from my boyfriend", you say in a low, hoarse voice. "Or else." "Boyfriend?", echo both Freddy and your friend. Your gaze flits back and forth between them. No way you would backpedal now. "You heard me." They turn to you, horror mixed with anger warping their face into an almost mask-like grimace. And just as they want to go off on you.. their head pops like an overfilled balloon, covering you in blood, grey matter, bone shards and cerebrospinal fluid. You wipe the mess off your face, thoroughly grossed out. "Whelp. I guess I just blew their mind." Freddy and you look at each other and burst out laughing.

Bubba Sawyer

You have a good understanding of other people's emotions, so you also quickly understand the family dynamics of the Sawyer family; Bubba's position in the family most of all. The one who does most of the dirty work and gets the least amount of credit for it. The youngest brother, the bottom of the Sawyer hierarchy. You feel bad for him; there seems to be a genuinely sweet guy underneath all of the… the murder and cannibalism. And just a few hours ago, he seemed to be genuinely sorry to have to kill you. It reminds you so much of your own family dynamic. So when your friend actually managed to disarm him and turn his own chainsaw against him, you feel the need to step in. "Hold on." "What do you mean, 'hold on'? These guys wanted to eat us!" "And I think he doesn't like that any more than we do." Bubba nervously licks his lips, not sure what to make of your words. But when you reach out your hand, he takes it with only slight hesitation. "He's not a bad person", you say, not once letting your eyes stray from Bubba's. Your friend's hands tighten around the chainsaw. "You talk about this… thing like you have feelings for him." You consider it for a moment before answering:"Well… maybe I do." These four words hang heavily in the air for a moment. "You're crazy", your friend says breathlessly. "Maybe", you reply, and wrench the chainsaw out of their hands, handing it back to Bubba, who still hasn't fully processed your confession. "But who isn't these days."

Thomas Hewitt

You have known Thomas since childhood, though at some point, your family moved away, as so many people did. But even back when you were a child, you always had a crush on him. So after many many years, you decide to take a few friends on a trip to the place you called home during your youth. You get separated from your friends, and run into the Hewitts on your own. At first, they do not recognize you. But then you call every single one of them by name, and they remember that kid that used to hang around Thomas all the time. And Thomas himself? He is thrilled to see you again, beyond thrilled, even. His welcoming hug lingers just a little longer than it would be socially appropriate, and while you catch up with Luda Mae, you hear Hoyt and Monty tease him about you. And then everything goes downhill when your sole surviving friend shows up, armed to the teeth, to "rescue" you. Even though the Hewitts have crossed all lines of morality during your long absence, you feel a deep protective instinct flare up in you. And when you look at Thomas, it becomes so all-consuming that you know you would rather die than let him get hurt. So you confront your friend on your own, though you can feel Thomas' gaze linger on you. "They are my friends", you explain calmly. "Please don't hurt them." "Please don't hurt them", your friend imitates you mockingly. "Funny how you didn't seem to mind them hurting the others." "I'm not going to ask you again", you say, hoping to still resolve this whole matter peacefully. "Why? Why protect them? They are killing people! That freak with the mask-" You get goosebumps at having to say it out loud. "His name is Thomas, and I love him. I will not let you speak of him this way." A huge shadow falls over you, and you don't even have to turn around to know it's him. Then there's another set of footsteps, and the sound of a shotgun being cocked. "Get your little friend inside, Tommy. I'll handle this." There is a way too excited glint in Hoyt's eyes as he says this. Thomas places his hand at the small of your back and guides you towards the entrance door. You hear the shotgun go off, and despite the painful knot your stomach is in, you look at Thomas and find yourself smiling.

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[shark-myths]

tell me more about the writing class!

I would loving nothing more!

so my long-time writing crush @alienfuckeronmain (seriously, we became pairing rivals in a now-deceased fandom more than 20 years ago) runs an amazing writing class annually. It is fully virtual and recorded, so you can attend synchronously (I recommend this because the Q&A after the lecture is invaluable!) or whenever works best for you. It focuses on writing as a LIFESTYLE, something sustainable and full of joy, healing the productivity/perfection trauma many of us come to associate with the craft. it focuses not on sharing and critiquing writing but on how to support yourself and your life so that you can DO it, for fun and for love, in a way that works for you. it is such a healthy and beautiful approach to my favorite thing in the world, I highly recommend the course. The website is here and the instagram account, bloodinkbonewriting, also has a lot of info and promo material. Phoenix herself is an incredible talent with some recently published books I highly recommend. She’s most famous for being canceled in various fandoms, writing the finest one direction fic you can imagine, being the master of dead dove and fucked-up dynamics, and of course, humanized Cars fic.

self-disclosure / soapbox time: I work as a psychologist, and I so frequently encounter grown-ass adults who made all the right choices. They put away ‘childish’ things like hobbies and passion and silliness and intensity, they prioritized all the values our culture prizes, and they end up feeling so fucking empty and bleak. I constantly connect to gratitude about my daily writing practice, about my relentless and unprofitable pursuit of writing for joy. I have been writing rpf since I was thirteen years old. I thought I *invented* it and would certainly go to hell for my ingenuity. And it is the richest part of my life. I meet all the best people this way. I love who I am and the way I live because of being connected to art and community—a community of transformative work and creativity and passion, of screeching about our favorite things without self-consciousness or self-erasure. I genuinely believe this is the best part of my self and life. (except for my cats.) and when I encounter the dullness and misery of a life at the grindstone, I know beyond doubt that writing and fandom are my #1 protective factor. They are the reason I don’t feel that burned out and hollow way about my good, good life.

if you do one thing for yourself, find a way to create and connect joyfully and without the evaluative eye of others upon you. and if you have lost the way to doing that with writing because of the world we live in or, worse, the educational system and endless pressure to make your art profitable—blood ink bone has my highest recommendation as a gentle way to recover that path within yourself!

[hanguaang-jun]

funniest part of svsss is that luo binghe was the protagonist of PIDW so if u assume he was also the POV character a good chunk of the time... then the original assertation that Luo Binghe is the Hottest Man Alive was like. probably a reflection of binghe's own narcissism.

but shen yuan takes it as word of god and it becomes the primary tenet of his belief system.

and yet he still refuses to acknowledge that he could have had any other opinion abt luo binghe. and also refuses to acknowledge that this is super gay of him

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it

[puppyeared]

if you're walking at 5mph, but your feet are on sideways, and the sky turns green at 2:53, and Keanu Reeves has been sent to Neptune, what's your favorite video game

i cant walk 5mph in the first place, im only 5'4 and i have to walk like marvin the fucking martian everywhere i go

if my feet were on sideways i would still manage to get my shoes on wrong because i cant tell my left from my right

if the sky turns green that means every single car on the road is allowed to go at the same time

keanu reeves cant be sent to neptune with an expired passport

my favorite videogame MIGHT be professor layton and the diabolical box just because ive never been able to get over the ending, but mario galaxy and deltarune also come to mind

[exopelagic]

WHY DID NOBODY TELL ME BURROWS END WASNT FREE

[theoestofocs]

but the thing is, melanie hates jon because he is so very much like her.

they work in adjacent fields, they've got such similar temperaments - they both run straight for whatever supernatural horror they need to understand, they both suck at planning ahead (poisoned coffee, melanie?) and they both lash out as a primary defense mechanism - and jon wasn't qualified for his job, and martin's only "degree" was in paranormal psychology, so clearly the Institute was hiring from a broader pool than "qualified archivists." i can't imagine ghost studies are all that lucrative as a field. if melanie hadn't made it as a youtuber, what would she have done? we don't know a lot about her educational background but - she knows what it's like, to need to know. she walked into the Institute and got a job because Elias saw that he could use her.

If she'd had a legitimate encounter sooner, if she'd started her quest a few years early, if she'd come to the Institute to give her statement and stayed to use their library before Gertrude had died -

Or even if she just couldn't survive on a youtuber's salary, if she'd gone looking for job postings in relevant fields -

It could have been her. She looks at Jon, and she sees exactly who she could have been. It's only luck that it wasn't.

And that's the kicker, isn't it? It's luck, that she's in her shoes instead of Jon's.

And is she supposed to feel lucky? To feel thankful that she's had to suffer through attack after attack, Elias showing her how her father (her dad, who called her his little moth) died screaming, her body torn open by things that don't exist, her sense of self slipping as she ripped into flesh with no recognizable form, her trust violated as she woke up to two of the few remaining people who are supposed to be on her side cutting into her against her will - to feel lucky, because she had to gouge her eyes out just to have her body back in her control -

Is she supposed to be happy that she lived through all that? Is she supposed to be glad, just because she could have been Jon?

Nobody told Melanie she needed to feel sorry for Jon, or give him her sympathy, or any other kind of pity. She just wants to give it, because God, what he'd gone through -

(Thank God it wasn't her -)

- Fuck that, she isn't lucky.

She hates Jon, because she refuses to feel grateful for the horror show her life has been. (Because she's grateful, that it wasn't her; and she's furious, because - yes it was. she paid the price of the apocalypse in blood and scars and trauma, too. She wasn't Jon, and could have been - but fuck it, she was still Melanie. and the hell that she has lived through isn't nothing.)

It's just bad luck, that it was Jon of all people. It's just bad luck, that it was Melanie.

No one here is lucky.

[transmasc-rose]

I was talking to Curtis about how certain aspects of Doctor Who would be treated if they were episodes of Torchwood and/or had that rating leniency of Torchwood (imo the limitations of Doctor Who make for better TV than Torchwood in general, but not always) and when I brought up Amy's Choice, Curtis said I should do an episode rewrite and.

Hm. Hmmm. That could be really interesting. Amy and Rory and the Doctor's dynamic would be so... different in a Torchwood rated show, given the things they do with them in Doctor Who, and if they actually used the Dream Lord as an interesting villain (and they'd actually be able to play into the Doctor's worst traits in an adult show! For better and for worse!)...

However I'd have to actually rewatch Amy's Choice, and also decide how much I want to stay faithful to the episode, how much I want to stay faithful to "what would/could Torchwood have done here, and how much I actually want the result to be. Good.

Because "what Torchwood would do" and "what would be interesting" are not necessarily the same things.

(Accidentally wrote a Novel in the tags also. Whoops.)

[tranakin-skywalker]

I'm pretty sure I've admitted it on here before, but I actually do really love The Last Jedi. I think it's a really good movie! Well made, well acted, beautifully shot, the characters and their development is compelling. I enjoy it!

I do not, however, think it's a very good Star Wars movie.

[ahalliance]

i don’t get how people can complain about the writing “doing Martha dirty” when that same writing gives her an ending that addresses her treatement over the course of the season, allows her to finally put her to foot down, to establish her self-worth as an individual and to air out her grievances, and gives her the most respectful and satisfying exit from the TARDIS we’d yet seen in the show . like it’s one thing to dislike the direction the writing team took with her arc and to criticise it (perfectly fine) and another to somehow miss it entirely lmao . the ‘martha feels out of place, second best, and like a rebound’ is an intentional piece of writing that gets resolved by the end of the season . like that wasn’t smth they threw in for shits and giggles, it had in-story repercussions

[bibiana112]

Finished Danganronpa Lapse and tbh nobody gets it like I do because every review I've seen wasn't made by someone who's played zero escape Why did Echo do that? ZTD shifting strats that's why! Lyle's canonically a zero escape nerd who brings up the morphogenetic field as a quick joke and is introduced arguing about the funyarinpa, do I think all these references get in the way and that it's a bit underwhelming when this comes unexplained out of nowhere? Absolutely! But it's so clearly an element the creator was inspired by and wanted to include and play with rather than a lazy last minute deal to fix 'plot holes'