#i feel a lot of things about that scene in particular

[thessaralka]

DAI, DA2, DAO are flawed masterpieces but they all thematically feel deeply similar.

veilguard dookied all over the dark spiritual/ moral/ religious themes of DA by erasing slavery, the bigotry of and towards the elves (dalish in particular), sidelining andrastianism, ignoring the dwarves apart from harding's questline, and HR-ifying the writing.

where was slavery in tevinter, the literal slave capital of thedas, apart from the existence off the shadow dragons (who must be doing a really good job btw bc slavery and the impact of it is basically not a thing), and in scenes w venatori where they're using slaves as benches in this weirdly-comical-dismissive way?

where was the nuance and moral greyness in how some people sell themselves into slavery or join the qun to escape poverty and lives that would otherwise be a lot less structured and even comfortable, and the cognitive dissonance that fact gives us? where was the "slaves are illiterate so they communicate with symbols" underground slave rebellion?

the most we get of solas and his thousands-of-years-long slave-freeing mission is a comment from neve about the chains in his hideout, we see nothing about how fen'harel freed slaves as basically a lifelong purpose of his, and how many of those freed-people dedicated their lives to that mission, joining him in his cause. solas would have had other people helping him out with this, he would have had a structured slave-freeing organization, he probably would still be using the lighthouse for this, but the most we get is "crusty wifeless bachelor pad" solas all alone. did he tell everyone to fuck off, like what happened there? why was solas soooooo alone, when he literally had cultists in trespasser and logically would have EVEN MORE cultists now? i understand he's mentally and emotionally alone, but an ancient elven god who has built a slave-freeing operation he would not be so physically alone, he'd have tons of people obsessed w his mission.

making the only dalish we encounter these veil jumpers that we have no connection or care for unless we read some books is lazy, and these dalish don't seem to care that their thousands-of-years-old faith that their entire culture is founded on is being demolished before their eyes, the DREAD FUCKING WOLF is back (one of their literal gods, and he's been back for like 12 years and many of them have joined him - where are thooooose dalish?), the dalish in VG are perfectly fine working with humans (the very ones who exalted-marched all over them, humans that rape and pillage them, humans that oppress and subjugate them, humans the dalish have canonically hunted down and killed - just for being human - in past games). the dalish are canonically shitty people who are also massively subjugated, are victims of their own hubris, victims of a war they started and lost and never got over, victims of their own bigotry, victims of their own misinterpreted and forgotten lore. while they have a right to be victims, it's never talked about how fucking revolutionary it is if any dalish/ elven hero of the past games (warden or inquisitor) was able to overcome the biases of their culture and heal, and work together with humans (inquisition did this really well for Dalish Inquisitors btw). the dalish being as forgiving and open as the veil jumpers are should be a bigger deal and have a major story reason behind it because healing thousands of years of trauma in a decade is impressive (fake).

[stinkrat-aleks]

Only if you want to! but would love to hear your thoughts about telepaths/psionics bias within the in-universe mutant community. I've always liked seeing Erik's particular dilemma explored in fanworks since in the movies we got to see his relationship with different telepaths, but I always like seeing it explored more generally too. so I guess I was wondering if you'd explored/thought about these bits of canon too, and of course, no worries if not!

Hello!! Sorry it took me so long to reply to this, I was thinking my answer over and all the stuff I wanted to say (/overthinker).

I think a LOT about psionphobia (or whatever the term would be called) in-universe. Especially because to me, mutations are symbolic for disabilities and different neurotypes. The term “neurodivergent” describes people whose brain differences affect how their brain works…and to me, that means all telepaths are inherently neurodivergent.

Now I see Charles as autistic, but even if he WASN'T autistic, that means his psychic powers affect the way he perceives social situations, information, etc.

And so, when I see in-universe characters (like XMFC Raven) tell Charles to stay out of their minds—while I understand the desire for privacy—it feels ableist to me. I'd understand if Raven asked Charles to keep out of her more private thoughts, but to keep out of her mind in general feels almost like asking an autistic person to stop stimming when they're around you.

Like, that's just the way Charles is. He probably overhears people's thoughts and feelings at a surface level at all times, without the intention of delving deeper.

This artist does a REALLY pretty comic depicting this and it's 1000% how I headcanon Charles' telepathy now, please go read and reblog the full thing if you haven't already:

Artist: yancant on tumblr

I also think just because Charles CAN intrude on people's innermost secrets, doesn't mean he necessarily WILL. Like, lots of people drive a car. Anyone could technically plow that car into a crowd of people. But most other people assume they won't. So we don't freak out when we see cars. Ya know.

With that logic it feels unfair to assume Charles is going to do bad things with his telepathy simply because he can. ALL humans are capable of bad things! Why is he being singled out for the way he thinks.

Re:Erik, he is the only one who seems to understand this. Him inviting Charles to be in his head (in fanworks but also XMFC) shows that he is not only tolerating Charles' mutation but EMBRACING it. (We all know he has a telepathy kink but that's something different okay.) To use the neurodivergent metaphor, he's telling Charles it's okay to unmask around him.

Like obviously this scene is very emotional for Erik, and Charles is definitely too caught up in his savior complex to take notice of his own emotions, but imagine!! Feeling that welcomed in someone else's mind for the first time!! And them not pushing you out or getting angry for touching a sensitive memory!

I have no idea any of that makes sense or if I'm grasping for straws but that's my overall take on it.

ANYWAYS…so that's my overall take on it. In terms of the soccer AU I'm currently working on..I have other thoughts and some of it will be addressed in futuer chapters (I'm gonna try to upload today). So we'll see. Sorry if this completely didn't answer your question LMFAO.

[dadrielle]

I am going to treat this as being in good faith even though I know you have copy pasted this same response on multiple posts.

It's fair enough to see this post and roll your eyes about it. I am being a sarcastic lil bitch about implications that really aren't meant to be there! Liam absolutely didn't mean to do this as an "Orym doesn't trust them" or "Orym doesn't respect their boundaries" thing, and I know that. And I know no one in game is gonna read it that way, either. I didn't tag this Orym specifically because I was picking at a small thing irritably and I fully acknowledge that.

But! There are 3 things I want to say to this on a more serious note.

First, I think we must acknowledge that the implications of listening in on one's friends over listening in on one's enemies are quite different. People have different reactions to different applications of Observant because the social stakes and boundaries are situational. It means something much different to punch an enemy combatant in the face than it does to do the same to your best friend, you know? And Orym is not omnipotent; he does not just automatically know everything that happens, despite how we all joke that he can see god with his high perception. When he chooses to listen in should matter, as should the implications. That's actually my main issue with this whole thing, but I'll get to that in a moment.

Second, I would just like to say while I'm sure you believe it's true I and others critical of Orym don't talk about any of Orym's actual flaws, the fact of the matter is there are many fans who do most of our character discussion privately with our friends instead of tumblr or god, even worse, twitter. And my Orym feelings aren't identical to every other person who is critical of him. As I said in the initial tags for this, I don't think this was the worst thing in the world, it just bugged me! That was just an emotional response, and those often pass. There are lots of moments in stories where my initial reaction is a strong negative emotion, because I am feeling the feelings of the moment, but then I love the full picture it creates. Imogen and Laudna's "did we break up" phase is a great example of that, especially Laudna's ongoing insistence that she was a dead end. It hurt to watch! It made me sad! But it really enriched the narrative! My actual, continuing issues with this Orym moment have nothing to do with Imodna, or the meanings of this moment in particular. It's just another expression of something I've been grousing about among friends for ages. I actually WISH it was Orym being fucked up, that it was something that would come up again later, something he might get push back on. I wish the implication that he feels the need to monitor Imogen and Laudna, that he isn't thinking about how they might feel about it, was a flaw that would be explored with the other characters. Instead it was just kinda there and I imagine no one else will ever have a reaction to it one way or another.

And that leads to the final thing: my biggest issue with Orym listening in is that it DOESN'T matter. It feels like at some point, Liam stopped having Orym engage with other characters and the narrative as actively. It's started to feel very repetitive, and I am deeply frustrated with it. I know he is a reserved, PTSD-laden soldier who uses his hard line morality and sense of duty to hold himself together, who refuses to tell his friends how he feels because he doesn't want to be a burden. I know this! And I think it makes for an interesting character and I want to love Orym as much as I used to. But this is an interactive game, an ongoing narrative, and after a certain point, choosing to have your scenes be solo and keeping your character from changing any of their stances starts to feel like refusing to give other people room to react and challenge your character, and refusing to engage with how others' narratives have changed. What Imogen expressed about not running in this episode isn't a revelation. She has, at this point, been saying some variation of it for about half the campaign. And he has told her he is proud, before. It was nice, then! But listening in to their conversation here and feeling proud in isolation didn't add anything new to the narrative. It could have, if it was a conversation, if he had talked to Imogen directly. But instead it feels so empty to me. Disconnected. It even sort of re-framed the moment as if it was about Imogen Finally Choosing To Not Run, instead of being about Laudna trying to reaffirm a future that keeps slipping from their grasp, one she only just started to believe in again on the precipice of Imogen possibly sacrificing herself for the world. It makes it seem like Orym has barely moved on from the solstice, like he hasn't registered how Imogen's narrative has developed since then.

There are so many things I would love to see from Orym that require acknowledging that things have changed. I wanted him to talk to Dorian instead of chasing after Dorian's dad to say he should be proud of Dorian, especially since Dorian had already had his big cathartic conversation. I wanted him to ask why Dorian has come to hate the gods so much, to ask him why it wasn't just the Spider Queen he was mad at. I wanted him to talk to Fearne about the fact that people outside the party have treated her with the same anti-Ruidusborn suspicion as Imogen, particularly in light of their conversation about taking Imogen out pre-solstice. I wanted him to actually internalize that he was wrong about there being nothing beautiful in Exandria before the gods, and to talk to Ashton about it in a way that starts with him actively listening to Ashton instead of just repeating the same arguments, even if he came out the other side still disagreeing. I wanted him to realize that there hasn't been any danger of Imogen running and that the core of her struggle now is with the fact that she's being asked to sacrifice herself. I wanted him to talk to someone about his guilt over killing Zathuda. I wanted him to acknowledge the hardness he put on when he tossed the locket on Bor'dor's corpse and declared this was war and what that hardness did to him. I wanted him to work on his flaws and talk to people! But instead, he listened and reacted in isolation. The fact that his reaction to Fearne asking him if he was ok as late as episode 95 was just "then why ask? You know the answer" instead of opening up is narratively a problem for me. The few times he has opened up a little have been wonderful but he's still holding most of it to the chest. So many emotional Orym scenes are people talking to him about his emotions and him not responding. We're in too deep, man! "If not now, when?" doesn't just apply to kissing Dorian, you know? He is running out of time to open up.

So. Do I still think listening in on that moment was sucky of him, even beyond the hyperbole? Sure. I think generally purposefully eavesdropping on something like that is sucky. It's a small kind of sucky, though. A blip. Because this is a story, the big sucky thing is that it didn't mean anything for any other character and felt just narratively disconnected. And I find that so frustrating because there are so many potentially meaty, interesting things possible in Orym's story, and I desperately want that richer narrative for him and for Dorian and for all of them.

You might not agree and that's fine. To paraphrase Orym's own words, every one of us forms our own interpretations with the lenses or prisms we see life through. Of course I'm gonna get more het up when this ongoing, general Orym frustration touches on something Imogen or Laudna related - they're my favorites! Of course that influences how I see things. I know they aren't everyone's favorites, so something like this moment won't be a domino-kick on tangentially related, piling frustrations for everyone. But it is for me. I'm not really trying to convince anyone I'm right, here, just to explain why I feel this way about it.

Sure would be fucked up if Imogen and Laudna, until only recently, had every single one of their private moments observed against their will, and then their friend decided to observe possibly their last private moment against their will, huh? :)

[pinkpastels113]

Tell us how you feel about arcane. Use your emotion words! Use a visual aid if you must, too lol.

you want some visual aid? i'll give you some visual aid:

that describes perfectly ab how i am feeling rn

first of all the LESBIAN SEX SCENE????!! I-??!! i knew that something was bound to happen (esp after meljay and the rated for sex warning in season 2) and i celebrated when they (finally) kissed but oh my god?? an actual lesbian sex scene? in a prison?? in vi's sister's prison?? after a parallel about how cait is always finding her in a prison and expected her to be there?? (with dramatic music and banter and soft giggling and the ANGLES and HAND PLACEMENTS??) I AM NOT OKAY

just that scene alone is enough to nudge me off a cliff. but moving on

how is JAYVIK more homoerotic than now-100%-canon caitvi?? that's all i have to say. (what do you MEAN that love conquers all?? that he loved and admired viktor for all his imperfections and that was what made him special and beautiful?? GET OUTTA HERE)

i did not know that i needed timebomb until this season but HOLY FUCKING SHIT why must you make ekko fall (surprisingly, even to himself) in love with jinx/older powder and have that ripped away from him not like two days later?? WHYYYYY (the dance. the "can we pretend it's like the first time?" the "oh and he's got lines." the nervous wave after he fucked up in that scene with dead vi and powder was like hmp and he goes :(. the mural. im sent. im gone. nobody speak to me.)

ISHA NOOOOOOOOOOOOOOOOOOO (she was just trying to be like jinx and copy everything that she does and is and looked up to her as a hero STOP WHY MUST YOU DO THIS TO ME. also the song?? IM CHINESE BRO AND I WAS SOOOO EMOTIONAL OVER THE LYRICS like hit me where it fucking hurts why dont you)

i cried at how vander suffered a fate worse than death. @becasbelt can attest to that

caitlyn adfshjk i knew she would come around and she was and always has been my blorbo (even if she stayed evil) MWAH my female rage filled, slightly wild, grief clouded, confident, "im an excellent shot," sexy, " i am a decorated officer, leader of house kiramman, address me with respect, or keep your mouth shut." dictator, vampire, badass, mofo. YES

the way she said "no amount of good deeds can undo our crimes" hit me bc she's acknowledging that she went off the rails and did some pretty bad things to justify and achieve (which she didn't. not really) her goals

i LOVED jinx in this season. she single-handedly made it a comedy show and was the sole focus of a lot of the emotional damage the storytellers and animators wanted to convey

the way jesus came to be and then quickly became evil SDFHSDKJ i was legit like WEEO WEEO ABORT ABORT JESUS HAS TURNED EVIL (also want to point out the "no you wont" sky dialogue bc DAMN she really called you out huh viktor)

that alternate universe timebomb episode had me gasping so much (like SILCO?? WHAT ARE YOU DOING THERE?? WHERE DID YOU COME FROM?? what do you mean everyone is well and happy but at the cost of vi's death???) i think i had asthma for a split second there

MELLLL MY GODDESS MVP PLAYER you saved cait's ass so many times it's not even funny and ugh the way you finally stood up to your mom (very cleverly too, i might add) ugh i applaud

EKKO MY KINGGG the way he hurts himself so bad turning back time and specifically saving jinx from offing herself BYE

HEIMERDINGER MY TINY ANNOYING/affectionate FURBALL WHYY

no but yea i am ruined and my emotions have faded away into numbness and i hope this post was relatable to the people in the arcane fandom and i also agree that this season was way too condensed and rushed and the last episodes in particular needed at least a couple more to drag out the events and character development bc at times when i am supposed to be cheering i am crying and at times i am supposed to be crying i am screaming and at times i am supposed to be screaming i am Horny and at times i am supposed to be Horny my heart is wrenching but only a few tears slip out bc IT IS CUT TO THE NEXT SCENE AGAIN??? does that make sense??

(also do we think jinx is actually dead or no. im still not sure but obv i would hope/am hoping that she is lmao)

[catloverwhovian]

thinking about how annoyed crowley is with jimbriel the whole season and yet when hes curious about gravity crowley just. explains it. jim asks ‘why’ and crowley doesn’t act annoyed at all and actually tries to remember. and then he answers honestly when he’s not sure. thinkin about that a whole lot

[thedailyvio]

Day 281 - 287

WIP Below:

[oodlyenough]

Just using a cut to spare people's dashboards the length lol:

I agree with most of this too. I didn't touch on everyone (incl. Ekko) in this post because when I started to write my s2 thoughts they were too long to fit in one post so I just arbitrarily broke it into chunks lol.

I think for all the valiant effort of the art team to include a lot of different races, body types, etc in the cast, the actual story has some issues in that regard. I don't/won't get into race a ton just because it's not really my wheelhouse, but I definitely agree that where they make cuts can be telling, whether by accident or not. Sevika MUST have had dialogue at some point in their 2-hr-finale draft that got cut, for example, it's the only thing that makes sense to me. They should have done a lot differently with Sky but they especially should not have written a Black woman into that role.

Across both seasons I felt like Ekko in particular was extremely lovable but not ... um... dynamic? as a character. Like he's just so good, at everything, good hearted and a good leader and a good inventor etc, that they didn't seem to know what to do with him storywise so he gets benched for acts at a time or not really acknowledged. Episode 7 was maybe my favourite ep of the season and I thought was good for him, but even there I would have liked to see Ekko struggle a little bit with having to leave this great timeline, or (if they'd structured the story differently) question whether he was right to go try to change time back or whatever even if it meant dooming the cities and Powder and Mylo/Claggor/Vander. (Again they just avoided this conflict by having the "good" timeline continue on without him, with an alt Ekko in his place, rather than just disappearing entirely... which works for the multiverse plotline, but means there's no real moral dilemma for Ekko or anything).

I'm less sure about the women in this particular instance because I do think Arcane is pretty dominated by female characters (which is great) and in the specific cases of Vi, Jinx and Caitlyn I don't really think the lack of screentime is the issue so much as just what they chose to do with that screentime and some of it ... not ... being very good. For most of the season it felt like Jinx was the only character consistently appearing, while others popped in for one ep per act. But they spent so much of that screentime on Isha only to kill her off and kind of shrug it away, for eg. I don't feel like things got cut from Jinx's story so much as I feel that her story just was not very good -- and mostly that's how I feel for Vi and Cait too.

The other social elephant in the room is homophobia I think. Cait and Vi being explicitly romantic is great, but having seen the awkward-as-hell China edits, the admission they got a "slap on the wrist" and had to dial down the sex scene, or even the waffling Linke does with Jayce and Viktor in interviews, I have to wonder how much that plays in. Cait and Vi can be in a relationship only as long as we can cut out or edit around their romances overseas, you know? So their relationship has to be kind of a side thing, it can't be the main story like say Catra & Adora's was, or contrast with Jayce and Viktor, whose relationship gets extremely centre-stage in the plot, but always toes the line of plausible deniability.

I am also curious why every episode is confined to 40 minutes, apart from a 50-min finale. I think even ten more minutes per episode might've helped some of these issues. I'm going to assume it was more an issue of production time/budget, because a show like this takes so long to animate every frame. But... yeah. It hurt lol.

more arcane s2 thoughts in no particular order. this is pretty negative. woops

Cait, Vi, Caitvi

despite being what initially got me watching to begin with caitvi just never ended up being my primary interest with this show, so going into s2 it wasn't like I had very well formulated expectations or hopes. I think if I had I would maybe feel disappointed? They had some nice moments, they got the kiss and the sex scene, they're clearly endgame, etc, and that's nice, but it also felt like their relationship was so ... never really the star of the show or focus of the story to the extent I expected it to be. Did they even get a big fight-together battle-couple moment in the last ep, I don't think so? I didn't find the resolution to their Act 1 breakup especially good, I think Caitlyn owed Vi an apology and Vi deserved to be angry for longer than ten seconds.

I generally feel across both seasons that Vi's pain and trauma is rarely given as much weight as other characters', I was pretty underwhelmed by Caitlyn's dictator arc after being extremely interested in it at the end of act 1...

I dunno. I hope their stans liked it and are satisfied getting to see them kiss and have sex and be together and I wouldn't downplay the significance of The Couple in Arcane being a lesbian couple. But I wasn't personally very compelled or moved by it.

Jinx

Like the above I'm not a Jinx academic by any means but I think if I were I would be frustrated by how cyclical her arc was in season 2. And no, having Silco show up to be like "it's a cycle" doesn't really justify the narrative interludes. Isha is a hard sell of a character for me because I don't ... generally want little kid characters around ... and I found Jinx (basically) looking straight into the camera to say "gee you are just like me, Powder, when I was a little kid, which reminds me of being Powder, is this how Silco felt, is this how Vi felt" to be hamfisted. But some of the scenes with the two of 'em and Sevika were cute ... only for Isha to die and Jinx to be depressed, again, and then come through the other side, again, and then "die", again. Like if we wanted to deal with depressed Jinx we started off s2 that way...

I've seen other posts by Jinx fans that articulate much better the ways in which she goes from the driving plot force in s1 and main autonomous actor to just kind of being wafted around by plot in season 2 so I won't repeat them. But I think they are right. I also question the way her mental illness was portrayed -- or rather wasn't... -- in season 2. Powder in the AU showing no sign of illness (despite baby Powder in the main timeline already having some of that going on, pre-Vander death)... I mean, sure, she's got a support system etc in that world, and one can argue we don't spend enough time with AU Powder to necessarily see it, but combined with the Isha stuff it just kind of felt like a weird message.

Sevika

I love Sevika, one of my faves from s1. I was so excited she seemed to get a bigger role in act 1 and then in the first ep of act 2. And then she never spoke again. What the hell man... like damn... really?????!? Not a WORD in act 3? I'm sure this was some of the stuff they trimmed to get that finale down to 50 minutes but god that sucks, so much, in ways a wordless shot of her in the council chamber can't really resolve. Which leads me to

Piltover-Zaun

I have to admit I don't think the class politics in s1 are as good as they were reported to be, so I didn't have high hopes, but MAN is Piltover going "hey we need cannon fodder <3 thanks" not... a reasonable resolution... especially after an indeterminate time of Piltover being EVEN MORE oppressive with Caitlyn enforcing martial law. It was sooooooooo ridiculous. Also, lol @ the show acting like hextech is solely responsible for the suffering of the undercity. If only Vi, Jayce and Viktor weren't around we'd have a equitable utopia. Sure Jan.

Sky

One of the most offensively written female characters I've seen in recent media. A spectacular, zero-effort failure from the writers. What a horrible decision to write this poor girl, a Black woman no less, and give her absolutely no characterization outside of an unrequited crush on a gay white man. In season 1 I could forgive most of it because a show like Arcane needs redshirts and it's just unfortunate they made this particular redshirt a young Black woman. There are so many other complex and developed women in the show, I thought, they can afford to have some minor ones who aren't.

But oh my god season 2. The ghost hallucination which they never even clarify as being "really" Sky or just being the Hexcore or just being his own imagination of guilt because neither the show nor Viktor give enough of a fuck to explain fhglakhdglh. Even posthumously she barely has any dialogue except to reference off-screen conversations with Viktor we never see them have and then die again. "No you won't" ?????? It is ridiculous that they wrote this.

[dreadfutures]

.

I love Solas, and I love Solavellan, because I find the character and story so compelling, but sometimes I feel like a fake Solavellan

to me Ixchel and Solas has kind of always been about two friends who both suffer from the same affliction and they are the only two people who can ever understand it, the affliction being outside (duty, responsibility, guilt) and inside (inherent fatalism in philosophy, viewing the self as unworthy, haunted by despair) and though

they can't at first forgive themselves or find the strength within them to stay out of their dark spirals, they can do it for the other. and how important that is. that's love. the smooching and everything is on top. the knowing what dark predators haunt the other person's psyche and saying I'll be there with you when the wolves come, we'll survive together. the I know exactly who you are and how ugly it is and I love you for it and I see the beauty still. the I will never get tired of you even if youre never "fixed." that's love right. that's Ixchel and Solas to me.

so like yeah they have been Together for about like 170+ chapters. they're not being tested about being pulled apart by duty or fear anymore, they're testing the strength of that bond in those dark ugly moments that come for us all. and mostly theyre good. mostly they're just on an adventure together.

somehow it feels like I'm a fake Solavellan 🥲 like early dpdf captured something and... getting together, having truths revealed, this *aftermath* is like I left that behind somehow. like it's beyond what Solavellans want. idk. I think about other fics that are post- truth coming out and staying together and they're very different vibes, I think, you know?

I like my action/adventure fic, I like them together, I like having moments where they find that there is still a dark corner they haven't swept out into the light yet and the way it's still scary for someone to want to know those ugly parts of you that they maybe haven't seen yet. I like having them be mostly utterly confident in each others competency. I like them united against the unknown together. but like did everything about them peak in Here Lies the Abyss, you know? or maybe Wycome? I'm so nervous about everything in TBG :'( it's just hard for me RN in my heart idk to feel confident of like. where it Fits into fandom besides "blue loves lore and wants to explore metaphysics with Ixchel (new perspective) and Solas (wise, experienced guide)"

ahhhhhhhhhhhhhh

[sskk-manifesto]

:)

[moe-broey]

Also I underestimated how difficult doing Fatesawakening-esque portraits for Moe would be because that Thang emotes with its whole fucking body. Like I feel like if you go through all my drawings (ref sheet/more recent drawings where you see it more in action, esp my comics), you see the emotion (or something more complicated) in more than in just its expressions. It's in the body language, and silly hair physics.

Plus that isn't even factoring in attempting to pin down just a few "main" emotions -- which is already a fucked up and difficult thing to do with Moe specifically, because sometimes the way it emotes outwardly doesn't match what its saying or feeling internally!!! And it is just extremely expressive in general (except for when it isn't.)

My guy is so restricted by this format it's so sad. Like an animal in an enclosure that is not suited for it 😔

[springcatalyst]

i try to keep my narration within the realms of the narrator so like. my writing style changes slightly depending on who is narrating. i only give u information they have but i also only give u thoughts that they reasonably think like. however i am a liar because sometimes i break this rule to write neat prose

[outeremissary]

Blacklistable tag update: in the next few days I will probably put up one or two original posts related to BG3, one of which will be art (assuming I finish my shit at a reasonable time). I will likely be posting these under "emi plays bg3" and not "bg3"; large fandoms make me nervous. I wanted to be sure I was clear so that folks could filter things out. I will try to be more consistent henceforth with using that or the normal fandom tags on posts. If you are looking to catch my characters from that and a recent PF campaign (I know I often don't fandom tag asks), "kasander" and "asperia" should cover your bases.

I will try to reblog this a few times at some more decent hours.

[pisshandkerchief]

allow me to indulge my gay theatre nerd side for a moment. now if i'm being perfectly honest, i normally don't like jukebox musicals. they usually feel too forced to me and i prefer a musical that actually has songs, y'know, written specifically for it and isn't just trying to fit songs into a story they weren't made for. it just feels more creative to me. if i wanted to listen to preexisting songs, i'd just listen to them at home without the extra story. i don't need a musical for that. HOWEVER. if anyone wanted to write a jukebox musical using fall out boy or mcr songs i would eat that shit UP no questions asked. in fact if i had any talent i'd write one myself 

[belovedblabber]

I want to make a post about how smart Gideon is but am bad at making posts rn. But I’ll get to it because I feel like defending my darling girl. She’s smart! She’s so smart she’s just thrown into a situation in GtN where she is not given the tools she needs to understand everything going on around her!

Gideon so often gets done so dirty by a lot of slices of the fandom in terms of painting her as like, dumb muscle etc. when there is SO much more to her character. And I can’t help but think that a lot of the time there’s  an element of people being weird about butch women in terms of that treatment. And even more so and intersecting with that, I feel like racism, conscious or otherwise, undeniably plays a role in this treatment of her in many instances. It’s not my place to speak further on that (and I’m sure people who are much more qualified to talk about this have been talking about it and probably getting largely ignored a lot of the time), but it’s a thought that’s popped up for me and has been knocking around my head a lot lately 

[curiouschaosstarlight]

Hey, if anyone's having a hard time pronouncing "Don Gero Mask", here's two helpful clips for you! 'w'

[therealdisneyfan2319]

Watching Multiverse of Madness whilst I finish this fic because I am a SUCKER for unhinged, evil, blood-covered, MILF Wanda 🤤