#i dont want one night stands i want the best friends to lovers arc

[youaremysunshine-court]

Heyy, can I get a modern au of satosugu, preferably with no angst, no ooc, and no smut, totally okay if you don't have that in stock and shove a daddy issues fic at me, but can you at least check in the back

[cringesideblog]

here’s my dnf playlist and a complete song by song track-list and why I put them on it.

heatwaves- on here for very obvious reasons. i don’t think I need to explain. but here are some lyrics anyway. “Sometimes all I think about is you, late nights in the middle of June.”

Jenny- again this is kinda obvious. “I wanna ruin our friendship, we should be lovers instead, I don’t know how to say this, cuz you’re really my dearest friend.”

TALK ME DOWN- this one just has the best friends pining for eachother vibe. “I wanna sleep next to you, and that’s all I wanna do right now.”

Dark paradise- kinda has dream smp vibes. but also you could argue heatwaves vibes. “Everytime I close my eyes, it’s like a dark paradise.” “There’s no relief, I see you in my sleep.” “There’s no release, I feel you in my dreams.”

Sweater weather- yeah you know why. you absolutely know why. “All I am is a man, I want the world in my hands. I hate the beach but I stand, in California with my toes in the sand.”

Drop the Guillotine- idk man just vibey. give it a listen you’ll get it. it’ll click. “You sure know how to drop that guillotine on me, though you would never wanna see me bleed.”

Can I call you tonight?- thats on their only for of communication being through the phone huh. (major heatwaves vibe) “powers out and I can’t turn the fan on, so can I call you tonight? trying make up my mind, just how I feel.”-“I hear your voice on the phone, now I’m no longer alone.”

Lemon boy- oh my god this song. geogre do be seeing dream as his lemon boy. “I helped him plant his seeds and we’d mow the lawn in bad weather.”

Yellow- DREAM IS LITERALLY GEORGES YELLOW SHUT UP RIGHT NOW. “Look at the stars, look how they shine for you.” “For you I’d bleed myself dry.”

Like you do- first of all I love this song, second, this has dream being a little too attached vibes. The whole song is just them. “Lost in the blue, they don’t love me like you do, those chills that I knew they were nothing without you, and everyone else they don’t matter now. You’re the one I can’t lose, no one loves me like you do.” “Since I met you, all the gloomy days just seem to shine a little more brightly.”

I saw you in a dream- mega heatwaves vibe. “When I’m awake I can’t switch off,” “I saw you in a dream, you came to me. You were the sweetest apparition, such a pretty vision.”

Maybe you’re the reason- did someone say pining best friend who doesn’t know that they’re in love ? this song. this song right here. “I keep looking for something, even though I know that it’s not there. Maybe you’re the reason. And anytime I try to figure it out, you’re the only thing I can think about.”

The king- DREAM SMP VIBE. “You like me, well obviously, so why you tryna leave when you know that I’m the king?” “Other lovers give you no luck, cuz I’m the only one who’s made you fall in love.” “Playing with your heart cuz you gave me the throne.”

Sweet- an adorable song truly that actually fits them so well. “Watching the, video that you sent me- you know that I’m obsessed with your body, but it’s the way you smile that does it for me.” “It’s so sweet, knowing that you love me.”

Apocalypse- um okay here me out, apocalypse au?? yeah i know it’s cute as shit you’re welcome. “Your lips my lips, apocalypse.” “When you’re all alone, I will reach for you, when you’re feeling low, I will be there too.”

Fear of the Water- don’t come for me this ones kinda sad, beautiful song though. “If this was meant for me why does it hurt so much, and if you’re not made for me why did we fall in love?”

Dreaming of you- two words, heat. waves. but also yeah good song for them in general. “Want you all the time, and now I’m dreaming, dreaming, dreaming, dreaming of you.”

Wires- uhhhhh dream smp vibe, dream villain arc n all . “If he said help me kill the president, id say he needs medicine.” “He said that I should take it in, listen to every word he’s speaking.”

Midnight love- it’s girl in love so, you already know how it issss. “I know I don’t want to, be the one that you run to, when you’ve got nowhere else to go, when you need some love.” “I always give in to give you it all.” “I can’t be your midnight love, when your silver is my gold.”

The beach- SUCH A HEATWAVES SONG JUST LISTEN. “I feel it burning me, I feel it burning you.” “I think I can see the beach, I know what’s underneath. I need you here with me,”

Cherry flavored- the neighborhood just.. they have a dnf vibe. “Cherry flavored conversations with you got me hanging on. Down to earth from all the waiting. Take me somewhere beyond.”

Pretty boy- geogre is a pretty boy. point blank period. “Even if my heart stops beating, you’re the only thing I need with me.” “Pretty boy, you did this with me boy.” “As long as I got you, I’m gonna be alright.”

Bad idea- girl in reddd... but like imagine them casually hooking up and not knowing their in love tho. also I feel like they would definitely think that their relationship is a “bad idea” bc they’re stupid. “It was a bad idea, to think I could stop, was such a bad idea, I can’t get enough.” “Darling your so pretty it hurts.”

Line without a hook- ICONIC!! dream definitely does not think that he deserves george. “You can hold my hand if no ones home.” “All my emotions feel like explosions when you are around” “Oh baby I am a wreck without you.” “She’s a, she’s a lady, and I am just a boy. She’s a, she’s a lady, and I am just a line without a hook.”

Say you hate me- mega dream smp vibes as of recently. with the whole removing geogre as king. “I guess that your friends where right, from the start when they thought that I was a bad guy.” “Can you just say that you hate me? Or that you will never love me?” “Never meant to make you leave, never meant to make you cry.”

Cherry bomb- reminds me of how dream cheated on fundy with geogre. “I’m too close to crushing, and I’m too close for comfort I’m rushing.” “I ask how shes so mellow, she tells me her shades are in yellow.”

This side of paradise- I mean, like, kinda heatwaves vibes, but also just them. “Ask me why my hearts inside my throat. I’ve never been in love I’ve been alone.” “If you’re lonley come be lonley with me.”

Linger- geogre literally has that boy wrapped around his finger and I can’t not see it in this song. But when you look into it HELLA dream smp vibes, lyrics can be switched for either perspective here. “You know I’m such a fool for you, you got me wrapped around your finger.” “I thought the world of you, I thought nothing could go wrong, but I was wrong,”

august- i don’t know what is but this song is for them. it just is. “To live for the hope of it all. Cancel plans just in case you'd call” “So much for summer love, and saying “Us” Cause you weren't mine to lose”

I was an island- i just love the idea of them being hardasses and not thinking they need anyone until the other comes into their life and rocks their world. kinda dream smp vibes “I was a fighter, and I was so brave, but I lowered my sword when you held me and swore you’d stay.” “I was a wolf, dear, apart from the pac But you answered my cries in the dead of the night and told me that you had my back,”

Golden- k this one feeds into the “you’re literally the sun in my sky I’m not worthy” feel “I know you were way too bright for me I'm hopeless, broken” “I know that you're scared Because hearts get broken” “I can feel you take control Of who I am and all I've ever known Loving you's the antidote”

Strong- ummm okay but the “we’re better together” dynamic is them “I’m sorry if I say I need ya, but I don’t care I’m not scared of love.” “when I’m not with you I’m weaker is that so wrong? Is it so wrong, that you make me strong.”

Fly out west- the whole, I need to see you, you’re all I think about, stuff gets me. also heatwaves vibe. “Well tell me do you know? You’re all I dream about. Take it from me I’m too dumb to recognize your doubt.”

Cruel summer- them and summer, you dig? “I don’t wanna keep secrets just to keep you.” “I love you and that the worst thing you ever heard?”

Nothings gonna hurt you baby- I put this one on here because of how protective dream is over geogre “Nothing’s gonna hurt you baby, as long as your with me you’ll be just fine. Nothings gonna hurt you baby, nothings gonna take you from my side.”

Cardigan- young love, the kind of lover that makes you feel like you are the most important thing in the world to them “when you are young they assume you know nothing, but I knew you-“ “and when I felt like I was an old cardigan under someone’s bed, you put me on and said I was your favorite.”

Cry baby- them being in that weird stage where they recognize that it might be more than just senseless flirting and they might have feelings but also being paranoid that they’re the only one with feelings uh- “I can taste it my hearts breaking, please don’t say it. That you know, when you know.” “I know I’ll fall in love with you baby, but that’s not what I wanna do baby.”

Speak now- literally the fundy dream wedding. i rest my case. “I hear the preacher say speak no or forever hold your peace.” “Dont say yes runaway now.”

I love you so- this song is cute on the surface but kinda sad once you look into it. it’s kinda about a codependent love that isn’t going well. “I gotta get away and let you go I gotta get over, but I love you so.” “You were cool and I’m a fool so please let me go.”

In conclusion I’d really appreciate if you could check it out :) <3

[firelxdykatara]

not gonna lie I would love to hear more about the drama and infighting that went on in The Vampire Diaries fandom if you have the time (and also want to use that time to give your experience with the fandom, which from the snippets you've told sounds Not Fun so I get it if you don't want to lol)

oh god, there was like, SO MUCH, i just

i really feel like tvd is one of those fandoms that is so hard to describe without a lot of ‘you’d have to have been there’, but it really felt like this huge and all-consuming beast for about five years until the show finally imploded and the fandom basically turned on it en masse. (you ever see that post going around that’s like ‘if you ever want to know what true regret feels like, ask someone who once called tvd their favorite show’? still a mood, all these years later. basically the entire fandom thought the show should have just bowed out with whatever shreds of dignity it had left at the end of season 6, and became more of a hatedom than a fandom for the last two seasons. when you have an entire fandom cheering news of your show’s cancellation, i think that’s a sign you done fucked up, julie.)

first and most infamous, of course, are the ship wars. which are pretty much inevitable in any teen-centered drama, and i really think the CW fucking thrives on them, but it was particularly egregious in TVD’s case because not only was the base premise of the show a love triangle, but the two main romantic leads were brothers that the show constantly pit against one another--in pursuit of elena’s affections, but also because it kept up this insistence on the ‘good brother/bad brother’ dichotomy which stopped making sense after about season 2 (by which time we have found out that the good brother was never as good as he appeared, and the bad brother has been growing and isn’t nearly as bad as he pretends to be)--and the question of which brother ‘deserved’ elena (and no, what elena wanted very rarely factored into these discussions, especially in the team stefan camp because they turned on her when what she wanted was no longer The Good Brother, but i’ll get to that in a bit) was hotly contested.

i’m not kidding when i say the shipping wars were vicious. i started watching tvd shortly after it began to air, which was late 2009, and kept up with it fairly sporadically over the years. i didn’t come onto tumblr until 2011/2012, and by then, the fandom was already pretty much a garbagefire. there were anti ship and anti character blogs, any time something bad happened for one ship the rival ship would invade the tags to gloat about it (seasons 3 and 4 were especially rough, and i’m not gonna pretend delena fans weren’t just as bad about tag invasion and shit, but as that was my side of the road i saw a lot more of the stelena shippers being assholes, which soured my opinion on the ship a long time before i started rewatching and realized the red flags were there from the start), confessions blogs were popular also toxic as fuck (so much fighting happened in the notes of those posts, good gods), and this was right around when twitter’s popularity was on the rise and the line between Celebrity and Fan was thinning, so the fandom was absolutely atrocious to much of the tvd cast and crew.

(some of them deserved a lot of the later backlash, but in the early years a lot of it was ‘how dare you write the story in a way i dont like, you terrible fucking person’, and gods don’t get me started on the dobsley vs nian Thing)

i think what really encapsulates my feelings on the tvd fandom as a whole, though, is the way they (to this DAY) treated elena gilbert, which can be summed up in one meme that gained a lot of traction around season 3 if i remember right: that gif of pam from true blood, with the text altered to read “i’m so OVER elena and her precious doppelganger vagina!”

i swear at one time i had over half the active tvd fan accounts on tumblr blocked, because i got to a point where i would no longer tolerate elena hate, and she was (and still is, in what remains of the fandom; you’ll see a lot of ‘elena was one of the worst things about the show’ takes from ex-fans, too) one of the most widely despised characters in the entire fandom. because she -checks smudged writing on hand- was a traumatized teenage girl who -reads off a crumpled notecard- couldn’t always perfectly sort out her own feelings and -squints at the ceiling- sometimes made mistakes or bad decisions. (except a lot of the fandom also insisted that she was a mary sue who had no character traits or flaws or faults and it was like....make up your fucking minds???? is she a calculating conniving bitch whose somehow manipulating these centuries old vampires to tie them around her little finger or is she a boring flat character with no depth and no flaws??? jfc)

there was this massive double standard, too--like, stefan and damon could fuck whoever they wanted and that was fine, but elena was constantly raked over the coals for the crime of developing romantic feelings for the two men who had become constants in her life and whom she cared for deeply, and oh my GOD the slut shaming that happened when elena slept with damon was fucking wild. (and also happened in canon lmfao. like the show had one of elena’s best friends basically call her diseased on screen for falling in love with someone other than stefan. it was gross and ridiculous and the friend in question was also being a giant hypocrite at the time since she was happily flirting with someone who was directly responsible for the deaths of like four of elena’s loved ones and her own boyfriend’s mother but that’s beside the point) but like elena was called a slut and a bitch and a whore for ‘cheating’ on stefan (she hadn’t, and she had in fact broken up with him on screen the episode earlier) and ‘immediately’ jumping into bed with damon, even though none of them said fucking boo when stefan had one night stands or damon had fuckbuddies or whatever.

shit, caroline didn’t get any of this treatment when she started falling for tyler while dating matt! which isn’t to say i think she should have, just that i think it’s fucking ridiculous that elena was absolutely demonized by the fandom for daring to have feelings for two guys at once and eventually acting on them--despite the fact that the entire premise of the show was a love triangle. it’s not a love triangle if both sides don’t eventually get explored, and the crew had been pretty explicit about the fact that delena was going to happen at some point--but when it did, a huge chunk of the fandom absolutely threw a fit.

and a lot of these elena haters were alleged stelena stans, and i say alleged because they hated her so much for not wanting stefan’s dick anymore that it was clear they were really stefan stans and only wanted stelena to be endgame because they wanted stefan to ‘win’ at the end of the day, because ‘he’s the good brother’ so he deserved elena more.

it was all very gross and very misogynistic and very sex shaming (apparently delena was a ‘shallow’ and ‘superficial’ relationship because they had sex after two years of unrequited feelings slowly becoming requited and then pining for ages on both sides, and because they had a lot of on screen chemistry that the show capitalized on for years so of course they did a lot of making out and shit but it’s not like stelena didn’t have its fair share of making out and sex scenes, stefan was just too much of a coward to let elena top i’d apologize for that joke but i’m really not sorry because it’s true), and when i say it was egged on by the crew, that’s because they refused to let the love triangle die back in season 4 when it should have.

they insisted on stringing stelena fans along, dropping little bread crumbs to keep them invested, like dreams of a future where they were married and revealing that stefan was also a doppelganger and he and elena were descended from a pair of star-crossed lovers (a plot that ultimately went nowhere, to no one’s great surprise), and then fucking like. julie plec turned around and threw nina under the bus after she chose not to extend her contract and pretended that stelena might have happened again if she hadn’t left the show, which....i mean frankly i wouldn’t put it past her, but it would have been shitty writing. then again, she thought having a vampire pregnancy where a uterus was magically transplanted from a witch into a vampire that could somehow......carry the babies to term.... made sense and was a good way to accomodate candice’s RL pregnancy rather than like literally ANYTHING else, soooooo. but anyway julie saying that around like, end of s6 sparked off a new wave of nina hate and elena hate and ship wars bc they SEers took it as ‘confirmation’ that stelena was REALLY meant to be endgame and it was all just a hot fucking mess

another thing is that, while tvd was in its prime before the anti/purity culture shit started picking up any real steam, there was still this pervasive attitude throughout the fandom that if you liked Damon, you were A Bad Person. liking damon was apparently grounds for insults and harassment, and apparently he was The Worst Person on the Show even though literally nothing he does on screen is any worse than shit we know stefan has done (and frankly every other vampire too, but i mention stefan specifically because he was always held up--in the show but especially in the fandom--as the Good Brother while damon was the Bad One, and if you liked damon more then that had to mean your morals were dodgy and you clearly couldn’t appreciate what a heroic and saintly figure dear stefan was and....oops, i’m sorry, my salt keeps leaking -cough-).

meanwhile klaus quickly became a fandom darling despite not even really having much of a redemption arc (on tvd anyway, he just became more ‘affably evil’ as the show went on and more inclined to work with the main characters rather than try to kill them; i have no idea what went on over on his show, though), and like i can 100% appreciate liking villains and not caring that they do dodgy villainous shit, even just liking them bc they’re hot and wanting them to kiss a main character bc they have insanely good chemistry (yes i ship klaroline, no i won’t apologize for it, they could have been Really Great), it’s just really the double standard that gets me.

and all of this, incidentally, required ignoring some truly gross shit stefan was responsible for wrt his relationship with elena, that frankly it has always bothered me never really got addressed in the show. i get why elena herself would never be able to actually call him on it, but the fact is that he stalked her for months after he first saw her and thought she was katherine (meanwhile it only took damon .5 seconds to realize she was someone else entirely, but that’s another topic entirely), and then he deliberately inserted himself into her life because, in his words, ‘i have to know her’. he never gave a thought to how his presence in her life might affect her (or rather, he did, and tormented himself about it in his internal monologue, but never let this actually dissuade him from disrupting her life), and elena would wind up blaming herself for every tragedy that befell her friends and loved ones as a result of getting mixed up in vampire bullshit even though none of it was her fault--she literally blamed herself for existing but most of the fandom didn’t give a fuck about that lmfao--and stefan did shit like find out that she was adopted and then withhold this information from her until she got pissed about another secret he was keeping (her resemblence to katherine) and drop it on her to try and distract her from her very reasonable anger, and like... i should stop before this becomes a whole rant about how much i hate stefan fucking salvatore, but the point is, he did a lot of really sketchy shit he never answered for and elena never really took him to task for, and the fandom just kept eating up his insistence that he was the Good Brother and therefore he deserved to have elena, and if she didn’t want him anymore it was because she was a heinous bitch who didn’t deserve him.

uh.....i think i got off track there. and there’s probably a lot of shit i missed, like i think i was incandescent with rage for most of seasons 5 and 6 so i missed a lot of the interfandom shit cause i was too busy being increasingly pissed off at the show itself, but if nothing else this should give you an idea of how much of a goddamn cesspit the fandom was while the show as in its prime. there’s a reason both the show and the fandom have such a lousy reputation lmfao.

[cassyapper]

jotaro kujo song analysis: “eight” by sleeping at last

i could not figure out what the fuck to title this for a long time. please forgive me ik it’s awkward but it’s the best i got

anyway the song “eight” by sleeping at last made me mentally ill so let’s get into why <3

here’s a link to the song: https://youtu.be/obi4KCh6eHQ

here’s a link to the lyrics i referenced: https://genius.com/Sleeping-at-last-eight-lyrics

be warned there are part 3, part 4, part 5, and part 6 spoilers in this

with that let’s begin.

“I remember the minute;/it was like a switch was flipped --/i was just a kid who grew up strong enough/to pick this armor up,/and suddenly it fit” Lengthy first line to start this on i know but cutting it up didn’t make sense so please forgive me… Alright let’s get to the meat of this hm? This line is about when jotaro first manifested star platinum. “I remember the minute, it was like a switch was flipped” fits perfectly with how suddenly and obviously star platinum became known to its user, as jotaro first manifests it when he’s in the middle of a fight, a fight star platinum ends very quickly and brutally. The “i was just a kid who grew up strong enough to pick this armor up” is about jotaro having the willpower to control a stand such as star platinum and not get ill over it. He “grew up strong enough to pick this armor up”, this armor being star platinum (which, yes, star platinum is armor more than a weapon because its strength is used to protect. This is stated explicitly in the jin hashimoto song “star platinum” which was written specifically with jotaro/star platinum in mind, as the title suggests). It also shows how young jotaro was re the “kid” description; he was only 17, the youngest jojo up to that point. the “and suddenly it fit” also mixes with how suddenly star platinum manifested, particularly how jotaro gained passable control over it very quickly

“God, that was so long ago, long ago, long ago…/I was little, I was weak, I was perfectly naive,/and I grew up too quick.” Another long line im sorry it just doesnt make sense to cut it up 😭 Anyway this is part 6 jotaro reflecting on his past self, PARTICULARLY part 3 jotaro, which explains the “god, that was so long ago, long ago, long ago…” segment “I was little, i was weak, i was perfectly naive” is kinda gold coming from part 6 jotaro cause end of part 3 jotaro is canonically when he’s at his strongest but i dont think part 6 jotaro is talking about star platinum in this line. He’s talking about jotaro being tactless and rude and pushing away his loved aways in a disillusioned attempt to keep them safe. By part 6, jotaro has to have known his coping mechanism of self-imposed isolation wasnt fair to his loved ones/himself and it clearly didnt WORK as evidenced by jolyne’s situation, so he’s cursing his younger self for it here. Hence, the calling of part 3 jotaro “little, weak, perfectly naive.” part 3 jotaro starts making the bed that part 6 jotaro ends up having to lay in and he hates him for it. The “and I grew up too quick” part is jotaro acknowledging his trauma. Even before part 3 started jotaro clearly had issues and they just kept building and building and building from part 3 and on. Combined with his self-imposed isolation, jotaro had to grow up quick to survive, and this line is part 6 jotaro reflecting on that

“Now you won’t see all that i have to lose,/all i’ve lost in the fight to protect it.” Remember the self-imposed isolation i mentioned in the last line? This line is about why jotaro does that. He hates being vulnerable. He hates relying on others. We only see him comfortable trusting others to take care of things ONCE the entire series, during the steely dan arc, when he believes in kakyoin’s abilities to keep joseph safe and get the lovers out of him safely. ONCE out of the four parts he’s featured in, out of the three he’s prominent in. jotaro does this, as i previously mentioned, out of a disillusioned attempt to keep those he loves safe, hence the “now you won’t see all that i have to lose” line. This behavior is solidified in jotaro at the end of stardust crusaders, when the two final times he tried to trust that others would handle it resulted in the deaths of over of half those he cared the most about (he may have gotten joseph back, but don’t forget that joseph did actually die). Thus, this decisive night ties into the “all i’ve lost in the fight to protect it” line. He’s lost loved ones but he won’t lose them again, not in the same way at least. Ironically, the self-imposed isolation only puts his loved ones and himself in danger, but i can get into that later.

“I won’t let you in, i swore never again --/i can’t afford, no, i refuse to be rejected” This line kinda ties back with what i was mentioning in the last line, but it hones it a bit more on jotaro’s complete denial of being vulnerable rather than how he acts to ensure he isnt such. “I wont let you in, i swore never again” is a direct tie-in for how jotaro feels after stardust crusaders; he is never going to get as close to anyone or anything the way he was close to the crusaders ever again. Nothing is ever going to matter to him the same way and he is going to make sure of that, as the “swore never again” implies, because he is certain, at least at first, that this will keep others safe. The “i can’t afford, no, i refuse to be rejected” part goes into how selfish and arrogant jotaro’s mentality is. Don’t get me wrong, jotaro’s self-imposed isolation can be seen as selfless, especially because the main driving force behind it is to keep others safe -- but it’s not the only force driving it. Like i said, jotaro doesn’t want to be vulnerable, and to be sure he doesnt feel that way, he needs to ensure he won’t be hurt. Can’t be sad when people die if you were never close to them, right? So as much as it is to protect others, he also is protecting himself by closing off from others. It’s also arrogant of jotaro to assume he is the deciding factor of who lives and dies, that he gets to choose/manipulate the cycle of life and death by deciding on if he opens up to others. Jotaro had this mentality of being a “deciding factor” shoved into his head during the journey to egypt, and that kinda warps his worldview as a result; everything must be his fault. Things go bad surely because he let them somehow. And it’s not jotaro’s fault he’s ill in the head like this but it is still arrogant, and the “i can’t afford, no, i refuse to be rejected” line attests to this.

“I want to break these bones until theyre better/i want to break them right and feel alive” Oh jotaro you have the shittiest fuckign coping mechanisms Alright. “I want to break these bones until theyre better” ties into jotaro throwing himself into dangerous situations alone. He’s just so so damn convinced he can handle everything himself -- bc again, he is led to believe he is the deciding factor of life and death -- he just has to try. If things go wrong, it’s bc he didn’t try hard enough, hence the “break these bones until theyre better”; jotaro will hurt himself and will be convinced he deserved it until he “learns” how to be perfect like he’s “supposed” to be. But being perfect isnt something you can learn, you mentally ill motherfucker jotaro. anyway “I want to break them right and feel alive” ties into the fact jotaro would rather break his body over and over and over rather than tell his loved ones he cares. The only right way to be hurt to him is taking a hit that was meant for those he loves. Jotaro is very much a man of action rather than a man of word, and this line is about his rather unique way of acting (that is, getting beat the fuck up over and over) Basically jotaro can’t tell the people he loves that he, well, loves them, unless he is literally dying. Examples of what i mean: jotaro preferred going on a perilous, 50-day journey to just telling holly he loved her; jotaro preferred getting beat over the head with a rock in the lovers arc rather than risk hurting joseph; jotaro preferred to literally get blown up by sheer heart attack rather than tell koichi to his face he is a good kid; jotaro stepped knowingly into a trap for jolyne and had to literally believe he was in fact saying his last words before he uttered “i’ve always cherished you.”

“You were wrong, you were wrong, you were wrong --/my healing needed more than time” Oh my GODDDddDDDdcdd im sobbing as i type jotaro your head is so so damn ill Okay so i see him spitting this line towards joseph. Let me explain Joseph would no doubt pick up on jotaro’s ptsd and he’ll do his best to console jotaro over the deaths of their friends. But see joseph is ALSO an ill in the head idiot whose idea of therapy is electroshock and who calls ptsd “shell shock”. So all he can offer to jotaro is “youll feel better in time” because that was kinda true for him; he managed to move on in time. What joseph fails to realize is what made him feel better was not time, but the support of those remaining in his life (lisa lisa, suziq, erina, smokey). But jotaro listens and tries to give it time but the thing with jotaro is he just gets worse and worse as time wears on because he deliberately cut himself off from anyone who could console him (as well as got continually traumatized throughout his life), so time never helped but actually made things worse. Thus jotaro spitting “you were wrong, you were wrong, you were wrong, my healing needed more than time”. In terms of timeline, probably happens right after part 5 jotaro stares longingly at the crusaders picture

“When i see fragile things, helpless things, broken things/i see the familiar” Im sorry every new line i start to analyze i begin crying so im just letting you all know incase the coherency takes a dip (as if this was coherent in the first place lmfao) Anyway so this line in relation to Jotaro is about how he projects HARD on the new generation. We see this w his interactions w josuke and koichi, the “fragile things” (there is no way he didnt see koichi as a filler for kakyoin im sorry. Also he just wants josuke safe with his friends like how he wished he was safe with his own friends as a teenager), how he was wary of giorno, “the helpless things” (jotaro is scared he’ll be similar to his dad, just like jotaro is similar enough to dio to share the same stand power…), and his interactions w jolyne, “the broken things” (angry teen in a prison? Come now). 

“I was little, i was weak, i was perfect too/now i’m a broken mirror” Throwback to the second line. Once again part 6 jotaro is reflecting but the difference here is that part 3 was when jotaro was last unashamedly happy, but more than that, part 3 jotaro was on his way to healing before everything went to shit. like i mentioned earlier, jotaro only relies on someone else completely once, and that happens in part 3. Jotaro is finally able to trust in someone else’s capabilities, which is what he needed to do before he could allow anyone to help him with the weight of the world on his shoulders. Hence, why part 6 jotaro would describe him as “perfect”; because he would’ve been perfect enough if he could just trust in others like that again But as the line suggests, that went wrong. Jotaro is now a “broken mirror,” which alludes to the fact that while he projects onto the kids, the kids (the ones that know him at least) project onto him as well, especially jolyne, because in part 6 she finally figures out her dad’s thought processes, as she is experiencing those patterns of thinking too. Jotaro is a role model for them in the sense of “see him? Do the opposite of what he did” KJ;DNJ;DN;SN

“But i can’t let you see all that i have to lose/all that i’ve lost in the fight to protect it” Same meaning as before mostly but the repetition is important me thinks because it mimics jotaro like frantically trying to remind himself why he must be distant when all he wanted to do was go home to jolyne and be her father

“I can’t let you in --/ i swore never again,/ i can’t afford to let myself be blindsided” This means roughly the same thing as the previous line that’s similar to this, but the “i can’t afford to let myself be blindsided” is less about jotaro’s selfishness/arrogance and more about how he believes enemies will use his loved ones against him and how goddamn, it would work, it would work so well because jotaro loves so, so damn much It’s a shame distancing himself didn’t work the way he wanted it to and ended up making his loved ones even more vulnerable than they would have been otherwise

“I’m standing guard,/i’m falling apart/and all i want to do is to trust you” (Begins screaming and doesn’t stop) okay so this line is about jotaro and jolyne during the beginning of stone ocean “Im standing guard” alludes to the fact that jotaro is still desperately trying to appear distant and uninterested even as he attempts to break his fucking daughter out of prison “I’m falling apart” ties into jotaro failing miserably at remaining cold towards jolyne, how he eventually caves in and tells her he loves her in addition to taking a literal bullet for her, using time stop to ensure he can make it to her to do so. and also this line ties into how he is literally physically shot and how his memories and stand are taken from him “And all i want to do is to trust you” is directed towards jolyne of course. God his whole “i’ve always cherished you” ties in with this line; like i mentioned earlier, jotaro by part 6 knows his self-imposed isolation is useless, but old habits die hard and also he was in very deep by the time he accepted there was no reason to go in the first place at all. So he doesn’t know how to change, he doesn’t know how to trust jolyne, it’d been 20ish years since he last trusted someone completely, but god he wants to. He wants to trust her. It’s all he wants to do hence this line

“Show me how to lay my sword down/for long enough to let you through” So continuing from the last line, jotaro just wants to let jolyne in. he wants to learn how to do that. I think this line is actually directed towards his younger self; 17 year old jotaro managed to let in a person once, after all (more than one person in fact, but all the crusaders). This would also make more sense w my interpretation of how part 6 jotaro calls part 3 jotaro “perfect” in this regard Essentially it’s jotaro thumbing through his memories to figure out how his past self gathered the security to trust in someone else wholeheartedly...which makes the fact that pucci steals his memories particularly fucked up in this context

“Here i am, pry me open/what do you want to know?” Another line directed toward jolyne. “Here i am, pry me open” refers to how after jotaro tells jolyne he cherishes her, all cards are on the table. He’s shown vulnerability, might as well go full throttle. So, he’s willing to talk to jolyne for the first time ever, especially because she’s a stand user now “What do you want to know?” ties into jotaro being willing to open up, but also the fact that jolyne doesnt really know her dad ):

“I’m just a kid who grew up scared enough/to hold the door shut/and bury my innocence” Hhnghg begins wailing this line is again about post-egypt jotaro. A lot of jotaro’s like...emotional maturation (and even some physical) occurred during the trip to egypt and immediately afterward. he’s in pain and desperately trying to rationalize a way he can be in control of never letting something like what happened in egypt happen again, hence the “im just a kid who grew up scared enough” “To hold the door shut” refers to how jotaro cut off other people, even the people who used to know him very well, like joseph and polnareff and holly “And bury my innocence” i mentioned this in another line but this bit also refers to how jotaro had to grow up quickly to survive, considering his self-imposed isolation and his life path of chasing down dio’s remnants

“But here’s a map, here’s a shovel/here’s my Achilles’ heel” This line is SUPPOSED to be directed toward jolyne but inadvertently it is also directed toward pucci. When jotaro says fuck it and gives up on his pretense of disinterest in jolyne, finally letting her know he loves her, he’s finally building the frame of a bridge to jolyne; he’s ready to do what he’s wanted to for so long, no matter how vulnerable it makes him, and that is to be jolyne’s father. However, pucci takes note of this; he knows to aim for jolyne in the final battle because of jotaro’s earlier actions when he tries breaking jolyne out of prison. It really is a shame how the narrative keeps fucking enforcing jotaro’s shitty self-imposed isolation

“I’m all in, palms out, i’m at your mercy now and i’m ready to begin/i am strong, i am strong, i am strong enough to let you in” Hmm i imagine this line being when jotaro meets back up with jolyne after he gets his memory disk back. The first thing he does is hug her and cradle her close to him, showing off to the world, right in front of pucci, how much his daughter means to him. But jotaro, at least for the moment, is not scared to be vulnerable anymore. Ever since he decided to give up his cold facade, he was ready to let jolyne in, and he finally has the chance to do that at least a little right before the final battle, which is what this line is about

“I’ll shake the ground with all my might/i will pull my whole heart up to the surface” Final battle in stone ocean,,, What the “i’ll shake the ground will all my might” line refers to is jotaro’s willingness to use star platinum the world during the battle. He’s ready to go all in to save the world, and most importantly, save jolyne, even if he has to use the source of his greatest trauma to do it. Jotaro’s a key player and he knows it, has known it for a long time, and this time he’s going to use that for his happy ending. And well, as i mentioned in the last line, jotaro’s done with the self-isolation and throws himself into the role of jolyne’s father, at least as much as he has the right to throw himself into. This is mostly what the “i will pull my whole heart up to the surface” line refers to

“For the innocent, for the vulnerable/i’ll show up to the frontlines with a purpose” More stone ocean final battle. The “innocent and vulnerable” jotaro is showing up for are jolyne, namely, but also hermes and emporio, and beyond that, the world. Jotaro understands how serious this is and he’s always been a force meant for protection, so he is here to do just that, which is what the “i’ll show up to the frontlines with a purpose” line refers to. Jotaro doesnt believe he’s a good person -- and he might not be, in the grand scheme of things -- but he does fight for what he believes is right, he always has, he mentions this way back in stardust crusaders during his fight with kakyoin. He’s never going to let injustice stand, especially not when he knows he’s such a key player

“And i’ll give all i have, i’ll give my blood, give my sweat --/an ocean of tears will spill for what is broken” This line actually applies to all the “final battles” jotaro has been involved in; part 3, part 4, and part 6. Jotaro, as i mentioned in the last line, has a strong sense of justice and is a force that first and foremost tries to protect, which the “i’ll give all i have, i’’l give my blood, give my sweat” part of this line refers to. Jotaro gives his all, has given his all, to rid the world of dio’s influence, he ruined his entire fucking life to do so, and this line gives credence to that. “An ocean of tears will spill for what is broken” refers to jotaro mourning all the what-ifs in his life, which are all tied with how the outcomes of these final battles go. If part 3 didnt end the way it did, jotaro would know how to trust still, he wouldve been happy even, maybe he wouldnt have had to sacrifice the rest of his life to dio; if part 4 didn’t end the way it did, maybe jotaro couldve gone home to his daughter, maybe he couldve been a bit of a better dad (this is because kids were involved in part 4 even if they didn’t try to because stand users attract stand users, and jotaro couldnt risk doing that to his daughter, so he ends up never coming home); and now for part 6, jotaro hopes that if it ends just a little better than the previous two, jotaro could at least died a satisfying death of sacrificing himself for jolyne, or maybe even got a chance to try mending his relationship with jolyne if they both survive

“I’m shattered porcelain, glued back together again” So this line speaks to both physical and emotional states Jotaro was physically “shattered porcelain” when he lost his stand and memory and also was shot, and he was “glued back together again” when he got medical attention and jolyne got back his disks Jotaro was emotionally “shattered porcelain” due to the fact he couldnt trust anyone completely since he was 17 goddamn years old but he’s “glued back together again” in the sense he’s ready to finally, finally try and be vulnerable in order to save his relationship with jolyne

“Invincible like i’ve never been” This line hurts so fucking much because i believe jotaro was optimistic, all things considered, at the beginning of the final fight in stone ocean. After all, he knows he’s an important figure in all this, he has his stand disk and memories back, he and jolyne and the others have a plan, and he has a future he wants to fight for in addition to the world’s continued functioning So he feels “invincible” like he’s never felt before because not even during the part 3 final battle with dio did he have the hope for the future he has now. But then. Then pucci brings out the knives. And the man who could control time never had enough in the end. He dies and cant even save jolyne with his death. The world ends. He failed. I think this is perfectly represented with how suddenly the song ends. It just perfectly encapsulates the tragedy that is jotaro kujo and i cant stop fucking thinking about it

thanks for reading all this if you did. jotaro kujo makes me feel mentally ill

[siirkaian]

its about time i actually started designing the antagonists instead of just daydreaming about where the protags occasionally meet them

i dont generally put warnings here but. some talk of suicide below def. worth the heads up............ the read more is just because its Fucking Long tho lmao

this one has actually been slightly fleshed out in my mind? they dont have a name yet, and its hard to know what Rank they are since ive been moving the story away from violence and A Coming War for a few reasons, most recent one being my friends story (tho they dont know about mine) has gone down the route of having a war at the end.. mostly tho i want to explore telling a good and worthwhile story without a focus on just who can beat up the other team better. The main protag Barren, for example, im bringing down the route of using their visions and ability to see inside peoples minds (in cryptic, symbolic landscapes and stuff) to take down people from the inside out, generally by working through their reasoning and traumas and whatnot to enable them to see clearer and with more empowerment........  and then one protag (Kindle) who joins later knows how to fight, and the third protag (Stardust) keeps them out of trouble, but later reveals that, well, spoilers that have already been seen a million times, hes actually one of the gods who fought in the huge war that happened in the past, and when thats revealed its when he has to fight again but......... he avoids it due to carrying the trauma and issues surrounding that war, as well as his own virulent self doubt and self hatred. so. this character to get back to the point? Wouldve been like a general or something, but im not sure how far I want to take them away from that, maybe to being a high priestex or something? the gods are supremely important to the story, and, spoilers, the main goal of the main antagonist is to bring back the original creator deity of the world, Siirka

I actually have a lot of appreciation for this particular antagonist character, they werent involved with Barren’s mistreatment when Barren was raised in their city by their masters so..... Theyre very much blinded to whats going on, I guess when youre raised in a city which glorifies what the leaders are doing and you get the chance to work for them, and you havent seen the depths of their evil youre going to work extra hard and...... push little red flags out of your mind............ They were extremely loyal and fully or. Mostly. on board with everything happening that they were told about, and worked super fuckin hard to get to the rank theyre at, always pushing boundaries and training and improving and grasping for any sort of genuine praise and signs theyre doing good that they can get, wanting to do their absolute best for the cause and. be worth something to someone. it gets very obsessive, especially as doubts and red flags start actually encroaching on their goals

As Barren and co start causing more trouble, this character’s storyline actually develops separate to the protags. Definitely influenced by them and their continuous defying of the antagonists, which doesnt plant seeds in their mind but waters the ones that are there....... They start realising things arent as peachy and golden as everyone was teaching them it was, they realise their betters either dont really know what theyre doing or may have selfish intentions, or, god forbid, intentions that could land everyone in a fucktonne of trouble - basically all the views they were raised on start having major cracks and Plot Holes in them and they have to come to terms with that. They do a lot of inner work struggling both with their crumbling view of reality and with the fight between either breaking it down more or trying to patch it up with lies, the sort of lies that even the person telling them doesnt know are lies. They get more and more frantic, more detached from reality as much as they try to hold on, struggling with their own identity and with dissociation, and with their mental state unravelling under stress and the inversion of what they were taught as right being morally dangerous, and what they were told to hate being morally good, until finally their boss is killed to further the protag’s goals......... before the protagonists can get to him............ by them. and then they end their own life to prevent themselves being tortured and imprisoned by their masters. I had a scene in mind where the protag’s spend a little arc trying to get to him because they need to take him out, and this character knows theyre coming, so the protags finally get to him at night and find him dead with this character standing over him. They get a brief chat before telling the protags to run, that theyll take the blame for it and the protags will get away without being harmed if they go quick enough, and then they step out of the window BUT its very fuckin important that its made clear that theyre left with no choice - or, more importantly, that theyve finally made their own moral choice in life with their own mind and own feelings - that theyre in their right mind/not acting on despair and need to go before theyre captured - both for theirself but also so they cant be interrogated and have no chance to spill that the protags were there. They basically redeem all the bloodshed and indoctrination theyve had a hand in - and oh, i forgot this bit of important context. Because of the whole staying away from violence thing, they do it to redeem themselves, to stop at least their boss spreading anymore shit, partially also to get revenge for all the lies and stuff, but also importantly because they dont want that on the protag’s conscious. They can handle it, and since they intend to die, they will bring it to their own grave. Death happens rarely in the story, because I want it to be as heavy and serious and soul-destroying as it is irl. They do the traumatising act of having to kill someone and live with the blame because theyve already planned out that they’re going to die to avoid capture. 

Im really.......... wary of portraying suicide in Siirkaia but given Stardust is heavily implied to be back from the dead (having the god of death, Mercy’s, black hair which only he has, though for most of the story its ambiguous as to whether hes working for or is Mercy ((its neither they were lovers lmao))) and Barren and Kindle’s mother Inferno also killed herself its............... im just gonna have to cave and realise im gonna need to address it. I mean, the protags already show (as being the grandchildren/children of and a suicide victim) that its a fuckin tragedy not a solution to anything, but, look. the story is intricately tied to my own mental health and thats shit ive dealt with for years so its going in the melting pot baybey! Also. as if i will EVER write this....... but i still want however i portray it to make clear that..... its a fuckin tragedy and honestly Not The Right Choice IMO

Basically, as a character theyre very hardworking, very Very ambitious, slightly obsessive, and i guess Unhinged because oh boy i am just giving out free personal issues to these characters huh. Their story is ideally going to be a bit more fleshed out than the other antags, because theyre meant to be a bit of the protags in that side of the story. Theyre like.... a case study in the complex and not black/white concept of redemption. The Demos, the people of the story, are at their core defined by submission and being led to terrible things. They were all originally created by the terrible god of life and chaos Siirka to be entertainment. Siirka had passed by Earth and took a liking to the pain and suffering of humanity, specifically loving the way they scream, and so built a fake Earth out of his own substance/power (in universe his body and hair) that was an unoriginal almost exact copy of Earth with.... absent details, like all the animal species being just identical copies of one example of each species, in all white, and a submissive race that looked like humans so that he could rule over them..... The Demos have since been taken from Siirka’s reign, since Siirka was banished in a war by Mercy and the trio of Stardust/Moonshine/Midnight (Siirkaia until i change it roughly translating to “Siirka’s absence”/”no Siirka”/etc), but its still central to the story of the world that the Demos are susceptible to being taken advantage of - though strangely they arent Super different to humans - and to being oppressed, since thats what they were made to be............. Like, Cool Backstory Bro, but its central to everything, it represents whats happening now both metaphorically and literally, the race thats susceptible to being betrayed and used is now starting to be betrayed and used again. Cycles of abuse continuing, learning the worth of the spirit, thats all the story of Siirkaia. The protags of the story represent the spreading empowerment, thats what Mercy gave to the Demos, the power to choose, to exist, to create your own path........ And this character represents that right to choose. Theyre a flower beginning to bloom in a garden full of frost. Theyre hope, and hope taking root and being received and acted on, showing that even if your actions just help one person they were worthwhile. Of course other Demos receive that enlightenment, but this character represents the hope in the Demos, but also the “good” in the “evil”, that, while most of the antagonists’ actions are unforgivable at worst and in no way exempt from criticism at best, theres a reason people are driven to do evil things, and theres a lot of corruption of the mind and personality that happens to drive people to those points. People can act in horrible ways, but its always for a reason, whether its their own trauma or not....  Even “I wanted to” has heavy implications of reasons behind it. This character is one of the few that did the work to begin to escape the cycles they were born into and its important they have their part in the story be heard

as much as i want them to be understood by everyone, as a schizotypal person i see that most people............ do not even try to Start understand people they find slightly odd, so making them “understandably mad” as in showing them show some of the Odd traits of being detached from reality/humanity with the reasons those things come about, and, you know, with the appreciation that its not just “ooo crazy random, unpredictable, youll never know what theyll do next!!” its....... actions that just seem different to those who dont do those actions..... Either way, however i push their character in regards to being misunderstood, i really want their end to be understood, or rather. I want them to be understood in the end. Barren can be incredibly empathetic and understanding, id really love for their final moments to be..... mutual? They did what had to be done for things to change and get better, and in the moments where they meet Barren/Kindle/SD, they finally get seen for what they are, they finally get seen as an entity beyond all the lies pushed onto them, a person who was led astray, who had the goodness in their heart and found the strength to multiply it, to try and right their wrongs, who was, although it looks on the outside like they had it all, actually been manipulated and mistreated by their higher ups and used as a pawn so they didnt have to get their hands dirty, they could just pass on the work to someone else. I really want them to, while they cant really be redeemed because of the damage thats been done, have a few moments of actual peace at the end of their story

.............................or maybe they could run away with the main trio lmao but no, that cant........ really happen because of the important dynamics and the personal (as in interpersonal not about me) nature of the protags and also. while i want the Demos to be revived again at the end, they do get swept away into Siirka’s hair when hes brought back through the big boss of the antags, Ka-UrenKa-, oo spoilers. so. i dont really know if i want to kill a protagonist it seems cheap (the main trio survive because they werent made by siirka........... literally a long fuckin story) because. at current, Siirka being brought back happens out of nowhere, and while the audience technically know its coming should they piece together the symbolism of Barren’s visions, its supposed to be unexpected and. idk man. 

anything else? Oh yeah i think they were originally conceptually conceived to Brutus by the Buttress so you fucking KNOW that i couldve skipped ALL this writing just to put that song in but hey. i would say its their theme song but while inspo was taken from theme and lyrics its actually not accurate to their life beyond a few lines?? and also the overall fucking Mood

[muchmorethanwhispers]

GOT S8 Impressions

I was right about a few things here although not in the right order: Dany going mad, Jaime arriving on his own to confess Cersei was not going to help against the Night King, Theon saving Yara and sacrificing himself (although not for her). Some that I almost got were Sansa being in a power position (never thought she would be an independent Queen) and Sam being involved in writing the Song of Ice and Fire (at least he wrote the title).

The finale was not as bad, there were glimpses of the old good writing. Old wise Tyrion magically made a come back. Drogon was on point the whole episode. As usual the visuals and costumes design was great.

What I get from the show is: people don’t change! no matter how much they try, the old ways are stronger than anything else. 😭 here’s why:

1. Sam remained a coward. Yes, he got his happy ending but he remained the same: he never got a chance to stand up against his dad and when the time came to fight against the dead, he gave up and ended up crying in a pile of dead bodies until everything was over.

2. When we thought Bronn was a friend to Jaime and Tyrion, he just accepted more money from their enemy and was willing to kill them. He got his rewards in full for doing nothing but sitting down the last fight.

3. Dont even get me started on Jaime because I lose it every time. His whole arc was beautifully written and then having him say he never really cared about the innocents?! 😤

4. Arya coming back to Winterfell when she realized it was back at the Starks hands and who expressed the value of her family explicitly in the Godswood scene just to leave them behind to be alone again.

5. Jon was given positions of power repeatedly were he could have dine great things for his people but he turned them down every time.

Then some characters just got downgraded:

1. Cersei, the evil mastermind spent her last months looking out a window and sipping wine. Not a lot of scheming and barely any dialogue for her.

2. Sandor who showed signs of a redemption arc ended up still frightened of fire and hating his brother.

3. Tyrion saying “oblivion was the best thing that could happen to him” and then not being included in the book of A Song of Ice and Fire, really? Tyrion who spent his whole life reading and even pulling strings to create a better world will be forgotten.

4. Ghost and Raeghal... nuff said

5. Yara who?

6. The Night King was human enough that he got too cocky and paid the price.

7. Dany reduced to her family’s genes.

Other characters like Brienne, Gendry, and Davos fell flat.

The only characters who got a decent ending in my opinion were: Lyanna, Theon, Jorah, Pod and Tourmund.

And here are somethings that were echoed during the whole show and didn’t pay off at all:

- “The lone wolf dies but the pack survives”: I mean, Sansa couldn’t even bend the knee to his brother! Arya left them right after the Long Night. Bran left for the South because he apparently knew all that would happen. Jon stopped identifying as Stark just because of his father.

- The whole “R+L=J”: it was just used to trigger Dany. Aegon Targaryen wasnt even asked if he wanted to be a king or anything.

- Whatever happened to the “Ice and Fire”? In the end it feels like Winter never truly came and the fire lasted 1 day.

And finally, I hate how not one single relationship of the strong ladies of Westeros paid off:

- Brienne left alone and crying by the one person who seeked to be with her

- I guess Arya would’ve been seen as less fierce if she accepted Gendry? Or if he had agreed to go with her?

-Dany betrayed by her lover

- Sansa alone without a glimpse of joy in her coronation

I’m so conflicted. I loved the journey, that’s for sure but there was so much potential. It definitely didnt seem the season took 2 years to get done.

[arabian-bloodstream]

Decoding D&D’s Playlist

OK, In early Spring, D.B. Weiss and Daniel Benioff helped create a new Spotify playlist: Game of Thrones: The End Is Coming. Upon doing so, they told For the Record in an email, “The answer to the ending is one hundred percent hidden in the playlist choices. No one will believe us, but it’s true.”

I have spent the last couple of weeks going through each song and trying to figure out which character, which scenario, arc, storyline each song was about. I could be completely way-off, but it was fun. So here you. Enjoy! (Note: All songs link to full lyrics.)

Fair warning, this is long. Very long. So long that I’m going to put a cut. I will say... yeah, this playlist screams Gendrya endgame.

Sleep Now in the Fire - Rage Against the Machine 

Dany as Mad Queen.

The world is my expense The cost of my desire Jesus blessed me with its future And I protect it with fire So raise your fists and march around Dont dare take what you need I’ll jail and bury those committed And smother the rest in greed Crawl with me into tomorrow Or i’ll drag you to your grave I’m deep inside your children They’ll betray you in my name

Her Black Wings - Danzig

This one seems to fit Arya in the first three episodes of the season.

She brings the lust Supernatural Ceasing never On and On and On Her stride is such Mortals freeze When she walks past And she comes down to me And she offers me sleep Under her black wings

Think about Arya flying down to kill the Night King, that fits with the “Under her black wings.” And “Mortals freeze when she falls by" and the mention of the "supernatural," all fit the Faceless men training and her overall ability to walk silent and her skills.

Entwined with love Unclean she is

Everything Arya is doing, everything that she has done, every kill has been done for love, to avenge the people she loves, to protect those she loves. And yet, she's so surrounded, covered, engulfed in death that she's unclean.

See she comes Blacker than pitch Have to make this fallen bitch All I want All I crave Demoness calls The bitch is come For those who wait Cross the breach in hell See she is Bedeviled with breasts Enchantment on legs

This stanza here even fits her if you take into account the fact that the Hound calls her a bitch all the time, and the last two lines, well, we do see Arya as a woman for the first time this season.

Immigrant Song (Remaster) - Led Zeppelin

The Army of the Undead want to take over Westeros.

The End (Remaster) - The Doors

This could certainly be about Tyrion with regards to Jaime and Cersei, but something about it just says the Hound (and Arya) a bit more to me because of a line in the final stanza:  “You’ll never follow me.”   Plus, there is a reference to a “Stranger” in the song. The Hound’s horse was named “Stranger” and, of course, as was established (in my opinion) in the final season, the Hound=death and in the faith of the Seven, the Stranger represented death.

This is the end Beautiful friend This is the end My only friend

The end Of our elaborate plans The end Of everything that stands The end No safety or surprise The end I'll never look into your eyes Again

Can you picture what will be So limitless and free Desperately in need of some stranger's hand In a desperate land

Arya is the Hound’s only friend now that Gendry has become something more. And with what happened in "The Bells," it was the end of their journey together.

Now there is this stanza which is why one could think it references Tyrion thinking about his family with the references to father, brother and sister:

The killer awoke before dawn, he put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived, and...then he Paid a visit to his brother, and then he He walked on down the hall, and And he came to a door...and he looked inside "Father?" "Yes, son." "I want to kill you." "Mother, I want to fuck you"

But I took that as more allegorical, the Hound being the killer who is ready to finally kill his family, i.e., his brother. Furthermore, Ray Manzarek said about this song that Morrison "was giving voice in a rock ‘n’ roll setting to the Oedipus complex" and the lines about the father and mother derive from that mythology and essentially boil down to one principle, you can't escape your fate.

Oedipus' father banishes him because he is told that Oedipus will kill him and sleep with his mother. Years later, Oedipus meets a beautiful woman, they fall into bed, Oedipus fathers catches them and lo and behold!, it's his wife... and Oedipus' mother but neither know that, because Oedipus' father banished him to avoid the prophecy. Oedipus and his father fight, and boom! Oedipus kills his father. Ergo, you can't escape your fate. So... does that apply to the Hound killing his brother or Tyrion and his siblings? Could be both. I just think it leans more towards the Hound.

Then we come to the end of the song and it is full of profanity after profanity, the Hound’s calling card before leading to death and then the bolded line that just scream the Hound to Arya.

C'mon, yeah, c'mon, yeah Fuck me, baby, fuck yeah Fuck, fuck, fuck, yeah! Fuck, yeah! C'mon, baby Fuck me, baby, fuck, fuck, yeah Whoa, whoa, yeah, fuck, baby C'mon, yeah, huh, huh, huh, huh, yeah All right [...] It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end

On the other hand, if you take out the Stranger references and look at those specific references to brother, sister, father and how Tyrion had to let go of Jaime and Cersei and the Lannister of it all to move forward in many ways, it fits him best. Also, if you look at the line in the final stanza that is italicized that fits Tyrion with his brother *and* sister.

So honestly, I could go either way even if I do lean a bit more towards the Hound.

Girl From the North Country - Bob Dylan

Yes, I know there is a line in this song that references the girl's long hair lying past her breast, but regardless, everything else about this song just screams pre-season Gendry and Arya.  It totally, totally does. It just totally is Gendry pining for Arya. Nothing else makes sense. N-O-T-H-I-N-G!

If you're travelin' in the north country fair Where the winds hit heavy on the borderline Remember me to one who lives there She once was a true love of mine

If you go when the snowflakes storm When the rivers freeze and summer ends Please see if she's wearing a coat so warm To keep her from the howlin' winds

I know that some have tried to fit it with Sansa and Tyrion, and I love them, but it just doesn't fit them. Sansa is in no way Tyrion’s true love, she just isn't. He hasn't been thinking of her throughout his time away from her. We know that. We absolutely know that. It does not fit them, sorry Sanrion fans (I’m one of them).

Now, if there is some time jump that we see in episode 06 before Arya goes to Gendry (because, yes, I'm still convinced that we are getting an Arya/Gendry endgame), then maybe this will apply to *that* timeframe, but as of now, I still see it as pre-season 08 Gendrya, just the feeling, the tenor and tone of it. Think of Gendry's line to her in the second episode: 

The last time you saw me, you asked me to come to Winterfell. I took the long road…

Yeah.

Mama Kin (Live Version) - Guns n Roses

(FYI: These are the lyrics for the live version, so they may differ slightly.)

I believe this one is about Cersei and how her life has been spent living a lie, putting on a show, but it’s all just that, a show.

losin’ touch with all that’s real Whole lotta lover, keepin’ undercover

Cersei so often just can’t face the reality of all the shit going on around her, through most of her relationship with Jaime, she kept that a secret and even kept her other lovers a secret from him.

You’ve been fadin’, always out paradin’

Cersei has always been hiding who she really is, pretending to be the perfect queen, the perfect wife, perfect mother.

Spittin’ fire from your mouth just like a dragon

She does incest like the Targaryens. She's crazy like the Targaryens, but she's not a Targaryen.

You better check it out ‘cause someday soon You’ll have to climb back on the wagon

It’s not going to last, she’s not going to get her happy ending. (Duh.)

It ain’t easy livin’ like you want to

She became the queen, the ruler of the seven kingdoms, but NOTHING has come easy and it’s still hard for and she never had peace or happiness.

And workin’ for daddy’s such a drag You still stuff your mouth With his beans

She as always under Twyin’s control, she hated it, but she was always under his thumb, always playing by his rules.

This was all about Cersei not being good enough, wanting more, but never getting it, giving up everything and never getting it. She should have cherished what mattered, but she didn’t and lost everything consequently.

Seven Nation Army - The White Stripes 

Dany as Mad Queen. Now, this could have been about Cersei, but there’s a line that screams treason, so… Dany.

I'm gonna fight 'em off A seven nation army couldn't hold me back They're gonna rip it off Taking their time right behind my back And I'm talkin' to myself at night Because I can't forget Back and forth through my mind

Howlin For You - The Black Keys

This is so obviously Gendry about Arya that they might as well have revealed it as such after episode 02 in the "Inside the Episode" video.

I must admit I can't explain Any of these thoughts racing Through my brain

It's true Baby I'm howlin' for you

Can't you see Little girl's Got a hold on me

Like glue Baby I'm howlin' for you

War - Grandson 

Pretty clearly not just about the war against the Undead, but that the war for the Iron Throne still raged on despite the fate of humanity and that victory should have been something that brought everyone together, but you know... humanity.

And it's war in the east War in the west War up north War down south

Everywhere is war It's a war Oh, everywhere is war It's a war

Let Me Live/Let Me Die - Des Rocs

Arya again, specifically with Beric sacrificing himself to save her and then her going to kill the Night King. And then leading to her decision to live or to die in "The Bells."

I know pain, I know dread Wicked veins, they turn to lead Tears don’t stop the fire It's killing time

Back from the dead See, their eyes got nothing left Kiss me, I am the cobra It's killing time

Flugufrelsarinn - Sigur Ros

This was in Icelandic and here is the translation:

Hullabaloo, I rushed down to the lake A savior I made a ship and said a short prayer Because I was scared The sun shown and the lake flowed Sunflowers, sunflowers, the flies die But today I must save as many flies as possible In each hand I carry a string, determined I throw them into the abyss and try To draw the flies in before The smolts reach them where they fight The stream and water And so the day passes on Going on board, I had begun fighting the stream Which had already killed so many I can't breathe and I'm getting heavier with every wave I need a miracle Because I'm drowning sins I try to get onboard I pull ashore and save myself onto Onto the beach I lay on a hot rock and let myself dry again I throw myself into the abyss and try To draw in the flies before The smolts reach them where they fight The stream and water A breeze, completely soaked Bold, feels how the boat is out of the strongest current And the land slowly approaches He is both onboard, Sea and on land saving The flies that die here Though especially himself Eternal war and peace nowhere But someone has to sacrifice himself The days are long

With the references to a savior, a sacrifice, the water, the waves, the drowning and the sins, I think it's  clear that this is about Theon and his sacrifice for Bran. Especially when you take into account what the title of the song translate to: "The Fly's Savior," and Bran is, after all, the Three-Eyed Raven. The last stanza absolutely screams Theon (on sea, on land) trying to save the "flies" that die here and always trying to save himself until the end "someone has to sacrifice himself." Makes me a bit teary-eyed. Very beautiful.

You can hear the song (with the Icelandic lyrics/English translation on the screen--well most of them and some vary, but they're mostly there) here.

Can't Stop The Bleeding - Tom Morello feat. Gary Clark Jr. and Gramatik

An interesting note is that this song was added *right before* the finale. I thought after I first heard it that it would be about Tyrion realizing that Dany was not the one to break the wheel and that he would do would do something drastic about it.  Yes, he made that realization, but quitting his job was not that drastic.

On the other hand... Jon's action in finding out that Daenerys was basically going to burn the world down if people didn't follow her vision, including his sisters? Well, that was pretty drastic. So I now believe this was about Jon and Jon realizing that no matter how much he loved her that he couldn't stop the bleeding of his heart, but he had to stop the bleeding of the world.

Frayed like myth, every fool caught it Sound like this, every fool bought itCan't stop the bleeding, calling Can't stop the bleeding, ohFill my soul, it's hard to see Trouble found and trouble lost

Tyrion was duped into believing that Daenerys was the Princess that was Promised, and I think he's going to something drastic about it.

Fire - Barns Courtney

Ceganebowl!

Oh, a thousand faces staring at me Thousand times I've fallen Thousand voices dead at my feet Now I'm gone, now I'm gone, now I'm gone

And my mother told me, "Son, let it be." Sold my soul to the calling Sold my soul to a sweet melody Now I'm gone, now I'm gone, now I'm gone

Oh, gimme that fire Oh, gimme that fire Oh, gimme that fire Burn, burn, burn

The mother in the song is metaphorical or one could take it as the Mother of the New Gods and the Mother stands, among other things, for mercy and peace. And we all know that the Hound is not going to 'Let it be" so it's pretty clear that this is the Hound facing his deepest fear--diving headfirst into fire--at the same time finally getting his soul's desire and taking out his brother.

Bottom of the Deep Blue Sea - MISSIO

The pretty gross relationship between Euron and Cersei, and after episode 05, more specifically, the demise of Euron Greyjoy! (The crowd cheers!)

Wave of Mutilation - Pixies 

This one's about Theon.

cease to resist, giving my goodbye drive my car into the ocean you'll think i'm dead, but i sail away on a wave of mutilation a wave wave

i've kissed mermaids, rode the el nino walked the sand with the crustaceans could find my way to mariana on a wave of mutilation, wave of mutilation wave of mutilation wave

Saying goodbye to Yara, the ocean references, "What is dead may never die" = "you'll think i'm dead, but i sail away," the mutilation" theme.  Yeah, good ole Theon.

Wolf Like Me - TV On the Radio

I think this is about Sansa to Tyrion, using him to get to Dany.

Say Say my playmate Won't you lay your hands on me Mirror my malady Transfer my tragedy

"Playmate" as in someone who is playing the 'game' with her, and the final two lines, the two of them sharing their fears, their miseries, knowing what the other has been through.

We could jet in a stolen car But I bet we wouldn't get too far Before the transformation takes And bloodlust tanks and Crave gets slaked

They could work together, maybe even try marriage again, but both of them know it wouldn't last because there are too many ambitions and lusts and powerplays going on, not necessarily just within them but around them.

My mind has changed My body's frame but god I like it My hearts aflame My body's strained but god I like it

Sansa has become stronger and smarter, she's changed and it's been hard and it's still hard, but she likes it.

Gonna teach you tricks that'll blow your Mongrel mind Baby doll I recognize You're a hideous thing inside If ever there were a lucky kind it's You you you you

She recognizes his flaws, where she can manipulate him now because she learned from Cersei and Littlefinger, and she knows that it wasn't just his brains that got him this far, but he's had luck help him too. Of course, Tyrion is not a "hideous thing inside" and I don't believe that's how Sansa sees him, but this whole section is how she manipulated him, how she used him, because she did. It's about her being able to manipulate him as Cersei and Littlefinger taught her. The only truly hideous characters inside left this season were Euron and Cersei and none of the Starks would have interacted with them to fit this song; that was just one part of the song that was definitely metaphorical.

Writhing under your riding hood

I just think that the reference to "riding hood" was a key to this being about Sansa with the immediate jump to "red" from that phrase and Sansa's red hair.

POWER - Kanye West

The best I can make of this is that it's about Sansa getting through all that she has been through to be in control where she is and she's now determined that one person is not going to be in power of all of them, especially not the North.

Rumble young man, rumble Life is a trip so sometimes we gon' stumble You gotta go through pain in order to become you But once the world numbs you, you'll feel like it's only one you Man, you got the power to do anything you want to Until you ask yourself, "Is that what it's all come to?" Looking at life through sunglasses in the sunroof Do you have the power to get out from up under you Fuck all these labels, fuck what everybody wants from you

I could be totally and absolutely wrong with this one. 

Let’s Have a War - Fear

Cersei's perspective re: the battle of King’s Landing.

There's so many of us There's so many of us There's so many There's so many of us There's so many of us There's so many

Let's have a war So you can go and die Let's have a war We could all use the money

Let's have a war We need the space Let's have a war Clean out this place

Powa - Tune-Yards 

Dany breaking her promise to Tyrion about burning King's Landing if the bells rang.

Rebel, rebel, no Lightening dances in my head Devil, devil, whoa, oh, oh Burning steady as a motor

[...]

'Cause you bomb me with lies, humiliations everyday You bomb me so many times

I never find my way Come on and bomb me Why won't you bomb me? Come on and bomb Go on and whoa

Listen to the Lion - Van Morrison

The first half of this just screams the end of Jaime and Cersei:

And all my love come down All my love come tumblin' down All my love come tumblin' down All my love come tumblin' down Oh, listen listen To the lion Oh, listen listen listen To the lion... Inside of me Oh, oh, oh

And I shall search my soul I shall search my very soul And I shall search my very soul I shall search my very so-o-oul

For the lion For the lion For the lion For the lion... Inside of me Oh, oh, yeah

And all my tears have flown All my tears like water flown

Right? That's their end. Things literally came tumbling down on them, the lion inside Cersei, the Lannister sigil is the Lion, she's pregnant with their last child. All tears have flown because they gonna die, can't cry no more, right? So, obviously this song is about the end of Jaime and Cersei, except... for the next part of the song.

And we sailed, and we sailed... And we sailed, and we sailed... And we sailed, and we sailed... ... sailed to Caledonia

And we sailed, and we sailed, And we sailed, and we sailed, and we sailed... Away from Denmark Way up to Caledonia Away from Denmark Way up to Caledonia

And we sailed, and we sailed, and we sailed... All around the World And we sailed..., and we sailed..., and we sailed... Looking for a brand new start

(They sailed to a few more places, but you get the point.) So, clearly Jaime and Cersei aren't doing that... unless, they did somehow escape those tumbling rocks and we'll see them in the final episode, then, yeah, this song *is* about them. If not and they do be dead and gone, then, well, yeah, I could see this song being about Ser Brienne of Tarth. Because the first part of the song would totally fit her too... if she, like Cersei, had a Jaime Lannister Lion inside her. Uh huh.

We shall see.

Cold Cold Cold - Cage the Elephants

I'm thinking this one's about Jon and his conflict over his identity, because first off we start early on with this line:

I've been breathing air but there's no sign of life

Jon, technically, isn't alive, being a fire wight and all, so, I'm just saying.

Tell me how hard will I fall if I live a double life

Jon Snow / Aegon Targaryen. Uh huh.

And as the darkness falls it fills up both my eyes My life before me like a flash in the night With my arms open wide

Well it's cold, cold, cold, cold inside Cold, cold, cold, cold inside Cold, cold, cold, cold inside Doctor can you help me cause something don't feel right Something don't feel right, something just ain't right

He found out all of this right before the Long Night.

No One Knows - Queens of the Stone Age

This is absolutely about Arya and the whole the Hound=Death and Gendry=Life theory.

And I realize you’re mine Indeed a fool am I And I realize you’re mine Indeed a fool am I Ahh

Gendry proposed, offered himself to her, asked her to be with him... and she totes is gonna realize that she was a fool because he is hers.

Heaven smiles above me What a gift here below But no one knows A gift that you give to me No one knows

The Hound gave Arya a gift, he made her realize that it's time to LIVE her life, instead of dying everyday just waiting for death. Once upon a time, Arya was No One. Yuppers.

Wolves of Winter - Biffy Clyro

This has got to be Sansa giving some straight talk to Dany.

Justify your reasons, now it is my turn We are the wolves! How's it gonna feel when there's no one to support ya? How's it gonna feel when you're standing there alone?

We have achieved so much more than you possibly thought we could (I love that you're seething) You can achieve anything, just remember no I in team (But there's two in brilliant) We are the wolves of winter We live in a kingdom of blood

Go to War - Nothing More

Dany to Jon episode 04 is what this is feels like this is referencing.

Screaming at the ones we love Like we forgot who we can trust Screaming at the top of our lungs On the grounds where we feel safe Do we feel safe? Do we feel safe?

She's lost so many people and feels like those she has she can't completely trust. She doesn't feel safe.

Hush, my baby, make no sound Maybe we can wait each other out It's a cold war Let's go to war

With every settled score I thought that fighting with meant fighting for But you turn it around But you turn it around (War, war, war!)

She doesn't feel she has anyone completely on her side anymore.

Every feeling in my bones Tells me to lash out and tell you to fuck off You've got my heart and I've got your soul But are we better off alone? With every battle we lose a little more Remember everything that we'd die for You are everything that I'd die for

Dany still loves and wants Jon, but Jon no longer can love her like *that.* And Dany keeps losing more and more with every battle, and she hasn't forgotten what she's fighting and what everyone that she loves has died for.

Little Monster - Royal Blood

I think this one is about Jon taking on Tyrion.

Hey little monster, I got my eye on you Where are you going, where you running to? Hey little monster, you know it's all ok I'm gonna love you, no matter what you say

I think this may be about Jon and Tyrion trying to come to terms with what Dany is doing before they part ways on how to deal with her IF my speculation is correct that Tyrion winds up killing her to protect the realm. And then from that point on, things change between Jon and Tyrion. The next part of the song is more about Jon's feelings for Dany and how Tyrion is going to see the Wolf in Jon Snow.

I got love on my fingers Lust on my tongue You say you got nothing, So come out and get some Heartache to Heartache, I'm your wolf- I'm your man I say run little monster, Before you know who I am

Jon had Daenerys' love and Tyrion didn’t. Tyrion took Dany out to protect the realm and Jon understands that it came from a place from honor and that Tyrion loved Dany, but it doesn't matter, Jon is going to show avenge her.

I could be totes wrong, though. We'll find out tomorrow!

Burn the Fleet - Thrice

This is the first attack on King’s Landing.

Sister - Prince

Uhm, yeah, just read the lyrics. It doesn't perfectly describe their situation, but it's the overall tenor and theme. It's clearly about Jaime’s conflict over Cersei.

Dire Wolf - Grateful Dead

The living the night before the Battle of Winterfell, there's just a pervasive sense of a feeling of dread the night before someone's going to die.

the wolves are running round The winter was so hard and cold froze ten feet neath the ground

Don't murder me I beg of you don't murder me Please don't murder me

Devil’s Spoke - Laura Marling

OK, I could be wrong, but I'm thinking this is about Arya deciding to start a new life, making that conscious choice and be with Gendry.

All of this can be broken All of this can be broken Hold your devil by his spoke and spin him to the ground

Basically, this is saying that the choices you've made can be changed and you can take your hang-up (your devil) and cast it away, pin it down.

But the love of your life lives, but lies no more And where she lay your flowers grow

Arya is the love of Gendry's life, and she's no longer lying to herself, and one can take that second line in two ways. 1) as in his hopes grew, or 2) metaphorically, that when they lie together, she got pregnant.

The arms are fed and the babes that wed The backs that bled keeping her in tow But I am your keeper And I hold your face away from light I am yours till they come

The first two lines read to me like Arya's take on society's role for women that she will not be a part of it, and the last three lines are her saying that as long as they are true to who they are and each other, she is his.

Queen - Perfume Genius 

I can't see this as anything other than Dany as Mad Queen.

Don't you know your queen? Ripped, heaving Flower bloom at my feet Don't you know your queen? Cracked, peeling Riddled with disease Don't you know me?

No family is safe When I sashay

It just gives the overall feel of insanity.

Cruel - St. Vincent

From Dany’s perspective because the North didn’t appreciate her, Westeros wasn’t clamoring for her, she didn’t have their love like she did in Essos.

Bodies, can't you see what everybody wants from you? For you could want that, too They could take or leave you So they took you, and they left you How could they be casually cruel? Cruel, cruel, oh

Crown on the Ground - Sleigh Bells

Cersei losing everything.

You need to know how, To say you'll backtrack, Between the clear bag, Somewhere in your habitat, You have a little thing, You think you're bothering, The class is ending, ending, ending, You never did know, You don't wanna know, There's another show playing in your window, The perm'nent thought of you, Has never bothered you, You're gonna have to, have to, have to,

Set, set that crown on the ground

Mother - The Amazons

Tyrion trying to fix everything he’s fucked up because he still wants to believe.

Friends want to kill me But I give them all my loving anyway If god won't forgive me I'm not the only one to make amends

Bronn's trying to kill him. Tyrion is still trying to make amends, as is Jaime.

Mother, it's not in my hands Try to understand, it's only 'cause I can Fools believe they can erase All that they've done before

Tyrion telling the Mother--as in one of the Seven--that he is still trying to believe he can make up for his past sins and mistakes.

Hot Blood - KALEO

Jon’s conflict and shame over his love for Dany, his aunt.

You turn your back, you’re a broken man You come around and just dying to shake your hand I don’t expect you to understand Just keep telling yourself there’s no shame

This was when he was still trying to convince himself it was OK, but then, of course he pulled away from their kiss.

They don’t know 'bout who we are They don’t know 'bout you and I They ain’t know 'bout the stars of your eyes Oh hot blood love is gonna get ya

Before the secret was out...

You wanna prove you’re the better man You wanna reach for the things that nobody can Oh all you need is to break away, yeah Just keep telling yourself there’s no shame

Jon Snow/Aegon Targaryen is a honorable man just like his real father, Ned Stark, and nothing can change that.

War Pigs/Luke’s Wall - Black Sabbath

The end of Cersei who never cared about any of her subjects.

Politicians hide themselves away They only started the war Why should they go out to fight?

Cersei until nearly the very end up there safe in her tower watching all of the bloodshed and destruction.

They leave that role for the poor, yeah Time will tell on their power minds, Making war just for fun Treating people just like pawns in chess, Wait 'till their judgement day comes, yeah

She could have helped, she knew that by playing her games, thousands and thousands of people could and would die, but she didn't care.

Now in darkness world stops turning, Ashes where the bodies burning No more War Pigs have the power, Hand of God has struck the hour Day of judgement, God is calling On their knees the war pigs crawling, Begging mercies for their sins Satan, laughing, spreads his wings

The end of Cersei, ashes falling, bodies burning. Not Satan, but Drogon.

Dead Skin Mask - Slayer 

Dany the Mad Queen, again.

Graze the skin with my finger tips The brush of dead cold flesh pacifies the means Provocative images delicate features so smooth A pleasant fragrance in the light of the moon

Dance with the dead in my dreams Listen to their hallowed screams The dead have taken my soul Temptation’s lost all control Simple smiles elude psychotic eyes Lose all mind control rationale declines

Dany's dreams with Drogo and her baby. So many screams that she has listened to, and we all know that temptation has taken over, no more control, rationale is gone.

Empty eyes enslave the creations Of placid faces and lifeless pageants In the depths of a mind insane Fantasy and reality are the same

The coin has landed on the side of insanity.

Killer Wolf - Danzig

Arya and her awesome power, as a killer, as a woman (see: one smitten Gendry err Rivers Baratheon).

I’m the wolf I’m the one you want I’m the killer wolf I’m 'onna pound you home I’m the wolf Howlin’ all night I curl up next to you When you’re all alone

How her deadly abilities, her killer ways have become so much a part of who she is.

I’m the wolf Howlin’ all night I’m the king wolf I put the chill in your bones I’m the wolf Hunting you down I ain’t no back door wolf I don’t scratch at no doors

She has no fear, she’s in control, and numb to the world in generally for the most part.

Just one kiss, yes From my lips Rake your soul Over burning coals Just one touch, yes From my love Make you howl 'Til the sun comes up I’m the wolf

And how with a few well-placed comments, eyebrow lifts, sultry looks and deadly knife throws gets Gendry all hot and bothered like that. Boy's just gone for her. In the immortal words of Joe Dempsie, he's spruuuung!

The Time Is Now - Atreyu

I just can't see this being about anything other than Arya after episode 05 being ready to start a new life--one that is not about death. And since I firmly believe that the Hound=Death, and Gendry=life, and both are crazy entangled up with Arya this season, that therefore means the new life she starts will be with Gendry.

I've been dreaming 'bout, hope for better days Time for dreaming's done, time to face the sun

(Flying high above the world) It's a new life, it's a new mind And I will never fall

Arya rode away on that white horse, flying high and you know she will not fall. It's just too hopeful and happy to be about Daenerys.

(The time is now) I can't contain myself, I never felt so alive (The time is now) I'm past the breaking point, I set my soul on fire

"I never felt so alive..." For the first time, Arya has given herself permission to live.

(Hey-ay, hey-ay, hey-ay, yeah) The time is now!

Yup, the time is now.

Be My Fire - The Blue Stones

Dany wanting so much for Jon to still love her as his love, wanting him to trust her, to be true to her, to be with her forever.

Baby, be my fire Baby, be my flame Baby, be the softly burning embers

You need a man in whom You can depend Well I'd be the gasoline To keep you alive And I'd be the cold So unbreakable We'd burn together Straight through the night That's alright Baby, be my fire

Yes, it says "man," but eh, the point still gets across. I think this is about them. I think.

Rise Above - Black Flag

I think this is about Sansa and representing the North wanting their independence back.

we are tired of your abuse try to stop us but its no use

societys arm's out of control rise above we're gonna rise above think there smart cant think for themselves rise above we're gonna rise above laugh at us behind our backs rise above we're gonna rise above i find satisfaction in what they lack rise above we're gonna rise above

Alternative Ulster - Stiff Little Fingers

I had no clue what this song was about… I had to go to Song Meanings since I’m not from Ireland and don’t know much about the politics, the Punk Rock scen or the political dynamics going on there. The bottom line is that this song is about seeing beyond the divisions. Therefore, this song… is Jon’s point of view. We all are in this together: The Living against the Undead.

This Sentence Will Ruin/Save Your Life - Young Ruffians

This whole song is about someone trying to figure things out. It’s about someone who frankly knows nothing… so, uhm, yeah, Jon Snow, and his identity crisis and trying to figure out what the fuck to do.

I need to know who I am and what I'm going to do while I'm on earth I need to understand everything and everybody's lives

The Sick Bed of Cuchulainn - The Pogues

This one’s about Tyrion… the song is very Celtic with lots of history about the people. Basically, it's about the urge to self-destruct and about a man's life-long descent into alcoholism. SO, yeah, Tyrion.

Winterlong - Neil Young

Well, this certainly seems to apply to Gendry after Arya turned down his proposal. Very promising though is the fact that nothing in the song is definite. It was all “if…” “you seem to be…”

I waited for you, Winterlong You seem to be where I belong. It's all illusion anyway.

“You seem...” that leaves it to open, the possibility of her coming back is not closed off. The "illusion" could refer to the title and castle.

If things should ever turn out wrong And all the love we have is gone, It won't be easy on that day.

"If" and "it won't be easy on that day" makes it clear he hasn't given up, he's still waiting for his girl to come to him.

Furr - Blitzen Trapper

OK, guys, this is it. I know I keep saying it, but yeah, Arya and Gendry? Are absolutely endgame. This song sounds absolutely like Arya deciding to give up her Stark-ways, being the killer with a list, etc. and joining Gendry. I mean, for reals! I'm just putting all the lyrics here bolding key phrases.

Yeah, when I was only 17, I could hear the angels whispering So I droned into the words and Wondered aimlessly about till I heard my mother shouting through the fog It turned out to be the howling of a dog Or a wolf to be exact. The sound sent shivers down my back But I was drawn into the pack. And before long, they allowed me To join in and sing their song. So from the cliffs and highest hill, yeah We would gladly get our fill, Howling endlessly and shrilly at the dawn. And I lost the taste for judging right from wrong. For my flesh had turned to fur, yeah And my thoughts, they surely were turned to Instinct and obedience to God.

[Chorus] You can wear your fur Like the river on fire. But you better be sure If you’re makin' God a liar. I'm a rattlesnake, babe, I'm like fuel on fire. So if you're gonna' get made, Don't be afraid of what you've learned.

On the day that I turned 23, I was curled up underneath a dogwood tree. When suddenly a girl With skin the color of a pearl, Wandered aimlessly, But she didn't seem to see. She was listenin' for the angels just like me. So I stood and looked about. I brushed the leaves off of my snout. And then I heard my mother shouting through the trees. You should have seen that girl go shaky at the knees. So I took her by the arm We settled down upon a farm. And raised our children up as Gently as you pleased.

And now my fur has turned to skin. And I've been quickly ushered in To a world that I confess I do not know. But I still dream of running careless through the snow. An' through the howlin' winds that blow, Across the ancient distant flow, It fill our bodies up like water till we know.

[Chorus]

OK, now aside from the very, very obviousness of the fact that if you switch the genders--which, when a song THIS PERFECTLY ENCAPSULATES Arya and Gendry's story with references to wolves and packs and settling in a farm (forest lass), etc. one can not worry about the gender not matching perfectly--there's another very key thing one has to bear in mind. 

The song is called "Furr." That title clearly references the narrator (who in this case would be Arya) being a wolf. The group name is Blitzen Trapper. Blitzen is, of course, famously known as one of the reindeer who pulled Santa's sleigh. While science has now proven that all of Santa's reindeer were likely female as male reindeer shed their antlers in December, it is highly unlikely that when the tale was first told that such was known therefore we're going with the original conception that Blitzen is indeed male. And since Blitzen is known as a male reindeer, well, another name for a male deer is a... stag. So, not only does the song itself alone scream an Arya and Gendrya endgame (it really, really, REALLY does).

The group name + the song title + the meaning of the song = The Stag caught the Wolf with his love.  

At this point, let me remind ya'll that Benioff and Weiss said about this playlist, "The answer to the ending is one hundred percent hidden in the playlist choices. No one will believe us, but it’s true." Uh huh. I believe you!

Power - AJ Ghent 

There are no lyrics for this one, so I just listened to it and really, I think it might be the beginning of the season when Dany was feeling confident about taking on the Army of the Dead and Cersei. OR it could be Cersei feeling confident about taking on Dany with her greater numbers. It’s easier to analyze it when you can look at the lyrics. :shrugs:

Toxicity - System of a Down

This song is really about nature being corrupted and capitalism taking over the world, so all I can really take from it is in relation to the endgame that it's Sansa and her opinion of Dany and how she thinks that she is a conqueror set on taking over Westeros by any means necessary.

Born For Greatness - Papa Roach

Oh, my heart. I think this is about Varys, whom I’ve always loved. He's my sixth fave character in the whole series.

I am a man at war And I am fighting for All of the broken people All of the people thrown overboard They always tried to shame us But they don't speak our language No, we're not nameless, we're not faceless We were born for greatness

Yup, and he fought all the way to the end.

Gold Lion - Yeah Yeah Yeahs 

I could be totally wrong, but all I can think here is Cersei’s downfall and her and Jaime’s death although he tried to rescue her.

Gold lion's gonna tell me where the light is, Gold lion's gonna tell me where the light is, Take our hands out of control, Take our hands out of control

Now, tell me what you saw, Tell me what you saw, There was a crowd of seeds, Inside, outside, I must have done a dozen each

It was the height I threw, the weight, The shell was crushing you, I've been around a few

Here’s Your Future - The Thermals

There’s gonna be a lot of death and destruction and people are going to pay for their sins, and someone is going to be sacrificed for sins that they did not commit, maybe not in death, but that person won’t be happy. And I think that person will be Jon.

God reached his hand down from the sky He flooded the land and he set it afire He said fear me again and know I'm your father And remember that no one can breathe underwater

The deaths Dany caused, Theon's death, all the Ironborn deaths, including Euron's mens' deaths.

God told his son it's time to come home I promise you won't have to die all alone I need you to pay for the sins I create Son said I will but dad I'm afraid

Jon's no Jesus, but he's the closest thing to a sacrificial lamb this show has. He's already died once and risen for the sins of others.

Love is Blindness - U2

Dany and Jon. Period.

Love is blindness I don't want to see Won't you wrap the night Around me Oh my heart Love is blindness

They don't want to know what they know about Jon's parentage. It's as simple as that. It changed everything for them.

And that’s all she wrote. Agree, disagree... thoughts? I’d really like to know what other people think.