#i dont know that this post is as well worded as it could be but i tried

[bequiteanddriveeeeeee]

Hi tumblr. My esteemed knowledge and experiences has led to, this and I am far from pleased.

Since this was requested on this blog, and most o you dont follow my main I’m posting it here, I feel like I am confessing something to you.

It is rather short. And, of course NSFW. So, be warned in that, their might be (probobly are) some spelling or formatting errors, this was just a quick one shot and didn’t need me to fix them plus I dont care so,

Here’s my trump x Biden smut shot im going to kill myself now. Goodbye.

 Joe grabbed his flabby orange disgusting petulant face and spat on it. “You think that with your money you could afford to fix that fucking mess? Is there something wrong with you or were you just born that way? No amount of spray tan can fix that fucking mess and you know it” His mouth twisted into a scowl of utter disgust. Like the ex-president was a lame dog who had just drooled on his expensive coat tails.He had backed the man up against his podium, and with the stage lights off he looked rather ghoulish. “And you talk like your hot shit” he barked a laugh “I can see the after effects you use puddle around your face, so can everyone else. I might be old but fuck at lest I’m not a poster child for the obesity epidemic.” 

  Trump slipped “What the fuck has gotten into you? Has your dementia gotten to the point of aggression already? Jesus Christ get the fuck off of me” The president’s grip only tightened around his cheeks and Trump saw a animalistic hunger in the older man’s eyes he hadn’t seen before. It wasn’t the dull greed for power or the flaccid look of what should be hatred  in the absent man's eyes. It was the first time it actually looked like someone was awake behind them. 

  It was a look of terrible lust, the way they darted across his face like he was in a fever state looking at prey. He looked like a young man again, and with that fucking grip he felt like on too, Trump really didn’t think he had it in him.  

  “I think that fucking kid that helped me on dosed it wrong, I should have peaked at the fucking debate I would have distroyed your ass, but that can still happen” Trump looked at him with a look of disgusted apprehension. “What the fuck are you talking about?” 

  “I take a cocktail of stimulants, and that idiot didn’t time it right” he said in no less desperate of a tone. “Usually it just pumps me up and all but with nowhere to put that energy well I..” he trailed off and the ex-president snarled a lip at him. “Are you kidding? At your age you still manage to get it up?” The president rolled his eyes “Not without some help, no”

   “You are just so-“ he let out a frustrated sound, part growl part sigh. “Fucking frustrating, your childish name calling, your stupid tight looking ass god I-“ He bit his tounge. “You what?” Trump said the words with a reclusion, he couldn’t have heard him right, right? 

“I just want-“ Trump inturupted “Oh just like always you can’t get a sentence out sleepy J-“ 

“I just want to fuck you!” He yelled, probably a bit too loud but he wasn’t really in a state to care. The other man’s orange face slowly replacing its hue for a more reddish one. “You want to fuck me-now-here? How l-“ Biden grabbed both his arms dogging his fingers into his fat flesh, leaving dimples in his suit “Yes” he hissed. 

  The tension from the debate hadn’t had its come down yet and Trump found himself leaning against the podium for more support than he’d like to admit, huffing a bit to himself. He found a pool of warmth trickle its way down his body and settle around in his groin, a deep restless pulling feeling getting more and more apparent.

A small moan wormed its way through his lips, “Please-fuck, my wife she, she dosen’t touch me like she used to, its been so long since” he stopped. Biden grinned “Why don’t we show her how to fuck you? Huh? Were always asked to ‘reach across the aisle’ right?” He took a grip off of Trump. Biden dug around in his suit pocket for a moment and produced a cell phone. “Why don’t we show them?” 

                                -

Pushing him up against the podium further and kicking his legs apart at the ankles with his boot, pinning the two of his arms against his back and roughly snaking his belt out of its loops. Crudely unzipping his pants and putting the free hand up his shirt. Groping his man boobs, tearing his nails down the rest of his sternum and he exited his clothing. 

 He unzipped his own pants just enough to pull out his own hard phallus, pressing the tip against the top of the younger man’s ass, giving it a few ruts back and forth and marveling at the depth it would reach inside him. 

  He pulled his tie off, making him gag with the way he disrobed him. Using it as makeshift cuffs, binding his hands behind his back. Trump’s wrists burned at the pressure and he struggled some in it, which only egged the other on. Biden yanked his head back with a snap, small tears forming in their ducts. Forcing him to face his pathetic reflection in the phone’s screen which sat on its perfect vantage point on the podium. He was nowhere near the man he was, the one he claimed to be. 

“Now smile for the American people whore” 

[sexy-monster-fucker]

Unwinding

Dr. Lawrence Gordon x Apprentice!Reader NSFW

Prompt: Lawrence wants to keep reader safe after tagging along on one of their missions. Giving her a hotel card for them to meet up after everything is done.

CW: nipple play, p in v, creampie,

a/n: I CRAVE more Lawrence in the new Saw movie, I need him back. I need MORE apprentice Larry!!! PLEASE TWISTED PICTURES HEAR MY PLEES!!!!!!!!! anywho- I dont hype him up often on here, but when I originally watched the movies as a preteen I loved Larry so much he was one of my favorite characters but it made me mad he cheated on his wife. now I'm a chainshipper, weird how we change

~~~

Long day. What an understatement.

You had been instructed by John to scout out another victim he had hand picked. Tagging along with Amanda to discreetly kidnap them from their job. Lawrence had warned you about the security of the building. Offering to be the one driving the two of you to the site. Amanda wanted no part of Lawrence's involvement, but you did not mind it.

Lawrence had been a pivotal part of your adaptation and healing post game. Mending the injuries you had taken during your game. Calming you down from the persistent panic attack over taking your nerves as your hands were covered in blood. Body having some deep gashes and hair stained dark with blood that you were not even sure was yours. Gloved hands flattening along your hair as he gently cleaned you up. Washing off your revealed body to make sure he could tend to all your wounds. Something rather intimate for someone you did not even know.

You had no idea surviving something so horrific would lead you into a new line of work. Being scouted in by the Jigsaw killer you heard about on the news. Finding some form of stability in your previously hectic life. Butting heads with some of your new colleagues, but never Lawrence. He had a soft spot for you. Taking care of you in anyway he could. Always agreeing with your ideas. Sending Mark and Amanda off to some of the more dangerous situations as to not put you in danger.

"I'm going with you, that's final," Lawrence put his foot down to Amanda. The three of you dressed in your black robes. Mark stood off in the distance tinkering with some gadget for a game that would occur later this week. Audibly rolling his eyes at the fight going on amongst you. John sat in the corner of the room taking in breath from his oxygen tank. Silently watching the two of them argue.

"What are you even going to be able to help with? Not like you can provide any muscle, cripple," Amanda hissed at him. Angry at him questioning her competence.

"Amanda, that'e enough," John finally intervened. His weak voice still powerful in pulling all your attention to him. Amanda's face contorted in confusion and frustration, "But-"

"I'm instructing the three of you to go together. You and Y/N can handle getting them, then Dr. Gordon can set the trap up," John coughed with his words. His statement being final say in what was going to happen. Lawrence had to fight the grin begging to creep upon his face. Amanda was speechless, storming off. Lawrence gave you a secret look with a smile. You blushed at his blue eyes.

You and Lawrence followed a distance behind Amanda towards the car. Silent in the long hallways other than the click of Dr. Gordon’s cane against the floor. You had a grueling night ahead of you. Amanda slammed the double doors open, Larry put his cane in front of you to stop you. Allowing the doors to shut before he spoke.

“I want you to be safe. You can handle getting them, I have no doubt about that. But I want you to go here while you wait for the trap to be set up,” he slipped you a room card for a nearby hotel, “You know just as well as I do, Amanda won’t let me do this alone. It’s dangerous for three of us to try and leave the location. I’ll meet you there when everything is done so we can get you out of there.”

You shyly nodded, stowing the card away in your tight back pocket. Blushing at the thought of sharing a hotel room with the doctor. Knowing you would not be staying there long. Fantasizes filled your mind.

…

The night has went accordingly. Capturing the person you were sent for, making sure to fill them with enough narcotic that they would not fight back. Departing from Amanda and Lawrence hesitantly after you got them shoved in the trunk.

You paced around the room of the dingy hotel. Somewhere you could stay without a trace. Leaving your robes and mask behind in the car. You worried for the two of them. They were not exactly the best team together. No where near as bad as Amanda and Mark, but still a lack of respect between them.

The knock he had told you would signal it was him made you jump out of your skin. Walking over and looking through the peephole, seeing Lawrence with disheveled hair from the mask he wore behind removed.

You unlocked the deadbolt. Allowing him to open the door on his own. His defeated figure painted the doorway. Limping inside the room. No words being spoken between you. He was clearly distressed. His cane clanked louder than before.

Larry sighed harshly as he sat on the edge of the bed. Laying back onto the old mattress. Cane propped against the edge of the mattress. Black cloak draping off his sides revealing his shirt underneath. Noticing how it was ever so slightly untucked. Your eyes fixated on the bit of bare tummy showing. Swirling around in your stomach with your infatuation for him.

"Did you get it all set up?" You broke the stiff silence in the room.

The doctor sighed again. Head tilting to look at you, "Not without Amanda telling me a million different ways to do it."

You smiled softly at him. Amanda believed she was John's favorite, often making her cocky. You knew better than anyone that Lawrence was John's true favorite. He was the one who made most of the traps and games possible. Having connections and abilities that far surpassed all of yours. You admired how he overcame so much.

"This was one of the most stressful weeks I've had since... well, you know," he gestured towards his amputated leg. A defeated chuckled escaped his lungs. Body sore and tired. Amanda forcing him to do most of the heavy lifting out of spite for him taking over the mission.

Your mind wandered. Eyes dancing down from his exposed skin to his groin. Imaging what he was hiding under his slacks. Thinking of taking a chance with him.

You walked over, standing directly in front of his flattened body. Watching his chest rise and fall with the breaths filling his lungs. Crawling onto his lap and straddling his hips. Lawrence's hands instinctively ran up your thighs, resting on your hips. Deep blue eyes meeting your lust blown ones.

"What is it, Y/N?"

Your hands ghosted up his body, resting against his shoulders. "I can help you relieve some stress, Doctor," you batted your lashes at him.

Lawrence's jaw tensed as he chuckled softly to himself. "And how exactly are you gonna do that, darling?"

He was agging you on. Clearly enjoying the closeness of your bodies. Your fingers traveled to his buttons, undoing them slowly down his chest. Once complete, your hands grazed up his torso kneading his soft flesh. Lips falling against his clavicle, kissing along his neck. Deep moans formed inside him. One of his hands tangled in your hair, forcing you to look up at him. Forcing your lips against his. Feverish kisses were exchanged between you. Lawrence’s tongue darting between your lips as he lapped into your mouth.

You began grinding your hips down on his groin. Feeling his semi-hard cock against your core. His sounds of enjoyment vibrated your lips. You ran your nails down his exposed torso. His hands tugged at your shirt, urging you to pull it over your head. You undressed your upper half for him. Throwing your shirt somewhere in the floor behind you. Hands reaching around to awkwardly undo the clasp of your bra. Exposing your bare breasts to him. His eyes fixated on your chest. Leaning forward and taking one of your nipples between his lips. Tongue flicking and sucking at the tender bulb. Pulling quick and squeaky moans from you. Jaw hanging open as you locked eyes with him. His mouth shifting over to the other to give them the same attention.

You sat straight up, scooting so that you could reach his belt and zipper. Staring at how his erection pressed firmly against the seem. Begging to be freed from its confides. Your nails clanged against the metal belt buckle. Slowly and sensually pulling down his zipper. Lawrence had himself propped up on his elbows making sure he could watch as you crawled back down into the floor, pulling his trousers down his legs with you. Tent pitched up in his boxer-briefs. The tip of his cock leaking precum darkening the soft fabric.

You removed your own bottoms, fully taking off your pants and underwear. Soaked core tingling against the cold air of the room. You rested your hands on his thighs, towering over him on the bed. Hand wrapping around his member through his underwear. Lawrence’s face contorted in pleasure as your hand wrapped and twisted around his shaft. “Yes— God— yes,” he chanted to you. You took your lip between your teeth, adoring all the grunts and moans coming from the man below you.

Deciding to mount him once more. Bare pussy resting against his thighs framing his cock. Deep blue eyes met yours as his jaw hung open.

“Can I fuck you, Doctor Gordon?”

“Fuck— please,” his soft eyes pleaded with you. Fingertips pulling the elastic down his legs, cock springing free. Bouncing slightly as is curved towards his stomach. Thick and swollen. Aching for some attention from you. You pumped it in your hand for a moment, thumb swirling around the leaking head. Moving to be grinding him between your slick folds. Moaning each time the head rubbed against your clit. Thick fingers dug into your hips as he moved along with your body. Chest harshly rising and falling with each hard breath he took in.

Your fingers wrapped around his base, lining him up with your entrance. Sinking down onto his girth. Stretching your walls and needing to adjust to his size. You squinted your eyes shut at the feeling of him, silently morphing your mouth into an O. Slowly hopping up and down to get yourself adjusted, finally feeling him slide all the way inside. Your hands gripped at his chest to balance.

“You’re so tight, dear,” Lawrence praised as his head fell back onto the mattress. Finding a rhythm that fit you. Lewd and sloppy sounds filled the room. Lost in the feeling of his thick cock filling you to the hilt. Tits bouncing around your chest as your smacked together.

Lawrence’s finger outlined your hips, sliding down to your sensitive nub. Circling it gentle but firm. Causing you to arch your back and call out to him. Panting his name as you grinded down quicker against him. “‘M gonna make you cum around my cock,” he panted. Your nails dug into the soft flesh of his torso, grazing down to his plush stomach. Soft hair dancing along the pads of your fingers.

One of his hands curved under your thigh, urging you to go higher. Lawrence’s eyes fixated on where the two of you met. How his cock was covered in your juices and how you looked taking him inside you. Helping you bounce up and down on him, fingers never ceasing their pace on your clit. A sexual coil wound up. Feeling your legs begin shaking when he would hit that perfect spot. The head of his cock pressing against that spongy place that had you seeing stars.

“You have the perfect cock, Doctor,” you whined. Throat tightening as you continued closer to your finish line. Lawrence smiled below you, tongue coming out to glaze his teeth.

“I could fuck you forever. Keep you all to myself. Make sure no one ever hurts you again,” Lawrence’s fingers danced along the scars on your stomach from your trap. Swearing with gritted teeth at the memory. Hands praised your figure. Promising to keep you close to him.

“I’m so close,” you huffed.

“I know, dear. I can feel you,” Lawrence smiled up at you. Eyes immediately falling back down to where he penetrated you. You were a few more swirls of fingers away from your end. Chest tingling with arousal.

“Can I cum inside you?” Lawrence asked, locking sincere blue eyes with yours. You nodded silently unable to form words. Lawrence began snapping his hips up into yours. Ruthlessly fucking you to your orgasm. Heat washed down your skin as you screamed a moan. Rutting your hips forward against his ever moving fingers. Cock nestled as deeply as possible, feeling your walls constrict around him. Loving the warmth of your climax coating his cock. Shortly starting fucking up into you again.

Your body spasmed as he thrusted into your sensitive core. Lawrence sputtered as he held you flush against his groin. Cock twitching and shooting sticky hot white all over your insides. Your pussy still in aftershock, practically milking every drop out of him. “You take it so well,” Lawrence mewled. Stretching his neck back as his fingers dug into your skin, begging to break it.

Both of you panting heavily. Savoring the afterglow. Large hands petted your skin. You rest forward keeping his softening length inside you. Your fronts completely pressed together. Lawrence kissed your head tenderly. Adoring the way you perfectly melted to his fronts. Both your bodies covered in sweat.

“You’ve definitely relieved some stress for me, love,” Lawrence joked. You smiled leaning up to kiss his lips.

“I owe you my life, Lawrence. I’d do anything to make you happy,” you softly spoke against his body.

~~~

[END]

// Thank you so much for reading!! I love Larry and look forward to writing more for him. If you have any requests, please shoot them my way! //

{tags}

@iwmflbb ~ @toastnpretzels ~

[themostlesbianever]

ITS THAT TIME AGAIN ALL MY 9-1-1 THOUGHTS IN ONE POST

(i forgot to do this until the tommy started talking about how his ex ran off with someone half her age)

- okay but we knew maddie would want another kid

- i predicted it

- NO WAY TOMMY DO NOT SAY IT

- TOMMY IS NOT ABBYS EX

- NO

- FUCKING

- WAY

- OH MY LORD THEY ACTUALLY DID IT

- bless you

- bless you

- damn

- OH MY LORD THERE GOES HIS INTESTINES

- hihi spilled his guts

- ahw ur shirt is ruined☹️

- hen screentime crumbs😋

- i will eat up every single hen screentime crumb i can get

- (every screentime crumb where she is at peace/happy)

- that is crazy maddie

- HOW MANY MEN SHE TURNED GAY😭😭😭

- hihi josh fishing for tea

- i love josh the gossip magnet

- oh now buck is doubting tommy

- lets not

- oh buck baby

- so i think tommy had a gf just to have one, like because of his surroundings and shit, but its good he broke it off before marriage, he definitely should have before an engagement tho

- also i just KNOW people are gonna throw shit at tommy for this and im not excited

- the dreaded c word care

- "i CARE about good sole support"- hen (i think that was the line)

- JOSH I LOVE YOU

- oh josh babe you are so right

- YES JOSH

- SINGLE HANDEDLY ENDING TOMMY HATRED

- well people are still gonna hate but like, hes so right

- tommy had it so much harder and did things to protect himself he definitely isn't proud of and now it looks bad because a lot of people dont have to do tjose things to protect themselves anymore

- "do you want me to read you a story" oh maddie i love you

- not 9-1-1 but someone is setting off HELLA fireworks and its not even fully dark yet

- i HATE fireworks, yeah theyre pretty but theyre torture for ao many wild animals AND me

- back to 9-1-1

- did it almost kill maddie??

- oh wait yes, not the pregnancy and birth but after

- oops sorry maddie

- hard times for madney😔

- STOP CHIM NO MAKING ME CRY

- uh oh maddie is worrying

- RIPPED TANK TOP EDDIE

- YOURE SO GAY EDDIE

- OMG HOT PASTOR

- FUCK BUDDIE I NEED EDDIE x HOT PASTOR

- "no offence im straight" BOY!!?!????

- no you aint

- yes father but he could be your daddy

- IM SO SORRY I CANT SAY THAT

- oh god therapy time

- yea eddie you dont feel worthy of juice

- very handsome moustache

- OH MY GOD IS EDDIES MOUSTACHE GONNA BURN OFFF??

- PLEASE PUT IT ON FIRE JUST ENOUGH SO IT CANT BE SAVED

- "do" something that makes you feel joy, how about DO a man and make some realisations about yourself babes

- WORM

- would you still love me if i was a worm

- dont be a baby man he is a baby

- jack😔

- "a billion tons" STOP THATS ADORABLE

- eddie you are NOT going down a pipe again

- YES LITTLE MAN

- whats with this season and little hero boys

- they actually put a kid down the pipe omg

- please actually save this kid my lord this is stressful

- GET HIM

- YOU CAN DO IT MILES

- WORM

- WE ARE WORMS

- BE A WORM

- HELL YEAH

- chim is 100% telling maddie he wants another kid now

- hen you are adorable oh my lord

- tommy ur so adorable

- uh oh

- UH OH

- this has got to be the hurdle

- HES THE HIMBO

- that is SO crazy

- look at them being all open and having a cute little talk

- UNTIL NOW

- IS THIS AN I LOVE YOU MOMENT??????

- ahw tommy

- WOAH

- HELLO MOVE IN YES

- MORE GAY

- oh youre doing to much buck

- so sweet

- OH

- TOMMY STOP WHAT

- it is new

- tommy youre very right actually you are his first

- tommy is actually so right because buck is moving too fast

- buck isnt ready himself like he figured out he was bi like a week ago (not literally)

- WHAT NO YOU DIDNT

- god damn it the bucktommy haters got what they wanted

- fuck off so many buddie fans are gonna be so miserable and annoying

- OH HE CALLED HIM BUCK

- i hope we get to see more tommy

- like he comes back sometimes for a rescue or for advice for chimney or something

- WOAH CHIM NO TALKING ABOUT DEATH OVER HERE

- maddies eyebrows are so expressive i love it

- OMG WE KNEW THIS

- PERGANT

- BOMB

- ahw cuties

- OMG MIRROR SCENE

- they gave us literally like everything weve been talking about

- oh eddie what are you doing

- PLEASE MAKE CHRIS COME HOME AND WALK IN ON THIS

- wait no that would mean more trauma

- this man is CRAZY

- someone has a GOT to walk in on this no?

- oh maybe buck being all sad like "my hot boyfriend broke up with me☹️"

- i really hope IF they make buddie happen they dont do it yet, maybe next season because its too soon for both of them to be dating

- no walking in but there is someone there

- eddie put on some pants man

- it is sad buck

- ☹️

- i am not excited for all those insufferable buddie fans/ bucktommy haters to come and hate on tommy for every single line he said

[wyngigi]

ꕀ LUST FOR LIFE ꕀ 04

↳ sex money feelings die remastered .ᐟ cross posted on ao3

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“ they say only the good die young, that just ain't right 'cause we're having too much fun, too much fun tonight ”

↳ synopsis: a group of individuals find that their first taste of freedom in the world brings more obstacles than expected. some of them, find solace by drowning in liquor or in the backseat of somebody else’s car. a lot of them have got to get their shit together. a lot of them won't.

mdni » story contains nsfw content intended for 18+ audiences pairings » member specific, not listed for spoiler purposes ↳󠁪󠁪 ateez x female reader, ateez x ateez ↳ genre » coming of age ↳ word count » 2.3k ↳ general warnings » substance abuse & consumption, sexual content, morally grey characters, unreliable narrators, internalised homophobia, angst, basically every struggle young adolescence can go through ↳ a/n┆i hope u guys love this chapter as much as i do !! a little blast from the past always has me excited <3 p.s let me know which pairings ur rooting for after reading hehe (and yes next chapter we will be back at the party dont worry the drama has just begun)

04⌇memories of summer bring you

As San weaves his way through the crowd, past the drunken bodies of guys and girls alike, he finds himself reminiscing in just how much he had changed the past few years. Was it okay to live a life like he was right now? He’s not too sure. San first thinks of high school, then his thoughts float to you.

San watches the clock tick above his teacher’s desk, mind wandering as he scribbles on his worksheet with a ballpoint pen. He’s trapped in a god-awful environmental science class (which mind you would’ve been a free period instead), courtesy of not taking enough science courses earlier on to hit the credit minimum. It’s torturous, making him study about the world in a stuffy classroom when he could be out there learning by simply living in it.

San might just be a little salty, but the lesson isn’t actually that interesting either, so his mind has been elsewhere the last half hour. He’ll listen when it actually gets important, maybe. First he was daydreaming about buying a motorcycle and speeding off into the sunset, away from this boring sad old town to go live some larger-than-life bullshit.

Then he thought it’d be too lonely to do by himself, so he brainstormed an alternative. If he were ever able to do it, he’d probably try convincing someone to come with him. He hasn’t even finished his senior year, yet his ideas still don’t seem all that crazy to him. It might be farfetched to others, but San disagrees. If you aren’t dreaming big, could it even be considered a dream at all?

Then he starts wondering if his thoughts are too reckless most, if not all of the time, if attempting to move through life hastily would be too irresponsible and could scare the people around him. But he really doesn’t want to miss out on living, San wants to go see and do the things you have to go out of your way to experience. Something you make the journey for to begin with, not just a simple detour.

The type of stuff you have to just hold your breath for and jump into with no regret before it’s too late, the tide retreating, water becoming far too shallow. (He truly wasn’t lying earlier when he said he loves to be on the move, or that the thrill of exploring had always been dangerously enticing to him.) Those mantras, principles, whatever you wish to call them replay in his mind daily. They always have.

San knows the world won’t slow down and wait for him too. He sees it outside the classroom window right now, how the cars still pass down the street as the birds fly high into the sky even if he’s confined to his seat. San is well aware that it’s him who has to be the one to take the leap of faith and choose to start living. The problem is that sometimes he just can’t.

When San would think about the daredevils, adrenaline junkies, risk takers of the world, those who love to live on the edge of things, preparing for their big take off, he’d think of how he would love to be like that someday. Yeah, someday. The difference was he liked staying on the edge too much. Didn’t like the feeling of climbing to the highest point just for the glory if he could end up tipping over, see himself falling down and lose control of everything in the process.

When third period ends San makes his way out of class then down the hall, stopping at his locker so he can drop off the notebook and stationery he no longer needs till after his second lunch break. San knows he has PE next, so he quickly grabs his gym clothes. It’s not that he cares much about being late for it or missing out on any of the “action” though, he only really enjoys it depending on what sport they’re playing.

He likes the sports where his only role is to defend whenever a ball or something comes his way. It’s why he thinks volleyball is torture; trying his best to stay in his position once his team scores but then somebody is already telling him to hurry up and rotate. Those days are just endless cycles of torture. Actually, were. He started to sit in the nurse’s office on those days.

It’s a good thing they’re doing netball today (he doesn’t have any more passes to sit in the med bay now). San has a lot of fun playing it. He’s even claimed the goalkeeper bib before anyone else can so much that whoever he plays with just lets him have it. The people he usually plays with are good enough to the point where the opposing team never even gets to his third of the court.

Goalkeeper suits him for that exact reason, he enjoys getting to win without even having to take a shot with the ball. San liked how it was so much he didn’t think or want to try being a goal attacker or centre. Well, maybe sometimes he did a little. There were a couple instances where he wanted to try a different role for the first time. San had gotten as close as picking up a different position bib even. Thoughts like that were shoved away quickly however, and the bib would end thrown back into the crate. The mere possibility of letting anyone down in case he was terrible outweighed his curiosity (and potential) on multiple occasions.

Failure was a funny thing; it had given him a terrible feeling that would sit in the pit of his stomach or make him so nauseous it was awfully dizzying. The funnier thing was that San had never truly failed at anything in life, simply because he had never tried much to begin with. That was the case, for quite some time in his life as he knew it. He had been growing more than okay with that knowledge as time passed, then one day he wasn’t.

As he turned away from his locker, San spotted you walking the opposite way to your own fourth period class, clearly getting ready to ditch the rest of the day. His heartbeat had sped up and his palms were awfully sweaty but for the first time ever, he shut out every reasoning voice in his head and chose to do something he never had the courage to before.

The two of you were in the same grade, so he had seen you passing by in the hallways always with both earphones in (to drown out everyone else he assumes, you never talked to anyone when you had them in while carrying an almost sorrow expression). Despite how you looked, you would still be humming away to a tune he could never fully quite catch.

He also knew your lunch times were spent eating shitty snacks from the vending machines and that you really liked the strawberry lollipops from the cafeteria (which they only sold every Friday for some fucked up reason, he overheard you complaining about it to your friends in math).

San would also see you after school with all of your cooler, older friends too. You would all huddle around the corner near the bike racks in the parking lot, out of sight from teachers so you could bum cigarettes off of each other. You’d also listen to music while you were there, only with one earphone in though so you could still hear everyone talk. He liked seeing that, you always looked happy and smiley talking to your friends.

The two of you weren’t complete strangers, but nowhere close enough where he could feel safe calling you his friend either. You shared multiple classes with San, greeting him with a small smile when you’d walk by his seat to get to your own (he liked that you’d always say hi to him even when he never did first). The both of you even worked on group projects together, but that wasn’t enough for him. He wanted to know more about you, to take even the smallest peek at the inner workings of your mind. To find out how you always seemed to not care when things went wrong.

He thinks of your reaction when you would fail a test, how you’d simply shrug before shoving the paper into the bottom of your backpack. Immediately after, smiling as you’d turn around to talk to your friends about whatever you all planned to do that weekend. Stuff like that didn’t make much sense to him. Why would you not opt out of hanging out just for one weekend and study harder to do better on the next test like he would?

San supposes that’s what separates the two of you into vastly different worlds, yet he wants nothing more than to just step over that line and join you.

When he had spotted you there, on that humid summer day in early June a feeling had begun to settle into his stomach again. The strange bit was that it didn’t feel humiliating nor demeaning, but there was still something unsettling about it. It felt extremely foreign at first but now, incredibly comforting. Because for once, it didn’t feel like failure.

So, he then decided to call out to you. It was the very first time he had ever greeted you, without you doing it first. Your name exceedingly foreign on his tongue when coming out of his mouth while you weren’t sitting at your desks in a shared class. You had turned around at the noise, both earphones still blasting music into your ears.

Once you had recognised who the voice belonged too, you immediately had taken out both of your earphones with a smile. The tune he had never been able to fully hear, was now playing into the world for him to hear freely. He felt the corners of his mouth beginning to prick upwards at that. Yet with no plan of what words he would say now, San was immediately regretting his choice to speak to you. His fists were balled up in front of him, grip tightening on his clothes ever so slightly as he lowers his eyes down away from you.

The edge he always treads so carefully on was now unstable and he felt it beginning to crack already. You don’t leave him any more time to freak out over it though. When he looks up, he sees you already opening your mouth to say hello in the soft tone you always use, ushering him over.

“Hey, San. You want to come skip with me?”

The cool breeze flowing through the corridor, cooling down his cheeks just had to heat up again when he locked eyes with you, of course they did. Because San had always found everything about you pretty, from the first time he ever saw you. Not a day would there be a doubt in his mind of that. But, in that very moment he found you strikingly beautiful. In a split second, where his brain and his heart finally worked in unison he had responded hurriedly, before he could overthink it and regret it for the rest of his days.

“Yeah, I do. I’ll come along,” As he chucked his gym clothes back into his locker, a switch had been flicked on in his mind. When he turned around and saw you then, one lollipop in your mouth and a second in your hand, held out to him, a realisation had been thrown into his face like a bucket of ice-cold water. San had ultimately discovered that dancing on the edge was fun, yet leaping off it was much better. Even if the water was too shallow down below, San thinks he would be okay with that.

While walking away from the gym and instead down the hall with you by his side, San had spotted your earphones tangled up and peeking out of your backpack. That day, he settled with the fact that maybe it was okay to be a little too reckless, to move a tad too fast. Even if it could scare people, even if it scared him.

If you asked San what made him love that summer far more than the previous ones, he might mention his drunken bike rides with you and your friends, or the nights he spent laying on the beach with you gazing at the stars. Hell, he even liked the part time job he had to take up thanks to the party you helped him throw (which ended in that broken window he had to pay for). Spending a portion of his summer working as a server wasn’t fun in theory but when you’d visit him on his breaks or pick him up after his shifts, San had found it pretty worth it in the end.

He was truly happy in every moment back then; he’s enlightened even now, because all the memories of summer bring you back to him. Despite existing only as a brief moment in his own mind, San is content because whenever he closes his eyes he finds a version of you is there with him. He’s able feel the sun on his bare skin, with your lips pressed against his own again. His favorite bit being when the lingering hint of strawberries followed as you both pulled away.

Yeah, that’s exactly when it was. Three summers ago. When San had first decided it was alright to embrace being him, to be the person he still was today. All thanks to you.

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[anominous-user]

Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton. 

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff    |    Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine    |    Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on. 

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives. 

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair. 

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another? 

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her." 

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first."  • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

[eggtqrt]

can we talk about the apology scene between niko and jenny in ep 6 after niko's psycho date? we start out with jenny being emotionally vulnerable that she's sad about what happened and despite it not being niko's fault, niko immediately takes it personally

and the delivery of this line honestly truly captured the essence of being a teenage girl. Like yeah, it's a knee jerk reaction and probably an immature one but it is so incredibly relatable to immediately jump to that conclusion. And then Jenny instantaneously replies that no she doesn't hate her "But even though there's no way you could've known about Maxine, I also don't forgive you. Just not yet, anyway." Which in my opinion is a great response? Like it clarifies that she holds no ill will towards niko but she's also still coming to terms with the emotions of a traumatic event. But Niko is still not convinced and frankly again has an incredibly relatable response

And Jenny immediately says stop that bullshit because ofc she should. But I just found it so emotionally impactful that this scene validated both Niko and Jenny's emotions but managed to call out that Niko's thought pattern wasn't healthy without demonizing her for it? To have a scene between two female characters that acknowledges the ambivalence between them without villainizing either of them was just incredible

And then at the end something about Jenny saying "So if you love love, wanna help people, then do it." (Even if she says don't try to help me, which is honestly a valid boundary) and Niko's tiny smile afterward WAS SO TOUCHING

[lunarharp]

being attached to that moment qifrey held a baby one time and my ideas for the future :)

[skitskatdacat63]

2023 Abu Dhabi Grand Prix - Fernando Alonso

[ratatatastic]

lmaoooo maffhew wanting the knot immediately and having to wait for sasha to catch up with that is so deeply funny like. this omega is not subtle and you’re not a stupid alpha babe! can only imagine what benny has to say to maffhew about it once he catches on and stops banging his head against a wall

idiots to lovers is always great but especially when its two people who would be hitched with 10 kids by now if they stopped being dumb for a single second like its that easy and yet...

to me they very much fall around the same time (infatuation at first scent if you will) just that sasha takes some time to get there not because he's dumb (okay he's a little dumb) but in the sense that its like "this person is very interested in me, i can see and recognise that but theres so much cognitive dissonance in my brain right now between knowing that intrinsically and finding that hard to believe so i unintentionally play dumb because obviously i'm reading too much into things it cant be me they're interested in haha that'd crazy but they're being awfully touchy and flirty with me wow"

but also it takes two to tango and we have to acknowledge that and this is when i would love to bring up the ways in which this man decides is the best way to go about that because he is a catholic school girlie... there's so much hilarity to be had here especially because his flirting is very uh how you say... a little ass backwards if you will especially considering dynamics

"I make it a point to keep the door closed when we're alone in a room together! That's basically a clear invitation that I'm down to fuck!!! Im basically asking to be ragdolled on his knot!!!"

and Benny just pinches the bridge of his nose like "I don't know how to explain to you in a way you'll understand that not everyone went to Catholic school."

But saying that Sasha does side-eye the door knob heavily when Maffhew goes over to close it the first time and he starts sweating like he just got dragged into a game of 7 Minutes in Heaven he did not sign up for and he's 13 again and oh god he got paired with a really cute girl, and he hasn't even had his first real kiss yet and-

And then absolutely nothing happens because Maffhew is just waiting with a polite expectant smile (because his work here is done, he did the heavy lifting know it's Sasha's turn) and this is when Sasha's dynamic classes training kicks in and he basically scolds himself for even assuming in the first place because this is clearly a show of trust (correct) not an invitation for extra circular activities (incorrect buzzer noise) and it basically becomes "This Omega really trusts me, I'm honoured especially as Pack Leader that I'm able to be so accepted into such a private space with the inherent knowledge that I will not encroach their boundaries whatsoever because consent is verbal, this is not in any way an invitation to take advantage of them this is deep platonic trust I will guard with my life :]"

and if you listen closely you can hear the lovely sounds of Maffhew bashing his head into a wall about how much of a gentleman Sasha is but also COME ONNNNNN... you know... once Maffhew realises what's happening which (looks at my watch) is not due for another few months really

Battle of wills: unstoppable force (maffhews catholic school understanding of dynamic interactions) vs immovable object (overseas alpha cotillion classes)

And if you think it's an Oh! An overseas dynamic thing! It's not. The Euros are watching the horrible car crash in front of them and doing absolutely nothing about it because it's none of their business, but they will stare at it... maybe judge it a bit but definitely are observing from the tall grass.

and I'm also not saying that luosty lundy forsy and bobby have a current running bet of how long it'll take for maffhew to break sasha in but i'm also not not saying that... luosty goaded lundy in the midst of a gossip session ("It has to be 3 months, right?) forsy happened to be around so lundy turned to him for advice ("7 months.") and maybeeee bobby overheard from all the way over from his stall and puts in his two cents for what it's worth ("6. Captain nice but not that nice. Very impatient." "So 3!" "No. Impatience makes him double the time, and wait longer. 6 months.") (lundy finally settles on a good 5 months because he's indecisive)

And Sasha does eventually pick up everything maffhew is throwing down... eventually... and when he does it becomes more so I want to court this omega the way they deserve I will take this slow and romance them sweetly :) *smash cut to maffhew caterwauling like a cat in heat*

but also once again its not like maffhew is helping sasha in any way this is idiot4idiot and benny would like to enjoy the car crash with the euros but unfortunately that's his soulmate, thats his bestie, his littermate from birth who has been weaned on the same teat as they climbed over each other to get to it, the first girl you kissed in your childhood bedroom because somehow you started play fighting on the bed because she was like i could totally pin you down easy and then she does and you always noticed how beautiful she was but shes even more gorgeous when she's pinning your wrists to your hannnah montana duvet you promised yourself youd changed out before she came over but you forget and well she teased you about it and you cant help but giggle about how perfect this all is and it seems that the natural conclusion to this is to taste the strawberry lipgloss of her lips because whats a kiss between besties huh its tacky and sticky and it tastes like summer and just other apt metaphors to put here about the inherent -isms of their relationship that i nearly cant put to words properly other than girls having fun (they are fucking)

and well anyways benny is watching and he has a lot of things to say about how its been proceeding so far

"You should really use your words."

"I am!"

"Right because smelling like a fucking perfume shop in the middle of October is using your words."

"This usually works with most Alphas okay!"

"Sasha isn't most Alphas."

"Tell me about it." Matthew grouses before he peeks over to Sam, looking up from beneath his eyelashes—the exact way he knows both endears him to Sam but also absolutely miffs him all the same, "Worked on you, didn't it?"

"Oh, is that what we're doing right now? We're calling getting a lapful of a preening O in preheat in the middle of a roadie a normal way to go about these things."

"It worked didn't it?" Matthew reiterates.

"It would work better if you use—"

"Okay! Alright!! I get it!!!" He does not.

like benny here is unfortunately an active listening participant in the going ons of the fuckery if not because hes involved by proxy because of maffhew because who else will hold his hair back as he calls him a dumb bitch you know

[camzverse]

vanessa shelly is sooo sp6. u dont even know. its insane

[crescentfool]

i love ryomina

no but seriously. even when i’m thinking about other things that captivate my interest, i find myself coming back to them and feeling like i fell down three whole flights of staircases every time i do. they are one of my favorite pairs in media and are very special to me.

it’s the way that ryoji and minato’s lives are inevitably intertwined with each other due to the circumstances 10 years ago on the moonlight bridge. without no minato, there is no ryoji. minato as he is today is because of ryoji. they have irreparably affected each other’s lives that you cannot discuss one without bringing up the other one.

ryoji mochizuki, who is death, pharos, thanatos, nyx avatar, the man of many names and identities, is the perfect summation of p3′s messages and themes.

minato arisato, the wildcard and protagonist, who has boundless kindness in his actions despite the unfortunate cards handed to him.

the two of them complement each other and tell a beautiful story from start to finish.

minato’s personas capture this perfectly. he awakens to orpheus, who’s flames burns bright, is snuffed out by thanatos during the encounter against the arcana magician. a visual precursor of the idea that ryoji stole from the life that minato could have had.

it’s the way that over the course of the game as minato interacts with pharos, talking throughout the dark hour, forging a bond that cannot be broken, that allows ryoji to exist. minato humanizes death.

november. the bells toll, calling the appriser. and yet, it’s peaceful... quiet, and full of life. ryoji, who breaks free from death’s chains, refusing his role, is given the chance to live for a month. to make the most of the humanity that minato has given him over those ten years. and what a life he lived. ryoji’s life is a reflection of what minato’s life could have been like in another universe.

it is the way the two of them are reflections of each other. ryoji with his hair down is just like minato. they are both stubbornly committed to choosing to be kind, to love life, yet are chained down by the cards the narrative dealt them with. they finish each other’s sentences, knowing each other intimately in a way no one else does.

how is that, a boy who lived for only one month, profoundly changes the course of the narrative? he is simultaneously relevant and irrelevant. blink, and you miss it, the beautiful life that he led.

ryoji is horrified at the revelations of being the appriser. he who so desperately wished to forget that his existence was meant to bring the end to all life, was unable to escape the inevitability of death. in a non-human way, of course. he becomes remorseful. a shadow of his brief time as a human who was enamored by the small beautiful things that life had to offer.

he is swallowed by grief. grief knowing that his very existence will take away not only minato’s life, but everyone else’s. the very thing that ryoji loved- life, fundamentally went against the role he was born for- to be the harbinger of death. and unable to grapple with this sadness he believes that the best thing for minato to do is to kill him, so that SEES can live in bliss not knowing about their inevitable end.

SEES is left rattled, calling into question what the meaning of life is and what they do when faced against the inevitability of death.

and!!! minato chooses!! for ryoji to live!! even in spite of what ryoji is MEANT to embody, minato still stubbornly chooses to defy death itself! and if that’s not cool i don’t know what is!! minato wants everyone to have the chance to live!!

so he climbs. he ascends tartarus, to meet ryoji, again, who is now the nyx avatar. and i just think there’s something so so beautiful about being able to use messiah, minato’s ultimate persona, against nyx avatar.

messiah, being the fusion of orpheus and thanatos is peak ryomina to me. because ryoji and minato have established an unbreakable bond from having been entwined for 10 years, minato still has a piece of death with him, and by proxy!! ryoji is able to defy and rebel against nyx trying to bring the fall! and i think that’s fucking cool shit if you ask me!

even when all of the arcanas have been gone through, it’s still not enough to stop the fall. and yet. minato knows. in the way that ryoji was sealed in minato 10 years ago by aigis... minato becomes the great seal so that everyone can live. it comes full circle.

march rolls around. he fulfills his promise to SEES on graduation day. minato dies from exhaustion. but goddamn does his sacrifice make me weep- he’s had such, such a tiring journey. he’s been through so many things because he was at the wrong place at the wrong time. but at the end of it all, he’s reunited with ryoji in death.

and i think this is why ryomina continues to evoke so much emotions for me, to this day. the relationship that they have embodies so much of persona 3′s messages and themes that it makes me feel like a microwave with nothing running in it.

p3′s message is very hopeful, for me. my favorite takeaway from it is that even if death is inevitable, appreciating the life that we were given and choosing to live as best as we can with kindness (even if we can’t feasibly do everything), is just? really nice? and you see this manifest in both ryoji and minato’s personalities and what they do for the other characters.

ryomina just feels so distinct to me, the flavor that their relationship ties back to my favorite takeaways from this game and im just!!  god!! i love you minato arisato! i love you ryoji mochizuki! im so glad that i could meet them! i’m happy that they changed my life! they made me want to appreciate the connections in life even if they were fleeting! they made me!! want to pay attention to the good moments in life and cherish them!

i love ryomina so much!!! i’m so glad that these two could bring so much joy into my life! and i hope that others can have this joy too! 💛💙

[narwhalandchill]

its been like. nearly a year (How.) already but i cannot lie theres Still a part in the back of my brain occupied with and being thoroughly entertained by the way that childes confirmed 4.0 complete self-awareness over waking up the narwhal at 14 recontextualizes some key liyue things leading to some very funny self indulgent scenarios in my head

like yes chili is old news its basic please excuse me for predictable popular ship crimes (do NOT however associate me w the crimes of fanon against their actual range. theyre peak to Me) but i just keep replaying the imagery of zhongli and childe back on their homoerotic Professional Working Relationship bullshit where their flirting passed the jkjk unless treshold of even remotely plausible deniability like 8 exorbitantly priced business dinners ago and theyre just like. doing that whole song and dance now neither committing to a move except zhonglis presently feeling moderately conflicted (but nonetheless fairly unfazed at) by the prospects of actually developing some sort of a thing for the harbinger hes supposed to puppet master into executing the major story climax of his 67-step retirement plan bc he turned out to be quite the strangely charming ginger specimen (to His weird fucking 6000 year old tastes at least. they deserve each other) with some fascinating life ambitions he cant help but be enraptured by.

but because hes still 100% Locked In on his entire plan zhonglis also just . simultaneously dual wielding his coy-ass "i like you and am taking it slow to Savor this developing relationship (Also bc of the Geo Archon Shaped Elephant In The Room) except am old as shit so my languid sense of time inadvertedly Automatically turns my behavior into an equivalent of the dark souls boss of playing hard2get" act (cue "waddup im ajax 24 and im in fucking agony with this hot funeral consultant". Yes they live like this) AND also meticulously theorycrafting like 12 moves in advance for his 6d chess play of leaving the most subtly crafted trail of breadcrumbs behind for the tsaritsas 11th to follow into the intended & completely "Coincidental" idea of unleashing the one particular sealed sea deity that zhongli Specifically wants momentarily released for his sweet 6k retirement party and graduation test for the nation hes helicopter parented for 3.7k years .

like. this is zhongli we r talking about the guy Absolutely has it planned out down to a fucking art like he has an entire branching path dialogue tree planned and memorized like its a visual novel for every possible way he can conveniently namedrop osial in a non-suspect way and also that he just happens to be sealed right over there across the harbor (what a coincidence!) and also to slip in the intel about the latent power of the sigil of permission etc etc. like zhonglis just out there doing all this massive galaxy brain computational work simultaneously while infodumping on an academic level about whichever subject childes latest random comment of amicable small talk happened to remind him of because in his helicopter parent in remission mind its Absolutely Critical that the idea about releasing osial occurs Completely organically in childes mind it Has to he Cannot risk revealing anything . (hes in remission not in recovery guys.) so like here we are. he requested notes from the tsaritsa Personally on the character of her 11th just to ensure every move was painstakingly crafted to draw him Specifically to the intended conclusion without risking revealing his true identity .

except. the thing . neither he. nor the tsaritsa . would have been informed of . is that this simply isnt childes first fucking rodeo waking up an eldritch city sized sea creature . and he is very well aware of this fact . he woke that beautiful wonderful beloved huge fucking narwhal up by himself had his brain chemistry Immediately and Irrevocably rewired as a direct consequence do you fucking think hes somehow stopped thinking about that singular moment for even a second since then???

yeah . thought so.

so what actually ends up happening in reality is theyll be on another definitely-serious-business-not-just-a-date and zhonglis going to get down to like dialogue selection part 10 of the 86 step conversation tree at Most where hes only beginning to like Vaguely allude to the key pieces of information involved but it turns out Because Hes That Guy (TM) And Has Been There Done That Before childes basic pattern recognition and sense of irony simply proceed to kick in Way ahead of time and hes Immediately perking up like Hey wouldnt it be really fucking funny if i wake up an eldritch sea beast Again . like just in case. as a last ditch effort .

and zhonglis just sitting there seeing the gears turn in his head as they enjoy their cringe fucking picnic (bc they just stare at each other intently like that nowadays its a thing. being in a room with them by this point is essentially a human rights violation) and is just completely fucking flabbergasted and lost on how in the hell childes speedran his way to that conclusion at what amounts to barely a 13% completion rate in his whole overkill fucking plan (just 1 of 3 contingencies btw) and its like yes he has his intended outcome but also precisely 0 idea on how the fuck said outcome was reached the way it was this fast . like hes still winning its His plan thats well underway and ahead of schedule but How

(pov: ur selling the concept of waking up destructive sea creatures to the guy who woke up a celestial body eating cosmic whale at 14)

anyway its truly beautiful i absolutely detest these two and have prime liyue AQ hijinks nostalgia now thank you for the lore drop that allowed this to become canon in my head hoyo

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[tethered-heartstrings]

i'm basically done with writing my will/hannibal smoking ficlets. there are over a dozen different ones based on prompts from an old post of mine ranging from about 500 - 2k words a piece. they aren't inherently connected at all and are meant to be standalone fics, related only by the overarching theme of smoking. i haven't written anything like this before so want opinions/input.

*if i post them as one "fic", each chapter/story will have their own tags listed in the beginning and all the collective tags listed under the "fic". if i do a toc, it'll at list titles and prompts. no toc then prompts will be listed before the fic with the tags for said fic. each fic does have a title if that makes any difference

also not inherently bad to rb but don't bc the poll is really just for me lol

[mueritos]

received approval for my research into trans sex ed, just have to make very minor edits, but a comment from someone on the board was thinking about changing the title since I used the word “transsexual” in it. They said it could continue the same pathologization I seek to counter in my research.

I’m a bit troubled. I chose this word with intention as reclamation of the word has largely been because of how “dirty” it has become from decades of cis people using that term for us. The board member said using “transgender” would be better to not alienate people, but the term “transgender” was made with the intention to be a more respectable term than “transsexual”. Words can be inherently alienating, and even words based out of a need for inclusion can have their own connotations attached to them that reveal even more barriers. 

I chose transsexual for my title because while my research aims to include trans people who have not or chose not to transitioned, I believe the way I’ve seen “transsexual” being reclaimed now is by countering the idea of a linear transition. I believe anyone can call themselves a transsexual, because no single trans persons view of a transition is the same. Some of us are done at social transitions, some of us are not. Further, I know the word is used by older trans people as it is a term they are more comfortable with, but also I wanted to examine through the use of transsexual just how and what we medicalize about our transitions. Are pap smears, birth control, and access to HIV medication not as important to the transitioning journey as HRT and surgery?

Still, I want to examine if this word can truly be alienating, or at the least if we are not at a place where seeing a title like “Transsexual Sex Ed” incites the idea that the guide is only for medically transitioned trans people. I would love to know if non transitioned trans people feel alienated or included with the word “transsexual”, or do you not care? Would you feel alienated with the term being used within a research study, even if the study seeks to aim non transitioned trans people within the project?

These are all questions I’m thinking about since receiving this comment. I chose this word with intention and with the understanding that it carries a large weight, and Im not sure how I feel getting this comment from someone who is not trans. It is understandable, but I still feel troubled overall by the problem it poses. I also know this is ultimately my decision to change the title, and it being intentionally controversial was my intention as well. 

Let me know what yall think if yall have any thoughts!

[mbat]

also tbh if i ever did make a relativity falls au where mabel was the author, i wonder how different the concept would be between bill staying as a man or if i made him a woman instead

i just feel like a small change like that would affect how the whole thing felt by... a lot