#i dont feel bad for it this time??

[truckstoptigers]

my mom, noticing i'm very tired + fell asleep on the couch for an hour & a half, only to come downstairs & lay on my bed w the door open: oh honey go take a nap :(

my hell brain, to me: you are such an asshole. how dare you make her worry about you. as punishment you're not allowed to do that

me to my mom anyway: ...yeah okay

[hinamie]

domain expansion

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[zephyrchama]

(A bit of OM! Mammon comforting MC. TW: Lots of crying? Depressive episode? No specific cause is mentioned, the reader is free to use their own scenario, but anyone who is uncomfortable with scenes of crying and being really upset might not like this one.)

The loud rustling of a plastic bag falling to the floor, its contents shifting noisily as they dropped, drew your attention. Mammon stood there dumbfounded.

He knew you were probably upset that he ate your ramen. He expected some harsh words, maybe a light berating and a slap on the wrist. That’s why he preemptively went and bought replacements. The spicy kind that he liked, some fancy new steak flavor that seemed cool, and a bunch of the tried and true classics. That way you’d have nothing to complain about.

He expected a cold shoulder. Playful teasing. A punishment, like having to eat one bowl with ten ultra spicy flavor packets. He never expected to find you curled up in tears. Eyes red and swollen. Your face looked pale with visible streaks trailing from your eyes and nose. Your expression remained a quivering frown when you weakly looked up, and it didn’t change as you buried it back into your knees.

How long had you been at this? he wondered. Was all this over a cheap pack of noodles?

Deep down somewhere, Mammon knew this wasn’t about the ramen. But he didn’t know what this was about, and it scared him.

You needed a tissue, or a glass of water, or a big hug. Mammon had no idea which to get first. He hadn’t even shrugged off his outdoor jacket yet. It slid down his shoulder as he scampered towards the kitchen for a glass, then stopped. He couldn’t leave you alone like this. His hands rooted around in his pockets which held only receipts and some loose change. No tissues or anything suitable for nose-blowing.

Up close, your shoulders shook. Your back heaved with every fresh sob. It tore his heart to little pieces. Your sleeves and the front of your top were soaking wet, no doubt from attempts to curb the crying. Mammon had a difficult time approaching you, unsure what to do or if he could even take being rejected when you obviously needed him.

Overthinking things was not his strong suit. Mammon didn't like the feeling of being stuck, of not having a plan. He was the kind of man with a goal in mind who always gets results. The goal right now was to see you smile, to eat some ramen and joke around. Most importantly, it was to get your mind off of whatever was currently happening. He wasn't going to change that by standing around like a fool.

"Hey." This wasn't his usual boisterous voice. It was a hushed tone filled with concern. You hardly acknowledged him, you had enough going on inside your head already and anything outside just felt like an afterthought. Mammon lowered himself next to you and fidgeted awkwardly with his jacket zipper. "What can I do?"

You weren't in a state to respond, that much was clear. Your answer was to shudder and hug your legs tight against your face.

Your knees were as soaked as your top. Seeing that was Mammon's last straw. He didn't want to be rough, but he was a man of action. He tried to coil an arm around your shaking shoulders, resolution only growing stronger when it caused you to cry harder.

"Knock that off, c'mere." Tough words never sounded gentler. You had no energy to move, but luckily, Mammon had plenty to spare as he brought you in to lean against his side and draped the edge of his jacket over you. You blindly cried against the first surface you could press your face against - his shirt. It smelled of deodorant.

"Don't forget, you're my responsibility, aight? When stuff like this happens, ya gotta come straight to me."

The silence wasn't as awful with Mammon around. It didn't feel suffocating. It took time, but the heartache began to fade. Your sobs became more infrequent. Mammon patiently waited the entire time, occasionally tugging you closer. Occasionally murmuring things like, "you're gonna have to use me as a tissue. I don't have any." Or, "just say the word, I'm gonna beat that sadness into a pulp. Gonna show it I'm the boss around here."

He may not be most eloquent of speakers, but he's got the right spirit.

Even after calming down, Mammon didn't budge and you remained locked against his side. Perhaps you still didn't have the strength to move yet, but you could manage to whisper out a grateful "thanks." A word that finally eased the pain tugging at Mammon's conscience.

He ruffled your hair and leaned down, placing his head against the top of yours. "I always tell ya, I'm the best. Call for me if this happens, ok?"

[rapidhighway]

sanic ✌ for the au perhaps? idk

[daily-odile]

Happy Mira day!!!! Have a mira sketch I never posted + correctly themed pencil doodles cause I don't have access to my laptop

[mikayesha]

She drew me in by her way with words

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[stevenrogered]

Will the carousel horse be joining us tonight? 

[turtleplushi]

I haven't seen anybody post the full Riddle Chain yet (including Silas Birchtree) so here you go :)

I didn't find any of these codes myself by the way! I'm not sure who to credit for the rest of them, but I did get the Silas Birchtree code from @dismissivedestroyer (sorry for tagging you ^_^" if you don't want to be tagged let me know and i can edit the post). You can also get the answer using the code "STOD EHT TCENNOC"

(SPOILERS BELOW)

RIDDLE (would you like to play a game) > YES (what's Mcgucket's favorite soda?) > MOUNTAIN DONT (what's a medieval homonym?) > LYRE LIAR (the 20th ingredient of Anti-Cipherzing Tonic?) > HAROLDS RAMBLINGS (how is clown repellant made?) > UNION MADE (Bill's govt file number?) > 29121239168518 (who comes from Zimtrez 5?) > GREBLEY HEMBERDRECK (what's on Bill's flag?) > 3466554 (what leaves a thin line in the snow?) > TINSEL SNAKE (the 6th option on Bill's editing software?) > TORTURE MENTALLY (name an unpronouncable wizard) > XGQRTHX (where do Tri Angels come from?) > 333SUNDAPPLELANECOZYCREEKIL6071494611 (Bill Cipher's Lawyer?) > CAESARATBASHVIGNERE [or] MULTI LEVEL MARK (who defeated Silas Birchtree--?) > EMMALINE BUTTERNUBBINS (you've earned a treat! enter 'DISPENSE MY TREAT' to download) > DISPENSE MY TREAT

The 'treat' you get is under the cut

"BILL FILES DO NOT OPEN"

babydonthurtme.png

billcithescienceguy.png

chernobogwithablog.png

cheshire.png

epacsdnim.png

hiya.png

irrational treasure 2 - the trembley supremacy.png

octobillfest.jpg

remember the bermuda triangle.png

scrapdoodle.png

seeyouinmydreams.png

seeyounextsummer.png

snakeyes.png

trustme.png

xwhyz.png

[hinamie]

Another blog noticed that Megumis scars are on the same position as Heian!Sukuna. And it's true! By that logic he should have scars under his armpits and on his belly (second arms and second mouth). You drawing it would be interesting

shoutout 2 megumi for making up fr all of yuuji's scars i no longer get to draw

[rendevok]

40 :3

40~ an impulsive kiss

My handwriting is messy, but i intended it as 3 speech bubbles:

Phoenix says (1)“Come here” while interrupting Edgeworth as he says (2)“W-”, and after he turns away, Phoenix says “They’re gone now”.

Hope you enjoy the not-so-healthy 7yg narumitsus!! Thanks :D

[miiukkaa]

i wanna hear him give absolutely horrible speeches (everyone would go apeshit nonetheless)

[cptnbeefheart]

this old world may never change and sometimes i wonder: do you ever think of me?

[solargeist]

Does scar give xelqua a season pass for scarland? Bc he should, kid xelqua should be able to go whenever he wants!

absolutely, xelqua loves going and its good when grian needs a babysitter, but its also bad bc xelqua doesn't want to Leave