#i don't understand why so many people did not it was literally so cool

[kiwi-sarenka]

repost because im stupid and deleted my entire tumblr <3

this is from silverstone,,

[musical-chick-13]

Regarding the previous post, I think the way I approach trying to evaluate a piece of art is asking "Do I think the positive things I get out of it outweigh the parts of it that I don't like?" And when I call something a "guilty pleasure" song/show/book/piece of media/etc. it's really more in the sense of, "Given who I am as a person, the flaws I've found in this should be complete dealbreakers for me, but somehow they aren't, and it makes me feel like I'm having an identity crisis."

[triglycercule]

who made the mtt. and no i dont mean like who made the CONCEPT of the murder time trio (because i know who that is. touken kamui i thank you for the fangame every day :3) but like,,,, who decided to just randomly pair these 3 together?? like whaaaat.......

part of me wants to believe it was rahafwabas with the whole bad sanses group thingy being made with those 3 in there and then like. the fangame just gave them specifically a seperate group name. but STILL,,,,, where did this trio come from

[girlivealwaysbean]

it would feel so nice to work towards a career that has meaningful impact and makes millions of people happy

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[pjo-tvs-version]

I know that no one asked but I just wanted to add my two cents to the current pjo era we are having right now...

First off, I love Rick and the books he has written but honestly tsast and wottg aren't some of his best works. That's not the problem because yeah not all books can be amazing but the problem is that they are his most recent ones. Cotg was better than these 2 but it too had it's drawbacks. Now I have this thing where if I like something then however bad it it, I try to make myself enjoy it. It's like a coping mechanism- delusion. But with wottg, I actually sat back and thought. Since when did I take a week to finish a pjo book? I am the person who finished Hoo in like less than a week and I took a week to finish wottg which took me aback. The characters were very oc. Grover was perhaps the only character close to his actual well character. I don't usually nitpick but like I had said in a post earlier, continuity and callbacks in a book series are what make them extremely enjoyable and small textual errors are like pricking needles to me.

My main issue was Annabeth and then Percy. Look in know in this fandom there are many Annabeth antis and that's fine, I accept that. But now the worst part is that what they have said about Annabeth is to some extent true in this current Annabeth version we have. Look Leah is great and I love her with all my heart but Rick please don't mingle both of them together. Let show cannon be separate and book cannon to itself. Let Annabeth in wottg be her book character like please. She has friends? Great! The main thing we know about her friends are that they think Percy isn't GOOD ENOUGH for her? Awful! She is the mom friend? Okay(though I personally believe it should be Grover but fine if people are okay with it this is just a personal opinion guys)! BUT that should not make Percy 'alley boy.'

This brings me to the second part. We love Percy and love his humor. Well I recently reread the Battle of the Labyrinth (don't ask why I don't know I just had the sudden urge to read it). He isn't very confident and does underestimate himself often but it wasn't taken this FAR. Every single next line was describing how Percy sucks at everything while Annabeth is here in all her perfect glory and believe it or not this is coming from me, who loves Annabeth. I love Percabeth because it's a balance. They balance off each other soo well. They both comfort each other. They both know that they are smart. They both know that the other person has flaws. But in wottg it's just downright annoying because the dynamic is just "ooh look my gf is soo amazing, totally flawless with no error and here is me who sucks at any and every thing possible." This isn't the Percy we know nor Annabeth nor Percabeth.

LET ANNABETH BE IMPERFECT! AND PLEASE GIVE PERCY THERAPY because he needs it. For the next book Rick please just hire a better editor because I am not going into the MISTAKES in these books. You can hire me if you want because I swear I can do a better job than your editor. Seriously literally any pjo fan would do a better job. Wottg felt like maybe the second draft of the work which required maybe 3 more drafts to be published. It felt like an unchecked fanfiction and believe me that I have seen better fanfictions on AO3. The pjo fandom is an extremely loyal fanbase which is an extremely cool thing. But the problem here is that people like m even though I didn't really enjoy wottg, I would still hope for a better sequel because gaaahhhh optimism. I am actually wary of the sequel to tsast but that's for another post.

Whew! Talking so negatively about something was a new experience for me because I absolutely love pjo and will always keep it close to my heart. Rick please for the sake of advertisement please don't publish uncooked gibberish because it actually breaks my heart too see the hate and for once I understand it. Anyway, wottg wasn't all that bad. To balance out this post, I'll make one on the portions I liked because there were a few moments that were worth reading. Extremely sorry for the scattered thoughts and the rant but thank you and have a great day everyone !

[pluckyredhead]

“I have larger thoughts about how DC has kind of written themselves into a hole with Jason and now he's stuck in this limbo that's unsatisfying to everyone which is why so many Jason fans are mad all the time, but that's for another ask.”

🤓 Do tell…

Okay, let's see if I can do this in less than a thousand words!

So Jason, at his core, represents a challenge to Bruce's ideology, right? Bruce's #1 rule is No Killing, and Jason's basic idea is: "That doesn't work. Some villains are bad enough that they have to be killed for the greater good." (There's something very funny about Jason, famously undead, thinking killing stops ANYONE in the DCU, but we'll leave that aside for now.) This is a really interesting ethical quandary to throw Bruce's way, and by having it voiced by his beloved son, his greatest failure, his second most profound tragedy, it becomes a deeply thorny emotional problem as well as an ethical problem. That's all great.

The problem is, DC can't allow Jason to be right, for two reasons:

Batman must always be right and must always win.

...I mean, come on. They can't actually publish a story advocating for a traumatized 19-year-old with assault weapons to be the arbiter of who lives and who dies, that's nonsense. I love Jason but really.

The problem with that is, Jason is a major recurring character.

UTRH works great in a vacuum. But if Jason is showing up in a comic every month, or even just a few times a year, this central conflict has to be addressed, and the options for doing that are limited:

Bruce and Jason fight and Jason wins. DC will never let this happen. (And what would "Jason wins" even look like, honestly? He's not going to kill Bruce.)

Bruce and Jason fight and Bruce wins. They've done this a bunch (sometimes with Dick in place of Bruce), but Jason fans don't want to see him repeatedly getting his ass kicked while being lectured, and frankly it doesn't make Bruce look great either.

Bruce allows Jason to kill people. This can't happen either; it would be wildly out of character for Bruce, not to mention literally everyone in the Batfamily. They are all canonically pretty opposed to murder.

Jason continues to operate however he wants, but outside of Bruce's reach/jurisdiction. As wretched as RHATO was, I actually think it was a smart decision to keep most of the action outside of Gotham, because then we can pretend Bruce doesn't know what Jason's up to, just like we pretend Clark couldn't super-hear everything in Gotham and save Bruce's ass every single night without breaking a sweat. The problem here is that it means Jason is unavailable for the kinds of casual team-ups and crossovers that fans of all stripes crave - plus, every time he comes back to Gotham, he and Bruce have to relitigate their entire relationship AGAIN.

Jason compromises and agrees to follow Bruce's rules in order to have a relationship with the Batfamily. This is basically where DC has landed, and I understand why they did, because it's the option that allows them to publish the most comics with Jason in them, which they want to do because he is an immensely popular character who makes them money. However, it leaves him in this awkward position where instead of being a tragic villain/badass antihero, he's just...the sassiest member of the family, while simultaneously always being available to be treated like shit because he's Bad. He gets punished without even the fun of doing the crime anymore.

So what's the solution? I don't know. Theoretically, DC could try to do what Marvel does with the Punisher. People always get mad when I say Jason is DC's Punisher, but he kills pretty much indiscriminately in UTRH and RHATO, for pretty much the same reasons. ("Dudebros think it looks cool.") And Marvel heroes inexplicably let Frank just kill however many people he wants unless they're appearing in a Punisher comic, at which point they go "Frank, you naughty boy, I shall stop you!" and then Frank kicks their ass and makes them look like an idiot. DC is never going to let Jason do that to Bruce, plus it would put a real damper on the Wayne family Thanksgiving dinner.

Alternately, they could make him a Nightwing villain. Dick has spent 40 years fighting inconclusively with Deathstroke; he's much better suited to go endless rounds with Jason without either of them Always Triumphantly Winning than Bruce is. I don't personally want this option because I just don't care that much about Dick, but it could be really interesting, though it would limit Jason to fewer appearances and primarily in Dick's book. (Jason would have made a superb Red Robin villain 15 years ago for similar reasons.)

My vote, I think, would be for a really good (god, if only), really thoughtful Jason series where he has reason to seriously reevaluate his philosophy towards crime - something that reshapes him into a character who can still challenge Bruce's entrenched ideas without being so diametrically opposed to them as to make him a villain. He needs to be close enough to Bruce's rules to appear in crossovers, but far enough and specific enough that he's not just Meaner Nightwing. Jason is a passionate character; DC needs to find a new way to let his passion work for him, because right now he doesn't have anything driving him, and it's satisfying no one.

(900 words, BOOM!)

[vi-as-in-violet]

i think the main feeling i have about this season so far is that i crave to see MORE, but not in a good way. i love the themes this season is working with, i love the conflicts, i love the characters but it feels like i don't see enough of the story playing out and it leaves me feeling like something is missing.

I wanted to SEE and experience the underground resistance growing, i wanted to actually see how Jinx became a symbol and how that united the underground. I wanted to see the process of it and how it affected her! I feel like the writers really should've gone with the traditional show-don't-tell rule here instead of just showing us the aftermath which left me with exactly zero emotions about such crazy impressive and important events. The entire Underground got united (!!!!) but we saw zero of the unification process and got like two scenes before they were all arrested, released and then the entire revolution idea was completely forgotten and not addressed once in the rest of the act (as far as I recall).

Jinx was clearly struggling with the newfound worship, so much so she went into HIDING. how must've she felt knowing that so many people find hope in her when she sees herself as a literal jinx? how did she deal with becoming people's hope instead of their curse? I wanted to see her work through this so bad since that is what Arcane has always been good at, it's what season one did so well - it walked you through the emotions and motives and therefore, the conclusion to personal plot lines felt SATISFYING and left massive impression. this was completely missing for me this act for most plot lines

Same goes for pitfighter!Vi and her descent into self-destructive hell. We don't get to see the emotional fall out of her being fucking punched and left lying on the ground by the only person she thought she had left - we just got a montage showing the aftermath of her spiraling. which is cool but it left me with feeling pretty much nothing about it all because seeing the conclusion to her struggling without the build-up just fell flat for me. i was looking forward this specific internal conflict of the protector archetype with nothing left to protect and therefore completely losing themselves before finding their purpose again SO much and it ended up being completely brushed over. i wanted to be able to pick Vi's thoughts apart when she was at her lowest point in life since her time in the jail and see how her behaviour and relationship with people/alcohol/violence changes in the process. like later in act 2 when she punches Isha, she doesn't even react (holy shit?). that is SO far from the Vi we saw in act 1 of this season and it feels super out of character because we did not actually get to SEE her behaviour and priorities changing - we can obviously figure out the reason and understand why she ended up this way but since we weren't actually shown how it happened, it still initially felt like it came out of nowhere and majorly ooc for the character we've known so far

and don't even let me start with Cait and her dictator arc. I was getting ready for the emotional fall out and internal conflict and the political powerplay with Embessa but we got SO LITTLE of it. i could go on and on about this but i feel like a lot of people might agree her dictator arc was pretty underdeveloped so I am not going to discuss it further (plus the immediate switch when she met Vi again was just ??? because we can't really see how she feels about this entire thing with the exception of her thinking Embessa is too brutal and that it seems to be weighting on her. PLUS she has at least a situationship with that sunshine enforcer and even tho she is clearly mentally elsewhere, we have no reason to think she is still pinning after Vi?).

I'm not even going to address Jayce because What.

On a positive note, I think Victor's arc has been handled pretty damn well. But aside from that, this season just leaves me craving more and it is quite clear to me the writers absolutely did not have enough time (nine episodes is not a lot) to develop the story they wanted to portray in full.

Now, I watched the latest three episodes while on a plane and since the act is so plot heavy, i might have totally missed or misunderstood something, lemme know if that is the case

i am super interested in how's everyone feeling about this so feel free to add your thoughts!!!

[bnnuy-wabbit]

Man, I'm gonna be honest. I played the two partnered endings back to back to see the differences and I like the detective kuuno ending more than the one where we recruit kim! Its just much more fulfilling emotionally!!!!

Kim is overall very serious and composed about stuff and hes well respected by the other cops. When you get to keep your job and recruit him it DOES feel good!! Because it was smooth and really cool of him to defend you like that and you've gotten yourself a friend! a friend who truly trusts you and believes in you. Kim is the nicest and most patient man on planet earth.

But Cuno??? It's a different message. Cuno knows fuckall. Nobody there respects him and he doesnt have the measured responses and fancy words kim has, just pure utter PASSION. He almost cries of RAGE when people dont listen to him when you're trying to convince everybody about the Phasmid. Jean specifically is a cunt to Cuno and spaces out all the time and doesnt listen to anything he says ("you're hearing, but you're not listening"). Nobody believes him. Nobody takes him seriously. He's used to that, i bet.

During the islet section, Cuno is A LOT like Harry. having him around as your partner isnt like having kim at all. he doesnt help with cop stuff or adult stuff. rather, he says your lines for you. i just played the one with kim and CUNO SAYS WHAT YOU WOULD SAY IF YOU WERE WITH KIM. he has the same thought processes as You do. he asks questions just like you do. he acts a bit like you do. he makes comments you would sometimes. He literally says YOUR lines in his runs. and hes impulsive and a child, so he asks it willy nilly. you have to be the responsible one now, you need to hold him back if anything.

And then the way cuno literally BEGS the officers to let him join? to take him away from martinaise, to give him a better chance at life. Hell do anything, he promises to stop saying shit, he promises to behave. Just get him OUT of there. It feels like there are WAY more stakes, so the emotional payoff is MUCH higher

(If you like cuno of course. Which i do. theres a LOT to unpack regarding that boy.)

Like, seeing him EXCITEDLY skipping to the coupris kineema and opening the door to the other cops?? It feels good!!!! It feels really good! Like on top of everything you did, you also got to take this kid out of that shithole, to give him a chance.

You Must Understand.

Cuno mirrors Harry in MANY ways.

Nobody respects Harry, nobody respects cuno either. Harrys just some insane alcoholic, cunos just a delinquent kid. Neither are considered particularly trustworthy by the people who interact with them in daily life. HOWEVER. cuno has the spark and excitement harry lacks when harry lets him come along. he has hope. he wants to help, he wants to participate even if he doesn't quite know what he's doing. Why? Because if you got him in your party in the first place, it means he feels comfortable around you! For real, when you get that kid to respect YOU he REALLY starts trusting and looking up to you. He's ride or die. For hells sake he chooses HARRY over cunoesse! You don't belittle him and his interests like Cunoesse does! He gets to be unashamedly himself! Plus you're HIS pig. He already very much has a cop/detective fixation and during the entire time he's around harry he's absolutely PUMPED to be solving the crime with him and he's more than willing to help you out and give his two cents on the matter even if he doesn't really know anything about anything.

And so WHAT if he's just some kid? So what if he's POOR and doesn't have a camera to photograph the phasmid? He talks about harry a LOT more than kim does and with awe in his voice. He defends harry until the fucking end and he does NOT stop. He literally doesn't shut up. he just keeps fucking GOING. He blurts stuff out to defend you even if it's not helpful because he respects harry!!! truly respects him! he WANTS to help. he'll say stuff even if his words fail to convey properly what he means.

And then what?? You do the same for him. Well, youre giving me a chance right? Then take the kid along, he helped. He has nothing, his dad is a wasted dying drunkard (like me) and hes poor (like me). But he did good (i did too). He has potential (do do i). Hell behave (i'm trying to behave). Hell be a good detective (like me. he's just like me). PLEASE take him in (you're giving me a second chance, give him one too).

I Need you to understand. In my playthrough i got harry talking about how he feels like he had children at home when he's asked if he has a family. He feels like he has children, daughters. But alas. You're hit at the end of the game with Dora's 'i terminated our pregnancy because youre poor.' I get a feel that he WANTED to be a father. He wanted a family, but he was just So Fucking Mentally Ill about Everything it never came to be.

But honestly? He'd be an alright mentor figure. He clearly enjoys older kids, despite what he says about not being good with kids. He was a high school teacher! He's Clearly used to dealing with older kids and delinquents and he can talk to them like an equal, if he wants to, he can crack them too! He can be understanding.

And so what? Hell never have Dora's kids, but then he, harry (the drunken cunt) (the cunt everybody hates) (the fucking asshole), can be nice to this delinquent addict child a bunch of times (a foul mouthed jackass) (everybody Loathes that kid) (he doesnt know love) and then said kid starts following him like a lost puppy the moment harry needs company THE MOST. He accepts The Cuno. They have each other's back. They don't give up on each other. They want life to change for the better. Yknow???????

Cuno's ending hits muuuuch harder because of all that. Anyways. Yeah. rant over

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[auset66]

What your inner child wants you to know (Never heard before specific messages). 🎯👼

1. The Orange Girl 🍊

I see that you are a very practical and hardworker person. Past few days or weeks I feel is you are having some problems related to health or things just not going your way. I see the mental fog you cant pin point but things are just going wrong. A lot of confusion. You are also doing everything practical you can to deal with this but the thing is it is the matter of emotions and heart. 🧊🧹

Now the inner child of you wants to be free and have free flowing emotions. Now I feel you are that person who has been very emotionally detached from yourself as long as you can even remember living. Like you go and work hard and make things right physically. You might be that A class person "cold hearted" who is always about work work work. So why have you been like this? Because there is this fear of expressing yourself. Now I don't know if it because of seeing poverty or because of your parents being so strict not letting you be freely yourself. It could be many things, but the main energy the main source I see here is fear. That is now ingrained in your mind since the very young age. But you are exhausted now and your physical reality your health your body is giving out these signs. Calling you out to let your emotions flow free be the wild animal and live life freely in peace in happiness. What you can start by doing is maybe writing, drawing or even just try crying. It might be very very out of comfort zone but you can give it a Try. One thing you can do is write your feelings down everyday or everynight in the dairy or note app anywhere without any filters. Do what "feels" right. Very foreign to you rigth? And offcourse if you can I highly highly recommend consulting a therapist, not a psychiatrist, a psychologist. A good therapist can really understand all your problems and will help you out through this. That's their work afterall. What you need is therapy not medicines. Goodluck ✨️❤️

2. The blue walker. 🌧

Okay, so the first feeling I feel is happiness. Yeah I know you will be like... what happiness I literally hit rock bottom this time. Yes you did. I see a relationship or something very long term even could be your long term work it all breaking off. You lost something for sure or even someone. Whatever it was you made the decision already and are feeling a lot of uncertainty now about the future and everything. But (yes don't forget this reading) in few months from now you will see you feeling happy that type of happy you never even thought you could feel. You changing drastically growing naturally feeling natural and almost at peace. I feel whatever situation you left there was a lot a lot of masking up, a lot of chaos, people especially, lot of you doing and gaslighting yourself to do feel things you never wanted to. So this thing that ended your inner child is almost happy and thanking you actually that you finally let it go. All you have to do right now is to be patient and breathe. Rest. Let it flow. Whatever you doing right now you are doing right. You will see the change in yourself that you never even thought could happen. The change in your life the reality. Then look back at your life you had when you were in this "cage" I should say. And one more thing that I never say in my reading but it was strong so I see a person a good person entering in your life yes a romantic intrest. With this person you won't have to beg for attention or love or even have to pretend that you are Not clingy or that you are very cool person. You can just let be and this person will do everything without you even asking. You will be happy and feel free. Good luck. I honestly see a very bright and happy future and days. ✨️❤️🍃

3. The Green Rain 🍃

So I see you are a person who actually is really in tuned with their emotions. A good person a nurturing person. Having compliments about your motherly nature and being a caring person is not something new. So I see there is this calling in you which wants to make things right. Make the world a happy place. You love people and you are a humanitarian person. The thing is this energy is put on the people around you. Relationships, friendships and you know just these people. Most if not all these people are very immature and wants you to keep on giving and giving without expecting anything in return. Now the problem is you, that you think you feel that it is your responsibility to mother them, to nurture them to bring Them back to path. You feel like "give me all your pain let me alchemise it for you, because I know how it feels how to deal with it". You put yourself in others shoes, but the problem is these people are not giving the results back. They are just keep on becoming more dependant on you keep on taking all your life force out of you. Why you still think it is right even when you are so emotionally Intelligent? It is because of your childhood trauma of having irresponsible parents, huge mother issues. You feel if you won't do it everything will fall out. Your worth is only when you "protect" these people. What you can do? You should know that there is a line. The truth why you are still keep on doing it? And the truth is the trauma response not the empathy in this case.

The inner child in you wants to put this energy into something that will give the results back. What do i mean? Give a try to NGO work or becoming a clinical psychologist or world health or even teaching anything everything you can think of that will actually give the results back. Not the big manipulative corporations but the actual things that can help people not them keep on falling back to same cycle with you repetiting the same. You want to give to the world and you want results back. If you invest money in charity you want them to be invested in what charity told it will be invested it and not in their bank accounts becoming black money.

And yes the person whoever it is you are romantically involved in yes even if it is just a situationship. leave.You and me we both know how sneaky and immature this person and won't ever grow and especially never with you. The happy family dream... this person is far from that. Don't waste your wisdom and energy on these energy Sucker people in your life and put them into those who actually needs it. That's what your inner child wants. To make things equal and right. The change in world won't happen if you keep on mothering a litreal adult with mommy issues. Goodluck. 🍃❤️✨️

[sanflawoah]

Black Myth: Wukong ramblings because I'M GOING INSANE.

FOUR YEARS. I. DID. MY. WAITING. WOULD VERY MUCH LIKE TO EXPRESS MANY THOUGHTS ABOUT THIS GAME.

(Lengthy words and massive spoilers below!)

First minutes into the game I was all chill expecting the opening to be a long prologue cutscene about JTTW, explaining core things you need to understand, a helpful guide for those unfamiliar with the lore beforehand. But NOOOOO....we jump straight ahead fighting ERLANG SHEN AND THE FOUR HEAVENLY KINGS. We're WIDE AWAKE.

About gameplay, the devs stated repeatedly that it's not a souls-like game, and more like a God of War ish. Yet so many still questions whether it's a souls-like and then went into the game just to say "meh not souls-like". Amazing density of head.

I really don't demand much for whatever mechanic they serve, I'm really just here for the monkey smash experience and the childhood nostalgia and the fresh aesthetics.

The character design?? The environment?? The architecture?? The statues?? Soooo beautiful oh my god you really need to stop and admire these things (when you don't have a boss shredding you) up close. Look up their inspirations and concept arts, some statues and buildings exist in real life and it's really mind boggling how they incorporate it into the story. The part where you fight with Yellowbrow at Thunderclap temple, what a creative choice, the idea of "miniature fight" on the temple altar. I'm farming so many screenshots for art references. 10/10 visuals, graphics will definitely fry your PC.

Again with the character designs. I'm really loving the absurd looking bosses one, really fresh take. Then to the celestials and yaoguais, I just..... OH they're ALL hella gorgeous. I've seen some people going "WOULD" towards Wukong or The Destined One and I don't blame you. I've had my fair share of neuron activation moment.

Erlang yoo, I was stunned at first with the way they present his personality during the opening, but turns out we got the reason for it near the ending :"(((. He was helping us all along ughsjsjsjsksdsd. Also, they know EXACTLY what they're doing by casting Andrew Koji as the english VA.

White Clad Noble? Half snake man hissing at you to get off his lawn. I feel kinda bad for him lmao, dude was just minding his business and we go monkey smash all over his place.

Keeper of Flaming Mountain? Neat hat and cool makeup bro, awesome yin yang palette and battle area design. BANGER THEME I'll get to it.

The Third Prince in Pagoda realm prison, why does he looks so good, you encounter this guy in his cell just suffering, and somehow he's still serving looks.

The girlies damn, the spider sisters are gorgeous, and YES even madam violet spider, come look at spider granny serving fashion and arachnophobia.

At first I was scared that they're going to sexualise the hell out of the spider sisters or any of the female characters, since the book itself tells their trait as luring men with their beauty (to be eaten though). But actually?? They're a lot tamer than I expected? I mentally prepared myself for the worst, like racy sexualised outfit and personality, but turns out they're all very normal. Like how you would see Tang dynasty inspired ladies. I braced for GTA or cyberpunk-like explicitness but thank god it's not the case, not at all.

Rakshasi and Pingping having the relatively "sexy" look, but then both of them had a moment where they're not actually their real selves, but rather a transformation of Zhu Bajie and Red Boy LMAO. Funny boner killer.

Talk about this boi, our Destined One. To be honest I was kinda disappointed when I found out he doesn't speak at all. Banters, insults, cackles, anything you would expect a Wukong-like personality, he doesn't have it.

I tried to think of a reason, and I think the dev's choice of making The Destined One silent kinda has a root to it. Our MC is NOT the Wukong himself, we are literally just some monke, and we're tasked to gather the six relics Wukong had scattered by retracing his journey. Also, I think it's a funny thought that probably it's just their personality difference, Wukong the loud, Destined One the quiet. Wukong sometimes does chaos for shits and giggles, our Destined One does chaos because we have to.

My theory: our Destined One is just non-verbal! Zhu Bajie even acknowledged it. When we first met him after defeating Kang-Jin Loong, he bantered "A furry coat and a pinched face, luck's all you've got", and he looked confused when we don't say anything back because Wukong would've returned the favour, "Great, another mute. Let's not dally". So the game actually acknowledges it, it's not like they intentionally muted us and have the NPCs acting as if we talk back to them all the time.

Non-verbal and asexual coded? I'll take it.

THE ANIMATED CUTSCENES??? OH MY GODDD. Impossible to put ALL the epic frames here. I really don't expect this from a game at all, real time cutscenes are great, but a WHOLE 2D AND STOP MOTION ANIMATED SCENE?? No wonder the full development took SIX years. You could pause the scenes at any frame and it's worthy of analysis.

The stop motion one really surprised me, how are they that dedicated. The plot as well, it started out romantic and escalated into HORROR real quick. Batshit insane, love it.

For many players, the animated cutscenes may be confusing on the first watch. So many references to JTTW, metaphors, mix of Chinese Taoism and Buddhism. I personally encourage people to look around in forums for explanations, plenty of the Chinese words are untranslatable into English, but it's all so worth the knowledge.

Enjoying the JTTW shows and contents as a child is all about the fun and giggles, understanding the lesson of it all as an adult hits me like bricks, especially with the way they're adapted in this game.

I CRIED?? A LOT??? Of all characters I could cry for, ZHU BAJIE?? Man is literally a nasty pervert in the book, living to the pig form indeed, but in this game he's a bit better. Sure he's still his natural pervert self, but since the game took place after JTTW, he surely had some character development. His animated love story cutscene, loorddd they have no business making it so full of freshly diced onions.

Love how each character in animations have different styles. Erlang's design in particular are different in each scenes. Most of the time he has dark hair, in others he has white hair and different armor, same goes for Wukong's design. I'd imagine the devs struggled to choose for one consistent design and decided to just fuck it and put them all in lmao.

And then THE SOUNDTRACKS, THE SOUNDTRACKS YALL. Love love love it when they incorporate buddhist prayer chants flawlessly into the soundrack. The soundtrack during the chapter one ending animation caught my attention with it, I asked around what mantra is it and they say it's probably Cundi Dharani? Please correct me if I'm wrong. The track is called "I See" in the official playlist. The lyrics too, my god, the way they narate the animations.

During the fight with Keeper of Flaming Mountains, IS THE SOUNDTRACK A RENDITION OF "FISHERMAN'S SONG AT DUSK"? IS IT? Losing my mind because it's my favourite chinese traditional piece. Half expected him to pull out a guzheng and blast me with phantom blade from the strings, IYKYK.

And of course, a new rendition of the classic JTTW theme. This will be my neighbour's favourite music for a while.

Some tidbits I like, apparently if you're idle for a while and Zhu Bajie is with you, sometimes he'll start to talk about past stories or lectures you. If you push him around for a few times he'll get annoyed, if you keep pushing him then he'll struck you with his rake lmaoooo. Perhaps we weren't so different from Wukong after all.

Another insane stuff is the headless singing guy. GoW has a talking disembodied head, now BMW has a HEADLESS singing man, literally a reverse Mimir.

The rematch with The Four Heavenly Kings YOOOOO I love their design so much. They look like statues from temples jumping straight to life. The stances! Throwing hands with them is the true Monke of War experience. The East King with his Pipa literally playing the background music, excellent touch.

This has been an insane scroll of yappings, I'll stop here (for now) and take a moment to touch grass. If you've been reading ALL THE WAY to this line, I'm so sorry, I didn't mean to harm your braincells.

[emo-batboy]

Trick or treat!

Hello :D Here's your treat

Battinson and Cars

He is a car guy. He loves his car. It is his baby. He can fill his car with gas, yes. That is a thing he can do on his own in his own garage with his own gas.

But he does not know how to operate a gas pump. (New Jerseyans are crying in solidarity.)

Bruce gets into so many car accidents.

Like yeah, he's Batman. But he's also that kind of driver who is perfectly okay when he's on autopilot, but the MOMENT he remembers he's driving a death machine on wheels next to other people driving death machines on wheels, and if you accidentally cut them off or forget to use your turn signal, they will rear end you?! He gets a little antsy :/

The second he overthinks it, he's making mistake after mistake. What are you gonna do? ¯\_(ツ)_/¯

But when he's in his tricked-out batmobile engaging in a high-speed chase while narrowly avoiding death at every turn? A vigilante with no regard for the rules of the road other than "Do Not Hit People?" He’s suddenly a professional stunt driver! Fuck it!

That’s one of the reasons no one could possibly believe he’s Batman

"Bruce Wayne Reverses into Bush at Local Wawa, Cries as He Calls the Cops on Himself"

Then four hours later...

"The Batman Performs INCREDIBLE STUNT on Garden State Parkway, Saves Lives and Kitten Stuck in Tree"

You think these are the same person? Please be serious.

Anyway-

He is the only person in the JL who can reliably parallel park.

He's also a fucking speed demon. (This is Jersey. The Norm is going 90 in a 55. And back to the "autopilot" point) if he's lost in thought, he's definitely breaking the law. And overtaking like five cars a minute.

Alfred taught him to drive (and is lowkey the one that gave him driving anxiety. He is a very strict teacher.) Because of this, his first car was manual :) Now, he prefers it because it feels cool and action-y when he changes gears on the highway.

Bruce got into his first car chase when he was 15. (Baby's First Car Chase <3) Don't ask me how.  Don't ask why. Just know he does. (I mean, I do have an answer but I'm not giving it to you.) This also means he did it without a license because he was too young to even have a permit at the time.

He has a hatred for literally anyone with Pennsylvania or New York plates. Why? Because they’re slow as fuck and try to turn left at the intersection when there is clearly a jughandle??

(Homework for everyone that doesn't live in NJ: Look up "jughandle" or "jersey left" and tell me your thoughts.)

He was so pissed at the amount of potholes in Gotham that he personally filled them as Batman in the middle of the night. (Wtf are his billions of tax dollars going to?)

Once Bruce was muttering curses at the idiot in front of him with NY plates only to see Clark fucking Kent exit the car. Superman could not understand why Batman kept glaring at him for a week.

I did not spell-check this. Happy Halloween :)

[tiredfox64]

I had an idea, I don't know how good this sounds but in the beginning of the MK1 story when the Lin Kuei trio attack Madame Bo's restaurant as an act to text Raiden and Kung Lao skills, the reader happens to be there as a traveler who also has fighting skills and fights off Smoke and finds out it's a test by Liu Kang who accepts being one of earthrealm's champions but has a hard time trusting Smoke after what happen and Smoke does everything he can to gain her trust?

Trust Me

Prior notes: Halfway through writing this the Ninja Storm theme song played in my head nonstop. I got distracted for an hour just listening to almost all the Power Rangers theme songs Σ(￣。￣ﾉ)ﾉ

Pairing: Tomas x Afab reader

Warnings ‼️: A few kicks and punches, we got those from our siblings.

You travel high and low, far and wide. The lands must be explored and experienced. Your current location? Fengjian Village in China. Quite a peaceful village actually with farmlands that stretch for many miles. You decided to rest for a moment at the tea house. Madame Bo was really nice to you, happy to have a lovely lady like you come in.

Little did you know that she was expecting you.

Lots of different people and personalities around here. You got a show as well. Two men fighting just to figure out who is paying tonight. It must have been serious because they were fighting for their lives. You can understand since the food was amazing.

The sun had set and the cool breeze blew through the tea house. You were finishing up your meal at the same time those two men were about to. In an instant the atmosphere became hostile. You looked up to see a man with silvery hair and gray attire harassing Madame Bo. You watched carefully, wary of this guy’s intentions. You jumped into action once you saw him attack Madame Bo and literally throw her over the balcony.

His eyes turned to you when he saw you running towards him. You were surprised by the smoke bomb he threw down. It made you cough which gave him the opportunity to attack you, causing you to hit the floor.

“You are brave, but against us? You are in over your head.” He mocked you.

“I don’t care who you are or what your purpose is. You will not be a nuisance to Madame Bo.” You declared before fighting him.

You fought viciously, as anyone would suspect. This guy had a few tricks up his sleeve. Magic that you’ve never seen before. Yet you stood your ground. While you were dealing with him those other two guys were fighting off the other assassins. Oh great there are two more who got some sort of freaky magic. Well at least they are taking care of that.

An amazing spectacle of kicking, punching, and slashing was performed by you and your opponent. After all that you managed to defeat him, leaving him lying on the ground. You moved quickly to check on Madame Bo who was…fine. No, really, she was. Standing up straight and smoking a cigarette like it was a normal Tuesday night. A man with glowing eyes approached you and you finally got the answers you needed.

This was all a test from Lord Liu Kang. You, Raiden, and Kung Lao were chosen to join Earthrealm’s champions. Liu Kang was thankful that you chose to visit Fengjian now since it made things easier.

He explained that the people who attacked were the Lin Kuei and that you fought Tomas aka Smoke. They weren’t thugs but were actually a clan that helped protect Earthrealm. You were still in shock about the whole thing. You couldn’t let your guard down fully even if you now know it was a test.

Liu Kang told you all that the Wu Shi Acadamy will help train you and prepare for the Mortal Kombat tournament. Looks like you will be staying in China for longer than you expected.

══💤══╡°˖✧🦊✧˖°╞══💤══

Ever since Tomas fought you he has been dying to talk to you. He thought you did amazing. He really didn’t know what to expect since you were just a traveler. No one had a clue who trained you or even why you were so good at fighting. You must have been a quick thinker since you manage to figure out he was using smoke magic.

The problem is that you were cold to him. You still didn’t trust him even after finding out it was all a test. He would visit the Wu Shi Academy just to get a chance to talk to you, only for you to move away from him whenever you saw a hint of his silvery hair.

Raiden and Kung Lao told you to not hold it over his head. Madame Bo is safe. Hell, she was even in the Lin Kuei once, she’s a tough woman. Nope, you’re still not budging.

“I don’t understand, Raiden. She still treats me like some thug.” Tomas expresses his frustration to Raiden who wants to help make peace between you two.

“It probably didn’t feel good to her to be tricked like that. It may be best to prove to her that she can trust you.” Raiden gave back the best advice he could give.

“But what can I do if I can’t even get close to her.”

Raiden had to think for a moment. The others such as Kung Lao, Johnny, and Kenshi all came around as well since they heard Tomas’ frustration. They didn’t want him feeling bad about what he did since he was instructed to cause a disturbance at the tea house. They also don’t want you holding a grudge against a sweet and cool guy like Tomas.

“I got it!” Kung Lao snapped his fingers, “How about you train with us for some time. She will see that you aren’t so bad after all especially when she sees how calm you are when fighting us. Maybe giving her a gift once in a while will help as well.”

Not a bad plan. It could work. Tomas was on board with this. He didn’t want you viewing him as some thug anymore. You need to see who he truly is and he will do anything to prove it. Operation make you trust Tomas is a go go!

══💤══╡°˖✧🦊✧˖°╞══💤══

Tomas asked his brother if it was okay to train with the Shaolin for a bit. Bi-Han couldn’t give two fucks where Tomas would be at so he let him do that.

Now you really couldn’t avoid Tomas. Anytime you decided to train with the other champions he was always there. You grew annoyed by his presence. You couldn’t understand why no one else was upset by that trick of a test.

You also couldn’t understand why he was leaving you bunches of lavender and peace lilies. Okay well the peace lilies should have been a big sign but you weren’t the biggest expert on flowers or their meanings. He would leave them at your door, on your chair, he would even have the guys pass you the flowers just to make sure you would accept them.

And after some time you did. It would be a waste if you kept throwing them out. They were lovely and lavender is useful. You didn’t fully trust him yet but his efforts were chipping away at your stubborn heart.

You started watched as he trained with the others. All those fighting moves you saw before when you fought him. The aggression you felt before when seeing those moves slowly started to fade. You watched as he patiently taught the others some tricks on how to defend themselves. Not just that but he was open to being taught as well. The monks taught him new moves and involved him in meditation. Now would a violent person meditate? Nope, because Tomas is not the violent person you think he is.

You realized maybe you were being a bit too harsh when you heard him speak. His voice was less deeper than when you first heard it. It was just an impression anyways. And without his mask on there is no muffle to it. You listened to how disappointed he was, concerned that you still don’t trust him. He expressed that he is doing his best but he fears that you will always see him as the bad guy.

It broke your heart when you realized you misjudged him. He was putting in a lot of effort and you were turning a blind eye to it before. You don’t know how long he will be training with the Wu Shi and you don’t want to regret not saying anything to him. You want to make things right and the best way to do that was to talk to him.

One day you found him near the zen gardens. A place of relaxation and peace. A good atmosphere for something like this. He was meditating all by himself and you were unsure about disturbing him. He already heard your footsteps, you can’t sneak up on a sneaky person. He turned towards you expecting to see someone like Raiden or Johnny. But no, it was actually you. He was shocked and wasn’t sure what you were doing here. You gently waved towards him before speaking.

“Hi…do you mind if I join you?” You asked softly.

Tomas just stared for a good five seconds before breaking out of his trace. “O-oh yeah sure.”

You thanked him before walking closer. You surprised him even more when you described to sit next to him. Both your hearts were beating fast. Yours because you were unsure of what to say and his because of the same thing. You took a few deep breaths before speaking up.

“I’m sorry that I’ve been kind of cold to you. Maybe even been avoiding you. I just kept thinking back to that night at the tea house and I just thought you were the same guy I fought back then.”

You saying sorry was already the highlight of Tomas’ day. Before he can say anything to you, even to apologize for fighting you, you continued.

“You don’t have to apologize for what happened. I understand it was just a test and no one really got hurt. Well, maybe not physically but I did hurt you by being mean.”

You were picking at your fingers as you looked down at your lap. Now you wondered if he thought of you as the bad person. He doesn’t, he never did.

“We got off on the wrong foot and I want to make it right. Maybe you and I can train one of these days if you are willing to spend time with me.”

“Yes! Yes! Of course I would love to.” Tomas got too excited and covered his mouth, not wanting to disturb the tranquility of the garden anymore.

You looked at him all shocked before chuckling quietly. He really was desperate to show you that he is trustworthy. Seeing that it all paid off was too great for him that he had to express it. How could you ever imagine he was some cruel man who purposely beats up old ladies?

Your chuckle made him feel less embarrassed and happy to see you loosen up around him. You seem way chiller than he imagined. He’s excited to get to know you more now. You took his hand into yours and shook it.

“It’s nice to officially meet you, Smoke.”

He smiled at you. The mission was a success. All of this was worth it.

“The pleasure is all mine. But please, call me Tomas.”

After notes: It’s a bad time for me to find out that my favorite show is free on YouTube. Mhm I’m gonna be blasting that good shit on my tv. Anyways I hope you enjoy whoever requested it. I actually thought about this scenario a bit ago but never wrote it down and forgot about it. So looks like you read my mind. Trust me it sounded good to me :3. Adiós!

[thecountesstribe]

HOTD Ep 2x7 Spoilers and review.

So this was one of my favorite episodes this season and also one of the coolest imo.

Seasmoke being protective of Addam and looking proud he terrorized Addam into being his rider was too funny. I love that dragon 😂. Come through Addam the Loyal, all Rhaenyra had to say was she's queen and he immediately acknowledged her and bent the knee, I loved that. He's really about to become my other favorite boy.

Corlys being shook and acting like he doesn't know Addam, like sir if you don't tell the truth already. He's never gonna beat the deadbeat allegations. Although when he told him “Well done” I did whoop a little. I would've kicked his ass had I been Addam though.

Oscar Tully! That's it. That's the fuckin post. He gagged Daemon and stood on business. I love to see young kids bullying arrogant adults, he reminded me of the OG lil boss Lyanna Mormont. That's my lil nephew now.

Daemon didn't take the crown. We saw him hallucinating again, this time with the sick version of Viserys and Viserys holding the crown which he didn't take. I mean anybody with a brain could summarize that he never wanted the crown, we didn't need to spend so much time in his delusions in Harrenhal to tell us that. We certainly didn't need a scene of him feasting on his mom to tell us that, yuck. For all his faults he really was about his family. He went about it the wrong way but that's Daemon for you. His stupid self destructive ass.

We had an unnecessary scene of Alicent running about the woods after leaving King's Landing. Chile anyways. Larys is totally protecting Aegon now and he's essentially crippled atp. I fear for Baela's storyline.

Rhaena is looking for Sheepstealer. Her and Jeyne are still tussling but they waited until the final 2 episodes to give her something, Baela had no lines besides looking pretty and staring at Jace. I fuckin hate it here. Could we bully HBO AND THE WRITERS SOME MORE. WTF!!

Vermithor and SilverWing looked so cool. What did that old bum feed Vermithor though? He's big asf. SilverWing just might be the coolest looking dragon. I can't rank them anymore cause I like them all 😭. Literally my favorite thing about the episode. Like the directors cooked. The dragons are funny asf 😂😭😭😭. There were a lot of parentage reveals, I don't believe for a second Saera sired that ugly man but anyways. RhaeRhae led those people to their deaths. Rhaenyra deadass gave this big ass pep talk, she reminded me of Erwin before he led the scouts out on what would be their suicide mission except she didn't stay to see the outcome or participate in it. Vermithor saw an opportunity for a buffet and took it, Hugh claimed him. Fuckin cinema. Still gonna hate his bitchass but I can't lie that was badass. SilverWing was bullying Ulf. Why do people I hate always win sometimes?! Ulf literally failed upwards. Can't be mad at it. I mean if I was a dragon I would've done the same shit. How dare mediocre specimens come before me who is essentially the next best thing after the Gods!

We got Rhaenyra speaking High Valyrian. She had her dragon squad quit on her though and gave her a warning (foreshadowing). Her also being able to calm Vermithor, that's the Dragon Queen of her era y'all. We saw a little movement with her and her protective spoiled cat Syrax too 😍.

Not people hating on Jace now. Listen that argument has been brewing since season 1. He just finally let it out of his brooding body. I don't think many people understand the implications that argument meant. He sounded classist and maybe he was, highly doubt he is but he's being realistic and in the future he was proven right (unless they scrap the book canon). Rhaenyra paralleled Viserys in that entire scene. She really is her father's child in some ways. She did to Jace what Viserys essentially did to her. The one thing that could've upheld his ascension to the throne was him having a dragon and she essentially gave a free pass to anybody to do the same, the same thing was done to Rhaenyra when Viserys decided to marry Alicent and sire more children when he knew damn well that if he had a son, her claim to the throne would've been compromised. Jace knows he's a “bastard”, a legitimate one but a “bastard” ntl (I'm not calling him a bastard in a derogatory sense either, he isn't. Laenor claimed them as his sons and that's the end of it to me) , it shouldn't matter considering the throne is not passing from his father's side but his mother's. Sure his last name would've changed the minute he was named heir and ascended as stated by Viserys but what weight does that hold now? They briefly touched on it when he spoke to Baela about his fathers but he had always been insecure about his parentage. No he didn't call his mother a whore, he's been fighting that battle all his life, she just made it worse. In the dire situation they're in, the sacrifice had to be made but I could understand why he's angry and hurt over it again. She literally just made him illegitimate in the eyes of the realm. His anger is valid. Was his tone harsh yes, try dealing with the whispers and the jeers and everything else for the past 16 years of your entire life and seeing the same proof of what everybody else sees everyday and tell me that you wouldn't hold some kind of resentment towards it. I liked how Rhaenyra was patient with him though, just wished it wasn't as rushed as the scene felt.

The last shot of the episode was fuckin brilliant. Aemond turning his bitchass around knowing he can't handle that kinda pressure. Also Vhagar and Aemond's bond may not be as strong as it should be. She clearly does not listen to him sometimes. He's still responsible for Lucerys death IDC what y'all got to say. The episode got a 4/5 stars from me just for the dragons. I'm here for Jace, Baela, Addam and the Dragons!

Until next week guys for the finale. We're going to see Tessarion and Sheepstealer next week. I'm so excited.

[chordsykat]

How I write action/fight scenes

From a prompt posted by a friend on Discord last night. :3 Just thought I would ramble a bit before getting to work, this morning. If you're a writer and want to know what goes through my head as I come up with combat scenes in my stories, then read on. In this way, I hope we both learn a lot. Because I honestly don't think I've ever laid out my "formula" before...

First, know who you're dealing with.

This tutorial is going to stick mostly to the actual writing aspects, but if you're going to do an action series, you should factor in the combat abilities of your characters as you develop them. This doesn't have to be anything fancy. Keep it to the natural human responses at least. In other words, during a conflict, how will your character react:

Fight: Push back

Flight: Run away

Freeze: Do nothing

Knowing just that will give you enough to start thinking these dances through. And indeed, that's what they are - a dance. If you know more, like, specifically what kind of fighting they do, what their strengths in combat are, etc -- all the better, but know that what I list below goes in order from most to least important, and that stuff won't be on the list until the end.

Second, (and always) make the audience care about the action.

This sounds dumb and counterintuitive but people won't find an action scene compelling just because it's an action scene. Not to knock it, because it was brilliant for a different reason and a lot of the writing staff's hands were tied... BUT... During my time as a fan of, all the way into my employment with, Archie-Sonic, I can't tell you how many action scenes happened just because some executive at Sega was like "I think X and Y need to fight." So they would, and for reasons that were muddy at best. I think at one point, we had Sonic and Knuckles literally exchanging this dialogue:

Sonic: Yo dude, be cool. Last time we met, we left on good terms! Knuckles: Maybe, but you're still an intruder and just because you did me that favor on the day my daughter was to be married does not mean I owe you anything in the way of kindness.

IDK, my memory may be foggy, but that was the gist of it. Point is, don't do that - and first make sure your audience understands the motives behind the action, the potential stakes, and why it's all taking place to begin with. Else, you can make it as cool as you want and people are going to walk away with a sense of "that was cool" instead of "holy shit I was freaking out through that whole scene." If there's any question as to what you should be striving for as a writer, it's the latter.

Third, plot it out like it's a mini-story.

To the point - figure out the end first, and work backwards, just like so many writing tutorials have said before. Again, keep it simple: Who wins? Does the conflict result in a casualty of some kind? Does a character learn something?

Before you show how it goes down, you need to establish what goes down as the action happens, and what happens afterwards. Keeping the ending in mind as yo write a scene is always a good way of making it feel tighter. And throwing littlte twists for interest (maybe a character has the upper-hand for all but the end of the fight - maybe a character is losing until a specific turning point, etc) is made much easier, too.

Fourth, mind the rhythm.

A little weird to explain this, but the back-and-forth nature of the scene needs to flow well. Generally, conflict follows a pattern of:

Character acts

Opposition reacts

Opposition acts

Character reacts

If this pattern looks familiar to you, it should. This is the basic pattern of human dialogue as seen in stories and, YES, real life. Consider your scene like a dialogue all its own (even if the characters are talking throughout). The twists and turns I spoke about in the last point should be "off beat" because there's an unexpected nature to them. When a twist happens, consider breaking the above pattern.

Fifth, showcase character traits and skills (again, always).

Some characters have a high sense of honor and would put down their weapons if their opponent was unarmed. Some of them would fight dirty and hit someone with a chair when their back was turned. Some characters are scrappy and will jump into a conflict even when they're sorely outmatched. Some are straight up cowards who might run away even when there's a good chance they could win. Some are smart enough to bow out and will not engage -- hiding at the first sign of trouble. Some will throw snowballs at the oppressor and be surprised when they pull aggro and the dude comes after them.

You get the idea -- fights, conflicts and action scenes are great ways to show your characters' strengths, weaknesses, traits, and personality. Times of struggle are going to lay emotional responses raw, and it's a great way of showing "who someone really is" as it were.

Sixth, showcase unique defensive behavior.

Some characters have specific training: military, martial arts, street-fighting, etc... which, if you're aware of those, should come out during combat or conflict. Some characters have access to weapons. Some characters' bodies are the weapon. Etc, etc etc...

Whatever you do, about the only time you're going to show off the fact that your character knows Muay Thai is during an action scene. If you yourself do not practice this martial art, then research what you need to incorporate to make it believable when you write. Watch videos and write down the ways you would describe the movement. If you're doing a comic, then sketch the movement. Use that in your story.

Last, create more interest by tying in and highlighting story themes or disparities between protagonist characters, antagonist characters, and/or the conflict as a whole.

A little trickier, but if your story has a central theme or moral, try showing pieces of it shining through the action. Just as one wild example, if you have a theme of "love conquers all" this might mean your fight will end with the two people falling in love, instead of fighting. Think like a dungeon master. If you rolled a natural 20 on "try to woo the orc" in a combat situation (remember that comic?) what do you think would happen?

Too, if your combatants have something in common, or especially something that they are diametrically opposed on, feel free to show that off in these scenes. It'll leave the audience knowing them better (and set them up for further head-butting... or romance(?) down the line. And that's always fun).

Anywho, that's just a few of my thoughts on action sequences in fiction. If this helped you, or you want me to talk about this even more -- send me a message or a note or something. Always up for discussing this kind of thing.

And your reward for reading this far is an invite to join my discord if you wanna hear me ramble on about this sort of thing, in perpetuity. :)