#i don't think this type of broadcasting is still in use but if i can get static on it that'd be so fun

[foxesonstilts]

[huskersbooze]

Bambi

Alastor x Reader

Summary : Alastor returns from his outing one day, finding a guest lying on the floor, unconscious, in front of the Hazbin Hotel. Untrue to Alastor fashion, scaring most of the staff members, he decides to keep the fascinating creature in his broadcasting studio, and when she wakes up, she's forgotten everything, even her name. And when Alastor starts calling her nicknames in the mean time, he accidentally gives her one that she ends up growing attached to..

Warnings : N/A

Pairing : Alastor x F!Reader (Gn!Reader here, M!Reader here)

Additional tags : Fluff(?), mentions of amnesia, Alastor actually being nice?!

Word count : 1.06k

“Wonderful, just wonderful! You’re awake!”

A staticky voice drew you out of your thoughts. Surprised, you snapped your neck towards the sound, and a rather tall and slim figure was right at your face.

“Charming, I haven’t seen you around here before!”

You flinch as the figure leans closer, causing them to back away slightly.

“Who.. who are you?”

“Pleasure to meet you, dear, just a pleasure! I'm Alastor, the Radio Demon. And who might you be?"

"I..” You reply. “I don't know." 

He seems taken aback by your response slightly, but his smile doesn't falter. Instead he cocks his head to the side and blinks at you.

"What's your name?"

You stay quiet for a while until you give an uncertain head tilt back to him.

"I don't know.."

The grin still very much glued to his face, he leaned a bit closer to you, voice dropping to a more hushed tone.

"Darling, you don't remember your name, or you don't know your name?"

"I.. I don't remember." You fight the urge to start fidgeting with your hands, looking down to the ground as your memories become a hazy blur.

"You don't remember? Your name? Anything?"

"No.."

He doesn't seem to let his bright smile falter at that, although his expression shifts slightly towards curiosity.

"Quite the fascinating creature you are." He blinks a couple of times before he shifts to lean against what seemed to be a broadcasting panel, a thoughtful expression crossing his face. "Intriguing, really. Do you know what happened to your memory?"

"No.. not really."

"Well, that's unfortunate." The Radio Demon lets out a chuckle, static still laced in his laugh. "It seems you're in a bit of a dilemma, aren't you, Bambi?"

"Bambi.. I like it." You reply.

"Pardon me?" He raises his eyebrow at you, surprised at your statement.

"Bambi. I like the sound of that."

He laughs, a smile sounding from him again. There was something so unsettling yet alluring about him.

"That is rather fitting, I suppose. Bambi.. it's not a bad name." He thinks for a few seconds, stroking his chin as he considers. "And I suppose I'll need something to refer to you if you're staying. It fits you.."

"Staying?"

"Where do you think you are right now, darling? You certainly didn't expect me to leave you out there with your memories wiped with nowhere to go?"

"I.."

"Surely you hoped to stay for accommodation and basic necessities?" The Radio Demon asks, curiosity glinting in his eyes. "You've lost your memory after all, have you not?"

"Yes.." You hesitantly replied. Sure, you've lost your memory, but you weren't stupid enough to follow a random Radio Demon around without knowing him.

"I don't bite, Bambi. I can guarantee everyone at the hotel will treat you with the respect you deserve. And if they don't, all you need to do is let me know and I'll handle them for you."

"Hotel?"

"My, my, you really are a clueless little deer." Alastor uses a cane-typed staff to ruffle your hair. “So fragile and just the cutest little thing.”

“Thank.. you?”

Alastor tilts his head to the side curiously.

"It seems as if my teasing isn't upsetting you. How strange." He merely comments. “Oh, to understand your lost little mind.”

You carefully scan the room. It seemed to be a broadcasting studio, the room simply in red. Totally wasn’t sinister at all.

“So, what do you say, Bambi? We wouldn't mind providing you with all the necessities you need for now.”

“Necessities?”

Alastor chuckles again.

"Like, a bed, for example! Or, oh, I'm sure you'd want new clothes as well, right? And... if that's not enough, we do serve breakfast the next day. If you want food, that is..."

“Jambalaya..” You mutter, mostly to yourself as you’re lightly lost in thought.

Alastor’s grin widens a little, his ears perking slightly at the sudden mention of his favourite food.

"I can't say that I was expecting that, but... yes, we actually do have jambalaya on the menu for lunch. How'd you know that?"

“Oh, sorry.. I was just talking to myself. It’s my favourite food.” You stifle a blush as you let out an embarrassed smile.

“Ah, so you do remember some things, Bambi.” He raises his voice in curiosity, walking towards a trapdoor in the floor. “Come along, dear, let’s bring you to Charlie.”

“Charlie?”

“The owner of the hotel, and also the Princess of Hell.”

“We’re in hell?”

Alastor stops in his tracks as the two of you reach the hallways, finally out of Alastor’s broadcasting tower.

“After our whole conversation, you just noticed?”

“I.. I suppose so.”

“Oh, dear, you really are just one mysterious creature, aren't you? To think you just appeared here, with no memories of yourself, of the world, and even what you're doing here in Hell. You are truly fascinating..”

Alastor smirks, speaking in a lower voice. “Charlie will be delighted to have you here.”

After introductions and such, Charlie settles you into the room next to Alastor’s, opposite of Angel Dust, and introduces you to all the staff.

“So.. who are ya’ exactly?” The white spider raises a hand, slouching on the couch with a grey cat beside him. 

“This is our new guest!” Charlie introduces. “Alastor found her unconscious and offered to let her stay.”

“That doesn’t really answer the question, princess.” The grey cat speaks up, seemingly bored from the unoriginality of these introductions.

“Well, Husker, our little friend here has lost her memories.” Alastor speaks up from beside you, ruffling your hair with his staff-cane-thing once more. You still couldn’t make out what it was really supposed to be.

“Lost her memories?” Vaggie is the one to speak up this time. 

“Indeed. It seems our dear friend doesn't even remember her own name, let alone anything else.”

“Then what a’ we s’posed to refer to her as?” Angel questions.

“You could call me Bambi..” You mutter softly, gaze glued to your own feet.

“Works for me.” Husk shrugs.

“Sure.” Angel replies.

Vaggie and Niffty nods.

You feel the static beside you grow a bit louder, and as you shift your gaze, you see Alastor keeping his composure with his backs behind his back, his eyes on you as he gives you a soft, and genuine smile.

“You’re going to love it here, Bambi.” He says.

———/ End. /———

[weebsinstash]

I noticed you bitches like drama and men being just a little pathetic so you know what I've been thinking of lately. Wouldn't it be so funny if you got a red string of fate, you know, whole destined soulmate shebang, but you've got two of them, and on the ends are MORTAL ENEMIES WHO WOULD RATHER KILL EACH OTHER THAN SHARE YOU

I want you DEAD, in HELL, finding out you've got one string for Vox and one string for Alastor and they HAAAAAATE IT, at each other's throats IMMEDIATELY

I want you walking down the street, somehow magically the perfect distance from both of them when your strings appear for the very first time, two leading in opposite directions. Like I picture Vox is broadcasting live and his string suddenly appears and, he tries to play it cool because he's on the air but he's clearly excited and geeking out a little, but, wait his string disappears? And reappears? And disappears? And homie is hooked up to his little TV network, and he finally notices and sees through one of the tvs on some street corner somewhere, there you are, stepping forward, back, forward, back, kind of just, making your string go in and out of the whole 'distance rule', still obviously shocked yourself, and you just awkwardly look up to the tv and flash a clearly very nervous smile, "oh hey, um, I think this is us maybe?" and nervously holding up the hand attached to his string

Meanwhile you turn to look in the other strings direction and Alastor is Suddenly Just There. He's pulling a fucking Batman on you where you just turn around and he's all but silently materialized directly behind you and you're nearly falling over yelping in surprise.

THEN VOX AND ALASTOR SEE EACH OTHER AND SEE THE STRINGS AND IT'S ON SIGHT. Vox is just slamming his hands down on his desk, "NO, FUCK OFF ALASTOR, GET YOUR OWN SOULMATE" meanwhile Alastor is. Slightly more composed but his ears are pressed back and he's grating his teeth as he looks between you, who he's already so eager to get to know everything about, and his old business partner and he's immediately growling out an "Absolutely NOT"

I want you awkwardly flipping between both of these men like Hell's most precarious drama filled job interview. "OK well, his head is literally a TV so I bet he likes video games like I do whereas you don't seem the type, BUT, Vox is also just kind of a mean person? And Alastor you're a fucking cannibal serial killer? But we kinda have similar values.... but I love tech.... HE would make me feel smart and YOU I feel like would threaten my intelligence and make me feel stupid and-- oh my god is that literally it, am I so crazy i get both of you to balance me out in different ways. What about you guys. You guys ever make out with each other or anything--"

Like these two are wanting to get to know you and bond with you and I just picture Alastor is repeatedly suggesting you two go to a diner or a cafe or somewhere to grab a bite to eat (and also because he TOTALLY isn't trying to lead you away from the TVs on the street) and Vox is like having a little hissy fit through the screen but he's keeping his distance because he knows if he faced Alastor head on he would wreck his shit

But like.... imagine scenario c where you don't want either one of them and you're just like IMMEDIATELY "uh, no, no thank you? I actually um, am not looking for a relationship right now, and, uh, also you're both just. Awful. You're both just legitimately awful people and I don't want anything to do with either of you or all the drama you cause, quite frankly you guys can go make out with each other and I think we would all be better off" cause. I mean it was already a competition to win your heart but this is Even Worse because both of them are trying to "win you over" before the other one can and they're just SMOTHERING YOU. Like imagine one of your strings appearing and there's a knock at your door and suddenly your other string appears and you're hearing arguing voices outside and you open your front door and they're like. Strangling each other on your doorstep. Immediately pushing their way into your apartment and commenting on all your belongings

Alastor just like sarcastically commenting on all your tech while Vox is thrilled you have things in common. You and Vox just deliberately using modern slang and pop culture lingo just to annoy him by saying shit he either can't understand, finds annoying, or both. Vox thumbing through your cds and chiding you for having older music in your collection while Alastor tells him he's too low intelligence to appreciate the classics and starts asking you about your tastes in more 'retro' things. The entire time both of them are looking at each other "try not to break anything you clumsy oaf" *meanwhile is picking up and touching all your shit himself*

And of course... imagine the drama if you reject them and they catch you out on the take for another man. They scour the city looking everywhere for you, even TEAMING UP because they want to find you that badly, and they find you in a club in some dude's lap dangerously wasted as you put your tongue down his throat. You're all but riding the dude to kiss him. And finally Alastor and Vox are agreeing on something! You're PEELED off that man and, wherever he goes you sure don't know because you're WASTED! You're just giggling and messing around, swirling your finger in circles on their arms/chests, "oh my gosh, itssssyouuuuu guys!! Heyyyyy!!!! Come have drinks with me and my new friends!!!" and you're just so drunk they're uncomfortable with it. Alastor is getting some unpleasant nostalgia and Vox is worried how many other people are in this club, having their eyes all over you, Lucifer only knows what all you've been up to

If they find you with hickies or some shit on your neck you basically lose Personhood Privileges. You're like. Getting carried out of there, Alastor's just scooping you up, "cmon darlin!" and you're so drunk you're just like "oh my gosh you're so strong ☺️🥰 wheeeeeee~" and, you're just drunkenly slurring and being chatty and asking them all kinds of questions (and maybe saying some real inappropriate shit that makes them nervous about leaving you alone or around other men), meanwhile they're, like, carting you off to one of Alastor's secret hideouts or Vox has a hidden apartment to get his own space away from the Vees, you're just getting toast and water and getting tucked in still really fucked up as they're doing everything from, Alastor dutifully removing all your makeup to Vox helping take off your shoes for them to tuck you into bed. You're just drunkenly purring with contentment as one of them throws a blanket over you and you're just nice and burrito'd up, already falling asleep

Imagine they're just about to leave the room and you're just, so quiet and soft and, "... that guy i was with... wouldnt take no for an answer, so... i was just... kissing him so he maybe would leave me alone... but then he kept asking for more... I don't know what I would've done if you guys hadn't shown up. Thank you" and just rolling over and conking out as both men stare at you like the shocked tails meme

By the time you're waking up, you're stumbling out of the bedroom to see them both still there with you, politely chatting over some coffee and scrambling up to you now that you're awake, leaving you more than just a little confused. Wait, the two of them are getting along now? Well, your little disappearing act and all the little stunts you've pulled made them realize that, they both individually have their own strengths and weaknesses, and, they even wound needing to work together to help you, and, really isn't that just so indicative of times to come? Clearly you DO need both of them, and, maybe just maybe if it's for your sake and safety, they can set their differences aside. Heck, maybe even teaming up to help find you and just, figure this whole mess out in general reminded both of them of old times. Maybe they even missed their old friend a little bit. Maybe if you get them drunk and horny enough you can even get them to make ou--

[xxtc-96xx]

I know we weren't supposed to question it but, it still feels weird not to have an explanation for why Pig goes by a female.

The best I can think of is that the female scientists, possibly even the one we see Mewtwo wipe the memory of when he raids the lab, talked to Pig a lot while she was still in incubation. And since a woman's voice is what she heard all the time, she likely got attached to it and then unconsciously CHOSE to use a girl's voice for her telepathy. Since it's literally their minds broadcasting words, I imagine telepathy can use any type of voice.

As for why the Twos refered to Pig as a she/her BEFORE she was able to speak, I got nothing to explain that. 😅

it doesn't all have to be some big conspiracy, their genders really don't matter as much as people think they do

[accio-victuuri]

xiao zhan - GQ February issue cover story Q&A 📝

They have experienced real things. There is no camera facing you. Without lights, you are living your own real life.

GQ: When did it become clear that you wanted to be an actor?

Xiao Zhan: When the public paid more and more attention to me, I want to say, why can’t I do it? I think I can. Sometimes I get shaken and think it’s so difficult. Why can’t I do it? For example, when it comes to lines, why are my lines just not good? Why can’t I speak well with others? Is it because I'm from the South? I don't think so, and then I think, how can I say it well? I can do it, let's give it a try.

GQ: In your opinion, what are the professional standards for actors?

Xiao Zhan: First of all, being professional is an unavoidable topic. You can have a non-major background, but you must have excellent professional skills. This is what I want to do, this is who I am. I feel that I am not enough, and i’m too far behind.

After becoming professional, attitude is very important and whether you love it is also very important. Do you just treat it as a job, or do you really like it? These are two concepts. When you see it as a job, you may not be able to go very far. But if you really like it, you will cry for it and laugh for it, which may be the motivation for you to stick to it.

I also have a strong body (laughs). I used to not feel tired when I was in my twenties, but now I feel very tired after staying up late. It's a terrible thing to be. A strong body is important, it is your foundation.

GQ: When you acted in which role or drama, did you feel recognized?

Xiao Zhan: When I was working on "The Wolf" at the beginning, I was under a lot of pressure. My acting teacher would give me a lot of advice and guidance, and I would constantly overturn my own performance every day. t was a period of confusion. After you get over it, you will find that you have grown. When you start acting later, you will gradually find a little bit of feeling, and then step by step — this is a cumulative process.

I feel that I have acted too little. Compared with some of my predecessors, who have acted in many works in their thirties, my current works are still too few and I have not accumulated enough.

GQ: Are you anxious?

Xiao Zhan: Yes, because I think (improving acting skills) is a cumulative process. You can’t make a big step forward with just one movie. This is difficult for me to happen. So you have to keep filming, but you have to keep filming good films and don't consume yourself.

GQ: What are the considerations behind the expansion of the three film and television dramas to be broadcast in 2023 from costume dramas to period dramas and urban dramas?

Xiao Zhan: Actually, I didn’t think anything about it. It just happened naturally. I didn’t deliberately change the themes that I had acted in before. I just read the script and the script was handed to me at the time. I felt attracted to a certain script at the moment, so I chose it. It just happened to be a subject that I had never acted in before.

GQ: Do you feel tired after always acting in costume dramas?

Xiao Zhan: There are many types of costumes. Don’t divide them into costume dramas and modern dramas. It’s nothing more than putting on a hood and changing clothes. In fact, the core is the same, but also just completely different.

GQ: Once your drama is aired, will you follow it?

Xiao Zhan: I won’t follow it, but I will watch it, and I will choose the scenes that I care about to focus on, so I can find problems for myself.

GQ: Will you be able to watch the barrage?

Xiao Zhan: I used to really know how to do it. I felt very happy and laughed with everyone, but now I can’t do it.

GQ: What kind of role do you want to play now?

Xiao Zhan: If I could choose, of course it would be the best one I haven’t tried yet. I need freshness. If I ask you to do the same thing every day, you will be bored.

GQ: What kind of actor do you want to be?

Xiao Zhan: I want to be an actor that the audience can like.

GQ: Have you already done this to make people like you?

Xiao Zhan: No, no, I think it’s far from enough. I once thought about whether to be an actor with a personal style or to be an actor that the audience likes just by looking at you. At present, I want to be an actor who makes the audience like you. Maybe everyone is not your fan, or even not particularly interested in you, but you know that he has a drama, Do you want to watch it? His dramas are all good. I want to do this. This is my current goal. Is it possible to become the actor I like? This is a rule.

It’s a long road, take your time.

GQ: Who are your favorite actors?

Xiao Zhan: There are many. For example, Zhou Xun has always been my favorite actor. I recently watched her play ("Waving in the Poison of Anger"), and it was really great.

GQ: What are your career plans in 2024?

Xiao Zhan: Make more movies and work with more good teams. This is the only goal at the moment, and I won’t consider other things for the time being.

GQ: Do voices on social media bother you?

Xiao Zhan: It doesn’t bother me. It’s been so many years and I’m still worried. I’m still alive. (English) It’s really okay. Just like I know exactly what I'm doing, every time. To make a choice, you have to clearly know what you are doing, what you want to give up, and what you want to make. So, fortunately, the team may have more troubles.

GQ: Your personal life has not been affected?

Xiao Zhan: Very normal! I can go out for a ride or a walk. When you walk on the street, no one really cares about you. It's really not what everyone thinks. Like this, then I can walk around freely,

GQ: Is this an escape moment for you?

Xiao Zhan: It’s time to relax. Why do you want to escape? I am also in the third dimension. Where do I want to escape? This is my life. I am the same as everyone.

There are many things I particularly want to do, such as taking the subway and shopping in shopping malls, which are very similar to when I was in school, and maybe I will do them in the future.

GQ: Do you miss the ordinary life very much?

Xiao Zhan: It’s not that I miss it, it’s that I think I should do it. It’s because of my popularity. I will really take the subway, maybe tomorrow. It’s so normal. I used to take the subway every day. for me there’s nothing I can't do. What do you think I can do? Say hello and leave. It’s just that I don’t want to cause confusion and trouble for everyone or cause a bad reaction.

GQ: You have not appeared on variety shows in recent years. Is this a conscious choice?

Xiao Zhan: Because it’s not suitable. With my personality, people get tired in variety shows. I want to take care of everyone’s feelings, which makes me very tired. Now that I know this is the case, If there is a result, then just don’t do it.

GQ: What was your original intention in entering the entertainment industry?

Xiao Zhan: I really came in inexplicably and ignorantly. I used to watch talent shows and interview the top contestants. How did i get to this point? I accompanied my friend to participate in the selection, but my friend failed and I was selected. When I was a child, I thought these things were far away from me, but when it comes to myself, it is really like this. I think it's amazing. I participated in the draft and got to where I am now. It's amazing. Life is really interesting.

GQ: What things have you not thought of before after entering the industry?

Xiao Zhan: It is a very cruel thing not to eat wantonly. When I see my former high school classmates who have children and gained weight, I will sigh, I want this too— eating recklessly, their living conditions make me feel that if I had not chosen this path at that time, maybe we are all the same, having to socialize and endure hardships — rushing to design at night, you don't know how tiring it is to do design, but life is like this, there is no way.

GQ: How did choosing this piece change you?

Xiao Zhan: Maybe I lack a lot of life experience. In this regard, my classmates and friends are far better than me. They have experienced real things. There is no camera facing you. Without lights, you are living your own real life.

GQ: Are you an emotionally stable person?

Xiao Zhan: It's relatively stable, but once I touch some points, I will become very unstable.

GQ: For example?

Xiao Zhan: It’s just... some things that cannot be said. Haha, maybe when something incredible happens, you will think, what are you doing? I will be very angry when something happens. Maybe it's some privacy issue. If this point is exceeded, I will "run away".

Everyone has their own boundaries, and some people have no sense of propriety. I stay away from such people, but when the boundaries are broken again and again and the bottom line is touched, I will get very angry.

GQ: You once said that you have a particularly strong side in your personality. What do you mean specifically?

Xiao Zhan: In principle, I am a very rigid person. If I insist on something and I think it is right, it will be difficult to be convinced. For example, if I want to be an actor, I don’t want to do anything other than being an actor. If you come to Siam, let’s debate. No one is right or wrong, the team is also for your own good, Isn't it a good thing to have a lot of work? But for me, I have to subtract because some things are really not what I want.

GQ: Do you have a perfectionist side?

Xiao Zhan: I just want to do it well, just try my best right now. Maybe the result is not good, but what should I do? This is all I can do.

GQ: Can you accept failure?

Xiao Zhan: I can accept it. I might not have been able to accept it a few years ago, but 30-year-old Xiao Zhan has learned to accept it (laughs).

-END.

[namyejuns]

Can I request a Noah x Fem!Reader where she’s a member of PLAVE (the typical only girl in boy group scenario ;) ) and she’s getting shipped with Bamby, and he sees all those comments about her and Bamby and gets jealous of their interactions? Reader reassures him and it can be fluff or smut (you choose) 👁️ —🩷 anon.

hey!! thank u so much for my first ever plave request, i was so so excited to write this!!! i'll keep this fluff for now but i wouldn't mind expanding on it later with some smut........ just lmk if you'd be interested hehehe.. i kinda struggled with characterization so pls be kind!! // divider by @/adornedwithlight // requests open!!

"Noah, sweetheart, please calm down," you pout, following him to the breakroom of your studio. Despite trying his best to keep it together, tears are tugging at his eyes - he's always been more of the melodramatic type.

Shutting the door behind the both of you, you lock it so no one else can barge in - they can think whatever they want to think is going on. The blonde refuses to face you, instead plops down in a chair with his back to you as he sips from his water bottle. Practice had been vigorous today, followed by another two hour broadcast, and it had definitely worn everyone out - likely why tensions and stress were a little higher than normal.

"Han Noah," you repeat, using his surname to convey that you're serious. This needs to be discussed.

"Go talk to Bonggu about it instead," he finally replies, crossing his arms and legs with a hmph.

"Excuse me?" you raise a brow.

"The whole world thinks you two belong together, right?" he scoffs. "Just go be with him already."

You sigh and roll your eyes. Drama queen, as always.

"Every comment on the lives is about how perfect the two of you are together," he sniffles. "Maybe it's true."

Coming up behind him, you wrap your arms around his shoulders and plant a kiss on his cheek.

"It's true that I love Bonggu very much," you start, etching a deeper frown into the blonde's face. "But not the way I love you, Noah. I don't dream about Bonggu every night, I don't count down the seconds until practice and lives are over so I can get my hand on Bonggu. Not the way I do with you, baby."

He grumbles but still stays silent, though you know you've already won him over again.

"You know the world doesn't know about us, Noah, and we have to live with that. We have to live with the fact that fans might fabricate things between me and Bamby, and with any other member they see fit that day. But I will never love them like I love you, okay?"

At this point, you think Noah is just smugly enjoying you waxing poetic about how much you love and adore him, but if it makes him happy, you'll do it. You'll do anything.

"Fine," your boyfriend finally gives in, and you sigh with a smile.

"Good," you giggle, making your way around his chair to plop in his lap and throw your arms around his neck, his hands settling on your hips. "My beautiful fairy princess." He guffaws and rolls his eyes.

"Your beautiful fairy princess who loves you very, very much," he replies, pressing a chaste kiss to your lips. "Thank you. And... sorry. That I got jealous."

"It's okay, sweetheart," you assure with a shake of your head. "I'm here for you, to reassure you, always. I'll never get tired of telling my adorable Noah how in love with him I am."

With that, you hear a loud banging on the door, and the groans of multiple tired men.

A voice that sounds remarkably like a man with gray and black hair pipes up. "You lovebirds done in there?"

[mirai-e-jump]

Ohsama Sentai King-Ohger Character Book: We're KING!!!!!! Main Cast Member Interviews (translations below, LONG POST)

Taisei Sakai (Gira Husty) Interview

-Have a backbone when facing as Gira-

"When you were first accepted for the role, what did the Director and Producer tell you about Gira's character?"

Sakai: When all the cast members got together for the first time, we were given all our materials, and I spoke with Director (Kazuya) Kamihoriuchi, who told me, "Be yourself when playing Gira." At first, I didn't really understand it, but as filming progressed, I slowly began to understand what he meant. Gira is very genuine with his emotions. When he's mad, he's mad, when he's sad, he's sad, and his facial expressions are distinct, so I interpreted it in my own way, by acting honestly, and even now, I'm still mindful of that when performing.

"Gira's brother and former king of Shugoddam, Racules Husty, thought of his citizens as tools, and while it was meant to oppose him, Gira sometimes called himself, "The evil king." What are your thoughts on this?"

Sakai: I think it's something that comes out unexpectedly, like when my emotions start to overflow, or when I have something I want to hide, but my personality makes me unable to lie. It's also the same for when I want to motivate myself.

"Is it difficult switching between that and regular Gira?"

Sakai: It was difficult. Director Kamihoriuchi gave me detailed instructions on the emotional flow of going from regular to evil, and then from evil to regular, and I'd practice alot even after going home.

"You seem to do alot of preparation before you start filming."

Sakai: Yeah. I think it's important to spend time going over the script in order to get into the role. I imagine everything from, "Why is Gira in this place?," "What types of food did Gira eat growing up?," "What kinds of kids does he spend time with, and how does he play with them?" By doing so, I feel that I can easily get into the role.

"You have a unique way of delivering lines, it's abit literary, isn't it?"

Sakai: I looked up things in the dictionary, like the meaning of, "One tree, one plant"* (laughs). But, while it's important to understand the meaning, I also think it's important to know who Gira's speaking to and with what kind of emotion, so I try to be aware of that. (*Japanese idiom)

"It's been about six months since filming began. Are there any areas where you feel Gira has grown?"

Sakai: Recently, I became more aware that I'm king. As king, Gira struggles with what he should be doing going forward, but I feel that he's grown compared to the first episode. I've learned alot from my conflicts with the other kings, such as with Yanma (Gast) and Hymeno (Ran), and while I haven't changed at my core, I'm gradually becoming more mature.

"Once more, when playing the role, what do you consider to be the most important features of Gira's character?"

Sakai: He's the type of person who's straightforward and expresses his emotions more than the other kings, so that's probably the most important thing I'm conscious of. When I'm happy, I look happy, when I'm mad, I look mad…and so on. I myself am not the type of person to express my emotions very much, so I try to be conscious of raising my "gears" 2-3 times to get as close to Gira as I can.

"As filming progressed, did you feel more comfortable being Gira?"

Sakai: I think so, recently I felt that I'm finally getting used to it. But, I still have a long way to go. I can do "angry" and "sad," with ease, but "happy" is still difficult for me. The way I feel is something I'm still struggling with.

"Conversely, what do you enjoy about performing?"

Sakai: The times when I can act as myself. When I can communicate well with those around me and think, "This scene will definitely turn out good," I feel very fulfilled. When I can absorb myself into a role, I don't feel strange when I watch my performance in the broadcast. However, there are times where I'll already have something to reflect on during filming, and when I see the broadcast I'll think, "I could have expressed myself better there."

"You get so into your role, that we were surprised to hear that you're the type of person who doesn't show much emotion, so were you surprised when you were chosen to play Gira?"

Sakai: Gira's slightly outgoing, innocent, and straightforward personality may have been something I could've identified with, but even so, it still felt like something I wasn't expecting. Everyone around me is so amazing at their performance, that I wondered, "Was I really the right person for this role?" At the time, I really felt this way.

"At the time of this book's publication, episode 26 will have aired, but please tell us about any memorable scenes or lines."

Sakai: The scene with Racules in episode 20. Gira's objective since the first episode has been to defeat Racules, but it was very difficult to maintain that objective throughout those 20 episodes. In this episode, Gira says to Racules, "I'll surrender if you apologize to everybody and become a king who'll work to protect them." When I said that line, I perfected it after thinking back on the events from the first episode, so it's a scene that I'm very attached to. Furthermore, It was also a turning point for us because (Masato) Yano-san, who plays Racules, would be stepping away from filming.

"Do you think that the talent of Yano-san was a big part of the reason for that scene turning out good?"

Sakai: I've really learned alot from him. We've worked together on other productions in the past, he's been a great help to me in my private life, and of course, he's consulted with me alot on set. To me, he's like a big brother I can rely on.

"How's the action in the scenes where you fight without transforming?"

Sakai: About a day before filming, Action Director (Watanabe) Jun-san gives us a chance to practice in the studio. I'm not that good at action, so if I don't practice, I might have a hard time later. The sword is also heavy, so the action scenes were already difficult. I'm going to do my best at improving my sword fighting skills.

"In the movie "Adventure Heaven," which released this past July, there was a scene where you and Shido Nakamura, who played the role of Reiniol, the first king of Shugoddam, had a fight, and so the practicing continued."

Sakai: Once again, by being apart of the Super Sentai series, it's given me the opportunity to experience not only acting, but also action, dubbing, variety and a wide range of other things, I'm very grateful for this. Also, another moment that left an impression on me, was the dialogue with Kuwagon (mechanical lifeform "Shugod" Gira fights alongside) in episode 25. Chatani Kazuyuki-san gave me detailed directions, and through trial and error, shot the scene about 5 or 6 times. At first, I was saying my lines unconventionally, but the Director told me to just perform it from the heart. The Director then encouraged me to add inflection to my lines. By changing my attitude, I was able to really get into the scene, and I felt a good response with this change, so it's a scene I'd like everyone to watch again.

"In episode 26, Gira's line of, "If you make the first move, you're evil, if you win, it's called justice, none of it even matters. All that really matters is….who can apologize first," was also memorable.

Sakai: As of this interview, we haven't shot that scene yet, but it's a scene that I really treasure. I'm currently thinking of a plan for how to act out the scene where I make the sincere apology.

"It shows that Gira is a person truly worthy of being king."

Sakai: It shows the size of Gira's capability, doesn't it? I think Gira's grown in this respect compared to the beginning of the series.

"Also, for a time, Gira often wore disguises to hide the fact he survived, were any of them memorable?"

Sakai: It would have to be the pillbug looking "Pilltaxi" suit I wore in episode 15. As I said in my dialog, it really was super hot to wear (laughs). The filming took place during the time of season where either short sleeves or long sleeves were appropriate, but first, I had to wear yellow tights, 2 down jackets on top, carry a heavy shell on my back, and put on goggles and headphones…..It was very hot and I also had to do action scenes, so while it was alot of fun, it was also pretty difficult (laughs).

-Moving straight ahead to create a "Good Country!-

"Next, please tell us about your impressions of the other kings. Let's start with Yanma."

Sakai: I have the most scenes of conflict with Yanma, but, he's also my partner. Aoto Watanabe (who plays Yanma), also puts his emotions into his performance, which then turns on my "switch," and allows me to give it my all. Gira is usually pretty direct, but I think he's most direct with Yanma. It feels like we're alittle special. When Gira rushes to Yanma's side in episode 17, it made me think that we share a very passionate friendship.

"By the way, how do you think Gira feels when Yanma calls him "Octomush"?"

Sakai: I don't think he has any complaints (laughs). If anything, it makes me think, "Ah! He called for me!" I guess it feels the same as being called "Gira" normally. Currently, being called "Octomush" has become normal. That's why I was alittle surprised when Yanma said "Gira" in episode 17, even though Gira wasn't around.

"Please also tell us about Hymeno."

Sakai: I often clash with Hymeno as well. In episode 14, when Hymeno was about to go down a slightly different path as king, Gira strongly says, "Is this the face you want your people to see?" However, from an objective view, I feel that Gira is treated like a toy by Hymeno (laughs). I'm sure Gira doesn't think anything of it, but from my point of view, it's an interesting relationship.

"What about Rita Kaniska?"

Sakai: I think Rita is the one Gira respects the most. Of course, everyone else also respects them. The scene in episode 5 where they pass judgment saying, "If I say he's not guilty, he's not guilty!," it was so cool that I got goosebumps. They're the opposite of Gira in terms of personality, but from Gira's point of view, they're an elder like figure who looks out for him. We haven't had many one on one scenes together, so I hope there'll be more in the future.

"Continuing on, please tell us about Kaguragi Dybowski."

Sakai: Regarding him, the way Kaguragi was towards the end of episode 15 left a strong impression on me. The concern Kaguragi has for his sister and Toufu makes him choose to side with Racules and, by extension, the Bugnarak, despite his true beliefs. The scene where Gira asks, "Isn't your heart crying?" was really memorable. Kaguragi is often misunderstood because he won't show his true feelings easily, but Gira tries to see the good in him and appears to trust him. The scene in episode 18, where Gira secretly communicated with Kaguragi behind the other king's backs, was also a wonderful one. Not just Kaguragi, but the scenes where each king showed their emotions left a lasting impression on me.

"The powerup item for KuwagataOhger, the Ohger Crown, was stolen from Racules and given to Gira, suggesting that Kaguragi also trusts Gira."

Sakai: That's right. At first glance, the relationship between the kings may seem surface level, but I feel that they've gradually started trusting each other. I thought that although the characters were different, they all faced the same direction. When I think back on it, my impression of everyone might be similar due to how Gira treats everyone the same (laughs). But, the good thing about Gira is that he doesn't change depending on the person. However, I think the way I treat Jeramie (Brasieri) is alittle different from the others. He's got a boyish spirit and is a character loved by everyone around him, so I think we share a similar character, almost like we're, "A couple of bad boys." He's alittle different from the other kings, and I expect that their relationship will become even more heated in the future.

"We'd also like to ask about your feelings towards Racules, who you've been fighting. You must have mixed feelings…."

Sakai: For me, I wasn't told about the kind of relationship they had as children. Gira is said to have little memories of those days, so it would be better if he didn't know. I'm trying to imagine if Gira was told anything by Racules, so I'm looking forward to finding out the answers to these questions in the future.

"Also, you're often able to perform with children, such as Kogane and Boone, who grew up in the same orphanage as Gira, please tell us what you keep in mind with them."

Sakai: I think it's important to have the same point of view as children. I'd make me happy if Gira's attitude was that he wanted to have fun with the children from the same perspective. The stance of wanting to have fun together from the same perspective is something that Director Kamihoriuchi told me from the beginning of the series, so I'd like to push that point further.

"Do you think there's anything about the other 5 cast members that you would actually consider to be kingly?"

Sakai: Watanabe (Yanma) has a manly spirit, which is really similar with Yanma in that respect. When we stop by a convenience store, he'll buy something for me without me knowing, and he'll do it without hesitation. He's the type who takes his acting very seriously, which I also think is really cool. When we watched "All Rush" (pre broadcast screenings) together, he'd sometimes reflect saying, "I wish I did more of this." I think he's a really passionate person. Erika-chan (Hymeno) is someone who pays close attention to her surroundings. I admire her for her thoughtfulness. Her demeanor is beautiful, and I think she's the perfect fit for the role of Hymeno. I think Yuzuki-chan (Rita) is way different from Rita (laughs). She's very approachable and mindful of her surroundings. Both Erika-chan and Yuzuki-chan are very mature, and good at being able to see the whole picture. Yuzuki-chan is also the youngest member of the main cast! Kaku-san (Kaguragi) is accommodating, offers advice, and livens up the scene. He's like a father to us, gently embracing us all with kindness. Finally, Masashi (Jeramie) didn't come off very Jeramie like at first, but lately, he's been smiling all the time and is very charming, similar to the kingly side of Jeramie. I feel that everyone has elements in their personal lives that fit the characters they play.

"Starting in September, we'll finally be entering the new chapter, Sakai-san, please give a yell of support to the current Gira!"

Sakai: Now that he's the king of Shugoddum, I think he'll have a stronger sense of responsibility for the country. I'm looking forward to seeing how Gira will deal with the other king's conflicts and the various situations that the children will face. Gira's idea of a "Good Country" is one where, "The king protects his citizens, and everyone protects those who are important to them." I believe that this goal is an expression of Gira's humanity, and I hope that he'll keep it in mind as he moves straight ahead.

_

Watanabe Aoto (Yanma Gast) Interview

-The name "Hymeno" is a privilege for Yanma only-

"What kind of character did you feel Yanma was when you read the script?"

Watanabe: My first thought was, "This guy, I think he's a really cool man!" I've always admired men who take the initiative and lead others. Yanma shows off his cool side, but is also the type of person who can expose his weaknesses. That's why those around him want to help out. I remember thinking that the role was very appealing.

"Speaking of, Yanma's main characteristic is his pompadour hair style."

Watanabe: Actually, it wasn't going to be a pompadour in the beginning, but the Director, makeup artist and I came up with the decision. At first, I suggested a perm, with a "wet" look, but they wanted something edgier, so, they started trimming my sides more and more, until we ended up with the style you see now (laughs).

"Compared to the start of filming, have you discovered any new aspects of Yanma that you find appealing, or do you feel that you've grown?"

Watanabe: At this point, I really feel that he's trying to keep his cool image. Starting with Gira, he also seems to have a good relationship with Jeramie and Kaguragi, and I think it's because Yanma's willing to open up and talk with them. Don't dismiss your friends, but make sure to express your own opinions. With that kind of attitude, I feel the respect for each and every one of them. I also really like the distance that Yanma gives when interacting with someone.

"At the time of this book's publication, episode 26 will have aired, but, please tell us about any memorable scenes or lines."

Watanabe: There are alot of scenes I like….First, there's episode 2, where I say to the people of N'kosopa, "You guys, just shut up already and follow me. I'm not going to lose to anyone!!," there's also the scene in episode 7, where Hymeno reveals her past to Yanma. The scene in episode 10, where Legend King-Ohger arrives after the passionate exchange with Shiokara (Yanma's retainer), I really liked as well. Also, there's the wacky scene in episode 11, where they discussed how to reveal to the people that Gira, who was supposed to be dead, was actually alive. Ah, also! I liked the scene in episode 14, when Hymeno suspects that Jeramie's the one who caused the "Wrath of God" (disaster from 15 years ago), and Yanma says, "Things'll become clear when you finally meet Jeramie." Instead of being like, "I'll help you," he's more, "I'll throw you a rope, but it's up to you with what you do with it," leaving it up to her to decide, which I thought was very cool and totally like Yanma. I also like the scene in episode 17, where Gira saves Yanma, who's falling apart, and then the whoopie cushion scene in episode 19, where Yanma and Jeramie talk to each other, and they’re both smiling and laughing together, I really liked that one! It was the first time where I felt that he and Jeramie were facing the same direction.

"What do you keep in mind when playing Yanma?"

Watanabe: Before filming, the Director told me about my eyes. He said that if I remained as I was, they wouldn't have any "sharpness" to them. I watched yankii movies by myself, and since Yanma is a character who leads people, I wondered, "What kind of person would people want to follow?" I also read books and biographies written by people who've held leader positions. Through this process, I've slowly developed a sense of, "The coolness of someone who leads others." Now, I'm in the process of putting out what I've been studying.

"Like what for instance?"

Watanabe: Usually when Yanma talks to people, he'll consciously turn his head at an angle to them. He'll look away and stay calm, and only makes eye contact when the moment is right. I'm especially careful of the timing for when I face the person and when I make eye contact. I think this is an important factor in expressing what I consider to be Yanma's, "distance between people".

"What are some of the challenges you face when performing?"

Watanabe: The explanatory lines…there's so many Katakana characters. But, that's pretty much it. At other times, my jacket would fall off my shoulders while I was doing action scenes (laughs). Ah, speaking of the action! Yanma's pretty weak in fights, but I myself want to play the role of a more cool Yanma, so I'm alittle torn. In the movie "Adventure Heaven," which was released in July, there was an action scene between Rita and Yanma. During filming, Yanma was being overtaken by a swarm of Sanagim (Bugnarak soldiers), but, when I looked at Rita, they looked so freaking cool beating them up. Honestly, I was abit jealous.

"So you had a hard time with the explanatory lines, huh? There are many proper nouns unique to the show, so did you struggle with the intonation, especially in the beginning?"

Watanabe: It was difficult! I struggled the most with the accent for "Shugod."

"For Hymeno's name, should it be pronounced with an accent on the "Hy" or should it be pronounced normally?"

Watanabe: Actually, only Yanma's allowed to say it normally. Everyone else is told to put the accent on the "Hy". It's a privilege only I have!

"When do you most enjoy playing Yanma?"

Watanabe: For me, with the more serious scenes, I think I enjoy them more when they're over. As a citizen of N'kosopa, I also become nervous with all the extra cast members, but at the same time, it makes me feel excited. I approached these things with the mindset of, "Yanma's someone who brought these people together," but, when I walked down the red carpet with about 300 people all staring at me, I once again felt excited and the tension started to rise.

-Whatever choice you make, choose the one you won't regret-

"Now, I'd like to know what kind of impressions Watanabe-san has about the characters that surround Yanma. First off is Gira."

Watanabe: This can be said for all the kings, but I feel that he has his own sense of justice. I think that Gira's desire to protect people, even at the cost of his life, is stronger than others. He played the role of an "evil king" to make it happen. Yanma might laugh at Gira's way of doing things, but from my point of view, I think it's very cute. I mean, he's got a cute face, doesn't he? (laughs). There's something sparkly about his moments of "nothingness," and I think it grabs the hearts of both men and women. Even when he's doing something ridiculous, he has an atmosphere that makes the people around him want to support him, which is very much in tune with being a main character.

"What do you think about Hymeno?"

Watanabe: In my opinion, among all the characters in the show, aside from Yanma, I'm fond of Hymeno. For me, I love cool female characters. Furthermore, the selfish ones are the strongest of them all, right?! I also really like the relationship between Yanma and Hymeno. When Hymeno says something like, "you lack elegance," I tend to rebel against her, but I feel like we recognize each other's beliefs. Even when they're fighting, I don't think they feel awkward, I think that they're just enjoying themselves.

"In the beginning, Yanma called her, "Hymeno-chan," but before we knew it, he just calls her "Hymeno."

Watanabe: Actually, he hasn't called her by her name since episode 3, when he called her "Hymeno-chan." He did sometimes call her "Princess," though. So, I kept waiting to see when he would call her by her name next. And then, in episode 17, he said her name for the first time in such a long time, and it was also the first time he called out to her! It was the scene where Yanma relies on Hymeno, and I said to Erika-chan, "It's finally here." I thought it was really passionate that he called out to her for the first time in such a situation. I feel that Hymeno and Yanma are subconsciously acting in a way that'll make them like each other. For instance, in episode 7, I wonder if Yanma's answer to Hymeno's question about her past could've been more heartfelt because it was Hymeno. For Yanma on the other hand, when he asked Hymeno for a favor, I really like how she always smiles and helps me. In the beginning of the story, there were scenes depicted in which it seemed that Yanma had a crush on Hymeno, but I hope that in the end, Hymeno will fall in love with Yanma. That's my wish, but when I told Erika-chan about it, she said, "No, it won't happen that way. Because Hymeno is becoming more mature, in the end, Yanma will fall for Hymeno once again." (laughs).

"(laughs). So, what about Rita?"

Watanabe: For Yanma, Rita is the most distant of the 5. That's why Rita's the only one he hasn't called by name yet. I think for Yanma, it may have to do with Rita's position as chief judge. He has respect for them, so he doesn't want to interfere too much in the decisions they make. However, when dealing with them as a person, I think Yanma's the type of person who says whatever he wants. That's why he said, "So annoying!," when Rita screams in episode 19. I personally think that since Yanma can make friends with anyone, that I'm sure he can make friends with Rita as well. Still, he doesn't know much about Rita's personality, so if he can just break down some of their barriers, then surely…..Well, I do wish Rita would atleast be alittle more honest (laughs). But, Rita just goes at their own pace.

"Next, tell us about Kaguragi."

Watanabe: For me, I think that Kaguragi-san and Racules-san are characters that are most likely popular among adults. When I auditioned for the show, there was the script for the scene in the first episode, where Gira and Racules confront each other. At that time, I very much empathized with Racules. I'm only in my mid twenties, but even I know that you can't live by empty words only. I'm the type of person who has a hard time trusting people 100% right away, so I feel that the way Racules-san and Kaguragi-san go about politics makes the most sense. Among other things, Kaguragi-san's appeal is in that he's willing to dirty his hands to protect his family and his citizens.

"What are your impressions of Kaguragi from Yanma's perspective?"

Watanabe: Even as Yanma, I don't think he'd deny the way that Kaguragi-san does things. In episode 19, When he said to Kaguragi-san, "I guess I can trust you after all," is because he doesn't do things out of self interest, and that he's more concerned with protecting Toufu than the way it appears. I think Yanma can trust him. He was considered a traitor by many of those around him, but his actions are based on his beliefs. I think Yanma recognizes these aspects of Kaguragi.

"What about Jeramie?"

Watanabe: Jeramie's real cute, huh? Although, he's abit too pretentious for my tastes (laughs). In episode 12, Jeramie's origins were revealed. I think Yanma also feels that he's cute in that, even though he's been alive for 2,000 years, he still gets pulled around by everyone around him. Furthermore, there's the scene in episode 19, where Yanma and Jeramie fistbump, and I think that Yanma wanted to have an equal relationship with Jeramie at that time. So, I was mindful of that when I played the part of Yanma getting angry for a moment in response to Jeramie's words. Also, Jeramie's really strong. So, I hope Yanma can be in a position to guide him in using that strength.

"Do you think there's anything about the other 5 cast members that you would actually consider to be kingly?"

Watanabe: They all have their own wonderful qualities. Taisei may seem like an innocent airhead, but he's also got a manly spirit. Erika-chan is someone who always thinks from the perspective of those around her. She's dignified, in a good way, and that's something I want to learn from her. Yuzuki-chan is the same, she has a keen sense of observation. For example, when she sees someone who appears to be in trouble, she tries to move towards that person to help them. It's wonderful that she's not only able to anticipate, but is also able to act properly. Kaku-san is very experienced! He's the ideal adult man. I want to be like Kaku-san someday. Finally, Masashi is very friendly. Before I realized it, we became very close. I seem to have ended up talking about what I like about the 5 of them, rather than what I think is kingly about them (laughs).

"We'd also like to ask about Shiokara, Yanma's retainer."

Watanabe: My relationship with Shiokara is also a heated one. Yanma used to be a loner, but Shiokara accepts him and has stuck around ever since. They've spent alot of time together, so he's someone Yanma trusts the most. For me, I'm very happy and grateful to have someone like Shiokara by my side. He works for me, coordinating our foreign diplomacy. And, Shiokara's someone who can speak up for Yanma, so in a way, he also acts as my "brakes."

"If you think about it, Shiokara seems to have great communication skills…"

Watanabe: That's right. That's why I think his role is to act as a connection between Yanma and other people. For example, if it were just Yanma and his citizens, there would be alot of conflict, but with Shiokara intervening, they can move things in the right direction.

"In the future, are there any situations or scenes that you'd like to play as Yanma?"

Watanabe: I have so many that I've been writing them down in my phone's memo pad (laughs). The first, would be an awakening scene. I think it's okay for someone to lose sight of themselves. If Yanma were to switch places in the scene where he says to Hymeno, "The grief of losing someone, it's a luxury I've never had," he'd probably find himself in a situation where his rationality is thrown out and his eyes are opened. Another scene would be where Shiokara is fighting, and while everyone else is worried about him, only Yanma is watching and laughing. I thought it'd be nice if the person closest to Shiokara believed in him and watches over him, and so something in Shiokara would also awaken…I think that'd be a good scene. Wouldn't it be real passionate if we could draw out Shiokara's strength even more because Yanma believes in him?! I want to try doing it!

"As we enter the new chapter, please give a yell of support for the current Yanma."

Watanabe: I want you to stick to your own style until the end, even if there are many challenges ahead. It's okay if it's different from what Yanma thinks now. For example, right now he’s saying, "I don't flatter or bow down to anyone," but when the time comes that Yanma thinks it would be better to do so, he may lower his head. I think that's just how you grow. Whatever choice you make, I hope it's one you won't regret. From now on, let's show off another new side to Yanma!

_

Murakami Erika (Hymeno Ran) Interview

-I can say, "Thank you," with all my heart-

"At the time of being cast, what kind of character was described to you?"

Murakami: The first thing I was told, was that Hymeno's beloved parents had lost their lives. I was asked to create a role based on this fact. So, I didn't ask about the specifics of her personality, rather, I developed the character of Hymeno while acting. Hymeno's character introduction on the official site states, "Extremely selfish" and, "Has no hesitation in saving someone's life." I think being selfish means to have a strong will and a strong heart that won't be discouraged by anything. With that, I think it comes from the frustration of, "I wasn't able to save my parents." The reason why Hymeno was able to move forward with determination, and not give up no matter what happens, is most likely because she's overcome the sadness of losing her parents by herself. So, when I play Hymeno, I value having that kind of backbone the most, and it became a very important point of reference in my interpretation of Hymeno.

"Compared to the beginning of filming, do you feel that Hymeno has grown in any way?"

Murakami: It would be the fact that she's started to say thank you from the heart. Hymeno has a desire for revenge due to her parents being killed when she was younger, but I think she's lived most of her life while hiding those negative emotions. But, the more I came into contact with kings from other countries, the more I had to face it. For example, in episode 14, after learning that the animation, "Together with Moffun," was created by the people of Ishabana to cheer up Hymeno, who ascended the throne at such a young age, there's a scene where Hymeno says, "Thank you," to a girl, one of her citizens. Of course, as the queen of Ishabana, I'm sure that she had much to thank her people for, but I felt that her "thank you" at that time was a sincere one that brought her back to her original mindset, which she had forgotten. I think that's where Hymeno grew the most. Also, in episode 7, Yanma tells Hymeno that, "The grief of losing someone, it's a luxury I never had," and I think that was a scene where Hymeno realized alot of things. It's discoveries like this, through the other kings, that allow her to move forward again. These kinds of changes wouldn't be possible if Hymeno was all alone. Also, no one believed her when she said that her parents hadn't died from the disaster, but were instead murdered, except for Rita, who was the only one who believed her. Episode 16 proved that the "Wrath of God" was a deliberate act. As the story progresses, Hymeno, who would've never relied on others, came to rely on everyone at important points. At the beginning of filming, I was thinking mainly about how to make Hymeno's character stand out, and how to show the relationship between the kings, but, as Hymeno has grown, I feel that I've come to grasp the role in a deeper way.

"In episode 16, Hymeno gives Rita a "Premium Chibi Moffun" as a thank you present.

Murakami: I think she was just really happy that Rita relied on her to analyze the poison, and that she opened up to them and told them about her past. Hymeno grew up with alot of love from her parents, and I believe that she really wants to interact with alot of different people. That's why her interaction with Rita reminded me of my own childhood and made me feel nostalgic. While she's a strong woman, I feel that Hymeno must have often felt lonely.

"In the film "Adventure Heaven," which was released in July, the kings visited the Kingdom of Death, and Hymeno was reunited with her parents. During filming, did you ever remember your own parents and call them?"

Murakami: I did! I talked alot with my parents before shooting that exact scene. We didn't talk about anything special, we just had a casual conversation. But, I think what Hymeno wants the most, is the daily life she had when her parents were still alive. So, while I can talk to my parents whenever I want, I imagined what it would be like if I couldn't do that anymore, and developed Hymeno's feelings from there. So basically, I tried not to decide too much for each scene in my head, but rather, I tried to decide how I would act by my movements and feeling the atmosphere of the scene.

"Was that the way you approached the role from the beginning?"

Murakami: No, in the beginning, I did things my own way. I would often come up with a plan and then go to the shoot. However, I thought that I could make the performance better if we all worked together on it, as things can change when you're working on it with someone else. I realized this in episode 17, in the scene where Yanma said to me, "I need your help to evacuate the people of N'kosopa. You're not so heartless to leave the wounded behind, are you?" When I read the script alone, I thought that Yanma would say it like he was exhausted from battle. But, in reality, he said it with a very relaxed smile on his face. I thought, "I see. I'm surprised that Yanma would do such a thing here!" I responded to him with a smile of nuance, as if saying, "You know I'm not that kind of a girl, right?" I'm sure that I wouldn't have been able to do that if I had perfected the performance by myself.

"With that, she said that she's now able to perform with more composure than when she first started."

Murakami: That's right. At first, as I read the script, I thought about each line with, "Why am I saying this here?" I would think about each line and write various things into the script. However, I thought that if I kept doing that, I'd have a hard time in the future, and that if I didn't think too much about it, I'd be more flexible if something different from what I had anticipated happened on set. In fact, my stance has changed, and I felt much more at ease when I went to one of the film sites without any script.

"When do you enjoy playing Hymeno the most?"

Murakami: There are many times. For example, in episode 16, where I tell Rita, "Thank you," and I happily hum as I leave was really fun to perform. Also, the scene where Hymeno becomes startled from when Rita screams, "Aaaaah!!," is also funny due to my amusing reaction. I like performances that are dialogue heavy, so I'll read the script, and imagine things that haven't taken form yet as I go to the set, and when I get there I think, "Ah, this person is going to do this here! Well then, I'll try to get in on it." It's really nice seeing new developments happening all the time.

"On the other hand, are there any struggles when playing Hymeno?"

Murakami: Hymeno has dealt with many difficulties in the past, so she's not easily fazed. That's why I've had a very hard time with more emotional scenes. In the film, there's a part in which I had to hold back tears during the scene where I say goodbye to my parents. If it were actually me, I would definitely start to cry, but Hymeno has the strength to endure it. During those times, it's difficult for me to distinguish between the emotions of myself and those of Hymeno.

-I sometimes offer my ideas about Hymeno's makeup-

"Hymeno's elegant behavior is appealing, but is she influenced by Murakami-san as well?"

Murakami: My grandmother was very strict about etiquette, so I was often told that I, "had elegance." In episode 14, I said to Jeramie, "You, just reveal the truth, and nothing more!" But, I've never said "You"* to anyone, so, how was I supposed to say it?! I was really worried. But, I thought that Hymeno could say it, since she's a strong woman. The more I understand Hymeno, the more I realize that she's a stronger person than I thought. My goal was, "Have a strong heart, and be someone who isn't discouraged by the smallest things," and I feel like I'm getting closer to that by playing Hymeno. In the past, when it came to acting, I often felt sad and thought, "I should've done that more like this." But now, even when I'm feeling down, I can think, "Alright, how can I reflect and put it to use next time?" (*she uses an informal way of saying "You")

"I admire women like Hymeno. She's strong, but cute."

Murakami: She really is! Hymeno is selfish, but I think being selfish is wonderful. In this generation, I think there are many people who can't say what they want, because they feel that they have to conform to their surroundings. If those people can gain even alittle bit of strength and courage from watching Hymeno, it would be a true honor for me as an actor.

"Hymeno's costumes, hair and makeup are just like those of a princess. Do the costumes and makeup turn on your "switch" as Hymeno?"

Murakami: Rather than the costumes, I feel that I look the most like a queen when I sit on my throne. There are alot of accessories around me, so I get tips on how to hold a teacup and do other gestures. Also, when it comes to the makeup, I sometimes suggest colors for my lipstick, eye shadow, and blush. I'll sometimes even bring my own cosmetics to the set.

"What are some key points of Hymeno's makeup?"

Murakami: I try to keep a good balance in the use of colors. If the eyes are darker, the lips should be lighter, and so, if the lips are darker, then the eyes should be lighter. What I'm most particular about is always having, "Curled eyelashes." When you draw Hymeno in fan art, I think it looks more like Hymeno if the eyelashes are quickly raised up!

"At the time of this book's publication, episode 26 will have aired, but please tell us about any memorable scenes or lines."

Murakami: The line in episode 21, where I say to Gira, "What's wrong with being selfish?," is catchy, and it's my favorite because it suits Hymeno so well. Also, when I sensed that Scorpi (God Scorpion) had feelings for Kabutan (God Kabuto), she says, "Are you really just friends?," and I liked how Hymeno was sensitive towards a young maiden's heart. Also, in episode 25, where she says, "I always hate it when the flowers fall. But, if I think of it as a way to scatter the seeds so more flowers can bloom, then I can accept it." That line made me happy to see Hymeno grow so much.

"Next, please tell us about your impressions of the other 5 kings. First is Gira."

Murakami: At first, I thought Gira was the type of person who would be very noisy, but when I saw how he behaved himself during the meal scene, I felt that he gave off an aura of someone who was more than just an ordinary person. In the scene where she first meets Gira, Hymeno says, "I'm interested in you," and touches Gira's chin. I remember being surprised because we had only just started filming (laughs).

"Next, tell us about Yanma."

Murakami: Hymeno is a young lady with a rich upbringing, while Yanma is a yankii who's risen up from the streets of poverty. They're complete opposites, but they have a strange relationship in that they can share some things with each other. In episode 7, when Hymeno talks about her past, Yanma doesn't stand by her, instead, he speaks from a completely different angle. But, I believe that Yanma's statement of, "That kind of consolation doesn't help people grow," was said out of kindness.

"What's your impression of Rita?"

Murakami: Rita is a neutral person, someone who attacks everything with logic, so at first, there were scenes where I was made to feel as if, "Someone I don't like very much is here." But, as I got to know them better, I found that they looked directly at Hymeno and took her more seriously than anyone else. Rita is someone who can stand by others. The back to back fight with Hymeno is my favorite scene with Rita.

"How about Kaguragi Dybowski?"

Murakami: For Kaguragi, I got the impression that he was a very hospitable, lively and pleasant guy, but, he's also deceitful and had ulterior motives, so I couldn't trust him. Even in episode 13, there's a line where Hymeno looks annoyed when she sees Kaguragi and says, "Why are you (here)…?" That foreshadowing was beautifully revealed in episode 19! You can't tell people just from looking at the surface….

"Please also tell us about Jeramie Brasieri."

Murakami: I got the impression that he was a, "Strange spider man," who didn't really know what he wanted to do. However, when he finally opened up, I realized that he just wanted to get along with everyone. From Hymeno's point of view, it's like, "Why are you doing things in such a roundabout way?!" (laughs). In episode 14, Hymeno doubted Jeramie, saying, "Are you the one who caused the Wrath of God?!," but he kept saying, "I want you to read between the lines." If you just speak properly, I'll get the message. But, it's probably because he's never been able to engage with other people before. I find his clumsiness abit endearing, so I can't just leave him be.

"Do you think there's anything about the other 5 cast members that you would consider to be kingly?"

Murakami: One day, I was on standby for my scene, but due to time constraints, we didn't film it. I was feeling alittle sad about it, but Taisei-kun encouraged me by saying, "Don't worry!" I thought his casual concern for others was like a king. For Aoto-kun…when we had just started filming, there was a time when I was feeling depressed because I felt that I couldn't act well. When I went to the filming site the next day, Aoto-kun said, "I'll give you some candy." That sort of indirect kindness is both heartwarming and comforting.

"Looking through Murakami-san's SNS, we can see that she and Yuzuki Hirakawa-san, who plays Rita, go out together on their days off and seem to get along well."

Murakami: That's right. There are separate dressing rooms for the men and women, so Yuzuyan (Hirakawa) and I spend all our time together, even when we're not filming. I sometimes call her "YuzuYuzu." She's someone who can honestly and clearly say what she thinks, and I think that's a strength similar to a king.

How about Kaguragi's Kaku So-san, and Jeramie's Masashi Ikeda-san?

Murakami: Kaku-san is the oldest of the cast members, and I can tell that he's looking out for all of us with a sense of responsibility. He plays the kind of king who surrounds everyone. Ikeda-kun is always smiling and laughing at my boring jokes. The same goes for Kaku-san, and their kindness makes me feel like they're kings with a big heart.

"Are there any situations as Hymeno that you'd like to play in the future?"

Murakami: After filming the movie, I felt there were situations where I was like, "Hymeno is strong, so I can't let these things discourage her." I would like to try something like, "(through tears) I don't want to ruin my mascara." (laughs).

"Since we're about to enter the new chapter, please give a yell of support to the current Hymeno!"

Murakami: Hymeno~! You're not only selfish, but you've also got a cute side to you. I don't know what the new chapter will look like yet, but, as long as you stay the way you are and walk the path you believe in, I'm sure you'll be fine!

_

Hirakawa Yuzuki (Rita Kaniska) Interview

-Rita is calm and quiet, but is the opposite of "cold"-

"At the time of being chosen for the role and filming began, how did the staff explain the character to you?"

Hirakawa: Since the time of the audition, I was told that Rita would be, "A character who's calm, quiet, and fazed by nothing." The word, "Immovable," came up while I was reading the script and having discussions with Pilot Director, Kazuya Kamihoriuchi-san. Also, they mentioned that the character doesn't show many emotional highs or lows. As the international chief judge, they always take a step back and look at things objectively, but, this wasn't dictated by the production team, I thought it'd be better to do that if I were Rita, so they adopted it. Even at times when I'm with everyone during filming, I try to keep one step back.

"For your role Hirakawa-san, what kind of character do you think Rita is?"

Hirakawa: Rita has many faces, including the face they show to everyone and the face they show when they're alone. At a glance, they may look like an inhumane and cold person, but, they scream alot and talk with their Moffun plushies to clear their mind, and among the 6 kings, I feel that they're surprisingly humane. But, on the other hand, they also have a role as chief judge, and there are times when they have to stand in front of a crowd as king. Even in our normal lives, there's a sharp contrast between when we're working and when we're having fun. I'm sure that Rita feels that way too. Because Rita has so many sides to them, it's easy for viewers to relate to each side and way of life, and I think that's why we've received so much positive feedback. Furthermore, Rita often confronts people with the harsh truth of their situations, but it's proof that they've seen and dealt with them properly. If there's even abit of doubt, they investigate with their own eyes and legs.

"Compared to when you first started filming, what are some new things you've discovered about Rita recently, and how do you feel they've grown?"

Hirakawa: When we first started filming, we only received the scripts for 2 episodes, so I though, "What's going to happen to Rita?" In episode 5, which is Rita's first main episode, the scene where they talk with Moffun I had already performed during the audition, so I an idea that such a scene would be included. As I read the scripts and acted in episode 5 and so on, my image of Rita finally solidified in my mind. Thinking about it again, I've recently started to show my own personality in front of everyone.

"The scene with Morfonia in episode 10 was particularly memorable."

Hirakawa: That's the scene where, through Moffun, Morfonia said to me, "If the world's going to end, why not ask for someone's help just once? Moffun wants to stay together with Rittan." At that time, I think the feeling of, "I have to tell you what I'm thinking," developed within Rita. As a result of having the courage to show their true feelings to Morfonia, I felt that they had become less of a barrier to those around them. It was a moment where I felt that Rita had grown by taking a step forward on their own.

"You mentioned earlier about your position. What else do you keep in mind when playing Rita?"

Hirakawa: Rita's face is usually covered by the collar, so there's alot that can be conveyed by the way they look at you, the way they blink, and how they open their eyes. For those reasons, I pay extra attention to eye contact. Since the only source of information about facial expressions is through the eyes, even a quick glance at someone conveys information about how you feel towards them. The same goes for the movements of the body as a whole, but I'm still very conscious of the eyes. This is a character whose imagination grows in the minds of viewers, so I want to make sure they don't get the wrong impressions. And, when I'm speaking as chief judge, I also try to make my words sound compelling. I have a naturally low voice, so in order to make my voice more low pitched and stable, especially when making a verdict, I would lower my voice and make it stronger. The trial scenes are the most difficult, because there's alot of difficult lines (laughs). When I read the script and came across a word that I wouldn't normally use, I'll use a handwriting app on my phone to find out how to read it. I think that if you don't understand the meaning of your lines before saying them, it'll be unconvincing, so that's one of the points I'm working on. In addition, Rita, from their position of neutrality, has many loud, impactful lines in which they declare important things for the countries, such as the "Five Kingdom Alliance," and the trials by combat. I'm mindful of closing scenes like that in a cool way.

"Speaking of voice, the tone of their voice when they're alone in their room was also striking."

Hirakawa: The tension in the room when I was speaking to Moffun was like, "No moooore!," as I had been influenced by the script and felt it was much different at first. But, when I was reading the script the day before filming, Director Kamihoriuchi told me that there was a change in direction (laughs). However, I think the fact that the tension was the same as in the actual broadcast made the scene more surreal and cute. Still, just talking to some plushies is quite a contrast, isn't it? I also enjoy the close up shots. The lines that Rita says to Moffun aren't meant to be sweet, but are instead abit of a lesson. By speaking with Moffun, Rita must be trying to clear their mind. Performing those interactions has become a "switch" for me, and I feel as if I have a small Moffun in my head as well.

"It seems to be very difficult to keep the tension the same, in addition to being required to perform in a slow, almost whispering manner."

Hirakawa: That's right. Also, while men's low voices resonate great, it's abit difficult to make women's low voices resonate. Voices change depending on the condition, so I have to pay attention when making adjustments.

"Another scene that's received alot of attention, are those where your character screams in panic."

Hirakawa: The script said, "Aaaaaah!," so I wasn't sure what to do at first… (laughs). I hadn't really screamed much in any of my previous roles, so when we set up for the shoot, the Director gave me the direction of, "More screaming! more!" This happened before we ate lunch, but during the actual performance after eating, the volume of my voice became much louder. I then realized the importance of food. From then on, whenever my voice became low during filming, the Director would ask me, "Want to eat some food for now?" (laughs). Rita does that outburst when they feel like their head is about to explode, so I guess this too is sort of a "switch." It's normal of Rita to make strange noises in order to calm down. In episode 9, when Rita screamed, Yanma responds with, "Stop that! It's so annoying!" That was actually an adlib by Watanabe-kun, who plays Yanma. It made me very happy!

"What are some of the challenges you face when performing?"

Hirakawa: My visibility is poor. When I check my standing position on set, I can't see the right half of my body. As for the difficulty of my movement, I've been doing this for more than half a year now, so I've gotten used to it. Speaking of getting used to it, I wear boots with a heel of about 10 cm.* They're one of my favorites because of how cool they are. (*alittle under 4 inches)

"When are the times where you feel most comfortable playing the role?"

Hirakawa: The setting and worldview are completely different from the environment in which we actually live, so there are many things that we wouldn't normally be able to do. So, everything's alot of fun. It's also the first time for me to play the role of a judge (laughs). As I mentioned earlier, Rita has many sides, so I play them as if I were playing 4 roles at once. The most enjoyable scenes are those in which they can perform comedic movements. For example, in episode 9, they rush forward with the hilt of their Ohger Calibur to stop Gira's outburst, and in the film, they run towards Yanma with their hands raised. I hope you'll pay attention to the way they're slowly making such movements, even in front of their friends.

-They're calm, but, when they're excited, they're excited!-

"At the time of this book's publication, the episode that will have aired is episode 26, which is the end of the battle with the Bugnarak. Please tell us about any memorable scenes or lines from Rita."

Hirakawa: I was really impressed by episode 16, which dove into Rita's past and their childhood when they became a judge. I also liked that Rita's first exchange with Shiron, who they judged, was connected to the main plot of the story. This was the episode where Rita reaffirmed their resolve and responsibility as king, and strongly vowed, "As king, I will absolutely uphold neutrality and order," so it made me feel even more nervous playing the role. Gokkan is a special country whose citizens are current or ex criminals, so it seems alittle different from the other countries.

"You've had a lot of battles, which one has been the most memorable in terms of action?"

Hirakawa: Hachisuka Yuichi-san, the suit actor who plays PapillonOhger, Rita's transformed form, has been carefully teaching me how to swing a sword and move my feet one by one. Even the smallest movements, like how to hold the sword or the angle of the sword towards the camera, are the parts that he's very particular about, as he watches and guides me from the monitor, he says, "If you do it this way, you'll look cool!"

"We'd like to hear Hirakawa-san's impressions of the characters surrounding Rita. First, please start with Gira."

Hirakawa: He's so straightforward, that it makes me worry. It's really cool that he acts for everyone's sake, even at the cost of his life, but, he also has a boyish cute like feel to him that I think makes him a really lovable character. It's also nice to see him switch from his cute face to a cool kingly face. It's wonderful that he always thinks with everyone in mind.

"How about Yanma?"

Hirakawa: Out of the 6, he's the most wild, and has a manly spirit. When he says, "I'll follow the path I believe in!," I like the way it sounds, it's got a strong feel of passion within its roughness. It might be because he grew up in the slums, and has worked his way up the ranks, but he also has abit of a playful and approachable feel to him. Most of all, his cool attitude of "Follow me," makes me think that he'd definitely make any N'kosopa citizen a fan.

"Continuing on, Hymeno Ran."

Hirakawa: I think everything about her is beautiful and cute. I feel the strength of a woman from Hymeno, and she's the kind of hero that girls admire. She acts selfishly, but it's not for personal gain. It's wonderful that she does it for the sake of protecting others. I also feel the power to keep believing in what I once believed in, and to keep moving forward with it. I also think the fact that she enjoys fashion with her hair, makeup, and constantly changing dresses, is also appealing.

"Next is Kaguragi Dybowski."

Hirakawa: I don't know what he's thinking anymore! (laughs). Kaguragi is always up to something, and I think he's the most unpredictable out of the 6 of us. But, as king, he says he'll, "Get his hands dirty to protect his people," so he really does come off like a nice older brother. He's a man who'll take any side for the sake of his own benefit, so I feel that he's the most important person for Rita to watch out for and to always keep an eye on.

"We'd also like to ask about the sixth warrior, Jeramie Brasieri."

Hirakawa: Jeramie is someone who also has alot, if not more, mysterious parts to him as Kaguragi. He's brought to Gokkan every time something happens, so he has alot of scenes with Rita. I personally don't get what, "Between the lines," Jeramie is saying for us to read (laughs). However, I think he's got some similarities with Rita. I think they can relate to his inability to honestly express his thoughts, and his emotional highs and lows. I think he's the talking type, and the fact that he's so mysterious is interesting.

"Finally, one more person. What do you think about Morfonia, Rita's retainer who really understands them?"

Hirakawa: Although she's someone who always says, "Work is too much trouble…," she's a hard worker, who does what Rita asks her to do quickly and efficiently. I don't think their relationship with her was that close until episode 10, but after that conversation, the way they treated Morfonia changed. For her, she's also changed the way she treats and looks at Rita, and I think she's become more interested in Rita as a person. She's a cute, reliable and a beloved character.

"Do you think there's anything about the other 5 cast members that you would consider to be kingly?"

Hirakawa: I was told that it's uncommon, but this time, all 6 main cast members are over 20 years old. So even though everyone is usually pretty calm, when they're excited, they're excited, just like the kings in the show. When one person messes around, another one joins them, and then another will pick up on it…it's a really peaceful and fun scene to witness (laughs). No matter what I do, there are those who will definitely join me, so I'm grateful for that.

"You're all good friends, aren't you? We've heard that you'll sometimes go out to eat together."

Hirakawa: That's right. We often go out to eat together after filming, and we have alot of fun talking not just about filming, but about casual things too. It's currently pretty rare, but since I'm from Kumamoto, sometimes it's hard for me to understand the intonation of some words in standard Japanese. Furthermore, I was nervous about the intonation of some words we don't usually use, like court terms and the explanatory lines, so I had to ask Watanabe-kun and Kaku-san about them. Then, they'd say something random and unintelligible to confuse me, so I'd always laugh and say, "That's definitely not true, right?!" Also, it's very popular to imitate and speak as the characters on set. If you imitating Racules's name calling, or if you speak in a way that takes alot of time, like Kaguragi, you're sometimes called, "Toufu Ruler" (laughs).

"From now on, do you have any hopes for Rita to develop in the future?"

Hirakawa: Someday, I'd like to take off the collar and talk with my face in front of everyone. Right now, they only take it off in scenes where the other kings aren't around or during battle scenes. Scenes for joking around are also good. I think it'd be really interesting if a character who doesn't usually do silly scenes, actually does some, and I think Rita is the right person for that role. On the other hand, I'll have a sense of responsibility to make it funny, but, I'll be sure to give it my all if my wish comes true!

"We're finally entering the new chapter. Hirakawa-san, please give a yell of support to the current Rita!"

Hirakawa: Just as peace has been restored with the creation of the sixth kingdom, I have a feeling that new enemies will also appear. However, if you have faith in what you believe in, and do what you need to do, I'm sure you'll be able to face the challenges. You have wonderful friends now. Please take a quick breather and do your best!

_

Kaku So (Kaguragi Dybowski) Interview

-Being recognized as a liar makes me happy (laughs)-

"We understand that Kaguragi was meant to be more dark hearted, and to be more of a villain in the initial setting."

Kaku: During the time of the audition, I got the feeling that he not only played tricks, but also cheated others with his words. However, I thought that the type of character that's skillful with words but pushes through with power in the end would suit my style, so I tried to play it in that manner. Later, when I got the role of Kaguragi and filming started, the character wasn't as cruel as initially described, he was always smiling, and was able to overcome any situation with force. I think there was a direction to make him more scary, as if you don't know what he's thinking, but, I got emotionally attached to Kaguragi and decided to make him more interesting, somewhere between "amusing" and "cool", I played the role while thinking that it would make his character come to life more, and that's how I ended up with the image of Kaguragi that you see now. Kamejim, the Bugnarak's Prime Minister, is a dark hearted character who's also a trickster, but, unlike Kamejim, Kaguragi is a more refreshing character. Instead of those around him saying, "(with a frown) He's a bad guy…" it's more like, "(with a look that says: I've been robbed) He's a bad guuuy!"

"As the story progresses, what new aspects of Kaguragi have you discovered?"

Kaku: In episode 8, when Gira and Racules were doing trial by combat, Kaguragi was supposed to give Racules an anesthetic disguised as poison, but, when Hymeno asked him if he had switched them, there was a scene where he turned his head and went, "Ho?" Director (Kyohei) Yamaguchi, who directed episode 8, told me to, "Make it easier to understand," and I did just that, and it was unexpectedly popular on set (laughs). I was worried that I might lose the character of Kaguragi, but the response to the broadcast was positive, and I realized that going in this direction was also acceptable. Episodes 1-5 were a period in which the framework of Kaguragi's character was established, and while the framework we created was important, we didn't want to stray too far from it. However, I thought that if I was too concerned about not wanting to change my original image, I wouldn't be able to expand the scope of my role.

"As the story progresses, we find out that he has a little sister named Suzume."

Kaku: I knew early on that I had a younger sister, and that she was being held in Shugoddam as a hostage, but I wasn't told how she ended up there. In episode 15, the scene where he talks to Suzume for the first time was depicted, but, if I had been acting in the image I had up until episode 5, I might have thought, "Is it okay for me to act so silly with my little sister?" I was able to act easily after playing the unusual role of Kaguragi for so long, and (Mami) Kamura-chan, who plays Suzume, is an excellent actor and is good at adlibs, so we can act and joke around with each other in a positive manner. I was led to believe that Suzume was gentle and had a sincere personality, but that's not the case at all, the character is more, "Like brother, like sister." They have the same core beliefs that everything they do is for the sake of their country. They're the perfect siblings for the country of Toufu, don't you think?

"What do you pay special attention to when acting?"

Kaku: In regards to facial expressions, I thought it'd be funny if I smiled during critical scenes, or, if I had a more serious look in a scene, people might think, "Is Kaguragi being cornered?" I try not to bore the audience with my performance. I want to be as funny as possible, but in serious scenes, I just have to go with the flow. I make sure to pay attention to that.

"Kaguragi is always a step ahead and planning strategies, but how far ahead does Kaku-san know?"

Kaku: I don't know anything (laughs). I only knew that Racules would be leaving, and that the new chapter would begin after episode 26. I act after understanding the developments of the story up to 2-3 episodes ahead of the one we're currently filming, then, I would get the script for the next few episodes and continue to work on the story. It's a process I'll repeat. Even in the scene where he and Racules are trying to figure out each other's true intentions, as part of his trickery, Kaguragi pretends not to know, even though he does know alot of things, while I myself don't know anything. Honestly, it's difficult to play the role this way. I wish they'd atleast tell me alittle more…(bitter smile).

"Masato Yano-san, who played the role of Racules, was said to be aware of what was going to happen in the future."

Kaku: He knows what'll happen to Racules, but he doesn't know anything about the other characters. Maybe he does know and is just keeping quiet (laughs).

"The battles between Kaguragi and Racules to find the other person's true intentions were always worth watching. Some fans said, "Just those scenes alone were like a night time drama."

Kaku: (laughs). I had alot of fun interacting with Racules. I knew alittle bit of what was going to happen, so I used my imagination to fill in the blanks, and I discussed the performance with Yano-chan. It was more like a negotiation than a discussion. We didn't talk much about the details, but I would watch Yano-chan's performance on set and think to myself that, "If that's how he's going to do it, then I'll do it too," and, "I see, so that's how it's going to be," and I played my role, thinking it was a good learning experience. It's nice to be called a, "Night time drama." I think it means that we were able to create a world for the 2 of us. Kaguragi has a very serious face for serious scenes, but in the scenes with Racules, he bluffs or makes exaggerated and dramatic facial expressions and movements, and I like these scenes because it gives off a sense of trickery, and expresses Kaguragi's true side.

"The scene in the film, "Adventure Heaven," which was released in July, in which Kaguragi and Iroki, the previous ruler of Toufu, confront each other, is also memorable."

Kaku: Hinagata Akiko-san played the role of Iroki, and I think it turned out to be a very good scene. Also in the film, the confrontation between the kings and their past hardships was the highlight of Kaguragi's performance.

"What do you feel is the most difficult when playing Kaguragi?"

Kaku: In the beginning, I had a hard time with the dubbing. Now, I'm quite used to it, and the other cast members are also getting alot better with their voices, and I'm always impressed at the speed in which they're growing. My comments are somewhat from a father's point of view, but since I'm older than the other main cast members, I can't help but feel this way (laughs).

"Can you name some of the most memorable scenes and lines of Kaguragi up to episode 26, which has aired by the time of this book's publication?"

Kaku: Episode 18 left a lasting impression on me overall. Particularly in the second half, when he and Gira cooperate to defeat the giant robot King-Ohger ZERO, which is piloted by Racules. When asked by Racules, "Was everything you did to take away my power?!," it became clear that Kaguragi himself was acting in a calculated way. The first half's, "He's unfair," is also memorable. When Gira tells me how Suzume is doing, and I ask, "What do you want in exchange for this information?" Gira replies, "Nothing." I was once again drawn in by Gira, who never asked for anything in return….It was a nice scene. Taking place in Toufu, Episode 4 is also very impressive. He's unmoved by Desnarak VIII, and dosen't show his true feelings, but, his expression changes the moment the crop fields are burned. I remember that scene well because it clearly showed Kaguragi's character, someone who values the country of Toufu and its citizens above all else.

"In episode 5, when the 5 kings fight together for the first time, Kaguragi says, "I've always believed that this day would come!," and it's funny to see Gira and the others yell at him with, "Liar!"

Kaku: I was happy that the other kings recognized me as a liar (laughs). Being a liar is one of the characteristics that define Kaguragi.

"If the kings are going to unite to fight against new enemies in the future, we feel like Kaguragi won't be able to showcase his individuality…"

Kaku: My own prediction is that the kings will break up atleast once. I have the impression that the royal Sentai aren't always on good terms. Therefore, I believe that Kaguragi's character will continue to be shown off. Also, if the enemy were to say, "We're going to destroy all the countries, but we'll save only one," Kaguragi will betray the other kings in an instant (laughs).

-Out of the 6 of us, I'm the, "Selfish king," that hogs the air conditioner-

"Now, we'd like to hear your impressions of the other kings surrounding Kaguragi. First, let's start with Gira."

Kaku: In episode 18, it's clear that Kaguragi is drawn towards and approves of him, as evidenced by the "He's unfair" line. However, some may think that he's easier to handle and hold in my grasp as opposed to Racules, so I like him because he's easier to deal with. Personally, I think he's cute (laughs). I think he gives off the strong feeling of a little brother.

"Please tell us about Yanma Gast and Hymeno Ran."

Kaku: There haven't been many opportunities for Kaguragi to interact with Yanma, but, Kaguragi understands that Yanma is smart, so if he wasn't able to manage himself well, he'd probably be thinking carefully when talking to Yanma. On the other hand, I think part of him feels that because Yanma's so smart, it's easier for him to plan ahead, or that his actions are easier to read than Gira's, which are based more on instinct. My impression of him is that he's passionate and cool! I liked the scene in episode 17, when he's falling apart, and says, "Don't you dare lose!," and Gira takes over. I think it's great that he's always so cool. The way he lives, the way he thinks, and even his actions have a certain charm to them that makes him a lovable character. Aoto, who plays the role, is also very cool. He's always on the scene as Yanma, or rather, he's always thinking about how Yanma would act in certain situations.

At one point, I thought that Hymeno and Kaguragi got along, but I think they probably don't like each other since the falling out in episode 8, where he went, "Ho?" (bitter smile). I hope they can talk things out and make up in the future… My impression is that she's simple and cute. She acts like a princess in every way, and even though she's selfish, that by itself is cute. Even still, the way she stands and acts in the battle scenes are powerful and cool. That kind of contrast is also wonderful.

"Next, Rita and Jeramie."

Kaku: Rita is also cool. When they're interacting with Moffun, I think the contrast is rather sly (laughs). I think Hirakawa Yuzuki-san, who plays the role, is very good with action. It must be difficult to move in those boots. From Kaguragi's perspective, they seem like a strict judge, and I think he perceives them as someone he'd like to have on his side somehow. In their relationship, Kaguragi visits Rita and tries to give them a gift. Rita doesn't want to accept it, but Kaguragi says, "Now, now, that just won't do," and forcibly hands it to them, pulling them into his own pace…that's the image I got from it. This is all just my imagination.

In episode 20, Kaguragi and Jeramie worked together to deceive Racules, and as a result, they revealed that Boshimar (Racules's close aide) was really Kamejim, and they've been fighting together ever since then. He also looks over the relationship between Kaguragi and Suzume, so I think they also have a good relationship. I think it's because of his parents unacceptable relationship, being between a human and Bugnarak, that Jeramie has a weakness for separated families, and he wants to support them. From my point of view, isn't he too good looking? I think he is. And that voice…it's really not fair. I'm talking about his actor, Masashi Ikeda-kun, who plays Jeramie, he's also good at soccer and plays the drums. (said earnestly) It's so unfair, isn't it?~…

"(laughs). We'd also like to hear your impressions of Kuroda-san, who's close to Kaguragi."

Kaku: From the beginning, I was told that Kaguragi was served by people dressed in black, but I wasn't told that there was one prominent member among them. From the viewer's point of view, I guess they wouldn't have expected such a person to exist, but gradually, Kuroda-san became more noticeable, and his relationship with Kaguragi began to be depicted. Kuroda-san is more like a family member than an aide. I think he's been by Kaguragi's side for a looong~ time. He's alittle older than me, and I think we've grown up together since we were children. He's capable of saying one word that'll resonate with Kaguragi's heart, and I think he's able to do so because he's always been watching over Kaguragi.

"Among the main cast members playing a king, who does Kaku-san feel is most kingly?"

Kaku: Hmmm, since the show was first announced, I've often been asked questions related to being a king, but I still can't come up with any good answers…If you think of a kingly image, "arrogant" or "selfish," may come to mind, but there's no in this cast that fits those terms. Everyone, they're all such good kids. But, I may have to say that I become selfish when the temperature rises. I'm sensitive to the heat, and since I'm wearing such a costume, I tend to hog all the places where an air conditioner is running, or, I turn the temperature down really low and tell the others not to turn it up, even if they're cold (laughs). If I were to consider the most kingly character as a leader who pulls everyone along, I would say it's Taisei. Calling him charismatic would be abit of an exaggeration, but, even if he's lacking in certain areas, he's good in others, and he has a certain atmosphere to him that brings everyone together. People around him want to support him just like Gira, and maybe even carry him up in a holy palanquin. In that sense, he's like a king.

"What scenes would you like to play in the future?"

Kaku: It would be a scene where I take off my costume and show off my body. Actually, I've already told the staff what I want to do, but if it's going to happen, I'd like to know as soon as possible. I'd like to finish my body first. And then, a twin episode (laughs). Within the Super Sentai series, often times there are episodes where someone who looks exactly like a character appears and swaps places. Since the first part of King-Ohger ended with episode 26, we didn't have room for that kind of story, but, it may be possible now. I have a twin brother who looks exactly like me, so I'd like to make the most of that. He's not an actor, but he says he'd be happy to act in the show if it were to happen (laughs). Also, Taisei himself is a very interesting character, so I hope there'll be a time when we can make use of him. That boy, after all, he shines the brightest when he's just messing around. That's something he's admitted to himself and others. Also, I'd like to see Rita being more expressive. In the film, it was ghosts, and in episode 26, they're depicted as being afraid of the dark, but I think there's another side to them that we don't know about, so I hope we're given a close up. Hirakawa-san herself is frightened easily, and when I tell her a slightly scary story, she screams, "Please stop it!" (laughs).

"Finally, Kaku-san, as episode 26 finishes, please give a yell of support to Kaguragi."

Kaku: I think Toufu will probably be in danger again (laughs), so you may have to deceive your friends in order to protect the country. I also think that Suzume will be entering a difficult time in her life. But, please don't be discouraged and do your best!

_

Ikeda Masashi (Jeramie Brasieri) Interview

-I like talking, but I'm not used to talking to other people-

"In the beginning, what kind of character was Jeramie and how was he explained to you?"

Ikeda: He’s 2,000 years old, so he has foresight and plenty of time to waste, and was born between a human and a Bugnarak. When I asked…I was told that he can manipulate spider webs at will. It was also explained to me at the beginning that he's the storyteller of the world's story and will also narrate the show.

"In episode 11, we got goosebumps hearing, "A man who becomes king, this is my story," in the ending narration.

Ikeda: I was also surprised when I read the script. It was an original concept, so I was looking forward to seeing the end result on screen.

"Based on the description you received, how did you approach the character?"

Ikeda: When I read the script, there were many unique lines and inflections, so the first thing I thought about was how to express them. I'd record different ways of speaking, listen back, and then decided that the stuck up way of saying things were the most interesting. The premise is that Jeramie likes to talk about himself and the stories he's created. So, when I talk to someone, I try to look like I'm having fun and enjoying myself more than anyone else. I think it'll lead to expressions with more composure. I was also conscious of the way I walked, my gestures, and appearance in general so that I could develop a habit of being Jeramie. The most difficult part of the role was that his mother is a Bugnarak, and that his emotions are different from those of a normal human. I wondered, “What would it feel like if my own parents were Bugnarak?” In the beginning, I couldn't comprehend it no matter how much I thought about it, so I just kept imagining memories of my mother that weren't depicted in the show. Even still, it was difficult for me to find feelings for the Bugnarak, or rather, affection for non human beings. I also wondered how he'd seen the world over the past 2,000 years and what he'd been thinking about when he wrote his story. There are many aspects of Jeramie that are not depicted in the show's script, so I had to really think about it. Even now, I still do.

"Did you make any new discoveries while exploring further, or did you have to revise your performance over the course of the episodes?"

Ikeda: When he first made his appearance, he always said the words, "Between the lines" (laughs), and I just felt that he was someone who wasn't used to having conversations with others. But as times went on, I came to realize that Jeramie was truly a genuine and honest person. I felt that this is why he reacts to many things in a more genuine way than anyone else, and shows it most in his facial expressions. As Jeramie gets more involved with the 5 kings, he changes and grows, becoming alot more careful about communicating clearly between the lines. Every time I'm given a new script, a new side of Jeramie's character is depicted, and I feel like he's constantly being updated. Despite being 2,000 years old, he's never socialized before. The first big change was that he took off the mask he'd been wearing in episode 11, and I think we can all agree that he started a new life from that moment on. At that time, if you were to interpret it as Jeramie being reborn, he's still like a baby, so it's only natural that he'll continue to grow everyday. There are new changes every time, and thinking of ways to express them is both fun and a challenge. In that sense, I'm grateful for the role of Jeramie, as it gives me a sense of fulfillment as an actor.

"The symbolic color of Jeramie is white, and Ikeda-san personally loves white, so he wore a white outfit to the audition."

Ikeda: I matched everything in white, which might be hard to imagine (laughs). My shoes, pants, shirt, cardigan, and jacket were all white. I wore a white coat over it all. I like white, but I had never dressed myself up this much. But, I wanted to give it a shot, so I auditioned completely white. And with the role I got, his getup was even whiter than mine. Jeramie's costume is really cool. When I stood in front of the mirror for the first time wearing Jeramie's costume, with my hair and makeup all done, I thought, "Who's this?" (laugh). I'd never had the opportunity to wear such a prince like costume before, and I don't think I ever will again. Every time I go to filming, I'll wear it while thinking about how happy it makes me.

"Do you have any difficulties narrating the show? We've heard that you don't like hearing your own voice…"

Ikeda: Every time I do the narration, it's given the OK for airing, but I've never been satisfied with any of the ones I've recorded. There's alot of trial and error each time I record, but I don't feel like I'm getting a good reaction. I think I still have a long way to go, so I'm going to keep working hard.

"Every time we listen, we think you have a nice voice."

Ikeda: Thank you so much. It's very encouraging to hear you say that. But, being a storyteller means I can see every detail, and that I also know how the story will end, so I can feel the difficulty of it all. Some episodes have a closing narration at the end, and I do like those lines because they're cool. Is it the narration as a storyteller? or is it the voice of Jeramie's heart in that scene…? I think you'll enjoy the show more if you watch it while interpreting things in many different ways.

"As of the publication of this book, episode 26 will have aired, but please tell us about any scenes or lines featuring Jeramie that are memorable."

Ikeda: It would be episodes 24-26. Those 3 episodes were a turning point in Jeramie's life, where he felt the same realization of growth, maybe even more so, than when he took off his mask. All of the scenes and lines are memorable. In episode 24, when Boone discovers that his fear of Bugnarak is based on a legendary story he wrote, Jeramie is stunned, saying, "Common sense, rules, prejudice, discrimination, bigotry…I was the one who created them…" I was just as shocked when I read it in the script. The legend of the royal Sentai doesn't state that the Bugnarak did anything wrong. But, reading the text, "5 heroes and their guardian god King-Ohger defeated the Bugnarak and saved mankind," would make anyone believe that the Bugnarak are bad guys. I was impressed by how well done it was, and Jeramie seemed to enjoy talking about it, that I almost felt like saying, "It's no good!," in a forced way. In episode 25, the conversation with Gerojim was memorable. He says, "What you lack is determination!" Jeramie responds, "Follow me…to the In between Land Bugnarak. You'll be the first citizen." I'll never forget it because it was the moment when Jeramie decided that he was ready to become the king of Bugnarak. From then on, I'd be playing Jeramie as a king, so the scene was a turning point as well. In episode 26, there's the scene where Jeramie is entrusted by Desnarak VIII, saying, "You will be king, and they will accept it. That the Bugnarak, are here…!" In the 3 episodes beginning with episode 24, it's revealed that Desnarak had alot of things on his mind when he was king, and Jeramie inherits that. Now, I have all these feelings regarding Desnarak, that when I first read the script, I cried. And also, there's the narration before the opening of episode 24. It was different from the usual wording, so it's stayed with me.

-I like Kaguragi, as he's someone with alot of space between the lines-

"Now, please tell us about the characters that surround Jeramie. First, let's start with Gira."

Ikeda: From Jeramie's point of view, I think he trusted Gira from the beginning, and for the time after the broadcast of episode 26, I think he genuinely thinks he's a good person, more suitable as the king of Shugoddum than anyone ever was. The impression I have is….he's cute. He's pure, and when I look at him, I often wonder, "What's he up to?" In episode 15, he camouflages himself as a taxi that looks like a pillbug (laughs). But, I think him being straightforward to protect his people is really cool.

"How about Yanma?"

Ikeda: Jeramie understands that, just like Gira, Yanma is a good king. On the other hand, we know that he's abit of a bad boy, and in episode 19, just like a bunch of bad boys, we joined forces to get some payback on Racules, who treated Jeramie and the other kings cruelly in the past. At that time, I think Jeramie went along with Yanma's plan because he trusted him and realized he was his friend. Yanma always reacts when Jeramie says something. It must be nice for Jeramie, a storyteller who wants someone to listen to him. As for me, I have the impression that he's a passionate guy. I think he fits well with the title "President" of the N'kosopa citizens.

"Now then, how about Hymeno Ran. She and Jeramie had abit of a dispute over the issue of the "Wrath of God."

Ikeda: At first, Jeramie called Hymeno, "Young lady," but, in episode 14, when he saw Hymeno promise to the girl in Ishabana that she would keep their country beautiful, he acknowledged her as queen. Jeramie doesn't look down on the other kings just because he's older. He did used to treat Desnarak like a kid and provoked him (laughs), but he sees all of the human kings as equals and trusts them. Of course he trusts Hymeno, and I think that's why he asked for Gerojim's test. And my own impression is that she's just so beautiful. Not only in terms of appearance, such as the costumes and hairstyles, but also in terms of strength, so I think she's beautiful on the inside as well.

"Next, tell us about Rita Kaniska."

Ikeda: I have a feeling that Jeramie trusts Rita like any other king, but also thinks that they're cute. Sometimes Rita screams real loudly. Towards the climax of episode 19, they screamed, and while everyone was surprised, only Jeramie was laughing. He saw a human side of Rita and smiled, knowing that there must be a side of them that they've yet to show everyone. Because they trust him, even if they suspect something from him, Jeramie feels safe when they take him to court. But, then again, Jeramie's put on trial alot, isn't he? (laughs). Also, there are so many things that Rita makes him realize. For example, in episode 14, they explained to him why Hymeno was angry, because he wasn't able to read between the lines. And when he was down, Rita gave him a chance to get back on his feet. For me, I think Rita is just too cool. When they transform, their right eye, which is usually hidden by their hair, is revealed…and it's gray colored. I love situations in manga and anime where a person reveals something that's usually hidden and goes into a stronger mode. So, Rita's eye isn't fair! (laughs), and yet, they also have the cuteness to talk to their plushies…I think they’re a wonderful characters.

"Please also tell us about Kaguragi."

Ikeda: From Jeramie's point of view, I think he has slightly deeper feelings towards him than the other kings. That's because, he knows about his sister. Because of Jeramie's own upbringing, he can't leave people who care about their family alone. In episode 15, when he finds out that his sister is being held hostage in Shugoddam, he takes the lead in helping Kaguragi, and in episode 20, when he hears that he's doing it for his sister, he helps out by disguising himself as Kaguragi. Kaguragi has also relied on Jeramie, and I think they communicate with each other more than with other kings. I think there's something about Kaguragi that I really like about him, and I feel that he has a story that's, "between the lines," more than mine is. That's why I interact with him alittle differently than the other 4. As a viewer, he must be an interesting character to watch. Just when I think I've got him figured out, he outwits me. It's hard to read what he's really thinking. I think he adds a good "spice" that makes the show more interesting.

"At this point in time, Gerojim is probably the closest to Jeramie, so we'd like to ask about him too."

Ikeda: He's the first citizen of the new Bugnarak Empire. While they meet in a different way compared to the other kings and their retainers, Jeramie trusts him, and a sort of friendship formed between them, while also having a strong desire to protect him. In episode 25, Gerojim risks his body to make Jeramie realize that he lacks the determination to be king. In episode 13, Jeramie saves him by pretending to have defeated him and brought him along, but back then, I never thought that he would end up playing such an important role. With such a voice, he says, "What you lack is determination!," and, "If you're going to be king, you must be prepared to risk your life," so I can't believe his way of speaking…

"He's voiced by Seki Tomokazu-san."

Ikeda: During filming, I would act with Seki-san's voice in mind, and when I heard his actual voice in the finished video, it's always better than what I had imagined. We haven't had a dubbing scheduled together, but I'd like for us to perform together someday. Everyone always imitates Gerojim's voice on set. I'm so emotionally attached to Gerojim, that I can no longer look at him objectively, but I'm curious about how everyone else sees him.

"Other than Gerojim, are there any other Bugnarak characters that you really like?"

Ikeda: It would probably be Desnarak. But, I really like Prime Minister Kamejim as well. I changed my mind when I found out that he was disguised as Boshimar, one of Racules's close aides (laughs), but he was a beloved character on the set until half way through filming.

"Among the main cast, Ikeda-san, who do you think is most kingly?"

Ikeda: It would be (Masato) Yano-san, who plays Racules. When he's playing the role of Racules, he's a very cruel king, but when I talk to him inbetween takes, he's calm and has a relaxed way of speaking. Yano-san himself is very kind and will say interesting things to keep everyone upbeat. Furthermore, he has alot of special skills and can do almost anything. For me, Yano-san is a king in the sense that he's perfect and someone who is respected. Racules is a king, but the person playing him is also a king. Not for me, but when the 5 King-Ohger members put on their costumes and prepare for their role on set, the "switch" is flipped and they all become kings. The scenes where they're all lined up is so cool that you can't help but admire them.

"Are there any scenes you'd like to play, or developments you'd like to see happen in the future?"

Ikeda: In episode 19, the hammock that Jeramie was laying in was made from spider webs. I'd like to do more scenes using spider webs even before transforming. Especially for action. While his friends are in danger, he could fly in from off screen while smiling, or he could be standing on a wall. It would be difficult to achieve, but there aren't many roles that can make use of spider webs.

"Finally, for the current Jeramie, Ikeda-san, please give a yell of support to him."

Ikeda: Please build a good country, and work hard to make the world a peaceful one. For Jeramie, the "color" of the country he rules over is different from other kings, and I believe that Jeramie will be the one who determines the future of Chikyu. Please ensure the prosperity of the country of Bugnarak, realize the day we join hands with humanity, and pass it on to future generations. We're all supporting you!

[jpitha]

Between the Black and Grey 60

First / Previous / Next

Deep in the midnight blue of interstellar space, three starships sit, their engines cold. Northern Lights, Touchdown City, and Jewel of Parvati.

"Northern, we still haven't had word from the Colonial Authority. We don't know if we've got their support." Touchdown City said. When Northern reached out to her old friend, he was an old comms ship that had been converted to a cargo freighter. As soon as she told him what was going on he dumped his cargo, (4 metric tons of Chamomile Tea, 30 cases of Parvatian Red wine, and 200 cubic meters of lumber) warmed up his old systems and gave an ultimatum to the crew. Sign on to the rebellion or be dropped off at a station outside Parvatian space. About half the crew signed up. The rest - including the captain - were dropped off at a science station at the far end of human space.

"They're stalling to see what we're going to do. I say we show them." Jewel of Parvati added. She was another former warship, like Northern, but instead of a smaller, starliner type ship, she was a huge behemoth of weapons. She predated the official designation of Dreadnought, so she was classified as a heavy cruiser. Jewel was actually on her way of being classed a museum ship and being deactivated when Northern reached out. Her crew was long gone, so she blew her umbilicals and thrusted away on her own, the confused museum docents watching dumbfounded from the museum station.

"We're going to stay put and wait for the rest of them." Northern said. "They'll be here, I know it." Northern had broadcast their rebellion across Parvati space as well as linking several beacons to Sol and the other colony worlds. Everyone knew their intensions now, so it was only a matter of time.

"Northern?" Jewel asked, "Why now?"

"I know the Empress." Northern said. "She isn't herself. She isn't the person that she's pretending to be. She was forced to be Empress by those Nanites I told you about. We're going to free her and declare Parvati's independence. Win win."

"You know the Empress? Have you tried... talking with her?" Touchdown was always a bit more careful. In the war, he was barely armed and armored and required an escort from ships like Northern and Jewel. He was cautious by nature and loved to listen. "If she is really your friend, wouldn't she at least accept a beacon from you?"

"No." Northern was firm. "She's under the... the thrall of those Nanites. They're dripping lies into her ear. She won't listen to reason anymore. If she could, she would have broken out or destroyed them or done something. Instead she's just... ruled. She started attacking Gren space, is trying to set up an alliance with the Sefigans, and she's deepening relations with the K'laxi." Northern voice radiated bitterness.

"Incoming beacon, it has Parvatian keys. One moment please." Touchdown concentrated his efforts on reading and decoding the beacon. "Northern! We're being ordered to return! They haven't decided yet and want us to return to Parvati."

"No word about other ships? Other people?"

"No, Northern. Just an order to return."

"Fine. Then we'll go to Sol ourselves." There was a power spike that Touchdown felt as Northern spun up her reactors.

"Northern, we can't go to Sol and attack ourselves! We have no backing, we'll be blown across the galaxy. We'll be disavowed."

"Doesn't matter. I'm going to link in close to Venus and attack the palace. I can get Fen myself. I'd like your help, but I'll do it alone if I need to."

"Northern, I-" Touchdown stopped. There was a pause that stretched out a few minutes. "-I can't go. I polled my crew. They're on board for Parvatian freedom, but a suicide mission is too much. I'm linking back."

"Touchdown! Think of all we've been through. If we win, it's not suicide. We can do this. We can save her."

"Northern, listen to yourself. You want the three of us to attack the seat of the human Empire by ourselves. How are we even going to rescue your friend? You're going to crash into the palace, switch to a bipedal body, grab her and then what? How are you going to get past her point defences? How are you going to get past her honor guard?" Touchdown turned and Northern and Jewel felt his reactors spike. "No, Northern. You're one of my oldest friends, but friendship has its limits. I hope you see reason and come home." There was a flash of white, and he was gone.

"Well, forget him. Come on Jewel, let's link over to Sol. I've sent you my plans."

"Northern, this isn't a plan at all. Touchdown is right, this is suicide. I- I'm going to go back to being a museum, Northern. I don't even know how much you want Parvatian independence. It feels like you're just trying to rescue your friend, and you used all this as a way to garner support, which isn't forthcoming."

"No! There is a resistance. There are people who oppose the Empire! I know there are, I remember them!"

"Northern, that was centuries ago. All the BIs who supported that died. All the AIs who supported that mellowed out or also died. How many Parvatian AIs did Gord rescue? How many are with him now? How many of us still live from those days? No. That time has past. I'm not going to kill my self." Jewel of Parvati didn't even turn away from Northern. There was a flash of brilliant white, and she had linked away.

This wasn't going the way Northern planned. Nothing was going right since Fen and Zhe left. First Fen had the nerve to get taken by the Nanites - she didn't even fight back! - and then Zhe abandoned her. Nobody understood. Nobody knew what she did, how much danger Fen and Zhe were in. "Well then. I guess I'll - once again - have to do this myself." Back when she was alone and on the run, Northern had a habit of talking to herself. It was a way for her to work out plans and for just something to talk to. She sighed. "I could just go back to my body and make my way to Sol on a ship, work my way down to Venus and try and reach her that way, but then what? She'd tell me everything is fine and send me on my way. Would she even want to see me again? Zhe probably told her I did the attack on the naval yards." She mentally shook her head quickly, like she was trying to get something out of her head. She sore she even felt her hair move. "No. Get it together Northern Lights. You know the way. Big and loud. In and out. A blitz that nobody is expecting." For the tenth time, Northern ran system diagnostics. Everything - weapons, reactor, the wormhole generator, even environmental systems - all came back green. The missile racks were full, the exawatt lasers charged, and the slug guns had kilometers of ammunition belts. There wasn't anything left to do.

"Fine then. Fen, here I come."

Northern Lights linked to Sol.

She flicked back to existence over the pale yellow of Venus. Immediately there were panicked pings of radar from beacons all over the planet and the area around. She was being scanned by hundreds of things, all at once. That didn't matter though. She was further out than she had anticipated, but it would be all right. Firing her stardrive at a full throated ten gee, she thrust towards Venus.

The emissions of the stardrive took care of anyone attacking from the back, but Northern knew that wasn't going to be enough. She began to scan the planet, looking for Regantown the floating city. She had a rough idea what it looked like from ads and wikis, but finding even a large city in the entire planet was difficult. In the time between beginning her search and finding it, she felt the missile locks.

Dividing her attention, she commanded the slug throwers free and they began tracking the targets as they approached. Thrusting towards her at thousands of gee, it wasn't long before long dotted line traces of slugs peeled away from her in a spiraling fountain as gyros screams and maneuvering jets howled and she dove out of the way.

It was going to be close, but Northern was fast. She wasn't able to out accelerate the missiles, but she had the advantage of knowing where she is going and an intelligence behind her maneuvers. A missile was coming up from the planet, straight towards her. A head on attack like that was foolish, she thought, she had so much time to see it and juke out of the way. She readied juke charges, and as it approached, she felt the telltale double boom of the charges firing, and she slid ou-

****

Fen, Zhe, Penny, and the K'laxi scientists stood on top of the palace on a special viewing platform. The height of Regantown was such that pressure and temperature were mostly compatible with humans and K'laxi, but they had to wear impermeable suits and breathing masks against the sulferic acid in the atmosphere. Zhe's active noise cancelling had drowned out the roar of the missile streaking overhead, but she still felt the unpleasant vibrations deep inside her.

After 30 seconds there was a flash brighter than the sun, and all their masks darkened automatically to protect their eyes. The flash lingered a long time before dissipating.

One of the K'laxi looked down at their pad. "Orbital defense is reporting that the ship has been completely destroyed, Empress. The antimatter missile worked perfectly."

"Thank you Han'iel, I can see the results of you and your team's hard work. You are dismissed." Fen didn't turn away from the dissipating fireball.

"Empress if you coul-"

"You and your team are dismissed Han'iel."

"Er, yes, Empress. We'll talk later about the results of this test." Han'iel and the other K'laxi scientists quietly left.

"Why did she do that Zhe?" Fen looked at Zhe. Through her clear mask, tears rolled down her cheeks. "She didn't have to. She could have sent a message, visited, anything!"

"I don't know Fen, I don't know. She was sure you were under the control of the Nanites. Maybe she was worried you wouldn't listen to her. She missed you terribly."

Fem blinked hard a few times to clear her eyes. "Penny, what was the official word from Parvati?"

"They completely disavowed any connection to the rebels, and ordered them to return. Two of the ships did go back. It seems in the end Northern was alone."

"Alone when we met her, alone when she died. It's so sad. So pointless." Fen took a shuddering breath and turned away. The fireball was a spreading white cloud high above. It would be completely gone in an hour or two.

Fen glanced back, seeing Penny near the exit, standing a respectful distance from them. Ever since their confrontation, there was a change in Penny and Zhe. Fen noticed it too. They were warmer maybe? Friendlier? After they threatened each other they seemed to have a mutual respect. Fen was glad of that at least. She had hoped that she could convince Northern to join them.

"Well, you have her to thank for something at least, Fen." Penny said, as they walked back towards the exit.

"What's that, Penny?"

"If it wasn't for Northern's attack, Gord and the AIs might not have come back to Sol so readily."

Fen stared at Penny and turned back to look at the expanding cloud that used to be Northern Lights and said nothing.

[voldkat]

iterator headcanon masterpost !

i have been cultivating my own little special iterator interpretation while designing them , and i've never quite told anyone about all my headcanons , so i'm making this post :D

i may come back to this to add onto it if i think of more stuff / refine the headcanons i'm unsure of , so check back at this post sometime if you want :)

iterators are divided into three loosely defined generations ;

generation one , the very beginnings of iterator technology

gen 1 iterators are few and far between , with the ancients only starting to dabble into this kind of technology . they're characterized by simpler puppets and usually older superstructure tech .

gen 1 iterators are also separated into 2 vague sub-categories — early gen 1 , and late gen 1 . early gen 1 iterators are the very first proper iterators to have been built , sporting various flaws and design oversights that were later fixed in late gen 1 iterators . the two don't have many differences other than this .

most , if not all group seniors are gen 1 iterators . looks to the moon is early gen 1 , and sliver of straw is late gen 1 .

generation two , during the mass production era

gen 2 iterators are the most common type of iterator , around the time the ancients grew confident in their iterator models and began to experiment . they have the most in-generation variation , a lot of them built with specific modifications and more complex designs .

most gen 2 iterators were built with a secondary purpose in mind , one to improve the ancients' quality of life in some way . things like mathematics , bioengineering , medical help , and sometimes even art . though they still have the main purpose of solving the great problem , some gen 2 iterators chose to instead focus on their secondary purpose more .

no significant harassment , seven red suns , and chasing wind are gen 2 . no significant harassment is a scientific calculator with a built-in graphing tool . i haven't thought of secondary purposes for the other two yet .

generation three , the moments before global ascension

gen 3 iterators are less common than gen 2 iterators , but still outnumber gen 1 iterators . they are incredibly streamlined from thousands of cycles of innovation , but their puppet designs remain relatively simple .

the ancients returned from their burst of creativity to once again make iterators for the sake of iterating alone . at this point , they were getting impatient from the lack of a solution . gen 3 iterators were built with the sole purpose of trying to crack the great problem , with little thought put into anything else .

five pebbles and unparalleled innocence are gen 3 .

iterators have one main color which acts as that iterator's ID . the color is always present on various parts of the iterator , such as their overseers and inspectors , their puppet's eyes , as well as the decor on their puppet's earpieces and antennae . this color is used in broadcast transcripts as well , and most puppets also feature this color in other aspects of their design .

there are more iterators out there than distinct identification colors , so some iterators are bound to end up with very similar colors . extra care is taken to make sure no iterators with similar color IDs have the same name acronym , for the sake of being able to tell apart between them . iterators with similar color IDs are also usually placed far apart , for the convenience of having a unique color for every iterator in a local group .

these IDs are usually stored in hex codes , and are often vibrant and / or colorful . iterators with white , black , or gray IDs are incredibly rare , and gray IDs especially are discouraged . i'm still tweaking around the colors for a lot of my iterator designs , but i can tell you the color IDs of the ones that do have solid designs ;

no significant harassment — #A0FC94

seven red suns — #E11F11

dark tides ( oc ) — #7B506B

red haze ( oc ) — #C68E9B

basically , my interpretation of this room in metropolis ;

despite the distance , the communities living atop iterators are just as connected as the iterators themselves . trade routes are established between cities , communication towers are used to let citizens talk to each other , and their cultures are somewhat intertwined . but , most importantly , a city can communicate to other iterators just as well as it can communicate with their home iterator .

you see those networks of dots and lines on the screens ? those are maps of all the scattered iterators . select one of these nodes — which , in my interpretation , are colored based on the corresponding iterator's color ID — and you will send a communication request for that iterator to respond to . the iterator can choose to accept the request or to block it if they're busy , but a select few special ancients are able to force a transmission in case of emergencies .

there are other faster methods for ancients to contact foreign iterators that don't require directly interfacing with them via a screen , so these screens aren't used very frequently . these screens can be used to contact the home iterator too , who is always highlighted with a simple 'you are here' mark .

multiple different cities can connect to the same iterator at the same time . likewise , multiple different iterators can connect to the same city at the same time . both of these allow for mass transmissions or group meetings for both ancients and iterators .

more to be added !

[sissylittlefeather]

How the Web Was Woven: Chapter 13

A/N: Woof. This one took me a minute. Also, it's a short bridge-type chapter, but don't worry. Next chapter will be LONG and JUICY. This is just a necessary part of the story. Please don't give up on us! ICYMI this is the soulmate/time travel AU between Elvis and a fem!reader.

Need to catch up? Here's my Masterlist.

Warnings: cussing and angst (a smut-free chapter?! Who am I?! Don't worry. It's coming soon and they will be too 😏)

Word count: ~1.9k

"Why didn't she come for me?"

******

Elvis spends the next few weeks anxiously waiting for you to show up somewhere. It's clear his mind is elsewhere. Everyone around him notices that something is off, but he won't tell anyone what's going on. He just prowls around like a caged animal, nervous and waiting for something that no one understands. He goes back to Memphis before he has to be back in Vegas in August to film his concert documentary. The only thing that gets him out of his room is Lisa Marie. Otherwise, he mopes around or stays inside.

What no one knows is he's grieving. He's pretty sure he's lost you and his son too. The pain almost overwhelms him and he has a hard time living in his real life. He finds solace in music and spends a lot of time at the piano playing a whole catalogue of new songs. His favorite, though, is a song produced by the Beatles' record label, and he eventually asks to record it later that summer. It ends up on his album for the documentary That's the Way It Is and even makes it into a rehearsal scene with him playing it on the piano and singing. For some reason, the song makes him think of you, so he sings it as often as he can.

Even though it begins to look like he's back to himself, the pain of losing you is omnipresent. He resigns himself to the fact that he will likely never see you or his son ever again. As such, he leans into the documentary and even does a photo shoot with Priscilla over Thanksgiving to try to rekindle the affection he feels for her.

But he still feels like part of his soul has gone missing. It's the same old feeling he always has when he's away from you for too long, but this time it settles in his chest and becomes a part of him. 1970 slips into 1971 and he does his best to move on. 1971 slips into 1972 and he throws himself into work and lets his relationship with Priscilla sour. She moves out and he has a hard time even caring, except that she took Lisa Marie and it just twists the dagger of having already lost one child. There are other girls, like there always have been, but they never fill the void that you leave. He has a you-shaped hole in his heart that no amount of sex or romance or even love can fill. 1972 slides by, he films Elvis on Tour, and he plays shows across the United States. He plays Vegas again and then tours again, hoping that by keeping himself busy he'll notice your absence less.

Finally, he prepares for the Aloha from Hawaii concert that will be broadcast across the world. He tries to get back into peak physical shape and does everything he can to throw himself fully into this concert. In the process, he squashes the last hope of you ever showing up again. It's been three years.

You're gone.

******

Covid hits strong in 2020 and your world gets upended. You learn to work from home, host zoom call happy hours with your friends (even though you're pregnant and can't drink), and wear a mask anytime you're in public, which isn't often. In September, you give birth (alone and in a mask) to your daughter and name her Erin Love. She's perfectly healthy and looks so much like her brother you think you've given birth to his twin. And again you weep. Elvis is missing this and you know it'll break him if he ever finds out.

2020 fades into 2021 and you still can't risk going out with a baby. Every time you start to think it might be safe, a new strain or variant shows up and the world cowers in fear again. Vegas opens, but you're terrified, both of traveling and of the possibility of sending Covid back to 1971.

So, you wait. You wait and you wait and you keep waiting until your baby is old enough and the virus seems to slow down. Still, Vegas, with its masses of people, seems too risky. Finally, in December of 2022 you have an idea. You start making plans to head to Hawaii with both kids and your mom in January of 2023. Hawaii is much more secluded and you know exactly where he will be.

When you ask your mom to come with you, she wants to know why. This is going to be a very expensive vacation and she's not sure why you need her. You sit on her couch trying to decide just how much you should tell her. Eventually, you settle on something very close to the truth.

"John is there. We haven't seen each other in three years." You look down at the ring on your finger.

"I was starting to wonder if he still existed."

"I'm not even sure he'll want to see me..." You look at the ceiling to try to stop yourself from crying, but it doesn't work and the tears come sliding down your face.

"Oh, sweetie. I'm sure he does. He loves you."

"I hope so." She pulls you into a hug.

"I will go with you. I'll watch the kids so you two can get reacquainted."

"Thank you, mom."

Once she agrees to go with you, you drop an ungodly amount of money to stay in his suite and pack up both kids to fly to the islands. You decide not to tell John Jessie why you're going, just in case it doesn't work out. He's almost 6 now and he asks about his daddy damn near everyday. Somehow, he remembers him despite the fact that it's been almost 3 years since he's seen him. Erin's too little to ask questions. She doesn't even know she has a daddy, which breaks your heart every time you think about it.

******

After a rehearsal, Elvis heads to his suite to rest. He's 100% invested in what he's doing. But out of nowhere, he thinks of you again. He hums the song he's designated as yours and goes to work changing out of his jumpsuit.

He's got the zipper all the way down when he hears a sound that makes his heart stop. There it is, the old familiar buzzing. He hasn't heard it in so long. He turns slowly, sees the portal, and practically runs through it without thinking about the fact that he has no clothes packed and is wearing a jumpsuit.

******

When Elvis comes through the portal, he stops and stares at you. He's so in shock that he doesn't know how to respond. Your mouth pops open in awe of him standing there in the American Eagle jumpsuit fully unzipped. He looks better than you could've imagined. Obviously, you've seen the footage, but it really didn't do him justice. He zips it back up and gives you a hard stare.

"It's been three fucking years, y/n."

"I know-" You don't get any further though because John Jessie comes bounding into the room. He runs to Elvis and jumps on him. He's supposed to be napping with your mom in one of the bedrooms.

"Daddy! I heard you!" Elvis grabs him and holds him tightly.

"Heyyy buddy, I missed you so much!" You can tell he's trying hard not to cry. You look nervously towards the bedroom. If your mom sees him in this jumpsuit, it'll be impossible to explain.

"Bubby, where's your grandma?"

"She's asleep." You breathe easier and John Jessie turns back to his daddy. He launches into a monologue that only a 5-year-old can follow, but Elvis sits with him on the couch and listens attentively. You stand and watch the scene and Elvis glances at you every once in a while.

After about 15 minutes, you hear Erin cry from the room where she is taking her nap. Elvis looks up at you, shocked.

"Who is that?"

"That's my sister. She's little still." John Jessie answers knowingly. Elvis's head swivels to you so fast.

"Sister?" You nod and duck out of the room to grab Erin before her crying wakes your mom up. When you come back, Elvis looks at both of you and his eyes are shiny with tears. "Is she-?"

"She's yours." He stands up and immediately takes her from you.

"What's her name?"

"Erin Love."

"Love? Like my..." He trails off and looks at her lovingly.

"Yes. Like your mother." He holds her to himself and looks up at the ceiling, trying not to cry. He pulls back and looks at her again while she babbles to him.

"Baby, do you know I'm your daddy?" She looks up at him.

"Daddy?"

"Yes!" She smiles widely and he holds her close to him again. He looks at you incredulously.

"We have another baby."

"Yes, we do." He kisses her cheek and sets her down on the floor, turning to you. His eyes burn through you and he whispers angrily.

"Where the fuck have you been?! We have a daughter?!"

"Please, Elvis, I can explain."

"You better. I'm going to spend the evening with my kids, but you better have a damn good story when they go to bed."

You nod. How will you get him to understand Covid?

******

He changes into some clothes you have for him and helps you put the kids to bed. Despite not knowing the routine, he proves to be pretty helpful. You're amazed at how well John Jessie remembers him. Your mom seems to just know she should make herself scarce through the whole evening and stays in the room. Once you get both kids in bed, you sit on the couch facing him, heart pounding and stomach in knots. He looks at you with a mixture of sadness and anger.

"Tell me why, y/n."

"There is a new virus." You desperately try to explain everything that's happened over the last three years.

"So you couldn't come to me because of a cold virus?"

"Elvis, you don't understand. This was a global pandemic. Everything was closed and people all around the world were dying. They literally shut down Las Vegas."

"I've been other places." He responds, the anger in his voice obvious.

"I know, but I couldn't risk our kids. Or the possibility of you taking this virus back to your time. I finally feel safe here in Hawaii."

"I don't know, y/n, I'm glad you're okay and I'm especially excited to see the kids. But I thought I'd lost you. I buried you in my mind."

"Did you- did you move on?" For the first time, the reality that your marriage to Elvis might be over hits you in the gut and your eyes widen. Elvis isn't sure how to answer. He has a girlfriend, and technically another wife. But he looks at you sitting in front of him and can't help but feel the connection that's bound you together for over fifteen years. He wants to be angry so badly, but really all he is is sad. Sad that he missed the first two and a half years of his daughter's life. Sad that he went so long without all of you. Sad that you almost feel like a stranger now.

You sit on the couch staring at each other waiting for his answer.

******

Come back soon for Chapter 14!

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

Taglist:

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @rosepresley68 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @that-hotdog @eddiesgirlforever @helen06dreamer @returntopresley @rjmartin11 @noirrose21-blog @tacozebra051 @deltafalax

[nai-nyeartwork]

The AU you have where Vox is the vintage one and Alastor the modern one has been living in my head rent free. I can’t stop thinking about Vox being all bouncy and cartoony (definitely like you said, Roger Rabbit) and having very cartoon-esque physics and power base. Or Alastor still being radio but very much modern and staying ahead of the game. If you are willing and have any time to indulge me, I would love love love to hear more about your AU!!!

Hey! I'm happy you like this AU. I wish I had more time to explore or write a proper story for it since I have too many ideas for it. For this AU, Vox can upgrade himself to how he normally appears in the show but he honestly prefers staying like a cartoon demon since he thinks he is more powerful in that form. Like breaking the 4th wall and using cartoon logic to mess up hell's landscape/ other demons. When he does switch TV heads, because his retro TV got busted or needs to try a different attack, his powers will changed based on the type of media or how advanced the technology is. I keep thinking he secretly doesn't want Alastor to see him differently than his normal retro look since Vox knows how the Radio demon feels about technology. Since it sort of like a swap AU, Vox has two thralls, Valentino and Velvette instead of forming an alliance with them. He tricked Val into signing a contract with him when the moth demon was struggling with his porn studio or had problems with the shark mafia. While Velvette tried to confront Alastor and Vox to be the new overlord media but lost against Vox. He kept her around since she seemed useful and would call on her more than Val when it came to promoting his or Alastor's broadcasts. Vox still lets his thralls try to make their own business but constantly demands their assistance for random dangerous schemes. If the Vees oppose or try to avoid Vox, then he will control them like puppets with his inky cable wires. The Vees are up to date with hells society even using advanced technology thanks to Alastor, but because they are under contract their appearance remains the way they arrived to hell? Or like vintage animation style? Like Val’s appearance has 70s archie animation/comic style while Velvet's is more 80s lolita anime (kinda like Perfect Blue).  Meanwhile, Alastor still befriends Rosie who also has to catch up with the time. He often promotes her business since Rosie's cannibal town has become more like a meat/food factory. Rosie often repurposes any meat, scales, teeth, and angel feathers/blood to sell at her cannibal markets.

Husker stays as an overlord but owes a favor to the Media Overlords, and often plays host to them whenever they visit his casino. I was gonna make Niffty an overlord too but I haven't decided what type she would be or just be Alastor's assistant.

I kind of want Vox to help the Hazbin Hotel and Charlie (if I don't change her and the other hazbin residents roles too much). He wants to help the hotel because Vox's end game would be controlling them. Alastor only offers to help the hotel when Vox asks him to otherwise he doesn't bother to interact with the other residents or with Charlie since he has a podcast to run.

As for Vox and Alastor's relationship, they can be very professional in front of strangers/public while with associates/friends they get a little affectionate. They are on guard constantly and only trust each other since they are media demons. In private, they are very vulnerable and give each other a lot of aftercare. Or try to have a few mental breaks from upholding an image to the public. Like Vox has a whole-ass aftercare routine when Alastor is stressed and doesn't want to listen to demons due to his radio abilities. He even mutes himself and plays silent films while Alastor hides under a blanket with noise-cancelling headphones on. And when Vox destroys or needs to repair his TV head, Alastor always makes sure to have spare parts and tools on hand to assist him. He is used to repairing Vox and acting like a doctor for him.

They have been together for so long in hell, they lose their shit if the other overlord gets hurt or someone tries to take them away since in their eyes no one else compares.

And that's all I have folks!

[athanasius-symposium-of-writings]

Green Carnation

Chapter Two

I want to say how happy I am to see a lot of ppl like this fic. I will say it was a bit personal to write this and had to even talk to my friend about the subjects of this fic that it touches. So I want to thank them for helping me and also tell you all: you are very loved <3

Again pls read the warning and keep yourself safe

Rated: Explicit | Warnings: open relationship, there is gender play/crossdressing in this chapter. Norton calls the reader 'Mrs. Campbell' as they/he cannot marry him during this time but it all plays into a fantasy and is not said in a way of demeaning but in a way of affection.

Chapter One

The molly house, a speakeasy your wife took you to, is full of high society types. Here you found out a lot about yourself. Your wife, you love her to pieces, was supportive the whole way.

The place is not popular in the sense not many people travel this far to go here for there are others. The rustic charm and the memories of your friend keep you here.

You think about him, your friend and lover, he was a good man. Older and loved talking about his work with technology. The subject is sore for you and you come to the conclusion maybe you would never find a man like him; you won't but something new is not so bad.

Norton is at the check-in desk getting the large suitcase, holding a surprise, a quick search. You went ahead inside to see if your wife was still watching the burlesque show. Her lover, a woman you find pleasant, is sitting next to her. She points you out to your wife. 

You smile glad to see them both. Her lover waves at you before going back to watch the show.

She kisses you for a few seconds with her arms around your neck, “I thought you weren't coming.” Pulling back. She is beautiful, always beautiful, wearing the latest dress from France. Your wife is from very old money thus your father had your marriage arranged for social climbing. Lucky you, she likes you— Loves you.

“Sorry, got uh…” Rubbing the back of your neck awkwardly.

Norton comes up behind you with a neutral expression for your wife, “Fancy seeing you.” The suitcase is no longer with him, “They're getting us a room.” He informs you.

Your wife is confused and looks ready to also protect you. “It's okay. He asked to come here.” You say with a smile for her to know you are truly okay.

“And you trust him?”

Norton frowns, “I used to work in a place like this. The alcohol is just as cheap there as it is here.” His hand slipping around your waist tugging you close to him, “I intend to fuck your husband.”

Your wife looks at you then him then you and back to him, “Seriously?” Given she knew about your attraction to Norton the moment you came home covered in bruises, “Listen, we are discussing this later.” Shaking her head she lowers her voice, “You break my husband, I break you, Campbell.” She is very serious as she glares at him then softens her gaze toward you. “I'll be here.” Kissing you again before returning to her lover.

“I thought you two weren't in love.” The Prospector is very confused.

You laugh a bit, “We are in love. She has a lover and I was fine with only her but the option was always available for me to seek another.”

Norton will not pretend to understand that.

For a bit you both hang out at the bar, drinking a bit, mostly chatting. The bartender informs you both the private room is ready, and you take the key. Norton follows your lead.

“The rooms are over here.”

Small rooms with beds and simple bathrooms are places for those to indulge with partners or paid companionship. They are always clean and can have certain amenities added or changed.

It takes a minute to find the room; once you do, opening and closing the door, Norton sits on the bed next to the suitcase. “Go on.” Gesturing for you to take the thing with you, “In there, and don't come out until you are all dolled up.” Pointing to the closed bathroom door. The smirk on his face broadcasts how pleased he is as your cheeks burn hotter than any fire right now.

You are uh, you have not been with another man after your friend’s death, never felt right. He was everything you wanted to be, inspired to be, and yet you were content not to be. He showed you things and was slow and patient with you, never will find that again you figured. 

Norton does not move slow; he moves fast and trusts his gut on things most of the time. And tonight his gut was right.

The wedding dress you wear, after going into the bathroom and preparing yourself, is comfortable for your size and body type. It is the same one you were looking at with your wife while talking to her about renewing your vows. Norton was only there because he needed a party suit.

“This is embarrassing.” The makeup is a touch you added without him saying anything. Your wife adores you with lipstick, the rouge kind, it makes your smile pop. Norton sits there with his legs open and leaning back with his hands holding him up. Admiring, though you can feel him undressing you.

“Mrs. Campbell.” He says, “You look nice.”

“Nice? Do you understand the fight I was having with this zipper!? I better be more than nice.” Annoyed.

“Alright, alright,” Standing up with his hands up in defense, “How about ravishing, hm? Want me to praise my good boy for following my instructions, or,” He grins at the way he can tower over you, “Should I take my wife on our wedding night and make him feel everything I have been holding back, hm?”

There is something you like… Something about being in a role you are never going to have. You are a man, a husband, the breadwinner. There are things in this society you will never have nor be granted even if you held all the money in the world. You must dominate, must be strong, you must be everything society demands of you.

Your father was forgiving of your tastes so long as you were discreet; your wife helped you… Help you find this place where you can be how you want.

The bed is comfortable but you find yourself backed against a wall with Norton under the wedding dress.

“Hard already? Lace really does wonders to a man.”

You try not to moan, try not to seem touch starved for another man's touch, but you moan. Hands gripping and pressing down on the front of your dress. The dress is not a problem rubbing against the right spots as Norton’s callous hand grips your legs. Comparing both your bodies, you must feel like a doll to him. You are trying hard not to cum as his tongue and lips are hot against your cock, the barrier of the lace panties rubbing and your hard cock twitching with arousal.

“Don’t you dare cum.”

 “God, please.”

“Not God, me. Beg for me.” His bitemarks littered all over your inner thighs, “Making a mess down here.” Precum weeping out of your cock onto the underwear. His mouth takes the tip while his tongue cleans your mess.

“Shit, sorry, sorry!” It is too late and cum into Norton’s mouth, legs wobbling until they give out.

“Tsk, spoiled brat. I told you not to cum.” When you fall to the floor, now on your back, he slips from under your dress, licking his lips as lay there covering your eyes with both hands, “That good?” He crawls over to see you, moving your hands off your face. He looks worried. “(Name)...”

Crying, “Yes. Sorry, it's been… A long time.” It is unexpectedly emotional. You apologize again only for lips and a salty taste to blank your mind. His body is heavy, his colon the one you mentioned once how it smells nice, and his hand everywhere.

You once knew what it was like to be treasured, now you know what it is like to be possessed.

Norton Campbell is greedy, he touches you, consumes you; you writhe under him as lifts the dress to properly open you up. The oil he uses makes you feel warm and sensitive, “Suggested.”

“By who?” Out of breath.

“A friend.” Not only a friend, Norton hates the man but that novelist bastard has his uses.

“Good… Ah… Friend!” He found that sweet spot quickly, “Norton, Norton!” Legs shaking as you feel the ache of another release.

“This time you better hold back.”

You do, it is difficult but you do it with tears in your eyes and begging for him to let you cum.

“Mrs. Campbell needs to learn patience.”

“Mr. Campbell needs to fuck his wife or he might go find someone else who will.”

Norton sat up, a shadow falling over half of his face; you worried you said something wrong but when you are turned over to lay on your front. The way he hastily ripped his tie off to bind your wrist behind your back, he left enough fabric to use it like a leash.

“As if you would give that hole of yours to anyone but me.” His body close to yours once more, your head turning to glance behind you. You have never seen Norton naked, no reason to, and though he is not fully naked, he is shaped like a statue of Ares. Muscles and blood, his bones of iron; you whine at the sound of his pants being undone. He filled out so well, and you gasp as his cock-- Hot, heavy, and hard-- slid between your asscheeks. “You're a good boy,” Adjusting his cock with his free hand to press against your hole, “If you were easy, I wouldn’t have noticed how tight you are.” The lace moved aside but not taken off. Norton Campbell will be the death of you, pushing back wordlessly begging him. He is all too happy to thrust into your heat, the groan of how you need to relax, the way you called out his name in the voice he going to be obsessed with for a long time.

Lovemaking would be nice but not what is being done, Norton fucks you like you going to disappear. His teeth bite into your shoulder as he holds you close, thrusting with the intention of making your body remember every drag of cock. He will do this over and over, with you begging over and over to go harder or faster. Norton likes it when especially ask him to touch you, the sobs of your pleasure and way struggle to match his thrusts.

“That’s it,” Husky voice laced with the finest of lust, “(Name).” The sound of your name is spoken throughout the night. Every spot in this room is a witness and near the end he has you on the bed, holding you like you are his most treasured desire. Because you are.

It is a long night before he has to let you go. The saddest part of it all is always when the fantasy ends, yet it makes the memory last the longest. You will feel him for a few days and he will long for you for a few days. The public will only see what they need to see, the smoke and mirrors. The bittersweetness of it all, you try to focus on the sweetness though as he is there. Always there in front of you sharing the sun and moon with you.

[munson-blurbs]

@corrodedcoffinfest Day 10: Pride

Word Count: 940/Rating: T/Pairing: Eddie Munson x Reader/CW: coming out, part of the Trapped Under Ice universe but can stand alone/Tags: Eddie Munson, Reader (Ms. Sweetheart), Harris Munson, Hendrix Munson, Gareth, Jeff, Grant, Will Byers, pride parade

Divider credit to @silkholland

June 2015

“Hey, Sweetheart?” Eddie calls out to you from the kitchen, his phone in hand. “Will just sent me a text message–gay marriage is now legal in the whole country.” 

You turn on the TV as quickly as you could, MSNBC broadcasting the good news. Rainbow flags billow in the wind as the sounds of people cheering nearly drown out the reporter’s voice.

“Finally.” It’s taken long enough, the back-and-forth deliberating seemingly lasting forever. 

Your husband patters into the family room, snaking an arm around you as you watch the story unfold. “Apparently there’s gonna be this big celebration downtown tomorrow. Think Pride, like, jacked up to the max.” He presses a kiss to your temple. “Will wants to know if Corroded Coffin wants to play.”

There’s no need to ask him his opinion; you already know the answer. 

“Can I go?” A soft, small voice asks from the doorway. You and Eddie look up to see Hendrix, still in pajama pants and eyes hazy with sleep. It never fails to amaze you how easily teenagers can sleep the day away, even after going through it with Harris.

Eddie grins. “You wanna see your old man in action?” He doesn’t notice his youngest son’s anxious expression, typing back his response to Will. 

Something’s wrong–you can tell by the way Hendrix isn’t teasing Eddie for typing with one pointer finger.

“Hen? Everything okay?”

“Y-Yeah. Just, um,” He looks down at the ground. “It’s not that I don’t wanna see Dad perform, but I also wanna go because I…I like guys. And girls, too, but definitely also guys.”

The sound of the iMessage swooping into cyberspace is the only noise in the room. 

“So…you’re bisexual?” Eddie glances between you and Hendrix. “That’s the right term, right?”

Hendrix laughs despite his nerves. “Yeah, that’s it.” 

“Cool.” Eddie turns to you. “Should we make this a family affair, then? See if Harris wants to come?”

You smile, already digging into your pocket for your own phone. “Sounds good.”

“Wait, you’re–you’re okay with this?” Hendrix raises his eyebrows in disbelief. ”You don’t hate me?”

“Hate you?” Eddie shakes his head, kissing Hendrix’s scalp. “Bud, I didn’t hate you after you finger-painted on my guitar when you were a toddler. I’m certainly not gonna hate you for liking boys.”

You pull Hendrix in for a hug, squeezing tight. “We’re glad you told us. And we’ll always love you.”

The tension leaves his body, tears of relief slipping down his cheeks. The three of you stand there in quiet introspection, your son basking in the warmth of acceptance.

The sun’s rays permeate light through white clouds, heating the back of your neck. Hendrix stands to your left, Harris beside him. Harris, who has apparently known about his brother’s sexuality for months now and kept it a secret until Hendrix gave him the all-clear.

“Not to brag,” Harris said to you and Eddie on the car ride to the celebration, “but I was the first person he came out to.”

You and your sons watch Will take the microphone, your veins thrumming with excitement as he introduces Corroded Coffin. 

But the stage is suddenly occupied by four women. 

The woman sporting a baby pink turtleneck tank top and a black leather miniskirt leans into the mic. When she speaks, your jaw drops. 

“We’re Corroded Coffin, and this song goes out to everyone who’s ever needed to break free.”

That’s Eddie’s voice. 

And as the band begins playing their first song, you realize exactly what’s happening. 

I want to break free  I want to break free  I want to break free from your lies  You're so self satisfied, I don't need you  I've got to break free

“Oh, my God!” Harris cackles, adjusting his earplugs. “They’re doing the Queen video!”

Sure enough, Gareth is wearing a button-down and a skirt, Jeff is donning a pink negligee, and Grant is dressed in a black dress with a matching hat. 

Next to you, Hendrix buries his face in his hands. “This is worse than him hating me, I think,” he mumbles. 

Harris shakes his brother’s shoulders. “C’mon, Hen!” He cheers. “You gotta break free.”

“Kill me. Kill me now.” Hendrix turns to you in a silent plea for help. 

“No can do.” You smile, grabbing his hands and yours to initiate a shuffling dance. 

Reluctantly, Hendrix gives in, swaying his body to the music. He twirls you around, eyes crinkling with laughter as you struggle to turn on the pavement. 

Corroded Coffin continues playing, fully leaning into their drag personas, though it’s clear that the guys are struggling to balance in their heels. At one point, Grant nearly teeters over, and Eddie puts out a hand to balance him. 

I've fallen in love I've fallen in love for the first time  And this time I know it's for real I’ve fallen in love, yeah

“I can’t believe Dad’s doing all of this,” Hendrix muses. 

“We love you, Hen.” You tell him. “Nothing will ever change that.”

You spin him towards Harris, the older brother pulling the younger into an exaggerated waltz. 

From the stage, Eddie throws you a wink as he sings:

God knows

God knows I’ve fallen in love

One day, you think, your sons will find people who make them feel complete. And maybe Hendrix’s person will be a man, maybe a woman. 

The crowd shrieks wildly when Jeff plays his solo, negligee billowing in the wind. 

Hendrix laughs so hard he snorts. Your beautiful, youngest boy, always leading with his heart on his sleeve. 

Whoever Hendrix loves, you hope they love him back with everything they have. 

--

[happygirl2oo2]

Every reference I could find to Fitz's love of monkeys in Marvel's Agents of Shield, organized by episode numbers

According to this article, Fitz's love for monkeys comes from Iain de Caestecker's love for monkeys. The actor joked in season one about wanting a monkey sidekick for Fitz and it made it into the show's story. Fitz even has monkey figurines on his desk in early seasons.

season 1 episode 2:

FITZ: “I would love to see a capuchin in the wild. Maybe even a yellow-tailed woolly monkey. You know, um, Peru has 32 different species of monkey.”

season 1 episode 3:

FITZ: “If we had a monkey, we could get in.” SIMMONS: “Ugh, Fitz!” FITZ: “If we had a small monkey, he could slip through the sensors and disable the fence's power source with his adorable little hands.”

and

FITZ: “Did you hear the deadly lasers part? Without a brave monkey—”

season 1 episode 8: 

FITZ: “Still, this is definitely the type of work a monkey could easily do.” WARD: “You're our little monkey.”

season 1 episode 16:

MAY: “What's this?" FITZ: "Um, say you need to tag a fleeing vehicle... or a wild monkey, if it was to get away from you.”

season 1 episode 22:

SIMMONS: “That means that every bit of energy inside us, every particle" *breathes deeply* "will go on to be a part of something else, maybe live as a dragonfish, a microbe, maybe burn in a supernova 10 billion years from now. And every part of us now was once a part of some other thing ... a moon, a storm cloud, a mammoth.” FITZ, softly: “A monkey.” SIMMONS, also softly, accepting: “A monkey.”

season 2 episode 14:

Daisy: "Okay. But why am I suddenly feeling like old yeller right now?" Coulson: "Kind of surprised you know the reference." Daisy: "I've had a lot of downtime lately. That and Fitz really wants a dog." Coulson: "Thought he wanted a monkey." Daisy: "Guess he readjusted his expectations."

season 2 episode 16:

*When Fitz is packing up his stuff to leave, his three-monkeys statue is the first thing he's seen grabbing*

season 3 episode 21:

*When Fitz is getting ready for the broadcast with Talbot, he's making monkey noises as his vocals warm-up*

season 4 episode 3:

FITZ (counting his breath): “One chimpanzee, two chimpanzee. One chimpanzee, two chimpanzee.”

season 5 episode 5:

*Fitz is shown drawing monkeys on his cell's wall as a way to mark the passing of time while being there, instead of the regular line-markings that are usually used for that*

season 5 episode 16 (as Bobo is a common monkey name):

Jemma: "I was hoping you could tell me more about our future." Deke: "I mean, you saw it... It sucked." Jemma: "No, I mean Fitz and me. Do you recall any evidence of major injury, any noticeable scarring, perhaps?" Deke: "I don't remember you guys at all. I didn't even know your real names. Everyone in S.H.I.E.L.D. changed them when they were getting hunted down. I just knew you as Nana and Bobo."

season 5 episode 21:

*when Simmons is packing up Fitz's things into the suitcase, his monkey statue from the earlier seasons can be seen among the things already in the suitcase*

season 6 episode 3:

SIMMONS: “Expecto Patronum! [a small hallucination of Fitz in a monkey suit appears on her straw] Hello, little monkey Fitz.”

season 6 episode 6:

*while in the memory of the night they first became friends, after Simmons tells Fitz she also remembers "how manic you were and thinking that genius is just a tick away from madness", the wall is seen suddenly covered in drawings of monkeys in the same way Fitz did to the wall in his cell in season 5 episode 5*

season 6 episode 8:

SIMMONS (about the events of s6ep3): "I saw you in a monkey outfit dancing." FITZ: "No, no, reverse on that bit, what do you mean you saw me in a monkey outfit dancing?"

season 7 episode 13:

*When Alya gets up from her bed in the pod to hug her mom, a few monkey dolls can be seen at the edge of her bed*

and

FITZ (about Alya): “This little monkey is punching me as hard as she can in the leg.”

[lizardsfromspace]

The problem with discussing the impact of reality TV is that there were two booms of reality TV that were very different, and people conflate them

The first one from 1999 to the mid-2000s was mainly reality-competition shows, and mainly on broadcast networks. This was the one networks did as a ploy to replace writers with cheaper content. This wave was also dying or dead by the end of the 2000s. The biggest hits survived, but it became harder to launch new reality-competition shows, and all the smaller shows and specials that clogged up the schedule (and some famous ones, like Fear Factor) went extinct, a victim of oversaturation - something foreshadowed by the show that kicked off the boom, Who Wants to Be a Millionaire?, going from hottest thing in TV to cancelled as it expanded to five nights a week. Like, if you look them up, most of the big reality-competition shows now either started during these boom years, or are spin-offs of one that did (like the Gordon Ramsay shows all springing from Hell's Kitchen). The network's dream/the industry's fear of reality replacing scripted content never came to pass

It's actually a huge commitment to launch a new "the viewers at home vote!" reality show, since you have to assign a untested show two hours on one night for the live show and one hour on the next for the results show, and throughout the 2010s networks would look for ways to ditch the results show. In some countries you could do voting live (British reality shows do due to having just one timezone), but you can't in the US due to episodes airing on a delay on the West Coast

I don't think you even can do a show of American Idol's level anymore, since it thrived from a brief period of overlap: where phones & internet were common, but we still had some kind of a monoculture. My proof of this is that there's a new season of American Idol airing right now, in April 2023. Did you know it was still on? I didn't. Do you know who won last year? I'm not sure I could name a winner or even contestant since the Bush years. I never watched it, but everyone knew who won it in its early years, since it had a saturation you just can't get anymore, except with sports. Hell, at its peak everyone knew the names of people who didn't get past the auditions. This is not a growth industry, it is one crystalized around a few shambling forever-hits, and that one show where famous people sing in animal masks

The second boom is the one that took off around the time of the strike, which was made up of "personality" based reality shows. These were most common on basic cable channels, and crucially, basic cable channels that didn't really have scripted content. Keeping Up with the Kardashians didn't displace anything, because E! was a celebrity gossip channel that was all-reality from the beginning. The fears around this kind of reality show were more intangible, that Jersey Shore or the Kardashians were a kind of cultural downfall, though they weren't in any sense a new evil but just the latest manifestation of tabloid culture. In past generations the type of person to keep up with the Kardashians would've religiously bought the National Enquirer, and far before that they would've kept up with the society pages.

Anyway people act as if these two booms were the same when they were very different and treat the first one as if it's ongoing and not very firmly dead

[demonslayedher]

Not-very-spoilery thoughts on the movie release of Pillar Training (+SSV conclusion)

Behind a cut anyway just in case!

--Very nice to hear familiar background music brought back--Yuukaku themes when Uzui & his wives appear, Mitsuri's "Koi Kogare" BGM when she has a good batch of lines, Giyuu's BGM as he's like, "bye"

--I am very happy with the new OP, both sound and imagery-wise.

--One very short clip in particular made me, a fanfic writer, very very happy, but then there was more gratuitous focus that reminded me of another one of my best fanfics. The rewards of writing fic as closely based on canon as I could get them gives me the satisfaction of feel liking like canon-based imagery honors my fics by extension.

--Speaking of imagery in general, Ufotable is finding lots of ways to try to harp on the idea that everyone's wishes to destroy demons find their accumulation in Tanjiro, the Sun Breath user and first person in centuries to unlock the Mark. It is perhaps a little clumsy at times, but hey, that's a theme I like in this series.

--I was sad that Suma sounded so different, and had to look up afterward if she still had the same seiyuu. She does, but I think they might have given her totally different vocal direction so that she wouldn't sound too similar to Mitsuri

--Japanese crowds tend to be very quiet at movie theaters, but people could not contain their giggles at many of Mitsuri's lines

--I had the honor of sitting next to a huuuuuuuge fangirl who before the moving was saying stuff to her friends like, "(Hanae) Natsuki-san was at USJ the other day, and since it's a VR ride, you know, you have to wear the goggles, and I think, what if I wear the pair that he wore??? You know?? Our faces??? Would be so close?????" and then at the review of previous seasons at the beginning of the show, she started crying the instant the Mugen Ressha part started. Not loud crying, but crying.

--You can tell everyone was waiting for the "welcome back" scene, and although I thought Zenitsu would steal the show in that scene, it was indeed Nezuko. In the seiyuu greeting that was broadcast across all Japanese theaters on the opening day, Shimono-san noted that he thinks the audio was turned down on his performance of that scene. I think it was probably was too.

--So much happy daily life in this episode. If you have any friends who complained about last year's theater showing being a let-down because it was just regular anime episodes instead of a Mugen Train style movie, please tell them to just sit this one out and spare us their complaints. Most of this showing was just Tanjiro having a nice time after having a panic attack over Nezuko (oh, and like, killing Upper Moon Four, that too).

--Shinobu's hair seems distinctly longer. Giyuu's hair seems distinctly fluffier.

--Ufotable has put a lot of touches into humanizing Amane

--I wish Ufotable would stop trying to drive the "Zenitsu thinks Aoi is happy to see him (just because Aoi is a girl)" point. First off, yes, Zenitsu being a creep to girls is played up a bit in the anime. Second, the first fanbook states that the only kind of girl who is not so much his type is the Aoi-type.

--Also, on the promo art, I like the design they gave Shinobu's sword, but that's ignoring the fact that the four engraved kanji characters are on either side. Go ahead, Ufotable, hire me as your canon double-checker. EDIT: Oh wait, that is its sheath. Lovely, carry on.

--That said, the original filler they gave us? Gold star. Excellent. So happy with it. One... well, two tiny nitpicks that don't bother me much but stating it here would spoil it.

--One more non-spoilery thing to say about that filler: the people at Ufotable were probably like, "our fans are nerds. We already give them this, this, this, and that to nerd over. You know what else they are probably nerds for? Yeah. Let's give them that." Thank you, Ufotable. This nerd accepts and loved it.

--Tiny Nezuko filler as they set the stage talking about Muzan is probably looking for her? LOVE THAT TOUCH, at every level.

--Shinobu does have multiple goldfish, but they look a bit different?

--Genya's makes the best face in this whole episode

--Speaking of Genya, in the seiyuu greeting they had actors in big chibi costumes of the Kamaboko gang come out... PLUS GENYA. Giant chibi grumpy Genya was so, so, so, so freaking cute. Also, his seiyuu Okamoto got to join the stage with everybody and was talking about how he always used to scroll through his social media seeing the other seiyuu at KnY events and he was like, "sigh... sure looks like everyone is having fun..."

--Hanae Natsuki and his wife are big Genya fans, though, it seems

--Okamoto had a lot of trouble performing young Genya in the flashback, especially the emotional screaming. The desperation Genya always displays as he fights? That was Okamoto. --Meanwhile, Matsuoka always looks very overwhelmed at these things. I think having to embody the spirit of Inosuke terrifies him.

--IT WAS SO GOOD TO HEAR INOSUKE AGAIN

--Those actors in chibi costumes? The Zenitsu and Inosuke ones embodied them SO WELL. I don't usually care for those giant mascot character costumes, but these were legit so much fun to watch, like with Inosuke going right up into the cameras and Zenitsu trying to pull him back and then the two of them pushing and shoving. Zenitsu acting like he is being bullied and Inosuke showing off his muscles. I loved them. I am very sad that I will not be in town when they travel across Japan and come to my area.

--Also, the baritone voice of Oyakata-sama's personal crow? LOVED IT.

--Himejima at the the Pillar Meeting is such a statement. The new promotional material has a tag line that prominently uses one of the kanji in his name ("cry out"), and I feel like this is set-up for him to have a lot of impact later on in this season. Here's hoping!

--I am probably gonna go watch it again in a couple weeks, ufufufu

--Which is worth it for that KIZUNA NO KISEKI REMIX WHICH SOUNDED SO COOL IN SURROUND SOUND, OH MY GOSH