#i don't think the transfer will end up going through

[reignpage]

hello

what's your process of writing smau's? like the idea and how do you decide to implement it and everything?

thanks in advance and pookie don't forget to rest

Saw this a while back and finally have time to answer

I've already touched on this in my recent Announcement

Here is my start to finish process:

I have a list in my notes app of story ideas divided by smau and fic

and within smaus, they're further divided by angst/smut/fluff

Many are popular plots like

Clingy? (they call you clingy)

Birthday Girl (forget your birthday)

And the others are things I've just thought of for example:

A New Friend (or more popularly known as 'Keiko')

Tell Your Friends About Me

When it comes to making a smau, I first have to ask myself what kind I wanna make

To make a oneshot, my process is:

Start with Gojo (I always go in order of their appearance, it's just easier to transfer the screenshots from my phone to my laptop and organise them when they're already in order)

Change the contacts (his picture and name)

And text myself my initial thoughts

Most of the time I never plan what I'm going to say, like the plot for each character or the exact wording, it just comes to me naturally. But there are times when I have to trial and error what feels best. Regardless, there's a lot of deleting happening. Which is why I prefer the single page layout because then if I have to start over because of a mistake or typo, I don't have to recreate as many lines. It's less tedious.

To make a series, I like to generally follow a 4 part stage:

Problem

Confrontation

Explanation/Grovelling

Resolution

Which is why I was actually surprised a couple people thought I was excessively making parts, because looking through my masterlist, that just doesn't seem to be the case

Anyways

Each part and each character are like episodes of a telenovela in my head

That's why some people might think the conversations end suddenly and then people have to read back to understand the new part. I never thought that was a bad thing. In fact, it was actually quite intentional. These messages are dramatic like Vampire Diaries or Greys Anatomy and not realistic because realism is boring.

The children yearn for escapism!

Sometimes there's even minor time jumps between parts where reader has avoided the men for a couple days for example. Each character's plot plays out in my head like a show is the best explanation I can provide.

It's the same for the Modern au!smaus

Some people didn't get the Modern au!Nanami ones because they couldn't tell when a text is a pre-relationship text or when a text is during their relationship

First 3 texts are pre and the last half are established relationship texts Some texts are a continuation of a story, others are a snapshot of a moment in their lives

So it might not make sense immediately and that's because it's not supposed to be linear

It's like an episode!

Think of the Modern au!Nanami one titled 'Newton's first law'

First text is a snapshot of their first every conversation From reader's perspective, it's their first time meeting So in the beginning of an episode, it'd be like a flashback Then the episode picks up where we left off from the pre-relationship timeline, when Nanami got fed up because of the drunk party stunt reader pulled, and reader apologises and begs for another chance. The third pre-relationship pic is still following that event in the episode, but is a couple weeks into the future, where reader has kept her promise and been distant, which Nanami picks up on. THEN the three next pictures are in the present time, during their relationship, and we see they're having an issue, they even go on a break. But the episode ends with them reconciling and it all connects back to the first pic (the snapshot of their first conversation) with a reference to a text reader sent nanami

See my vision?

It might not be executed perfectly, but I hope you guys can at least see where I'm coming from.

If you've made it this far, you're a champ

Once I've reached the final character

Either Sukuna (or Shiu) in my 18+ works or Toge

I crop the pictures and I create a post on Tumblr using my laptop

I colour the title using a website

Paste it on the post

Get my template:

Smau: in which they/you..... Warnings: ..... Featuring: Gojo, Geto, Choso, Toji, Nanami, Sukuna/ Yuji, Megumi, Inumaki

I copy and paste the tags from my notes app (I do not type them out one by one anymore it's tedious work) and just edit out the inappropriate tags like if it's not smut, I'll take out every 'jjk character smut' tag etc.

And then transfer the pictures from my phone to my laptop, and then place the pics into Tumblr

I do final checks

Sometimes I forget to crop a picture or I didn't screenshot a character's conversation (I have to take a lap when this happens because that means I have to change out the contact pic and name and scroll up and go through the process ugh)

But if all looks good on my front, then I don't hesitate to click post!

Thanks for reading and hope that was informative!!!

[lover-of-mine]

After the promo feeling a very "Eddie trapped under the fridge in the van" tonight... Ana what would happen if it's trapped Eddie again, Anna?? No, but srsly what do you think? Any spec...👀

Okay, hi, this is gonna get long, I'm sorry in advance, but hey, you asked oaksoaksoaksoaksa

No, but seriously, I'm gonna go back to what the goal of my drown Buck 2024 spec was to explain my thought process right now.

I said that initial spec came from the voices in my head, but I did have a somewhat logical thought process. Here's the thing, buddie needs to talk about almost dying, and (shameless self-promo incoming) while writing the trauma fic, I was trying to find what could be a canon trigger because I wanted to get as close to canon with that conversation as possible, so much so I didn't even plan on that ending up getting together fic, it just happened (and given the reaction I got to the fic, I think I did stay close to canon), and I realized the only way to get them talking about dying is to almost kill them again. And while in that trying to stay in canon mindset while looking at traumatic events, I caught on to some patterns on the way they handle and frame the ndes as triggers that were never pulled to their full extent. Considering the similarities between the well and the lightning (set on that here for better visualization) I was convinced we needed to give Buck a shooting moment. Mostly because buddie are connected through death. The big changes in their relationship are triggered by ndes. The truck, the tsunami, the well, the shooting, the lightning.

And well, the shooting is as intense as it is because of a few factors: it happens by chance, the thing they were supposed to be doing was already done but they weren't supposed to be there to begin with, it brings up a previous trauma for both Buck and Eddie, Buck is forced to do the saving alone. It's why the second collapse on the bridge made so much sense for so many of us. Because the show could draw us into a false sense of security and pull the rug the same way the shooting comes out of nowhere. They were at a bridge so adding water elements would be easy, and that's real for both of them since tsunami/well, betting trapped in/under a vehicle, doing the saving alone because everyone else is out of commission somehow. I also added the idea of equipment malfunctioning, because I kept going back to that (I don't fully know why I'm so hung up on that, it just makes sense in my head), and you could have all that happening at the bridge while Buck tried to get Eddie out.

But transferring all this to what we know about the 808 call. The cool thing about Buck and Eddie is that they are really mirrored and most triggers for one of them would work for both. Obviously, since I was literally mirroring the shooting, I latched onto the idea of Buck doing the dying and Eddie doing the saving (also because I know Ryan would EAT a desperate cpr scene), but it works either way. So let's assume Eddie is the one in danger here just because I think Eddie nde can have more consequences (you can trigger Eddie, Buck, Eddie and Chris, and buddie all for the price of dropping Eddie off a cliff or trapping him in a flooding car lol) and he's been relatively safe for a while since the bridge was a collective accident and Buck got him out with no effort. Oliver mentioned rock climbing and Tim said something about one character hanging off a cliff and I'm thinking maybe this is literal. So something collapses. We have very obvious water elements with the hydrants and the amount of cars makes the trapped under/in a vehicle easy too, something going to hell by chance, the street collapsing or the equipment failing and trapping Eddie inside the car we saw him in could do that, and since we have Buck and Eddie paired, Buck being the closest makes it so that he would have to do the saving. But the thing is, 809 is already done. So legit, if this is happening, this is where the episode ends and we get our first real cliffhanger.

I sorta want Buck to be the one who ends up trapped in the flooding car because I want the bragging rights, but I think rn, Eddie would have more consequences, but if we are talking pattern Buck is the one who usually dies with an audience, so I'm seriously going back and forth, it's all gonna depend on what they want to trigger here. Because the ndes are the beginning of the change, leading to some big consequences later on, and since Chris is not back yet, I can see them forcing a possible parallel oh moment in the way the shooting is supposed to be and then Eddie going to get Chris because Buck needs to get to a point where he's ready for Eddie and Eddie is never gonna truly find joy without Chris and then something on 8b triggers the getting together. Shit can go to hell for either or both of them. The thing that scares me is the way that 809 is already done, so they needed them still in the state they are now, so there will be little to no initial jump on 8b so I keep thinking cliffhanger.

But I'm also trapped into the idea of Eddie saying he's going to go get Chris, the call happening with no real issue and something happening to Eddie as he drives to the airport and the "Nobody’s hanging off a cliff at the end of the episode except for possibly one character." is actually Eddie while the rest of the team is unaware. (Or maybe buddie gets into a car crash while going together and then yall can call me Cassandra)

[teecupangel]

From @pyruskieth

Oh, I just absolutely love it. But maybe Desmond could still need to hop into the Animus and into Connors memories to find maybe additional power sources? (I cannot really remember anymore why Desmond needed to relive Connor's memories) So that it comes full circle and the child Connor isn't just kinda a 'random kid' anymore. And the problem with the eye and Desmonds own doom still kind of stands? Although it could be possible through some kind of genetic/Isu bs that it would be possible to survive if one (or all) of his ancestors touch the Eye too, bc the genetic makeup of Altaïr (and/or Ezio and Connor) could be enough to count as similar enough to Desmond, so he won't take the complete hit (and everyone survives, yay! But Juno still escapes (buh!)). I fully believe that Altaïr would be the one to somehow discover this loophole (my hc is just that this man is so sharp at times (if he isn't an idiot)) with either one of the apples, while cracking it like a rubix cube, or some tugged away memory seals or smth. I really need Clay as some kind of absolutely chaotic friend, who drives everyone up the walls. (Lucy is still relieved that he lives again) and this sentence hits kind of different because as far as resurrection goes (sages excluded, I think that is a little different) there aren't that many instances in human history, I think. All the while William just sits in the corner with his head in his hands And for the resurrection myth and the sages, I sadly don't really have knowledge with anything that happens in Valhalla or beyond so that would be something completely up to you, but with the sage? Junis husband could have been their first 'test subject', bc he died and under Junos order, they tried to recreate an Isu/human body but due to some bs, there was already a soul bound to the body, so now everytime this dude gets born, he literally tries to rip apart the soul already inside the body so he can take control. The Altaïr getting us

It’s possible. What we can do is that the power sources they used are from Altaïr’s memories (aka the glowing pings in the hologram globe at the end of AC1) and they go for Ratonhnhaké:ton’s older memories where he was traveling the world to find out what his late father was up to.

Altaïr could have gotten the idea prodding the Apple to why it has to be Desmond. He would actually figure out that Desmond is meant to be sacrificed around the time they’re looking for power sources and that would start his task of dominating the Apple to stop being vague and give him something.

Something turns out to be the whole schematics of the device and what was left incomplete about it. Clay would be there to support him with his techno know how.

Clay tells everyone that he’s Lazarus in the flesh and Shaun absolutely wants to do something, he isn’t sure what it is, but the historian in him wants to just research Clay and his possible connection to the ‘stories’ of Lazarus.

Sages are from a failed project and Juno actually made Aita have Sages after he ‘died’ (or, at the very least I think comatose) so we can switch it around.

The device was created to try and transfer Aita into a new body BUT it rejected Isu bodies (or Aita’s mind was simply too damaged to be used) so she counted it as a failure and revisited the Mead project to make Aita a Sage instead.

(I think your comment was cut off :()

Hey, it's me again :D

I have this plot idea or whatever it is called stuck in my head for some days now (not rlly connected tho to the HZD hc). It's kinda like an reincarnation/time travel fix it? Maybe? Sort of? And it could be AltDes, bc I love them together. You can use it tho if you like and/or if it tickles your fancy

Like Desmond grows up constantly being lonely, physically and emotionally. We know William and he prioritized Desmonds training over everything else. He runs away from the farm, doesn't trust other people bc he always has to watch his back so that his father & etc. won't find him(I honestly can't remember if he in game knew that The Farm was run by assassins and that the Templars exist).

Fast forward to like round about AC Brotherhood maybe? Also I am not entirely sure about Lucy, if she still was a template by the time Desmond stabbed her or if Juno (if I remember correctly) just didn't want her to interfere with her plan. Maybe Desmond has started to kind of consider her and the others as kind-of-friends-he-is-not-entirely-sure, but he is still wary of them, keeping them at a certain distance.

Either through coincidence, luck, the apple, Map, other Isu-bs or information from the assassin network, they find an old Isu-facility. Though accident, Desmond activates the facility and he and the others learn either by a until then dormant Isu-consciousness or through other means what this facility does.

They learn that it is a fabrication facility, to be exact, a human fabrication facility. The Isu started this project back when the humans began to rebel against them and it was supposed to 'replace' those who fled and rebelled against them. It was never finished and the only one of its kind. It was supposed to store 'souls' from deceased humans, so they can be 'reused' in new bodies, bc artificially constructing a soul is very difficult and heavily recourse, time and energy consuming. But the Isu couldn't ever get it to work properly, so it can only store 'Souls' who have some kind of Isu-'DNA'-Marker inside of them and the way how they are stored is like, they get pulled from the body and be dormant until 'reused' or they would just disperse. They are only able to be stored in their state of death, so technically they have all their 'memories' of their past life and the plan was for the memories to be wiped just before transferring them into a new body (which would be constructed in the facility, or at least that was the plan).

Maybe bc of a combination of his bleed, his current situation (mentally deteriorating; his lack of real emotional connection(at least that he is aware of) and wishing for someone to just be there for him, accepting him etc; the knowledge that the others kind of just do their job) and maybe a little bit of the feeling of impending doom he by accident starts the facility and either bc he doesn't register it or isn't sure what happened, he leaves and comes back maybe around two days later. He finds a tank/pod or whatever with a body inside of it(fully grown out but doesn't see the face). Now maybe he smashes the glass and gets the body out of there, it opens on its own or the one inside of the pod tries to break free(maybe succeeding). Either way, he gets the body out of the tank/pod and looks at the face and recognizes Altaïr. A reason why him could be because in the moment where Desmond accidentally started the facility, he has bled Altaïr (or as him), or thought about him in some other way and the facility is controlled via thoughts(but it can only be operated by someone who has at least a certain percentage of Isu-DNA, like in this case Desmond).

One path could be that Altaïr's souls wasn't wiped of his memories, bc the Isu couldn't fully implement this function or some kind of error occured or due to structural damage this part of the facility is too damaged to Funktion properly, so he still has all his memories from his previous life until his death. Or another idea would be that his memories would be partially wiped, bc of the same reasons but their effect would be a little different.

Desmond would form a emotional connection or attachment towards him, for example bc of his bleed, his loneliness. There is this little scene in my head, where Altaïr helps Desmond calm down, from either a heavy bleed episode or some kind of panic attack, where he ends up holding Desmond who clings to him like a life line. With the others he always tried to keep physical contact to a minimum, maybe bc it would make him extremely uncomfortable or it felt cold and emotionally distant, but Altaïrs touch in this moment is soft, warm, calming, which stands in stark contrast in comparison to everyone else. Desmond would then subconsciously seek his proximity again and again because Altaïrs presence would help him calm down and his bleed wouldn't be as strong.

How Altaïr would connect with Desmond I'm not really sure but ultimately he would try to help Desmond to the best of his ability and maybe through his knowledge with the apple and other Isu-artifacts or they find other ones and with some Isu-bs they prevent the eye from killing Desmond.

That would be the general gist in my head, but I have some other notes too:

The process of transferring a 'soul' from the 'storage' to the body could be either automated or manually. Maybe the 'soul' has to be pulled out of a basin or something like that and has to be put into the 'empty' body

The facility would only be able to construct one or maybe two bodies and transfer souls into them, before shutting down, either bc the power runs out or a cave in happens, rendering it completely unusable afterwards

Altaïr would probably try to take the others under his wing, kind of like in your 'Zero Eclipse' fic (bc tbh, I kind of really love this concept), after learning what happened to the assassins and how they are struggling. Additionally he definitely does not like William Miles for both his parenting skills and how he leads the assassins

And of course training them, or at least he would train Lucy and Desmond (bc hand to hand combat and close proximity :) )

That is all I have for now, what do you think of it?

Lots of love from me, take care and be safe

Okay, so my thoughts are all over the place XD

I feel like this Isu facility could be the ‘start’ of the resurrection myth in AC.

And we can even tie the facility to the ‘Mead’ that sets up the appearances of Sages of those who participated it.

The second facility that was meant to wipe out the memories could have been Yggdrassil that was stolen by Odin and modified to be used by his kin instead.

If you want to mess with Altaïr further, his body could take some getting used to. He was reborn in his prime after all and Desmond approximate that he might the same age he had been when Desmond had been watching his memories

(Of course, if you want to make Altaïr in his 60s, I’m all in because that man was quite the silver fox as well)

Altaïr believed that he’s trying to get used to his body because he remembered dying as a 90+ year old man.

That could just be the case or… if you wanna screw with him…

Maybe his body is more Isu than human and the strange Isu-human hybrid body that the facility creates is also one of the reasons why the facility was abandoned.

.

Timeline-wise, we can go for Brotherhood and we have 2 options:

Option 1: instead of going to the Colosseum , they reached this facility instead because of some reason. We would have to think of a reason for this.

Option 2 is easier to implement. While they are running away from Rome after Vidic and his stooges came at the end of AC2, they had to go to a different path because they heard of a coded message that Templars are around the same route they were going to take. Lucy thinks something is wrong because she didn’t hear of this part of the plan.

Also… None of them knew who was the one that sent the coded message, all they know was that it was sent on Rebecca’s backup backup phone.

The detour leads them farther away from Monteriggioni and into another part of Italy where the facility was underground. They only hid in an abandoned mine because they heard some kind of chatter on a radio frequency they were listening into (turns out some locals were using it because one of their members’ son ran away from home) and Desmond felt something call for him there.

They were only meant to stay inside for the night then try to get to their next safe house (something Lucy insisted) but things go… haywire because of Desmond ‘accidentally’ turning on the device.

.

The soul part being a basin could be something similar to my idea of the Afterlife project in the Desmond is Zagreus’ Sage idea.

In that idea, soul is pretty much the memories and consciousness of a person in digital form. This is similar to Clay’s digital avatar in Revelation, only that these souls are in stasis. Maybe Clay even used the same way to upload himself in the Animus.

The basin in the facility could be a ‘middle ground’ that downloads the data of a person from the Afterlife project that still exists somewhere in the world, forever recording every single death of humans (or, if you wanna lower the ‘size’, any being with Isu DNA)

.

Lucy would probably try to hide the fact that she’s a Templar even while being trained by Altaïr. Altaïr is super sus of her but everyone keeps saying that she’s an ally and it doesn’t take Altaïr long to know that they wouldn’t believe him if he tells them that he believes she’s a spy.

Desmond might so he focused his attention on Desmond because Desmond never treated him like he needed to be handled with care as someone who had just woken up in this ‘new world’.

That’s how they start to grow closer. Both of them aiming for friendship but ending up in a more intimate relationship because of how easy it was for them to understand one another.

Even if Altaïr was born centuries before Desmond, Desmond’s upbringing on the Farm was too similar to his own in Masyaf that he knew the words Desmond wanted to hear.

The words he had hoped someone would tell him back then.

This could easily go for a ‘us versus the world’ setup if Altaïr isn’t able to connect with the rest of the team as well.

.

I read ‘might be able to construct one or two bodies’ and I’m like: counteroffer, Desmond accidentally uses the device again and this time, two more pods start working. Unfortunately, the facility did not have enough resources for both sooooo…

Desmond is now the accidental father of two young babies who may or may not have the memories of Ezio and an unknown ancestor of his (since he doesn’t know Ratonhnhaké:ton is in this one)

Thank you! We're staying safe right now but here's hoping the terrible weather comes to pass soon.

[karmicpunishment]

can i be so real rn i really don't enjoy the "dazai will join the port mafia again" theories lol

like nothing against ppl who like 'em, obviously, i just think its. the least interesting route to take in this story and kind of goes against all the themes of the overall plot.

though i wouldn't mind a "dazai sets himself up to be transferred but the other agency members stop it" kind of plotline

[vaspider]

While I'm writing things that I've been intending to write for a while... one of the things that I think that a lot of people who haven't been involved in like... banking or corporate shenaniganry miss about why our economy is its current flavor of total fuckery is the concept of "fiduciary duty to shareholders."

"Why does every corporation pursue endless growth?" Fiduciary duty to shareholders.

"Why do corporations treat workers the way they do?" Fiduciary duty to shareholders.

"Why do corporations make such bass-ackwards decisions about what's 'good for' the company?" Fiduciary duty to shareholders.

The legal purpose of a corporation with shareholders -- its only true purpose -- is the generation of revenue/returns for shareholders. Period. That's it. Anything else it does is secondary to that. Sustainability of business, treatment of workers, sustainability and quality of product, those things are functionally and legally second to generating revenue for shareholders. Again, period, end of story. There is no other function of a corporation, and all of its extensive legal privileges exist to allow it to do that.

"But Spider," you might say, "that sounds like corporations only exist in current business in order to extract as much money and value as possible from the people actually doing the work and transfer it up to the people who aren't actually doing the work!"

Yes. You are correct. Thank you for coming with me to that realization. You are incredibly smart and also attractive.

You might also say, "but Spider, is this a legal obligation? Could those running a company be held legally responsible for failing their obligations if they prioritize sustainability or quality of product or care of workers above returns for shareholders?"

Yes! They absolutely can! Isn't that terrifying? Also you look great today, you're terribly clever for thinking about these things. The board and officers of a corporation can be held legally responsible to varying degrees for failing to maximize shareholder value.

And that, my friends, is why corporations do things that don't seem to make any fucking sense, and why 'continuous growth' is valued above literally anything else: because it fucking has to be.

If you're thinking that this doesn't sound like a sustainable economic model, you're not alone. People who are much smarter than both of us, and probably nearly as attractive, have written a proposal for how to change corporate law in order to create a more sensible and sustainable economy. This is one of several proposals, and while I don't agree with all of this stuff, I think that reading it will really help people as a springboard to understanding exactly why our economy is as fucked up as it is, and why just saying 'well then don't pursue eternal growth' isn't going to work -- because right now it legally can't. We'd need to change -- and we can change -- the laws around corporate governance.

This concept of 'shareholder primacy' and the fiduciary duty to shareholders is one I had to learn when I was getting my securities licenses, and every time I see people confusedly asking why corporations try to grow grow grow in a way that only makes sense if you're a tumor, I sigh and think, 'yeah, fiduciary duty to shareholders.'

(And this is why Emet and I have refused to seek investors for NK -- we might become beholden to make decisions which maximize investor return, and that would get in the way of being able to fully support our people and our values and say the things we started this company to say.)

Anyway, you should read up on these concepts if you're not familiar. It's pretty eye-opening.

[emiliaoleary]

Hooking rugs that look like dogs

Here's how I do it:

The process I use is called rug hooking (not latch hook or punch needle or tufting, though it is the forerunner of the latter two techniques). Rugs are hooked by pulling loops of fabric strips or yarn through the holes of a base fabric with a coarse open weave, like burlap, or linen, or rug warp. The loops are pulled through the fabric with a squat-handled hook whose business end is shaped like a crochet hook.  There are no knots and the loops aren't sewed down in any way.  The whole thing stays put just by the tension of all those loops packed together in the weave of the foundation fabric.

This isn't a true detailed tutorial but a walk-through of my particular process. The same information is on my web page, emilyoleary.com .

I hook with yarn, rather than with cut strips of wool fabric, which is what many rug hookers use.  I can get a looser, more organic distribution of loops with yarn than I could with wool strips, which are hooked in neat lines. 

Mostly I use wool yarn. In terms of yarn weight, I can use DK, worsted, or Aran.  If I'm using thicker yarn, I leave more holes un-hooked; if I'm using finer yarn, I hook more densely or double up lengths of it.  I particularly like using single ply yarns (like Brown Sheep Lamb's Pride or Malabrigo Worsted).  I don't keep count, but I think I usually use around two dozen types and colors of yarn per dog.  

This is my yarn wall in my apartment. Mostly brown and gray yarn!

I start from a small drawing in my sketchbook, then I head to FedEx office to use a copy machine, blowing up the drawing repeatedly and experimenting with how big the dog rug should be. 

After transferring the image onto my linen, I immediately go over it with Sharpie, because the Saral is really difficult to see and really easy to rub off.

The rug is held taut by a PVC quilting frame that I set on my lap.

I push my hook down through the fabric with my right hand and my left hand stays below the fabric and guides the yarn while I pull it up and through with the hook. Not every hole in the fabric is hooked. Hooking every hole would make the rug too dense. I do hook pretty densely, though-- If you pick up one of my rugs you’ll see they have a slight curl to them, which is because they’re hooked pretty tight. I'm using all different weights and types of yarn, so it's a challenge to keep the overall tension even.

I hook my loops at varying heights to create a very low relief. Sometimes I trim the loops to make them fluffier or wispier or to shape a particular part. I look at a reference photo while I work and pull out and redo sections a lot.

My q-snap frame can accommodate the growing dog rug. I have extenders to make it bigger and I can clamp around my hooking.

The back of a rug looks like lines of little stitches. The lines are little worm trails snaking around because lines of hooking are not supposed to cross over each other. It's important to start a new length of yarn rather than cross over a stitch you already made! I read this when I first started and took it to heart. It makes it much easier to undo and redo hooking if you have to (and I redo sections A Lot). It also keeps the back from getting too bulky and resulting in uneven wear on the back of a functional rug that gets floor use.

When I’m done hooking everything I turn the rug over and brush watered-down Sobo glue on the edges of the dog, making sure to get one or two of the outermost lines of hooking. I do a couple coats of this thinned out glue. I'm careful not to use so much that it seeps to the front of the rug. When the glue is dry I cut the rug out, but I don't cut so close that the loops don't have any linen to keep them in.

​ It generally takes me at least several months to finish one dog rug. My hooking frame and yarn bag are very portable (though bulky) so I can hook out and about at coffee shops or the library or a brewery if there's enough space and light.

Hooking in the wild makes me an ambassador for making things in general and rug hooking in particular. I answer people's questions and always emphasize how relatively easy it is to get started hooking. Sometimes I get anxious that other people will hook rugs that look like mine but better, but I think that working in a traditional medium means you should share your knowledge for the good of the craft.

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[feralforbeanix]

Manfred Von Karma did not burn Phoenix's letters to Miles.

Like, I'm not even saying this to defend Manfred's character (though the fanbase does get a little crazy with what he actually did and didn't do) I'm saying this because that's not canon. I'm not sure it was even possible in canon.

Phoenix didn't write letters to Germany. He didn't know Miles was in Germany, let alone Von Karma's address. He didn't even know who Von Karma was until Edgeworth told him about Manfred in Turnabout Goodbyes.

In the game canon, Miles just stopped showing up to school one day. All Phoenix seemed to know was that he transferred schools suddenly. He didn't know why or where to. Remember, Phoenix didn't even hear about DL-6 until Turnabout Sisters when Maya mentioned her family's involvement.

Even in the anime canon (I haven't watched the anime in a while so I might be off about this) where Phoenix and Miles get a chance to properly say goodbye, Phoenix still doesn't have a direct means of contacting him. His best way of doing so was dedicating a song through the radio using Signal Samurai codenames and hoping Miles would hear it.

Phoenix mentions trying to contact him several times when explaining their relationship to Maya, but this was after finding out Miles was this "Demon Attorney". Miles would have to be at least 20 at this point in time, living back in California with at least a few trials under his belt. With how young he reached success, it's not impossible Miles was living on his own at the time. Even if he wasn't, I doubt Manfred was going through this grown adult's mail.

No, what the game seems to be implying is that Miles ignored Phoenix. (Maya even says, "I guess he didn't want to hear from his old friends.") And I don't think this was out of hatred or anything, I think Miles just wanted to forget his past entirely because even the good memories of his childhood would be bittersweet at best.

And to be honest that makes it even more tragic to me. Why do we need Manfred to intercept their connection when Miles' trauma and guilt complex is already doing that?

I like to think Miles knew Phoenix would be asking questions if he ever responded to those initial attempts at contact. Questions he of course doesn't want to answer because they'd at best open old wounds or at worst risk his childhood friend finding out he might have committed patricide.

I also like to think he knew Phoenix of all people would stubbornly try to find the answers Miles wouldn't willingly give because he literally mentions Phoenix always being "single minded in his work" and "always seeing things through to the end". If anyone was going to press and bring those uncomfortable and painful memories out in the open for the sake of "helping him", it would be Phoenix Wright.

Why do we need Manfred to take away all that complexity and tragedy? That is such a waste!

[piggycyberwarrior]

Task Force 141 with a Reader that grew up in a ‚be an independent woman and never rely on a man‘-household >>>>>>

They immediately love you- such a pretty thing, always working hard, beautiful smile on your lips and so so kind.

They have enough money (a reward for putting their life on line) so why not spend it on you? Of course their wallet gets lighter when your gaze lingers on an absurdly priced jewelry. How can't they shower you with gifts, when you deserve this and so much more?

Buying you this, that- things you threaten to kill them over if they buy you a $2000 purse- because thats just so absurd- yeah you liked the design, but thats too much money for a piece of leather.

Their cash is yours now- even though you do not accept that fact. Green paper traded for clothes, accessoires, food, shoes, lingerie- oh how they love to buy you lingerie…

Always paying for your meals- snacks, getting pouty when you give them the glare while pressing your card onto the terminal, a tad faster than them- paying the food.

You were raised like this- to pay for your own things- standing up for yourself, never rely on men and that you don't need any gifts from them. They know that but oh boy- they do not care. In the end- they shower you with money because they love you, not because they want you too love them.

Soap and Gaz are the ones who do it the sly way.

Let me explain.

They shop with you- making you try on all different kids of clothes- because you just look so pretty in them :( ... how can you not say yes to their begs and pleads.

pretty pretty please with sugar on top..?

Seeing how your eyes light up in the mirrow- Soap and Gaz share a glance- an unspoken promise. (One slowly getting up- making his way through the endless option of clothes- softly talking to an employee, pointing at your happy form- and everything you seemed to like is bought in a matter of seconds.)

"Are you serious??" "Aw- do nae be like tha', bonnie" Soap laughed quietly- carrying the shopping bags with such a proud smile. "Yeah, we had to buy you them, you looked so good, sugar" Gaz said- pressing a soft kiss to your cheek before his warm hand on your lower back pushed you foward gently. "But-" you tried to reason, being shut up with a tut from the two men. "Just accept it, baby, yeah?"

You don't even argue when it comes to Simon. He just buys it- and when you try to obliege- one of his intimidating looks is enough and you fold. You tried outsmarting him by not going shopping with him but the gifts just stack to the ceiling in your home so you stopped that aswell..

So when you did go outside with him you had to literally threathen him "Simon, I am going to staple your large intestine to your nose if you even think about buying me that" you growled while looking at some mannequins while strolling through the city.

"but do you like it?"

yes "No, its ugly"

He doesn't buy it then and there but again- he has enough money so why not spend it on you? yada yada yada- in the end you have some strange bag that you do not recognize on your bed- with that ugly pretty dress you saw while walking with Ghost.

Stubborn man

The worst one in the group must be price tho- he never and I mean neverrr lets you pay for anything. The others gift you many things, but this man? When he is around you don't even have to bring your wallet with you of course you do because fuck them (...please)

You‘re struggling to pay rent? Paid. Wanting to relax? Spa Appointment booked. Feeling hungry? Meal's already on the way. Flat not that cozy? Lets go shopping decor, love.

This man can read you so good- its creepy. And he won't accept a 'no'"

He randomly transfers money onto your bank account- "Luv, I have enough" "John.. I cannot accept that! Thats too much"

-

Oh yes you can. They will make you accept it all...

Everything.

!please do reblog!

My mutuallsssss ✨🌷: @stargirlstabber @cricricorner @captain-of-caption @enfppuff @missroro @peachy-aisha @thelrina @gaiagurl05

[boyfhee]

✶ JEALOUSY, JEALOUSY !

jealously looks good on them

pairing enhypen x reader / fem reader in hoon's genre fluff warnings kissing in jake's, ignore the typos pleek notes happy reading ^^ requested

HEESEUNG

you know he's the jealous type just three days after dating him. it's in a fun way— of course. despite being the jealous type he doesn't overdo it ( or at least tries not to. ) you're gushing about your favourite character from a show or a celebrity you like and he's sulking on the inside.

“byeon wooseok is hot but not hotter than me. right, darling?” he would ask the moment he catches you watching the edits of the actor on tiktok. with eyes fixed on you, his lips morph more and more into a pout when you take more than a few seconds to respond. “i can't believe this,”

you watch him sit on the far end of the couch, away from you, refusing to spare you a glance even though you know his attention is on you. “c’mon hee, are you jealous of an actor? he doesn't even know me,”

“well, good for me because with how pretty you are, he will definitely fall for you if he gets to know you,” he replies through a frown, eyeing you through his peripheral gaze, arms crossed. it only makes you laugh at how cute he can be sometimes.

“and i'm in love with you so it doesn't matter,” and he's back to normal, crawling to your side and wrapping his arms around you. you just have to remind him that every time jealousy gets the best of him, even though he already knows it; but he likes to hear you say it. 

JONGSEONG

jay thought it would be cute to ask you out on a little convenience store date until your neighbour's son crashes it. well, not literally since he only happened to be there at the store. however, despite all, being the person he is, he doesn't think much of it.

that is until that guy decides to follow you around throughout the time you two shop. even when you two make it to the counter, he's next to you, talking to you and you're responding nicely, considering he's your neighbour.

“um, we're dating,” he says with an awkward smile when that guy asks if you're single. and jay has always been patient but he grabs the shopping bags and your hand, and walks out of the store with the speed of light.

“you can let go of my hand,” you laugh at the look of pure jealousy on his face. it's not really obvious, but you can see it. you've known him long enough to know how he is when he's jealous.

“nope,” he shakes his head, lacing his fingers with your own while you two are walking back to his place. “not until we're home,”

JAEYUN

he thinks he's being subtle about it but you don't miss the way he keeps scooting closer while you're texting a friend. he's not trying to peek, he's trying to get your attention.

“who even have you been texting for so long?” he asks after a few seconds, sitting lazily next to you on the bed with a faint pout residing on his lips.

“my friend. it's her birthday soon and she wants me to go shopping with her,” you don't even look up at him as you respond, smiling at your phone screen. he stares at you for a brief second before laying down with a slight whine.

“you're leaving me,” his words reach your ears and you turn your head towards him, brows furrowed. “i need to die,”

and the ‘j’ in jake stands for jealousy, it was never a secret. however, you didn't expect him to act like this right now. “jake, it's not that serious,”

“it’s four in the evening and not a single kiss today,” he sits up and says with a dramatic gasp— eyes wide open as if the situation is oh so scandalous. he sighs, putting a hand on his chest, shaking his head. “i'm afraid this is my last day. any last words?”

and you chuckle, putting your phone away before scooting closer to him and cupping his face, pressing his lips against his. “you're so dramatic,” 

SUNGHOON

sunghoon was all up for an evening stroll around the campus after classes but definitely didn't appreciate the transfer student from your class ruin this little date.

subtle glares and his fingers intertwined with yours, and yet that guy couldn't catch a hint. sunghoon knows he's hitting on you, perhaps you do too but knowing how nice you are, you can't be rude when all that guy is doing is complimenting you. so, he'll do it for you— sunghoon is going to eat him up.

"i know, right? my girlfriend is the prettiest girl on earth. and guess what? she's smart as hell— i love my girl. oh you want her number? well, she's mine," all in one breath, followed by an awkward silence and sunghoon's prideful smile. "now, me and my girl have somewhere to be so if you'll excuse us,"

he doesn't even give a chance for your classmate to speak, walking away while bringing you along with him. as funny at it is, you know he wasn't taking any of it.

"was all that necessary?" you ask, fingers still laced with his as you two walked down towards an ice cream parlour.

"what's necessary is for us to get married," he says it in the most casual way, getting you your favourite ice cream flavour and handing it too you. "too many guys looking at you. i can't take the risk,"

SUNOO

"i thought you're no longer in touch with him," sunoo says quietly when you bid your goodbyes to your friend, holding your hand as you two walk back to your class together.

"yeah, but we're classmates so it was unavoidable," you respond with a smile, looking up at him. it only takes you a fraction of the second to notice the troubles expression on his face, behind the smile. "what's wrong?"

your boyfriend shakes his head, the smile getting wider but it's only an attempt to throw you off the topic. "nothing,"

"sunoo," you stand in his way, hands on your waist, looking at him with a cheeky grin. it's not often you catch sunoo with such an expression. "are you jealous?"

"i'm not!" he quickly defends himself, eyes going wide and cheeks heating up out of embarrassment. however he sighs, giving up the very next second. "well, maybe a little. he's your ex after all,"

"he was my friend before we started dating," and you couldn't help but chortle at his actions, nodding as you get back to holding his hand, this time a bit more firmly than earlier. "besides, i have you now,"

"right," he couldn't help but smile at your words and pulls you a bit closer to him, speaking with a triumphant grin. "you're too good for him anyway,"

JUNGWON

jungwon has been watching you for fifteen minutes now, laying on the bed, eyes squinted at you. "do you remember you have a boyfriend?"

"of course, i do. why would i forget that?" you furrow your brows at his question, looking up at him briefly before looking back at your boyfriend's pet dog.

"i don't know, seems like you did," he sighs, getting off the bed and sitting next to you on the floor, looking at his pet dog. "i called you over to spend time with you. not to watch you play with maeumi,"

and you laugh, caressing maeumi in your lap while looking at your boyfriend with a teasing grin. "i can't believe you're jealous of your own dog,"

"and what if i am?"

"it's a bit silly," you nod, the smile never leaving your face. "it's cute," his eyes follow your actions as you lean down to plant a soft kiss on maeumi's head and then lifting him up slightly. "but can you really ignore this cutie?"

and that was the end of his patience. jungwon gets up, picking maeumi before putting him away in the living room. "yeah, he's going up for adoption,"

"jungwon!"

RIKI

"he's so ugly," riki comments bitterly as you walk out of your class, eyeing one of the classmates you've been talking to while he was waiting for you in the hallways. "what a creature,"

"creature?" you repeat his words in disbelief, even though it's not really unusual for him to say that. "riki, that's my classmate. he was giving me yesterday's notes,"

"yeah, he's still ugly," he shakes his head, scoffing, grabbing one of your hands while sliding the other in the pocket of his pants.

you simply laugh at his words as you both get downstairs, a few students passing by you two, rushing towards the school exit. "you look stupid when you're jealous,"

"jealous? me?" he scoffs yet again, a prideful grin on his face as he stops in his tracks, looking at you. "you have quite an imagination,"

"what i have is a jealous boyfriend who sucks at lying,"

and who even is he kidding, because both of you know he's the more jealous one between the two of you. about the lying part. . .he's not too sure. "well, at least i look better than him, don't i?"

you nod, tip toeing slightly to kiss his cheeks, still holding his hands in the process. "the best,"

[ldrfanatic]

this happens once every few lifetimes

mattheo riddle x reader

synopsis - reader transfers to hogwarts from ilvermorny. she and mattheo fall in love with each other at first sight.

warnings - none, i think?

listened to while writing - the alchemy by taylor swift

i have a clara bow theo one in the works right now that i'm excited to drop at some point. ngl this gif of benjamin in deadly class inspired this idea A LOT.

part two?

slytherin boys works

you waited with baited breath outside of the great hall.

any moment now the doors would swing open and albus dumbledore, who you knew only through legend, would announce your transfer to hogwarts.

it was terrifying honestly. leaving ilvermorny was indescribably difficult. but when your father got a job opportunity at the british ministry of magic, it was decided. already you were feeling overwhelmed. you'd done your research but hogwarts was much larger than ilvermorny. it was much older as well, and thus had gained a reputation over a thousand years of producing some of the greatest witches and wizards the world has ever seen.

the large magnificent doors opened and every pair of eyes was on you.

you walked forward with sweaty palms, subtly attempting to dry them on your plain, black hogwarts robes. another change. the wardrobe was much more strict here than back in america. and where every student at ilvermorny wore the same blue and gold, students at hogwarts wore colors representative of their house.

finally, you reached the end of the walkway and stood face to face with a dusty and rather ancient looking hat. to your light surprise, it spoke. a woman whom you'd met briefly beforehand, professor mcgonnagall, picked up the hat gently and motioned for you to sit on the stool.

it was time to be sorted into one of hogwarts four houses. you'd been in wampus, the house of the warrior, at ilvermorny, and despite hours of research, you couldn't distinguish what the hogwarts equivalent would be. all four houses seemed to be good choices but there was one in particular that stood out to you.

no shorter or longer than exactly fifteen seconds after the sorting hat touched your head, a declaration was made.

"slytherin!"

an older student in green robes gestured you over to the table on the far right. not wanting to sit at the very front and continue to be gawked at, you briskly walked a little further down and took a seat at the middle of the table.

once you'd taken your seat, dumbledore began to explain that hogwarts would be hosting the triwizard tournament this year. after a flashy introduction from beauxbatons and durmstrang, you effectively decided that you were not the most interesting shiny new toy at hogwarts this year and silently thanked the universe for this turn of events.

at last, it was announced that you could eat and the tables filled with food. all around you students' plates began magically creating complex dishes. there were even some dinners that held food that you were sure you couldn't see anywhere on the table.

frustrated, you stared down at your empty plate. it was a long journey to hogwarts. you were hungry and quite frankly tired of things being so different. if one more complicated situation made its appearance at this school, you were undoubtedly going to lose it.

"just think about a food you really want to eat. it can be anything."

a boy next to you with brown hair and bright blue eyes leaned over. a thick italian accent levied on his deep voice.

you closed your eyes and thought about a delicious juicy cheeseburger with golden-crisp french fries. sure enough, when you opened your eyes, your plate had filled with food.

absolutely giddy with glee, you turned to thank the mystery man.

"no problem. i'm theodore nott. this is draco malfoy next to me."

the platinum blonde boy didn't even look up to acknowledge your existence. theodore, seemingly sensing your mild displeasure, spoke up.

"don't mind him. welcome to slytherin house. riddle, say hello to our newest recruit."

the dark haired boy directly across from you who you assumed was 'riddle' did in fact look over from his conversation with a boy with a chestnut colored complexion. yet, when your eyes found his, he didn't say hello.

he didn't say anything actually. he just sort of stared. as you held eye contact, it was like lightning running through your veins and sizzling at your fingertips.

for a moment, you wondered if he'd ever seen a person before.

then, as if he'd snapped out of a daze, a gentle smile played at his lips. dark curls fell over his brown eyes that seemed to sparkle the longer you looked at them.

his large hand crept over the table until it was outstretched towards you with a kind smile.

"mattheo."

you shook his hand with a shy smile. mattheo was currently looking at you like you were the only thing that mattered. in fact, your little interaction had gone on so long that theodore and the boy mattheo had been speaking with had both strucken up conversation with other students at the table.

"y/n."

mattheo eyed your appearance. his gaze flickered across your face, then to your hair, and all over the parts of your body he could see.

"sorry if this is a little awkward, but i can't remember the last time i was this captivated by someone." mattheo finally released your hand and you had to stop yourself from begging him not to.

"welcome to slytherin house. you're in the snake's nest now, beautiful."

---

7.8.2024

[heavysighing-dreamyeyes]

imagine like reader being a detective or something, being on the case to catch Red Hood (while he’s still a crime boss)/ the Arkham Knight, but being in a relationship with Jason, unaware of his nightly business. And then boom, they find out one day and it’s all angsty 🤞🤞 love ur work btw hihi

Betrayal

Hi, nonnie! I thought I had this done earlier, but then I had to keep world building. Stuck with Red Hood on this one. Hurt/No comfort warning. Non-graphic, very minor character death. ~1.8k words

Gotham is cursed. That's what they told you when you transfered to the GCPD. Yeah, you've heard the stories, but they're just messing with you, right? Trying to scare the newest rookie cop.

Except they were telling the truth. A few years later, more cases than you can keep track of, enough masked rouges to fill arkham three times over, and a promotion to detective, you tell the rookies the same thing they told you. Gotham is cursed.

"Alright, Detective, this one is yours." You make a face at the case file the Commissioner drops on your desk.

"Sir, I took care of The Penguin robbery last week, isn't it someone elses turn to deal with the high profile cases?" You gingerly pick up the file, reading over the name Red Hood stamped on the front.

Gordan sighs at you, already turning away to move onto the next poor detective. "We cycled through everyone else after the Black Gate breakout. Anyone who didn't work on it has active cases. That makes this one yours."

You grumble reluctantly, cases like this lead to more press coverage than you want to deal with, but start flipping through the file, mentally noting down the sparse facts and theories about the up and coming crime lord.

That was four months ago. In such a short amount of time, Red Hood has taken over more territory in Gotham than any other crime lord and completely changed the game. No dealing to children, no human trafficking. You hate to acknowledge it, but crime technically has dropped since he took over the majority of gangs in Gotham under an iron fist.

The work is exhausting, he's always one– no, five steps ahead of you and your growing team of detectives and beat cops. You don't think you've even gotten a real glimpse at him that he didn't mean to let you have.

The closest you've gotten to Red Hood was out of uniform, weeks after you got the case, when he was still a new name on the streets.

It was a robbery, some desperate punk in a mask that didn't conceal anything, was dragging a little girl out of the store as a hostage.

"Take me instead, she's just a kid." You had protested, heart sinking at the terror in the little girls face.

"Not a chance." He barked back at you.

"Look, she's scared, she'll only slow you down."

The gunman stares at you, you see his fingers twitch. "Fuck it. Fine. Both of you are coming with me." That's how you ended up in some alley, familiar sirens wailing in the distance and your hand curled protectively with the child's.

"Shit. Man. Shit. The cops weren't supposed to be here. What am I gonna do? I can't go to jail." He's snapping. Rambling and desperate. Your eyes dart for some kind of plan, a way to help the little girl stay safe. But the alley is empty, not even a dumpster to seek shelter behind. "I just gotta get rid of the witnesses. Yeah. The witnesses."

Your eyes dart to him, he's lifting the gun. You don't hesitate to grab the little girl, wrapping your arms around her and turning your back to the man, tucking her to your chest to provide as much cover as you can provide.

A gun fires.

There's a thud.

You look over your shoulder, the girls face still hidden against you. He's not moving, gun unshot and laying next to him on the ground. There's a pool of dark liquid forming around him. You look up.

You manage to see a red glint, the shine of a gun, the eerie glow of a luminescent eyes. Red Hood.

That's all you manage to see before you're swarmed by cops, guiding you and the girl to safety.

It's a memory that plays in your mind sometimes, when you hear testimonies of how Red Hood saves people in crime alley, despite his crime lord status. It's confusing, exhausting even, to try and sort between the good and the bad, the duality of one man. At least you have your loving boyfriend to come home to.

Jason. He makes you feel like Gotham might not be so cursed. It's great, he gives you butterflies. He makes you happy. You cook meals together, and you both work the weird twilight/night shift hours. He holds you like you're precious under your shared comforter. You think you might love him. He whispers sweet nothings into your hair when he thinks you're sleeping. You kiss his palms when his eyes get that far away, haunted look he can’t seem to explain.

He's insisted on cooking dinner tonight as you watch him, a little starry eyed. You can't really blame yourself when he's shirtless and working over your favorite meal.

"Oh, Jason, I need to wash my clothes. Do you need anything done?" You ask, finally remembering that you do actually have a job and responsibilities and you can't stare at your handsome boyfriend all day.

"No, I'm good, baby. Go ahead and do your thing. Dinner's almost done." He answers idly, shooting you a lazy grin as you stand.

You smile back before leaving the kitchen to gather your clothes. As you dump the dirty laundry in the washer, you realize you never refilled the detergent. Mumbling an annoyed curse, you head to the spare bedroom you rarely use. There should be some extra necessities stock piled in there. You know, for the next time a criminal messes with Gothams chain supply.

You're more focused on the delicious smells floating through the apartment as you open the closet door, idly looking around for the detergent. That's why it doesn't really click in your mind what you're looking at. Guns. Armor. Your thoughts freeze to a stop. Are you dating some kind of henchman? A bright red helmet takes up your vision. Nope. You're dating a crime boss.

The helmet is in your hands and you're fumbling your way to the kitchen before you even have your thoughts sorted. Should you call for back up? Shouldn't you try to catch him by surprise? Sure. But, you need answers. You want this to be a misunderstanding. You want Jason to be your partner– not– not what the evidence that's heavy in your hand says he is.

Statistics run through your mind. Stories of Red Hood saving working girls. Stories of him leaving bodies of dealers that sold to kids. Then, memories of your boyfriend. How he leans down to kiss your forehead. How runs his hand up and down your arm while you watch movies together. If there was a sign. If you were too blind and in love to realize.

He turns to look at you when you stalk in. You throw the helmet at him. The helmet you'd recognize anywhere, even if you've never gotten close enough to touch it before. He catches it with the grace of a predator. "The hell is this, Jason?"

"It's a helmet." He says evenly, turning off the stove and placing the helmet down on the counter.

"No, duh, it's a helmet, Jason. Don't patronize me. Is it yours?" You nearly hiss, hands curling in anger and frustration and heart break you're not ready to admit you're feeling.

He studies you, eyes dark and calculating. It makes you bite the inside of you cheek. His eyes never looked at you like that before. "It is."

You laugh out of disbelief, stepping back. "So you've been using me? Is that what all this was? Just a way to get information about the GCPD and what we had on you?"

"What? No." He says your name a little pleading, "it's not like that. Not anymore."

"But it was." You bite out, cursing yourself for the sting of tears in your eyes.

He steps closer, you step back, trying to keep your hands from shaking. He whispers your name, and you think you see hurt flash in his eyes before it disappears. His voice goes steady, even. "It was. But I haven't tried to get anything like that since–"

"Since when, Jason?" You cut off, anger and hurt clear in your voice, in your face. "Was it before we raided the warehouse at the docks? Is my computer bugged? Did you hack my phone?"

He winces. You don't need to be a detective to know he has. "I haven't used them since we started getting serious."

"And when was that, Jason?" You ask, voice breaking at his name. "Because it's been serious this entire time for me."

He doesn't answer at first, gaze leaving you to stare at his helmet. "Since I– I saw you save that kid. Instead of going after that shooter. When I realized you weren't just another one of the corrupted cops. That you care about this city. And the people. I realized I couldn't keep doing that to you."

You go quiet. What can you say to that? "Were you ever going to tell me?" You settle on.

"I don't know." He shrugs helplessly, eyes leaving the helmet to meet your teary gaze. "I didn't know how. I don't– think I wanted you to know. " He stutters over his last sentence, and then says your name, pleading coming back to his tone. "I can't lose you over this."

"You never had me!" Your voice raises, a shout in anger before you can bury it down. You shake your head, wrapping your arms around yourself protectively and lowering your voice. "You never had me if everything this was was built on a lie."

"It's not a lie." He says firmly, snapping to attention and stepping towards you. He gestures between the two of you, says your name like he demands your attention. "This is not a lie."

"It is, Jason! You're only here to gain something from me! From my job!" You push back, throat tight and head spinning. Maybe you shouldn't be yelling at Gothams most dangerous and deadliest crime boss, but your heart is too broken for your head to think straight.

"No, pretty." You think he's pleading. You think his mouth might even be trembling as he speaks, but you can't make it out through the tears in your eyes. "No. It was like that at first. I know. I know that hurts you, but, it's not like that now. It's nowhere near that now."

"I don't care." You choke out.

"You don't mean that." Jason protests, but he doesn't sound certain.

"I don't want to see you anymore." You say the words before you're even sure you want that.

His face drops. "You don't mean that either."

"I do." It tastes like a lie. It sounds like the truth. You're turning and leaving before he can speak again, before you can unpack what you really want, locking yourself in the bathroom.

You fall asleep to the sound of your own tears, curled on the cold tile floor. You wake to silence. His helmet is gone from your counter when you enter the kitchen.

Your favorite dinner is wrapped in plastic when you open the fridge.

It makes the truth of it all worse. Gotham really is cursed.

Part Two

[barcaatthemoon]

fade into you || lena oberdorf x reader ||

lena takes your virginity.

minors dni, 18+, smut warning.

not proofread because i have 30 minutes to get to work and still need to eat breakfast.

the move from manchester to bayern was a big one, but you hadn't made it alone. your older sister keira's best friend, georgia, had transferred with you. with georgia there, you practically had another older sister there with you. and it was great, up until you met lena.

the bayern and wolfsburg games were pretty intense, but you loved it. english soccer hadn't necessarily been physical enough for you, aside from your very heated games against arsenal. lena could match your aggression and put you on your ass if she really wanted to.

at first, there had been a couple of close calls. georgia had gotten herself carded arguing with lena twice before someone said something. after that, you had players like magda and pernille, your team mothers, who looked out for you instead. they were a lot more protective, not even letting the german player talk to you after games.

lena hated the way that they watched over you like a hawk whenever she was around. all lena had wanted to do then was talk to you, and she had to wait months before she finally had a good chance to do so. georgia had tried to step in to "protect" you whenever lena approached you after an international game against each other, but she wasn't nearly as intimidating as magda.

"(y/n)!" lena called out as she chased you down in the tunnel. you froze on the spot, unsure of what lena could have wanted with you. that game had been difficult to say the least. tensions had been high, and several players on both sides had gotten a little sketchy with some of their tackles and challenges. "do you mind if we talk for a minute?"

"you want to talk to me?" you tried not to sound so surprised, but you couldn't help it. lena nodded as she extended her hand towards you. georgia looked a bit angry as you took it, not noticing the looks from leah, lucy, and your sister behind her.

"i'd prefer to do it alone," lena told you as she led you away from everybody else. "i've wanted to talk to you for a long time, but there are always other players around. your friends don't seem to like me too much."

"they are protective. we have a tendency to go a bit harder after each other than anybody else," you pointed out. lena couldn't argue with you on that one. she admittedly did play a bit rougher with you than she did with other players. however, lena knew that sometimes that was what it took to stop you from trucking through their defenses.

"i like how you play. i can't wait to be on your team." lena rubbed the back of her neck awkwardly. you studied her for a moment, just long enough to be distracted by her features. your eyes bounced all around her face and body, shamelessly checking her out a bit. "before that, though, i'd like to get to know you better. maybe we could go on a date when you get back to germany?"

"why wait that long?" you asked her. lena looked surprised, like she couldn't believe that you wanted to spend time with her so soon. "i won't be drinking with the rest of the team tonight, and playing cards in my sister's room can wait. you guys leave tomorrow night, and i think that leaves just enough time for us to go out together for a night."

"the whole night?" lena asked. you were quick to shake your head, but refused to elaborate any further. lena didn't know that you were a virgin, she couldn't have. not a lot of people actually knew that, and while you had been told that it was nothing to be ashamed of, you couldn't help but feel like you were lagging in your age group.

"i'd like to see where things go first. hooking up isn't really my thing," you said quickly. you hoped that it came off casually, but you knew better than that. you weren't that lucky, not when it came to relationships. you had only ever dated one other person, and it had ended so badly that you kind of thought you'd never date again.

…

naturally, as your relationship progressed, lena eventually learned about your lack of experience. she had been kind about it once you told her. a lot of things that you had done over the past few months made sense to her. lena had known that you were shy, but now she understood why certain things messed with you as much as they did.

"good morning." lena greeted you with a kiss as you walked into the kitchen. it was her first week in her munich apartment, and she had asked for you to stay with her. the two of you had been together for nearly half of your first season at bayern. now, you'd get to play at the same club together, so she would be there to keep you company instead of georgia.

"this isn't good for my german," you told her. lena shrugged it off and wrapped her arms around your waist as she pressed several kisses to the side of your face. "i really do want to learn, lena."

"liebe, you are doing fine with the german. relax, we practice together every single day. rest your brain for a morning, it will be fine," lena said. you sighed as your body sank back against hers. you hadn't been with lena for very long in the scheme of things, but you knew for sure that you were in love with her. keira had once told you that love was a feeling that often took you by surprise, and your feelings for lena had blindsided you early on in your relationship.

the two of you had expressed your love for each other in words before, but you wanted to do more. you wanted to give yourself to lena fully. the thought was beyond terrifying for you, but you also knew that lena was trustworthy. she would take care of you, just like she had been doing for months. more than that, you trusted lena fully and wanted to show her just how far your trust reached.

"what are you thinking so hard about?" lena asked you. her voice was full of concern, breaking the blissfully relaxed energy that had been filling up her room. you had been ready to tell her exactly what you wanted, but when you opened up your mouth and looked at her, your words died out on the tip of your tongue.

"i want-," you paused, unsure of whether or not this was the time. lena would never push you towards anything, but you hadn't considered whether or not she wanted sex from you. everybody around the two of you had made a teasing remark here or there about sex, only to be shut down by an extremely defensive lena.

"it's okay, take your time." lena pressed a kiss to the top of your head as she pulled you to rest against her chest. you gave yourself a couple of moments to relax where she had guided you. once those moments were over, you shifted so that you were sort of leaning over her. "everything okay?"

"yes, i just, need to ask you something. lena, i'd like to have sex with you," you told her. lena's normally expressive face went completely blank as she stared at you. a wave of panic overtook your thoughts, but lena didn't let it get far enough for you to retract your statements.

"this is a big deal, are you sure liebe?" lena asked you. it was true, this was a big deal for you. some of your teammates had tried to play it off as something that didn't matter, but to you it did. lena knew this, and she had been fully prepared to wait until marriage if that was something you had wanted. a part of her hadn't expected you to want to talk about it again so soon, but she was glad that you trusted her.

"yes, of course i am. i love you, and i want to show you that," you said sheepishly.

"there are other ways to show that you love someone. it's not like i can give you this experience back if you decide that i wasn't the right one." for a moment, you thought lena was trying to talk you out of having sex. that idea was promptly snuffed out whenever you finally looked her in the eye. lena looked almost to tears, but there was no sign of anything other than joy on her face.

"i'm sure. i want you, and only you." lena had never heard you speak with such confidence or conviction before. you were shy, always keeping to yourself or your very carefully selected circle of friends. "just, please remember that it's my first time."

"always, we will take it slow," lena promised you.

…

neither you nor lena had really brought up having sex again for the remainder of your stay with her. you had assumed that lena had forgotten, not that she was working on making the last night of your week together so special. for the most part, you had been completely oblivious until she was practically shoving you out of the house to go shopping with sydney and laura.

they were nice, but still very much lena's friends. you had a lot of fun with the girls, who had definitely talked you into spending more money than you meant to. by the time that you headed back to lena's, you had enough things to fill an extra suitcase.

"lena?" you called out into the apartment. it looked empty, but lena had obviously cleaned and rearranged a few things. you could see the table set very romantically, and you wondered for a moment if you missed some sort of anniversary. all of those thoughts were practically thrown out of your head when you saw lena walk out of her bedroom. "you look amazing."

"i know that we did not talk about this before, but i really want to be with you before you leave. only if that's okay with you," lena said. she brushed a strand of your hair back behind you ear as she stepped into your space. there was never an invasion with lena, she was always welcomed eagerly with open arms.

"i'd like that. i've been thinking about it a lot," you confessed. lena smiled as she pulled you in for a kiss. something told you that lena would have kissed you either way, but this kiss felt different. this kiss built to something bigger, something that your body had been anticipating for a couple of weeks now.

lena pulled back from the kiss to lead you to the table. you sat there a little awkwardly by yourself while you waited for her to return. lena had obviously put a lot of effort into the meal, preparing things that you recognized as supposed aphrodisiacs. you noticed the distinct lack of alcohol at the table, which lena explained away as not wanting anything to possibly taint the experience.

"how are you feeling?" lena asked you. she leaned back against the counter as she watched you put the last dish in the dishwasher. you had fought her about leaving the dishes in the sink for tomorrow and cleaning up, but lena relented in the end. she had rinsed a few of the pots and pans before you were even home anyway, that was enough help as you'd accept.

"nervous, but in a good way. i trust you though, just show me what you like i guess," you told her. lena smiled as she pulled you in for a kiss. this one was soft and sweet, a gentle press of her lips against yours. the next couple ventured away from that territory, right up until lena was pinning you against the counter by the kitchen sink and kissing you absolutely breathless.

"i'm going to find out all of the things that you like. maybe it'll take more than a night, but we have the rest of our lives to figure everything out." lena picked you up with ease and carried you into her bedroom. every part of the house had been done up for tonight, so it shouldn't have come as a shock to you to see the candles and flowers all over the room.

"you spoil me. what if i want this every time we have sex?" you asked her.

it was a teasing question, but lena answered you with complete sincerity, "then i will do this every single time. there is nothing i wouldn't do to make you happy."

"i love you," you told her. lena blushed as she pressed a kiss to the corner of your mouth.

"i love you too," she mumbled. you threaded your fingers through her hair and lifted her head up so that she was looking at you. she repeated herself, suddenly a little afraid that you hadn't heard her. you pulled her in for another kiss, opening your mouth almost immediately to welcome her tongue.

lena dropped onto her knees on the bed to lay you down gently. her body quickly covered yours once again, and lena slotted herself in between your legs. the two of you had laid like that before, but now it felt different. both of you knew where this was leading, and while lena would assure you that you could turn back whenever you wanted, you knew otherwise.

you were grateful for lena taking her clothes off first, even if you had been head over heels for the outfit. it was rare that you got to see lena out of her kit or the sweats that she liked to wear around the house. and while there was little hotter to you than lena walking around in a tank top and sweatpants, the black slacks and white button up that lena had worn for tonight drove you a little crazy.

however, you were glad to not feel quite so underdressed for the occasion. you hadn't changed from the jean shorts and t-shirt of lena's that you had worn out for shopping. lena had barely let you go whenever she saw you in her shirt that morning, but you had compromised with her by cuddling on the couch until laura and sydney came bursting through lena's apartment doors.

"can i touch you?" lena asked as she motioned towards your bare chest. she was almost completely naked above you, only wearing her underwear. your shorts were still on, lena slowly making her way down your body. your lips were bruised from kissing her, and there were little wet spots from lena kissing along your neck and jaw.

"please do," you told her. lena smiled, dipping her head down to press a kiss to the little dip in between your collarbones. lena's hands massaged your breasts as she littered kisses all over your chest. you could feel that you were wet, but you didn't want to rush lena. as many times as she had told you that this was for you, you had reminded yourself that this was also for her as well. it was your first time, yes, but it was also your first time together.

with each inch that lena moved down your body, you felt your arousal and anticipation grow. you were practically shaking by the time that lena finally reached your shorts. she opened her mouth to ask if you still wanted to continue, only to be met with you impatiently shimmying yourself out of them. lena had the tact to hide her amusement, but you didn't miss the little glimmer in her eye.

it wasn't the amusement that you had mistaken it for. after your show of enthusiasm, lena let her own eagerness be known. the kisses that lena pressed to your hips and thighs were messy, much messier than the ones placed on your chest. lena paused and sucked a hickey onto the inside of your thigh, barely an inch away from where you were practically frothing at the mouth waiting for her to touch you.

"mine," lena muttered sweetly as she ran her finger over the hickey.

"make me yours," you begged her. you weren't sure what had compelled you to say that, but if lena's reaction was anything to go by, it was the right decision. lena grabbed your thighs and held them apart. you heard her swear as she really got a good look at you spread out in front of her.

there was nothing that could have prepared you for the feeling of lena's mouth on your cunt. you had kissed her hundreds of times already, but her lips felt completely different between your legs. you blindly reached around for something to grab until you felt lena take your hands in hers. it was sweet and grounded you, distracting you from your rapidly approaching orgasm.

"i don't want to cum yet," you whined. lena lifted her head to look at you. there was something reassuring in her eyes, something that quelled the panicked thoughts about embarrassing yourself in front of her.

"it's okay, let it happen. it always happens faster than you'd like the first time." lena spoke gently, more so than you had ever heard her before. you closed your eyes and tried to only focus on the way that lena felt as her tongue moved between your folds.

you couldn't stop the moans and all the little noises that normally would have embarrassed you. lena hummed appreciatively at each noise you made, like all she wanted was to hear them again. the focus of lena's tongue switched from just lazily lapping at your cunt to zeroing in on your clit. you felt a finger press against your entrance, rubbing teasingly as if she hadn't planned on actually entering you.

"lena, i think i'm gonna cum," you warned her. lena just sort of squeezed your hand as she continued with a steady pace. lena didn't want to overload your senses, so she tried to keep things going a little slower. she paid attention to every little signal that your body was giving her, helping you reach your peak and work yourself through it.

"you did so good," lena praised as she littered your face with kisses. your cheeks were flushed and your chest was heaving. you had made yourself cum a couple of times before, but it was nothing like having lena touch you. the feeling of lena touching you made you never want to even try to get yourself off ever again. "how are you feeling?"

"i've never felt like that before," you told her. it was a good feeling, but you couldn't quite articulate that yet. lena nodded, seemingly in understanding, and cupped your cheeks to pull you in for a kiss. "i can't believe i didn't ask for that earlier."

"go on to the shower. i'm gonna put the sheets in the wash," lena told you. she tried to move away, but you clung to her like your life depended on it. "liebe, we have to clean up."

"yes, and you can come shower with me. then, when we're out, you can put the sheets in the wash while i pick out something to watch in the living room." lena wasn't going to argue with you, especially not when your plan included a chance to shower with her. you knew that you had won when lena didn't try to argue with you, so you pulled her out of bed and towards the bathroom. your legs were a bit shaky still, so lena held onto your hips to steady you the whole way.

[woso-dreamzzz]

Proud VI

Hardersson x Teen!Reader

Georgia Stanway x Teen!Reader

Summary: You join Bayern Munich

The transfer was a long time coming.

You love North London. You love Arsenal - a bit too much according to Magda - but this transfer was something that you didn't need to think about.

You loved your mothers more than Arsenal and you wanted to be with them again.

You'd gotten a taste of it during your last year in London, living with them both and then they'd gone to Germany without you, stuck in your two year contract with your club.

Arsenal had tried to re-sign you but Bayern Munich had come knocking and Bayern Munich was where your mothers were.

You wanted to be where your mothers were too.

Contract negotiations were easy. They moved quickly and without much fuss until finally your name was on the dotted line and there were two Harders on the team.

It's the first time you'll be playing your club football with Magda, the first time you'll ever be playing football with Pernille.

It's not that you're nervous but you want to do well.

You want to prove to them that they've made the right choice in letting you come with them again.

Oberdorf has also joined from Wolfsburg and you think her signing is a lot more ground breaking than yours so you slip under the radar a little bit as the media and fans clamour over Oberdorf's switch from one German giant to another.

"Different kind of red than you're used to, little Eriksson?" Georgia Stanway teases as you step out onto the training pitch for preseason.

"Red is red," You say," And it's Harder, not Eriksson."

Georgia frowns. "But I thought you were Swedish."

"I am Swedish," You reply," And I'm still a Harder. Two things can be right at the same time."

Goergia laughs at your affronted look, reaching out to ruffle your hair. "I was just playing around with you. No harm, no foul."

You still purse your lips though, unsure how to take this teasing.

Everyone at Arsenal already knew you. They knew how you were. They knew how you acted. They knew that either one of your mothers would pick you up when practice ended so their teasing couldn't go too far.

"Leah's talked about you," Georgia continues," Said you usually had a sense of humour."

"I do have a sense of humour! I just..."

Magda's hand falls onto your shoulder. "She's just nervous. This is her first time in Germany, you know. She's left all her friends behind in London."

Your cheeks go red. "Morsa," You say," You're embarrassing me."

Magda pinches your cheek. "Good. That's what I'm here for."

Georgia watches as you try to squirm away, but Magda's got you in a headlock and is rubbing her knuckles in your hair.

"Come on! Come on! Get off!"

"Are they always like this?"

"You should have seen what they were like after a London Derby," Pernille says, fondly watching the two of you as you manage to tackle Magda into the ground, wrestling with her in the dirt.

"Magda said she left her friends behind?"

"Magda exaggerates. I'm afraid y/n has never really had time for friends outside of football."

Georgia frowns. "No friends outside of football? None at all?"

"She's lonely," Pernille says," Not that she would admit it but I know she is."

"She seems pretty cool. She scored that worldie on her last game for Arsenal. I was impressed."

Pernille laughs. "Don't tell her that. She hates the compliments."

"Alright, I'll keep my awe to a minimum but the goal she scored against us in the Euro Qualifiers was equally as impressive. She's good off the ball as well."

Pernille grins, puffing out her chest as pride runs through her system. "She's the best. Magda and I are so lucky to have her as ours."

"You don't mind if I steal her for a bit though? I reckon I can get her more settled."

"If you think so." Pernille moves to loom over you and Magda, getting a foot between your two rolling bodies. "Magda, leave her alone. Y/n, Georgia wants to show your something."

You shove Magda off you, hurrying to your feet before she can grab you again.

Georgia grins, arm being thrown over your shoulder as she leads you to another group of girls.

"Sydney! Have you met Magda and Pernille's kid?"

"No. I haven't."

"Well this is y/n. y/n this is Syd. She seems like your speed."

"She does?"

"I do?"

"Well...no not really but you look like you need someone to help you out of your shell. Syd did that with Sam. She can do it with you."

Sydney grins at you and you find yourself grinning back. Her smile is kind of infectious.

"So what do you do outside of football?"

"Nothing really."

Sydney's grin widens. "Don't worry. We'll find something."

[cozycottagetarot]

Random Things About Your Person

From Elle: Pulled This One From The Drafts... wasn't going to post it but maybe there's something useful in it for someone. It's a chill one ✌️

Notes:

Definition of 'Your Person': At this point, I'm not sure how I personally define 'Your Person', so I guess I'm leaving that up to you're interpretation. For now, let's just say someone you'll have an impactful connection with.

Reading Layout: This reading is done in a brain-dump style where the info is just bullet as it came to me and less organised.

Dividers From X

Reading Masterlist | Patreon | Paid Readings -- Open 🥂

PILE 1

This person is such a loving and nurturing person… they could even help heal your inner child. If you want kids then this will transfer over to how they parent and it's very heartwarming.

They give off ethereal vibes. Very in tune with their intuition or have a strong sense of knowing

They could be your 'perfect match'

Someone you 'grow old' with or could envision yourself 'growing old' with

They could have a diverse friend group or their friend group is very important to them.

Night and the moon could be super important. They could be born at night, you meet at night or you communicate with them through your dreams.

They’re very abundant. Regardless of how much money they make, they just have such a rich life that you can see they are without want.

They’re very calming. They could calm your nervous system.

You’re going to have a very passionate/intimate relationship

There could be a 1-3 year age difference between you two (this is more so if you're interested in age differences... I don't why but I ended up reading those here)

They’re trustworthy and reliable

A very strong, gentle and protective person

PILE 2

Could live by the water or be very emotional.

They’re your heart, your everything. It might be hard to deny your attraction to them… but not physically. More so like a knowing once you meet this person that they play a significant role in your story

'Lionheart'... Regal energy

Lots to learn from them... So much that I actually wrote it twice lol

Kind of exotic… very beautiful

They don’t bark, they bite

They're someone who makes things happen

Very quiet…. It makes me think of something that I saw that goes along the lines of "You're harmless, not peaceful. If you’re peaceful you’re capable of great violence" or something like that. This is not meant to say that they're this aggressive/violent person. I feel like it's quite the opposite really.

I kept seeing this image of coming across a wounded animal, a wolf to be exact. You can see they've been in a fight/injured and are on guard. They're not going to hurt you but you can see that they are alert and will attack if you show you mean harm. A case of survival...

I feel like they hold the key to your happiness in a way

Something angelic about them… it could be their mind too

3 to a 8 year age difference (this is more so if you're interested in age differences… I don't why but I ended up reading those here)

An unexpected meeting

Beauty in darkness. Easily stressed or anxious. It feels very tense compared to pile/group 1

They’ve overcome a lot… flexible at a cost

One of you is further ahead in life than the other

Protective of their energy. Loyal, ambitious.

Overstimulated frequently or easily

PILE 3

They may be big on naps. Like napping together is their love language

They may be a little weird

Grumpy x sunshine vibes

Whimsy or connected to their inner child, youthful vibe

Very calm and peaceful

You two could be polar opposites but you work well together.

Their appearance can change a lot... I think more so through them willingly changing it. Really, don't be alarmed if you come home and they look completely different. I feel like they're mischievous and would get a kick out of your reaction

You could have a 2-6 year age difference (this is more so if you're interested in age differences… I don't why but I ended up reading those here)

They've managed to maintain a positive disposition despite the hardships they've faced

They could give off a met you in a past life vibe

Either good at helping you relax or they easily get stressed out but then can just as easily relax themself

Could be very creative or artistic... muse energy

Could like to take their space/time alone.... but could get lost in their head if not careful.

"Living in alignment" could be important to them... they may have a set of personal values or principles they really like to adhere to.

[cokou]

𝙼𝚘𝚗𝚜𝚝𝚎𝚛 𝚃𝚛𝚒𝚘 + 𝙻𝚊𝚠, 𝙰𝚌𝚎 × 𝙵! 𝚁𝚎𝚊𝚍𝚎𝚛

sum. How one piece men eat you <3 ˏˋ°•*⁀➷ tw. Cunnilingus on the couch on Luffy's, Dacryphilia on Zoro's, Sanji are their own warnings, Ace is a fucking tease, Porn w/o Plot, Somnophilia on Law's, Shit Writing, & Concerning contents. ˏˋ°•*⁀➷ a/n. Do not transfer my works to any other platforms // this is my only account, will not be cross posted to any other sites or apps! Also MDNI, NSFW Content ahead <3 ˏˋ°•*⁀➷ wc. 783 words, 4,149 characters.

ʟᴜғғʏ

—Honestly, does he even have the guts to do that? Yes he does, you just need to push him through it. Not that he's embarrassed to do it, it just doesn't fill his mind. So when you suggested to try something new, he agreed.

"(Name)..Is this just fine?.." A moment of silence flicked as his head raised from your now sensitive core.

You nodded and released a shaky 'yes' as he continued eating you out on the damn couch, you wrapped your legs onto his shoulders tightly as you felt a stream of pleasure pulsing on your lower half, before you finally release a loud moan just after you came.

—And, He'd be the type to ask if he's doing just fine every 30 seconds or so, either way you find yourselves on edge every time, that's just how he is.

ᴢᴏʀᴏ

—You didn't even know how you two ended up in a position where your legs are wide open and his head is between your thighs, eating you out.

But you know something for sure, your eyes were tearing up from how good he was eating you. Just a moment ago, you had suggested that you and your boyfriend should try something new in bed, and it escalated too quick.

"Hey..Quit squirming too much and keep your legs open." He just had to remind you that you were the one who wanted this anyway, but you don't even have regrets.

—Zoro's the type to think he's dominating in bed (which do happen sometimes), but he ends up being a total sweetheart to you.

sᴀɴᴊɪ

—Do I even have to tell you that he's down to any idea you suggest as long as it's you who tell him it? Yes, and for sure he's not hesitating to make you feel good.

"(Name)! You taste just as sweet as your personality!" ...He would say that with hearts on his eyes, he isn't lying though, you do taste sweet.

He's just so obsessed with you, that was why he was the one who initiated on trying something new in a while, how could you say no to your boyfriend? You love him too much.

—Right after your session with each other, it's a guarantee that he will cook his best dishes for you, that is his way of saying that he loves you.

ʟᴀᴡ (ʜᴇ ɴᴇᴇᴅs ᴍᴏʀᴇ ᴀᴘᴘʀᴇᴄɪᴀᴛɪᴏɴ )

—Are we even surprised that this man works late at night? You usually wait for him to return before you sleep, but unusually, he's later than he used to go home. This wasn't the first time, and it's definitely not the last.

Unfortunately for you, your drowsiness took you over and you fell asleep on your shared bed.

You woke up and being immediately shot with pleasure with your legs on your boyfriends shoulders eating you out. You don't complain, you just take it.

"Oh, hey..you're awake. How'd your sleep go?" He asked you with a small smirk as he went and continued lapping his tongue against your now puffy clit. Immense pleasure shot through you as he suddenly continued.

—You woke up in the morning and you couldn't look at him with a straight face, you were either blushing or looking down at the floor. You couldn't even bring yourself to ask him when he had come home, but you just continued with your day and snuggled with him on the couch. It definitely won't be the last time you experience that.

ᴀᴄᴇ

—Yeah, he boldly asked you if you were willing to be eaten out by HIM. Sometimes his boldness makes you feel ashamed around him, and it's because he's the flirty type, it's not like you're complaining, he makes your stomach flutter every time he's around you. (reasonable i'd say)

So here you are, on your shared bed, being eaten out to your guts. He doesn't miss one spot and even bring his fingers to fuck your hole while nudging his nose on your clit. He's a fucking tease.

"You taste so good Mama's, we could've done this sooner if you were this desperate for me" Is he teasing you or just simply telling the truth? You couldn't tell, but you were enjoying his tongue lapping all over your pussy.

"Hey, it's still early to back out y'know? There's more to come." Fuck it he was such a tease and that's what makes you crazy for him. But, one things for sure, you two will be having a sleepless night.

—Ace is much more of a giver, other than a receiver. He just feels right when you're writhing and squirming while he gives you everything you need. He's just so fucking perfect.

©cokou, all works made by me.