#i don't think i'm even in the tags. but its good to have this up and out of my head

[tan1shere]

Passion Painting

Billie Eilish x female reader !

A/n: Was watching my show when I got a little inspired by an episode :D kinda quoted a line from it too because it was fitting. I'll make it bold so you guys know ! - I literally need this woman rn (or even a dom in my asks that'll be great too.)

Summary: you get a gift so you and Billie spice things up a bit ;)

Warnings: smut ! Scissoring 🥰 bills being a bit rough 😫 (i personally love how this turned out)

Tags: @trulyy-yourzz @eilishslut @brat-at-the-disco @iluvapplesxh @chrissv4mp @n0vabug

masterlist

The door opens, hearing keys jingle. Billie was finally home and you had missed her all day. But she doesn't come empty handed. You had just come into the room, greeting her. "Hey baby, what's that?" She sets it down. "Well, it's an early Christmas gift from Claudia. She said we can open it whenever? Whatever that means." You tilt your head. "Do we open it now?" She takes her shoes off, looking at you. "I mean if you want to, she didn't say otherwise. So I'd say its fine." She smiles at you, going over to give you a kiss.

"Good day?" - "It was ok, bit slow work wise but apart from that it was good." You say, going to pick up the box wrapped with festive paper. Bringing it over to the dining table. "How's Finn and Claudia? Did you get much done today?" She nods. "They're good, and yeah a little bit thank goodness. Glad to be home, missed you." You go to kiss her again. "I missed you. Right lets see what we have here." You say, ripping the thin material. Reading the box outloud.

Confusion strikes you. "What is it?" Billie asks. You turn it around so she can see, reading out the words to her. "Passion Painting Erotic Art Kit." She makes a face of realization. "So that's why she said to do it at night time and maybe after a date. I was so confused." You look at her. "You wanna do it?" She thinks for a moment, smirking to herself. "What? Slather you in paint and fuck you? Without a doubt babe." You grin widely. "Sounds like a plan then."

Giggles echoed though the house as you open the front door and speed over to the kit. Billie close behind. "I've actually been thinking about this all day." You admit. "Oh yeah?" She comes close to you. "Sitting in your desk at work, clenching your thighs as I smear paint all over your body. Over your curves." Your faces were close to one another, inches away. You bite your lip, averting your eyes to look at hers. They were natural apart from a little liner making them look plump and inviting. You lean in to kiss her but she pulls back.

Causing an annoyed groan to leave you. "Billie." You whine. She chuckles. That fucking chuckle. It was menacing. "Why don't we make this a little challenge." Your head tilts with intrigue. "I'm listening." She goes to unbox it, waiting a moment before she speaks again. "Let's see how long we can go without kissing one another." - "What-?" She turns around. "Don't think you can?" You think for a second. "Fine, let's see who looses." She smirks. "I think we both know who that's going to be." Your eyes roll. "Yeah yeah." But her hand grabs your jaw.

"Such an attitude for someone whos about to get fucked on the floor." Your throat closes up finding breathing to be the last thing on your mind currently. You both spread the canvas out. But in reality, you're going to be the canvas spread out at the end of the night. She'd make sure of it. You pick up the paints. Gold and blue. "Which?" She looks at them. "Hmm blue." You hand her the blue. "Right well I better get out of this." You began, back facing her. Slightly bent over as you stand back up. She smirks to herself grabbing the zip at the top of your dress. And swiftly pulling it down.

You gasp as the air hits your nipples. Since the dress had no straps you went against wearing a bra. Now standing almost fully naked in your kitchen, you two had moved some furniture around so you'd have the right space. "Oops, well I mean now all you need to take off is that tiny. Tiny. Pair of underwear." You had to process how fast she was with the dress you almost didn't register her hands pulling the thin material of your underwear off. It was only then when you realized how cool everything got. A shiver running down your spine. You wanted to kiss that smirk right off her face.

But you couldn't, you had to remember the game. "Your turn." Her smirk stays, grabbing her shirt from the back with one hand, lifting it off her head. Hair becoming messy. She takes off her pants next because she too, didn't put a bra on. There was no need. But you definitely weren't complaining. Your eyes stare for a moment. Maybe if you focused on that and not her really, inviting lips you'd be fine. But God were you wrong. You just wanted to grab her and kiss her. You both stand fully naked infront of one another.

Your nerves getting the better of you as she stalks closer to you. The lid pops off the paint. As she hands you the blue one. "We have to put it on one another." But her words went out one ear and out the other. "Hey." She says getting your attention. "Focus baby." Your eyes meet hers, handing her the gold. There was still some plastic on it so she brings it up to her mouth, getting ahold of it and ripping it off. All while keeping intense eye contact. You were going to be dripping soon. And not with paint. Her lips come to the cap, popping that off and out of her mouth. She squeezes a good amount into her hand. "You're going to be so gold you'll look like one of my Oscar's."

You gulp back saliva, you were almost drooling. Even more so when her hand makes contact with your skin. The paint was a little cold, but her burning hands soon get rid of that. Your body starts to become hot. Nerves coming back more prominent. She rubs it all over your chest, moving down to your tits, having it around most but leaving your nipples free. She had plans. Her movements were incredibly slow, making you more needy. She made sure she got your whole body, minus the places she needed access to. Standing back and letting you take over on hers.

Your shakey hand comes in contact with her neck. "Nervous?" You shake your head. "That's not really an answer huh?" You couldn't look at her, you just couldn't. You were close to giving into everything how was she so God damn calm? Your mind races as you come to her breats, you were hesitant but eager to touch them. "Why so Nervous huh? It's as if you haven't touched them before, when we both know that's not true." She was getting you to break, to give up on the game. "You're making this harder.." You whisper out. "Is that so? Darn, I didn't even realize." You pout slightly. "Can't go on?"

You think for a second, shaking your head. "Im fine." You say as your hands move over the rest of her body. "So shy, sweetheart." You swallow. "N-no I'm not." Her brow raises. "Don't lie." But she softly grabs your hand, moving them over her body. "See like that, not hard is it?" You whimper. "You're making it hard Bills." Your eyes look at her with a pleading glint. "Shame." Her eyes look down at your body. "Think its time we have our fun." She says, grabbing your shoulders and pushing you down on the paper. Letting her hands move to your breasts. She had the left a part of your neck blank, bringing her lips to it and kissing.

"Billie.." You breathe out, but she moves her hands and grabs your ass tightly. "Uh uh, say it correct." Your head spins. "Mommy." - "Good girl." Your eyes shut. Trying so hard to resist the urge to kiss her. "Mommy please." You say, grabbing her arms and moving them down to her waist as she begins to move her cunt on your own. Your first moan of the night slips out. "What? Are you all sad you can't kiss me darling girl? You agreed to the challenge no?" You zip it. Hating that you did agree to it, you didn't care anymore. You go to switch positions getting ontop.

"Please let me kiss you please." Her hands rest on your lower back as you desperately move your pussy on hers. "Please Mommy, need it so bad." She smirks. "I can see angel. You've never done that before I guess you truly mean it." You pout again at her, she was playing with you and it was driving you mental. Moving down to attatch your lips to her own. But she serves, loving the little frustrated whines you let out. "You're so mean." Her hand instantly wraps around your throat and in the blink of and eye she was back ontop.

"What was that princess?" Her grip tightens making your words float away. "Hm??" You try to talk but it's no use. "Exactly what I thought." Her hand grips your thigh, hoisting it up to dangle on her shoulder. Her hand remains around your throat while the other is on the paper, close to your head and surely leaving a handprint on the almost covered paper. Your body's making art. Surely a night to remember. Her movements become harsh making your mind race, your mouth hangs open at the feeling of both of your wetness together. She watches your eyes roll back, and slowly seeing your lids drooping.

"there you go, fall into subspace that's it. You beautiful being." You had no thought other than her, the way she was fucking against you. Absolutely no words left. Her hand stays firmly around your throat. Your bodys soon come close together. Your breasts touching, nipples grazing one another and that was it. That was all it took for you two to gush against the other. Her lips come crashing down onto your own, loosening her grip to hear your sinful moans travel into her mouth. She groans as she rides out both of your orgasmns. Flopping on you to catch her breath. "Wow." You say. "Wow indeed."

You had a nice soothing shower together, getting comfortable in your bed. Snuggling up close. Until you grab your phone. "What're you doing?" She asks. "Thanking that amazing woman for even thinking of this for us." She smiles, letting out a laugh. "Thank her for me too." You then smile to yourself. "You do know you lost your own game right?"

"A wins a win when you get to fuck your girlfriend and showcase it on a wall for everyone to see and know that you're all. Mine."

[astral-wings]

I wasn't expecting this post to blow up, I really really appreciate it aaaa tysm! So happy other ppl found it helpful!

Here's some more witchy tips from me! This time aimed towards closeted witches who aren't able to be open about their practice

Tips and tricks for broom closet witches! Sincerely, a fellow broom closet witch

Sigils are your best friend. They can be any symbol, image, whatever, as long as they are created and charged with the intention in mind. They can be placed anywhere, from the bottom of your shoe to your body wash to the tags of your clothing. Be creative! You can even trace the sigil using your finger. I personally like to write it on a bit of paper, fold it, dip it in moon water, and then tear it up as a way of activating them.

Speaking of moon water, that's a great ingredient! It's very potent, especially if created under a full moon. Simply place a jar, bottle, or anything that can carry water under the moonlight. This can be done on a windowsill or outside, whichever you prefer (or is the safest). Moon water has endless uses in spells, especially ones that involve protection or warding. It can also lend a power boost. Sun water is similar but is charged during the day and has great cleansing properties.

Charged water in general is just really good for closeted witchcraft because who tf is going to question your glass of water? Other charged waters include crystal water (I recommend quartz and tiger's eye, however do research before randomly dropping your favorite rock in a bowl of H2O. Certain crystals, such as selenite, dissolve in water and can become very toxic. Generally avoid exposing any crystal ending in "-ite" to water!), blessed water from a spirit or deity, and rain water.

If the witch-haters go through your room, I don't recommend having things such as tarot cards, witchcraft books, or anything that screams "I'M A WITCH!!!". Crystals and rocks should be fine. If they ask, just say you think it's pretty

Digitalize everything. I'm serious. Make the notes app on your phone your grimore, download witchcraft books as pdfs (HERE'S AN AMAZING SOURCE I FOUND!!!), keep everything behind a password. Obviously if your device and internet usage is heavily monitored then don't (I completely understand, I was in this position before I turned 18). As a bonus, here's a great moon phase app I use

Spirit work and deities. You don't need an altar to worship/work with them! They will understand. There's other ways to devote yourself to them, such as jewelry, taking your meds, eating dinner, and self care.

You can make a small, inconspicuous area your altar, such as a corner of your desk or windowsill. Small boxes can function like small, on-the-go altars. Outside in the woods is also a great secretive spot!

Astral projection and meditation. Nobody's going to know what you're doing; to them, you're just lying down asleep. The power of the mind is amazing

My final tip is that you don't need tools to be a witch. You don't need all these fancy materials, overly decorated pinterestcore altars, etc. The spirit of witchcraft is using what you have! No crystals? Rock. Go get a rock from outside. No tarot? Learn cartomancy and use playing cards instead. Create your own form of divination. Use spices from your mom's cabinet and gut teabags for herbs. Forage outside! Make showering a cleansing ritual. Hell, you can make flushing the toilet a spell. Be creative! Creating is the "-craft" part of "Witchcraft" afterall :}

Be safe, my fellow witches!

Here's a list of ingredients with various protective and cleansing properties that I've found useful in my closet witch practice! Note that I'm not an expert and these are just my own experiences and interpretations.

Eggshells! Great protection qualities and can also be used for renewal spells as well. A good easy spell would be sprinkling bits of it around the front of your home with the intent of providing protection

Salt, a classic cleansing ingredient that you'll find in your mom's kitchen. Various kinds have slightly different properties. Tip: if you add ashes to it, then it becomes black salt, which in my experience is very a strong cleanser especially if you add a bit of moon water. It becomes a paste and can be used for various things such as sigils

Iron nails. Not only protective, but can deflect back. Like a "back the fuck off" kind of protection. Bonus if it's rusty

Thorny vines, barbs, etc can function like nails

Pinecones. Similar to eggshells, but a bit more spicy (mess with me and I'll nip you back) but not as intense as nails. Also has great renewal properties since it's a seed

Obsidian, a great protective crystal to have on hand

Custom protection sigil, all you need is a pen, paper, and intuition. Or just write it with charged water on yourself

Moon water, especially full moon water. Very strong cleansing

Incense and smoke cleansing, I like using rose. DO NOT USE WHITE SAGE

Enchant jewelry or something you have on you on a regular basis with protective and positive energy properties. It can be as easy as making a sigil for it and activating said sigil by burning or tearing it up or dipping it in charged water. Very secretive!

Pepper! Again, similar to the nails, but with an added kick and slightly different way of carrying out things. Instead of deflecting immediately, it deflects over a slower period of time, like how burns do

Ask a deity or spirit you're working with to bless a charm. Very effective! Can be literally anything!

[itwasntimethatdidit40]

A heart that hurts is a heart that works - Something Rotten sequel.

first part can be read here

Pairing: Dark!Joel Miller x afab!reader x Dark!Tess Servopoulos

Words count: 3829

Rating: Mature, absolutely NSFW and again, this shit is triggering. Please, read the tags carefully and if you're a minor don’t interact.

Tags/warning: This happens the morning immediately after the events of Something Rotten, pov second person, no use of y/n, DEAD DOVE DO NOT EAT, heavy degradation, angst, smut, DUB CON/NON CON, reader is barely described, she has breasts and vagina, no mention of her skin tone, she doesn’t blush, she has hair but it’s not described, it is mentioned that Joel's clothes are too big for her (pics are just for aesthetic and don’t represent reader), the only thing is that reader's father died of lung cancer (like mine), depressive thoughts, as said in the first part: reader is held prisoner by Joel and Tess, on her leg is carved the word “pet” (Tess did it), use of a knife, groping, a large amount of bites, mention of wounds, mention of bruises, no kindness whatsoever towards reader, Joel and Tess are both EVIL, fingering (Tess receiving), oral (Tess receiving) spitting, nipples sucking and biting (it's not my ff if there is no attention towards nipples OKAY), unprotected p in v (both f receiving, wrap it up IRL), pussy slapping, cum eating, Joel comes on reader’s face, pissing, a little more scissoring, a little bit of chocking, squirting, brief insert of reader's thoughts in italics… I think it’s all 😅 If I notice I've forgotten something important I'll add it right away.

A/N: Title comes from a Placebo song called Bright Lights. It seemed right to continue with them since "Something Rotten" is also one of their songs. Anyway, I leave you the entire playlist that I listened to while I was writing both this and the first part and again thank you very much to those who recommended songs to me ♥️

There is something of my experience and pain in this so please be particularly kind. English is not my first language and I have no beta, I apologize for any mistakes. I hope you enjoy it, thank you so much to anyone who reads it.

[I started a tag list, if you want to be added let me know, I never tag people because I don't want to impose anything on anyone but if you like it I'm happy too ♥️ ]

Your mind is completely clouded. You open your eyes and for a moment you don’t remember where you are, you rub your eyes, feeling your aching body awaken, the pain of every joint coming back to you. You reach out and press a spot on your stiff neck, a stab of pain shooting up your brain like a gunshot and then sliding down your spine, making you grit your teeth to stifle a moan.

You shut your eyes as images of what happened flash before your eyes, a piercing pain taking over your head.

You don’t know how much time has passed but when you manage to sit up, biting the pain between your lips, you see a bright light coming in through the dirty window, a speck of dust stirring in the beam of light that illuminates the messy bed, the crumpled sheets and the two people lying on it. Tess is on her side, her arms folded, her hands resting on the pillow, near her head. There is always a kind of tension in her, you see it even when she is sleeping, in her huddled body that seems ready to attack and unleash its claws on anyone. She is wearing nothing but panties and Joel’s shirt left open, revealing the outline of her breasts. 

She should disgust you, but instead as soon as you see one of her nipples poking out from under her shirt salive pools into your mouth. You put a hand to your forehead, overwhelmed by yourself, by what you feel and by a shame that creeps up inside you and makes your temples throb.

This is so wrong. Yet you would like to lace your lips on that little button and suck it, if only she would let you do it, if only she would let you lie next to her gently, allowing you to be the good pet she expects you to be.

Shifting your gaze to Joel doesn't help soothe your twisted mind. He’s on the other side, lying on his back, in his boxers, your eyes wander on the defined muscles on his chest, the softness of his belly, and a strip of sunlight hitting his abdomen highlighting hair leading to his groin. 

He seems carved out of a block of marble, skimmed by scars, exuding power and sex, the tips of your fingers graze your swollen lips and you still feel his taste, the weight of his cock on your tongue, his relentless thrusts, his hungry eyes on you. 

They must have fallen asleep, which gave you some respite even if you don’t feel rested at all.

You look at your thigh and it's still there, the pulsing sign that you should leave, just run while you can, sneak out of this place quietly and look for somewhere to hide. But you feel like a mouse in a cage, your body not moving an inch. You’re still untied; it would take nothing to reach the door and close it behind you. But what if they woke up? If they felt the bed lighten with your weight? You know they'd have you back in an instant. 

Your brain, you can't decide whether very stupidly or very wisely, thinks that it is better not to make any risky moves to stay alive. 

Helpless and desperate you lie back on the bed staring at the ceiling, the silence broken only by Joel's soft snoring.

Your arms spread across the bed as you sink into your thoughts and your fingers casually graze the knife abandoned on the sheets. The coldness of the blade sends a chill down your spine.

You have to do something for yourself. At least try. You cannot be so spineless. You move one leg off the bed, your eyes fixed on your captors, seeming not to notice anything so you move the other leg as well, letting yourself slide cautiously along the edge of the bed, finally resting both feet on the floor. You pick up the closest garment you can find on the ground, it's a Joel T-shirt, wide and long enough to cover your butt. You just have to get up, you can do it. Leaning your weight on your legs feeling your knees crack in the effort, you wonder what in your body is not sore. You are on your feet. Joel and Tess are motionless in the same position as before. You walk on the floor resting your toe and then your heel, silent and terrified like a prey trying to evade before falling into the lion's jaws, hoping that the wood will not creak under your gait. You reach for the door. You almost make it. Just rest your hand on the handle and lower it. A moment and you're out of here. As soon as your hand touches the cold metal you hear a voice behind you, “Where do you think you're going?” 

You feel your heart falling out of your chest, freezing where you are, your eyes at the door, your breath getting heavy.

“Turn around”

You do it slowly, praying you don't feel a blow immediately afterward. Joel is standing in front of you. “Please” your voice is a barely audible whisper ”please.”

Joel reaches out, grabs you by the wrist “no fucking way” 

He doesn't add anything more, he takes you back to the bed, forcibly lays you down and lies on top of you. His eyes look at you fiercely, he drops down next to your ear “maybe I was wrong about you, you're not the good pet I thought you were. Let me teach you your priorities straight“ he growls, his voice low, sharp. 

His body weighs down on you, completely overpowering you, his legs blocking yours, his hands resting on the sheets on either side of your face. 

"I give you credit for that. You were brave to think you could sneak away. But also incredibly stupid." His voice vibrates close to your ear, it is eerily calm and controlled, sounding as if it came from the darkest part of him, straight from his gut.

A lump rises from the pit of your stomach to your throat, sickening. "I'm sorry," you stammer, Joel's eyes lighting up with that sinister hue you now know like the back of your hand. 

He retrieves the knife from above the bed and places the blade under the fabric of the T-shirt, cutting through the sleeves and tearing it from the neck to the hem, reducing it to a shred of fabric lying beneath you. You tremble when the icy blade touches your skin.

His boxer-covered erection presses against your thigh, against your wound. 

Again you wonder what substance your mind is now made of because feeling him against you, demanding, claiming your body, makes your pleasure slide down your legs. You can feel it on your skin, a shiver, a wetness, a trickle of you leaving you to become his. You mold under him, relaxing your muscles, ceasing to resist, submitting to his stern eyes nailing you to the bed. 

He takes your hands and intertwines them possessively with his own as his legs push between yours, forcefully spreading them apart.

He crawls on you like a rabid dog, inhaling your scent on your neck, down to your sternum, reaching your breast, licking the skin above your ribcage “You were Robert's, weren't you?” 

His teeth close on one of your nipples, biting it, your back arches pushing against his mouth, demanding more. “This? It's mine now.” he whispers in a rough voice ‘This is mine too.’ he adds, twisting the other nipple, he moves one hand to your mound, grabbing it ”What about this wet pussy? She's mine too. I own you now. Make sure you don’t forget that, you little cock slave”

And you feel it again. The desire coursing down your body, clinging to your nerves, flowing into the middle of your thighs. 

It lingers on you deeply. And you’re pleading at that. Before you sense your own voice saying it, like it doesn’t belong to you, coming out of someone’s else body “Please” you babble “please, more” as he run a single finger through your folds.

Everyone you knew died. Every person you loved is gone, ruined by the spreading epidemic. Except your father, who passed away a few years before the pandemic broke out, obliterated by lung cancer. You still remember his jagged, exhausted breathing getting more and more labored, small and thin, until it died out completely. You still remember the smell of the hospital room, the dimness, your gripped heart, your silent tears. It was something you never wanted to see, the moment when death takes someone.  It stays inside, digs deep into you, rattles in the walls of your brain until one day it subsides and remains a creeping awareness you have to live with. A brick in your pocket that will forever weigh of absence, of pain, of lack.

And when you thought maybe you could make it, one day when the brick seemed lighter, pandemic came and your mother turned into a monster. From a fragile woman, still bent by your father's absence, to a ferocious beast with bloodshot eyes that tried to break your neck.

You had had to tear it down yourself, with your own strength, that thing your mother had turned into. And you couldn't explain it for days, or how you had done it, or what had happened. People were running around terrified, not knowing where to take refuge, not knowing if it would ever end. Until they came and loaded you onto trucks, promising to escort you to a safe area. What you were not told was that there was no solution, for some of you there was not even a place in the QZ. The epidemic took away not only the people you cared about but also your dreams, every hope you had for your future, every plan to become a good teacher, to accompany young minds in creating a better world. There is nothing left to create, only destruction.

You could have offered yourself as a teacher in the Qz but you had decided not to bow to a system that spread only government propaganda, instilling in kids that there was nothing else to believe in but FEDRA. 

And even in the face of desperation the cruelty had not stopped, some soldiers had tried to take you at night, traumatized and without strength, you had been saved only by the good heart of one of your neighbors who had defended you. You had jumped out of the truck, along with him and some other people, looking for an alternative that would never come. They had fallen like skittles, one after another. You were tired of seeing it, the cold hand of death reaching out to everyone around you. 

Your heart still aches horribly, but after all, a heart that hurts is a heart that works. And you're still alive. 

He takes the finger away and shoves it in his mouth, enjoying the taste of you and then he’s close to your ear again grazing you with his beard and graveling “I knew you were a little slut,” Joel's heavy breath warms your skin, driving your being back into your body. “When I'm done with you you'll want nothing more than to be my brainless whore”

You’re bucking your hips against him, mindlessly, while he takes your body with his mouth and hands, furiously licking, biting and groping your flesh, moving impatiently over you on the bed and waking Tess up. She takes a few seconds to focus, abruptly recovered from a deep sleep, but then you hear her dry voice, “oh, are you having fun without me?” 

Joel does not tell her that you tried to escape. which in itself is a miracle for you. He turns to her just a moment, leaving your nipple with a loud pop .

“Come” he tells her, and it's almost sweet. Almost. Tess comes crawling up on the bed like a feline and looks down at you, smiling cruelly. 

“Lie on top of her, make sure this bitch doesn't move” Tess nods, he makes room for her, and she crushes you with all her weight, her scarred back against your tits, as if you were a mat, clinging to your arms as Joel watches the scene smugly "Quite a picture" he growls.

He pulls down Tess's panties, tossing them aside. He does the same with his boxers.  “This is exactly what I want. Two pretty cunts all for me” 

He stoops to observe you both, his eyes roaming your sexes, his thumb touching you first, a creamy river in between your folds, and then Tess. She snorts “will you hurry up?”

“mmm you're not wet enough honey, but we can fix that”

“Honey”, you think he is the only person who can call Tess that. Anyone else would be out of balls in a heartbeat. 

He buries his face in her cunt and you feel Tess stiffen on top of you, her whole body reacting to the first touch of Joel's tongue. You seem to catch a glimpse of submerged fragility behind all that violence and resentment she always displays.

She grips your wrists in a vice as her hips rise toward Joel and a low, deep moan escapes from her throat. 

Joel's fingers run hard and calloused over your folds, collecting what drips from you and spreading it over Tess's pussy, mixing your essences, then returning to lick her. And you can feel her, crumbling on top of you, conceding willingly, every muscle in her asking for more.

Each lapping of Joel's tongue on her vibrates over your body like a wave, Tess's butt sliding over your folds, crawling over your clit, giving you reflex stimulation.

“Mmmm just like that, baby, that’s fucking good” 

She whines so sweetly under his ministration, an undertone so vulnerable and tender in her voice you almost think she turned into another person. And you are in the front row watching this, a silent witness to the other Tess, the one who still has a shred of humanity hidden within her.

It’s unique, you think, how sex with the right person, a person we care about, a person we share a path with, makes us. Defenseless, no mask to wear against the world. Even Tess, perhaps the coldest woman you’ve ever met. 

“Nice and drippy” Joel murmurs, nuzzling at Tess’s cunt “fucking gorgeous” 

He dips his nose in there, moving through her folds up to her clits, brushing the tip over it. “You smell so good, babe, such an nice mess for me to feast on” 

“Fuck” Tess gasps “just fuck me” 

“Yeah baby, I’m going to stretch you both so damn right” 

Tess rolls her eyes in twisted need, impatient like the bossy woman she still is and you whine like the shy mess that you are. 

So different and yet ready for the same cock. 

You noticed the way Joel’s voice soften when he speaks to Tess, the intimacy between them is palpable, in this moment you’re just an appendage. 

You want that desperately, belong to someone, to him, to her, to feel his voice and his whole body going unshielded for you. 

Joel spits into his palm and takes his cock in his fist, pumping it and then tapping the tip on her cunt, once, twice, three times, rubbing it on her folds, lubricating it with her juices, before getting it all the way inside her. Tess's body arches so desperately over yours, merging with Joel's as he begins to thrust inside her.

She thrashes on top of you, clinging to your forearms, pushing you back against the mattress, her hips swaying over yours again giving secondhand attention to your clit, now so swollen and needy that each thrust you emit a moan in sync with her, shyly participating in her pleasure. You bend your neck slightly to one side to look at Joel standing before you, bronze and sculptural, a cruel god who leaves you breathless. His chest glistens in the dim sunlight streaming in through the window, revealing tiny droplets of sweat beading on him, a grin painted on his face, brows furrowed, lost in Tess's wet walls, focused on pounding on her special spot again and again.

“You like that huh? You like this cock splitting you, yeah, I know you do, fuck you’re so drenched I could take a bath in it, all slippery and warm...mmm baby, just like that. Take it.”

He rests a hand on her belly to hold her more firmly, a sense of possession different from that manifested with you, purer and deeper, made up of silent, recurring gestures between them. It's as if you feel it all the way down into your stomach as he sinks into her, the forced closeness making you almost delirious, sensitive and wanting.

Tess is almost at her peak, sliding on you now unceasingly, her back kneading your breasts, up and down, your nipples impossibly hard against her skin, she stammers "there- there- I'm almost there- oh fuck"

"Not yet, baby, hold it back" he challenges her and she growls in disappointment and frustration, as he comes out of her. Joel brushes against you "it's time to put this slut in her place. You want it huh?" he roars as he looks at you "I can see it from here, you're flowing like a fucking river, clenching around nothing like a whore” 

His eyes sparkle with evil. He spits on your cunt, a glob of saliva right on your clit. He spreads it quickly over your entrance and thrusts into you unceremoniously, all the way down, in one breath-breaking stroke. "You're full now huh? Clench around my shaft, bitch” 

You feel your walls strangle his cock, eager to hold him inside, to belong to him, to be broken through. "Yes" you moan, not even sure why you had tried to run away from this anymore. Tess wouldn't even need to hold you with her whole body but you'll never say it, the way she bounces on top of you drives you crazy. You are back on the scene now, eager, drunk with a dark, all-consuming desire burning in your veins.

He grips your hips hard, digging his fingers into your thighs, going out and back in you harder, deeper each time, using your cunt as his personal toy, beating on your cervix as if he were to fill it with bruises. And you don't care, welcoming each thrust as if it were the last thing you will ever receive.

Your mouth proceeds alone, bellowing and wailing each moan like an off-key song you can't stop singing, irrepressible, obscene, feverish.

"You're tight for a whore, pet, but don't worry, I'll take care of it." Joel grunts, Tess echoes you, her harsh voice protesting uselessly to let her finish, her legs wrap around Joel's waist claiming him but he is focused on ruining you now with the cruel and unrelenting force he has not reserved for her.

Her nails sink into the skin of your arms, you feel them barely disconcerted by Joel's stabs but a tiny part of your brain knows they will leave more marks on you. 

There is nothing gentle about it, no attention, no care, just animalistic thrusts that make your body shake like an earthquake. 

You are less, obviously less, but you are still something.

Tess turns on you, looking into your eyes, lowering a hand to your clit, rubbing it furiously and then colliding it with her own, clit against clit, pressed together in sloppy kissing, hips rocking back and forth, sliding up to the point where Joel joins obscenely with you, seeking on her own the finish Joel has not yet given her by using your body.

“Oh fuck, yes,” she screeches, "here we go little slut, give it all to me" biting your skin on the marks Joel left, on your neck, on your tits, sucking your nipples between her lips, unrestrained. She's a wild amazon riding you, untamed, fierce and mean, teeth, tongue and hips demanding no permission and taking from your body what they want. 

And then again her hand descends between you to rub her clit as her knuckles press against yours, squirting letting out a guttural sound, flooding you, Joel's cock and the sheets. 

Joel growls at the vision “oh that’s fucking right, babe, yeah spurt all over me, FUCK, so good”

And you lose yourself, your sanity flying out the window with your attempts to escape, you are caged by Tess's body, hammered by Joel's cock, you feel their eyes on you looking fiercely, them calling you their slut again and again, that's all you can do. 

Tess pulls away from you, Joel holds you firmly by the hips, his face contorts into a grimace, he bites his lower lip as he thrusts himself possessively into you, reaches down and puts a hand around your neck, squeezing your pulse point, smiling cruelly as your air diminishes and your mind becomes rarefied “keep it up slut, milk me” and she scolds him “you can't cum inside her”.

“Fuck” he snorts "you're right". The grip on your neck loosens and you gasp, panting hard, trying to regain oxygen.

Joel slaps your pussy hard with his hand open, ordering: “on your knees, pet.”

You sit complacently on your lap on the bed, uncertain of what he wants to do. Tess is at your side, sneering. 

“Stick out your tongue for me.” He says harshly, Tess's hand bends your back, making you squat, waiting. 

“Good kitten” Joel grunts stroking his cock up and down, the angry red tip aimed at you. You don't realize it in time that long, thick, streaks of cum hit your face, your mouth, slide down your chin. You close your eyes just a moment before you feel his semen hit your eyelashes and run thickly down your cheek.

“Mmm now you look just like a proper slut” Tess giggles wickedly, then pauses "In fact no, we can do better". She grabs you by the arm, drags you naked as a maggot into the bathroom, and gets you on your knees inside the tub. “Hold still” she barks at you. You close your eyes, trembling, not knowing what to expect, until you feel something warm hit your forehead, run down your face, partially wash the cum off. An acrid, pungent smell makes its way into your nostrils. As soon as it reaches your lips you realize. 

You open your eyes, clouded by Tess's piss, her degrading gaze penetrating your bones along with Joel's laughter, standing in the bathroom enjoying the show. 

“Now you're perfect.”

tag list: @aurorawritestoescape , @baronessvonglitter

[derangedfujoshi]

hope this doesnt come off as rude or anything, im not trying to sound condescending, but the reason people dont like the christian anime loli girl thing is because she has a missionary rosary and its pretty racist. both the act of being a missionary in itself and also the color meaning on the beads. you can look it up if youd like. i dont want to tell you what to do or anything, because it is a cute design, so i understand where youre coming from, i just wanted you to be aware of what was going on just in case. have a good day :)

Damn anon I was writing a long, thoroughly thought reply to this with all the implications of being an italian non cis lesbian living in the same fucking city as the Pope but Tumblr ate it and I have no intention on rewriting it so you'll get the short version instead, sorry :(

The short version is that I don't give a shit because I'm an italian adult who's not constantly online and so I point and laugh at the ridiculous attempt of the Vatican to appeal to the youth, not by reforming the institution of the church but by creating a fucking ANIME GIRL MASCOT! It's ridiculous and pointless and to add another delicious layer to this absurd cake the designer previously collabed with a sex toy brand and did a Pride collection which made some people reeeeaaally mad within the church which only made the situation even FUNNIER! You can't make this shit up.

"but she's a missionary did you know that was bad" no fucking SHIT Sherlock, I studied history in school plus I hate the church as an institution but Luce is 1) not real so she hasn't "done" anything and 2) absolutely not that serious.

My dude we've been lewding her and her friends since the SECOND they released her, why do you think? Because we're pulling the middle finger at the church in a hotter and funnier way than whining online. Maybe do that instead and you'll feel better. That or block her tag ig but if some stupid ass anime loli mascot upsets you "because of racism" maybe you should sit down and re-evaluate what really counts as a problem to be mad at :)

[kirabasai]

beautiful additions. don't hide them in the tags i love them. i was actually discussing w my friend king (he doesn't have a tumblr sadly ik but he has ao3) more abt this earlier so i'm gonna dump some things we've discussed/brainrotted so far.

on the hair, lilia's pink/red streaks are actually dyed LMAO so that might not be a marker. i initially said the marker is the eyes, yuu and lilia's eyes are VERY similar, but king made me see the light by proposing lilia's little ear tufts that look like bat wings.

malleus and silver see it and INSTANTLY make the connection. they actually look similar enough that ppl look at them and go huh, must be cousins and never mention it around them because it never comes up. cousins because who would assume that a third year is a first year's bio dad? nobody! except malleus and silver. they Know. they have the horrifying realization that they're father has bred like oh my god, he actually at some point got someone pregnant. they do NOT wanna think of their dad in that context. they didn't even consider he was capable of it. poor silver has struggle sleeping.

but like, lilia was fucking WILD at some pt man. it's a miracle he doesn't have 20 bastard children running around and this yuu is the only one. he has decades of child support to pay lmao.

we were thinking this yuu was born sometime after malleus hatched (a very rough time in lilia's life), so that time period between malleus hatching and silver being found. accidental fulfillment of the forgotten middle child prophecy lmaoo. but yeah statistically it's most likely for yuu to be a full fae so that's what i decided. king and i had a brief thing where we weren't sure abt the genetics of it, but in the end we decided the bat fae gene is recessive (based on a couple things) so rlly yuu ending up bat fae was luck of the draw and fate fucking w lilia once more. we also decided on her being 142 because that's a nice even number, and based on our eyeballing and at-a-glimpse math of how bat faes age that would make her abt 14 in human years. she got to nrc early because she's good at magic. so technically she is simultaneously the youngest and the middle child if u think abt it lolol

as for yuu's mom, she doesn't give a fuck abt lilia! or anyone/anything tbh. she's out chilling in the twst maldives with a glass of wine in her hand while her only daughter (we at this pt decided this yuu was she based on vibes) was off at school. she doesn't care abt if yuu meets or finds her father because tbf yuu's mom doesn't even know herself— could have been anyone really.

king also suggested giving yuu a neglectful childhood from an alcoholic parent for angst and i loved that. we love angst here. king said its incentive for yuu to be taken in by her bio dad and u know what that's fair. i was already on board before he even said that because i love making my characters be angsty.

this yuu sorta gives me "so self sufficient never even considered there was neglect" vibes. like that's just their normal. in her head it's like, all families are different. and besides ppl cook the meals at home instead of their parents all the time, doesn't see an issue w the fact she started to do this younger than most because her mom occasionally forgot to cook for both of them. she's probably kind of casual about her home life too because she thinks it's normal.

riddle's overblot is probably a culture shock to her because to well adjusted ppl they look and go, oh his mom is a helicopter parent and abusive and probably a bit crazy. YUU however looks at riddle and is thinking is this guy in jail or smth, because she literally can not perceive a parent being like that. literal opposites.

taking the whole school year to find out WOULD be funny, maybe as an offshoot oneshot moment instead of the actual fic though. because sadly and realistically the chances of sebek not being in the room whenever yuu and lilia are with each other until the end of the school year are slim. that, and lilia knows his boys are hiding something from him (malleus & silver still do not know if they should tell him, let alone how to broach the topic)

when lilia is officially introducing malleus and silver to her as her brothers lilia would probably also say something like "hmm, though i suppose if you were to go into technicalities, malleus would be your third-brother" (like half-brother. i strongly hc lilia/reven/maleanor and we also don't know how dragon reproduction works so for all we know malleus could have 2 bio dads. just saying). and it'll b a ??????? moment for all 3 siblings because they do not have the context to know that lilia means third brother as in yuu and malleus share ⅓ dna from him. realistically they all might consider that there's another brother they don't know about, or does lilia mean sebek?? they do not know. honestly it's probably like dad lore.

twst au where yuu is lilia's illegitimate child. lilia had a rough time you know, had a lot of one night stands, doesn't even remember over half of them. totally reasonable. so yuu turns up to nrc and lilia is oblivious because the notion of having a bio child has never occurred to him. but malleus and silver notice. they're staring at yuu suspiciously and then looking at each other like... you see it, right..... that person looks a LOT like dad, right.... like A LOT a lot..... yeah. and yuu is also oblivious!!! yuu's never considered who their father may be. they see lilia and are like oh cool another bat fae, don't see too many of those.

lilia snd yuu unironically bonding over both of them being bat faes w/o ever realizing they're father and child.

silver and malleus are in conspiratorial whispers like. DO WE TELL THEM.

in the end it's sebek who tells them but it's like, complete accident. like oh lilia-sama!!! i was not aware you had a blood child!!! and they're both like. ???? what — but then it processes and they're like, wait. pause. squints at each other. looks in a mirror. PAUSE.

[buglaur]

she's live

now you can see what everyones height is in my head because i refuse to download height sliders. look at ass <3

[admiral-arelami]

AITA If My Favorite Character is a Fascist?

Uh oh. The Fascsplainers are at it again. Yes, we know what fascism is, thx.

[aho-dapa]

This fandom is honestly...

Like, there is something to be said about fandoms in general and how they've changed as a whole generally but

There's also something about how the acotar fandom is especially toxic like

The idea that a post is surprised a murder hasn't happened yet and I found myself agreeing??? Is honestly telling

Like, also. A massive part of this is shipping and maybe it's because I have my corner of this fandom, but even then shipping the "wrong" thing in general has become something I honestly have to take in consideration when thinking of my mental health and if I can personally be prepared for any backlash??

This fandom at large doesn't feel safe and that's majorly concerning tbh

Maybe instead of saying shippers as a group are doing harm, we should just disavow harmful actions in general and not be complicit in it idk???

[moe-broey]

Love Loses 😔💔 (aka second-worst festival you could possibly drag Moe into)

+ some rough sketches of the outfit!!!

I'm not too committed to fleshing it out, but I imagine it would most likely have a green color scheme, forget-me-nots and possibly pansies incorporated into its design (would probably have to figure out how all that would work together LMFAO but again. Not super committed to the thought!)

[front-facing-pokemon]

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[unproduciblesmackdown]

i think i've only seen a soma playthrough twice and the first time i didn't absorb it great lol but upon just some light brushing up (incl a short article that was one of the few results that cropped up when i was like "show me the images for 'soma's save feature featured fisting, right' (yeah basically)") it's like, it's always fun when you're just left with a lot of room to Interpret Themes and unsurprisingly at this juncture i'm lasering in on just, like, the matter of [the self vs the other] via this premise that basically people can just make a copy of their Psyche at any point (but needing to find a new & different Soma in which to upload it but like, largely setting that aside when In This Scenario the new bodies don't affect their minds / sense of self at all....except for when they sometimes do? or maybe not. the like glitchy monsters are just kind of WAU automatons, right. and the people are all able to act / communicate themselves as people, though they might be affected by like, existential crises over the goings on) wherein like....the protagonist can Split In Two* at a few points via the psyche copying/uploading, and then the game Follows the copy that will be continuing to advance the plot, and the version of the protagonist we Were following is now An Other even though it's like, that was The Self (at least insofar as that was our first person pov player character) up till just now. and the protagonist can Know like, yeah that's You right over there also. and yet iirc from like, yesterday's light research, in the first instance he at least gets the Option to kill that Other/Self who was, up till just then, the Self to us too, if that makes him feel better abt the existential crisis, or at least discomfort, enough to like, keep moving right along lol (speaking of. just the other day i was like "adagioly onomatopoeiaing the opening banjo strums of rainbow connection from the muppet movie soundtrack does so much for me" and then i learned it was the anniversary of its theatrical release. hell yes. also memorably once when like marinating for hours in a general malaise & failing to find the wherewital to get up i was like "haha oh wait. i'm playing the song 'movin right along' from the muppet movie in my head. okay" up & at em)

anyways the fisting article (which, i was wondering what thoughts it would have on that truly interesting facet of the game. mostly it posited that the uhh sphincteresque penetration of it all would be Typically considered to make cishet men anxious / threatened / vulnerable, and notes the protagonist (hypothetically a cishet man) is indeed trepidatious about it, while also arguing he markedly Doesn't really hesitate in shit that hurts or endangers others in the course of his shit (though ig that can also depend on the player? haven't really rewatched it recently enough to know how much his dialogue adds to [as a character though he's making it clearer he just wants to cut a swath through your shit asap]) and also questions whether the game thinks of (or, from their argument, knows of) the protag as pretty sphincteresque himself. and like yeah probably imo lol like thee ending being what it is, and as far as i know no like Multiple Endings like in amnesia series* stories usually, and thus more room to have a protagonist who talks to characters in the present and i think like, without the ability to choose what he says

anyways that the protagonist can Understand like, hey see that guy over there, that's literally also you rn, and yet he can [Not accept that] in one case such that he'll kill that Self for "his own" Self's comfort really, as the fisting article expressed, to continue believing he is Unique and the One True Self, the only Real [himself]. when, to be sure, the game Could have kept the first person pov on that version of him we'd Been up till then, and had that pov of the one killed. or maybe left behind in another instance, i don't remember all the "transfers"....catherine Explicitly explaining that only the copy/upload format is possible, Not Transfers, making sense what with like. her magic brain scans that can can wholly parse & store your Psyche data, whatever that'd be like, definitely not being meant to, say, Extract the person's Psyche from their living human body upon doing so. while the ending's drama comes from the game Now staying with the version of the protag who'd been our first person pov character prior to that "transfer," who is Again like "why am i still here" despite having the "it's not actually a transfer" explained, b/c This version Just So Happens to be the copy of the copy of the copy like simon(4) or (5) or whatever and ofc can't have been the one(s) already just left behind somewhere back there in the complex or he wouldn't have been able to be at that point in the first place. and then "killing" catherine b/c he's so pissed, i remember it as him hitting whatever device was her effective Soma, but the article i think suggested she just got too stressed in turn and that Output fried the device. while, of course, post credits shows us their "transferred" selves just fine chilling in the ark like whew glad all that's done with

anyways just getting around to the fact of how it's easy to land on catherine as the center of the game....and of course she's the one really Not having crises over [my god, copies of my Self] or others' selves or what all, having even less of a usual Soma than simon but rolling with it, and evidently having already fully absorbed her Self as a distinct version from her original Self, despite having the same links to her that make simon or anyone else who's been copied into whatever other Soma feel like he's continuously been Himself(tm), the one true Real Self he's always been....and like, naturally catherine being the one behind the entire project of [what if we copy/paste people's psyches into a big ol mmorpg server & shoot it into space so that Maybe something can happen with them / in a way they can continue to exist] so she's Been thinking of, you know, being separate from these Selves turned Others who you'll jettison into space beyond even the body of the earth. unless it's supposed to stay in orbit lol i do not remember the details....and ofc like plenty of other people are like wow that's Fucked Up or it's Not Us and like, the latter sure is true with with the [copying, not transferring] element, but also the former is more choose your own adventure (interpretation) when the game isn't about like, and the simulation Is fucked up, or there's any element of distress or dissonance to existing on the ark, though you can't really know that until the post credits scene confirms you're just hanging out for real....which, that article was also going in on the character who's on this quest to kill the WAU as like "the versions of us it makes isn't Real it's Corrupting" and like, arguably the WAU as just kind of, naturally, something capable of growing, and doing so, and the real problem seeming to come in with the [doing whatever for supposed safety but superceding/supplanting/displacing autonomy in doing so] like, people who did not agree to whatever was done re: their Somas or they would've remembered & been like yeah i'm hanging out as a robot now, or a goop guy, gunk [YES], etc. but separate from that obvious issue it's like, my guy, You're a copy made by the WAU now lol, you're your whole person that you are, with the thoughts & feelings to decide you wanna go on a quest to destroy it, and whatever capacity to pursue it....either way i think the game makes it clear enough the WAU is a Neutral force exercising no conscious discernment, it Is a body, or it's some body (once told me) anyways lol, though i guess i did just go "those Monsters that can chase you are just wau manifestations right" so that's getting kind of complex lol, but even that can be taken as, like, it Mimicking human's shapes & bipedality & other external characteristics, i guess, and just the way an overall theme can be [hmm where's that division between the soma and psyche, machine and ghost] the WAU has been expanding and making various forms of itself, and of humans, and that's also an element of the fisting that starts out as a fingering and can end with having to leave part of yourself in WAU's core if you have completed the choice to corrupt & destroy it, that Connection and Interfacing is required, with increasing [get it in there] required as well though there's no given clear in universe reason why (w/my theory here being: just the Themes of the increasing interaction / reducing Boundary)

where was i going with this. idk naturally there's people like "well you don't have to see the wau as evil or at least required to be destroyed" like yeah one can imagine the case for that, wherein again this one guy's hypothetically mad abt like oh it can't be Us it's making, like, brother in christ You are here as You are b/c of what wau did, if you don't think You're legitimate enough, how can you be dead set on pursuing any decision you make. but also the lack of autonomy wherein wau has (probably? again would have to rewatch) killed people to transfer them to a less fragile soma, but a) also maybe it's just acted when people were already dying / killed from other causes, and naturally there's the Everyone There Doomed To Die Fairly Imminently factor and b) that [wau's neutral / purely soma no psyche (or is it. etc)] aspect that is that classic mixup of wau just acting on its programming in a way unintended by its programmers re protecting life and c) i think WAU can sure be interpreted as a parallel counterpart to the ark project, where people agreed to the latter, & get to chill with simulated bodies in a simulated world, versus the WAU being that [body, world, realm of physical existence] which is funky & Not like a cool nice recreation of the usual world & is also at the bottom of the ocean, but it's sure trying to extend the existence of ppl's psyches by shoving them into whatever robots or slapping together parts or propping up their original body or what all, i don't remember that many of the characters encountered

Anyways Back To Catherine For Real. i'd forgotten this element completely, but that when catherine finds out her original self had been killed by crewmates (lol. amongst) for being set on carrying out the plan for the ark, Her Project, (i.e. launching it into space (risking that launch going incorrectly) vs keeping it on site at the bottom of the ocean here (theoretically less risky, according to at least the crewmate who killed her about her insisting on launching it anyways)) and catherine's copy / now alternate self comments on being like, a bit disappointed And surprised b/c like she says "i knew they didn't like me, but," like not thinking that dislike would lead to a semi accidental killing her (where apparently the guy who killed her may have been wearing the like powered diving suit w/the extra Strength to operate in the water pressure, like oh didn't mean to hit her That hard. in a different soma already) and seeing other ppl (not in universe) commenting on how it sure did seem to be culmination of like "the way others treated her" and how catherine always mentioned like, never having really had friends including as a crewmate here, being an Introvert....in fact, now i'm remembering that catherine doesn't even say "i knew they didn't like me, but" but rather something very close to "i know i'm not easy to like, but" like, aaaugh....like, as ever, a character or a Real Life Person sharing any particular info like "i'm [xyz]" Isn't Required for just trying to always not be ableist and to always treat other people as people even if they don't "just be normal" correctly enough, supposedly. rather than [what is "just being normal" is Correct & Good and you do Not need to undergo a continuous lifelong journey of in fact questioning this & navigating & learning how to communicate & interact & relate, you just need to fleetingly muster some superficial unhelpful Bonus efforts sometimes when you encounter the rare "exception" like someone who hands you their License To Autiste and you can let them keep their fidget cube and continue treating everyone you encounter ever organic aba style]....like, naturally in the game there's no twist where catherine turns out to be Evil or even antagonistic. she's like, patient, encouraging, friendly, helpful all throughout. she's also, ofc, simon's only guide (adding to the suspense of that [my god. my only guide was evil, and/or just my antagonist now anyways]) so he doesn't really get to pick someone he'd Like more. but that like, lifelong matter of why catherine doesn't Get to have had friends. that even as this professional associate she's treated differently, and worse, b/c you have to personally like someone & find them charming & je ne sais quoissy to Not be worse to them? it's fine to be shitty until catherine can, say, say "i've noticed you're being kind of shitty. it's probably b/c i'm autistic, officially, which i'm choosing to share with you & am now presenting my license about it, so maybe be cool about it" and then and only then go "oh ok" and Make The Exception rather than shifting your entire shitty Rule (they also would not actually really make the exception. "shoutout" too to the concept that, of course, it's actually Disrespectful to stop hating autistic ppl b/c you should treat them The Same as anyone else, and you're bringing that organic ABA all the time as part of your "just be normal" ethos life, so be sure to keep being an asshole to them & double empathy probleming putting all the depletion, extraction, punishment, losses, harms on them and all the rewards on yourself)

and like, catherine being killed b/c she was this Body who was going to take away the ark (her project / creation, which she was also just insisting on following what'd always been the plan for) wherein like, even if this guy didn't mean to kill her, he sure did after lashing out at her, same as happens w/simon in the end....and catherine also failing to be thee most "normal/default" version of a person as well by being a Woman, and probably not white either, and, of course, a nonwhite woman, also making her that much more vulnerable to being Out Of Line(tm) by just like, existing as a person & trying to do her shit, though misogyny, racism, orientalism or the like isn't explicitly invoked or especially implicitly hinted at that hard either, but it's like, how does this [scifi magical realism set in the not That distant future but material made in the way less distant past, i.e. all intents & purposes modern / current day of: in the 2010s] have Relevance beyond "would that be fucked up or what" type Invention that doesn't map on to our experiences at all....you don't Have to read into catherine twice being killed by a man who's lashing out b/c she's not delivering what he wants, but you sure don't Have to Not and be like "this is definitely No Misogyny world" like they're still being implicitly ableist b/c she's just not deemed Winsomely Likable enough, she's internalized that with that "i'm not easy to like" framing, why assume a premise of [misogyny is over] [racism is over] etc. whilest soma doesn't really proffer any scenario of like "oh if it weren't for our being able to perceive our designated Physical Differences in our human bodies, all that oppression would be over," that's not being explored even in the specific situation of its plot in the first place; people on the ark seem to have the simulation of the same bodies they originally did, ppl Can retain like, how they'd move, their voices, their sense of their bodies: elements of their physicality. and, you know, whether one even supposes there Is any meaningful body/mind division, though in soma it Is this premise like oh yeah we can digitize your psyche perfectly okay, such that your copy would experience no disruption in that Sense Of Selfness, which is what makes everything particularly like, whoah, and [wow this is just like soma] whenever something kind of invokes similar enough What Ifs but probably less engagingly lol....while also soma is flexible and spacious in letting you interpret shit, you Can defer from fisting wau to death, you don't have to be like "it's so true. thee horrors" abt the Copies Of Selves, who really just become Others to whatever now-other versions of that person, i.e. how catherine, who, as the person who wanted to scan copies of ppl's psyches & put them in a just chilling simulation server launched into space for the Chance of being copy/pasted elsewhere eventually and the chance for the participants to Exist in some form Now, and who did so, is never like, shocked or freaked out by the notion / reality of these copies' existence even though she didn't set out figuring any scans' uploads would end up on the ocean floor stations, she's not aghast & distressed in the end when after having uploaded her latest Self data to the ark & launched it, she's also Not on the ark and Still in the eventually / doomed ocean floor station, even if it's a bummer, b/c she has already just accepted That's How It Works....this [her] was not going to experience being Transferred, like she's Been saying, like she again tells simon while he's blowing up abt [why wasn't i transferred]....just clearly being an example of like, not everyone is like horrified and freaked out and like "that's fake &/or wrong" and you don't have to decide she's incorrect for being Like That, i.e. like, yep, this is the situation, i know there's the me who was killed and the me on the ark and the me here, and i know also we're also for intents and purposes separate people

all that is to say, like, yeah the Scifi What If specific [you can copy/paste your consciousness into a different soma] is there, but also you can be looking at it as just this like, pushing to thee limit of the Self(tm) and the Other(tm) insofar as imagining yourself, as the only Internality / Mind / Selfhood you have access to, as The One True Real Self and all Others as mere somas/bodies, whether you take that to as dehumanizing an extreme as you can or you just put some double standards on Others / treat them as lesser/less Real, or oh but just Sometimes, in Some Cases, which is fine and relevant to anything, rather than what's fine and relevant being to always be aware that everyone's Otherness is a matter of perspective, you're the Other to everyone else, everyone is just as The Self as everyone else, You Could Be That Other, that other Is [you] to themself, you are the "that could be you" to them....with soma, it can just be elevated to "that Other WAS you from 0.5 mmsec ago, and continues to be them, b/c they didn't experience any disruption in their existence, though now you're both in different situations of: different locations, different bodies, the awareness there's that Other Self over there now, possibly the difference of killing that self you were just copied from so you can go on feeling like the One Real Self"....but wherein like, that's just like, [What If: you Were able to wholly & accurately Know the self inside an Other? b/c it's you from 5 min ago] of like, scenarios like [what if you time traveled 5 min into the past] except wherein that case there's usually the efforts to Resolve(tm) the timeline of that One True Self one way or another, ultimately. or is there. obviously who's positing that soma is the only material to be About the "whoa lol. me as an other" concept made scifily literal or anything

anyways that like, it creates that situation wherein one Can point & go "literally literally me" but also simultaneously one Can go "that's Not literally me arrrgh" or "that's also Not literally me, matter of factly"....simon's wrangling with the Othering of his One True Self, but he can also Know, should he choose to shift to that perspective, that all the Others who aren't alternate copies of him are all Another True Selves, An Other True Self even, though ofc as per the nature of not having a collective consciousness, he Doesn't Know the accurate whole of their psyches b/c he was not ever [literally them], but he doesn't need to to know they're just as [a whole psyche in there] as his own have been. original catherine with her fellow original crewmates being othered enough by them for the dehumanization of treating her worse, her being isolated, that indeed her being killed doesn't feel separate from all that by her or by anyone else, just an escalated extreme final fatal manifestation of it, b/c nobody ever liked her in the first place and then she became a (psyche Piloting a) body getting in the way of what one guy with amplified strength at that moment wanted from the project she made to let others' psyches keep existing in some way, which was deemed valuable enough by that guy to want to commandeer it and keep it at the bottom of the ocean versus risk a launch, regardless of how you the player think of the idea

and thinking of the way you can like, effectively befriend that boxy underwater little propellered Regular Simple Robot Helper that follows you around at some point, that is, of course it can't talk to you, it's definitely Just(tm) this not-ever-a-version of a human robot for practical tasks (dyspeptical tasks, clerical tasks, hysterical tasks) and like, imagine Its interiority, get invested, try to protect it, humanize it regardless....whereas with actual humans, and their psyches in a microchip, you can kill them for not perfectly delivering whatever you wanted even when that's not what other humans ever exist to do. then simon loses the Company he still could've Gotten From catherine, [guy who killed original catherine] didn't succeed in keeping the ark unlaunched, b/c that's what you go and do....but really just thinking of that Thread that feels so extremely relevant of like, catherine copy being simon's only option sure and working With him on this mission until we stay with the edition of him who realizes it didn't lead to his escape onto the ark, i.e. always being in relation to him in a manner of a direct practical teamup & a [take it or leave it] sole option for that anyways....but that in her original, human-bodied life, she was always "oh only a little bit" dehumanized by everyone such that she is very much aware of the way that's defined & limited her life, never had friends, i know i'm difficult to like; until that dehumanization escalated to the extreme of trying to hit her to stop her from seeing her project through, and just happening to kill her, and the fact that this seems to no one just a coincidental whoopsie of a fate just entirely disconnected from the way others always saw her and treated her as this Other among others, while other [psyche/soma]s of others who are clearly not Your Self get to have friends and not be isolated and feel hard to like forever and end up killed by coworkers

tl;dr like love a text just inviting plenty of interpretations and lenses and perspectives, ofc gonna look at it like whoa it's anarchy in there (political cats sense) where are the borders where you are thee self above thee other....soma providing that thinnest boundary of like, yeah that mf over there? there but for the [being in a different body, in a different place, with 7 seconds of negligibly different life experience] go ye. but also the usual boundary of "that person is in a different body in a different place with a different whole life but you're [that] to them and they're just as much a person and a self and an other as you are" like catherine center of the game to me

(* just remembered i had these asterisks: sure enjoying how the premise of amnesia games effectively creates Alternate Selves b/w the protagonist's present self, with however much missing time, and past selves whose goings on are completely relevant to the in media res situation you're also tackling while obtaining pieces of that past to priovide further context/info, and how this premise manifests for different stories each time; you've even got oswald like physically divided into Two Selves in a:amfp, though iirc it's not like, psychically equivalent, kinda "regular oswald & nefarious destroy the world duplicitous oswald" lmao, classic....uhh and shoutout to penumbra being similar ish in that the protagonist's story isn't want's relevant, he's trying to find out what happened to his dad and more broadly the like underground pocket world he enters for those answers? iirc....but that soma shares that amnemonic premise of [intro] [suddenly like ???] [having to navigate your present mission & figure out the past & your Missing time] but like, thee respective Lores don't overlap really, soma obviously starts present day and takes an even more obvious leap into a future / completely different location, rather than amnesia games being set in the past with missing time of like, idk months? to even just days, uhh supposedly like [forever] in justine but that's like, i dunno sure lol, the peak mysterious / withheld protagonist really, on purpose. while naturally there's also the fact that, technically, this simon we are following at the start of the game did not actually forget anything, and that's a fun distinction despite that it otherwise initially seems like the same [amnesia] premise....and that he did kind of ""forget"" things in that original simon lived however much longer before dying, that his scan then ofc didn't retroactively include. so once again it's like, well, in amnesia ppl have likewise kind of rewound to a Past Self before the missing [crucial context to your in media res misadventure] time, w/daniel (and justine) even doing this On Purpose, though as is the nature of the amnesia series, everyone regains enough of that missing info about their goings on anyways, though you the player are Not in a story of like "wow they did Exactly the same thing again and ended up in the same place anyways" and Do get to kinda choose who they are / indeed end up with some Alternate Self, potentially, despite there being plenty of room wherein like, it's not precisely, granularly laid out Exactly Who They Are at any point anyways. only just now getting extra amnemonic lore that yes daniel got all fucked up on vitae rituals b/c that's just what happens! and people are fairly horny for it! always a possible interpretation that he was high on vitae (okay one proffered pronunciation of "curriculum vitae" (which i was like lord i feel like i've gone "what tf is that" about before but what tf is that. turns out it's what CV stands for as your specifically educational resumé) does say "vitae" would, in that case, rhyme with "nigh." other sources are listing like a million different combinations of a million different ways to pronounce each syllable. also they gotta say it a way in the game but i forget. daniel's VA apparently being some chemistry teacher? just like alchemy. not what the pope said to do, weird science, it's my creation....) anyways! the psyches diverge, the bodies don't, unless they do (oswald....uhh the guy in the bunker. lambert :( ) like catching up with The Self again, encountering extreme examples of Othering and Dehumanizing and [you are just like only a soma to me] with various means and ends of acting thusly to get xyz results

[nexus-nebulae]

wow i WILDLY miscalculated the difference between kilograms and pounds

[twig---verginix]

swear to god i'm just gonna stop watching the endings to shows i like. good shows need to get cancelled on cliffhangers forever

[front-facing-pokemon]

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\