#i don't think i like my brother very much
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weaselle · 2 days ago
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Early human match ups with animals
Wolves: have a very similar social structure and lifestyle as early humans, benefit greatly from group dynamics -- teaming up with humans allows them greater access to food at less risk, safer sleeping, higher pup survival rate, better protection from the environment. One wolf eats about as much food as one person, so it's a normal member to add to the group in terms of resources.
Cats: have some amount of social overlap (cat sisters often help raise each other's kittens, and grouping approaches common in some cat species, notably in lions, but also for example in cheetahs, where brother cheetahs often stay together for life in groups of up to 4). Humans are HUGE prey attractors for them, drawing in rodents in large numbers - also meaning people don't have to give up their own food to feed them. Human housing is safer from the elements, keeps competitors and dangers like snakes and larger cat species away. Associating with humans gains special grooming and healing unavailable to wild species, such as draining and cleaning abscesses caused by infected bug bites or, very importantly, feeding and caring through a major illness or injury. A wild cat with a broken leg will often die, a human's cat with a broken leg will live to hunt again.
Goats (which we actually turned into Sheep): Herd structure similar enough to human social structure as to be compatible. Guaranteed food during winter and other times of scarcity -- and none of it is human food. Higher offspring survival rate, robust protection from predators and the elements. Horses : same. Cows: same. Deer/caribou: same but a little less so, actually surprisingly good at both fight and flight (cows, specialize in fight, horses specialize in flight) often travel more distance for resources so have better access during lean times; can match but less beneficial to the deer.
Other animals be like
Big cats like Tigers: Why the fuck are there so many of you in one place. This cold doesn't bother me at all because i'm so big my core stays warm. Just what do you think i need protection from? I'm super capable of feeding myself, and even if food is scarce? you have to sacrifice enough food to feed several people to keep me fed, which is a bummer for your group if food is scarce, and i cannot eat your stored food like dried fruits and grains. Your lifestyle is incompatible with mine, i hate everything about being forced to live with you and also it doesn't benefit me at all. Lions: yeah, plus I already have all the group dynamic benefits you could offer me, you're actually the weakest link in my group, be careful or we might outnumber you, being near us all the time greatly increases the number of times murderous male lions attack this group
Bears: Listen. Even if i get injured i'll just eat something that doesn't run from me until i heal (some brown bear populations spend a couple months a year mainly eating moth colonies, they will eat anything, including moss and fungus). This makes me a direct competitor for ALL you food, btw. Speaking of which it takes like 15 people's worth of food to keep me fed. If i get angry someone is definitely going to die. Protection? from what? The most dangerous thing to a bear is another bear, so also you can't really have more than a couple of me in any group, and staying near me greatly increases the chance of some territorial wild bear rolling up to camp with murder on their mind. What do you meeeean keep wandering around actively instead of sleeping in one spot for months at a time? My life is literally worse with you than without you, and your life is probably worse with me around too.
Weasels: Fuck off you can't keep up with me i eat half my body weight in food every day and bite everything near me. Try to contain me and see what happens i'm made out of teeth and murder and cleverness, and destruction of property and theft are my favorite games and i'm basically always bored unless i'm hunting or fighting or fucking with something. What do you meeeean hold still for 30 seconds now i'm mad and you'll basically have to kill me to stop me from going after whatever i want forever. I will absolutely try to murder every other animal you associate with no matter what size it is, and i will totally also eat all of your other food too because i love fruits and fungus and anything else you like to eat probably - you can't keep me out of your food stores and what i don't eat in the moment i'll steal and hide in my own stash for later. Excuse me now i have to sleep for 18 hours i do not understand why you want to keep doing things for so much of the day.
Don't ask me about ferrets they must have been bought with rodent hunting opportunities like the cats, total fluke if you ask me (ferrets are, in fact, domesticated, after more than two thousand years of human intervention. And it's kind of weird that it happened but i think they were the exact right size to make it work)
I think it's a common misconception that domesticating animals is somewhat like enslaving them. It really is more of a symbiotic relationship. No wild animal would have willingly put up with early humans if they didn't get something out of it. Wolves wouldn't have stayed with us and become dogs if they weren't getting food and safety out of it. Many large herbivores that are now domesticated could and would have easily trampled their early human captors or broken their enclosures open if they didn't have a reason to stay. Sometimes individual animals still do if we don't give them what they need.
The animals that have stayed with us for thousands of years have evolved to cooperate with us better. Dogs have additional facial muscles around their eyes that wolves lack in order to mimic human facial expressions. Sheep grow their wool perpetually while their wild counterparts don't because a bigger fleece means they're more likely to be allowed to breed and be kept around. Domestic dairy cows produce much more milk than wild bovine species and domestic hens lay more eggs. Do you know how energy costly producing eggs or milk is for an animal? It's pretty intense! They wouldn't be able to do that if we hadn't given them the food and safety from predators and the elements to.
And we really need to show these animals respect and gratitude for what they give us by taking excellent care of them. They gave up a lot to be with us, often including the means to take care of themselves in the wild. That's a huge reason why I'm not against using animal products, but I hate factory farming. They are still living, breathing creatures with needs and feelings. They deserve a comfortable life and, when the time comes, a humane death.
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hotvintagepoll · 20 hours ago
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Trying to get more into old movies because of this blog (I only know about half of these people and feel like a poser) do you have good recommendations on where to start or is it just a situation where you watch stuff and find what you like as you go?
you are not a poser <3 i myself am just here for the hotties.
here is my quick and dirty list of fun films to start with if you're new to old movies. and of course if you like one of these, do try to find more stuff as you go! there's no bad way to try out old movies.
(this list is not official and is SUPER quick. i'm tagging for content warnings where I can, but if I forgot something let me know.)
"I want to watch something SILLY!"
The Court Jester (Danny Kaye, Angela Lansbury, Glynis Johns, Basil Rathbone)—everyone in this movie is hot. everyone is in fancy medieval dress, which makes them hotter. everyone here is very silly. You can stream this on Hoopla, last time i checked, so you might be able to stream it through your library!
Chitty-Chitty Bang-Bang (Dick Van Dyke, Sally Ann Howes, Lionel Jeffries, Gert Frobe)—some people hate this movie and to them I say What Is Wrong With You. dick van dyke is a hot absent minded inventor who lives in a windmill with his two adorable children, his gorgeous sheepdog, and a grandfather who is categorically useless. it feels like the two films mary poppins (1964) and willy wonka (1971) had a baby and that baby was born on roller skates singing an old broadway showtune. this one has been showing up in some odd places lately—I think you can catch it on Tubi or Hoopla? It's definitely around.
Seven Brides for Seven Brothers (Jane Powell, Julie Newmar, Howard Keel, Russ Tamblyn)—my problematic fave. everytime i watch this i change my mind whether it's a sexist pile of garbage or a feminist paean, and fellas, today we're on the feminist paean bandwagon!! jane powell's millie is truly the star of the movie, she is the hero she drives the plot the narrative is on her side, and besides all that there are seven very hot men dancing next to her and six beautiful ladies making me bisexual. (on Tubi last I checked.)
The Duke Is Tops (Lena Horne, Laurence Criner)—I get a huge kick out of watching Laurence Criner and Ralph Cooper swindle everybody while also trying to put on a show; there's just something silly and sincere here, plus you get a ~musical extravaganza~ at the end when all is right as rain again. Free on YouTube I think?
"I want to watch something DRAMATIC that may make me FEEL SOMETHING."
Witness for the Prosecution (Marlene Dietrich, Tyrone Power, Elsa Lanchester)—I love a campy twisty turny mystery, don't you? :) I'm not going to talk about this one much because it's better to go in blind, but if you like Agatha Christie stories you'll probably like this.
To Be Or Not To Be (Carole Lombard, Jack Benny)—always relevant, always makes me laugh, also makes me cry. this takes place in poland during wwii so big tw for nazi imagery and mentions. (don't worry. this movie fucking hates nazis.)
Seven Samurai (Toshiro Mifune)—this one is Great Cinema™™™™™™™™™™™ for a goddamned reason
"I want to watch some stuff with the scrungles in it!"
Mr. Washington Goes to Town (Mantan Moreland)—I've been checking out more of Mantan Moreland's stuff because every time I see him in something I think he's delightful, and I really enjoyed this silly-spooky comedy. Does this story have a brain cell? No. Are the special effects and goofy slapstick fun? Yes. This is a fun example of an all-Black cast in a film that was made for Black audiences, and is a striking counterpoint to the stereotypical representation Black actors were given in white-targeted films, showing the enormous amount of talent and artistry the racist studios missed out on by excluding these actors. This is not A Great Film™ but it's still A Fun Time,™ with a goofy Laurel and Hardy type vibe. (It's free on Youtube.)
The Red Shoes (Robert Helpmann, Leonide Massine, Marius Goring)—hey kid, you wanna watch something fucked up? This movie is so fucked up. It's about ballet, it's about art, it's about technicolor, it's about dance and toxic relationships and making theatre and nightmares and ambition and death. A lot of these recs tend on the silly side (because I tend on the silly side) but this one is actually Serious Film and will definitely help you chat up Martin Scorsese should you ever meet him. Big content warning if you can't handle dark themes right now—this movie's pretty dark, not in the gore way but in the Haunting Creepy Image way. (it's also free on Tubi and Kanopy most of the time.)
The Invisible Man (Claude Rains)—my favorite of the vintage horror flicks and a great introduction to Most Dunked On Hot Vintage Man of All Time, Claude Rains. (it helps that you barely ever see him!) Very very silly but the special effects are just plain fun. (I think this is on Internet Archive in full?)
"Can I just get more hot people please?"
Flower Drum Song (James Shigeta, Nancy Kwan, Miyoshi Umeki, Jack Soo)—there are so many unbelievably hot people in this movie which is somehow very good (thanks to its cast) and also incredibly, horrifically bad (thanks to its white team of writers, directors, and producers). on the one hand, it's a mostly Asian cast in a big budget, beautifully designed MGM style musical! there's dream sequences, lots of fun dancing, crooning Rogers & Hammerstein cabaret moments, and just charm galore. it is also freighted with so. many orientalist assumptions and stereotypes, absolutely ridiculous shit that the writers ABSOLUTELY should have known better about in the 60s and nonetheless carried into this. this is a hard one to recommend because I loved this cast, and I loved seeing them in a context beyond the usual stereotypical bit parts so many of them frequently were limited to—yet the movie itself perpetuates so many stereotypes on its own it can be a hard one to watch, and I totally understand if it does not work for most people. tl;dr watch for Shigeta, Kwan, Umeki, and the others, but content warnings galore for one (really bad) case of yellowface casting, orientalist tropes, extremely stereotypical character types, etc. (On Tubi/Kanopy last I checked.)
Charade (Cary Grant, Audrey Hepburn, James Coburn)—this movie feels like a Hitchcock movie except I had a ton of fun watching it, which I can't always say for a Hitch film. (I told you my taste was bad.) This one is free on YouTube and thank god because Audrey wears a lot of Givenchy, Cary Grant wears spectacles and keeps almost dying, it's very exciting and thrilling and funny and sexy. I don't think there are any content warnings but it's been a minute since I watched it. (I should go watch it right now.)
The Big Sleep (Humphrey Bogart, Lauren Bacall)—they're so hot askjdljhjghladkghjksahkhgslkahgshskjhgsalhgsahgjh. i like this one a lot :)
[this is NOT A FULL LIST of all the hot vintage movies to start with but it might give you some starting places! i banged this out as quick as I could at 2 am, so apologies that it's sloppy and not perfect.]
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solspinaa · 3 days ago
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We Should Stick Together
sanguinius ⋆˙⟡
have a very small sangy blurb that is literally just me braindumping! not proofread and a little fulgrim x reader if you squint :)
sanguinius has very clearly taken interest in someone, and fulgrim is quite tired of watching sanguinius collect offerings for his beloved rather than taking any productive action. through a little teasing and perhaps creating a lie great enough to form genuine jealousy, the phoenician can make something happen.
warnings: n/a
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Fulgrim takes yet another sip of his 4th glass of wine, holding back a pout as he draws the glass away from his stained lips. To say he is bored - and also quite clueless - would be an understatement bordering insult. The wine he holds in his hand is absolutely delectable, a fine luxury piece from his own personal collection, smooth on the throat and incredibly enjoyable when not paired with second-hand embarrassment. He sighs as he notices his supply is dwindling rapidly, not feeling even the slightest bit drunk.
Throne, he should have brought something stronger.
"What do you think of these?" His white-winged brother shoved two sparkling stones into his hand, smiling like a childish idiot as he did so.
"They are.. nice..." Fulgrim claimed as he inspected them closely, attempting to hide his annoyance as he swept over the gems with violet eyes. "However, this one seems brittle, like it will crumble the moment it is grinded upon, and this one seems quite lackluster." His voice did not hide his disinterest in the subject, but he was at least honest.
"And what about the color? Do you think she will prefer quartz? Or perhaps red? Ah, but red makes it seem like it's about me..."
"Sanguinius..." Fulgrim whispered, trying to interrupt his brother, or at the very least return him to his senses before he went on yet another incoherent ramble about his potential courtier.
"And its about her, not me. I would hate to bring home something that is to her distaste. I don't wish to put her off, I think I've done well so far acquiring her interest, I really-"
"Sanguinius!" The Phoenician finally exclaimed in more of a yell than a speaking voice, his annoyance with his brother no longer confined behind a glass of chilled wine. He released the tension from his shoulders upon seeing the blond angel's wide, shocked eyes.
Taking in the final sip of his wine, he sighed yet again. "I don't think any number of my wives have had me in as much of a chokehold as this woman does you, brother. You are smitten, and hopelessly so."
Sanguinius' wings betrayed his feeble attempt at releasing his embarrassment. They fluttered at the mention of her, and so he turned away from Fulgrim, his cheeks dusted a light pink and a small amount of his feathers puffed up upon the top of both wings. A body language display familiar of most birds, but unfamiliar to the palatine phoenix. The angel's voice shook the very slightest as he attempted to maintain his composure.
"Hopeless, Fulgrim?" He paused, his shaking irises evident of trying to collect his thoughts. "Has she told you something she has not told me?"
Was there… anger? in his tone? Maybe it was jealousy fulgrim had heard, possessiveness even, he could not tell.
Regardless, this sort of reaction from the angel was something he had not heard from his perfect and composed brother before. A piece of him felt confused at the fact that his brother had become so quickly offended in regards to a mere human, and yet another piece felt curious, entertained by the possibility of whether or not he could strike a nerve within the brightest one.
Sanguinius saw a sinister smile creep across Fulgrim's perfect features. His shoulders raised at his brother's gentle laugh. "Defensive, are we, angel? Protective, perhaps?" The phonecian placed his wine glass down upon the rocks next to the two of them, taking note of Sanguinius' clenched fists and slightly narrowed eyes. He could tell the great angel was doing his best to mask his infamous inner wrath, but he simply couldn't at the mention of some mortal woman. "Worry not, I've already told myself that you would be the one marrying this one... Should you not take too long I would not make my move."
With a step toward Sanguinius, he moved closer, brushing a few strands of blond hair behind his brother's ear so that his whisper would fall directly on his ears "That being said, clock is ticking. Drop the stones you wish to bring her, take her your words instead… lest i take her my words first.”
The sound of ruffling feathers filled the air alongside a slight expression of jealousy from Sanguinius, brows downturned and eyes slightly squinted. “I know you only tease, Fulgrim."
"And if I don't?" The Phoenician replied, his tone simultaneously teasing and serious. He wished for nothing more than to confirm his suspicion, for the angel to fall from grace and admit the painfully obvious, that he was jealous.
"You best keep your hands off. It is I who loves her. It is I who will see to it that she marries me.”
Sanguinius would be lying if he said he was not slightly afraid of Fulgrim attempting his interest’s hand in marriage.
On one hand, the poor bachelorette had a winged mutant, a man with a pair of massive wings accompanied by two sharp canines and an insatiable thirst for blood buried deep within him.
On the other was a man who was perfect in every way. Silky, smooth, gorgeous white hair cascaded over his shoulders the same way his robes fit the contours of his slender body in a noble shade of purple. His face, in every way, was nothing short of youthful and beautiful and every positive word that a human could conjure from their lips.
In other words, if Fulgrim made it to her first, Sanguinius knew he would stand no chance.
…Would he?
Would she choose the man who had experience caring for women? Or the one who she would have to teach? Did she have the patience for him?
"Say it with your chest than, oh great angel."
"I love her…”
“Hmm…” Fulgrim smiled, aware that his dear angelic brother was completely lost in thought. He knew how to hit where it hurt, for no one could turn away from Fulrgim’s perfection.
He knew Sanguinius would doubt himself, and he knew that he had to force him to confess before he lost the confidence to do so.
Of course, Sanguinius was a mutant with fatal flaws, but just like Fulgrim did his hair flow off of his shoulders and down his back, framing his chiseled face like a golden halo as piercing amber eyes shone like the sands of Baal under its suns.
Fulgrim had witnessed the girl weaving small and intricate jewels into chains that would drape themselves beautifully over Sanguinius’ wings, if the two of them had just attempted to replace their distanced pining with the intimacy they both intensely longed for.
“What she told me was that she desired you just as much… But I told her your eyes were set on someone else.” He smiled deviously at his brother, watching his expression turn into one of horror as he realized Fulgrim had probably shattered her heart into shreds with his false news. “So she and I made a deal. If you confessed to her within the week, you could have her. But if you failed to…”
The Phoenician raised one of his hands, opening his palm to a ring made in approximately the size of a tiny human finger. Sanguinius’ expression filled with anger as he fought the urge to strangle his brother right then and there. His teeth were clinched together with enough force to shatter a diamond in two.
Fulgrim's smile spread completely across his face before he turned upon his heels, flicking a head full of white hair toward Sanguinius before he broke out into a full sprint for the imperial palace. "And who is it that will tell her the news, brother?!”
With a single thunderous beat, the angel shot into the air, his speed in flight incomprehensibly faster than Fulgrim was on foot.
He smiled once more, his winged brother gone in the blink of an eye. None of what he said had been true, of course, but he too enjoyed some lighthearted teasing every once in a while. The expression upon the face of the great angel had been priceless. How could one be so jealous over someone they were stuck longing for?
He hoped that the angel would return with positive news and without the urge to slap him, and that he would still be invited to the wedding.
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Chapter 14: Don't Be A Bundt Cake
Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV
Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)
Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope
Word Count: 13.1K
Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.
Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!
Internal monologue is in italics and is in first person.
Series Masterlist
Main Masterlist
A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.
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Reader POV
You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.
The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.
But you didn't notice any of it.
The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.
The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.
For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?
Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?
The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.
You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.
You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.
You felt different, as if something had unlocked deep down that you couldn't shut up again.
You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.
You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.
And you desperately needed the comfort of her embrace.
The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.
It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.
The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.
It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.
The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.
A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.
It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.
"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."
The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.
The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.
Your thumb hovers over the answer button and you think about talking to him.
But what would I say?
You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.
He's really not the best at that.
You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.
Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.
What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.
Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-
You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.
Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.
For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.
The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.
The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.
When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.
The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.
The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.
The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.
Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.
It was self defense anyway. Maybe Jake would represent me in court.
The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.
Oh fuck, what if he sues me? He can't exactly sue Darren…
You hear someone call your name and you open your eyes.
Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.
You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.
"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."
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Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.
You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.
Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.
Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.
Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop.  It was overwhelming.
And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.
The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.
You didn't know where to start and you were still trying to process everything yourself.
The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.
It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.
There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.
"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.
The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.
It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.
"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.
The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.
You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.
Damn it Darren.
"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."
The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…
Darren.
You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.
Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.
Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.
The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.
He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.
"Honey?" Your grandmother says in a soothing voice
You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.
"Yeah?" Your voice shakes slightly.
She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.
You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.
"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"
You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.
I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…
"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.
An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."
"No." Your grandmother hesitates. "I saw it."
"You saw it?" You repeat, confused.
What's going on?
"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."
"What?"
Is she saying what I think she's saying?
Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.
Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.
You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.
When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.
"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."
The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.
Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.
Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.
But now you knew where she went, because she was standing directly in front of you.
She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.
"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"
She continues to measure the tea leaves. "I didn't tell anyone."
"Grandpa didn't know? But he was alive when you were a supe?"
Your grandfather had never spoken about a history with supes that you remember.
"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."
Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.
"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.
"I think I need something stronger." You answer honestly.
Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.
She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.
"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."
There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."
"You pretended to be a fortune teller?"
She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."
"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"
Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."
You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"
Please don't say dating, please don't say dating, please don't say…
"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."
You cringe at the thought of Ben coming on to a younger version of your grandmother.
She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."
"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"
Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."
It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.
I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.
"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."
"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.
Well. We're friends, but that's different.
The last thing you wanted to think about was Ben and your grandmother having sex.
I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.
"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”
Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.
Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.
You reach across the table to touch her hand and she takes it gratefully.
"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."
"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.
"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."
She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”
And here I thought I couldn't hate Countess any more than I did for what she did to Ben.
“You didn’t talk to him ever again?” You wonder out loud.
She left without telling him goodbye?
“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”
“But what about Nicaragua?"
A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”
“What? But why didn't you tell him what they were planning? Why didn't you-"
"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”
You could feel your heart breaking for her.
Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.
The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.
“Does Ben know?” You ask her to distract yourself.
You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.
She nods. “Yes. I told him everything.”
“When?”
“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."
“Was he mad?”
I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.
“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”
“Good. I can’t believe you didn’t tell me.”
The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.
“I didn’t want to until you were ready.”
“And when would that be?”
Your grandmother shrugs. “Maybe on my deathbed.”
You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.
 You snort. “And no one knew?”
“Your dad figured it out.”
“How? When?”
“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”
“I was never injected?”
“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."
“Darren thought I was.”
“I know.”
At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.
“Did you see everything that happened?” You ask in a small voice.
You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.
“Yes.”
“You heard everything Darren said?"
“Yes.”
You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”
“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.
“It’s not your fault.” You squeeze her hand.
“And it’s not yours either.” She squeezes your hand back.
The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.
“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”
“I don’t think you ever will.”
"Really?"
The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.
She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“
“Was it really that bad?"
“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."
“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.
As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.
Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."
Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.
You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.
“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”
“You’ve seen-“ Your eyes widen.
“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”
“That’s so weird.”
You hadn't meant to say it, but you really didn't want to know too much about your future.
Well, not all that much. Maybe just a little.
“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”
"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.
You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“
“There’s nothing wrong with not being in control.”
“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.
“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”
"I killed Darren, I killed Elijah-"
"Not because you lost control. You did it because you were protecting yourself and protecting your friends."
"But-"
"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."
Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.
Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."
"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.
She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"
You shake your head.
"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."
"I don't love him." You say it immediately.
"Why not?"
"What?" You sputter. "I don't know what you're-"
"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.
"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"
"So you've talked about it with Ben?" She raises an eyebrow.
"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.
"You don't?"
"Gran!"
"What? He's attractive."
"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"
"He has." She interrupts.
"What?"
"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"
"What does that have to do with anything?"
"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."
"Why does that matter?"
"Because he loved her."
The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."
That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.
"Have you thought that maybe Ben doesn't want to love you because he's scared?"
"He doesn't love me and Ben isn't afraid of anything."
"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."
What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.
"I already told you what I'm afraid of."
"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.
"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."
"Wait-"
"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"
You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.
"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.
"Okay."
And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.
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Soldier Boy POV
There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.
His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.
He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.
Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.
You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.
Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.
But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."
But he wasn't sure.
Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.
His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.
His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.
Jake: I know that I'm not your favorite person, but thank you for what you did.
Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."
When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.
I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.
As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.
Ben didn't understand why he hated watching you cry.
Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.
The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.
Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.
It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.
But Ben was more upset that Darren had been able to land a few hits on you before you killed him.
Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.
Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.
He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.
When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.
And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.
Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.
He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.
Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.
But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.
No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."
Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.
He shakes off the feelings he has about it and his thoughts turn back inevitably to you.
Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.
Maybe I should call Diana. She might know where she is.
As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it. 
"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.
"What the hell do you think you're doing?" The voice on the other side of the line yells at him.
"Di?"
"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.
"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.
As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.
Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."
Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.
And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.
It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.
"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.
"About what?"
"My granddaughter."
Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"
"Yes." Her voice softens for a moment.
Ben relaxes and leans back onto the couch, sighing in relief. "Good.  That's good." Relief swelled in his chest when he thought about you staying with her, safe.
That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.
The thought that home wasn't with him.
Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.
"No, not good."
"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.
"No."
"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.
"Her entire life fucking fell apart and where are you? Not here!"
Oh. Ben relaxed a little bit.
"I don't need to be there." He says on an exhale of smoke.
"Yes you do!" Diana presses.
"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.
“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.
"What the fuck are you talking about doll? I am not-"
“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."
Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.
“I’m not fucking moping and stop spying on me!” He snaps back at Diana.
He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.
“I don’t have to use my powers to know what you’re doing. I know you Ben.”
"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“
“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.
She certainly hasn't changed.
“I am not avoiding-“
“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.
“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.
That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.
He didn’t want to and he wasn't sure why that was.
“Try harder.” Diana interrupts him again and frankly it was pissing him off.
Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”
“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”
“And what’s that?”
“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”
“She doesn’t care about me!” He spits.
“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”
"But-"
"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."
"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"
Wait what?
"If you know that, then why aren't you here?"
He hesitates.
Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.
Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.
Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.
It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.
Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.
Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.
"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.
Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.
"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."
"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.
She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.
"Yes she would. Because she cares about you." Diana sighs.
"She doesn't."
"Why don't you believe me?"
"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“
"Because she doesn't think that you want a relationship you nitwit!"
"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.
"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"
Ben chuckles. "I missed you too sweetheart."
She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”
His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“
“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”
“I-“
“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought.  “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”
“I’m not-“
“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”
“I-“
“Stop making excuses!”
“You didn’t even hear what I was going to say!” Ben shouts.
“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”
“Don’t go all fucking mystical on me doll.”
“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”
The line goes dead.
Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.
No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.
Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.
And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.
As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.
But why do I feel like-
His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.
"Di I-"
But it's not Diana.
"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.
"What the fuck do you want?" Ben snarls.
 "I thought it was time the two of us had a chat.”
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A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!
As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊
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honorhearted · 11 hours ago
Text
"I don't think there is a single thing in the world you could do to disappoint me, Benjamin Tallmadge."
He snorted. "Well, I certainly hope you'll remember this moment when you are, in fact, disappointed in me in the future. I'm quite the over-achiever, after all."
Penelope spoke of a son following in his footsteps, and despite the leap in his chest at such a thought, it was soon soured as Benjamin drifted to thinking of war, of destruction and pain and death, and his shoulders curled inward. "I should hope not," he murmured. "If it's all the same to you, I'd rather not share my stories with our children... I fought so they could be free, so they could be happy, and I don't wish for them to know any of the pain I've endured. Not even a moment."
Penelope, thankfully, seemed quite content to continue teasing him, so Benjamin latched on to the much lighter fare of conversation. With a snort, he asked, "How can I not compliment you? That seems like a double-edged sword, and I'm not about to risk displeasing my betrothed. Unless, of course, it leads to more untoward requests."
Penelope giggled, leaning into his touch with a gentle incline of her neck. "If leaving you now is so difficult, I can't imagine how hard it will be once we are properly wed."
"We'll never leave the house," Benjamin agreed, chuckling. "And if anyone trespasses during our honeymoon, I'll be certain to greet them with a musket. I think I've earned the right to be possessive of my wife. If they wish to hold an audience with you, they can wait in line." Grazing his lips along her shoulder, he muttered, "Unfortunately for them, I am the only one granted permission to enter that coveted queue."
Penelope hummed. "Do you really think anyone would even notice if I just stayed here forever? Surely, Mama is far too enraptured in planning the wedding to notice and its not as though anyone would miss me otherwise."
Benjamin fought back a groan. "Don't go giving me any ideas... I'm serious, Pen, I'm at the point where I'd rather just kidnap you for a week, and then claim a loss of sanity." He shrugged. "We're already engaged, but that at least would ensure that you have to marry me."
Penelope followed his glance toward the clock. "I suppose I cannot delay for much longer, so this is where we must part. The weeks ahead are sure to be long and arduous."
Benjamin grimaced. "You don't know the half of it...I'm afraid men are the far weaker of the two sexes, so I'll be in the direst of straits."
Turning to face him, Penelope smoothed her palms along his chest with a pout. "Promise you won't forget about me in the time we're apart?"
"Impossible," he vowed. "I'll be thinking of you each and every waking moment, slowly being driven to madness." Dropping a kiss onto her forehead, he lowly added, "I hope it isn't too much to hope for the same?"
--
Within a week's time, Benjamin found himself in Penelope's presence again. Her mother was distracted with God only knew what -- it seemed that marriages of the ton were quite the affair -- and despite his good cheer, he kept pacing around the room.
"I'm so bloody nervous," he confessed. "If my assumptions are correct, Father will be arriving sometime today, and I just... I'm unsure of what to expect." He halted in his restless trek, turned, and then glanced toward Penelope with a low breath. "I never told you this, but I essentially ran away from home... Not because of anything I did, but rather, because I couldn't face the pain of losing my brother. So I did the cowardly thing, and I left my father all alone."
Shoulders hunkering, Benjamin looked down at his boots in shame. "I've written to Father, of course -- I'm not that cold-blooded -- but I imagine he must still be hurt. And I want him to love you so very much, but...what if I've already ruined everything before it's even had a chance to begin?"
If I'd known from the start how we would've ended up, I'm not so certain I would have ever been a gentleman.
"I find that hard to believe. Even in the throes of passion, you're a perfect gentleman." Pen quirked her lips into a sweet smile, a renewed flush creeping onto her cheeks. She knew she was lucky to have found someone like Ben, and that such a someone loved her as intensely as she loved them. Pen had nearly accepted the fact that her life would most likely be devoid of love. She might learn to love a husband, if she had been fortunate enough to find a man willing to marry her, but she had never expected to find a love match. And yet she had been proved wrong time and time again.
"Yes, actually." She teased, arching her brows in defiance. "I would like you to reenact the story of the handsome, charming foreign soldier who seduces the insipid wallflower with his smile and devilishly sharp wit. Are you familiar with that one?" Perching her hands on her hips, she tried to maintain a neutral expression but she found it hard when her body was still thrumming with electricity. "I don't think there is a single thing in the world you could do to disappoint me, Benjamin Tallmadge."
You know I love it when you give commands. Pen bit at the inside of her cheek to suppress a grin. She'd been told on multiple ocassions that she had a tendency to be too bossy. She liked to be in charge of things, especially when so much of her life seemed to be entirely out of her control. Whistledown had afforded her the luxury of controlling the narrative of scandals in the ton, but there were often times her pride spilled over.
"Is that so? I do enjoy giving commands every once in a while. I think it runs in the family. Perhaps, one day, a son of ours will follow in their father's footsteps. Though, I wouldn't mind if they decided to become little poets and authors instead."
Although she knew she would support her children in whatever endeavors they found themselves thrown into, Pen wasn't entirely eager to imagine her sons off to war. Even so, she refused to dwell on such a thing. Those were matters for the future, problems to be dealt with when they arose. For now, Pen was satisfied with living in the moment and planning for the near future instead.
"You must not give me so many compliments this soon. I'll hardly have any motivation to do better if you spoil me too much. Lucky for you, I'm a dutiful student."
Pen let out a soft giggle, reaching up to rest her hands on his arms. The idea of going a single day without him was tortuous, even though she knew it would be worth the wait. If they were to behave properly, it could be weeks until she felt his arms around her again. She was sure she would go insane in that much time, but at least she would be able to relish in the memory of him until then. The idea of a special marriage license was terribly tempting, but Pen knew that it would be near impossible to get. A lady of the ton marrying a foreigner was not likely to earn a favorable compliance by Her Majesty. Instead, she resigned herself to her fate. If nothing else, it would prove to be a good practice of patience.
"If leaving you now is so difficult, I can't imagine how hard it will be once we are properly wed." She sighed, nuzzling into his touch. Although Pen was determined to not be an overly needy or nagging wife, she had a feeling she would be following him around like a puppy for most of the honeymoon--and long after, as well. She had spent her entire life searching for a place to belong and now that she'd finally found it in Ben's arms, she wasn't in a rush to part with the feeling.
"Do you really think anyone would even notice if I just stayed here forever? Surely, Mama is far too enraptured in planning the wedding to notice and its not as though anyone would miss me otherwise." Even as she teased, Pen knew there was some truth behind her words. Her mother was enjoying the party planning aspect of the wedding and Pen didn't mind handing over the reigns since such a thing was far too overwhelming to handle. All she wanted was to hide away from the world and be with her fiancé.
"I suppose I cannot delay for much longer, so this is where we must part. The weeks ahead are sure to be long and arduous." Turning around to face him, Pen whined, lips puffed out into a pout. "Promise you won't forget about me in the time we're apart?"
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aihoshiino · 12 hours ago
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chapter 166 thoughts
As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!
OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143
please understand that this is FUCKING BOGUS
I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.
ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.
I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.
It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???
Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.
Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.
It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.
As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.
It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol
I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.
But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.
To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…
Honestly, is this really Ruby's dream anymore?
Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.
This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."
While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.
All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.
I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?
I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.
The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.
and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.
AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.
I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?
That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!
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sidewalk-cracks · 1 day ago
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In the wake of hearing that DC is making a Dick Grayson and Jason Todd movie and that they're supposedly gonna be screwing up Dick and Jason's backstories, I started thinking about what kind of Nightwing & Red Hood movie I would want to see, in addition to what kind of batfam movies in general I would want to see. I offer for consideration:
Nightwing and Red Hood: Last Defenders. While on patrol, Nightwing stumbles upon the hints of a truly diabolical plot taking shape to topple not just Gotham, but possibly the entire planet while the majority of Earth's heroes are presently indisposed, including most of the batfam. Batman and most of the JL are off world, the Titans are tied up, even Alfred's away, etc- leaving Nightwing and Red Hood as the only two people left to defend Gotham. This is set in a world sometime after UtRH; Jason's identity has been revealed, and he has an uneasy truce settled with the Bats ("you don't bother me, I don't bother you"). The movie follows them through their journey as Dick tries to convince Jason to work with him, they narrowly escape lots of explosions, and argue about Dick's failings as a brother and everything Jason has done since coming back. It all culminates in an epic 2v1 battle with the Big Bad and resolves with them saving the day and coming to an emotional understanding- a hopeful ending, looking towards a future in which Jason might be able to improve his standing with the Bats. BONUS END CREDITS SCENE: Bruce arrives home to a quiet manor. He goes to the kitchen and makes some tea. Goes to the den, and draws up short in the doorway. Dick and Jason are sprawled across the couch, half on top of each other, dead asleep. The credits of a movie are scrolling on the TV. Bruce buffers for a moment, before smiling and deftly whipping out his phone and snapping several pictures. Then he turns off the TV, drapes a blanket over them, and kisses both of them on the forehead.
The Waynes in: Mission Impossible. Bruce and his sons must attend the fancy gala of Evil Rich Man, and foil his diabolical supervillain plot while undercover as the Wayne family. Ideally, without ruining the gala. (Spoiler: they ruin the gala). This is firmly an action comedy, with maybe some sprinkles of family angst thrown in. Otherwise, though, this movie includes a gratuitous amount of puns, the Wayne Men in really sharp tuxes, Jason blowing up several things, Tim and Bruce holding the only braincells in the operation, Jason losing his suit jacket and tie 5 minutes into the gala, and Bruce being Tired. At a later point in the mission they need a distraction, and without hesitation Damian whips around and punches Tim in the face. They proceed to have a very loud and explosive fistfight. Tim YEETS Damian into the dessert table. Bruce groans into his hands.
The Battle of Wayne Manor. Dick, Jason, and Alfred are the only ones home to defend the Manor against a dangerous team of superhuman home invaders, Home Alone style. As soon as the three of them are aware of the situation, Alfred marches over to a panel in the wall, opens up a secret compartment, and pulls out an AK-47. "I have not spent three-fourths of my life at this Manor for a group of brutish, arrogant thugs to think they can just waltz in and lay claim to the place. As you like to say, Master Jason- let's light em up, boys." This can be a serious film or another action comedy. It's pretty much just Home Alone with some guns thrown in. They blind the invaders with several disgustingly bright glitter bombs and then Alfred whips out from behind a corner with his rifle, they've got booby traps on all the staircases, Jason's throwing pies at people, etc. The most important detail is that they successfully defend their home as civilians. No use of vigilante skills whatsoever. The news are baffled and the boys cheekily only comment that Home Alone is a cherished childhood film in their household. This plot could be edited to include Tim, Damian, and even Bruce as well, I just initially thought of it as just Dick, Jason, and Alfred.
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gilverrwrites · 2 days ago
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Dick being a bit of a perv towards Tim’s friend…you and Tim obviously have crushes on another, but Dick subtly convinces you that it’s unrequited, that Tim is turned off by how naive you clearly are…unless you want Dick to teach you some things, he’s be more than happy to *do it*…of course his hands are already creeping down your pants as he says this.
What?! Anon you're crazy. Dickie would never ever do something like this! Anyway... Warnings: Coercion, manipulation, choking, slut shaming, implied age gap Virgin!Reader.
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The very first time he met you; Dick made it his mission to ensure he was your favourite member of the family. He’s often the first to invite you to events. He’s always cutting in at galas, much to Tim’s chagrin, and telling you how great you look. Not just the fancy stuff either, he showers you with compliments all the time. He just loves your cosy hoodie, and did you get a haircut? It looks great.
Sometimes he’ll make a show of staring at you, all starry-eyed as he says shit like “Wow. You really are just sooo beautiful. Tim’s a lucky guy.” Knowing full well Tim and you are not an item.
“If only I’d got there first.” Knowing that his comments will almost certainly embarrass Tim.
“What did Tim do to deserve you, anyway?” That the embarrassment is liable to make Tim push you away a little bit.
But it’s not all flirtation. Dick also asks about your life, your friends and family. He learns about your hobbies, and watches your favourite films so he can talk to you about them. He's always offering advice, warranted or not. He just wants to be ‘the best soon-to-be brother-in-law’, you know?
So, he's unsurprised and elated when you call him one night, on the brink of tears after seeing Tim on what looked like a date with someone else. “I feel so weird calling you since you're brothers but you're the only one who knows us both.”
“No, no, no. Don't ever feel like you can't talk to me. You can always come to me for anything! Why don't I come over?”
Half an hour later he's on your couch, listening to you lament about your hopeless crush on Tim. He pats your shoulders, and rubs your back throughout, subtly getting closer and closer until you're all but sat in his lap with his hand dangerously high up your thigh.
“Listen, Tim is my brother, and I love him, I do. And I don't believe in slut shaming, that's not what this is, but he does get around. A lot.” He catches a stray tear with his thumb. You don't move when he lingers, so he keeps shooting, caressing your cheek until he reaches your lips where he grazes their softness far longer than is appropriate. His cock is rock hard from cradling you, there's no way you haven't noticed it digging into your asscheek. You can't be that dumb? “I shouldn't say this, it’s not my place but you deserve to know. He’s a cheater. He's cheated in almost every relationship he's been in. I think he gets bored… Sexually.”
He hadn’t thought you could look any sadder, but you managed it. He almost feels bad. Almost.
“You should be fine though. You know what you're doing, right? No? That's crazy, you're so lovely.”
It takes a little persuasion, but it's cursory more than anything.
“Tim doesn't need to know; it’ll be our little secret.” He promises as he slides his fingers under your waistband.
That night he makes it all about you. He practically spoils you, never using anything but his hands and mouth to make you melt for him, over and over. It takes all his resolve not to kiss you stupid, only because you make such captivating sounds. Such moreish whimpers and moans. For his ears only.
He’s the worst brother in the world.
But that doesn’t stop him from calling you every chance he gets.
He knows he’s going to hell when he’s filled with a sick sense of pride, after dropping you off for a coffee date with Tim, having cum all over your tongue only moments earlier and driven you there with his hand practically lodged between your legs.
Sometimes he fantasises about sucking his name into your chest. Just so Tim will know exactly where you've been if he ever has the balls to close the deal.
But the veneer can only last so long, and you unknowingly chip away at it, bit by bit every time you say Tim’s name. “Do you think Tim would like this?” “I can't believe I'm asking but do you know if Tim…” “Oh, I can’t tonight, Tim and I…”
It finally shatters the first time he fucks you though. You take it so well, slowly letting him stretch out your tight, virgin hole. He barely even has to coach you through it, just a few sweet words of praise, his fingers brushing you in all the right places and your bouncing on his cock like it was made for you.
But then you go and spoil it. He barely even remembers what you said exactly. “Something, something, Tim.” and he's seeing red.
The next thing out of your mouth is a startled gasp as he fixes his hand around your throat and squeezes, pulling you close and pushing his length so deep inside that your eyes roll back as he spits; “Tim doesn't want you.”
You're like a deer in the headlights, wide-eyed and confused but still moaning like a slut as he ruts up into you. “He did, but do you really think he'd ever touch you now? When he finds out you've been hanging off his big brother's dick? Should of taken photos so he can see how bad you wanted it.”
“But- but you said-”
“I know what I said.” You look the most aggrieved when he cuts you off. Never in a million years did you think golden boy Dick Grayson would be so callous. “And you bought it all. God- you’re too easy.”
He trails off for a moment, getting lost in how fucking good you feel, walls tight and twitching around him, milking him a little bit more every time he pinches your throat or bites out another nasty comment. All this time he’s been so nice to you; he should have known you’d like him mean.   
“Fucking shit~ I was never gonna let Tim have you. You were mine the moment you walked into the manor.”
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dialovers-lover-xoxo · 1 day ago
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One Shot:
X-Reader with Sakamaki Brothers, Reader is a type 1 diabetic and their blood sugar is so low they think they're going to die
DISCLAIMER: The person who requested this has type 1 diabetes. I asked them for their experiences before writing these one-shots because I wanted to be accurate. That being said, not all people with type 1 diabetes have the same experiences.
Shu
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You stumbled, holding onto the couch's arm. You could feel your energy slipping away rapidly. "Shu..." you whispered quietly. Your lover, with his earbuds in, didn't hear you. "Shu." You said with as much strength as you could muster - which wasn't very much, but to your relief, one of his eyes opened. He sat up slowly and said your name.
"What's wrong?" You held onto your head and tried to steady yourself, but you ended up collapsing. Shu rushed to your side and cradled you in his arms, his eyes panicked. Your blood sugar had gotten low before...but it was never like this. Your vision was fading fast. You grasped for Shu's hand, holding it limply. "I feel like I'm dying."
Through your blurry vision, Shu's eyes flashed with a mix of anger, fear, and determination. "No." His voice came out form. "I love you." You told him weakly. He growled. "You're fine. You're not leaving me." He gently laid you down on the couch and ran to the kitchen, his long legs running as fast as he could. You could hear him opening a cupboard. His footsteps rushed back and he gently pushed a straw into your mouth.
You leaned up on your elbows and managed to drink. The cold, sweet apple juice didn't immediately bring your senses back to normal, but it would soon. Your vision cleared. Shu helped you into a sitting position and wiped your hair from your forehead. You made eye contact with him, his blues eyes soft. He leaned forward and kissed your forehead. Shu took your hand in his and pressed another small carton of juice into your palm. "Start keeping snacks with you. I won't let you die, ever, but don't scare me like that again."
Reiji
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One second you were fine. The next you were on your knees, barely holding yourself up. Reiji, who had been examining his vials, immediately rushed to your side. You gripped your head as your vision swam and your peripheral vision turned black. Never...it was never like this before. It was slower, you had time to grab something to get your sugar back up. This was different and it scared you to your core.
Reiji was talking by your side, but you could barely compute his voice. "My love, tell me!" "Blood..." you were only able to make out the beginning "sh" sound of sugar, but Reiji knew. He grabbed a syringe from his desk; his syringes were all around the house. He bent down next to you again. "Hold still, my love." He moved your hair to the side and injected the syringe into your neck carefully. Almost instantly you felt better. He had come up this serum almost as soon as you'd entered the mansion, first for convenience, later out of love.
He held your arms and gently lifted you to your feet. You swayed, but ultimately the strength returned to your limbs. He pressed his forehead to yours. "I should've realized what was happening when you collapsed." He lifted his headand cupped your cheek gently. "But it was never like that in the past." "I know." You leaned up and pressed a quick, gentle kiss to Reiji's lips. "But your serum really works. I'm thankful you made it for me." Reiji's eyes softened. "My love, I only regret I can't do more."
Ayato
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You swayed, holding onto the counter. "Oi, Titless! What's the hold up?" Ayato rounded the corner and entered the kitchen. His eyes zeroed in on you and he stepped forward carefully, saying your name.
"Hey...talk to me. What's wrong?" He was concerned but the words were forceful. You turned to him. It took you a moment to focus on his face; your eyesight wasn't right. You touched your head with one hand, the other still gripping the counter. "My head..." You got out. Ayato's eyes widened. "Shit. That diabetic thing again?" You nodded and the action was too much for you. The fingers holding onto the counter slipped and you fell straight into Ayato's arms, who had lunged at the speed only a vampire possessed to catch you.
"Fuck! This damn-" Ayato cut off, looking around the kitchen. He saw the cupboard full of the snacks to get your sugar up. His arm reached up until you weakly said, "Ayato...I feel like I'm dying" Ayato was shocked to the core for a brief second. "No, you're fucking not." He growled leaping up and opening the cupboard, then grabbing everything he could. Ayato joined you back on the floor and gently lifted your head in his lap. He slowly fed you some of your favorite jelly, not even bothering with a spoon in his hurry to make you well.
It took a while but you started to feel better. You opened your eyes to find your vision clear and focused. He looked down to you, his face concerned and his eyebrows furrowed. "You alright?" You smiled and he smiled in return, helping you get up on shaky legs. "I'm alright."
Kanato
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Though he hadn't understood - and originally threw a tantrum believing you just didn't like the same sweets he did - Kanato had eventually accepted that the cakes and cookies and desserts he ate weren't safe you. He actually ended up quite excited to shop with you and even tasted your desserts - and spitting them out and crying when they didn't taste how he expected.
Nevertheless, Kanato was being the loving boyfriend you were used to again. After putting you in his favorite dress and doing your hair, he kissed you sweetly and called you his prettiest doll. Today he led you to a table that was surprisingly already filled with sweets and hot chocolate. You stared at Kanato, confused. Normally he asked you to do it and you just assumed you always would. He noticed your staring and narrowed his eyes. "Stop staring at me. What, are you surprised that I'm a good boyfriend?" "Of course not! It just looks so good." Kanato smiled, satisfied. "Yes, it does, doesn't it?" He beamed and added, "Teddy helped me." hugging his beloved teddy bear.
You smiled and sat down. He sat down across from you and giggled, holding out one of your favorite pastries. You opened your mouth, but as you looked down you noticed your fingers were shaking - and pale. As if seeing your fingers accelerated how fast your blood sugar levels were dropping, you felt faint and soon - too soon - the corners of your vision were fading in and out of blackness.
You tried standing up, but your legs couldn't support your weight and you toppled over, holding your hand to your head like a maiden. Kanato cried out in surprise, rage, and concern. "Stupid! Why did you fall over?" You reached out a pallor hand to touch his vampire-pale cheek. Kanato's eyes hardened in realization and he growled. "How inconsiderate of you. Right after I set this all up!" Under his angry words, you saw the concerned tightness of his eyes.
But...this happened so fast. Normally your blood sugar dropped at a much slower rate...now it had only taken a matter of moments for you to collapse, for your vision to turn dark. There had to be something wrong. You felt beyond light-headed, you felt like you were slipping away...
"Kanato...I love you, even in death..." your voice trailed off and your eyes closed. "No, no, no!" Kanato screamed, standing up. With great effort you opened your eyes to see him stamp his foot. "Stupid, stupid! Don't say that! I won't let you leave me!" Kanato stormed back to the table and filled up your hot chocolate with sugar and creamer, so much so that the brown liquid had turned porcelain white. "Drink." Kanato commanded. When your shaking nearly knocked the cup out of Kanato's hand, he batted your hand away, tilted your head, and dripped the incredibly sweet liquid down your throat. All at once. You spluttered, but your vision cleared and you felt your blood sugar skyrocket.
He hadn't exactly done it right, but for now it was good enough a fix as any. You wrapped your arms around his neck and hugged him. "Thank you, Kanato." "Stupid..." he muttered against your neck, and you felt his tears on your skin. "I can't lose you."
Laito
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Laito's nimble fingers were touching the keys, his eyes closed as he created gentle music, so experienced he need not even open his eyes to make such a beautiful sound.
It was one of his softer tunes, the music you'd hear during a lullaby. It wouldn't be the first time you've fallen asleep to the sweet sounds your lover played. You'd always wake up in his bed, safe and sound. He was so gentle when carrying you that it never woke you up.
But this time was different, instead of your head rolling forward and your eyelids drooping, your vision was turning black. It was so different than what you expected that it took you a second to realize what was actually happening. "Uhh..." you groaned in discomfort. Laito stopped playing the piano and turned to the couch you were laying on. You felt yourself slipping off and your vision went almost entirely black. Then you were back and Laito was there, gently putting you on the floor. "Laito..." Oh God, this was bad. Your head was already swimming so badly you could barely make a coherent thought.
What was this? Were you dying? "Laito. I love you...I love you..." for you it seemed like an eternity passed, but apparently it was only a few seconds. Laito had already come to the conclusion on his own and, to your surprise, or as surprised as you could be in that state, he pulled a pack of special gummies from his pocket.
"Open wide, Little Bitch." Laito said, his voice sing-songy and playful, but from his shaking hands and the slight quiver of his voice, you knew he was fearful. You managed to eat the gummies. You weren't sure how long it would took, but eventually you gained the strength to push yourself up on your arms.
Laito looked at you sadly. "I hate that you suffer from this." He pressed his forehead to yours. "But it's okay, right? You're always here." Your eyes met his and you saw the steely determination, his playful green eyes turned to hardened emeralds.
"I am. I will be."
Subaru
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"Oi!" Subaru called. You whirled around. "Why are ya rockin' 'round like that?" You were rocking? You looked down and your legs weren't steady. You touched your hand to your forehead. You were almost as cold as Subaru. Mortals weren't supposed to be that cold.
"Uh...". You groaned. Your head had felt foggy for a while, but that was normal for you. "I'm fine..." you muttered. "No you fucking ain't!" Subaru growled. You barely reacted to his harsh tone but you saw the regret in his red eyes immediately. "You're not...just let me have a look at ya, alright?" Subaru asked softly.
You nodded and he gently took your arm and pulled to him. "You're way too fucking pale." Subaru told you, and this time it wasn't anger that made his voice sharp. You leaned your head against his chest, first simply seeking to rest your head on something, but out of nowhere fatigue hit you hard and you crumpled against your lover.
Subaru cried out in alarm. He gripped your forearms and lifted you up. "Fuck! That damn mortal thing!" His fangs bared. He scooped you up. "Where are your fucking sweets? If Kanato ate them himself I'll fucking kill him!"
You barely registered Subaru gently putting you on a soft surface. You swayed and fell against a pillow, the sides of your vision turning completely black. You felt like you were dying. "No! No, you aren't." Subaru snarled, and you realized you had said that aloud.
Subaru gently lifted your head. "Stay with me, please." He slowly fed you something sweet and soft. He kissed the side of your head and stroked your hair. "You'll be okay. Just work with me." It took a while until your vision cleared. You groaned and he gently lowered you to lay completely on the bed. You blinked and leaned up, feeling better, but he pushed you back down and then stretched out on the bed. He gathered you close.
"I ain't losin' ya, ya hear? Not even some stupid mortal problem can take ya."
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apoloadonisandnarcissus · 12 hours ago
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Halbrand vs. Sauron from Galadriel POV
There’s a lot of discourse about Galadriel feelings for Halbrand vs. Sauron. Especially after executive producer and director of “Rings of Power” Charlotte Brändström revealed that Galadriel was very much in love with Halbrand, because he really seduced her back in Season 1.
Many fellow fans say Galadriel loves Halbrand but hates Sauron, and some argue she will get over him after Season 2 finale, and found resolution, because these are two different beings, Sauron was deceiving Galadriel all along, among similar takes.
Personally, I disagree with all of these takes. And I don’t think this is what “Rings of Power” is going for, at all.
Galadriel knows Halbrand is Sauron
There is no “Halbrand vs. Sauron”. Halbrand is Sauron. There’s no debate here. And as I’ve talked about in this post, Sauron is a immortal spirit from the Unseen world (spiritual world) who gets to chose his physical form on the Seen world (material world). And he’s always the same immortal spirit; his physical form is of no consequence to who he is. And Galadriel knows this, because she belongs to this world and legendarium; she’s not the audience.
“Rings of Power” had her react like this in 2x08 to reveal to the audience that she’s in love with Sauron (because this wasn't confirmed until this point). And “Halbrand” is Sauron’s physical form that she’s familiar with: because Galadriel belongs to the Seen world.
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Galadriel’s heartbreak in Season 2 wasn’t about Halbrand being lie. She knows Halbrand was real, because he’s Sauron. She knows Halbrand is (one of) Sauron’s “fair form(s)” She tells so herself in 2x01:
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And if this wasn’t clear enough, “Rings of Power” had her talking about Sauron in romantic undertones. She’s very much aware that the “Halbrand” she fell in love with is Sauron.
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Galadriel believed Sauron deceived her and their connection was a lie
The “deception” Galadriel talks about isn’t just about him hiding his true identity, and the whole “King of the Southlands” plot. It’s, also, about her believing the connection they shared in Season 1, when she believed him to be “just Halbrand” was one of his illusions.
And she goes through every stage of grief with this revelation. And she’s angry, and so enraged she wants to kill the bastard herself:
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Everyone who “got played” understands Galadriel reaction. Not only Sauron is her archenemy, the villain she has been hunting for centuries, the responsible for her dearest brother’s death (at the hands of his werewolves), but he “made” her fall in love with him. This is a betrayal of massive proportions, and she wants revenge, because her pride can’t digest something like this happening to her. And, honestly, “same, girl”.
Sauron used me. And under his hand, I was played like a harp to a melody not of my choosing.
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She’s angry and heartbroken because she believes the connection they shared in Season 1 is a lie, and one of Sauron’s deceptions. This was confirmed by the show itself in 2x08:
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And Galadriel had made peace with this fact, until Sauron spinned it on its head, in 2x08. Because their connection wasn’t a lie, and his offer in 1x08 was honest. And he’s in love with her, too.
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And this is something “Rings of Power” has yet to reveal to the audience, alongside with the Galadriel dealing with the fact that Halbrand was Repentant Mairon (the audience already knows this). And this will probably have something to do with the reveal it was Sauron, and not Elrond in that “tent scene” with Adar, in 2x07.
This is 5 season show, we are only in Season 2, and quoting Charlie Vickers, the fandom needs to relax and enjoy the ride. The show has plenty of time to reveal and wrap up plot holes. Season 2 was about “Galadriel is in love with Sauron”; the confirmation of “Sauron is in love with Galadriel” will come later. And don't take any interviews at face value, because:
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But Galadriel already knows this. And she was about to join him, in 2x08, until she snapped out of it (via Nenya). “Free will” is one of the major themes in Tolkien legendarium; no character can compel/force another to do anything. Meaning, Sauron can’t force Galadriel into joining him, and she can’t deceive him, either. There is no “enslavement of wills” on Tolkien lore; characters chose evil, out of their own free-will. And Galadriel was, indeed, choosing Sauron.
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And when he binds them together using Morgoth’s crown, this self-deceiving evil diva believes this is a good thing. He wants to harvest Galadriel’s light for himself, and keep Morgoth’s bounds on him at bay. This has been his goal ever since Season 1, after all:
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The Darkness Within Galadriel
Of course this “blood binding” was never going to work (as we’ll see in future seasons because Sauron doesn’t have a redemption arc, and he’ll only go deeper into evil), because Galadriel’s “light” it’s merely aesthetic. Her “light” is the light of the Two Trees of Valinor, which shines on her hair and eyes, as it does on every other Elf that was born during the “Years of the Trees” in Valinor, before the Two Trees were destroyed by Morgoth and Ungoliant.
But on Galadriel this light is more perceptible, because her golden hair, shot with silver, is the stuff of the legends, and strikingly beautiful. Fëanor himself was inspired by how the light caught her hair to create the Silmarils. And is, indeed, Galadriel’s beauty that blinds Sauron, the Maia who loves beautiful things, and to whom Galadriel is the physical form, the materialization, of everything he was created to love, by Eru himself, at the beginning of time. And this has been hinted by the show, already:
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I already discussed this theme (the Darkness within Galadriel), on my post about her character in S1 and S2. And this was, most likely, the reason why she was attracted to “Halbrand” in the first place. She unconsciously recognized Sauron in him, which explains why she agreed with Celebrimbor in 2x07.
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It’s not only about wanting to accept Sauron’s offer, but “blinding herself to what he was”. On a unconscious level, Galadriel knew Halbrand was Sauron, all along. She’s been hunting him for thousands of years, and she could sense his presence in Forodwaith (1x01). She’s not blind, nor a idiot; quite the opposite. Because Tolkien tells us she’s brilliant in mind, and a prodigy, filled with talent and spirit.
And this explains why she wanted to keep her distance on the raft, in 1x02. She did recognize Sauron, but blinded herself to that fact.
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And she did out of pride. And then, she needed him to be “King of the Southlands” at all costs (ignoring him saying he found the pouch on a dead man). In her mind, "Halbrand" couldn't possibly be Sauron, because he saved her on the raft, and she felt attracted to him. And, like Elrond said in 2x02, it was entirely of her choosing, she self-deceived herself.
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And when Sauron binds them together in 2x08, he’s not only binding her to him, but to Morgoth (darkness), too. “Darkness takes root” in Galadriel like Season 2 marketing campaigns told us. And this is the “fall of Galadriel” into darkness, which will come into play in Season 3.
Sauron and Power
To those familiar with Tolkien lore, it’s obvious that Sauron, in “Rings of Power”, is taking up the plot of Galadriel’s aspirations of power and dominion. In the legendarium, not only she refuses the Valar pardon to return to Valinor because she wanted a kingdom of her own, to rule as she saw fit, and that’s why she remained on Middle-earth, and goes on to create Lothlórien, but that’s one of the reasons she left Valinor in the first place. She wanted her own kingdom.
In "Rings of Power", she refuses the Valar pardon because she wants to continue her hunt for Sauron, and destroy him. This set the tone for the rest of the show. And her creating Lothlórien will have something to do with him as well, probably her safe haven to escape him (because we know Sauron will continue to group her mind for thousands of years into the future, and we haven’t seen this in the show, yet).
But the scene that “seals the deal” on this matter, is this one in 1x08:
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Because for Tolkien Galadriel this wouldn’t be a “deal breaker”, at all. And so, it becomes clear that, in “Rings of Power” Sauron is the personification of Galadriel’s “lust for power and dominion” from Tolkien legendarium. And he’s the character who introduces this plot to her character arc, too, because we haven’t seen any mention of Galadriel wanting her own kingdom to rule before Sauron offers to make her a queen, in 1x08.
Which is why the casuals are confused about this whole thing. Sauron sees the deepest desires on others, he’s a cursed wish-granter of sorts; with Adar it was children; with Celebrimbor it was crafting legendary objects to surpass Feänor and his Silmarils, and with Galadriel is her desire for power and dominion. Only RoP!Galadriel didn’t mention this, because Sauron’s character is taking up that plot. Her lust and desire for power and dominion and her lust and desire for Sauron in “Rings of Power” are one of the same.
And this won’t stop. Because Galadriel will always remain ambitious and power-hungry. In the legendarium, she thought about the One Ring and what she would do with it, for thousands of years. She desired it, and very much so. But she wanted the Valar pardon and to be able to return to Valinor. She knew she had to resist the One Ring temptation if it ever showed up at her doorstep. And it did, with Frodo. And that’s her last temptation and test. And she passes the test, at last, and can now return to Valinor (which only makes sense if she was, indeed, banished).
What all of this means is that Sauron and Galadriel plot is far from over in “Rings of Power”.
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lulublack90 · 2 days ago
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Prompt 11 - Home
@jegulus-microfic November 11, Word count 563
Previous part First part
Regulus cringed internally as he followed James, Sirius and Remus down the flight of stairs and out into the pouring rain. He had no idea what had possessed him to suggest the art show, but here he was clambering into the back of James’s car— apparently, Sirius had called eternal shotgun years ago—and on their way to the gallery on the other side of town.
“So when did you get into painting then?” Remus asked pleasantly while James and Sirius argued over what music they would put on. 
“Oh, er, I think I always liked art. Our house was full of dusty old oil paintings, and I was fascinated by how the artists had made it look like the eyes were following you. Took me years to figure out how to paint them.” Regulus answered, going into far more detail than he usually would with someone who was basically a stranger, but something about Remus made him want to spill his guts. He was so calm and sincere that Regulus had a hard time not trusting him. 
“Wait!” Remus gasped excitedly. “You know how to do that?” Regulus nodded. Remus grabbed both of Regulus’s hands in his and earnestly asked, “Can I commission a portrait of myself with the creepy eyes? I want to put it in Sirius’s office to freak him out.” Remus leaned conspiratorially. “He’ll hate it, but he won’t take it down in case he upsets either of us,” Regulus decided there and then that he was going to be very good friends with Remus Lupin. 
“You pay for the supplies, and I’ll do it just for the knowledge that Sirius will wig out every time he sees it.” 
“Deal,” Remus grinned at him mischievously and then grabbed the phone Sirius had plugged into the car’s speakers and put on NSYNC, to which two unhappy moans chorused from the front seats. “They both hate them, and I take great joy in singing the songs word for word as loudly as I can, so I’d cover your ears if I were you,” Remus warned before launching into ‘Bye Bye Bye’. Regulus grinned widely, loving how Remus was torturing his brother, not so much James, but this was just too much fun. He did something he never thought he’d do and he joined in. 
“I know that I can't take no more. It ain't no lie. I want to see you out that door. Baby bye bye bye.”
“Oh gods, there’s two of them,” Sirius complained as he put his hands over his ears. Remus leaned forward and prised Sirius’s fingers away from his head as the last verses started playing and sang loudly into the gap he’d made. 
“Bring it home Regulus!” Remus beamed, still holding Sirius’s hands away from his ears. So, Regulus did what he was told. He shuffled forward and scream-sang. 
“Don't really want to make it tough. I just want to tell you that I've had enough. It might sound crazy, but it ain't no lie. Bye bye.”
“We’re here,” James said as he pulled into the car park and found a parking space. He turned to Regulus with the most dazzling smile. “You have the most beautiful voice, my love, shall we go look at your beautiful art?” Regulus felt the blush coming before the heat even hit his face. James was a total menace.  
Next part
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manicpixiefelix · 3 days ago
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head, heart, hand. {Felix Catton/Reader/Oliver Quick}
Part 26.
Summary: In which you and Venetia finally discuss the thing you've been avoiding all Summer since Oliver arrived. You finally get the truth from her, and wish you hadn't. Still, you finally offer the truth to Felix.
{ masterpost }
Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.
A/N: 3101 words. where have i been? don't worry about it. where have you been? anyways i hope you want some drama to sink your teeth into. went into a much different direction than the chapter outline i had for it. unedited, but would love to hear from you guys as i'm getting back into it!
TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)
----
Things have been quiet since Farleigh left. Was sent away. Whispered gossip and speculation between the Catton siblings and Oliver that you feel too strange to indulge in, and an ache in your chest that you feel like you're not allowed to talk about. For all his disappointment regarding Farleigh's betrayal of the family, Felix knows your own hurt runs far deeper than you will ever let on. Yes, the two of you fought often, and in time you all knew he'd be back, but this conflict had made your bond especially fragile, and in his absence you feared it may never again be what it once was.
And Oliver seems to pick up on it too.
"Are you going to prune all of his flowers too?" Oliver asks, sounding so casual, but his words catch you by surprise, and your expression drops as you turn to him. It's late, in the study together, and he's got one of your botany books open in his lap.
"Whose flowers?" You know who he means, but hate the very thought. You hope you'd misheard. You hope you're wrong, but you're not.
"Farleigh's."
"What makes you think that?" You ask, turning back to the textbook in front of you, laying open on the desk.
"I just mean... well after trying to go under the Catton's noses like he did," Oliver shrugs, like he can't see your growing upset at the reminder, can't see how your face has fallen. This Summer night feels so cold; many have since Farleigh had left.
"No," you tell him faintly, turning to the next page of your book, heart beating uncomfortably in your chest, "he's still family."
"Oh," Oliver doesn't say much more about it after that, nor does he stay all that long either.
"Zinnias," you murmur, face still turned to your book, when he goes to retire for the night. Oliver gives pause, and you tell him, "Farleigh's flowers are the zinnias; they look a bit like a sunset." Oliver doesn't have much of a response, other than telling you goodnight, but you weren't sure what you had been expecting otherwise.
He's somehow even quieter than usual in the wake of the scandal, but he clings to you and Felix now more than he doesn't, and you find yourself clinging to him too. He's been good enough to not bring up Farleigh's departure around you either, though he has taken Farleigh's usual seat beside you at the table. Honestly, you don't really mind; you'd rather that than the emptiness continue to remind you. Surprisingly it's Venetia who seems to have grown wary of him.
"You and Feef must be pleased," she languishes, her back against you in the bath next to her own room, perfumed steam turning golden in the candlelight, "mummy and daddy both like this one."
"Please don't talk about Ollie like that," you sighed, chin on her shoulder, arms wrapped around her, holding her close.
"Daddy called him 'an intriguing, well-read, young man' the other day," Venetia continues as if she hadn't heard you at all, "and mummy called him charming and thoughtful, and much better than 'the last one'," she offers candidly, "she just liked that he liked my brother, I don't think she ever really cared for Eddie himself much," she leans back a little against you, and turns just enough that you can see her smirk at the corner of her lips, "you didn't either, did you? Even before everything happened between me and him?"
Lowering your face, you pressed your lips to her shoulder firmly, taking a moment to compose your thoughts before diplomatically telling her that Eddie didn't matter anymore. It does you no good to ask her why she's bringing this up now, but you still ask. As expected, Venetia ignores the question.
"Where did Eddie go after he was cast out? Rude, by the way," she adds, "he was fun," her tone is so jarringly light, though you know part of it is just to get a rise out of you. You don't take the bait.
"That was your mother's decision, not mine," you offer flatly.
"Did you have him killed?" Venetia's glee at the very idea was downright malicious, playing at sounding scandalised. You don't even want to humour her with a real response, just giving a flat, side-eye, "oh, don't give me that look, I'm sure your parents have plenty of people killed all the time."
"They don't -"
"Or they're just not telling you about it," she shrugs, pondering for a moment, "I think our family could get away with murder given the right circumstances, you know? But I could definitely see Pearl having critics murdered for negative reviews on a whim all the time," at her mention of your mother, your face scrunches up. Unfortunately she did have a point, but you hoped your parents, for all their sins, weren't actually that petty and vindictive.
"You're more my family then they are, Ven," you choose instead to say, and Venetia hummed, taking one of your hands beneath the water, lacing her fingers with yours.
"That's sweet as long as I don't think about it for more then a second," she giggled, tipping her head back against your shoulder, turning her face to yours with a mischievous smile, "but that still means you get one, and I'm asking if you and mummy had Feef's ex-boyfriend murdered and buried beneath the flowers in the fairy garden."
"If we'd had Eddie murdered - which we didn't - I wouldn't have had him used as fertiliser in the fairy garden," you tell her firmly, "my flowers deserve better than that." At that, Venetia snorted a laugh, leaning forward to grab her body wash. Sliding seamlessly to the other end of the tub, she begins to methodically wash herself, starting with her arms. There's little else to do but watch her; you don't want to encourage this conversation if you could help it, but you're not sure where to to go from here.
"He was really quite ghastly, wasn't he?" Venetia says suddenly, not even looking at you.
"What?" Your tone is immediately sharp.
"Eddie; he was awfully cruel to Felix," she elaborates casually, like she's completely unaffected by the sudden intensity of your gaze, "not outwardly," she muses, pausing in her scrubbing as she finally meets your gaze, her own thoughtful, "but, like, insidiously, beyond even cheating on him."
"With you," you remind her harshly, but there's an insistent earnestness in her expression that you really hadn't been expecting as she continues.
"With me, yes, but that's the thing," here she gives pause, as if searching for the right words, "he never talked about you or Felix," she finally says like she still can't quite believe it, "you I suppose I understand, but honestly it did always, I don't know, I suppose it irritated me how little he talked to you or even about you, even when he was around you. But it's like Felix didn't even exist either when he wasn't around him," with each word she speaks, her expression falls just a little more. This is all making you feel rather ill; you can't even bring yourself to want to try and comfort Venetia in some way as she seems so helpless and small with her thoughts fixed on the memory.
"I think I wanted to prove that not everything revolves around my brother," she admits softly, "but I suppose it would always be easy taking something he never really had." Her voice is so small when she turns her far away look upon you, "Eddie never really loved Felix, not really," it's not a question, "there was no regret about hurting him," she mutters bitterly, gaze drifting again. Venetia barks a rueful laugh, "you know he apologised to me? I know he's not dead," she admits, "he called after landing in America before I thought to block him, Summer wasn't even over, he didn't even mention Felix let alone ask if he was alright. I was fine!" She laughs angrily, and when she looks back at you, there's tears in her eyes, "but Felix was -" but it catches in her throat, and it's like she finally sees the hurt and anger in your eyes with all she's admitting to. Immediately her gaze drops, apologetic and self conscious for her self involved outburst given the circumstances; she knows she's not the victim.
Felix was shattered.
Venetia clears her throat suddenly, looking away. When she speaks, when she tells you that she knows you warned Oliver away from her, her tone is forcibly bright. But you can't speak. You don't want to be here, don't want to be around her right now. All of your suspicions about Eddie had been right in the end, and now she had to go ahead and bring up Oliver.
Venetia says your name softly, but you stand.
"I can't do this tonight, Venetia," you tell her coldly. It's a strange feeling, to hear her protest, to hear her almost beg for you to just look at her, but you can't do this tonight. After Eddie, you'd iced her out for the rest of that Summer, but she'd seemed contented; she'd won against Felix and so you were not required to keep her entertained. You'd never stood up to Venetia in any way that mattered before.
"Please," it comes out so small, so fragile sounding. Towel wrapped around yourself, you turn, expression hard as you're able to manage.
"Why?"
"So you do know he's lying," she mumbled uncomfortably, then, "I don't know," Venetia admits after a very long silence. Clutching the lip of the ornate tub, she looks almost like a child again, looking, for the first time in your memory, guilty.
"Is it just like last time? Taking something from Felix?" You accused, finally feeling that anger, that resentment beginning to burn in you, "was it better?" You hissed, "when you realised Ollie actually loves him? Or was it worse?"
"I thought if I could get him to look at me the way he looks at you, it'd prove he doesn't really love you," Venetia blurts out. Her gaze is on the floor, and you've gone entirely still. The next words she speaks are biting, full of frustration, "I hate him. I hate the way he looks at you. I don't care how he looks at Felix, everyone loves Felix."
Oh, there is was, unspoken behind her words. As long as Felix, and only Felix, had your heart, she knows she'll always have you around. If Oliver manages to steal your heart, she's afraid that you'll choose him, and she and Felix will both lose you. Her understanding of it all is childish at best; can't she sees that you're capable of so much more than that. You've never conformed to binary choices like that; doesn't she know you better?
"I'll never forgive you if you fall in love with him," she tells you as you reach the door.
"You'll learn to live with it."
With each step back to your room, that hollow feeling in your chest keeps gnawing at you from the inside out. Shielded from the world by only a towel, you feel, for the first time in a long time, you feel too exposed as you roam the halls of the Saltburn Estate. Farleigh had called you spineless, said you'd let Oliver break Felix's heart, and now he's gone. Venetia had so hated the idea of anyone else loving you that she'd tried to facilitate that heartbreak herself, and now you're leaving her behind. All this for Oliver Quick, for the idea of a boy who might love Felix the way you knows he deserves. But even so, Oliver had been party to Venetia's cruelty against you and Felix, had lied about it, had made you complicit when you'd seen through that lie.
Anything to make sure Felix was happy. That's how you justified your own, whether it be indirect or not, cruelty to those around you. But he'd hurt so much more in the long run; the writing was on the walls.
The moment you step into his room, he turns, surprised. He's on the balcony, half folded into one of the wicker chairs, reading and smoking and looking like a dream. Before you even say anything, he knows something is wrong. When he asks, you can't answer, moving almost robotically to change back into your pyjamas.
"I think I need to talk to Ollie," you mumbled without thinking when Felix takes your face in his hands. You barely see him, still stuck in your own head. He frowns, asks why, asks what's wrong, and the care in his voice brings you out of your trance-like state. Swallowing hard when you finally look him in the eyes, your resolve begins to crumble, "I want to know why he did what he did before I tell you," you admit, voice barely a whisper. Felix's expression darkens for a moment, and his hands move from your face to hold you by the shoulders. It grounds you, but the look in his eyes makes your heart ache.
"What did he do?"
"It's different from last time," you shook your head, already trying to soften the blow for what you're about to admit, "Ollie actually loves you, I don't know why he did it." Pressing your forehead to his shoulder, you can't bring yourself to look him in the eyes in this moment.
"What did he do?"
"I need to know why he did it," is all you can manage; you can feel yourself beginning to break, "I need to talk to him, I need to ask, I need to know, because that's the only fucking piece left; why?" Pulling back, away from him, you sink down onto the end of the bed, your face in your shaking hands.
"I know why she did it," you finally admit, "I wish I didn't, but I do. I hate her," comes out through your teeth, bitter and anguished all at once.
"Venetia?"
"They've been lying to you, Felix," you choke out, "been lying to your face, because they love you." All you can do is hope that it's true, "it's why she did it, she couldn't stand the thought of someone else loving me, because she thought if I loved him back, I'd choose him over you, and she wouldn't have me around anymore."
"Vee and Ollie?" Felix already sounds heartbroken when he whispers the words. Without looking at him, you nod. The awful, ugly truth, finally, "and you knew?"
"Ollie pretty much admitted it when I didn't believe his lie; he knows I trust Farleigh with my life," you breathed, finally looking up at him, apology in your eyes. Felix looks as though his world is crashing around him. Again, "since I was the one who saw Ven and Eddie together last year, not him." Felix's eyes go wide at this, stepping back, only to starts pacing, scrubbing his hands over his face.
"Why didn't you tell me you didn't believe him?" Felix huffs as he tries to process everything.
"Because I've been trying to find a way to make you believe that what happened isn't like last time."
"But it is!" Felix finally snaps, stopping dead, "I don't want to do this again," his voice cracks, and when he turns to you, there's tears in his eyes, "how can you say it's not?" It's almost pleading, desperate for any kind of hope.
"Because he loves you!"
Immediately, both of your eyes are on the door to the bathroom, holding your breath, fearing Ollie himself may have heard your outburst, may be listening in. You're fairly certain he's not, but your heart is still in your throat.
"I know he loves you, Felix," you finally breathe, hanging your head, "you know he loves you."
"Then why would he -"
"I don't know," you reiterate, desperately, "it's why I need to talk to him." In the quiet, Felix takes deep, shaking breaths, before he sits on the floor before you, legs crossed, his forehead braced against your knee.
"I don't want you to go through that again," you tell him softly, sincerely, carding your fingers through his soft, dark hair.
"We could run away," Felix whispers faintly, echoing words you'd spoken to him just a week ago, when you'd been first dealing with this whole situation and hadn't wanted to admit the truth then either, "like you suggested; get a flat in London, never go back to Oxford, never speak to any of them again," when he looks up, resting his chin on your knee, you see the sadness in his eyes despite his soft smile, "just us."
You both know it's an impossible dream, but still, you huff a soft laugh, your thumb brushing his cheek as you cradle his face tenderly.
"Okay, just us; that's all I'll ever need."
His smile grows just a little wider, leaning into your touch and this moment. But the moment, the idle dream, it has to come to an end. Felix's face falls once more.
"You love him," he sighs gently, mouth pressed into a thin line, "I love him, Y/N," he sounds so helplessly, "I wish I didn't, but I do. I love Oliver Quick, and he's going to break my fucking heart, isn't he?"
"He loves you too, Fi," you assured him gently, "that's why he lied, why..." you take a deep, guilty breath, "why I didn't tell you."
"What the could he even say to salvage this; you warned him about Venetia. The more I think about it, the more I- I- I fucking hate it. Them."
"I don't want you to talk to him," he tells you quietly, his voice calm and serious as he speaks over your protests, "I don't like that you had to do this, that you felt like you had to do this for me. Let me talk to him."
"Fi -"
"You make me happy," he tells you firmly, "everything you do makes me happy; you don't need to do this. Even if me talking to Oliver doesn't make you happy, at the very least, let me do what I can; I want to make sure you're never unhappy for my benefit. I want you to be happy too, I hope you know that."
All your protests die in your throat.
"I do, Fi."
"Then let me do this. This is my relationship too, you don't have to do all of this alone."
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herefortarlos · 2 days ago
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Just some takeaways from these interviews that feature Ronen, Gina and Brianna!
Enzo will be back in episode 5x08! "We'll probably have to see Enzo in some orange colors, a jumpsuit perhaps because he's in big trouble right now."
Ronen gushing over how cute Jonah was when he says, "Hi, big brother."
Could this be leading to TK and Carlos taking in Jonah? And Ronen's deflecting response of, "I have no idea, that would just, I don't know, I just, I just work here." And looking away from the camera.
Ronen talking about the karaoke scene and having "no idea it was going to be Freddie Mercury, you know one of the most incredible singers of all time. Really talk about under pressure because of course they gave me the Freddie parts. So I was a little nervous because it's one thing to sing karaoke in front of people but this is gonna be watched by millions of people, so I hope I did a good job, and to sing with Henry and then Rob was so iconic... because it's TK and his two dads and how important they both are to him and just crucial to who TK has become as a man...." "They picked Under Pressure for us for a reason, I think the lyrics are very telling."
Talking about the Tarlos photos! "That's gonna be a recurring gif for the rest of time for sure! They knew what they were doing with that one."
Gina does not think Tommy would have stepped away if she had not been hurt like that for her to realize she had to take care of herself.
Brianna and Gina talk about filming the hospital scene! Tommy having to come to terms with leaving a job that means the world to her. "It had so little to do with trusting who I'm going to pass the torch along to and so much more to do with the trust and belief in the woman that's in front of me. And so it was bittersweet...but I know you've (Nancy) got this!"
Ronen saying, "Tommy is Nancy and TK's mama bird. Especially after 5x05." "That scene at the end of 5x07 is so beautifully heart breaking between Gina and Brianna, I just rewatched it again and just started crying on my own, and oh my god, when she asks her to become the temporary Captain..." "But that leads to some really fun stuff for Brianna and I. It's like the kids get to go out on their own now, so you'll see a lot of paramedic calls with just us, which is really fun. But Brianna really holds it down as Captain and we'll see what that leads to Tommy if she can come back or not. There's a lot of intense stuff for Tommy."
Brianna saying, "It's gonna be just TN." "Ronen and I had a lot of fun with the TN dynamic. The kids are taking the car!"
Ronen saying, "TK and Nancy are so close, especially this season, and Brianna and I got really close this season, and I just love her so much and I think you start to see that when we go out on the calls ourselves, and they're gonna be silly little kids, but still professional and so good at what they do and I think that dynamic is going to be really fun to see." "I'm so excited for people to see Brianna really shine and get her moment especially as Paramedic Captain, that's such a huge honor."
Gina talking about the story line Rashad wrote for Tommy this season, "Sometimes it's triumphant and sometimes you don't want to be there... If you're invested in Tommy, it's gonna hurt."
Ronen talking about Carlos' father's murder. "Carlos starts making more progress in the case...and then there's gonna be a few other questions that are going to be brought up that are really going to challenge TK and Carlos."
"Some of the questions are, "Are we ready to take the next step in our relationship?"
"TK fears for his husband's life because Carlos is getting involved with some really bad people, and I think TK vividly remembers seeing his husband almost die when he was kidnapped and I think that's probably an image that plays in his head and I think that's something he never wants to see again. His actions are coming from caring and fear..."
Ronen says TK has at least one scene with Campbell.
Ronen was asked about Judd drinking at his party and if TK will notice with his addiction, and Ronen said, "That leads to an incredible scene between Judd and TK. I think it opens the door for Jim to really shine and another side of Judd we may not have known. It's also just beautiful because Jim in real life is sober and it's a beautiful way for Jim to put his own experiences into that character."
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zepskies · 1 day ago
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@lamentationsofalonelypotato
Aww I'm so happy to hear that, friend!! 🥰🥰
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It's not a problem Dean, (the gun is obviously BUT) she is beautiful and you will love her and I will cry at your wedding.
Ehehe it's funny you mention their wedding...
Dean no. No feeling bad for saving your girl and for killing the "sack of shit in human clothes."
Ugh right? Trust, he doesn't regret killing that bastard loll.
Also I didn't notice the Colonel Sanderson thing before and now all I can think about is KFC lol.😂 Which is not to take away from how good this fic is or how well it's written. It's just me lol.
Actually THANK YOU for noticing that because Colonel Sanders was an intentional reference! lmao I saw some meme that called Asmodeus "Bullshit Colonel Sanders" and it made me cackle, so I included that a little bit here. 😂😂
Oh goodness she is already so protective of him and oh my word the wink had me melting lol.
See! It's not taking that long at all for her to start softening up towards him loll. At the very least, she doesn't want to see him killed for her after killing for her.
I also don't think that I mentioned this before, but I really like how you wove in the other characters in the show. Seeing Benny and Cas show up just made me so happy.
Aww thank you!! 🥰🥰 When it comes to AUs, I try my best to fit in canon characters where they make the most sense to me, and try to make them feel "as themselves" as possible.
Oh my word seeing that fight in my head, um... YES PLEASE. And the loyalty?! The love for their friend?! The "Goodbye brother."? It's so good.
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Imagining Dean in uniform, even if he's fighting his friends, just does things to me too loll.
Ultimately, Benny and Cas are good men even in this world, and they didn't want to have to bring in him or Mila to the Colonel either. 💜
She's squishing his face! That is so cute, oh my stars. Plus I am cackling at how long it took him to be able to say her name.
Ahaha this was my favorite part to write for this chapter! Dean struggled, bless his heart. 🤣🤣🤣
I absolutely love this! I really love it when writers pick the names of their characters based on the meaning behind it. And the fact that you gave the meaning of her name a backstory of her mom having a dream and the butterfly meaning that Mila "would have a free mind" is just so perfect for her. Because she is stubborn and she does have "a free mind" by being rebellious and strong, by being a strong female character who does not conform to the whims of what other people deem to be appropriate for her. Also it was funny that Dean thought she was like a "lioness."
Aww thank you!! I'm usually pretty conscious of names and the meanings behind them, but especially in this story I got deep into the research of the Lakota people, and I found that names are very important to their culture, now and historically.
When I was looking for a name for her, Kimmímila stood out as being beautiful (with a nice nickname), but perhaps on surface level didn't reflect her true personality. So that's why I worked in that backstory with her mother's dream, vs. who she wanted her daughter to be, and who Mila considers herself to be. And bonus, what Dean observes of her! lol
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So I absolutely love all of your observations here, because that's exactly what I intended for her!
This is a really wonderful line, that the war "never really ends." It really fits this story and honestly it really fits the entire early history of the United States when it was acquiring territory and embracing the "manifest destiny" ideals.
Aww thank you so much!! That's what I thought as well, not just for this story, but for the greater context of U.S. history during this time and the push to industrialize the entire country.
Okay, the whole part where she is explaining things about her life and her culture was so sweet. Them opening up with one another is just so soft and a little fluffy and I'm so glad that they got to have those gentle moments with one another. Not to mention this bit where Dean admits how much he likes listening to her, is just so good lol. And I thought it was really on brand for him to be a little upset that she doesn't completely trust him yet, even though that he killed one of his men. But he's got to learn to be patient... and then propose. LOL.
That was so fun for me too! The "getting to know you" aspect. I thought that opening up to one another was needed here, and it gave an opportunity for more historical tidbits!
Ahaha yep, she's a hard nut to crack, but Dean need only be patient. He's won a lot more brownie points with her than he realizes. 😏 "And then propose" -- I'm weeeak!! 🤣
Don't be afraid to admit it Mila, we all know how good he is to look at. And why shouldn't you look at your future husband? 💍
Ha!! Ikr?? Also, you're getting dangerously warm to what's coming in Part 3. ❤️���🔥
Oh my sweet goodness, the TENSION!! This is so good my friend and I am so excited for what the future of this series holds and am praying that it doesn't end in death!😬💗
The romantic tension is real!! lmaoo
Thank you so, so much, friend!! Part 3 is my favorite part, I think, and I hope you'll be happy with the outcome, even though we've got a fair bit of action and angst ahead...
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The Honorable Choice - Part 2
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Pairing: Dean Winchester x OFC 
Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.
AN: “Getting to know you, getting to know all about you…” ⬅️ If you’ve seen The King & I, then you’ll probably be singing that line in your head like I do.
Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.
Jacklesverse Bingo24 Prompt: @jacklesversebingo Western AU
Song Inspo: The Spirit Soundtrack
Word Count: 3.1K
Tags/Warnings: Angst, protective Dean, historical tidbits, fluff
🐎 Series Masterlist || Bingo Masterlist
🎙️ Listen to the podfic version here!
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Part 2: Death & Sacrifice
Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and the hat off his head, not to mention the pain that rattles down his back.
“Son of a bitch,” he wheezes, while trying to get back up.
The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.
Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.
Dean has a problem.
Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 
He just can’t do it.
His finger eases off the trigger of his gun, and he lowers it to the ground beside him.
“I told you,” he says. “I’m not gonna hurt you.”
Her head tilts as she stares at his gun, then at him. She relaxes somewhat, and she backs off of him, sliding from his lap down to the grass beside him. Her closed fist with the knife comes to rest at her side. She gives him a look of wary bewilderment.
“You are a strange man,” she says.
Dean has to laugh a little, smiling at her afterward.
“I guess so,” he replies.
Her brows furrow. “You killed one of your own…for me?”
He nods, and his smile falls with a weary sigh. The hard part about that is he doesn’t feel much guilt about what he’s done. At the same time, he does, and the conflict churns in his stomach. He knew what kind of man Roman was. He was the kind of soldier that could’ve filled Colonel Sanderson’s shoes one day. A fellow soldier under Dean’s command...
And a sack of shit in human clothes.
Dean leans back on his hands in the grass and slides his legs out long. His stare falls to the earth between his boots. The ground is soft underneath him. Maybe it rained this morning. 
“Yeah, that’s gonna make it tough when I go back,” he says. “At best, that’s a court martial. At worst…”
The Lakota woman frowns, her dark brows nearly meeting in the middle as she considers him. He wonders what she sees when she looks at him.
“Tell you what,” Dean said. “Give yourself and your horse a rest tonight. I’ll go back and tell them I lost you in the canyon.”
Her eyes widen further in surprise. He can’t blame her for it. He’s surprising himself every time he opens his mouth.
“Will they kill you?” she asks.
Dean shrugs. “Nah, I’ll be fine.”
She levels him with a firmer look, one that demands the truth.
His nonchalance wanes, and he sighs.
“They might,” he says.
She shakes her head. She seems to deliberate over something, but eventually she comes to a decision. Just when she opens her mouth to speak, a gunshot rings out and hits the ground not far from their feet. A warning.
The sound of hooves thundering on the earth reach them before they look up. Two horses gallop towards them in the distance, their riders wearing blue uniforms.
They both tense up, but Dean is the first one to move. He grabs her arm and helps her stand along with him. They scramble back and lead the horses by their reins further into the trees. They find a denser patch and a raised hill to crouch down and hide behind.
The mustang is too tired to go very far, but Baby is already making anxious sounds, protective of her rider.
“Shhh,” Dean whispers, and runs a soothing hand over her side. He leads her to lay down with her legs tucked underneath her.
The Lakota manages to do the same with the mustang after whispering to him softly in her language. There’s a trust between them, Dean realizes. They have a connection that seems to mirror his own with his horse. He doesn’t know how he didn’t see it before.
“Captain!” Benny calls out.
Dean grimaces, but he stays quiet. He turns to the woman and holds a finger over his lips. She stares back at him in apprehension. He begins to creep slowly around the hill, but she grabs onto his wrist. For a second, she looks just as surprised as him by the reflexive action. Then, she shakes her head at him.
Don’t go out there, her eyes say.
Dean smiles, and he gives her a reassuring wink. He gently removes her hand and gestures at her to stay where she is. He army crawls up the side of the hill. It gives him a vantage point to watch his men, who approach just a few feet down below. 
“Captain Winchester!” Cas calls next.
“We don’t want to have to come and get you, Dean. Come on,” Benny says. He does sound reluctant, for his part. His voice grows more somber when he says, “Colonel’s given us orders to bring you and the girl back…dead or alive.”
Dean knows the position he’s put his own men in. He doesn’t blame them for following the Colonel’s orders. He just hopes they can forgive him for what he’s about to do.
He leaps off the edge of the hill with a yell and brings Benny with him to the ground. He sweeps Cas’s legs out from underneath him, then tosses a punch that lands on the corner of Benny’s chin. He kicks Benny’s gun away, and wrestles Cas until his pistol falls from his hand. The three men scrap and trade blows, until Dean is the only one left standing. His men are groaning on the dusty ground, slowly picking themselves up.
Dean’s heaving for breath as well as he leans back against the side of the hill. Despite that momentary victory, he knows what they all know: that this fight isn’t going to end until either they’re dead, or he’s dead.
“Where’s the girl, Dean?” Benny says. He implores him to see sense. “We take her back with us, we can smooth all this over with the Colonel. All of it, even Roman.” 
Dean lets out a deep breath, but he shakes his head.
“Can’t do that, Benny,” he says. “I’m sorry.”
There’s a question circling in his friend’s eyes, but after a beat, Benny seems to know the answer to it. He picks up his gun from the ground. Just like Dean once did, the Lieutenant now has a choice to make.
He shares a heavy look with Cas. The two of them nod, before they focus back on Dean.
Benny’s hand falls, and he stows his gun.
“You died today,” Benny says. “We found your body somewhere in the canyon. Your horse too.”
Dean nods, with something of a smile. He supposes faking his death is the only option now. He rips the badge off his uniform jacket and tosses it to Benny.
“There’s your proof,” he says.
Dean shares a grim nod of respect with Cas while Benny examines the torn patch denoting a captain’s rank.
“Take care of each other,” Dean says.
Benny’s head raises, and he meets Dean with a somber gaze.
“Goodbye, brother.”
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Dean doesn’t return to her until the men are out of sight through the trees. She’s still hiding along with the resting horses, waiting for him. That alone surprises him. It would bring a small smile to his face, if the weight of that goodbye didn’t feel so heavy on his shoulders.
He reaches out a hand for her. It takes her a moment to consider it, but she accepts his offer.
He helps her to her feet, after which, she quickly pulls her hand back. She’s wary of his touch, her face guarded when she looks up at him. Dean supposes he can’t blame her, even if it does strike a nerve. After what he just did for her…
His face becomes stoic, and he turns away to grab his hat from the dusty ground. “We should probably head out.”
She nods and calls to her horse to encourage him to his feet. Despite himself, Dean can't help but be curious. How did this girl manage to tame that wild beast?
“Does he have a name?” he asks.
“Mato,” she replies.
“Mato,” Dean echoes. “Does that mean something? You know, in your language.”
She eyes him wryly, brushing her hand over Mato’s hide.
“It means angry, like a bear,” she says.
Dean snorts. “Yeah, good name.”
He remembers his bruised side (and ego) from when the mustang threw him off his back.
Dean watches her with another realization as she gracefully mounts the horse. Baby has gotten up to her feet as well, already nudging the back of his arm with her snout. He rubs her nose in affection.
Then he turns to climb up onto her back, settling his feet into the stirrups and loosely grabbing the reins. He follows his companion’s lead farther into the forest, but he guides his horse to fall into step beside hers.
“Will you tell me your name now?” he asks. “Think we’ve been through enough together at this point, don’t you think?”
She considers it with a tilt of her head. She looks over at him with a small smile.
“Kimmímila,” she says. The syllables roll off her tongue effortlessly.
Dean raises his brows. “Kim…Kimmeela.”
She shakes her head at him, her lips pursing.
“Kimmímila.”
Lord help him, but he tries his best. His brows furrow.
“Kim…mila,” he attempts. She guides Mato closer and grabs Dean by his cheeks with one hand.
“Kimmí.”
“Kimmí,” he repeats with his cheeks squished. His face is starting to warm up, and not altogether in embarrassment.
“Mila,” she says with a nod.
“Mila,” Dean says. “Kimmímila.”
He’s treated to her smile, warm and true. She releases him, her gaze flitting over his face. Then she keeps riding. Dean grins to himself.
“Think I’m gonna call you Mila,” he says. Make it easier on myself.
She even laughs, a honeyed sound. “Yes, my father does too.”
“What does it mean? Your name.”
“In your language?” she says, in a tone that teases him back. She becomes thoughtful as she searches for the word. “It means…butterfly.”
“Really?” Dean remarks. She doesn’t strike him as a butterfly.
More like a lioness, he thinks, only somewhat holding back his grin.
She gives him some side-eye, despite her amusement.
“You think it does not suit me,” she observes.
“Well, I didn't say that—”
“I don’t think so either,” she admits. “There are many things that don’t suit me.”
Dean chuckles. He can imagine that.
“But my mother had a dream before I was born,” Mila says. “She saw beautiful wings, and said I would have a free mind. When I grew, and wanted to spend my days with horses more than cooking and sewing things, she didn’t call me free. She called me stubborn.” Her face begins to fall. “Maybe too stubborn.”
Dean offers her a rueful, sympathetic look. “Yeah, I get it. My brother always said I was damn hardheaded,” he says. “…Maybe we’ve got more in common than we thought, huh?”
Mila’s smile returns, however slightly.
“You have a brother?” she asks.
“Oh, yeah. He’s a lawyer, so he’s more needed back home,” Dean replies.
Damn. He really does miss his bookish little brother.
He explains to her about his family, his brother and mother who still live in Lawrence, and how he joined the army, in part to honor his father.
“What happened to him?” she asks.
“He died…in some cornfield near Sharpsburg, Maryland, fighting the Confederacy,” he replies, heaving a breath.
"Con...federacy?" she questions.
"The South," Dean explains. "See, most of our southern states thought they should be their own country, letting slaves plow their fields and mind their kids. I may have lived on a farm, but my father always paid his workers. He fought for the Union."
"So you fought among yourselves, over land that did not belong to you," Mila points out.
Dean falls silent. After a little while, he concedes her point with an incline of his head.
"Fair enough," he says, glancing over at her. “I think my dad thought the fighting would end with the war, but, uh...it never really ends, does it?”
Her expression of curiosity fades, turning more solemn.
“No,” she agrees. “…I am sorry for your father.”
Dean's a little surprised to hear that from her, but he nods his thanks. They continue to talk as the sun begins to set in the west. When it dips behind the canyon, they stop to make camp for the night, and he helps her catch a rabbit to roast on the fire they build together.
That night over the meal, she slowly opens up to him. He learns that she’s an only child, though she has a sibling-like bond with her older cousin, Šóta. She spends most of her days planting or harvesting their crops, depending on the season, as well as sewing, painting, helping the elders of her tribe with tasks, and helping her mother and aunt cook.
When the rabbit is gone, she unbinds her long, thick hair and untangles it while she speaks. She explains that the Lakota are just one of many tribes. There are six other bands of Sioux who live in this region. Along with the Dakota and the Nakota, they are the “Seven Council Fires” who have made the Great Plains their home for generations.
She tells him about the way her tribe lives, caring for one another, giving the land back as much as they take, and letting it rest. The men hunt and protect the village from the outside, but the women protect the inside, their way of life.
Most of all, Mila tells him, she loves caring for the horses. She goes out and rides whenever she can duck out of her mother’s watchful eye.
Dean enjoys listening to her stories. He likes what he learns about her, but also, he just likes the sound of her voice, smooth and steady, almost calming. He thinks she might like the sound of his too, the way she’s smiled at him, laughed with him, glanced at him when she thinks he’s not looking.
She still picks a spot as far away from him as she can to sleep though. She keeps the fire pit in between them. He even catches sight of her knife, hidden in the hand she tucks underneath her cheek. Evidently, she doesn’t fully trust him just yet.
It annoys him at first, considering how many times he’s saved her already. How much he’s sacrificed just to get them this far…
Until he remembers how they met. He remembers the disdain and anger in her brown eyes, then the mistrust, and the fear hidden underneath. He thinks of every experience she’s likely had so far with the U.S. Military, and anyone else who looks like him.
Dean settles down on the ground and stares up at the innumerable stars in a raven sky. He’s exhausted, but his thoughts don’t let him rest for a while. 
At the very least, the way she looks at him now is softer than that first day.
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In the morning, Mila watches the strange man wake.
He blinks and rubs his bleary eyes, yawning, groaning at the sun’s brightness like a child. She hides her smile by bowing her head over the apple she’s cutting with her knife. The orchards span wide across the forest, and soon he’ll find two yellow-red apples beside his head.
His brows raise at them, then he looks up at Mila sitting with her legs crossed behind the small fire pit. The wood there is just ash and blackened remains now, but it still carries the smell of burning.
“Morning,” he greets.
She nods back at him and pretends not to watch when he sits up with a groan, stretching and bending his arms high behind his head. He removed his uniform jacket to sleep. It allows her to see every dip of male muscle that his plain white shirt clings to, even in the long sleeves.
Her gaze furtively runs over the broad shoulders, the tapered waist, then back up to his half-bearded face, defined by a strong jaw and dark brows. The sun catches on his brown hair and teases the ends of it golden.
She would never admit it, but he’s not unpleasant to look at. 
Last night, she declined his offer to travel with her until she reaches her tribe safely, but he was insistent. Again, strange.
So here she is, with him. Here they are. 
Dean turns to see the horses grazing nearby. Mato no longer has the saddle and bridle his men put on him. He looks rested and at ease. He even whinnies at Baby, tossing his head a little. She answers him and flicks her tail. They continue eating together.
Dean smiles, then grabs an apple. He raises it to her in thanks before he takes a large bite. Its juices run down the corner of his mouth, and he wipes at it with the back of his hand. Mila can’t help but be drawn to the sight.
She tears her eyes away when he looks over at her.
“We have a long way to go. Three days, if the weather is good,” she says, continuing to carve pieces of her apple to eat. “We will know we are close when we reach the river.”
Dean nods in understanding. With a grunt, he gets to his feet and takes another bite out of his breakfast. She doesn’t expect the way he approaches her with a hand outstretched. She looks up at it, then at his expectant face.
“Come on. Let’s hit the road then,” he says.
Mila considers his offer for another moment. He seems to be making this a habit. Amused, she wonders if this is just kindness, or if the women of his people aren’t allowed to stand without a man’s help.
She pockets her knife, swipes her braided hair over her shoulder, and slips her hand into his, allowing him to help her to her feet. When she gets there, he’s closer than he should be.
A breath gets trapped in her throat as she once again looks between his warm hand closed over her smaller one, and his face. In the small space between them, there is a different kind of tension than before. Mila can’t tell what the man is thinking when he looks at her like that, but she doesn’t like it.
And at the same time, she does.
She takes back her hand, and she goes to the horses. She firmly ignores how her heart gallops, even as she rubs at her chest like it’s an ache that can be soothed.
She doesn’t hear Dean’s unsteady breath, nor does she see the way his green eyes follow her.
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AN: *rubs hands together* Well, here they are! It's all starting to come together. What did you think of Dean's decision?
Coming up next, we have the final part: some action, some fluff, and some potentially perilous situations for Mila and Dean...
Next Time:
“Yeah, about that…I’m thinking your tribe doesn’t take very well to outsiders,” he says. “White men in particular.”
Mila presses her lips together. He can tell she’s been thinking the same thing, but she turns to him with a determined set to her features.
“I will protect you,” she says.
Dean frowns. He doesn’t like the sound of that. On one hand, it warms him that she seems to really mean it. On the other hand, he doesn’t want to know what it’ll take for her to protect him.
“What’s that supposed to mean?” he asks.
She turns her face away and doesn’t seem to want to answer at first.
“Mila…”
“The Chief is my uncle,” she says at last. “He will listen to me.”
Dean blinks. Well, that changes things…maybe.
COMING 11/17! (New chapters every Sunday.)
Or read Part 3 on Patreon now!
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ladyloveandjustice · 1 day ago
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Someone's been in the Revolutionary Girl Utena rabbit hole for a bit 👀
I don't even know what it's about, I just see it and get happy
Mind telling me a bit on what it's about? I might watch it myself if it sounds like my thing, bc you seem to have great taste in anime and games
I do have good taste thank you! *flips hair* lol just kidding,
Revolutionary Girl Utena is a surreal and wild queer feminist deconstruction of fairy tale romance and shoujo tropes and it has a lot to say about systems of power, cycles of abuse, the ways people cling to an ideal of innocent childhood which may have never existed anyway, the concept of purity, fear of change and loss, and whether becoming an adult inevitably means being corrupted in some way. Lots and lots of gender, lots of queer characters struggling with compulsory heterosexuality... but over all, it's a deeply meaningful story about the human condition and growing up in an imperfect world.
But also people turn into cows sometimes, there are elephants of surfboards at one point, and one character has a very emotive pet monkey in a tie. at least we think it's a monkey. It can be very silly, is what I'm saying.
The basic plot is that a girl named Utena lost her parents at a very age, but a prince came and comforted her, giving her a ring and telling her to never lose her strength and nobility. Rather than taking that as an engagement offer and aiming to be his princess though, Utena actually admires him so much that she decides to become a prince who saves girls in trouble too. She's determined to find the prince who changed her life though, and her search leads her to a very fancy and phallic looking Ohtori Academy.
Then, when this shitty popular guy makes her friend cry, Utena challenges a guy to a duel to make him pay (as you do). ONLY to find out that the student council of her school are all secretly dueling each other to be engaged to "the Rose Bride", a girl who is supposed to give whoever's engaged to her the power to revolutionize the world. As part of the student council, the shitty popular guy assumes Utena wants to "win" the Rose Bride too.
So next thing Utena knows, she's been dragged into a duel to "win" the "Rose Bride" (who is actually just Utena's classmate, Anthy). Utena thinks that fighting to possess a girl like she's an object is pretty screwed up, but on the other hand, she IS devoted to saving girls, and that shitty popular guy IS treating Anthy pretty badly....
Could be that she'll end up engaged to Anthy, whether she likes it or not....
It covers a lot of dark topics, from misogyny to abuse (sexual abuse included) to child predators to incest (never framed as healthy or okay though, in one case it initially comes off as a joke thing for a character, like the typical anime comedic brother/sister complex, but throughout this characters arc it becomes clear that no, it's really not, and it is not good for the character in question). It's not a graphic show by any means, it handles its subject matter tastefully imo, and the way it explores these things is very effective. It takes a while to build up to where it's going, but the journey is worth it.
If you're interested at all in queer anime or like...queer western cartoons even because odd are they'll have a Utena reference-- it's a must see because it was massively influential. It was made more than 20 years ago and really holds up still.
I also did a review series about it here a while back that people found handy!
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sixerstanley · 2 days ago
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Ford loves Stan’s belly so much is2g. He loves fucking Stan missionary because he likes seeing the belly jiggle. He loves spooning Stan so he can wrap his arms around that big hairy belly and feeling the warmth it creates in his hands. He loves feeding Stan with one hand and keeping his other in Stan’s belly to feel it. But he never calls Stan fat or makes him insecure about his belly, he loves it, he loves Stan
He is a freak about his brothers stomach. But like, respectfully though
regarding the first part: YESSSSSS Ford LOVES Stan's belly!!!! he loves to see it jiggling, loves to see how it moves when stan does, hell, when he's even just laughing.
when it comes to the other part tho, its chill if you wanna disregard canon (which you have every right to, because frankly, gravity falls suffers from a lot of fatphobic material/jokes, but so did a lot of shows in those days) but in Journal 3 Ford canonically is a jerk about Stan's figure. And tbh, speaking as a fat person myself, not that that type of behavior is okay, but i think Ford having a bit of an internal arc about it is fine. Like, starting off a jerk about Stan's weight (bc in journal 3 he's a dick fdsjndjfksn) but then realizing its either 1) some internalized stuff, 2) the funnier option to me, that he actually likes it a LOT but doesn't want to because we're taught as a society that fat people are undesirable, or 3) a mix of the two.
Like again as someone who's fat myself its very funny to think of Ford glowering at his desk and drawing stan in the journal, gritting his teeth clenching his jaw and trying not to pop a boner.
Post weirdmageddon tho and his character growth? Ford is absolutely a ton sweeter about Stan's weight, i think even going full body worship on him a LOT. Stan probably gets...not uncomfortable, but yknow when your self esteem about something regarding yourself is so so low that when someone compliments that, even if they DO mean it genuinely. you don't really know how to react? yeah. that.
i think it would take a lot of time for stan to believe all that stuff, especially since ford was a dick about it before, which tbh, makes the whole ford being guilty thing that much juicier imo
but yeah! those are just my thoughts on it, i see where ur coming from tho
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