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yumeka-sxf · 7 months ago

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I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

#spy x family #sxf #spy family #spyxfamily #sxf manga #sxf manga spoilers #sxf spoilers

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antianakin · 7 months ago

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Pong Krell. It’s universally agreed that he deserved worse than what he got and I get that. I just wished we got to see what he was like before he Fell. Did he always hate clones, was it gradual? Did he suspect something off and went over paranoid?

I’ll say this one and I’ll say this probably a thousand more times but I wished the creators focused on more details with characters. It’s absolutely fascinating that they created a Jedi that Fell but did nothing with it besides outright evil.

How other Jedi reacted to learning that a fellow Jedi betrayed everyone? How did the Republic?

I just wished they did more with him than just, yeah that dude was a dick and killed clones.

Yeah, it's one of the things I don't like as much about TCW, the extremely episodic nature of it means that there really is never any build-up to anything or lasting impact from anything. Unless it's happening within one of the 2-4 episode arcs, we RARELY get to see any kind of build-up or fallout. It's one of the major issues with Barriss, too, we see her ONCE in season 2 and she's calm, kind, methodical, and selfless. And then three seasons later in season 5 she's suddenly ruthless, selfish, doubting everything and everyone, merciless, etc. There is NO BUILD UP to that radical 180 to her character and there's no real exploration of how Ahsoka really feels about that particular betrayal afterwards, the focus in later episodes after the Wrong Jedi focuses only on Ahsoka feeling betrayed by the COUNCIL and her feelings about that. Nothing since TCW has ever touched it either (Rebels, Mandalorian, the Ahsoka show). Satine's death never really comes up again after it happens aside from Bo-Katan being an asshole. Obi-Wan goes from being totally fucked up about Maul coming back to being chill enough to take on Maul and Savage alone and winning without us getting to see him actually deal with those emotions.

Pong Krell and the Umbara arc IN GENERAL falls into this category easily (so do the Zyggeria and the Deception arc tbh). Krell is such a basic evil character, there's so little nuance to him and we never get to see the Jedi react to the revelation that one of their own turned at all. Dooku turned after he had already left the Order as far as any of them really know, but Krell was still IN the Order when he decided to betray them and it would've been really interesting to see the impact of that on them. It would've been ESPECIALLY interesting to explore that more during the Wrong Jedi arc in particular in how the Jedi feel like they can't trust their own people not to betray them anymore after Dooku and Krell.

Krell is presented with like. Zero nuance. He is just unequivocally evil and despite Anakin greeting him in a friendly way at the beginning, the visuals tell you this dude's no good right from his first appearance. There isn't really any chance that he's going to be a good guy at all. So all we are left with are headcanons.

And I remember discussing my Krell headcanons somewhere, but I think it might've been on a Discord server I've since left, so I unfortunately cannot find them again. So I'll try to remember them and immortalize them here, I guess.

Here's the thing about Krell. NO ONE suspects him. So he cannot be overtly acting like a bigoted asshole from the jump at any point, he HAS to be acting in such a way that it's not trickling out to the other clones and to the Jedi themselves that Krell is an absolute monster. Even Fives takes a moment to decide that Krell is suspicious and only brings up Krell's casualty numbers after he sees Krell's behavior for a minute and combines that knowledge with what he's now personally experiencing and is starting to come to conclusions based on that. He doesn't go into the relationship thinking Krell is worse than any other Jedi already.

And based on what we know of EVERY OTHER FALLEN JEDI (Dooku, Anakin, Barriss), they didn't start out as monsters. Dooku was a highly respected Jedi Master who seems to have had a really positive relationship with Yoda and Qui-Gon and simply became disillusioned with the Senate and his care for the people of the galaxy got twisted into something darker over time. Barriss was kind, selfless, compassionate, brave, and resourceful, and it was the war that caused her to start letting her fears and pain consume her into turning on the Jedi. Anakin was kind and spent years having his fears and doubts twisted into selfishness and greed and darkness that allowed him to justify murder and genocide for power. So it wouldn't make sense to me that Pong Krell wouldn't fall into the same pattern where he was once kind and good and selfless and brave, but that the circumstances surrounding the war caused him to lose faith and fall.

My headcanon is that he lost an entire battalion early in the war, much like we see happen to Plo Koon during the Malevolence arc and that that loss and failure just BROKE him. Krell DID care about the clones, he cared about his men, and he FAILED them all. And I think that he saw all of these clones dying by the dozens in all of the other battalions and instead of choosing to let go of his pain and fear and lean into his compassion, he chose to distance himself from them entirely to make it hurt less. If he didn't care about the clones, if he just saw them as the cannon fodder that the Senate treated them all as, then it would hurt less when they died. Maybe the Senate itself even dragged him over the coals for that initial loss. Or perhaps it was the opposite, maybe most of his battalion was killed, but it ultimately ended in a victory anyway because they were forced to just keep going despite the consequences. And so Krell decides to enter this mindset where he is disillusioned with the Senate and just CANNOT allow himself to care about the clones, because it won't change what the Senate is going to do to them anyway, so he may as well just treat them the same way.

And this wouldn't have happened overnight. It wouldn't have been a sudden 180 where he decided he was just going to treat them like shit. But he maybe decided to put some more professional distance between himself and his new battalion, not get close to them, not use their names (although he still knows them, still remembers them all). Maybe one day they're in a tricky situation and all of his options are bad, he HAS to sacrifice some of his men in order to salvage the situation at all, and it's a choice between a full retreat that he KNOWS the Senate won't take well, or sacrificing the men to achieve the victory. So he sacrifices the men. It's not an entire battalion, it's not even a whole company, but it's more than it would've been if he'd retreated. Maybe next time, there's a choice between going back to save some of the men even if it poses a risk to his own life or the mission or something, and he chooses not to go back for them because the mission is more important, or he rationalizes that his life is more important as the Jedi General. And it's just more and more little decisions like that that add up over time to being able to see the clones as nothing more than tools.

The disillusionment with the Senate leads to him sort-of agreeing with things Dooku and the Separatists have said and he can look at the war and realize that it's entirely possible that the Republic is going to LOSE, and he CANNOT be the one who loses again, so maybe he starts bouncing around the concept of maybe switching sides. And of course initially he rejects the idea. He's a Jedi, he won't just abandon the Republic, he can't be a traitor, who in the Separatist side would ever trust him anyway. But once that seed is planted, it doesn't go away and it keeps coming back up and he keeps finding ways to rationalize why it might be a good idea and then deciding not to do it over and over again. Until one day, he can't convince himself that it's a bad idea or that it wouldn't work. He tells himself it's the ONLY option, if he doesn't change sides then he's dead. But Dooku WON'T trust him unless he can prove that he's not on the Republic's side, so he has to come up with a plan to gain their trust. And what better way to earn that trust than to ensure a Separatist victory in an important campaign by double-crossing the Republic.

And once he's chosen to go down that path, it's even EASIER to stop caring about the clones because, well, they're all dead anyway. The Republic is going to lose, the clones are all dead men walking no matter what, so why bother caring about them or trying to keep them alive? He can't lose so often that the Jedi or the Senate become suspicious of him, of course, but it's REALLY easy then to get to Umbara and treat the clones like crap and turn them against each other and intentionally try to get them all killed. They're dead anyway, he's not the one killing them really, is he, the Senate is, the Jedi are, the war is. They were dead from the moment they were created in that test tube because they were created for this specific purpose. It's not his fault.

And much like Barriss turns against the Jedi in part because she did LOVE the Jedi and was devastated by what she saw happening to them and the pain of seeing her people forced to become something they were never supposed to be, as much as her actions were intended as some kind of message to try to sort-of save the Jedi from a course of action she saw as their downfall, I think that Krell turns on the clones because at some point he DID care about them. A lot. And that care became his downfall, the pain at what was being done to them just absolutely gutted him and it threw him down a path that ultimately led him to turn against the very people whose deaths had hurt him so badly just a few short years ago.

Krell might not have been the most effusive or emotional person prior to the war or anything, he might've been a more reserved person similar to Mace or Dooku or Luminara, but I think he probably was a perfectly good Jedi who was kind and selfless and compassionate once upon a time.

And none of the headcanons above have even touched what his relationships with other JEDI must have been like. It's just as possible that he did have friends and people he considered family among the Jedi. Maybe he had a padawan once at some point. And maybe all of those people had died by the time we get to Umbara. Maybe he had to watch a lot of the people he was closest to just fall like flies, and so it starts feeling like nothing matters. Maybe one of the Jedi who died on Geonosis was a former padawan of his, but Krell himself obviously wasn't there and the pain of THAT loss and the guilt he feels at not having been there (even though this padawan had been knighted for a while and there was a good reason Krell wasn't there that day) just sticks with him, too, and he never quite manages to let that go, either.

I think a lot of people choose to just headcanon Krell as having just always been kind-of an asshole even when he was a Jedi, but that doesn't work for me. If Krell was always an asshole, I feel like the Jedi would've stepped in at some point before the war even HAPPENED and tried to manage that situation. And it doesn't match up with the way pretty much every other fallen Jedi has ever been written, where they were GOOD PEOPLE once upon a time who saw awful things happen that they couldn't stop or had an awful thing happen TO them that they couldn't stop and the pain of that experience consumes them to the point that they spiral into darkness as a result. Krell should be the same way, which means he likely was a perfectly good normal Jedi before the war. He would've been kind, he might've been good with younglings (he's tall, maybe he was the one the younglings went to all the time for piggy back rides, maybe he often taught dual wielding to padawans who asked because of how clearly proficient he is at it), he might've taught a student of his own successfully, he would've been wise and selfless and compassionate, he would've loved the Jedi and the people of the galaxy.

Like, to be frank, if Tales of the Jedi HAD to explore a fallen Jedi story, they should've explored Krell instead of Dooku. Dooku has been explored before, we know quite a lot about him and his motivations and his backstory, but Krell, as you noted, is left a mystery and is stuck in the realm of being just purely evil for the sake of the story they were telling in this one arc. Krell needed more nuance in a way Dooku just did not.

#star wars #pong krell #tcw #the clone wars #umbara #umbara arc #krell

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antiphilosophia · 1 year ago

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Crowley's pre-fall name is BARAQIEL (THEORY)

THIS POST MAY CONTAIN SPOILERS OR RATHER CLUES FOR GOOD OMENS SEASON 2 CONTENTS, PROCEED WITH CAUTION 🤍

Very well. Who doesn't love the Crowley is the Archangel Raphael theory (I am certainly of those people who do). During my first watch of Good Omens S2 I was even somehow almost confident that that was the case.

However, my second, more careful, viewing of this lovely (but equally heartbreaking) season made me change my mind, likely for good. In episode 4, Furfur's book "Demon's Guide To Angelic Beings Who Walk The Earth" shows us a name of a certain angel Baraqiel. (see photo below) Knowing Good Omens that can hardly be a coincidence.

Unfortunately, the very text is quite unreadable. One thing, other than the name, which is pretty clear is the subheading "Angel of the Sky" and since the episode 1 lets us take a look at how Crowley did indeed take part in creation of what is to be seen in the night sky, one can hardly find that entirely non-fitting. One other sentence I was (at least I think) able to read is "Often draped in red."

(On a different note but certainly worth noticing are scribbles that generally just roast Crowley – his suspiciousness, hair and name (though I am not absolutely sure of the latter) "His hair is bad!" Wow, Furfur really does hate Crowley.)

Then there is something written above the name of Baraqiel, unfortunately in none of the picture frames does it get a bit readable. I wonder though, couldn't it be "former"? Since it comes precisely after mention of Crowley to whom should one report on Aziraphale.

Crowley is very powerful. Dominion

A word that is not exactly readable but can be deduced from its placement (it is situated just as Aziraphale's "Principality") is Baraqiel's rank – Dominion Angel. It should be noted here that I very much lack proper knowledge of either Jewish or Christian mythology and I would hate to provide any incorrect claims. I therefore think it is better for me not to overly state things, even more so since everyone can look into it on their own and figure out what that might mean for our beloved demon. What I will say, however, is that they are (as I understand it) very powerful and, placed within the 2nd triad in the angel hierarchy, ranked higher than the Archangels. This would go well along with the emphasis that was in my opinion laid on Crowley's powers quite a lot this season.

For example: "A miracle of enormous power happened last night. The kind of miracle only the mightiest of archangels could've performed," said Shax to Crowley, to which he replied: "How'd you know I didn't do it?" He didn't get an answer.

What I think (and I may be very wrong, obviously) is that a miracle of this vastness wouldn't have happened simply because of a regular angel and a regular demon did together half a miracle each. What is also worth noticing is that the tool with which Crowley created the Nebula is the same as the one he used to temporarily stop time at the end of season 1 right before Satan's arrival. So much to the size of his powers.

Baraqiel, lightning of God. Fallen angel

Finally, to Baraqiel himself. My lack of knowledge concerning this matter still stands and frankly I don't even know where to find valid information about angels and such on the internet. Baraqiel should, however, stand for "lightning of God" and is also regarded as the angel of lightning. In season 2 there are (as far as I remember) two occasions where Crowley is put in correlation with lightning. (1) His poor anger management issues in episode 1 and (2) his not at all better matchmaking in episode 3 ("I haven't done weather in ages"). Furthermore, Baraqiel is considered to be the one who taught astrology to people. Nevertheless, what points to Crowley and Baraqiel being one even more is that Baraqiel is indeed a fallen angel.

•

So... That is probably it. I usually tent to theorize about stuff in quiet, in fact, this is the first time I've used Tumblr for anything other than reading Neil Gaiman's posts. I didn't even think that I would actually post it but then I've searched on Twitter, TikTok and here on Tumblr if anyone else has already come up with this theory. The only post I could find (hopefully I haven't missed anything) was by @valaza_04 on Twitter (click here) where they refer to the same frame shot as I do here.

Now I know, we are still recovering from heartbreaking (but if you ask me, absolutely amazing) finale and the main thing currently on our minds is figuring out why would Aziraphale choose as he did and the many wonderful theories that come with it. However, considering the utterly virulent look that Metatron shot at Crowley before walking out of the bookshop with Aziraphale and also his "Well, [Crowley] always did want to go his own way. Always asking damn fool questions, too." makes me think that he absolutely does not care for Crowley and whichever angel he was before the Fall. And I reckon it won't remain unnoticed in season 3 and might even be really important (or that is just me wishing for more pre-fall Crowley scenes). Hence I decided that I will post this. And it doesn't matter if no one will see this in the end, it was quite fun to write. However, if there is someone who will read this all the way through, I hope they will accept my apology for the mistakes I have most possibly made (English is not my first language) and also for the ridiculous length this post has come to gather. It turns out, I am just as chatty of a writer as I am speaker.

Well maybe I will come around to write one more post about this theory, only with a proper research this time. Till then thank you and, please, support this season by streaming as much as you can so we can have season 3 of this masterpiece of a show. And be kind to those bringing it to us in your comments regarding the ending, even though it is very frustrating and heart-shattering, it is also maybe the best ending we could have hoped for with the prospects of season 3.

Thank you for letting me talk my heart out, Tumblr.

#good omens #good omens season 2 #good omens spoilers #go2 #go s2 #crowley #pre fall crowley #crowley's angel name #good omens 2 #david tennant #neil gaiman #aziraphale #good omens theory #baraqiel

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lemotmo · 10 days ago

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In case you want it. 😊

Q. No Christmas episode. So everyone's timeline was wrong. Why such an early mid season break?

A. Actually, anon, the only thing about Christmas that l predicted was that Christopher wouldn't be back before then. And Eddie leaving for Texas in the mid season finale would still make that accurate since it would happen before Christmas. It is a very early break, but really only by two episodes so its not actually that far off. I also don't understand people who thought the Eddie stuff was going to be stretched out over many episodes. This show doesn't do that. The longest stretch would be 3 episodes at the most. They did Buck's story in one frigging episode. The Eddie part would not be what gets stretched out. The Buddie stuff is where you would get the stretch, if it happens, because anything that happens there would happen in the background over multiple episodes. So it would basically be the C plot in the background over roughly a handful of episodes. Like nothing I said changes just because the finale is after episode 8 instead of 10. Eddie was never going to get a multiple episode focus to tell whatever story for him kicks off in episode 6. He will be the focus of 6 and most likely the B or C plot of 7 and 8. That's it, and that's well within the norm for this show. They aren't going to give him real world time to work things out. It will be in television time, which moves much quicker. The only thing that changed today was episode 9 will now be after the break. And episode 8 is definitely ending on a cliffhanger. Like nothing changed today. Yes we will have a good idea about where the Eddie thing is heading after episode 6, and I still feel like it's a sexuality arc, but we still know nothing until episode 6 airs. Today changed none of that. I will admit that I'm surprised there's not a Christmas episode but it doesn't really change anything. We have to see what episode 6 brings, and we knew that yesterday. We are all anxious to know, trust me I get it. I'm tired and I want answers. I have also been very forthcoming regarding my trust issues with Tim. But even though the man doesn't always make the best storyline choices he's never been intentionally gross. And the way everything has been done on the Eddie/Ryan front so far would be the ultimate gross move on his part, and ABC's, if they didn't do what they have very intentionally made it look like they're doing. And they have all chosen their words and framed it very intentionally. They know what most people think it looks like. Does that mean they won't end up being gross? No, but he has never intentionally been that and I don't see that starting now.

I do want it. Thank you Nonny!

This makes sense. I don't have it in me to add a lot to this ask, since I'm very tired at this point and I need some rest. 🥱

Thanks Ali for being the voice of reason. 🤗

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

#anonymous blog I love #season 8 speculation #buddie speculation #911 speculation #nonnies galore

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calliecat93 · 1 year ago

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Balance of Terror is probably, up to that point, Kirk in his most perilous situation. It is full battle mode where if he makes so much as one wrong move, he risks death. Not too mention potential war against an enemy that he knows little to nothing about. Thus, for the vast majority of the episode, we have Kirk in Full On Captain Mode... except for one scene.

It's been hours now since the battle against the Romulans has started. At this moment, the Enterprise is a sitting duck and all that they can do is wait. Which gives Kirk plenty of time with his thoughts and in turn, his doubts. Doubts that he cannot let anyone see under any circumstances. Even when Rand, his personal Yeoman who has seen him at his best and worst, comes to see if he needs anything, the mask stays put. There's no point in bombarding her with what he's feeling internally and freak her out. That's not a luxury that he's allowed.

Well... save for one person.

As soon as McCoy walks in and Rand leaves? Kirk is noticeably more at ease. You can even see Rand realize it and leave, allowing McCoy to help the Captain when she clearly isn't going to get anywhere.

It's only then that Kirk feels comfortable talking and letting his doubts be visible. It's the one vulnerable moment that he lets show in the episode, feeling the pressure as his men to look at him and the fear of what happens if he's wrong. If you think back to The Corbomite Manuver we had a similar moment where McCoy tried to talk to Kirk, but while Kirk was at more ease, he didn't want to hear it nor did he let himself really open up. He doesn't even use Bones then, which sure it's probably because they hadn't thought of the nickname yet, but in-show you can interpret it as Kirk remaining in professional mode even to the guy who has it in his job description to see to his mental health.

Not that McCoy is there just because it's his job, of course.

From what we can tell, McCoy went to Kirk on his own volition. He wasn't called or anything, he went to go make sure that Kirk was doing okay. He's been in Sickbay for the majority of the episode and hasn't exactly been able to make time to go check on the Bridge Crew, especially not Jim. Now that he can, he's just there to let Kirk air out whatever he's been bubbling in for so many hours , as he always does.

But Kirk doesn't need McCoy, his Chief Medical Officer and essentially therapist, right now. And he clearly needs more than a soundboard to vent his feelings to. What Jim needs is Bones, his best friend and confidant. You even have McCoy, once Kirk's done talking, start to go 'Captain I-" before he's cut off, still somewhat in that professional mode (maybe even remembering the last time he spoke out of line in a tense situation ala The Corbomite Manuever). That's not what's needed. Kirk didn't expect an answer, but McCoy stops him. He outright says that he normally doesn't talk to 'a customer' like he is now, which goes to show how much he views Jim as far more than a patient or as the captain of the ship. Kirk is, first and foremost, his friend, and he needs some kind of reassurance right then and there.

And that's exactly what he gives.

MCCOY: But I've got one. Something I seldom say to a customer, Jim. In this galaxy, there's a mathematical probability of three million Earth-type planets. And in all of the universe, three million million galaxies like this. And in all of that, and perhaps more, only one of each of us. Don't destroy the one named Kirk.

Just that bit of assurance and Kirk is good to go. And I think he needed it from Bones specifically. Bones, the one person that Kirk can really be himself around. The one person who he's allowed to be vulnerable around. The one person who has always been there to ease him and help him process his feelings, as we've seen already in episodes like The Enemy Within. And even with McCoy worried himself, even having voiced concern about the gamble that Jim is taking earlier in the episode, he still trusts him and has faith in him. And unlike The Corobomite Manuever where he provoked an argument and had his priorities skewed, McCoy knows what Kirk does and doesn't need right now, and he delivers.

IDK, I just love these two so much and I need to voice it for the world cause dang it, someone has to!

#star trek #star trek tos #mckirk

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igglemouse · 1 month ago

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I wake up feeling different, as if there is a new purpose humming within me. It's barely there, I admit, but I do know it wasn't there before. Maybe it's because for the first time I felt welcome? Sure, sure, SUUUUURE, it was by a vampire, an actual blood sucking leech on two legs but...I was feeling welcome for the first time in a long time. That I could be part of something or rather part of whatever they have planned. I'm not sure what I'm stepping into, or rather if I'm stepping into anything at all.

Whatever the day decides to throw my way brownies shall help me prepare for it. At least that's what I'm telling myself. I'm a bit delusional, as you can tell, just let me have my delusions?

So I do the usual, clean my floors and myself and end up watching TV any ways which is a box full of delusions. Just trying to pass time I guess, I don't know. Honestly, what even is my life?

Well, it's Friday, so something has to happen. Things usually happen on Friday's, right?

And I was right, something DOES happen A knock at the door and on the other side some random guy. A handsome random guy, I should add, calling himself 'Niklas Krausser'. It's a name I'm sure to remember because it belongs to a man ridiculously hot. Tall, well defined features, and a bit of a presence to him. Hard to explain. There is a sense of magic to him, I know that at once. As they say, it takes one to know one.

"And what brings you to my door, Niklas?" I ask, pretending to be casual despite this unexpected twist to my day.

"I've heard a lot about you," his reply has a smoothness to it. "But..."

"But?"

"There's not much magic to you after all," he continues and now I think he's sizing me up. I should be worried, after all, there are people out there who would like me dead but I'm guessing if that was his intention I would be already. "There's a flicker there, faint....barely noticeable at all."

"Sorry to disappoint," I feel a little stung and a need to defend myself. "I've been excluded from the super secret magic club all of my life so you can't blame me."

"Heh, fair enough," he says with a chuckle. "If its any consolation you're not missing out on much," his eyes linger on me a little longer and I'm starting to realize he's not sizing me up for my magical abilities. "May I?" he asks with a tilt of his head.

Ladies, it's not wise to let strange men into your home but my life needs a little spice so why not?

Mr. Krausser settles himself comfortably on the couch in my very plain and lame living room. He doesn't fit here. The bare walls and cheap furniture make him stand out a little more than he should. He lounges as if he's a king, full of confidence, talking about the weather and local news at first before we get into what he's likely really here for. Magic.

"You should know, magic is quite overrated," he says waving his hand as if to emphasize this point.

I'm blinking, confused, because, "How can magic be overrated?"

"Don't be silly, Gracelyn, it's all a bit shallow, isn't it?"

And now I'm crossing my arms, demanding more of an explanation. "Shallow? Some can bend reality with, can't they?"

He shrugs because this is an argument I'm sure he's heard before. "But should we allow others to bend reality? Is it truly worth it?"

"Yeaaa...." I'm not a big fan of philosophy.

"Most of us," he continues. "About 99% actually, can't do much. Determine the flip of a coin or your typical parlor tricks," again a hand wave, he makes it all seem rather boring.

"Yes but, a coin flip could change the future? Butterfly effect?" he's not moving, another shrug of those shoulders of his. "You could at least use it for better, clean up big with it, walk out a winner."

"Yes, sure, I guess," he's not at all convinced. "Remember, the realm frowns upon such things, so what is it really useful for?" He smirks, thinking I am defeated and perhaps I am. I'm no expert on magic after all.

He's right. The Realm has strict rules that apply, ironically, all outside of the realm, from what I understand. A spellcaster cannot use magic to manipulate others or alter the world in their favor in any way. You'd be in a world of trouble for making yourself rich as the wealth brings you power and your punishment? Let's just not talk about the punishments.

"So then, why are you here?" I narrow my eyes at him, trying to draw out his purpose. "To deter me from wanting to learn it because-"

"Actually, I have no idea why I'm here!" he says throwing up his hands and looking truly perplexed.

"What?" Okay, that catches me off guard? I was expecting some serious conversation, you know, another warning. 'Don't pick up any magical books you little witch or else!' but instead I just get some clueless but clean cut nice looking guy dropping by for no reason at all? I can't help but to start laughing. "Okay, what is this about?"

He takes a long and dramatic sigh and stands, dusting himself off and then heads right for the door as if he had accomplished his goal but he doesn't get too far before I stop him.

"Look, umm, Gracelyn, this might be a mistake," he tells me, suddenly lacking the confidence that he walked in here with. "Which is wrong, mistakes don't happen, not with me, I've been led wrong before but-"

"Buuuut? But what?" I interrupt, close enough to deny him exit because now my curiosity wants to keep him here so that I can get a little more out of him. "What is this about?"

"I-it's destiny, you know? Fate?" there is an earnest energy to his voice now, his tone telling me that whatever he's going on about he truly believes it. I'm just not sure what he's talking about. "Do you believe in that? Believe in fate?"

"Maybe," I hesitate, what else am I to say. This is the same guy who said magic was overrated not that long ago and now he's asking me to believe in it? "It could be some kind of magic, right? What is this about?"

"It's my watch, Gracelyn," he holds it up for a second, lightly tapping the glass of its face. "It leads me, guides me, to....well, fate, I guess. I've been following it all of my life and wherever it points, I go, especially when I'm lost and well...here I am, at this house, with you."

"O-oh..." well if this is a pick-up line it's rather creative. I'm a little thrown off though, trying to process it. Magic is real, of course it is, who am I to deny it? Yet if what he's saying is true... "So, let me get this straight, your watch led you to me or-"

"Or it's led me to this house," he says quietly, seemingly as confused to his purpose as I am. "Which I guess is possible but..." he lets that thought hang, rubs the back of his neck and takes a deep breath. "I need to go, I guess I'll figure it out later, huh? Like I said, magic is soo overrated."

But after he left I found myself staring at the door. He's right. There was magic in that watch, definitely, I could feel it. Even if it was just a hint, it was there and he was her. I'm not sure what that means, maybe it means nothing at all, or maybe I'm just a hopeless romantic dreaming that I'm living in a fairytale and I've met my prince charming...

Faba stood before her fires, losing herself amongst the dancing flames, letting their light reveal snatches of the world beyond. The flue flames cackling and spitting, telling her of what was to come, telling her that the world was changing. Not only the one she once called home, but all of the worlds, every where.

The balance was shifting and it was impossible to tell which way it was shifting. Good? Bad? That's all a matter of perspective, isn't it? Change was neither but it was always inevitable.

In this case, her focus was on the girl called Gracelyn. Faba had been tasked with watching her for some time as she was exiled due to the punishment of her parents. Innocence, caught in the wrongdoings of another, she knew the story all too well, but Faba wasn't interested in Gracelyn's past, it was her future. Her potential a flame waiting to ignite, but who would spark the match?

"So, did it work?" Simeon asked, fixed on the mirror above the fireplace and on both of their reflections. To him, the fire didn't have magic, he never quite understood what Faba saw in it but he was no seer. She could read it as if it were a book.

"Maybe," she mumbles, still lost in its tales. "Time will tell."

"Faba..." Simeon's voice was low in warning. "A lot is riding on this, everything is riding on this, will the two pair?" He didn't need to speak their names, no, there was power in names and when one speaks yours they tie your destiny to you and he wanted to keep Gracelyn's fate far from his own. At least for now.

According to Faba, Gracelyn had several possible futures and according to her she was doing all she could to nudge her down the most preferable one. Like some twisted fairytale she had manipulated Niklas' watch, speeding up time, speeding up his fate. He was meant to meet her, Faba did see that, but it was a little later in her life, not now. Niklas was a protege of Simeon, a promising one at that, she just hoped this would be best for the both of them.

"Well?" Simeon asked, desperate. His plan was simple but...

"Time isn't linear, Simeon, you know that," she said, not turning to look back at him because she thought this plan was rash and foolish. "They have met, that much I know. What happens now I cannot say."

Episode List - Next

#The Sims #The Sims 4 #ts4 #Sims #Sims 4 #sims legacy #my sims #generation 1 #soot #sims of our time #gracelyn matlock #niklas krausser #l.faba #simeon silversweater

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rosenotactuallyquartz · 24 days ago

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Thank you for the actual good Rose metas! It’s so hard to find them in this fandom, they just want to go after her and make her look like a one note bad guy, it frustrates me- especially when they claim Steven hates her. Resents? Yeah…but hate?🌹😔 (bonus points if they defend the other diamonds but demonize pink. 🫤)

thank you, anon !! this was such a lovely message. we have similar takes, let’s be su buddies/nf

here, i have a quote to show you:

“i think an important lesson for steven is to find himself and not rely on rose's image as guidance for everything, because everything within the show has a moral grayness. to say rose quartz encapsulates all that is good and powerful about a mother character would take away so much depth of what humanity actually can be—hurtful people, conflicted people, people who can't or don't want to be healed—which i don't think rose ever got to learn. maybe steven can learn that. to me, rose is an example of what happens if you admire an idea of a person.” —jesse zuke, steven universe: art and origins, page 134

i just started my first year of college (journalism!) so i know i still have a lot to learn. but i love writing about pearlrose because rose is a character who i relate to so strongly, while pearl is a character i admire a lot.

i love steven universe because the characters are just so human, really. they’re traumatized & flawed & complicated & they have insecurities and issues. it makes these characters feel very real & relatable. for example, rose is not perfect; she hurt people because she was hurt, she hurt people because she made mistakes. she feels so much love for the people around her, but the way she feels about herself makes some of the characters question how she feels about them.

i could go on because she’s complicated. that’s why my posts are so long, i think (so it really means a lot to me that you enjoy my posts, because i know it takes some time & energy to read everything). but my point is that we’re not supposed to see these characters as “all good” or “all bad.” they’re people. rose is not the epitome of a good and perfect mother who did everything right and had no issues. she’s not an evil heartless villain, either. she’s just a severely traumatized person who has a big heart, made mistakes, struggles with mental illness, and feels guilty about her past because she never intended to hurt anyone. she’s like me; not my ideal self and not myself when i was at my worst. just me now, and that’s why she’s my comfort character.

a bit about pink! people were so caught up in the pink diamond reveal and the plot twist, and i understand! it’s a big deal. but from now we’re only falling apart & jungle moon, it was already clear that pink was badly abused on homeworld. & i think people overlook rose’s abuse trauma and therefore defend her less because they watch change your mind and miss the fact that white believes she is talking to pink. this made me understand rose’s character so much more. believing she’d never change, saying pink’s a bad person who only makes things worse. making her feel powerless. this had a lasting impact on rose’s mental health & relationships! i hate when people say, “pink was a bad person, but rose isn’t.” i can sympathize with & love rose and pink.

as for steven! the quote that i posted above really shows why he was impacted so much. we see episodes like lion 3 and storm in the room, and he often looked at rose as “encapsulating all that is good and powerful about a mother character” for his own comfort as a kid, because rose is dead. which was always difficult for him, remember his heartbreaking “i didn’t even get to know my mom”? he begins to learn that she hid some things, made some mistakes, hurt some people. when he was young, he felt like he knew her, and now he simply wonders who she is. he questions a lot of things, and after everything he’s learned, he still doesn’t have all the information. he doesn’t know—nor could he really understand—the guilt she felt, for example.

he’s a kid. then, we blink and he’s sixteen. old enough to begin realizing that the adults in his life weren’t perfect (i.e., greg was always a good dad, but now he’s questioning him as a father). still, he’s too young to understand a lot of things. he’s processing so much, and he’s struggling with his trauma & mental health issues. like you said, he resents her! i don’t think he hates her, i think he’s sixteen. when he’s in his 30s, and his trauma is no longer fresh, i do think his opinions on rose will look quite different because he’ll learn what jesse zuke talked about in the quote that i referenced. & i think some people looked at this specific timeline in future and said, “oh, so she’s bad.” i know that’s easy to do because the show is from steven’s perspective, but we can have our own outside perspectives, too! we can empathize with steven and his specific pain & questions & issues, but we can also empathize with rose and her specific problems that steven can’t quite grasp because of his personal perspective.

i’m so sorry for rambling. basically, i agree with you & i love the moral grayness of the show. categorizing a lot of these characters and ships as “all good” & “all bad” has led to a lot of takes in the fandom that i personally disagree with.

but i love this part of the fandom (mutuals ily) and if you’d like, feel free to talk to me about su anytime! my dms are open, pink anon :3

#anon <3 #steven universe #crystal gems #pink diamond #rose quartz #rose steven universe #su #meta su #rebecca sugar #steven universe analysis #su analysis #asks

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bookwormcosplays · 1 month ago

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Misconceptions of Sherlock and Co

Here I am going to list some misconceptions that I saw before getting into Sherlock and Co that I felt need to be corrected for any new people trying to listen. The things listed might be dubbed critiques. If you are someone who does not like criticism on your favorite pieces of media, please show yourself out now.

Johnlock is endgame

I beg every Sherlock lover who love the stories in every variation and specifically Johnlock, please stop setting yourselves up for disappointment. Unless it is explicitly said, don't believe it's canon. The reason why I say this is when this podcast first started to come out, everyone said johnlock was going to happen. Those are some of the most popular tiktoks about Sherlock and Co. And I won't lie, it was the push that made me listen to the podcast. I can't find where I saw it please if you can find it, send it to me. They said, the creators, that wasn't within their plans. John and Mariana though? I don't know if it'll actually happen, but it just feels like that's what they're pushing towards. Call me a conspiracy theorist, but the name Mariana is a lot like Mary. Speaking of Mariana--

It's just John and Sherlock

It may appear like that for a couple of episodes, but Mariana becomes an essential part of the team and she is here to stay. If you were one of the people who just wanted the boys, you're probably going to be disappointed because that is not the case here. Mrs. Hudson whose real name is Mariana also helps in solving crimes. Usually I would say if you didn't like Molly appearing in episodes, you also might not like this. But Mariana actually has some type of depth. So maybe you'll actually enjoy her appearances in episodes.

These Are New Interpretations of Sherlock and John

Yes and no. This might be controversial, but it didn't feel new. And it didn't feel like ACD's characterization. John and Sherlock's characterizations seems like they took a lot of inspiration from bbc Sherlock even down to some of the mannerisms especially the way they speak. It feels almost like fanfiction where they took the bbc Sherlock character interpretations of John and Sherlock and put them in an alternate universe. Over time though, they seem to be straying and they're now becoming their own characters. But if you told me at the beginning, "oh this is a new podcast based on bbc Sherlock fanfiction" I would've believed it.

POC Friendly

LOOK LISTEN, I'm not saying they're spouting out slurs. But someone, a white person, posted this is a poc friendly podcast. When I heard that, I assumed certain things. I assumed they had POC cast and crew, they had sensitivity writers, cultural consulting, etc. The cast and crew, respectfully, are majority if not completely white. I remember looking up Sherlock's voice actor after seeing all the fanart and I was so confused seeing a white man. Now this doesn't mean that POC should run away from it, but this does mean that when they say/do certain stuff there's no one to tell them "hey maybe let's not do that." There are instances that felt ignorant and unnecessary. In the Blue Carbuncle, they read a letter or a transcript from someone who saw an incident in the street (avoiding spoilers). I don't know how to phrase this, but it felt very much like they were mimicking some type of POC (most likely black). And they didn't put on a blaccent or anything, but just the fact that it was a white writer writing this making fun of how they spoke rubbed me the wrong way. And it went on far too long. Then there was Sherlock bowing at an Asian restaurant and John told him it was inappropriate, but I was stuck on why was it added? It wasn't humor and didn't have to do with a case. It shows Sherlock's ignorance, sure, but it just really didn't add anything. When it comes to content made by white british people, the bar on racial awareness for me is to the ground. I don't expect them not to have ignorant moments. But stuff like that, it is something that should be accounted for when you try to say something like it's "poc friendly." So would I say POC friendly, not really. Is it welcoming of everyone no matter what race or ethnicity? Yes. There's not a sign on the podcast that says POC do not enter, but be aware what majority demographic is a part of this and that they probably are going to say stuff out of ignorance.

I've been meaning to write this post for awhile, but I haven't gotten around to it. Plus, I wanted to see if anything else changed before I made a post. I genuinely don't see this as critiques just pointing out stuff for those who might go in thinking this podcast is something it's not. But I still put the criticism warning for people who might not want to see this. I really enjoy this podcast and it inspired me to read the original stories. They put a new spin on these stories that's modern, different, and still entertaining.

#personal post #not cosplay #sherlock and co #sherlock & co

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the-badger-mole · 1 year ago

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Iroh Did Some Stuff Wrong...Not Saving Azula Wasn't One Of Them

There's a....hmm...an interesting conversation that I was looped into recently (I blocked the two people most deeply involved, and I don't remember their names, but I think a few of you know who I'm talking about**). The gist of it is that Iroh didn't do enough to save Azula and he gave up on her too quickly....after she tried to murder both him and Zuko within a few episodes.

I disagree.

Azula's story is tragic, and she was failed, but not by Iroh (and honestly not by Ursa either. Don't talk to me about the comics). Azula was failed by her father and by the draconian imperial system she grew up under. There are a few thing people seem to gloss over when it comes to the defense of Azula and blaming Iroh for what happened to her.

The first thing is that Azula was young when Iroh was leading the siege at Ba Sing Se. He was actively fighting a war before that. The chances are high that he didn't spend much time in the palace or with Azula in her youngest years. There's no reason to believe at that point that Iroh in his visits home would notice anything particularly wrong with how Azula was being raised. It's probably how he and Ozai were raised, too. To Iroh, before the loss of Lu Ten caused him to question everything, what would look so wrong about how Ozai was raising Azula?

The next thing is that Azula is a prodigy. She was a talented bender from a very young age. She was also a daddy's girl. The way Ozai favored her and saw to her training were forms of abuse, but they were not forms of abuse that would've been as immediately recognizable as what Zuko went through. Azula was thrilled to be Ozai's favorite child. Iroh wasn't going to come between that bond. Not after years of hardly being around and then coming home a failure. Not after Ozai successfully stole the throne from him. Azula is never shown to have much respect for Iroh. Imagine if he approached her trying to save her from her father, who she does respect (and love, I guess).

If there was a point where Iroh could've intervened with Azula, it was well before the show started, and probably before he knew an intervention was needed. He was only able to save Zuko because Ozai didn't care about him. Azula isn't Iroh's fault, and it is so weird to me to see people trying to argue that he failed her. What could he have done differently for her, except discover time travel? Even then, you can't save someone who doesn't want to be saved.

**Don't tell me their names. I don't really care. They're blocked, it's over. This was just context

#atla #iroh #azula #iroh didn't do wrong by her #he saved the child he could #and that's okay #THE YEAR OF CONTENT!!!!

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genericpuff · 1 year ago

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The Mishandling of LO's S3 Midseason Hiatus - Part 1

So Lore Olympus' return is right around the corner, and I realize I've never actually talked about the S3 midseason finale. I think I said I was going to, but then I just sorta didn't, probably because I was still reeling in the absolute absurdity of it for weeks afterwards. In hindsight, I should have written about it back when it was still fresh, but I feel like I can do it just as much - if not more - justice writing about them in hindsight, now that they've had time to sit and I've seen what Rachel and WT are clearly planning to do after the comic ends (whether or not they succeed... that's a different story).

CAUTION: THIS IS PART 1 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS EPISODE CONTAINS DEPICTIONS OF VIOLENCE INVOLVING STRANGULATION. THIS WILL BE A LONG POST. BRACE YOURSELF.

So one of the things that really motivated me to finally talk about this was a conversation that happened recently in the ULO Discord - the realization that there are many readers who still don't know what happened after the free to read finale cliffhanger.

Y'know, the one where Hades gets possessed by Kronos and attempts to choke Persephone-

Now, awful dark jokes aside about how Persephone frankly deserves to have her balloon head popped, this was a wild cliffhanger to leave on for free readers, but the strange thing this time around - unlike with the previous midseason hiatus - is that this is where the cliffhanger has stood for free readers for the past 3 months, and it will be 4 months by the time the series returns.

And frankly... this just highlights a huge problem with LO's writing, because this cliffhanger? Like all the others, it's literally resolved within the next episode. The one that's currently under the FP lock.

Man, isn't it a little fucked up that we only ever get trigger warnings when it's concerning Persephone? Where was the warning for when Minthe got turned into a plant? Where was the warning for the entire episode that depicted Hera's trauma from Kronos and how it's still affecting her in the present? It's always either the Persephone, Hades, or Apollo focused episodes that get the trigger warnings, they couldn't care less about the violence being done onto other people in the story.

Anyways. Episode 251 opens up by reminding us, oh yeah, Kassandra exists!

Remember back in Episode 227 when Psyche stole Apollo's USB drive (and by "stole", I mean she picked it up off the ground where Apollo had conveniently dropped it?) And they found a folder with a picture of Kassandra? Well, Episode 251 opens by reminding us of her... 24 episodes later. SEVEN MONTHS OF REAL LIFE TIME, LITERALLY THE LENGTH OF BOTH THE SEASON 2 AND SEASON 3 MIDSEASON HIATUSES COMBINED-

Anyways, I guess Rachel finally figured out what she was gonna do with Kassandra after all that time, and it's... really stupid.

But wait, don't worry about that yet, because only the comic's opening reminds us of Kassandra, we gotta establish the title first and get back to that cliffhanger from before, the one that free to read users have been waiting 4 months to see.

(pay attention to the episode titles here btw, it's probably one of Rachel's lamest 3 parter title sequences yet)

Turns out Kronos is still intent on getting his hands on Hera, even though we've literally already seen Kronos haunting Hera. Is he just a ghost? A hallucination of her traumatized mind? We don't know, it never really explains itself. So Kronos is still looking for Hera.

(kinda weird that we're getting all these redrawn fullbody angles of Hades-possessed-by-Kronos choking his noodle-bodied wife who is doing literally NOTHING to actually fight back besides yelling at him, but okay.)

Turns out Hades isn't really hyped about this choking game going on between his dad and his niece wife, so he goes full on "release the beast" Naruto mode on his ass.

And that's it. That's literally the conflict resolved. The cliffhanger that free to read users were left with over the 4 month hiatus is resolved literally within a handful of panels and Hades just "believing enough" to save his wife.

And then that's just it, it cuts away, and we get this sorta awkward conversation between Persephone and Hades (now himself again) over the fact that he just choked out his wife.

The scene transitions to Hades waking up in his bed (literally that last shot of him and Persephone was it, it transitions immediately). I'm trying not to use up Tumblr's 30 image posting limit so I'm not posting the 3 fucking copy pasted panels of this that just involves Hades waking up, use your imagination lmao

There's literally no actual conversation here, no amount of Hades asking "what happened", somehow despite his possessed state he remembers everything so succinctly that he jumps right to demanding Persephone to see her neck.

(literally removed the panel of Persephone saying "Hades..." because these types of "let me do the thing" "Hades :(((" "let me do the thing" exchanges are literally just Rachel trying to hit her panel limit, once you start seeing these '3 panel' exchanges that copy paste the same shit over and over again, you can't unsee them and you realize this is why so little happens in the comic as a whole, because it's just constant repetition of dialogue and reaction panels to pad out the episodes).

And then we get what I like to call "guy in a position of power manipulating his more vulnerable partner into pitying him without actually apologizing":

No for real, I didn't cut out a single thing from this exchange aside from a couple copy pasted reaction panels, this is the entire conversation. Hades doesn't apologize, he doesn't ask Persephone if she's okay, he just pulls the "you can leave if you want toooo :(((" baiting Persephone into further trapping herself with this jackass. SHE'S the one who's stuck with HIM.

Like, obviously Hades wasn't the one who choked her, that goes to Kronos, but he doesn't even ask her if she's okay. He just looks at her moldy ass bruises and immediately goes "YOU CAN LEAVE IF YOU WANT TO I'M A MONSTER OH GOD-" and then of course she's having to comfort him which is fine but where's the balance? It's always Persephone having to comfort him and listen to his trauma and we never get Hades doing the same for her - the times we do get Persephone talking about her trauma and struggles with him, he always finds a way to make it about him.

Hades proceeds to talk more about his childhood and more of the shit he's already talked about multiple times before, I don't even need to go over it at this point.

That said, Rachel does remember to bring his stutter back. When's the last time he stuttered? 200 episodes ago ?? (literally I don't remember, it's like when he used to twist his napkins, he doesn't have these character traits consistently anymore).

THERE we go, finally some semblance of an apology. It came after more trauma dumping, but at least it's something-

Oh for fuck's sakes.

This is literally such generic "you've come so far!" motivational jargon. And it's made even worse in LO because what has Hades overcome exactly? Just a reminder, here are the things we've seen in Hades' backstory since he was rescued by his brothers:

He started a business in the Underworld that he's been operating with slave labor and profiting off ever since as a tyrannical oligarch

He entered a multi-century-long affair with his brother's wife, his own sister in law

He cost Demeter - Persephone's own mother - the role of Queen of the Mortal Realm and Persephone still does not know this.

He abused and neglected his adopted son - who was literally abandoned on his doorstep - for hundreds of years and used his role as his adopted father to guilt trip his son for getting "special treatment".

He never took responsibility for the financially dependent relationship he created between himself and a lower class nymph and tried to bribe her out of his life as soon as he fell for a 19 year old intern

HE LITERALLY FELL FOR THE 19 YEAR OLD DAUGHTER OF A WOMAN WHO HE HAD SCREWED OVER AND PRETENDED LIKE THAT WOMAN WAS IN THE WRONG FOR NOT APPROACHING HIM DURING THE EVENTS OF THE ACT OF WRATH, AND THEN HE HAD THE GALL TO PROPOSE TO HER DAUGHTER RIGHT IN FRONT OF HER WHEN SHE BASICALLY HAD NO OTHER CHOICE BUT TO SAY YES.

Everything he's legitimately had to overcome involving his trauma has gone completely ignored until pop in comes the pink cinnamon roll girl to solve all his problems and do for him what apparently even a therapist couldn't do (because haha he thinks his therapist is a hack.)

Persephone saying "look at all you've done" should be a reminder of all the crimes Hades has committed against people weaker than him, but instead it's used as a term of endearment, because Persephone literally got with him when she was 19 years old. And apparently the whole "eternally 19" thing applies to more than just her body, because even now, 10 years later, she's still lacking all the smarts and self-awareness and maturity to realize marrying this man was a mistake.

At this point Persephone isn't too naive or stupid to realize what she's gotten herself into, she's just a terrible person who's entirely complacent in Hades' bullshit and frankly, they deserve each other.

They literally keep talking about him for several more panels. Hades literally whines on and on about how much of a failure he is, how he feels like he failed the child who's trapped in Tartarus, and then of course Persephone tells him "no honey, you're the most important being in this process!" and she's LITERALLY STILL JUST TALKING ABOUT HIM, THIS WHOLE EPISODE IS PERSEPHONE TALKING ABOUT HOW WONDERFUL HADES IS, NOTHING ELSE HAPPENS. HAVE YOU NOTICED WE HAVEN'T EVEN SEEN KASSANDRA YET ?? HAVE YOU NOTICED THE COLD OPEN FOR THE EPISODE HASN'T BECOME RELEVANT YET ?? I'VE ALREADY HIT THE 30 IMAGE LIMIT AND I HAVE TO START CUTTING STUFF OUT-

Persephone and Hades talk about how they should name the interloper, but they don't come up with anything before transitioning to Leuce and Thetis.

And y'all, this has gotta be one of Rachel's worst cases of backpedaling in the entire series. You thought how she turned Leuce - Hades' first wife - into a homewrecker was bad? You thought it was absurd the plot tried to turn Leuce into Minthe 2.0?

Remember those text messages that Leuce and Hades sent between each other? The ones we never saw but kept getting alluded to? Well of course we couldn't have Hades actually text Leuce during Persephone's banishment, because then that would mean he isn't 100% loyal to his little pink cinnamon roll "qween", so what was the next best thing? Kronos possessing Hades and texting Leuce like so many people - even fans - assumed? No. It's worse.

The text messages... weren't real.

This literally makes no sense. First of all, it's once again Rachel creating drama out of "haha woman delusional!" much like she did with Minthe. But second, it literally doesn't make sense after what we've seen leading up to this.

Leuce didn't just talk about Hades texting her. She went to his office, intent on seducing him, with the knowledge of these text messages being real. She even TALKS ABOUT THESE MESSAGES WITH HADES.

But of course, they were interrupted before Hades got a chance to respond, so this was convenient enough for Rachel to try and pull off some 'twist' where she could easily absolve Hades of "cheating" on Persephone (again, the girl he only knew for like 1-2 months) but also not have to deal with the weird logic of Kronos possessing Hades just to text some random nymph.

This is absolutely one of the most absurd retcons Rachel has ever tried to pull to get herself out of the corners she writes herself into.

Now the episode is still going and FINALLY, it gets to Kassandra, after teasing her at the beginning of the episode and proceeding to do a whole lot of nothing throughout the entire thing.

This has to be one of the funniest panels in the entire comic, bar none. Rachel's gotten worse at drawing men despite making this comic for 5 years and having plenty of opportunity to improve, and he literally just looks like the fucking Amazing Bulk, haunting this poor mortal woman with his very presence.

So yeah, it turns out that the "curse" Kassandra suffers from in this "retelling" is, rather than having prophecies no one believes (or at least, if she does, we don't see that), she sees Apollo and no one believes her. Again, Rachel takes these weird liberties with the original myths that don't make a whole lot of sense all for the sake of seeming original, but whatever, Rachel hit her panel limit for the week, because that's essentially where the episode ends, with Apollo greeting Kassandra. As quickly as it was shown at the beginning of the episode, the one part of the episode actually featuring Kassandra is wrapped up in literally 7 panels.

THOUGHT VOMIT TIME

So with Episode 251 now summarized and out of the way, I really wanna talk about how this episode operates as the first FP episode after the midseason finale for free readers.

Despite the fact that it was a 4 month break and despite the fact that WT has always still released these episodes for free on schedule - with the idea that every reader will be up to date with the current content and can start fresh with a new set of FP episodes when it returns - this time around Episodes 251-253 have remained locked.

And I say Webtoons specifically because as far as I know, the creators typically don't have control over this type of decision. From what I've heard from other Originals creators, it's often WT who decides shit like coin costs, FP release dates, etc. This is why during hiatuses the numbers on the episode unlocks never actually align with their real return dates, sometimes they completely undershoot and reset, sometimes they overshoot and tell people LO is coming back in January despite the fact it's been confirmed it's coming back in November. This isn't Rachel's doing. It's clearly Webtoons trying to squeeze as much money out of this series as they can so they think the 4 month hiatus will motivate people to pay... but even the newest episode is still only sitting at 17.9k likes, which is just slightly above the average amount the FP episodes normally wind up sitting at by the time they're unlocked after 3 weeks, but this has been after four months. The hiatus of the comic and its communities absolutely put LO out of sight, out of mind.

That said, I don't know what this means for the series' return, if it'll have 6 FP episode unlocks going forward or if it'll just return with one new FP episode and Episode 251 unlocking for free readers, but holy shit, if that's the case, this is gonna be a shitty way to return from 4 months of nothing. The cliffhanger from 250 implies so much more than what it ends up being and it's, again, highlighting a fundamental issue within LO - it operates purely on a week to week basis, producing episodes on the fly, and concerning itself more with filling up its panel quota so that it can get readers from beginning to end when they can drop some new cliffhanger that likely won't lead to anything or will be completely resolved within three swipes of the next episode. Season 3 has been especially egregious with this and it's clear Rachel has run out of track to run on.

There is speculation that perhaps the reason the timing of this cliffhanger is so off is because Rachel didn't know the hiatus was going to happen and WT forced her on it. That said, it's not something anyone can really confirm besides Rachel. I wouldn't blame her for taking the time she did considering she was attending both NYCC and SDCC this past summer, and it's hard enough for her to keep up with any sort of buffer to begin with, so those conventions would have definitely resulted in episodes getting postponed anyways.

What I'm really interested in seeing is the reception when the comic returns. Hiatuses like this are brutal for traffic, it's incredibly difficult to get every single person who you started the hiatus with to return after it's done. It's not uncommon for comics to come back to only a fraction of their readerbase - and that's where the marketing comes in.

S3's return has been incredibly undermarketed. I've talked about it already but I'll mention it again here - they have done nothing to hype up LO's remaining audience for the ending of LO. Not only has the fact that the comic is even entering its final part been mentioned on either Rachel's or WT's social media pages, but the fan groups have been shut down for almost the entirety of this hiatus, shutting fans away from discussing the comic, making predictions, and just participating in their most active and direct part of the fandom. This was an absolutely absurd decision on Rachel's part, I don't know if this was her trying to shield herself from criticism or if she genuinely just doesn't give a shit about her fanbase anymore, but it's not a good thing if the only active groups to be found online during a comic's hiatus - it's final hiatus before the series ends - are the critical ones. Fans of the comic should not have to find out about its ending from me. I know I've got a way with words, but it's not fair to the long-term fans of this comic that they're being shut out by the comic's own creator, simply because she either doesn't care or is just so afraid of the critics that she'd rather hurt her relationship with her fanbase by shutting them out just to maybe shut out any critics who are nearby.

I don't know what the reasoning is and I don't know how it could have been beneficial. But that leads us to the other theory, one that I can see as plausible-

I don't think Lore Olympus was supposed to end here.

We've talked about this theory before, but to reiterate - it's been speculated for a while (prior to the news at NYCC that the comic would be ending) that S3 of LO wasn't going to be the final season as so many people had been assuming based on past info. There was no indication or marketing implying this was the final season - meanwhile webtoons like City of Blank were marketing their final seasons from day 1 of the premiere - and there were loads of new plot threads being established in S3 that we knew couldn't possibly be wrapped up by the end of the season. Case in point, it took Rachel seven months to get back to Kassandra, and while during that time she's rushed plotlines that shouldn't have been rushed (the wedding) other plotlines have proceeded to drag at a snail's pace or been dropped altogether. The speculation that S3 wasn't going to be the final season was plausible.

But now, suddenly, LO is coming to an end, likely within the next 20-30 episodes, and neither Rachel or Webtoons have said a word about it. No announcement post, no hype, no promotional art, no statement from the Webtoons VP of what to be excited for (which he's done before). It seems like they're either intentionally trying to bury it to keep people from panicking while Rachel retreats into the shadows to hide from the crimes she's committed, or they're intentionally keeping the ending of the comic unannounced so they can backpedal on it later to generate hype over it "deciding to stick around". Chances are, it'll be based on how the return of the series goes, and whether or not it's able to get the performance numbers back in the green.

I do not think it will. As I said already, hiatuses are already notorious for destroying built up traffic, especially on Webtoons where people (many of whom are teenagers and children) are conditioned to expect regular content on a schedule. But there's one other thing that's been bugging me - there hasn't been a shred of promotional art. We're currently less than a month away from the return of LO and not only are Rachel and WT being incredibly hush hush about it, but all the art Rachel has put out has been largely on her Blue Sky, where she has the smallest following, and none of it is exactly indicative of being "promotional art", rather just random sketches and doodles that she's doing on her downtime. Everything else has been promos for her books, SDCC/NYCC, of course, Rachel Smythe Presents, her next venture which she has been hyping up more than the actual return or ending of the comic that made her famous in the first place.

At this point, I'm not even fully convinced she's even started working on the next episode yet, let alone any sort of buffer. If anything, she knows that she's coming back to the series with 3 episodes still locked under FastPass, so all she'll need to technically have ready for launch is one new episode. Rachel has never been good at building buffers, not even in the beginning when she apparently started off with 2-3 episodes of buffer. Even when her comic is nearing its end, she's not learning any lessons, she's not setting herself up for success. And I'm not setting myself up for the hope that the series could possibly come back any better than it was when it left - if anything, I think we're about to see Rachel and the comic outdo itself once again on how bad it can possibly be.

And we still have two more episodes to talk about, which includes the cliffhanger for FP readers that we've been waiting four months on. Part 2 and 3 of these FP episode analyses will be going up as soon as I can get them done, ideally I'll have all three parts done before it returns so we can start off fresh with the newest episode.

Buckle up folks. Pour yourself a drink. We're gonna need it.

#lore olympus critical #lo critical #anti lore olympus #antiloreolympus #long post #essay post #tw violence #tw assault

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everywishway · 17 days ago

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So I want to talk about the Legend of Vox Machina, Season Three Finale, but more specifically what it means for the coming spinoff(ish) season based on the second campaign, The Mighty Nein. If you haven't watched the newest episodes of season three or don't want MAJOR spoilers for TM9, don't continue on to under the cut.

Spoilers for the ending of TLVM S3 and the entirety of TM9:

Okay, I want to specifically talk about what this means for the VERY fucking controversial finale of M9. Those who were there remember it well, especially me, because the INSANE fighting that came out of nowhere ruined CR for me.

For those who don't know, instead of bringing back Mollymauk Tealeaf, Taliesin made a new character out of Molly's dead corpse and it really rubbed a lot of fans the wrong way. Some were all for it (but from my experience, that was a rare minority), a lot were against it and an even larger group didn't like it but said "this is Taliesin's character, he gets to do what he wants". The fanbase kind of tore itself apart from the inside, esp on Twitter, Youtube, and a little on here but not as bad. Honestly, the whole thing killed a large part of the fandom and that's part of the reason why a lot of people fell off with Campaign 3/Bells Hells.

While I have my own opinions on the finale, I'm not going to share them here but this choice will probably be rectified in the M9 animated series.

TLVM seems to be trying to fix story issues, esp big ones that upset fans or didn't flow narratively which was almost certainly what Molly's/Kingsley's revival was for the greater Critter fanbase back in 2021. People (including me) had been watching for literal months back then, waiting to see if Molly was revived or not, then a sudden third thing happened that upset the majority of the fanbase.

I think a large part of that choice was Taliesin kinda hating Molly? More specifically he hated the popularity Molly got. Molly was a fan favorite, even after his death and people just wanted more of him even tho he was long replaced by Caduceus after Molly's death. I think Taliesin was just, done with Molly at that point.

Plus, it looked like at that time he wasn't enjoying Critical Role as much, Taliesin seems to wish CR never got as big as it did. He wanted it to stay small, something between him and his friends.

In a recent interview, Sam said he didn't have the fight that drove Scanlan away from Vox Machina because it didn't fit narratively in the show or really even in the podcast. I can see Taliesin having that moment of clarity within the past three years. He can see as a writer, as a director, as a storyteller, that choice upset the fans (and probably his fucking castmates, ngl). This is the chance to undo the damage a lot of people had but that's the cast's choice.

Do I think this is set in stone? No, I can totally see it going the same way it does in the campaign, and dear god, I don't want to deal with that toxic hellhole the fandom became back then. But this is what I think will happen. If you have any ideas or comments, feel free to reblog.

#the legend of vox machina #tlovm spoilers #mighty nein #cr m9 #mollymauk tealeaf #taliesin jaffe #critical role #vox machina

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scarlet--wiccan · 20 days ago

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Oh God I was really hoping the backstory that was leaked for Billy was fake... just heard about the new episode and it turns out it wasn't. why would they choose this over adoption or reincarnation-

It's bad! I really feel like the M C U goes out of its way to interpret these characters in bad faith and come up with the worst possible versions of their stories. I've said this before, but everything about Wanda's origins and the nature of her power seems designed to make her an objectively worse person who is more directly responsible for causing harm than her comics counterpart, but is also weirdly set on punishing her for existing and having trauma. She's simultaneously more doomed by the narrative, and infinitely less deserving of redemption.

With Billy, they took a situation that, while complex and, at times, difficult to parse, is ultimately miraculous and joyful, and they made it just.... incredibly grim. There is no real distinction between Billy Maximoff and Billy Kaplan in the comics-- they're the same person, given a second chance at life and the great fortune to reconnect with his original family, in a way that doesn't invalidate or erase the second. And, again, I want to emphasize that when YA and CC were written, Wanda had Jewish heritage, so I don't think there needs to be any awkwardness in the transfer between the Maximoff and Kaplan families, and the text never does anything to imply that Billy's cultural upbringing is any less valid, or any less central to his character after his origins are revealed.

Here, they created a false dichotomy between the two characters, killed one them off, and made the other into a body-snatcher. That is so much darker, and so much more tragic for the Kaplans-- and it creates uncomfortable questions about their relationship, and Billy's identity, that I don't think can ever be neatly resolved. I will say that, thus far, I don't think the show explicitly disavows "William's" heritage, or writes off Billy's relationship with the Kaplans, the way some people are reporting. He doesn't actually remember his life before the switch, so it's not a total takeover, and at points, the episode seems to imply that he's somehow both, and neither-- a new gestalt.

But I don't trust these writers to execute that concept with integrity, or even consistency. In WV and MoM, Wanda's motives, sense of self, and relationship to her powers repeatedly change at the drop of a dime, and we're seeing the same thing, here, with the abrupt change that takes place when Billy reveals his identity. The shift in personality, escalation of power, and the vague implication that he's been masterminding this whole excursion makes no sense with the established timeline-- this is all happening within 24 hours of him even learning that Wanda had kids, let alone that he might be one of them, not to mention hearing about both Agatha the Witches Road for the first time. And up until that point, he really was just an earnest kid. The heel-turn feels silly and juvenile, and the needle drop at the end of episode #5 underscores that a little too perfectly-- his "bad guy" act is just as ill-fitting and unsubstantiated as the Eilish's edgy, wannabe-thug aesthetics.

Obviously, the most important issue here is not the quality of writing, but where this character falls into the spectrum of whitewashing and erasure. The fact that Locke is not Jewish but, before the switch, is playing a Jewish character-- and, specifically trespassing on prayer and religious ceremonies-- is a problem. I've seen a lot of different opinions expressed by a lot of different people within the community about who can or can't play Jewish characters, but I think we can all agree that this is worth criticizing, especially given the larger context of repeated erasure and historical distortion against Jewish and Roma people in this franchise.

But I also want to emphasize that, because of what was done to Wanda, and the franchise's insistence on conducting blatant anti-Romani racism, there was never going to be a truly authentic or acceptable version of this character. Now matter how they cast the role, a significant part of his background had already been erased, and he was already saddled with significant racist baggage. I am very, very tired of white people and Young Avengers fans overlooking that fact.

#and I think I've said this before but I want to reiterate that I actually would have been okay with Billy and Tommy being played by #white jewish actors IF Wanda & Pietro had been correctly cast and written with authenticity and sensitivity.#Because I understand that getting 4+ actors who all perfectly match each character's compound identities is a very tall order! If these #different background had all been represented authentically and in a way that celebrates intersection (rather than denying it and throwing #other minorities under the bus the way so much of this fandom loves to do) I think a little flexibility would be just fine.#What we actually got is not fine. But it was never going to be-- this character was doomed from the start and I don't understand what kind #of hope you all were holding onto here.#billy kaplan #wiccan

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muninnhuginn · 4 months ago

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Link Click Fic Recs

This is part two of my gen fic rec list, updated with some more recent stuff. Part one can be found here. I've tried to pick fic that don't get as much focus within the fandom, so there's some twins stuff and noodle lesbians in amongst the regularly scheduled main duo angst.

These are listed in chronological order, with each author restricted to one work only.

the blinding light by jan

Rated Gen, <1k. Snippets of Xiao Li reckoning with the consequences of his denial about Qian Jin. This fic helped me remember that Xiao Li and Qian Jin were actually friends, before it all.

15min by Findarato

Teen, 2k. Post s2 hospital hurt/comfort fic. Lu Guang POV and all that entails. Feels somewhat like being inside during a storm, safe from the worst of everything, but still hearing the rain and wind wailing outside.

butterfly effect by BlurredReflections

Teen, <1k. This is a pretty short fic, focusing on the early days between Qian Jin and the twins. I have it in my notes as "qian jin + parenting = you tried."

run to show that love's worth running to by sunslants

Gen, 2k. Noodle lesbians epilogue set almost immediately after their episode concludes, short and sweet.

pay time's debt by yvesvi

Gen, 5k. Li Tianchen character study. Covers his complicated relationship with Tianxi and his mismatched relationship with Liu Xiao. There's this constant sheen of despair colouring everything but still hints of the warmth that once existed.

sept, oct by Toothpaste_Fresh

Gen, 4k. This is a look at what could have happened the first time around. Best way I can put it is that it's theorising in fic form. Has an ostensibly distanced POV, which somehow makes the emotions creep through the cracks.

howling tides by LadyCrimsonAndBlack

Teen, 2k. Lu Guang POV, following through the loops over and over until the present time. I really like how this fic expands so much on Lu Guang's inner thoughts whilst keeping them so separate from what he actually says to Cheng Xiaoshi.

#link click #shiguang daili ren #link click spoilers #shiguang daili ren spoilers #I've cheated slightly in that I've restricted things to one work per author again but only in each part so I have repeated some from part 1 #also I added noodle lesbians then realised after I'd put them that wait yeah they're unambiguous romance here but other than that #the fic selections should all be readable as platonic. there's so little for those two that I didn't really want to remove it ngl #fic recs

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redacteddoesstuff · 28 days ago

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II S2 Ep 17 Spoilers

I'll be talking about what I got right from my previous theory post and some newer ones too.

Theory 1: The contestants aren't gone forever

This didn't happen. However I do think it will. I am one of the people who think there will be an act 3. Mostly because there are a lot of loose ends and plot points that they brought up (even just in this episode).

I am now more sure then ever that this is how their going to bring the contestants back. Or at least it will be an important part.

The fact that they continue to focus on soaps phone kinda proves that to me. Why bring so much attention to something meaningless.

Theory 2 (well not really a theory, more of a question): What about bow and dough?

Bow and dough are indeed created by Mephone. Which also means that Mephone can create soul-like-substitutes. Which is wild.

Theory 3: Mephone didn't know he created the contestants.

I was right with this one! Yippee! Kinda. While he didn't remember creating them, he did assign them personalities and quirks. What Cobs really did here was make Mephone put 2 and 2 together.

What I believe happened was after Mephone escaped he was like "Time to start a reality show! Wait... I need people for that" and his subconscious was like "haha, wait a minute, we already did that" and spawned in the contestants. Seeing as he had an interview with suitcase, a season 2 contestant, we can assume that the rest of season 2 and 3 contestants were all subconsciously spawned in, then held an interview with Mephone.

The picture below is just to highlight that even the season 3 contestants where characterized by Mephone.

Also I haven't seen enough people talk about how genuinely awful and disgusting what Cobs did here. It actually makes me kinda ill.

Theory 3: Mephone is part Prime Shimmer

I was also right with this one! I am on a roll! Mephone being a Shimmer just makes sense narrative wise.

Now, onto the theories/observations I have after this episode.

I don't think Mephone knew he could freeze everyone. Besides the fact that he didn't know he created them an therefore wouldn't think that was something that he was capable of, just look at him.

He has no idea what's happening around him. He's far more focused on the season 3 folder then his surroundings.

I also don't think Mephone created the island. He may have terraformed it but I don't believe he can straight up created an entire island.

And like I said earlier, I really don't think that this is the end.

Reason 1: the loose ends/plot points

It feels weird to me if they brought up important information just for it not to be used. Like Bow's tail story/coming back from the dead, Soap's phone, and the Prime Shimmers. Not to mention all the people who would still be there, like Mepad, Bow, Dough, Bot, Baxter, and the Prime Shimmers (and maybe toilet too? But that is a huge maybe in my books). Or even The Unvitational Committee. What do they feel about everything that's happened. What are they gonna do now everyone's gone.

Reason 2: common act structures.

While this is admittedly one of the weaker points, as they're allowed to do whatever they want, I think it's important to bring up. "Act" is a very specific word choice, and most stories follow a three act structure.

Reason 3: The themes.

II has a really prominent theme through the entire show, you don't have to be what others think of you. It can be seen within most character arcs. This episode is kinda the antithesis to that theme. Even the title "Through No Choice of Your Own" highlights that.

Reason 5: Brian said that there will be 2 special guest voice actors and we haven't gotten that yet.

Reason 6: He also specifically said "multi-part." People don't tend to say multi-part for 2 episodes, optioning to say two-parter instead.

Reason 7: Adam deleted his account shortly after he made(?) it. He also died from Mephone X. However this could just be nothing more then a fun way to leave and I'm looking to far into things. I thought it was important to bring up anyway.

Reason 8: General vibes.

While II has had lots of sad moments before, they usually have some kind of happy/bittersweet/hopeful ending. This is just depressing, with little to no upside.

Look man. I'm gonna be honest. This is mostly me sipping copium. I genuinely can't fathom there being no act 3. Like, that's not even an option. This ending is so genuinely horrible (emotionally) it's unreal. I might make another post just about how awful this all is for Mephone specifically. Like, it's the worst possible outcome from him. Anyways, post is ending here. I had some more ideas but I forgot them.

#inanimate insanity #ii #ii ep 17 #ii spoilers #not art #its so not mephover trust me guys

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