#i don't know when to shut up

[reiderwriter]

Me: haha this request is so cute, I should be able to get it written quickly because I like it a lot

Also me, five hours and 3.5k words later: Finally the introduction is complete.

[taleswritten]

I simply cannot help but to write novella replies.

[november-rising]

Further Thoughts: Omelette

This man, to me, sees himself as a means to an end. Now, may that be a tool for others’ to utilize him or Carmy himself trying to live his life, I don’t know. But, I do know that this man doesn’t always know how to accept that he’s worth so very much.

Carmen’s drive is admirable. He knows what he can do, who he can be, and how to get there. I would badger this man to the ends of the Earth to gain all his culinary secrets. And, when I finally found him, he would teach me everything. In less than a heartbeat.

Carmen is a giver. He likes to take care of people. There have been many scenes were he's allowed everyone space to find their way while gently encouraging them. It is beautiful to see. He’s not showy about it. Yet we see it in the words of support, the guidance, or the resources provided to others that have skill but don’t have the foundation just yet.

There’s so many thoughts swirling around about Carmen from his utter courage and strength to his willingness to nurture/mentor a talented chef to him trusting explicitly and implicitly in his team…so many thoughts – Carmen is a good person who takes on all the pressure and is quick to put himself on the back burner. It’s why I wrote “He knows he will. He always does.” I don't think he will fuck up in the end. He's just waiting until he does.

And through all this anxiety, he does find beauty and meaning in cooking. Working in the culinary field may not be fun for him for some time as he said with Ritchie down in the random basement (The OG had a basement all this time and we've seen it but once!). Yet, I think he's finding the joy he once had when he's with Sydney.

Their energy is symbiotic...similarly-minded and enjoyed. I can't think of the exact post but I saw where someone showed gifs of Carmen smiling and laughing when he's with Sydney alone together. There's so much between the two.

Sydney is a catalyst. What she brings and offers speaks to Carmen. I haven't quite figured out how to express my experience (read as joy and probable transference) of Sydney over these past two seasons. She has her traumas and MH issues (potentially the acid reflux/GERD she's been experiencing is a physical symptom/outcome). And there's something about Sydney that I haven't been able to put my finger on. Maybe I'm not ready to see all of her just yet.

Gotta love this damn show!

[unpairedbracket]

So it looks like @yoshihashismattebum, @thepenultimaterolo, and @thewaythroughthewoods have stood in front of a mirror and said my URL three times, compelling me to break my vow of silence and produce one (1) "post" on this "blog". My task is to spell out my URL with song titles

TL:DR - here's a playlist

Side A (don't worry about it)

Unacceptable - Bad Religion

Never Fight a Man With a Perm - IDLES

Paralytic States - Against Me!

Aneurysm - Nirvana (1)

I checked your cellphone - Otoboke Beaver (2)

Rollercoaster - Lauran Hibberd

Extraordinary Girl/Letterbomb - Green Day (3)

Dragon - King Gizzard and the Lizard Wizard (4)

ballad of a homeschooled girl - Olivia Rodrigo (5)

Red Wine Supernova - Chappell Roan (6)

Art of Dying, The - Gojira (7)

Crying in Amsterdam - Sløtface

Knights of Cydonia - Muse (8)

Edmonton - PUP (9)

These Spectacles Reveal the Nostalgics - The Hives

Liner Notes

There seem to be two studio versions and lots of live versions of this; the one I'm thinking of is the studio version that was the B-side to Smells Like Teen Spirit, but the live versions I've heard are also good. Not so keen on the Incesticide version though

Or in Japanese, 携帯みてしまいました by おとぼけビ～バ～

Extraordinary Girl is, imo, one of the weaker tracks on American Idiot, but Letterbomb is probably my favourite (sub-9-minute) song on that album so I figured I'd take advantage of the weird way the track listing is arranged to sneak an L in here

King Gizz are bonkers good but a lot of their music isn't really my jam, genre-wise. This is one occasion where they made an album in a genre I like, and the results are excellent. 16th note double kick drumming at 145bpm for 40+ bars straight? Nice. Vocals in four different octaves? Of course. Two verses of chanting in Latin? Why not?

I'm not the only person I know who's mistaken the intro to this for a PUP intro. I don't think there's any other pop star I can say that of.

Yeah this is a repeat from the lists of two of the people who nominated me for this. Well-deserved.

If I said 3 songs back that King Gizzard's drumming was impressive, Mario Duplantier's is inhuman. I've seen a 10-minute video essay about what polyrhythm he's even drumming in the intro, and the kick drumming on the chorus is like 40% faster than on Dragon. Wild stuff.

I feel like Muse work best in the "horseshoe theory" region of a scale from sublime to ridiculous, and this song is a good example

This is from one of the two EPs that soundtracked a locked-down 2021 for me - very cathartic, and much-needed at the time

Side B (A.K.A you should have worried about it)

Ur Mum - Wet Leg

New Born - Muse

Passport - Sløtface

Alone at Home - Jonathan Coulton

Ignoreland - REM

Reject - Green Day

Everlong - Foo Fighters

D-7 - Nirvana (1)

Bulls on Parade - Rage Against the Machine/Denzel Curry (2)

Red Light - The Regrettes

A.K.A. I-D-I-O-T - The Hives

Coast, The - PUP (3)

Kyoto Now! - Bad Religion (4)

EAT - Poppy (5)

Toxicity - System of a Down (6)

Liner Notes

It's a cover of a song by The Wipers (you didn't think I was going to choose a normal Nirvana song, did you?) As far as I can tell Nirvana never released a studio recording, so I'm treating the version recorded live at the BBC as my canonical version

Couldn't choose between the original version and Denzel Curry's cover here. I'd highly recommend seeking out Denzel's version if you've not heard it before, so that's the version I've put on the playlist. The youtube video is still worth watching as well though.

The vibes of this song are brilliantly creepy. Final few lines give me chills every time. Apparently it's based on an old Inuit story the singer's parents terrified him with as a child, which is cool!

This is a brilliant climate protest song. Actually, the Bad Religion song on Side A is also an environmental protest song, released 12 years earlier. Nothing changes, does it?

This is the title track from the other EP that soundtracked my 2021. I think it's the first time I remember hearing Poppy going fully into metalcore screaming and I love it

This is maybe a bit of a basic pick for a SOaD song? I nearly went for Tentative instead because Mezmerize/Hypnotize were my first of their albums as a teenager; but decided that I do actually think Toxicity is the better song

I've been lucky enough to see some of the artists on my list perform live - those artists are bolded in the listings. Sløtface are a special case - I had tickets to a show in March 2020, which didn't happen because they couldn't leave Norway and I couldn't leave my house. I've got tickets to see them later this year though, which is exciting!

As you can no doubt tell, I had a hard time fitting in everything I wanted to include - I ended up with a list of about 20 artists I wanted songs by, and only 15 letters in my URL.

I ended up with shortlists of 5+ songs starting with different relevant letters for some artists, so it took quite some shuffling to arrange everything in a way I was happy with. I even asked my combinatorialist friend if he could identify what sort of combinatorial optimisation problem I had on my hands (either a knapsack problem variant with a weird objective function, or maybe some kind of covering problem), but that didn't go anywhere so I ended up brute-forcing it.

Artist's impression of me brute-forcing it.

In the end I had two songs for some letters that I was unwilling to cut, so double list was the only thing for it. Struggled in the other direction with some of the repeated letters, but managed to get there in the end. Managed no artist repeats within a list and the only one repeated album across the whole thing. I'd consider all of these recommendations to also be album recommendations (apart from the few that aren't from an album)

My actual workings

You may notice if you are weird and look closely that a couple of songs here differ from what I've finished up with - there was flux going on right up until I actually wrote up this post!

Uhhhh everyone I know on here tagged me in the first place so... if you wanna do another one go for it I guess?

[brydde]

* ✉ [ @4ger ] asked : ❛❛ if bry.de was a video game final boss, how would the battle unfold? consider things like mechanics, the music, the setting, the stage, potentially the story etc. is he one of those fuckers who get a second stage when you think you've already beaten him once? ❜❜

The game has started with Bry.de pulling you out from the dark, and it will end with you condemning him into this dark. (Pull his plug, watch him go out like a light bulb.) He has been a friend, a teacher, but now he's the thing standing between you and the world as it was, as it has always been. An uncomplicated reality with rules. A realm where all your loved ones live, but you don't belong. Awake. Asleep. Real. Not real.

Your character wakes up in a dream in a forest high up in the sky. Bry.de is there, waiting in a clearing. There's no need to say anything. He knows what you have come here to do. An oppressive soundtrack begins to play.

You call for your trusted weapon, Nightmare. In an instant, a flaming sword materializes in your hands. Instead of calling for his own blade to meet yours with, Bry.de looks at the sky and wishes for rain. And rain it falls, dousing the flames on your sword, rendering the fire damage null. The game prompts you to approach. You have no other choice.

You fall upon him with Nightmare. The QTEs are tough. You fail most of them. (You are meant to fail them. It's a deliberate game design.) Bry.de easily sidesteps your every attack. When he does retaliate, it's only to push you back. You barely take damage from it, but it gets frustrating after a while. His voice is full of pity when he pleads for you to stop. Your character hurls swears at him, angry that he's in control even now.

You realize the only way to make him take damage is to weaken him first. Change the arena to your advantage. You know his weakness. Why not use it to douse his flames like he had yours? You close your eyes and dream of a city. High-rise buildings rise from the ground around you two, tearing the trees from the earth by the roots. The ground shakes, and so does your controller. The buildings groan as they shoot up towards the sky. Above the groaning buildings, aeroplanes soar through ominous grey clouds with engines louder than thunder. Trains and cars appear around you only to crash into each other, polluting the air with toxic fumes and creating more sound. Every loud noise comes together to create an ear-bleeding cacophony that seems only to affect Bry.de. You and Bry.de fight for dominance of the dream. Black, oily liquid flows from his eyes, nose, and ears. He's covering the city in it. You stand ankle-deep in this mysterious black blood. He looks like he's screaming in pain, but no sound comes out of his mouth. You win, you think, when Bry.de falls to his knees, hands covering his ears.

The game gives you two choices. You can cut Bry.de's connection to the Dreaming, or you can eradicate the Dreaming entirely. Cutting him from the Dreaming means sending him into a dreamless sleep, never to wake. Tens of thousands of dreamers will follow him, eventually. They will live for a while, but it will be a slow death for every single one of them. Bry.de has a plan to save them all. Forever. If you let him go, he could save them all. But his plan involves breaking the world as you know it. You're not sure what "breaking the world" entails. Will it save tens of thousands only to doom billions? Bry.de is sure it won't, but he is just a man (despite you looking at him like a god).

Destroying the Dreaming means destroying all things beautiful and dreamt. It means no more dreams for you. No more dreams for the dreamers. But it also means no more nightmares. No monsters to bring back to hurt your loved ones. It will be a quick death. You'll just go to sleep; every dreamer and dreams will go to sleep, but it means you'll have made the world safer for the non-dreamers.

So, death either way. You could have a chance of a good life if you let him win, but the game doesn't give you that option. You have no other choice.

Whatever you end up choosing doesn't matter. It ends the same. Bry.de grabs your blade when you approach him. He looks you in the eyes, more aware than you realize and strong still. You realize he hasn't lost this fight. This is him surrendering out of his own free will. He's tired. He's so, so, so damn tired of fighting. He loves you. If you want this, he'll let you have it. You have chosen wrong, but he doesn't hate you for it. Time is a spiral. He will come back again. Maybe you two will be friends again. Maybe you both can change the world forever together next time. He guides Nightmare into his heart. It cuts not only his flesh (dreaming and waking), but also his connection to the Dreaming. He has made the choice for you.

His head falls forward. In the dream and in the waking world, Bry.de takes his last breath. Your controller shudders in your hands as he takes his last breath. The controller's light changes from red to white.

The world is still open for you to explore after this seeming victory. There are quests to complete, people to save. You still have your other companions, but it feels as though you are walking the world alone. He's not there to ask about a relic you found. He's not there when you need him to do his magic. You feel Bry.de's absence in everything.

[solroskajan]

Thank you murder drones for reminding me that I still like the same things as I did when I was 13

[bubbarnes]

“... is that Bucky?”

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[trash-and-trash-accessories]

Constantly citing this article and the studies it uses.

Here's a quote:

"That study shows that transmasculine individuals were actually more likely to be victims of childhood sexual assault, adult sexual assault, dating violence, domestic violence, and stalking than were transfeminine individuals (as shown in the chart below).

The only category in which trans women were more likely to be victimized was by hate violence, and even there the difference was small: 30 percent of trans women reported having experienced hate violence, compared to 29 percent of trans men."

[ryuzumisama]

Alfira and Lakrissa - a short respite along the journey

[transvampireboyfriend]

part 1 - part 2 - part 3 - part 4 - part 5 - part 6 - part 7 - part 8

"I'm just saying, if the heat bothers you so much, you could cut your hair" Nancy points out, after declining Eddie's pleas for her spare scrunchie.

Robin sits on Nancy's lap, clutching the back of Steve's seat and she looks at Steve through the side mirror like she's afraid that he's about to go on a mission to defend Eddie's honor or something but Steve rolls his eyes at her. He's not that gone.

Or at least he knows how to hide it well.

Eddie's lost several of Nancy's favorite hair accessories and two weeks ago she bowed to never lend him any ever again.

Which, does not stop Eddie from asking her anyway at least once a day.

But the point is, even if Steve wanted to, Eddie's honor cannot be defended in this situation.

Nancy's leaning behind Argyle's back now to glare at the metalhead. Steve can see them in the rearview mirror.

Eddie gasps "I would never" he says, clutching his chest dramatically.

Steve secretly breathes a sigh of relief.

Johnathan chuckles at the wheel. "But you could" he comments, eyes on the road.

Steve can see Argyle subtly laughing and shaking his head out of the corner of his eye.

Today is a rare occasion, Jonathan is driving them in Steve's car.

The goal of Steve's rant earlier about having to drive them everywhere was to get Eddie to drive them, so Steve could sit shotgun and watch Eddie drive.

Instead, Jonathan had offered first and then Steve couldn't go in the backseat because he's in charge of their map.

But whatever, this is fine too. He trusts Jonathan and it is nice to get a break and to be able to fully turn around when he's talking to someone in the backseat.

"Jon, I would lose all my sex appeal, you don't get it" Eddie answers, getting a box of Twinkies from one of the many bags they packed and placed on the floor of Steve's car.

"I get it" Argyle chimes in, watching Eddie pull out a Twinkie and shaking his head no when Eddie offers him one.

"You'd still be sexy with short hair" Robin comments from her seat on Nancy's lap.

Everyone turns to look at her.

"What?" she shrugs "I can say that"

Nancy chuckles into her shoulder.

Steve opens their map again to stop thinking about Eddie's 'sex appeal', even as the guy is excitedly munching on a Twinkie in the backseat of Steve's car.

He's got cream in the corner of his mouth and he clearly put more in his mouth than he can comfortably chew. He's leaning one elbow on Argyle's shoulder, his hand holding half a Twinkie, his other hand holds his mop of hair up in a high bun, causing his cut off tank to sit barely covering his nipples, his tattoos on display and his armpit hair fully visible.

Steve's fairly certain nobody else in this car would get it, but to him the sight is mouth watering. The guy is practically irresistible.

"I don't think i would've gone on even half the dates I've gone on if i didn't have my hair" Steve muses, for something to say and to add to Eddie's point, even though he agrees with Robin.

Almost everyone answers with agreeable noises, except Eddie and Robin.

Robin snorts and says "You are relentless"

While Eddie says "You don't get dates for your hair" at the same time. In a tone that suggests he thinks this is an obvious thing.

"I mean- it doesn't hurt" provides Nancy, she sends Steve an apologetic look but Steve waves her off. It's a compliment as far as he's concerned, he loves his hair.

Eddie finishes his treat and opens a new one while everyone else gives their opinions.

"For a lot of people, hair is a big part of attraction" Jonathan is saying, trying to seem like he's not speaking from experience.

"Especially hair as luscious as Steve's" Argyle agrees, leaning forward to lightly comb the side of Steve's hair, making him laugh.

"Thanks, man" Steve says overlapping Eddie's response.

"And I agree!" he exclaims "I'm saying he doesn't get dates because of his hair." Eddie goes on, waving his new Twinkie around for emphasis. "People throw themselves at Steve, and always will, but it's not because of his hair" he repeats.

Steve feels his cheeks heat up but still asks "Then why?"

"Well, because you're very pretty!" Eddie answers easily, like everyone should already know this.

Steve keeps his eyes carefully trained on the map, like he needs to study it meticulously, right this moment, while they're in the middle of a highway.

His cheeks are burning up and he can feel it spreading to his ears.

"And that's if they don't know you!" Eddie continues "If they do know you they know you're kind and brave and strong ...and generous and funny. Who wouldn't want all that in a date?" Eddie finshes.

Oh I don't know, you? Maybe? Do you? Steve thinks.

"Even bald, people would still go crazy for you" Eddie adds, his words slightly muffled towards the end as he shoves almost all of the new Twinkie in his mouth but apparently thinks better of it, biting all but a small piece.

"Here. You want the rest of this?" Eddie offers Steve, talking through his mouthful, and presenting the small piece with his ringed fingers, right in front of Steve's face.

Without thinking, Steve leans forward and takes it with his mouth, his lips burning where they touched Eddie's fingers.

As Eddie retrieves his hand Steve realizes what he just did and how quiet the car got.

He sends Robin a panicked look through the side mirror as Jonathan awkwardly clears his throat.

"Argyle's got nice hair" Robin tries.

The car immediately fills up with enthusiastic agreement and Steve slowly breathes out.

He can't bring himself to look at Eddie as he chews on his bite. He practically licked Eddie's fingers. Unprompted! The guy probably meant for Steve to grab the treat and then eat it. If he even accepted it at all!

Steve feels like an idiot and he frowns at the map again, willing himself to ignore the goosebumps in his arms and the tickling on his lips.

He doesn't see Eddie worriedly staring at him for the remaining of their conversation, until Nancy takes pity on him and offers up her spare scrunchie to distract him.

part 2

[aro-aizawa]

i like to think everyone has a colour associated with them, whether its just your fave colour or what you generally wear most of or what colour your bedroom walls are. i always associate the name sophie with dark blue, my mum is always a nice turquoise, i like to think my colour is a bright sunflower yellow.

if you have a specific shade pls tell me i adore when ppl have associated colours and tell me them, bc i think of them when i see that colour

[i-dreamed-i-had-a-son]

jon val jon or something

[ray935sworld]

I hope Logan stole a plant and a bunch of pencils on his way out the Williams HQ

[starsnumber1charliefan]

they keep showingup and its scaring me

[ghost-proofbaby]

never love an anchor (e.m. x reader)

"On some level, I think I always understood that a ship could never really love an anchor."

warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.

wc: 5.8k+

an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.

if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.

that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.

Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 

So why does it currently feel like you’re dying?

The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 

Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 

It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 

Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 

We still on for tonight? 

The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 

He wasn’t a part of the issue. If anything, he was part of the solution. 

A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 

Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 

You can’t remember. Or maybe your brain is simply refusing to recall. 

I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 

What? Is everything okay? Are you okay? Do I need to bring you anything? 

Please don’t.

The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 

But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 

Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 

Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 

A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 

Does it even matter anymore? Would it even matter if I simply vanished? 

Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.

Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 

Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 

And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 

There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 

There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.

Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 

You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 

Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 

But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 

A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 

You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 

There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 

You can’t move from this very spot. You’re terrified of what will happen when you do. 

Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 

Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 

You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 

The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 

Does it even matter anymore?

You’d left the bathroom door wide open. 

Were you worth it?

You’d been home alone – past tense.

A more durable mind, a more capable suit of skin to occupy.

A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 

If you had been, would it all feel a little less heavy? 

“Hey, Eds.” 

You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 

Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 

“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”

You felt like shit. 

Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 

You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 

You’re not his weight to carry, not his burden to shoulder. 

After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 

Immediately, he knows something is wrong. Because of course he does. 

Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 

He’s good. 

And you’re simply rotten.

You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 

You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 

He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 

“I’m sick.” 

“This isn’t just some stomach bug.”

Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.

You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 

Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 

“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 

You can’t get out the proper words. You don’t know how.

How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  

Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 

His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”

It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 

“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 

“Bullshit.”

“Eddie, don’t-”

“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”

“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”

Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 

“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 

Can he see it? All the fractures and splinters and pits and metaphors? 

Can he smell it? All the rot and the destruction and hopelessness?

Can he feel it? All the pressure? 

Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.

“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”

If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 

He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 

And yet, he doesn’t. 

You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 

He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.

The thought makes you cry harder. 

If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?

“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”

His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.

There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 

When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”

And if you hadn’t already been shattered previously, that would have finally broken you. 

You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 

“I don’t know.”

In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 

But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.

Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 

The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 

You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”

It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 

Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 

He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 

“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”

There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 

“I couldn’t do it, even if I want-” 

Even if I wanted to. The words you can’t speak, dying on your tongue. 

Do you want to? Where does the pain begin? And where could it end?

“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 

He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 

But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 

“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 

Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 

He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”

He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 

“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 

It’s not your job. That’s not your job. 

You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 

All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 

How can such rotten hands pull such love from others? How have you yet to infect him? 

“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”

He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 

But he’s still holding you like he’s terrified. You did that – you instilled that fear. 

“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”

“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 

You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.

“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 

“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 

“I didn’t.” 

“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 

Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 

“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 

“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”

“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 

“Please, stop.”

You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 

“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 

You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 

“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 

“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 

“Exactly.”

He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 

“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 

No bridges.

No failures.

The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 

“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 

His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”

You’re worth it. 

He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 

It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.

He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 

You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 

“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 

Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 

Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 

He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 

His words shake just a little less than they had when he’d first entered the room. 

He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 

He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.

Hesitantly content. Just for now. It’s enough. 

The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 

It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 

One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 

And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.