#i don't know what mental illness this is a sign of but i think it makes me a very smart person | Explore Tumblr posts and blogs

yusiyomogi · 2 months ago

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i think that kui portrayed kabru's mental health issues in a very interesting way, but it's what makes it subtle to some readers. the fact that he seems so functional to the readers, especially in the first few appearances, not to mention that a lot of his problems and symptoms are not obvious and can only be seen in additional materials, seems like an intended choice from the character writing perspective.

the way kui constructs his character centers around the idea of duality. he switches between two "faces" in the story constantly, he uses two speaking styles (and two pronouns indicating them), he's a tallman who lived with elves for a long time and carries both cultures, he's caught in the conflict between long-lived and short-lived races, he's constantly stuck between two choices in his inner conflicts (what to think of laios? should he prioritize preventing another tragedy or taking away power from long-lived races?), he's bisexual. kui also made him a gemini, yknow, a zodiac sign associated with twins and duality.

there's a certain theme in this and it does affect the way we interpret his personality and choices and it goes beyond text, it's metatextual too. it's a sway between what's hidden and what's shown to the readers about him.

the thing is, i think his mental health issues are meant to be downplayed and hidden, because it's true to his character. what do we notice about him in the main story and what's hidden? well, one of the first things we see is that he's not great at fighting monsters, he suffers from ptsd that makes him basically freeze up just from thinking about them. images of dead people turning into monsters, tearing each other apart and eating each other haunt him, making him feel ill from monster food. he downplays this a lot, hides it from other characters, straight-up lies about it, but at least readers got to see it.

with a keen eye you might notice that he doesn't eat enough food, almost never eats anything on-screen. he mentions that he's never cooked food in his life: wait, kabru, don't you live alone? in that sense "don't you wanna eat?" moment reveals two details of kabru's character at once: we got to see his aversion from monster food related to ptsd, but also his inability to notice his own hunger in general. he's strong and he almost always wears armor, but we know that he often dies in the dungeon. the armor hides that he's pretty scrawny for someone who fights physically, again, something that we can only notice after he takes off his armor (symbolism!).

funnily enough, here we have our first glance at this through additional materials: in the info page about the importance of calories and fat, kui mentions that kabru has lost a lot of weight since he started exploring the dungeon, because he died a lot. what it means is that he doesn't eat enough to cover the loss of weight. subtle, but clever detail.

speaking of him not knowing how to cook, this is another clever detail that hides bigger truth: kabru doesn't know how to do chores, he doesn't take proper care of himself. extra materials reveal to us that kabru lives in the basement, lacking light and clean air and he doesn't know how to clean his room or how to iron clothes and simply... never cared to learn? this is mostly omitted from the main story, even if it does have a place for it: for example, his journey with mithrun becomes infinitely more fascinating, when you know how little kabru cares about himself. but since those chapters are told through kabru's pov, he basically "hides" this from the reader, takes control of the narrative in the same way he tells a polished version of his tragic backstory.

he talks about mithrun's story like there's no connection, like he's not literally looking at the dark mirror of himself. and, ironically, he chooses to not be vulnerable in front of the readers just like young mithrun wouldn't. extra materials give us a glimpse again: when in the main story mithrun said "i can't fall asleep without spell or potion", in the extra comic (literally behind the scenes) kabru says "i use alcohol to help me fall asleep". there's a connection and kabru sees it, but he's not telling it to us. (and yes. there's evidence that kabru is an early-stage alcoholic. we can see bottles under his bed and what he says basically imply that he depends on alcohol: he's not using it for recreational purposes, he's using it as a substance to make himself sleepy and, probably, less anxious. when that dependence turns uncontrolled, it often leads to full-blown alcoholism).

bigger connection to mithrun is of course kabru's refusal to accept his own humanity, to see that he's alive, that he has his own needs and desires. he's suicidal in the same way: he can only see his goal, he doesn't care about his life, he only sees the value of his life in relation to that goal and he never think what's gonna happen to him after he reaches this goal (because he unconsciously believes that "the after" wouldn't happen to him). and he doesn't reflect on it, again, until he's met with a question "what do you want to do?". the way he doesn't see himself as alive is omitted again in the big portion of the story and only really comes up in the end, when he asks "what was the point of my survival?", in a basically joking moment.

but we can see it through the symbolism, through his connection to death in the story, through his eagerness to sacrifice his life for the idealistic goal in his mind. and of course, we can see it clearly through his mirror: there's a strong parallel between kabru almost committing double suicide while chasing his goals and mithrun literally getting himself killed while chasing his own.

what i'm trying to say, it's interesting that kabru uses his control of the narrative to hide his own vulnerability from the readers. maybe mithrun sees himself as leftovers and it's something cathartic for him to admit in the end, but kabru really doesn't want you to see that he feels the same way. that he's also "leftovers". but you see, they are standing together in that panel. as kabru continues to try shielding himself from your view, kui puts the mirror next to him, revealing what's hidden.

#dungeon meshi #kabru #kabru of utaya #dungeon meshi analysis #text post

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inkskinned · 1 year ago

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they want to talk about mental illness and acceptance and how everyone is a little ocd it's cute and quirky and their "intrusive thoughts" are about cutting their hair off and you say yours are about taking a razorblade to your eye and they say ew can you not and everyone is a little adhd sometimes! except if you're late it's a personality flaw and it's because you are careless and cruel (and someone else with adhd mentions they can be on time, so why can't you?) and it's not an eating disorder if it's girl dinner! it's not mania if it's girl math! what do you mean you blew all of your savings on nonrefundable plane tickets for a plane you didn't even end up taking. what do you mean that you are afraid of eating. get over it. they roll their little lips up into a sneer. can you not, like, trauma dump?

they love it on them they like to wear pieces of your suffering like jewels so that it hangs off their tongue in rapiers. they are allowed to arm-chair diagnose and cherrypick their poisons but you can't ever miss too many showers because that's, like, "fuckken gross?" so anyone mean is a narcissist. so anyone with visual tics is clearly faking it and is so cringe. but they get to scream and hit customer service employees because well, i got overwhelmed.

you keep seeing these posts about how people pleasers are "inherently manipulative" and how it's totally unfair behavior. but you are a people pleaser, you have an ingrained fawn response. in the comments, you have typed and deleted the words just because it is technically true does not make it an empathetic or kind reading of the reaction about one million times. it is technically accurate, after all. you think of catholic guilt, how sometimes you feel bad when doing a good deed because the sense of pride you get from acting kind - that pride is a sin. the word "manipulation" is not without bias or stigma attached to it. many people with the fawn response are direct victims of someone who was malignantly manipulative. calling the victims manipulative too is an unfair and unkind reading of the situation. it would be better and more empathetic to say it is safety-seeking or connection-seeking behavior. yes, it can be toxic. no, in general it is not intended to be toxic. there is no reason to make mentally ill people feel worse for what we undergo.

you type why is everyone so quick to turn on someone showing clear signs of trauma but you already know the fucking answer, so what's the point of bothering. you kind of hate those this is what anxiety looks like! infographics because at this point you're so good at white-knuckling through a severe panic attack that people just think you're stoic. even people who know the situation sometimes comment you just don't seem depressed. and you're not a 9 year old white kid so there's no way you're on the spectrum, you're not obsessed with trains and you were never a good mathematician. okay then.

mental illness is trending. in 2012 tumblr said don't romanticize our symptoms but to be fair tiktok didn't exist yet. there's these series of videos where someone pretends to be "the most boring person on earth" and is just being a normal fucking person, which makes your skin crawl, because that probably means you are boring. your friend reads aloud a profile from tinder - no depressed bitches i fucking hate that mental illness crap. your father says that medication never actually works.

you still haven't told your grandmother that you're in therapy. despite everything (and the fact it's helping): you just don't want her to see you differently.

#writeblr #warm up #to be clear let me state again: i think you should id however you fucking want if it helps you seek peace #but there is a HUGE difference between being like '.... im undiagnosed but i think i might be X'#and a person who is like ''omg my intrusive thoughts made me buy a birkin!!!''#babe mine made me throw up bc they disgusted me so much <3 #mine made me hurt myself evenly. even when i wanted to stop. i have had to put my hand on the stove MULTIPLE TIMES #and again i'd rather have 10000 people get help for something they don't need help for #than have 1 kid NOT get help #but there has GOTTTTT to be a middle ground here #bc at this point it isn't ''raising awareness''#it's . fucking misinformation. and ''what this picture says about you!!!!!''#& yes! im mostly talkin about ppl who are actually disgusted and offended by signs of mental illness #but use it to defend THEIR actions #like babe you hate when kids start yelling in the walmart? but you YOuRSELF can yell?#you are depressed so it's fine you were cruel to your spouse?#but if your spouse spends too much time in bed she's a lazy fuck?#your partner needs to do everything for you bc of your history in trauma? but when SHE has needs she's being clingy and gross?#HUGE difference here between whom i think most of my followers are btw. like #all it takes is fucking anyyyy empathy or kindness . like.#anyway it's hard to explain im hoping we all know the person im talking about lol

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psychoticallytrans · 2 years ago

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There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

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bubblegumgothglados · 4 months ago

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This is a RACK focused best practice guide to doing a drowning scene, more specifically a scene where you're repeatedly forcing your victims head under the water. These are my suggestions based on extensive research but they are only theoretical i haven't got to do this to anyone yet. If you have actual experience id love to hear from you please.

Pre-scene setup

Learn CPR. This is the single thing that I'm going to say is mandatory, everything else is just a suggestion this isn't. If worst comes to worst and your victim is drowning you need to be able to save their life.

Learn your victim. How do they react in pain, when they're scared or panicking, where are there mental breaking points. Especially helpful to have done breath play with them before, how long can they hold their breath, how hard will they fight, what are their non verbal cues. Are they the type of person who will push their limits past the danger point, are you comfortable shutting the scene down when they're begging you to continue.

Figure out your nonverbal communication. A safeword is important but not nearly enough for a scene like this. Their head is going to be underwater most if the time and they'll probably be struggling and fighting. What signs can they make to tell you to stop or slow down under these conditions. I would suggest giving them something to hold that can make noise, a squeaky toy or a clicker or something similar, with which to signal you.

During the scene

Use warm water. Cold water adds a whole plethora of new problems significantly increasing the risk. I'm not sure of the exact temperature but I think it should be either room temperature so your victim doesn't feel a temperature difference between the air and the water, or body temperature so the water doesn't change their core temperature. (If you'd like to use cold water or even ice water, if that's part of the appeal, ill happily figure out the additional risks in exchange for a video of you drowning your victim ^.^)

Watch their face. Like any other form of breath play hypoxia is a major risk. This post isn't about breath play, I'm assuming you know all those risks and how to manage them before you do something like this.

Start slow. Put your hand on their head but let them submerge themselves and then come back up when they're ready. This will get them used to the sensation and you used to the rhythm. Slowly increase pressure and intensity until you're forcing their head under and pulling it up against their will.

Have the person fill their lungs to capacity before submerging them. The reason being they will have to breath out before they breath water back in so as soon as you see the first sign of bubbles you can pull them out.

After care

This scene will be intense so the aftercare needs to be too. Again this post isn't about proper aftercare I'm assuming you know how to do that if you're doing something like this. But in addition to the usual.

Have a plan for monitoring your victim for the next 72 hours. There are two major complications that can occur after a drowning incident and both can take days to present themselves. The first is when a persons throat spasms and closes, this is supposed to happen when they initially inhale water but can happen much later. The signs to look out for include persistent coughing, irregular breathing, dizziness, confusion, and foam around the mouth and nose. The second is when water gets deep into the lunges it can cause fluid to build up which inhibits gas exchange causing the person to slowly suffocate. The signs to look out for can include coughing up blood, excessive sweating, anxiety, pale skin, and a crackling sound when breathing deeply. If your victim shows any of these signs get them to a medical professional asap, don't risk it these will both cause very painful death.

Enjoy ^.^

#dear void #lessons in kink

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reiderwriter · 1 year ago

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Please Accept My Apology

Pairing: Spencer Reid x Reader

Summary: After three days spent trying to convince the BAU that they had made a mistake, Spencer Reid shows up at your door to offer his apology.

Warnings: enemies to lovers, smut 18+ minors dni, slight age gap, penetrative sex, squirting, fingering, dirty talk, name calling, degradation, hints of bdsm, implied creampie etc.

You can find my masterlist here and my 2024 song fic challenge here (don't forget to send song recommendations to my inbox!)

You never thought you'd ever see the inside of an interrogation room before this week. Now you didn't think you'd ever see the outside of it.

“Y/N, you're brother ran from law enforcement multiple times, if you know where he is you need to tell us or you'll be charged with accessory to murder and kidnapping after the fact. Is that what you want?”

“Of course it isn't what I want, but I already told you I can't fucking help you!”

You paced in the boxed room, feeling closed in and hot.

Your brother - your innocent brother - was the key suspect in a series of child abductions and murders, and as he'd ran from law enforcement multiple times, they'd dragged you into the police precinct to try to track him down.

For the last three days, you'd been stuck sitting at that table across from Doctor Spencer Reid, waiting for the worst news of your life, because you knew it was coming.

“He's not a murderer. He's mentally ill, but he wouldn't hurt anyone. I keep telling you that, why won't you believe me?”

“A lot of loved ones protest a suspect's innocence, right down to the last second.” You couldn't help the laugh that bubbled up from the depth of your chest.

“My brother is schizophrenic. He was violent before, sure, he had outbursts. But he has been monitoring his meds for the last three years perfectly. He has a job, he has a son. He would not hurt those kids.”

You had always looked up to your elder brother, even through the tough years.

He'd inherited both your fathers drinking problem and your mother's mental illness, each demon feeding the other until he had a breakdown at age 19.

You were only 17 yourself, but with no one else to hold him accountable, you'd been there. You'd checked him into a facility, you drove him to each of his doctor's appointments when he was clean. You'd been around for each sober anniversary, for each birthday and holiday and celebration that he'd made it one more year without falling into himself.

He'd reciprocated by being the most reliable man you knew. He helped put you through college when he was stable enough, he'd managed to work his way up in the ranks at his construction job. He had a beautiful wife (currently in another interrogation room with another agent) and the cutest little boy.

He'd promised you that your family struggles would end with the two of you. You'd promised each other to take care of each others families if anything happened to them in the future, and while you currently had no family to speak of, you sure as hell were going to make sure that your nephew never wanted for anything in his life.

Your brother wasn't a murderer, and you had proof enough.

“You know, you haven't asked me yet why I think he's innocent.” You took your seat again, and gathered your hands together on the table, leaning in closer to the agent in front of you.

You watched him think for a second, then mirror your pose, leaning in just as close, eyes locked with yours.

You'd talked about a lot of things these past three days, and you got the idea that he was a bit of a jackass. If not a jackass, then at least big-headed; he'd practically shouted his title of Doctor at you as he'd walked in, and made sure to correct you every time you'd called him agent or sir.

You kept doing it just to piss him off eventually.

“It's denial, Miss Y/L/N. You don't want to see the signs you'd ignored for that lingered, so you beg and protest and plead, hoping that eventually you'll turn out to be correct.” His voice was low, but you caught every word.

“While I am sure you know what you're talking about Agent Reid, that is not why I'm here still. I'm not being charged with a crime, and I've been here much longer than 24 hours. I'm free to go at any point, but I'm sticking around here, lawyer free, because I want to watch your face when you realise you'd been wrong this entire time.”

He shifted uncomfortably and you smiled, happy to get under his skin once again.

“Okay, Miss Y/L/N. What makes you so sure your brother is innocent?”

“Your profile.” His eyes slightly widened at that, and you basked in it, leaning back and waiting for him to take the bait as the tide turned in your conversation.

“We profiled that our unsub would be late 20s to early 30s, probably a family man who'd likely been abused as a child. The profile also suggested he may have had a psychotic break recently, likely as a result of coming off his meds. Your brother fits the profile, Y/N.”

He'd dug his own grave, and you were happy to see him getting ready to sleep in it too.

“No, he doesn't, Agent.”

A tense silence passed between you, and you knew his gaze was fixed on you. You let your eyes dart elsewhere, rolling down his body to his hands. They were totally still of course, but you could see how tense he was by the way he pushed them flat against the table, almost as if he were trying to ground himself, finding reassurance in the pressure.

“How does he not fit the profile?” His brows were knitted together, and his expression was one of annoyance now.

No matter how much you had shouted or let out your frustrations these past few days, he'd kept a placid look of sympathy plastered across his features. He hadn't listened, or even suggested he'd wanted to, assuming your brother was guilty.

Now he was annoyed, as if he had the right.

“Despite what your records supposedly tell you, my brother is not off his meds.”

“Miss Y/L/N, we know that your brother did not refill his prescription three months ago, and that he looked into some clinical trials in the metropolitan area and was rejected.”

“Congratulations for having 50% of the facts. My brother wasn't rejected from those trials, he withdrew because they changed the terms. They wanted to study my nephew as well to see if they could predict where hereditary cases of Schizophrenia would manifest.”

You leaned in again now, enjoying watching the thoughts rush through Spencer Reid's head once again.

“His health insurance had some issues after the withdrawal, so his prescription couldn't be filled until next week, but my brother always had six months of pills delivered.”

You watched the realisation come crashing down on the agent in front of you, though he was doing a good job of keeping himself out together.

It was time to end this conversation.

“To take part in the clinical trial, he needed to stop taking his regular medication for two weeks. Meaning he has two more weeks of his regular medication. I watched him take it Monday morning, right about when your second kidnapping occurred. My sister-in-law will confirm.”

He stood from his chair slowly and nodded at you, making his way to the door.

“And Agent Reid?” You said making sure to hold his attention one last time before he could leave. “If anything happens to my brother, I will hold you responsible.”

He slipped from the room without another word, and you relaxed into the chair, letting your eyes fall shut as you waited patiently.

Xxx

It was another week before your brother was totally cleared. He'd turned himself into law enforcement the same day you'd forced the BAU to reevaluate their profile, and both he and his wife had cracked up your story.

With nothing else to distract them, you'd been happily informed that they'd caught the actual perpetrator, and saved another victim.

You were back at home now, trying to relax, to get back on track.

You knew by the knock on the door that you weren't going to get back to your normal routine just yet.

“Agent Reid, I wasn't expecting you.” He was there at your door, and you had to brush off a wave of annoyance, forcing yourself not to slam the thing in his goddamn face.

“It's Doctor Reid. You know that, though.” He mumbled the words, jaw tense as he heaved out a sigh, trying to get to his point but being distracted by your prickly words.

“I came to talk. May I come inside?”

“We talked for three days straight, Doc. What else could we possibly need to discuss?” You made sure to block the door with your body, one arm resting on the doorframe as you leant across it, the other holding the door tightly next to you.

You thought he'd get the idea, tuck his tail between his legs, and swiftly leave you alone, but you were sadly mistaken.

Instead his eyes raked over your body as you put it on display, curiously exploring every inch you put in his eyeline.

“May I come in?” He repeated, eyes still trailing down your body. If it weren't for the heat building inside of you, you'd have slammed the door in his face. A moment's hesitation was all you got instead, as he locked eyes with you again, and you reluctantly moved an inch to the side.

You stayed there in the doorway even as he entered, his body brushing against yours almost intimately for the second, his hand faintly tracing over your hip as he stepped inside, watching you all the time.

Needing desperately to gain your composure back, you jumped into asking questions. “You're in now. What do you want?”

“I wanted to apologise.” He hadn't moved far into the apartment, and you realised aa soon as you turned away from locking the door, overestimating his distance. You spun right into his arms, one of his palms coming to your waist to steady you as the other steadied the two of you against the wall.

“And whatever would the wonderful Doctor Reid need to apologise for?”

Your words were venomous, but the heat in them rose from somewhere deeper than the acid in your stomach, somewhere more fiery than the burning sensation at the back of your throat.

“I'm trying to do the right thing here, Y/N.”

“After a week of doing the wrong thing, Spencer, I'm not sure you're fully capable of that.”

His brows furrowed as he pouted, and you hated his proximity, both too close and too far at the same time. You wanted to run him apart, and then delicately sew him back together.

“I was doing my job.”

“You almost got my brother killed.”

“I'm sorry.” He heaved out an exasperated breath with the words, body relaxing and pushing your back fully against the wall. His eyes widened, and you could tell that he hadn't meant to move you in that way, but you just stared at him still, eyes flicking down to his lips with every intrusive thought.

This was how close you needed him.

“I don't give a shit if you're sorry.” You meant the words to be harsh a warning, but you hadn't realised your heartbeat bursting from your throat, your breathy gasps for air making it sound more erotic than angry.

He blinked once, then twice, slowly as if he was a scientist observing an experiment, not wanting to take his eyes off of it until he was certain something wouldn't happen.

“You're enjoying this.”

“I'm not.”

“Your heart rate is at 127 bpm, your pupils are dilated, your breathing is shallow. You're enjoying this. Why?”

His hands didn't let up, even as he shot out his words, brows furrowing further as you resisted the urge to push him away.

It was more comfortable keeping him close.

“I told you I am not enjoying this. You're just too close.”

“So, you're having a physical reaction to me?” He asked, almost quizzically. You had expected to hear a triumphant smirk or something in his voice, but he seemed genuinely curious.

“For God's sake, Spencer, yes. Yes, you're close and it's making me uncomfortable. You spent three days making me feel uncomfortable, and now you've come back for round two, are you happy now?”

“You're not uncomfortable,” he shot out again, almost as if he couldn't stop the words from spilling out. “You're aroused.”

“Know it all.” He laughed at that, and you could feel the heat in your cheeks. You weren't sure what the hell was going on with your body, because you'd spent the week despising the man in front of you, but now a simple hand on your wrist and a laugh had you blushing like a schoolgirl.

“So what if I am aroused? You're touching me, you have me pinned against the wall, really this is your fault, Agent.”

“It's Doctor, but you can call me Spencer. Or you can go back to another colourful insult if you'd prefer?”

“You're pretty full of yourself, I thought you came to apologise.”

“I did, it's not exactly me that is acting like they want to be filled right now though.”

“Jackass,” you snapped, as he lowered his hand around to cup your ass, finally allowing himself a tiny hint at the smirk you'd predicted earlier.

You gasped as he took a handful of your ass and pulled you flush against him.

“I want to say sorry, I want to make it up to you. I'm being quite charitable here.”

“Charity, my dear Doctor, is where you give something and expect nothing in return. It seems like you want something in return.” You spat the words again but you let your hands press lightly against his chest, waiting for him to make the next move as you played with the buttons of his shirt.

“I'd be more than happy to do that, too.”

You weren't sure who reached for who, or which one of you made the first push, but you were suddenly joined together by your lips, each of you battling furiously for dominance.

Your hands pushed up desperately, clawing into his long, busy strands and pulling him down further into you as you worked against him.

He was still stronger than you though, so when he forced your head back an inch, you moved out of necessity.

“Is that enough, or should I keep apologising?”

“Nowhere near enough, jacka-” he cut you off by pushing the tip of his thumb into your mouth, using one of his legs to spread yours so he could nuzzle himself between them.

“Why so quiet now? We couldn't shut you up in those interrogation rooms, but now you're so polite and obedient.” You moaned around his thumb as he stroked your tongue, encouraging you to suck it.

You didn't need much instruction, desperate now to show off your superior skills to the man in front of you.

“That's it, show me how much you want it, my little whore.”

His hand slipped into your pants quietly, but you twitched as his hands feathered their way along your pelvic bone, twitching at the sensitivity of the connection.

His hands slipped into your panties and you knew immediately it was over for you. You were so wet, and he was going to be able to tell just how much you apparently wanted him.

You moaned as he roughly pushed your pants down, finger teasing your cunt through your panties as you still struggled to suck his thumb so you didn't make any louder noises.

“You're enjoying this.” It was no longer a question, but a confident statement, no curiosity but simple satisfaction at how good he was making you feel.

He pulled his thumb from your mouth, rubbing some saliva across your lips to make them shine before he turned you around and pushed you up against the wall. Your hands barely pushed out in from of you before your chest collided with the wall, and he was close behind you.

As he coaxed your panties down your legs, you closed your eyes and tried to keep your breathing steady, desperately clinging to some high ground where you could find it.

His fingers were hot and long, and they quickly found your clit and got to work as he ground his hard cock against your bare ass.

His pants were still on, but you could feel the outline of his dick against you, hips rutting back into him with each flick of his wrist.

“Now, come on Y/N. You said it's not charity if I receive something in return, right?” He whispered into your ear as you tried to reach behind you to grab his dick.

“We're going to take this nice and slow, and you're going to enjoy all of it.”

His fingers slowed to an aching pace as he finally pushed a first digit inside of you. His hips finished moving and his free hand held you still too, so the only friction was coming from that one hand between your legs, practically edging you.

“Fuck me, just fuck me Spencer.” You moaned in frustration.

“Doctor.” He whispered in your ear, the glee in his voice igniting your hatred of him all over again.

“What?” You spat out.

“Call me Doctor Reid, and I'll give you anything you want. You want to cum, right?”

His fingers kept their slow pace, and you could feel yourself growing more impatient, even as you grit your teeth together.

“Fuck me, Doctor Reid.”

“What about please?”

“Fuck you.” You instantly regretted your words when he pulled his hands off your body completely, retreating further into your house.

“No, shit, wait.-”

You scrambled after him as he took a seat on your couch, removing his jacket and loosening his already dishevelled tie.

“What do you want, Y/N?” He asked, palming himself through his pants as he watched you practically fall at his feet, needing his hands back on you.

“I want you to f-fuck me, please Doctor Reid.” He nodded slightly, pulling your remaining clothing off as he responded.

“That's a good little slut.” He led your hand over his cock and let you undo the buttons and pull him out. You needed no other instructions as he leaned back and pulled your legs into a firmer position.

You gave his cock a few strokes before lifting your hips and sinking back down onto him.

“So fucking wet for me, you were so aroused, baby.”

He didn't let you control the pace, but held your hips still just above him as he began pushing into you from below, lifting his hips to fill you up with each thrust.

You couldn't bite back the screams as his balls slapped against you, Spencer trying his best to fit his entire length into you with each deep thrust. You wanted to kill the man only an hour earlier, and now you were sure you wanted to have him inside you like this forever.

“Oh fuck, just like that, just like that Spencer please!”

Your hand drifted down to your cunt and you're began to rub feverishly, even as you felt the pressure build up from your gut.

The pressure was almost unbearable and before you knew it you were squirting on his cock, fingers splashing wave after wave of your arousal over his cock and clothes.

“Already squirting for me? I thought you didn't want anything to do with me, Y/N. I guess you are just a little whore.”

You twitched, but couldn't respond, as he began thrusting sloppier than ever before, grunting in your ear as he finally joined you in your mess.

His grip on your hip slipped as he finally started cumning, and you moaned feeling him so deep as he gathered you in his arms and pulled you chest to chest.

You sat there panting together for an eternity before you even thought about detangling your limbs from one another.

“You made a mess of my fucking sofa.” You said as you finally rose up slightly, looking down at the mess beneath you.

“No, Y/N, that was you. I simply helped.”

“Jackass.”

“Whore.”

You gasped as he laughed at you again, pulling your hips back down over his so you couldn't slide off his cock again.

“Don't act so scandalised when I can feel just how much that turned you on. You're enjoying this.”

You pouted a little, but let your head fall back against his chest.

“And what if I am, Agent Reid?”

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #mgg #spencer reid smut #criminal minds fanfiction #criminal minds fandom #spencer reid criminal minds #dr spencer reid #spencer reid fanfiction #spencer reid x reader smut #spencer reid x y/n #spencer reid x you #spencer reid fic

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topazadine · 6 months ago

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Writing Post Masterlist

All my posts about writing - plus some I absolutely loved by other writers.

Masterlists by Other People (all good)

"Writing Tips Masterpost" by @deception-united - Deception-United has an incredibly wealth of resources available, far more comprehensive and detailed than mine. Go check it out!

"WQA Post Master Lists" by @writingquestionsanswered - Another fantastic and wonderfully comprehensive resource that covers damn near everything you need to know about writing. Genuinely one of the best free resources on writing that you could find on the internet.

General Advice for a Happy Writing Life

"The Myth of the Martyr Artist" - An incredibly important post, perhaps my most important one ever, that discusses why mental illness is a burden, not a benefit. I have no idea why this even needs to be said, but it does, apparently.

"Building Self-Esteem as a Writer" - Why you gotta be nice to yourself. You gotta.

"Identifying bad writing advice" - Warning signs that the post you are reading kinda sucks and you should click off.

"Advice to Beginner Writers: The Good, the Bad, and the Unpleasant" - How long it takes to become a good writer, what to focus on when learning, and why fanfic is such a useful tool.

"Mindset Shifts: Fanfiction -> Original Fiction" - What fanfic writers should know about deciding to take on original characters and stories.

"Defeating Protracted Writer's Block" - What to do when you find it impossible to write for days, weeks, or months at a time.

"Five Common Anxieties of Newbie Writers, Demystified" - Explorations of five mindsets that can set younger writers back as they learn their craft, including overcompetitiveness, overdescribing, and fearing they're "too old."

"Good Motivations for Continuing to Write" - Why it is crucial to have a passion for writing beyond fame and fortune.

"Extremely controversial writing opinions that will make you mad (but I'm going to say them anyway)" - Things you really don't want to hear, but need to be said. A bit of tough love, including the insignificance of ideas, the cold hard truth about how non-writers react to your writing, and the essentiality of having a well-rounded life.

"Why Mindfulness Is a Key Practice for Writers" - On the need to slow down and let our brain rest - plus some options that are categorically not sitting there in dead silence (boring).

"Writing When Happy" - Wherein I hijack someone's question to discuss the Myth of the Martyr Artist, why we might self-limit because of it, and how to do the impossible: write when we're happy.

"The Neurodivergent Writer’s Guide to Fun and Productivity" by @bookishdiplodocus - Excellent advice on how enjoying the process and reminding yourself that writing is supposed to be fun can help you stay motivated and productive, even when your brain is not cooperating.

"The Glorification of Self-Deprecation in Art/Writing Spaces" by @nicolkoutoulakiauthor - I've discussed before how crucial it is to have a healthy self-esteem when writing, but Nicol does it even better here. Nicol also includes some excellent reframing tactics so you can stay motivated.

Generalish Writing Advice (multifactorial)

"Signs That You Will Probably Finish Your Writing Project" - An analysis of the mindset that leads to results, and encouragement on how to develop them.

"'How Do I Start Writing?'" (Or; A Psychoanalysis of Newbie Writer Fears) - Inspired by the dozens of Reddit posts that ask this exact same thing, often with useless responses. So why do people ask this? I offer my theory.

"I Can Think of Ideas But Can't Write Them!" - A consideration of the many reasons you might find it difficult to get started on your precious idea-baby.

"How to elevate your writing style with 6 simple hacks" - Information about how to develop a prettier prose style, catch errors, develop good dialogue, and focus on brevity.

"How to improve your writing style : a 5-steps guide" by @writer-logbook - Especially great information on why reading widely is so helpful for your craft!

"Some Writing Advice" by @whispers-whump - Especially great discussion of why you shouldn't write what you mean.

"Practical Writing Advice Part 2" by @so-many-ocs - Does what it says on the tin. Simple, easy-to-follow advice that can break you out of writer's block.

"25 Prose Tips for Writers" by @thewriteadviceforwriters - I absolutely love the emphasis on sound and harmony here. As someone whose entire book series revolves around the magic of poetry, of course I think this is incredibly important advice!

"Pacing and Show Don't Tell" by @mylordshesacactus - Two for one deal! First, learn more about why pacing is important; then, look at some examples of the classic advice "show, don't tell." The post does a great job on breaking down what show don't tell actually means and what is not a violation of this guideline so that newer writers aren't confused.

Writing tools

"How to Build a Sustainable Writing Habit Through SCIENCE (Fuck Off, NaNoWriMo)" - Why NaNoWriMo doesn't actually motivate young writers and how to do better through a spreadsheet (yes, really, a spreadsheet). It also explains the importance of intrinsic motivation!

"'I've Outlined Too Much and Now I Can't Write!' (Or: the Double Outline Method for Overanxious Plotters)" - Some of us tend to go absolutely ham on our outlines, to the point where they're practically their own books. But then we also tend to not actually do the writing attached to said outline. Does this mean outlining is useless? Of course not. My method lets you have your outline and eat it too. (.... Wait.)

"'How Do I Make Myself Start Writing?' (Tips to Get the Damn Thing Done) - In this post, I provide a step-by-step guide to start writing, including a few tools to help improve motivation and concentration.

"How to Write Faster (And, Hopefully, Better Too)" - Eliminating distractions and forcing your brain to write is key to getting more done. Here, I explain how you might be limiting yourself by too much thinking and not enough doing.

Worldbuilding

"Stop Making Everything So Damn Complicated!" - Why fantasy (and scifi) does not need to be dizzyingly intricate to be enjoyable.

"How to Kick Ass at Worldbuilding" - I offer some suggestions on how to create a grounded and interesting world that will not bore your readers, based on real life examples.

"Grounded vs. Airy Fantasy" by @aethersea - Excellent breakdown of different levels of groundedness in fantasy and why it's important to understand your own approach.

"Fantasy Guide to Building a Culture" by @inky-duchess - Thorough and methodical analysis of what can create a compelling fantasy culture, including those things that many fail to think about when writing.

"Writing tip - Research" by @pygmi-cygni - Fantastic assessment of the importance of research, including for fantasy stories. As Pygmi-Cygni said, a lot of people claim that they don't need to do any research for fantasy novels, which isn't true! Any parallels to IRL need to be realistic, or you will lose credibility.

Plotting

"How to Use Chomolungma for Writing Adventure Stories; Or, the Plot Mountain Method" - If you're sick of saving felines who should really figure their own shit out, it's time to head to Plot Mountain. In this post, I offer you an alternative to the formulaic "Save the Cat" and "Hero's Journey" which also incorporates tension, characterization, and forward momentum.

"Avoiding Melodrama In Your Writing" - The most annoying all things: melodrama. My least favorite thing. Do not do it. I will show you how.

"How to Find a Plot When All You Have is Characters and Setting" by @rheas-chaos-motivation - This is a common problem for many writers, when you have cool characters or an intriguing setting. This short post can help you kickstart your ideas for how to create an intriguing plot that has built-in tension.

Description

"Remembering Perspective When Writing Descriptions" - Key factors to think about when describing other characters or settings from your POV.

"Description, Momentum, and Tension; Or, How Not to Bore a Reader" - Why, when, and where to put description so that people don't skip over it. Hopefully.

"Writing Notes: Seasons" - Each season has both benefits and downsides. In this post, we look at the negatives and positive aspects of each so you can decide how a particular season may strengthen your themes - plus some descriptions to help inspire you.

"Writing Advice: Spicy Mundanity" - Wherein I explain how to stop having boring descriptions by packing in characterization.

"How to Write Smut?" by @unfriendlywriter - Wonderful examples of how to write heartstopping smut.

"How to pull off descriptions" by @fictionstudent - Fictionstudent has a ton of great posts, both about film analysis and about the art of writing. I especially liked this one because it discusses how important perspective is for descriptions and the importance of filling in the details as a character would rather than just throwing it all at the reader at one time.

"How to avoid White Room Syndrome" by @writerthreads - Fantastic and focused advice on how to ensure you're offering readers just enough setting to help them envision the world.

Characterization

"Writing Relatable Characters; Or, Using Human Failures to Your Advantage" - Explaining how you can use character flaws and human needs to create a relatable character. Also explains the basic development of a plot, which is about equilibrium.

"How NOT to Write a Character" - Wherein I give you some examples of annoying characters we want to punt off a cliff so you can watch yourself.

"Writing Strong Female Characters" - Why you should give your female characters a secret goal, as well as how to avoid common 'strong female' stereotypes.

"Writing Compelling Trauma in Fiction: Dos and Don'ts" - How to avoid melodrama and create intriguing emotional wounds for characters.

"Quality Assurance Checks for Character Development" - Thought exercises that can help you differentiate characters, prune down unnecessary characters, develop true chemistry between LI and MC, and avoid having too many POVs.

"Developing Character Agency (Or; Cutting the Plot Strings)" - A discussion of character agency and how to ensure your characters are not bound by the narrative.

"Writing Notes: Thought Distortions" by @literaryvein-reblogs - Some psychological concepts you can use in your writing to add depth to characters.

"Questions about your character’s perspective on love and relationships" by @luna-azzurra - Excellent questions that can help you delve into your character's attachment style, what baggage they may bring to a current relationship, and how to create conflict through mentality.

"How to Write a Confession of Love," also by luna-azzurra - Perfect discussion of how to create tension, the utility of setting, not making it perfect, and including the other character's response.

Revisions

"Common Writing Issues that Reduce Readability" - Examples of fixes for four common issues: double describing, long sentences, overexplaining, and head hopping.

"How to Avoid Purple Prose" - A critical part of the revision process is making sure your writing is clear and balanced. In this post, I show a blatant example of purple prose and provide suggestions on how to make a more elegant passage.

"Differential Diagnosis When Your Writing Is Getting Worse" by @ariaste - Fantastic explanation by a professional writer about why you might feel like your writing is getting worse and what to do about it.

"How to Make Your Writing Less Stiff Part 3" by @physalian - Physalian's whole blog has some excellent advice, so definitely give it a look!

"How to Improve Your Writing" - Also by literaryvein-reblogs, this offers some excellent exercises to help with sentence-level issues, such as modifiers, parallelism, and details.

Publishing

"How to promote your book online : a discussion about social media (and few tips)" by writer-logbook - Great tips about how to get more interest in your book. I especially enjoyed the emphasis on patience and consistency. Writer-logbook has some excellent info overall about the nitty-gritty of writing, so I definitely recommend poring through their blog in general. (That's why they're included here twice!)

"A masterclass in how not to market your books, in one singular tweet" - Wherein I help you derive lessons from an abysmal tweet by an author.

"Mistakes I Made When Self-Pubbing My First Book (Part 1: Mindset Edition)" - I talk about how being delulu is not the solulu, that yes marketing is important (even if it is horrible), and how a bit of self-confidence can go a long way.

"Mistakes I Made When Self-Pubbing My First Book (Part 2: Presentation Edition)" - Graphics and covers and blurbs! Learn about them. Do not do what I did.

"Mistakes I Made When Self-Pubbing My First Book (Part 3: Ads and Reviews Edition)" - Why you have to get reviews. You gotta. And you gotta demand them. Shake those reviews out of your readers. You'll thank me later.

Specific Research Advice

"Assassination Methods Through the Decades: A Writer’s Handbook" by @hayatheauthor - A thorough review of different assassination methods, including a section discussing common assassination methods by region!

"How to Write Someone in a Wheelchair" - A group effort! This is a reblog chain discussing body language in manual wheelchairs, the mechanics of power wheelchairs, wheelchair propulsion methods, and a reminder that just because someone is in a wheelchair doesn't mean they can't walk short distances.

"Writing Research Notes: Caves" - Oh caves how I love them. Caves. Let me tell you about them if you want to write about caves. Blessed.

"Writing Research Notes: Horses" - A beginner's guide to horse mindsets, whether horses like working, approaching horses, how to ride, and tips on training.

"Writing Research Notes: Bipolar Disorder" - Written by me, a writer with bipolar disorder! This shares basic facts about bipolar, offers a list of symptoms you can use, and cautions you against spreading misinformation through poor characterization or myths.

"Writing Research Notes: Politics" - I provide a quick overview about governments and international relations, based off my suffering while getting an MA in International Relations.

"Stop Doing This in Injury Fics!" by @pygmi-says-hi - Discusses some common errors when writing whump/angst. The fever part was especially helpful for me!

"Writing US Military Characters" by @lookbluesoup - An explanation of the habits and mentality of US military characters. Many of these were quite helpful for my fantasy military characters, so you can get a lot of mileage out of these for soldiers in other militaries too!

Little Funsies

"What Painting Style Is Your Writing?" - A short exploration of different writing styles to help you better understand your own approach.

I'll be adding onto this as I continue to scroll through my old likes and, of course, as I find more resources.

#writing #writing resources #writing tips #writing advice #writing help #how to write #fiction writing

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heretherebeturtles-comic · 5 months ago

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Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

#Artist's Comic Rambles #asks #art related asks #thank you for the ask!! I'm glad to hear you enjoy the comc :D #i hope this was somewhat helpful...#i get overwhelmed by broad questions very easily haha #if you would me to elaborate on something specific I mentioned feel free to ask #i wrote this all out weeks ago and then forgot about it... I just added a link or two but yeah here it is

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avelera · 2 months ago

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I feel like I don't have the spoons for this, nor the understanding of real-life PTSD enough to explore it, but I feel like it's worth examining Jayce's arc for signs of PTSD. Much has been made of the canonical mental illnesses and PTSD of characters like Jinx, and I've mentioned that I think Jayce might have generalized clinical anxiety, but I think it's worth looking at how much of his behavior might be PTSD related even before he goes to the Anomaly future.

Some possible places I'd look:

Jayce has been getting fed paranoia by Marcus and by the tension that is being deliberately ratcheted up by Silco and Jinx. Yes, he says awful, bigoted things to Viktor on the bridge, but it is worth pointing out that he's not saying this in a vacuum, there are people in proximity to him deliberately stoking his paranoia and that of the city for their own ends, literally Marcus is gaslighting him actively by telling him the Firelights are responsible and the best way to keep people safe is shut down the bridge.

The fight in the Shimmer Factory gets more wild to me every time I watch. Jayce should not be there for so many reasons but one of them is Jayce is not a fighter. I think his video game counterpart sort of obscures this, but unlike Vi who has spent her whole life fighting AND in prison for years, Jayce has never, ever wielded that hammer before. He didn't even have it until the day before! And suddenly he's up against the Shimmer-infused berserkers who are some of the toughest fighters in the whole show. He almost gets his head cut off, if not for features he built into the hammer like weightlessness and the shield, he'd be dead, and then he makes what I call the, "Jayce is Making Bad Decisions" Face (I need to make a gifset of this face btw, he makes it a couple times, also while resurrecting Viktor).

Ok I might make fun of the Jayce is Making Bad Decisions face, BUT on a serious note, it's clear the Fortiche animators are doing a superb job showing someone who has gone into "Adrenaline Mode". REAL fighters do not want adrenaline. Adrenaline fucks up your reaction times and makes you shaky and turns off your higher brain functions. I've been in a fight when fear adrenaline kicks in and you just start wildly swinging to get people away from you and that is exactly what happened when Jayce's face got scrunched up and he started shooting wildly, he just wanted to stop the threat because he's never fought before, unlike Vi. And then he kills a kid and the triumph of his first fight against an uncomplicated enemy just dies and btw, never returns except in that moment fighting more Shimmer berserkers and Renni but those are clear self defense and there's no triumph in it.

BRO gets HIT BY A ROCKET, has a pure panic response leaving living people who need his help in the chamber to save Viktor, and he doesn't go back as far as we know.

Ok so the things that me, as not an expert would be curious to note as possible PTSD responses would be:

Jayce not leaving the lab after the attack except 1) to go to the funeral (where he's attacked AGAIN) 2) to comfort Caitlyn after Mel basically tells him to, 3) to make weapons for Caitlyn's team specifically to keep a small group of people safe, not arm an entire army. Besides that, it looks like he spends all his time holed up in the lab, even after Viktor is gone, because that's his safe space and I think I read once that PTSD has a way of shrinking your world down to just the people and places you trust.

Dragging that hammer around with him in the Anomaly future. Look, Jayce is a city boy, he has no survival instincts, but it wasn't just a bad idea because it broke his leg, it was actively detrimental to his chances of survival because lugging an anvil around drained him of water and calories. Bro had a lot less chance of survival with it, but he thought he was surrounded by zombies (he wasn't, they're all dead and they're all controlled by Viktor, we learn he was never in danger, though I don't blame him for that). But that could also be a PTSD response, his actual emotional support hammer.

Clamming up and not talking to Mel about what happened because she's not in his circle of trust anymore, it's more or less shrunk down to just Viktor (once he can save him) and Cait, maybe.

Ok as usual this got longer than I intended by just... some things that are in my mind right now.

#jayce talis #arcane #arcane meta

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little-mari-on-a-roof · 1 year ago

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Along with finally airing the season 5 finale, Tfou released a version of the two last episodes commented by the writing team!! So, as I already did with the commented version of Evolution, here's an overview of what they said!! It’s quite long given that it was two episodes and they talked a lot so I will put the parts I think are the most interesting in bold!! Obligatory disclaimer, this is my own interpretation and translation so take everything with a grain of salt!

At the beginning, the writers recall that the first episode of the season 5 finale, Conformation, starts with Adrien and Kagami supposedly arriving in London "like rock stars". However, it is actually just an illusion made from the scanned version of them and the two teens are actually being sequestered in London. At this moment, Thomas says "talk about good parenting" in English, which I think is very funny. The team explains that they were first put in regular apartments in the previous episode but are now in rooms without windows after both of them escaped. This is also done to protect them from what will happen, as Gabriel is about to put his plan of akumatising the entire world into action.

The writers say that Gabriel had been imagining his plan ever since Animaestro when he was seen signing contracts with Tsurugi, and has been putting it in place since the second episode of season 5 (Multiplication). They say that he also tested the first part of his plan, to put nightmares in everyone's heads, in a previous episode.

The rest is under the cut!

Talking about previous episodes, they then say that as was the case with the Risk - Strike back - Evolution - Multiplication - Destruction series of episodes (aka the longest day ever), the 5 last episodes of season 5 (Collusion - Revolution - Representation - Conformation - Recreation) go together and there is a direct continuation between them. (However, one of their rules as Miraculous writers is that these episodes can also be watched and understood independently.) Therefore, season 5 both starts and ends with a series of 5 episodes (quintologies as they call them).

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is. (They say that to highlight the fact that even though this is the 4th episode of a quintology, all episodes can be understood on their own as mentioned before.)

They then talk more about Gabriel's plan. He gives everyone nightmares on the same day and we can see the different characters suffering because of that (for example, Marinette's mom who thinks Tom is overprotective). He will then offer a solution which a sort of relaxation application directly inspired by the different yoga apps people have on their phones nowadays. This app helps them relax, but also makes people addicted since their nightmares come back as soon as they don't use it anymore. They joke about the relevance of this in today's world with people being "addicted" to their phones or people in positions of power spreading poisons and then monetising the antidote, or the corruption of capitalism selling things we don't need or causing mental illnesses to make people addicted. They ironise that nooo they couldn't possibly be referring to all of that, not in a children's show!!

During the scene that leads to Adrien wearing the Alliance ring after being reticent to it, they say that they had a conflit when writing it as they had to find a way for Adrien to not become his superhero self, cataclysm the walls and go help his lady in Paris. The end result is that Adrien is reminded of the devastating effect of his power by the nightmare and would therefore do anything to avoid hurting people, and so he wears the ring. Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Thomas mentions that Plagg (who he calls "Plaggo" and "Plagounet", which are sort of funny and affectionate nicknames) doesn't show up on cameras, and Sébastien jokes that there could be kwamis around them as they're talking but we just can't see them. Speaking of Plagg, Sébastien jokingly calls Fred the "queen of cheese" as she's the one writing the cheese puns and mentions that there are way more cheese jokes in season 5 than there were before, which makes him think that she is getting retributed by cheese industries in exchange for writing them. Fred then replies that she's getting paid directly in cheese.

The writers say that while the episodes are often narratively dense with science fiction elements, Plagg allows them to add humour in the scene and keep a lighter atmosphere for small children (you know, when he shows his butt to the camera while Adrien is having an existential crisis).

Anyway moving on lol, the writers then say that they had actually planned since 2014/2015 that Chat Noir would not be there to defeat Hawkmoth as they wanted a very particular power fusion to happen (aka Marinette wielding both the ladybug and black cat miraculous and becoming Bug Noire).

Fred then talks about how ever since the start of the series, they have incorporated the symbolism of fairy tales with the sleeping princess and the knight coming to save her. However, they're switching the genders in Miraculous as Adrien is the princess and Marinette the knight (while Gabriel is the evil dragon). They add that they already explained this in a previous episode (in season 4) but they're showing it again now in Marinette's nightmare.

In the scene where we can see that Tikki ate all the croissants, they joke that she did well given everything that is going to happen afterwards. They also jokingly tell the kids watching that they shouldn't do like Marinette and hide in trash cans but eating bananas and croissants is ok (trust me it's funny when they say it). They add that if Fred is the cheese queen, Mélanie is like Tikki because she loves cakes and anything sweet.

We then see Nathalie's nightmare in which Gabriel successfully makes his wish, and therefore manages to accomplish his evil plan which Nathalie knows about. We can see that she's looking very bad and the writers again jokingly give recommendations to the children watching, here to not use a damaged peacock miraculous.

They then talk more about Natalie's past, in which she was a treasure hunter. They say that someone should let them show the fabulous story of Nathalie, Gabriel, Émilie, Audrey and André when they were younger. Indeed, they already wrote what happened in their youth as it is the origin story without which they couldn't have written Miraculous. When Natalie looks at the picture of her in her "Lara Croft outfit", as they call it, from when they were chasing the miraculous and found the peacock and butterfly ones, they jokingly ask what they were chasing and why and say that you have to watch the rest of season 5 to know (basically, they're strongly hinting at sentiadrien).

They say that Gabriel/Hawkmoth and Tsurugi have been allies for a very long time, but it has only been revealed rather recently in the show and we can see it now in a scene where they're plotting together and rising the tension.

In the following scene, we can see all the kids ready for the "miraculisation", except Mylène who is not wearing a ring because while she is not fully anti technology, she is more wary of it and vigilant of its excesses. They then focus on Ivan, who would also like to resist like her but for whom it is too hard. They add that he has "things stressing him out" but that we will only learn about them in later seasons 👀👀.

They take a moment to appreciate the "exceptional" direction and lighting done by Wilfried in the scene where Nathalie threatens Gabriel with a crossbow. Thomas also makes a reference to Citizen Kane but I've never watched it so idk what he meant by that sorry I'm uncultured haha. The writing team says that while they are the ones writing the scenes, they need a director to make the scenes look like what they imagined, and that it's not always easy.

In the next scene, we can see Ladybug looking around in Nathalie's room to find hints about where Adrien could be and finding her tablet with all the information about the miraculous, which makes Marinette realise that Nathalie was Monarch's accomplice right before they enter in the room. They joke about how OMG THEY NEVER COULD'VE GUESSED that Adrien's father was actually Monarch the whole time. We can see Ladybug recording a message for Chat Noir where she reveals his identity, but she never ends up actually sending it.

They talk about how this scene is a huge climax as it is rare to see Ladybug in the Agreste mansion. It had already happened in season 1 during the episode Simon Says where they already played on the dramatic irony of Hawkmoth being Gabriel (which people did not know at the time). This is the second time that Ladybug is in the mansion, while Marinette has been there before a few times (including the iconic pancake moment). While they talk about Simon Says, Fred looks really smug saying that they had planned everything since the beginning.

They say that the scene during which Nathalie gives Ladybug her phone with the pictures and videos of Émilie explaining all of Miraculous's backstory is beautiful, and that if we as viewers had this phone, we would know everything about it (👀👀👀). In addition, they mention that since this is the final episode of the arc, a lot of things happen to get all the final outcomes of the different relationship between characters.

When Gabriel shows the video of Ladybug and Chat Noir kidnapping Adrien and Kagami on everyone's Alliances, the writers explain that people are so disoriented and stressed that they'll believe anything we tell them. They are therefore receptive to any controversy presented to them, just like how people nowadays will engage in numerous sterile debates on social media.

We can then see Monarch using things he obtained in previous episodes: the cataclysm dust from his deteriorating hand and the magical charm Ladybug gave him. We can see that Gabriel had been planning everything from a very long time but that because of the cataclysm he suffered from, he has no choice but to carry it out now. Coincidentally, it is this very cataclysm that allows his to have Chat Noir's quantic signature and put his plan into action. They jokingly compare what he is doing to making a dog sniff a sock, but in a cyberquantic version.

The quantic signature allows the miraculised people to find Ladybug and Chat Noir, and the team says that when they were writing the scene where they detect Ladybug in Gabriel's mansion, they were all going omg omg omg trying to figure out how they were going to get away with it. They say that while Ladybug is trapped in the villain's lair, the writers trapped themselves with the story.

They once again give a shout out to Wilfried's direction when we can see Ladybug getting attacked from all sides by the miraculised people, notably because of the camera motions. They also acknowledge SAMG's amazing animation especially in the scenes including a lot of characters.

My unculturedness shows again when they say that Marinette hiding in a cupboard under the sink is a reference to Jurassic Park. The reference I do get however is when they say that Plagg not being able to shift through the door with his ring was the plot of Mr Pigeon 72.

The action then reaches a maximum as Monarch knows that Ladybug is hiding somewhere in his house, detransformed. We now get to THE moment they had been waiting for since the beginning: when Monarch discovers that Marinette is Ladybug and she transforms into the fabulous BUG NOIRE!!! They keep talking about how cool she is and that they left the best for last: the final fight with Monarch does not happen with Ladybug, nor with Chat Noir, nor with Chat Noir and Ladybug but with BUG NOIRE!!!!!

Fred says the season has a particular taste of closure, even though there is still a next part, and warns to hold on because the latter will hurt a lot 🥲🥲.

🐞🐞🐞

Now, onto the the second episode, Re-creation !! (Yeah the first 2k words before that were on Conformation alone. I am bad at summarising. 😭)

At the beginning of the episode, when we can see Lila laughing when she sees Alec having an akuma induced nightmare on TV, the writers say that it is because she has known who Monarch is for multiple episodes now. They mention that it is because she read something on people’s lips in Evolution (episode 501) which allowed her to discover things. She also stole a case from Tsurugi so she knows who Gabriel really is.

Then, they focus on the fight we "had all been waiting for", and Mélanie mentions that her favourite lucky charm is the piano crashing on Monarch. They say that while they have spent multiple hours finding intelligent and sophisticated lucky charms for years, this one is just simple and exhilarating.

They then talk about how the resistance is fighting against the miraculised people, and how this happens all over the world (in China, Rio, New York) and includes a LOT of different characters. This explains why it takes a long time to deliver the episodes and they joke about how they’re blowing up their budget. However, despite all the superheroes fighting all over the world, it is still not enough.

Indeed, the outcome doesn’t play out in the giant arena outside, but in the KITCHEN. They joke about how they waited long enough to finally get it and that the resolve should therefore happen there, and even nickname the episode a « kitchen-two-room episode » (the joke makes more sense in french since we define homes according to their number of rooms, not just bedrooms).

They say that in the fight between Bug Noire and Monarch, both are so evolved in mastering their powers that neither of them have limits (Monarch can use as many powers as he wants at once thanks to his rings, and Bug Noire can use as many lucky charms and cataclysms as she wants). They lovingly say that our little Marinette from season one has grown a lot 🥺. She’s now super badass (they kept talking about how cool she was) and has learned so much.

They add that the scene where Bug Noire uses her handcuffs lucky charm is a reference to Kung Fu movies where characters fight while being chained to each other (once again, I’ve watched like zero movies so I’m gonna trust them on that lol). They once again mention the amazing direction and get very excited when Bug Noire slams Monarch through the wall.

During the fight scenes outside, they joke that Doorman (the USAmerican superhero whose power is to open doors) and Fang (a literal crocodile who knows Kung Fu) were essential in saving Paris. However, despite all the people fighting outside, the miraculised people remain too many and there is only one person who can save everyone from Monarch’s perfect plan.

Back in the Agreste mansion, Bug Noire is losing and her only escape is to cataclysm the floor which makes them land in the crypt (which was right under the mansion all along !!!). She then sees Emilie’s body and understand why Gabriel is doing all of this. When talking about his motive, the writers joke that if he succeeded, it would be hard to explain to Adrien why his mom, who has been dead for a year, is suddenly back and that while it would be unjust for Gabriel to trade her life for someone else’s, he doesn’t care and would just make Ladybug go away.

The team explains that in the following scenes, there is an alternance between the outside (in Paris) and inside (in the crypt) fights, with the dialogue happening inside continuing while we see what is happening outside on screen. They don’t do that often, which gives this scene all the more impact during the finale. They talk about how this kind of thing is a trademark of Miraculous: the episodes are quite dense despite their short length, thanks to the fact that the story continues when the action is taking place and the emotion continues to be conveyed. They oppose it to classical action movies where some scenes are dedicated to dialogue/story while fight scenes are just about fighting.

The writers say that from the moment Bug Noire gets her glue tube lucky charm, they are already working on the plot of season 6: when she manages to steal the butterfly miraculous from Monarch, she does not actually retrieve it because of how far away she is and it falls in the water below (cf Lila retrieving it which will be relevant in season 6).

At this moment, Gabriel loses and the resolution of the battle is not what we could’ve expected: we don’t have Ladybug winning by thrashing him, but she instead simply talks to him and even detransforms in front of him. It is not Ladybug who defeats Monarch but Marinette. This echoes to a message they have been trying to convey since the beginning : that in the end, it is not violence or strength that wins, but people talking to each other and opening up about their feelings. It is when people are not subject to their emotions, but instead try to understand them to think better and take the right decisions. And this is what Marinette is hoping for here by showing Gabriel the video of Émilie saying that she never wanted him to become evil, and instead just hoped for him to take care of Adrien (which he didn’t do lol).

In the end, Marinette and Gabriel’s main goals are the same : making Adrien happy. She takes a huge risk and detransforms to see how much he loves Adrien, or on the contrary how much he would rather bring his wife back. This is the only moment where we see Gabriel being truly emotional and understand why he has been doing all of that. Fred adds that he is a character who thinks love goes beyond good and evil, and oversteps every boundary, including moral ones. Therefore, Marinette is trying to solve a crisis of feelings by using feelings.

Back to the episode, we can see Marinette taking the biggest risk in her life and extending her hand to her nemesis, even the kwamis tell her that she’s insane. The writers joke that well, they were right, as Gabriel steals both miraculous and it does not end well (or at least not for now). Gabriel has now won as he can do what he has been wanting since the very beginning.

The team mentions that the next scene is one of the biggest reveals of the show, as we can finally see how the wish happens. We discover that the kwamis are not actually little plushies but take this appearance to avoid scaring their wielders, and the writers actually hinted to that in Dearest Family when Tikki ate all the galette des rois. One member of the team jokes that when the kwamis reveal themselves, they become a Swedish hit from the 70s : Gimmi (as a reference to Gimme ! Gimme ! Gimme ! by ABBA of course).

Moving on from the dad jokes, when Gabriel removes all of his miraculous rings, Marinette is released from the bee sting and can now witness her defeat. But the fact that Gabriel laid down his weapons shows that she has actually won, even though it is only shown and not said.

However, they say that there is still some doubt : we do not actually know what he wishes for as his words are cryptic and we only see the outcome of his wish. They do say that Émilie will not be brought back to life as Gabriel has finally mourned her death, which Adrien has already done for a long time. But Gabriel cannot live without her and decides to die with her.

In order to accomplish the wish, they explain that the world has to be destroyed and then re-created, which leads us to the aftermath of the wish a few weeks later and the pool party where everything seems to be going well. Then comes probably the most enigmatic shot of the episode with Nathalie and Amélie/Émilie. The writers say that they’re not telling us who it is but I think we can guess pretty easily based on what they said right before 😭😭. They also add that with Nathalie next to her we can guess what Gabriel’s wish was, but that it is "not what we think" and that there is a trick.

They say that with the final wish, they have arrived at the end of what they wanted to tell in this arc, which is a revolution of the minds. They said that each played their role, including the villain because he gave up on his power with which he could do anything to make his son happy. They add that the new world we are seeing shows the premise of season 6, which will have a "different taste" and in which they will talk about different things.

They say that at the end, some lies remain as Gabriel is presented as a hero. They say that Marinette gave Adrien the twin rings, in what frankly looks like a wedding proposal lol. Then they go insane because it’s time for LE BISOUUUU, and a real lovey kiss that they remember for once, not like in Oblivio, and not a desperate kiss like when Adrien left for London. However, even with all this cute romantic stuff, we can see some ominous butterflies flying around them…

In the next scene, we can see Marinette taking the miraculous that have been standardised and industrialised by Gabriel and putting them back in shape. The writers specify that this is a parabole about craftsmanship vs industrial production. The miraculous will now be adapted to every person, but we can’t see what they look like just yet! In this new world, the powers are all shared, among people who they trust and know will work for the common good. They joke that the "Avengers" shot at the end with all the heroes is something they’d been dreaming of.

In the last scene with Lila, they joke that it’s never really finished because there’s a bunch of epilogues one after the other. Thomas add that the school described at the end is how he thinks all schools should work!

And we’ve finally reached the end!! They don’t reveal anything in the scene where a weird flash appears in Lila’s room to keep the suspense, and just all scream going OMG WHAT’S HAPPENING!!!

🐞🐞🐞

I hope this was helpful to learn more about the writing team and some stories behind the episodes!! Don't hesitate to add stuff if you think I forgot something or ask questions if I wasn't completely clear :)).

#miraculous #miraculous ladybug #ml #mlb #ml s5 #miraculous season 5 #ml s5 finale

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