#i don't know what i was going for here but

[makingqueerhistory]

":')))))))) you realise that gen AI is available to everyone though right??? Queer creators can use it just as much as anyone else??? I just don't understand this post... It really feels like a cheap way to get on the 'AI Bad's bandwagon, and coming from such a thoughtful and insightful creator that's incredibly disappointing... It's okay to not comment on subjects you're not an expert in y'know...?"

Y'all know the drill, I am replying to this publicly but that is not an invitation to send any negative messages to the person I am replying to.

Anyways, let me start by saying that the original context of the post you're replying to is discussing an event where a queer org used generative AI to steal an interview with Keri Hulme. So let's start there. To be clear I don't even know if the original interviewer was queer so let's put the identities of stealer and stolen from to the side. I want to explain the harm done in this example specifically and I hope this is illustrative of what harm generative AI can (and does) do.

The original place I saw generative AI was a queer org that explicitly says they are using generative AI "for good", and as a way to bring more queer history to light. So let's take them at their word, and assume they are not out to cause harm. This is the best example of generative AI that I can imagine, so I hope that makes it clear that I am not coming at this issue from bad faith in any way.

Here is the harm they are causing:

Decontextualizing and rephrasing an interview: I am not going to pretend that I am an expert in academic best practices, but I do believe one thing, if a person is speaking on their own identity and lived experience, it is always much better to directly quote than it is to rephrase. As I read this source, I initially didn't know that it was AI, and I was already upset. An interview that is widely available on the internet with no pay wall, was poorly sourced and made more vague than it was in the initial text. By creating one degree of seperation between the original words of A WRITER (whose literal job was largely based in choosing the right words to describe experiences they had) harm is already done. It makes vague what was once clear, and removes Keri Hulme's voice from her own narrative.

The original interviewer is not paid, or given proper recognition: I get it, sometimes just copy pasting an interview doesn't feel transformative enough, but something that one would learn if they worked in the queer history field and weren't a literal robot rehashing what has already been said, is that not everything needs to be transformed. In those cases, we give credit to the person who said the original words (in this case Keri Hulme), and the interviewer who facillitated the conversation (in this case Shelley Bridgeman). This case (again a best case scenario), takes the attention and byline away from the original interviewer and gives it to an AI.

The original publisher of this story is deinsentivised from paying interviewers in the future: The original publisher of this interview has ads on their website. As a person who also has ads on their website, taking an article like this and rephrasing it for no good reason (the orginal word count was not prohibitive and the rephrasing did not make it more readable), takes money from the publisher. It's pennies, but it's also removing numbers could have been used to justify further interviews with asexual people and archiving of asexual stories. The org that stole from this publication does not interview people themselves so the money and numbers that could have gone to continue to preserve asexual stories goes to stealing them instead.

These are just the active harms that I saw in this specific case. As you said, I am not an expert in generative AI, and will not be speaking as if I am. But I will say that asking me not to speak out on active harm that is being caused in queer history spaces, is disrespectful to my many years in this field.

To illustrate this even clearer: if you were a patron, you would know I recently took down an old article. I have been rereading and editing our backlist of articles, and I found one that no longer fit my standards of sourcing. My standards had recently raised due to a video made by HBomberguy about someone in the queer history space who was stealing from other creators. I watched this video not as a work project, but because I watch most of HBomberguys videos, and this one made me think more critically about sourcing. An AI can't do that. All an AI has is what has been inputted, and it is right now impossible to input every available peice of information about ethics into an AI and get a coherent ethical basis on which it will function.

It is a distinctly human trait to absorb information and change in that way. AI can rephrase information that already exists, steal it, recontextualize it even, but it cannot create something altogether new.

Do I believe that there one day might be an ethical use for Generative AI? Maybe. Do I believe that coming into a queer history space, stealing the words of a Maori asexual author, rephrasing them, and giving the original interviewer and publication no form of compensation for their work, is accomplishing that? No.

On a more personal note: I am coming at this issue with a bias. As a queer history creator, I do not want AI in my space, because it is literally damaging to my financial prospects. It has been like pulling teeth to try and get patrons in the current state of the global economy. I don't blame anyone from that, but I feel very disrespected that I am being asked to compete with a machine now. Not only that, but I am being asked to shut up and be fine with it? No, absolutely not. I cannot and will not stay quiet as space that I have fought tooth and nail to create in mainstream discussions is taken and given to AI.

AI was not supporting me when I was sent gore to try and scare me off of discussing queer history. A person did that. AI was not there to tell me I had written too many sad stories, and I needed some happy endings to remind myself of the good in the world. A person did that. AI was not there when I was being harrassed for supporting and including asexual stories on my website. A person did that.

And after all that, I am being asked to lie down and take it when my ability to pay the people who supported me in those ways, is being threatened. Nope. Not going to happen.

An AI doesn't have to make rent. An AI doesn't understand what it feels like to have to stop holding their wife's hand in public. An AI didn't get calls from people needing comfort in reaction to the election. Pay me for my work, and get this AI nonsense out of my face.

[sukunasweetheart]

Being the bane of sukunas existence as you're his girlfriend because you act like a perverted old man around him... he kinda digs it tho, its mildly hilarious and he doesn't dislike the unhinged attention (he tries to be so lowkey about it)

Every once in a while, you'll caress his behind or fondle his big boobily man breasts, the same way he does to you. he was only stunned at first - now he is completely unphased by your sneaky little hands.

he texts you, asking you what you want for dinner, and he's not surprised when the answer is "i want you oiled up and naked in bed by the time i get home". then he just replies with "making pasta"

Big obnoxious smacking noises when you kiss him all over, and sukuna just lets you be, he'll be sitting on the couch turning the tv on and here you come, smooching his cheek. sometimes, its the top of his head, other times, its his forehead or neck. if you do it too much though, you'll get covered with his bite marks in return.

when sukuna gets up to go to the toilet, you ask him if you can hold his peepee while he takes a piss, bc you saw a funny tiktok talking about it... he gives you a silent judgmental stare as he closes the door on your face. but behind it, he lets out the tiniest snort and shakes his head bc the idea of it is so ridiculous.

one time when you go outdoor camping with him you genuinely accidentally stumble close to sukuna who is taking a leak in the forest bush area and he catches you staring from behind as he's buttoning himself back up. and then he's chasing you down while you're screaming that it was an accident and that you only heard him peeing and didn't actually see anything. (not that you don't know what it looks like, anyway.)

when he's sweaty after a workout or some physical exertion, you'll definitely be approaching him deviously, talking about some "covered in flavour" type of bullshit... he'll push your face away and head into the shower but his ears are flushed with red.

just... sukuna who will let u mack on him endlessly bc he secretly doesn't hate the doting 🥹🥹🥹 and if you're not being obnoxiously lewd or affectionate?? thats when he knows something's up...

and obviously, every now and then you'll say something that makes him know that you're not just lusting over his body.

during a walk back home on a summer afternoon, you point upwards while holding his hand and looking up.

"sukuna, look. you're in the sky."

he reluctantly looks up, expecting some sort of dick shaped cloud or something like that. but there are no clouds in sight.

"what is there to look at?" he asks, quizzically.

"the colour, silly. when the sun's still setting, the sky always gets like this, around the same time everyday. the pretty pinkish colour, like your hair."

he turns silent and observes the sky for a minute. you call him silly, as if it's an everyday thing that you compare a person with the literal sky.

"it's my favourite time of the day..." you mumble, just barely audible to his ears. and something about the way you stand there, and speak so softly, makes you look so pretty to him. "i'll always think of you when the sun is setting."

"oh- but i think of you everyday regardless, i suppose."

he already knows that. he already knows you love him. why does he feel so flushed right now?

"alright, i get it. enough. let's continue home," he urges you, holding your hand tighter. you follow him down the street, like a puppy.

life couldn't feel more at peace right now, with your fingers interlocked with his, listening to you hum your favourite song on the way home, the street now covered with the orange light of the sunset.

"any ideas for dinner?" he asks, a few minutes after some silence.

"mmm..."

oh, he regrets asking the question now, fully knowing what's coming.

"i want your tatas in my mouth, please."

"tatas?" sukuna's asks with furrowed brows.

after bursting into laughter at the way he said it, you attempt to think up an actual food you want for dinner.

"...just for tonight." sukuna mutters.

"huh?"

"don't ask me again, i might change my mind."

"wait- really?"

let's just say, your mouth had a taste of heaven for the first time that night.

[dark-and-kawaii]

⋆｡˚୨୧˚｡⋆ — Summary: Gojo Satoru fucks you at a punishing pace deep within the public restrooms. You poor thing~ ♡

Gojo knew how to bully that sweet body of yours, knew how to make your eyes roll back as you begged for him to slow down. He had you in such a mean mating press, your legs swung over his shoulders, dangling helplessly in the air. Your body folded as he pressed his muscular frame against yours, roughly fucking his fat cock into that tight little cunny of yours, stretching you out so beautifully.

“S’too~, Satoooru~ f’wlease~...Mn’hurts~ Slo’w d-dooown!!~”

But your body was so honest, your face giving you away as you made the sluttiest moans while looking at him- your tongue lolling from the side of your mouth. You were drooling all over yourself, you poor thing…

The sorcerer smirked, his hand tangling in your hair tighter, making your scalp ache before slamming his hips forward… His other hand going for your throat as his pace grew more brutal, more savage. The way he was using you was nothing short of animalistic- fucking you as if you were nothing more than a mere glory hole, his cock reaching all the way into your womb as his heavy balls slapped against your ass.

“Y’er body has gotten quite honest, hasn’t it? Begging me to slow down while that cute pussy tries and milks me for all I am worth… I can feel ya tightening around me, you know?” He gives a light chuckle, “Y’er strangling my cock so nicely, Princess.” he gives a grunt, hips jerking up into your fluttering cunt, “and making such a mess- squirting everywhere like the little slut you are for me.”

“Ny-noooo, S-sayoruu~ m-my puss-ssy cannn-nnnt, c-cannnn~t take anym-mooorre~, pleeease!!~” you sobbed as tears fell down your rosy cheeks.

As his thick cock split you open further, churning up your insides while rearranging your guts, his winter like eyes darkened, “Ya can and ya will, because I said so. Because I know ya can handle it, baby girl~ so don't lie to me, hm? Not when your body is already screaming how much it loves this.”

Your fingernails bit into his arms, “Toooru~, mn’ ph’wease- pleaseeee~!!! M-my tummy- i-it feels like yet turning my insides sh’out-~! S’too deep~!!!”

You were shaking your head side to side, begging and pleading him with all your might but your deliciously stupid pussy was practically devouring his cock.

How adorable you looked.

Gojo knew, oh he knew well that you were getting off on being used, getting off on being put in your place, getting off on his words alone. Getting off to him filling your abused pussy repeatedly deep within this public restroom. The sound of your lewd body being clapped echoing off the stall walls, knowing full well anyone in the near vicinity could hear how you fell apart on his cock.

You loved this. Loved his cock. Loved being here for his pleasure~ Loved crying out for him as he spilled himself into you? His hot cum flooding your insides- painting your insides the prettiest of white as you made a mess everywhere with your womanly juices~

And he just adored watching his cum spill from your gapping cunt. How his very own seed made a mess between your thighs, trickling onto the public floor for some poor soul to stumble upon.

He smirked, “What a naughty girl you are, making a mess in public like this~.”

You were too fucked out, too exhausted, to do much of anything as you laid there limply. All you could do was give a tired, pitiful moan as his large hands spread your legs wider, exposing that used up pussy of yours even more.

You were going to make him hard all over again. Seeing you so fuckrf out, seeing the mess you made because of him…

Leaning in closer, whispering huskily into your ear, “I don’t think we’re finished here yet-“ he licked your ear, making you whine pathetically, his hands rubbing soothing circles into your inner thighs.

His cock was already twitching to life again, ready for round two.

Oh and what a fun, pleasurable round two it was going to be~

[joemama-2]

velvet lies

pairing: gojo x fem reader synopsis: crippling debt and possible evictions have ruined you. working two jobs with no downtime, and a five-year-old son, you really don't know the meaning of taking a break. after continuous questions about his father, you have decided to finally let your son meet his dad. only thing is, he has no idea said son exists. and to top it off, you have not a single clue about what kinds of things will transpire from this sudden revelation. tags/warnings: 18+ MDNI, smut, fluff, romance, alcohol, classism, mom! reader, lying, abuse, MAJOR angst, slow burn, exes to lovers, cheating, scandals, death, blood, drugs, drama, family drama, miscommunication, blackmail, unhealthy coping mechanisms, depression, manipulation wc: 5155 a/n: hi everyone! i'm so excited for this piece of work as I have a lot of exciting ideas planned in store! this will probably have slow updates, so please please please be patient with me. thank you all for reading! i'm aiming for at least 15ish chapters, maybe more or less, depends how much i write in one chapter in the future. next chapter

“Cash or card?”

“Card.”

The sound of light dinging follows, the transaction completed. “Here you go, Miss. Have a good day.”

“Thank you, you too.” The woman takes the small bag from your outstretched hands, giving one last smile before exiting. The bell at the top of the door rings, signifying her exit. You sigh and look at the clock, one more hour. It’s not that long. But you’ve been here since opening and the shoes you’re wearing are beginning to hurt your feet. Maybe you should’ve broken them in more.

It’s a quaint little cafe. Most of the customers are teenagers, college students, or overworked office workers who need caffeine to get them through the day. Other than that, you have no qualms. Of course, it does get a little annoying having to tell the newer, much younger co-workers that they can’t do this or that. 

A mundane routine of making coffees, packing orders, and ringing them up. Just one more hour. 

As soon as the clock strikes 5:00, you’re clocking out and saying goodbye. The school is an exact walk of ten minutes, six if you’re fast. Then another ten back to the apartment. And finally, another fifteen to the convenience store. 

Hustle and bustle is all you’ve ever known. Sure, you like it most of the time. But you just wish you could get a break. It’s always go, go, go, but never take a rest and time to yourself for a moment. But when you see that adorable smile plaster on those chubby cheeks you never shy away from pinching, it’s all worth it. “Mama!” 

“Baby!” you crouch down and open your arms. The young boy wastes no time in throwing his body into yours, face nuzzled into your chest and arms around your neck. “How was school? Fun?” you ask, hand rubbing his back up and down.

He nods. “Mhm! Mr. Ito says I got the most gold stars out of everyone in class.” 

Your smile grows wistful, aweing. “Wow, such a good boy, aren’t you?”

You carry Koji into your arms, starting the walk back to your very humble apartment. He chatters innocently the entire trek, with you occasionally adding on or asking questions. His soft white hair pokes at your cheek, to which you straighten down with one free hand. It’s days like these where you wish you could just lounge at home with him, basking in his sweet innocence. But while most people are ending for the day, you’re barely starting your second half.

You feel the self-deprecating thoughts fill your mind like a virus while stationed near the light, waiting for the pedestal symbol to indicate. Your grip tightens around your son slightly, as if anchoring yourself to reality and reminding yourself you’re doing it all for him, and to keep going for him. 

It’s hard, yes. But so is parenting. 

The symbol comes on and you walk, seeing the building of your complex in the distance. Forcing any lingering negativity away, you clear your throat. “So, what did you learn today, baby?”

Koji looks up at you. “We learned how to add! I helped Mina.”

“That’s very nice of you.”

He giggles bashfully, leaning into the kiss you place on his cheek. Eyebrows raising as a sudden memory hits him. “Oh! And Mr. Ito said Dad Appreciation Day is next month. There’s gonna be food and music.”

Your smile wavers, footsteps momentarily pausing before continuing. “Oh, really?” you ask, inhaling a wavy breath of air. “That sounds like fun.”

“Mhm.” Koji nods, then tilts his head curiously at you. “But everyone is bringing their daddies. I wanna bring Papa too.” 

And you really try not to make your guilty grimace visible. “I know, sweetie. I know.”

“Can Papa come?” he frowns. 

No, he can’t. But you’re not about to tell your five-year-old that the reason his father can’t make an appearance is because he doesn’t even know he has a son. It’s been a difficult conversation for you. You’re not sure when or how to have these sorts of hard ones with children. So you’ve been dancing around the subject. Saying his dad is away on vacation, or fighting intergalactic dragons, or some other excuse you’ve been forced to use. He believes you, most of the time. But that doesn’t stop his curiosity and growing impatience. 

The last thing you want him to think is that he has no father in the first place.

He does. You’ve shown him pictures and videos occasionally. Of, and of course, he’s an exact carbon copy of the man. From his bright blue eyes, albino hair, and all the way down to his stubborn personality. You were a little annoyed when your only child took quite literally everything from his father, only leaving him with a couple of things from you–your nose and helpful nature. 

“We’ll see. Papa is busy, remember?” you gently reply, walking through the parking lot of your complex to the lobby.

Koji’s frown deepens and so do the metaphorical scars on your heart. “But Papa’s always busy! I wanna see Papa.”

“I know you do, baby. You will soon, okay?”

“Do you promise?”

You hesitate but eventually nod with a forced smile. “Mama promises.”

After leaving Koji with the babysitter, you give him a quick kiss and recite the list with the babysitter before rushing off to your second job. A convenience store. 

Not the most savory place, mainly because you get all sorts of crazy and odd customers, but also because you are close. You hate closing. But you need the second disposable income and this is the only place that fits with your schedule. It’s also a little more leaned back than the cafe, when there are no customers, you spend your time browsing the web for jobs.

You’ve probably sent in over 500 applications over the years, with not even half of those places reaching out. Even then, you’re not guaranteed a job. The job market is horrible nowadays and you’re living through it.

Whatever, you think to yourself as you clock in. One day at a time.

It’s around eleven at night when you're slugging back into your apartment, lights dim, and silence enveloping the place. “Thank you, Sana.” You mutter, exhausted but still sparing the 20-year-old a smile. You hand her a small envelope. “For today and last Saturday. How was he?”

Sana thanks you kindly and grabs her stuff. “All good, no tantrums today.”

“That’s good.” you walk into the kitchen, grabbing some food you’ve meal prepped. “Get home safe, okay?”

“Thank you, Y/N. Sleep well.”

When she leaves, you give yourself a moment to slump over the kitchen island, sighing in both relief and lingering tiredness. The silence feels nice, like an old and familiar friend welcoming you and praising you after yet another day of the same routine. You’ve always loved routines, but you can’t help but crave at least some sort of spontaneity. Putting the tupperware of chicken and rice into the microwave for a minute, its light humming makes you zone out. The conversation from before with your son ringing in your mind like a very annoying bell.

Soon, images of his son, your ex, flood your mind. An old fluttery sensation residing in the pit of your stomach, your body suddenly feeling all too warm for your liking. Your fists clench to stop their light trembling, shaking your head free of him. 

Not now.

You stop the microwave at one second, before it makes that obnoxious beeping and wakes your son. There are two chairs at the small dining table, you sit at one of them and eat your now warm meal. You’ve started meal prepping after one too many missed meals and a few incidents where that light-headedness and blurred vision caused you to faint. Luckily, you were alone when that happened. Unluckily, you were alone when that happened. Nursing a few bruises to your forehead after making contact was not a fun time. 

You take time to eat, in no particular rush. Although you know you should be getting ready for bed soon for another early day tomorrow, your body doesn’t move. Either consciously or subconsciously. The end of the day is when you find yourself attempting to unwind and detach from the day’s events. But, the stress of unpaid bills, debts, and worry for the future always find time to crawl back.

It’s exhausting, extremely so. Sure, you’re an adult and this is normal. But don’t you deserve at least a little bit of time when you don’t have to worry about anything? It feels like every waking second your mind is working overtime, your body in a constant state of motion. It’s worn you down completely over the years. But you have a son who needs you, so you suppose you shouldn’t be feeling pity for yourself.

This is what parenting is all about, isn’t it?

Making sacrifice after sacrifice for your child. However, when you feel yourself sinking deeper and deeper, slowly losing more of yourself, what if there’s nothing left to sacrifice in the first place? The eviction bill from this morning taunts you as it lays upright in front of you in the middle of the table.

It’s then do you think, no, you do have one thing left. 

Koji.

If Koji’s gone, then you really have nothing left. There’s no reason to live if that happens. And with the path you’re going down, that’s feeling more and more like a dreaded possibility. 

I wanna see Papa.

Koji’s words play repeatedly. For a second, you feel yourself resonating with your son. Only for a second. You reach for your phone and go to Google, typing in a name that still haunts you. You’re barely three letters in before his name appears and you’re clicking.

A smiling image fills your screen along with other general information.

For some unknown reason, your breath hitches. You feel like he’s almost staring at you, smiling at your pathetic predicament. Grip tightening around your phone, swallowing down an unexpecting lump, tears fall from your eyes and onto the phone screen.

Why you’re crying, you don’t know. It could be many things, but you won’t address that right now.

Gojo Satoru.

The father of your child, your ex of 4 years. 

You rarely look him up, almost never. Only in desperate times when you feel yourself drowning and needing some sort of comfort. It’s stupid. You haven’t been together or even seen him in seven years. Not since you ended things with him. Not since you felt his hands roam your skin, whispering sweet words.

He didn’t even protest or question why. Almost like he knew your breakup was inevitable. You’re not sure if that hurts more.

You’re twenty-eight now. But while your life still feels the same from when you met Satoru at the ripe age of seventeen, you’ve reached a plateau. But him? He’s thriving, of course. Making a name for himself, as an heir to one of the biggest conglomerates in Japan, the Gojo Group. 

You’re happy for him. But where is that happiness for yourself?

You feel a little, no, a lot jealous. You always were of Satoru. Being given everything he wants without much thought, never worrying about money, and a stable home life. You’re extremely jealous of that bastard.

But right now, jealousy isn’t in the picture. It’s your son’s father. And if you want to keep your son, give him everything he wants, that starts with one person.

Letting him meet his father. 

“Honey, do you like your pancakes?” you ask your son who’s currently scarfing down his plate of breakfast. Adorned in an adorable shirt uniform shirt and some little black trousers. He hums back excitedly with a muffled “yes, mama”. With a chuckle, you dry up the rest of the dishes, then your hands. Dropping him off at school is the first thing on your agenda, as per usual. 

The walk to his school is a familiar one, wanting to get your son knowledgeable with the route so when the day comes that he needs to walk him himself, he’d know his way back. You pass by other kids and parents, some children yelling bye as they step onto the school grounds, with others giving their children long-lasting hugs.

You walk until you reach his door, his teacher, Mr. Ito, standing outside and greeting his students as they enter. When he makes eye contact with Koji, he smiles a bit wider. “Good morning, Koji.”

“Good morning!” your son happily replies, waving up at his teacher. With one final hug and kiss shared, he’s running in to already begin talking to his friends. Standing back up, you see Mr. Ito already looking at you. And you especially don’t miss the way his eyes not so subtly rake up and down your figure. You clear your throat. “Good morning.”

He meets your eyes again. “Good morning, Y/N-san. How are you today?”

“Good, and you?” 

“Very good.” 

The way his tone is almost causes you to visibly shiver, brows furrowing slightly in discomfort. One of the things you dislike the most about Koji’s school, his teacher. Although he hasn’t outwardly done or said anything inappropriate, you’re a smart woman. “That’s good. Well…have a nice day.” Doing anything you can to quickly end this dreaded conversation, but still wanting to maintain a level of politeness. 

You’re about to turn on your heel and leave when he calls out. “Ah, Y/N-san?”

Damn it, what now? “Yes?” you turn and look at him.

The distance between you reduces as he steps a little closer. “I have some concerns regarding Koji’s behavior in class. Would you be available to set up a conference anytime this week?”

“Behavior? Has he been misbehaving?” You did not expect that.

“Well, it’s complicated. He has some trouble listening as talks when he shouldn’t. I’d like to nip this in the bud before it grows out of control.” Mr. Ito cooly replies, smile looking more like a hidden smirk. “So, will you be available?”

You hesitate, not really. With your two jobs, you barely have time for yourself, let alone your son’s teacher. But if it’s regarding a behavior problem, then do you have any choice? “I think I’ll be free this Saturday. Weekdays are very hectic for more.”

He nods. “That’s fine, we can grab coffee.” When your head tilts slightly, he adds on with a chuckle. “And discuss Koji over coffee. On me.”

Right, of course. You know what this is, but just think about your son. That’s the priority. “Okay, 8 am at Latte Lounge sound good?”

“Sounds excellent, I’ll see you then. Have a wonderful day.”

With a simple nod back, you turn around and finally leave. Practically feeling the way his eyes shamelessly check out your behind. A frown inevitably grows on your face, why wouldn’t it? As long as this man doesn’t try anything…more, you should be fine. And if he does, 1) you’ll be in public, and 2) you’ll tell him straight up.

Whatever. 

“Pizza or teriyaki?”

“Pizza!”

“Of course.” you chuckle and put the frozen pizza in your cart, your son clutched onto your right hand after announcing he can walk on his own because he’s a big boy. The grocery store isn’t crowded during this time of day. Rightfully so. It’s 7 pm on a Tuesday, most people already cooking dinner by now. You always grocery shop at this time, your son appreciates it too. There’s been a few times when you both got quickly and very overwhelmed with the bustling nature of the grocery store on a weekend morning. Currently, you’re moving through the snack section now, picking up a few of your and Koji’s favorites. 

“Mama, can I pick a cereal?” Koji asks and points to the cereal aisle next over. When you nod, he happily runs off. You still however make sure to look over at him frequently when picking up and putting down a few snacks. 

You reach up to grab a pack of Hello Panda, the pink and chocolate ones, before a hand beats you to it. “Oh, I’m sorry.” As soon as you look over, you and the stranger meet eyes. 

Immediately, there’s a silence that falls over you two. Eyes each blown wide in shock. 

Oh, you’ve got to be shitting me.

Just your luck. As soon as the stranger speaks, a strange nostalgia fills you. “Y-Y/N?”

It almost sounds weird coming from his lips. Your friend–well, ex?--friend gets out. He still looks the same, just more…manly. 

“...Suguru, I–I’m… surprised to see you.” you awkwardly laugh. Reunions were never easy.

“Oh my god,” Suguru breaths out, shaking his head with a faint smile. “Well, shit. I mean, how are you? You..you look good.” His eyes move down your figure in an appreciative way.

“Thank you, I’m good. How are you? Your hair is longer.” you motion to his sea of black, healthy locks. “ ‘M a little jealous.”

He laughs with you, the sound reminding you of old times. “Yeah, been working on it. And I’m good.”

Another pause is permitted, as if you two aren’t very sure what to say to one another. Well, in all honesty, it has been seven years. “Well,” he clears his throat and puts his hands in his pockets. “What are you up to?”

“Oh, you know,” you glance down at your cart. “Just some shopping.”

He also looks down, head tilting slightly. “Ah, right.” With a nod, he juts his head toward the direction of the kid’s toothpaste. “Just for one?” He laughs, joking of course. 

You mentally curse yourself, putting a pack of cookies on top of the toothpaste to hide its already revealed existence. “Uh, ye—”

“Mama! I want this one!” Koji runs up to you, showcasing his desired cereal.

Well…..shit. 

As if things weren’t already complicated.

With Suguru’s eyes even wider than when they were staring at you, his mouth is practically on the floor when the young boy looks at him. His sharp eyes dart across his features and…..

“I-is this—”

“Koji.” you cut him off, gulping and shifting the child closer to your leg. “My son.”

Suguru spends another good minute staring at the boy, who innocently stares back. When his eyes slowly move from the blue ones to yours, there are a million and more questions swirling in his brain. He’s not even sure which one to ask first. But he goes with the obvious. “...Is….is he…..”

You nod uncomfortably. 

He lets out a breath he didn’t even know he was holding, hand running through his hair. “Holy shit, I mean….holy heck.”

Your lips purse, putting Koji’s cereal in your cart before picking him up in your arms. “Koji, this is Suguru. Say hi.”

“Hi.” Koji childishly smiles at the older man. “Are you Mama’s friend?”

Suguru spares you a glance. “Uhm…yeah. Yeah, kid, I am. Nice to meet you.” He then shifts weirdly, not sure if he should shake the boy’s hand, which seems too formal. He decides to gently ruffle his hair. “So…how old is he?” The question is directed towards you, but Koji answers. “I’m five!” He holds up five small fingers. 

“Five?” Suguru’s brows furrow at you. It’s surprising how quickly you recognize that scolding look of his. “Have you—”

“No.” you once again cut him off, shifting Koji to your hip. “I haven’t.”

“Why?”

That’s a good question. One you know the answer to…slightly. But with Koji looking between you two curiously, you can’t exactly say why. At least not here. “I….I just…haven’t.”

Silence. 

You can feel Suguru regarding you with many emotions, but the main one is confusion. He bites his lip as he thinks over how to react properly to this situation. From the looks of it, Koji is just as clueless as him, maybe even more. “Jesus Christ, I don’t even know what to say right now.” Heavily sighing, he looks back at Koji, then you, then Koji, then finally you. “You’re going to…right? I mean, he deserves to know, Y/N. You’ve just–I mean, come on.”

There’s not much of a response to that, much to his expectation. You always used to do this when you were guilty. But Suguru has always been the more… empathetic of the two. “Look, I–I know you’re probably going through your own things, but…”

You look at him again, remorseful. His lips purse and with a heavy sigh, he takes a card out from his pocket and hands it to you. “Here’s my business card, it has my number. We lost your old one, so.”

Your hand reaches out to take it, examining the words, Rising Futures Foundation. "Building futures, one child at a time.” You meet his eyes again, forcing words out. “Okay…thanks.” 

“No need,” he waves you off, taking down the two Hello Panda boxes and putting them in your cart. “I’m sorry, I have things to do right now, but please…give me a call, okay?”

With slight hesitation, you nod. He mirrors you before focusing on the child again, a smile forming. “See you, buddy.” Suguru pats his shoulder lightly before walking away and away from your vision.

Your mind is being overrun, body feeling stiff and stuck, unsure of how to process what the fuck just happened. No doubt he’s about to tell his best friend. Then said best friend will find you and Koji. Then maybe he’ll try taking you to court for hiding his son for five years. You’ll obviously lose because you have no lawyer and Satoru has the best. Your son, your one and only, your sole happiness will be taken away from you and you’ll be left alone to rot in angui–

“Mama?” Koji’s small hand is put to your cheek, stirring you from your mild comatose state. “Are you okay? You have tears in your eyes.”

“What?” Raising your hand to your eye and sure enough, you are letting loose some tears. “No, no, Mama’s okay. I’m not crying, just…just tired.”

But with growing age, so is his perception. “Are you sure? Did your friend make you cry? I don’t like him then.”

Oh, how sweet. You smile, head tilting. “No, baby. Don’t say that, okay? Mama’s fine. I promise. See? I’m smiling. Wanna smile with me?”

Like clockwork, he follows your emotions and smiles, giggling. “Yeah, I wanna smile with you. I like smiling with you, Mama.”

“And I like it when you smile with me too.”

Maybe, this isn’t too bad. You were just thinking that you want Koji to finally meet his dad. So, this is good. This ensures a meeting. But, it also ensures a deep-rooted, most likely bad confrontation that will take place between you two. Why wouldn’t it? At least you’ll be able to prepare yourself now, mentally. 

You can imagine the harsh words he might say. The raised voices and brutal questions about how you can do this to him and so on. In hindsight, you deserve it. What kind of woman does do this to a man? Children are supposed to be bundles of joy, not hidden secrets. Of course, there’s the lingering worries of what legal action Satoru, or his family, might try to take.

That would quite literally fuck you over so hard.

But…maybe Satoru will go easy on you because of your past. You really don’t know. This situation is messy as fuck and it’s mostly—a lot—because of you. You have no one to blame but yourself. Hopefully, he’ll take pity on you, even though you hate when others pity you. It’s different when it comes to him, the father of your son. It always has been and it probably always will be. 

Honestly, you’re a little relieved that you ran into the best friend of the man than the man himself. Now that would’ve been bad. 

The sounds of skin against skin fill the room, mixed with heavy grunts and airy moans. The headboard repeatedly hitting the wall plays like a drum, the lights dim and the view of the dark city landscape is exposed. Satoru’s gripping the woman’s hips, leaving crescent-shaped indents in her fair skin. Her constant mewls sound heavenly in his ears. “God, you feel so….good…”

“S-satoru!” 

“Yeah, say my name. Just like that, baby.”

He presses a firm hand down on the small of her back to keep her arch in place, feeling his release invade her warm walls, filling her with a lovely warmth. She clenches around him, moaning out once more as she finishes with him.

He collapses against her back, his heavy breaths tingling her ear. “Baby, that was…so good…” she croaks out. 

Satoru’s mind is fuzzy, vision blurring slightly. He hums in response and leans back up to pull out, discarding the heavy condom with his load into the trashcan beside the bed. “Stay.” With a small pat to her hip, he’s forcing his limbs out of bed and to the connecting bathroom to grab a warm rag. Aftercare. Although most of the time, he really can’t be bothered to do something like this. Cleaning her up feels like a chore sometimes,  but the last time he voiced that opinion, it led to a huge argument between the two. 

In just a few minutes, they’re both cleaned and changed. Wearing his sweats low on his hips while she indulges in just one of his oversized shirts. Another small pet peeve he has. And another thing he must keep his mouth shut about. “What time do you have to go into the office tomorrow?” Himari asks, snuggled up against his chest, dainty fingers tracing circles along the firm muscles. 

“Same time as always,” he sighs, grabbing the TV remote and putting a random show on. “You know that.”

“I know, but…can’t you just call off tomorrow? Please? I wanna spend the day with you.”

When he looks back down at her, she’s frowning. A small tug is pulled at his heart and before he knows it, he’s pulling her closer and placing a gentle kiss to her hair. “Can’t, baby. Maybe this weekend?”

Satoru can feel her ready to protest again, but the sound of the front door downstairs being opened and closed interrupts the moment. Followed by the familiar voice of his friend. “Satoru! You here?”

Satoru’s brows furrow slightly. A small grunt falls from his lips as he maneuvers Himari off his chest, standing up and walking out. He looks down the staircase and sees Suguru staring up at him. “What do you want? I’m sorta busy.” Himari comes out and hugs his waist, proof of his so-called “busyness”. 

Suguru holds back an eye roll when the woman gives him a look, focusing on his best friend. “Need to talk to you. Privately.” 

“For what?”

“It’s important.”

“So just say it now.”

“Damn it, Satoru. Just come down and kick your friend out.”

“Girlfriend.” Himari corrects with a scowl.

“Yeah, sure.” Suguru waves her off and motions for Satoru to come down as he walks into the man’s kitchen.

Sighing with his eyes closed, he turns to Himari. “Sorry, babe. My driver’ll give you a ride back.”

Once again, she frowns. “But I—”

“Please.” 

His bottom lip pokes out in a small, but convincing pout. “I’ll see you later, mkay?” Satoru reaches his thumb out and brushes it along her cheekbone, which he knows she’s weak for. Confliction and hesitation dance in her eyes but she concedes. Gathering her purse and shows, she gives Satoru a dramatic kiss on the lips before leaving. 

“Finally,” Suguru huffs from the kitchen, swirling a glass of whiskey. “I thought you guys broke up.”

“It was a break.” Satoru grumbles, walking over to stand across from his friend, snatching the glass out his hand and sipping. “Anyway, what’s so important you come unannounced for and demand my sweet company to leave?”

“That woman is not sweet.” 

Satoru smiles and shrugs, “She tastes it.” 

A groan is heard from Suguru, eyes rolling before he shakes his head. “Look, you should sit down.”

“That good, huh?” he plops down in the nearby chair and leans back, arm resting against the back of it. He nods. “Alright, shoot, baby.”

Suguru takes in a deep breath and steels himself for the more than likely hard conversation. A part of him feels like he’s intruding, like it’s not his place to reveal such a thing to him. But at the end of the day, it’s his best friend. And you, well…he’s not exactly sure if you’re still friends or not. “What I tell you might sound crazy, but I need you to promise you’ll stay calm until I’m done speaking, got it?”

Satoru’s brows raise in mild astonishment, seeing Suguru get all serious like this is quite amusing. “Okay, I promise.” He shrugs again. “Can’t be that bad, right? No one’s hurt.”

Not yet, Suguru says to himself. He claps his hands together, mulling over how exactly to break the news. “So, I came across an old friend today.”

“Oh yeah? She cute?” Satoru swirls the alcohol in his glass.

Suguru holds back another eye roll. “Yeah, she is.”

“Nice, man.” the white-haired man chuckles, head tilting. “So what, did she make a move on you or something? Now that’s crazy.”

“I’ll have you know, I’m actually quite favorable amongst women.”

“Are you now?”

“Listen, you ass. No talking, just listening.” When he doesn’t get a response back, he takes it as a sign to continue. “Anyway, I saw an old friend. And…she had a kid with her.” Satoru nods slowly, already getting lost on his this information is even remotely crazy, or relevant to him. But he stays shut, deciding not to face another one of Suguru’s mini-lectures. One more deep breath is let out from Suguru and he gets to the point. “It was Y/N, she has a kid.”

A small beat of silence follows as Suguru gauges his best friend’s reaction. He doesn’t look like he’s flipping out, but he doesn’t show much emotion either. Confusing Suguru, he waits for the inevitable lash out.

“Who?” Satoru ends up asks.

His best friend knits his brows, trying to see if the other man is serious or not. When his expression doesn’t change, he replies. “Y/N…” he speaks slowly. “...your ex?”

Still, no emotion. But his grip on the glass does tighten.  “And she has a kid.” Suguru reiterates, almost in nervousness now. 

“Satoru….the kid looks exactly like you.”

a/n: thank you guys for reading!!! Sorry if this chapter was a little short, i’ll try to make the next ones a little more longer. But writing super huge chapters isn’t my forte. Anyway, stay tuned for chapter 2 :)

[rinskazuu]

but baby, i don't wanna say goodbye ⋅˚₊‧ 𐙚 ‧₊˚ ⋅

synopsis. ꨄ︎ after a couple of lonesome weeks, the jjk men decide to finally break their silence to express how much they've been missing you. their attempt at groveling, yet again falls on deaf ears.

characters. ꨄ︎ fem!reader x gojo, geto, nanami, toji, choso, and sukuna (separate)

cw. ꨄ︎ angst, hurt/no comfort, swearing, pet names, groveling, slighty (?) ooc sukuna

notes. ꨄ︎ it seems i've confused a couple of people, so i'm going to write here that no, reader doesn't leave her kids. she leaves her partner. she doesn't break it off after one comment of "weakness." it's implied that this was the breaking point. if u feel like u'd forgive the characters that easily, that's ur interpretation, but i disagree with that, and last i checked, this is my smau. reminder that if u don't like what i post, scroll or block me!!!!!!

♪ song used. ꨄ︎ birds of a feather by billie eilish

part 1 | part 2 | part 3 | part 4

end notes. ꨄ︎ i know this is a little long, but i also feel like it's necessary, rather than jumping back into the relationship so quickly.

want to join my taglist? all that's required is for u to let me know in the comments! WARNING: i do post for different fandoms

tags. ꨄ︎ @starlightanyaaa @totallygyomeiswife @colorfulfestkoala @kirahaley @tillaboo @jaegerstan222 @lunasolac @cherriee-ee

reblogs, comments, and likes are all appreciated! <3

jjk masterlist | general masterlist

[poguelandiarafe]

red carpet reveal | drew starkey

pairing - drew starkey x gf!reader

warnings - none

summary - drew brings you to the outer banks season four premiere even though you're relationship is still under wraps. well, until it isn't thanks to a pushy reporter.

--------

the 'outer banks' premiere is in full swing and you're so grateful you get to experience it with drew for the first time. you're buzzing with excitement, the flashing of cameras and excited fans screaming as the cast makes their way onto the red carpet feels surreal.

"you doing okay?" drew asks, gently squeezing your hand.

you nod, looking up at him with a smile, "more than. go shine you superstar."

he chuckles and his hand gives you another comforting squeeze before letting it go and opting to rest it on your back. the way he looks in that suit, flashing his signature smile to the cameras, makes you wonder how the hell you even let him out of the hotel room.

as drew is ushered into many different interviews, you keep to yourself, staying mostly in the background and out of shot. you don't mind this, always having preferred to watch him in his element. he talks with so much passion and excitement that you could, and do, listen to him for hours on end.

the night seems to be going perfectly until it's not. the problem? a leggy blonde who's seemed to make it her life's mission to interview your boyfriend. you claim to not be the jealous type, but you can already tell the type of questions she's going to ask by the way she stalks over to him, eyes not so subtly looking him up and down with an exaggerated smile on her face.

"so, drew," she begins, her voice already annoying you, "you're looking very handsome tonight. outer banks season four! what's it like to still be playing the hottest character on the show? you are literally the internet's boyfriend right now."

he's here with you, don't let it get to you are the words that keep repeating in your head as drew politely answers the question, but you know she's attempting to flirt with him.

"what does your family think of the show? i'm assuming they're very proud," her eyes briefly flicker over to you and she turns her attention to you, "you must be such a proud sister, right?"

you scoff, not only at the question but at the condescending way she's talking to you, like you're a child.

"uh... she's not my sister actually." drew chuckles awkwardly, his free hand coming up to scratch at his neck.

her eyebrows raise in surprise before her shrill voice cuts through the air, "oh sorry! well, it's so thoughtful of you to bring your friend to the event."

yes, you've both agreed to not directly make your relationship public, but god did you want to set the record straight. the way her hand kept grabbing his arm throughout the whole interview is making your blood boil.

before you can say anything, the interview continues and she pays you no more attention. drew's patience for this is wearing thin, but he's determined to remain professional, not wanting to go viral for lashing out at someone for doing their job.

"coming back to my earlier point about being the internet's boyfriend, how's the love life? tell us, do you have your own sofia yet or are you still available?" the interviewer asks, playful flirtation coating the words as they leave her lips.

drew's arm unloops from yours and slides around your waist to pull you slightly closer to him. he's not trying to out your relationship, just reminding you he's there.

his eyes narrow slightly in annoyance at the question, "i... uh, well it's my personal life. wanna keep it personal."

"come on, not even an inkling of an answer?" she insists.

you've had enough of this woman and, quite frankly, drew has to. he's ready to walk off but you don't let him, instead moving to face him with your back to her.

"what are you doing?" drew leans down, whispering in your ear.

before you let yourself overthink what you're doing, you grab the back of his head and pull him into a kiss. everyone around you is in shock. cameras are all turning toward the two of you, and the fans are screaming even louder now. the kiss isn't a subtle peck or quick goodbye kiss. no, it's a kiss that is telling the world he's yours and no amount of bad flirting will take him away from you.

when you pull back, your cheeks are flushed and drew has a stunned smile on his face. your eyes suddenly widen as the realisation hits you like a train of what you just did, and he can tell that a million thoughts are going through your head.

"hey, stop overthinking it. i'm glad you did it," he starts before whispering, "meant she finally shut up and stopped trying to flirt with me."

relief washes over you and your tense shoulders drop as you let yourself relax. you don't even want to think about the social media reaction right now.

"umm," the interviewer clears her throat, "i guess that answers the question."

you grab drew's hand before looking back at the woman, "i think we're done here."

[suckerforblondeathletes]

Sweaty hugs - Alexia Putellas

Alexia Putellas x Fem!Reader

Summary: When Alexia comes home from a rather hot practice, she makes it her goal to dirty you up so you can shower with her.

Warnings: Cursing

Authors note: Sorry I have been inactive but here is a small cute fic to make up for it?

"Ewww get off of me!" You shout and groan as a sweaty blonde lays on top of your clean body.

It was late in the afternoon, Alexia had practice late and the weather was rather hot today, resulting in her sweating buckets and soaking through her practice uniform.

You stayed home from work today since you had a small cold, you were planning on going to work up Alexia star fished on you in bed this morning, causing you to be unable to get up and work.

Now you were laying on the couch, typing on your laptop when keys unlock your apartment door. Smiling you close your laptop and put it on the coffee table, waiting for her to enter.

When you see her, her hair is soaked in sweat and her skin still shines with a layer of sweat, her uniform also having spots of sweat on it.

She sets her bag down and smiles back at you. Walking over you grimace at the sight of the sweat.

"Jesus Christ did you swim home?" You joke, but she scoffs and launches herself at you.

Letting out a scream and lays on your body, you only have a sports bra and come shorts on, so the sweat from her body is 100% felt, amazing...

"Alexia Putellas get off of me!" You push at her shoulders, she starts ticking your sides and rubbing her sweaty head into your neck.

"STOP!" You groan and laugh as she tickles you, hiding it with a scream.

"You said you missed me, no?" She replies and kisses your cheek.

"I texted you that before I knew you fucking sweated the Niagara Falls." You reply and watch her face contort into confusion.

"What is that?" She says and her eyebrows furrow.

Seems like you forgot she lived in Spain her whole life.

"Nevermind, but GET OFF OF ME!" You push her off and she rolls off the couch, holding you to her chest so you fall with her.

"Alexiaaaa get off of me!" You groan and she laughs.

"You're on me!" She responds and tickles you again, causing you to scream and wiggle in her arms.

"STOPPP!" You scream and manage to get away from her grasp, she lays on the floor in defeat as your face had a gross expression.

"Now I smell like grass and sweat!" You groan and walk away, unknowing she jumped up from her spot on the floor and threw you over her shoulder.

You let out a yelp and hit her back. She walks you to the bedroom and throws you onto the bed, going into the bathroom and starting a shower.

"That was your plan all along wasn't It?" You ask and shake your head, stand up and putting your hands on your hips.

The blonde turns around with a innocent smile and shakes her head.

"What are you talking about?" She asks and laughs.

You roll your eyes and grab two towels.

"You just wanted me to shower with you." You walk into the bathroom and she walks up to you.

"I don't know what you're talking about, but you cannn join me?" She smiles and you shake your head with a smile.

Likes and reblogs are appreciated!

[peppermintquartz]

Buck volunteers for the Thanksgiving shift. When Maddie asks, he apologizes, saying, "I don't really feel festive right now. But keep some leftovers for me?"

On the day, firehouses around the country all have similar calls to deal with: kitchen grease fires from frying turkeys, sprains in backyard games of football, people injuring one another because "did you hear what she said about our Emma/Francis/Kailey?". Buck is kept too busy to think, and it's nice having the time to catch up with Ravi, who's thinking of going to school to study law.

Their brothers and sisters in uniform also drop off dishes at the station, so between calls, they get pretty good food. Captain Graham gives them an hour offline after four consecutive calls. Buck collapses into a chair and serves himself pasta salad and a delicious honey baked ham, while his dinner rolls warm up in the oven.

He's scrolling through his phone, diligently avoiding the messaging apps, when a message preview pops up.

Tommy.

Buck almost drops his fork. He scrambles away from the dinner table, even though no one on C shift will try to take his phone from him, and finds a spot in the stairwell to read it.

Tommy: hope you have a good & safe Thanksgiving

As he's reading, another bubble appears and Buck's heart skips several beats, but this time it doesn't disappear. A second message arrives, followed by a third.

Tommy: don't know why I texted that

Tommy: guess I just wanted to say something to you

Tommy: you don't have to reply

Tommy: anyway. Happy holidays

Buck feels a slight loosening of the vice around his heart that has been there since that night. With a smile on his face, he types, deletes, types again.

Buck: happy Thanksgiving to you too

Buck: how many kitchen grease fires you got this year? We had 3

Tommy: you're working today?

Tommy: 4, but one of it was in the backyard

They're having a conversation. They're having an actual casual conversation, as easy as they used to on calmer shifts. Buck wants to cry. But he has to answer Tommy's question or have this conversation end too soon. Thinking about his options, he decides that he has nothing to lose anyway.

Buck: I didn't wanna sit around and smile and pretend I'm thankful for everything

Buck: it's better to keep busy

Tommy: I know that feeling

Tommy: I'm sorry

Buck: I'm sorry too

Buck: I wish we could've celebrated together

Buck: I would've said that I'm thankful for you

Tommy: I would have said that too

Tommy: I'm still thankful for you jsyk. I'll always be grateful to have got to know you

Does Tommy think he can't stay in Buck's life just because they broke up?

Buck: I don't think you know me well enough

Tommy: sorry

Buck wishes he'd run after Tommy that night, or done something since to show that he wants Tommy. Well, here's your chance, his brain reminds him. Do something.

He takes a deep breath. Then he types.

Buck: I want to meet. If I come over after Thanksgiving shift, will you please be home?

Tommy: is that a good idea

Buck: idk. But I can't stop thinking about you, and I miss you, and I wanna know what I did wrong. I wanna meet.

Tommy: I miss you too. You didn't do anything wrong, I just didn't want to... Idk. I didn't want to get my hopes up too much.

Buck: we need to talk in person. Texting is not good enough.

It isn't. He needs to see Tommy again. Tommy with his storm blue eyes and tender smile and broad shoulders and soft clothes. Tommy whose crinkly smile drives Buck a little (a lot) insane. Tommy whose lips he now knows the shape of by touch alone, whose body he has mapped out in detail, who knows how it feels to be inside Buck in the most intimate of ways.

He waits for a response. Hopes there will be one. It comes several minutes after, like Tommy had to really think about it.

Tommy: maybe not immediately after Thanksgiving shift

Tommy: are you off on Monday

The relief that crashes into Buck feels almost as overwhelming as the tsunami he was caught in years ago.

Buck: yes

Buck: your place this time

Buck: I'll bring cake

Tommy: you don't have to bribe me to open the door

Buck: no I just baked too much stuff is all. I'll explain when we meet

Buck: I'm really thankful you texted

Tommy: I'm thankful you replied

Tommy: have a good rest of the shift, Evan

It's Evan again. Buck can't hide his smile at all. Tucking his phone into his pocket, he goes back to dinner. Monday can't be here fast enough.

[mcflymemes]

PROMPTS FOR PRE ESTABLISHED CONNECTIONS AND CREATING HISTORY BETWEEN CHARACTERS *  assorted dialogue for giving your characters a history and giving them past things or events to talk about, adjust as necessary

do you remember what i told you last time?

have you been doing well since i saw you?

that's not what you told me back then.

when was the last time i saw you?

you were shorter then.

i'm picking the restaurant this time.

we've known each other since we were children.

always knew i could count on you.

that time was different. this is worse.

you're not going to let me live that down, are you?

i seem to remember a conversation we had back then.

so you changed your mind about it?

do you remember our encounter in paris?

you should know me by now.

am i the only one that knows the truth?

we had a lot of help back then.

your mom told me to look out for you.

you just love bringing that back up to annoy me.

maybe don't mention my past indescretions?

this was never going to work out between us.

i told you not to get attached.

i know more about you than you think.

i was there, remember?

i'm not about to forget all the shit you put me through.

you told me you were going to try and make this work.

remember what i said to you?

the last time i saw you, things were good between us.

you never mentioned this before.

that was the longest flight of my life, and you made it worse.

can i still trust you after all that?

at least we tried to make something work.

we never discussed what happened between us.

okay, but i'm driving the car this time.

i haven't forgotten what you said last week.

i'm still thinking about your comment.

i didn't realize it was you when i first saw you.

you seem to make a lot of enemies around here.

there's not much for us to talk about.

we worked it out last time.

i know you far better than you know yourself.

we have a long history.

is that the shirt you were wearing last time?

what don't i know about you?

i haven't told them about us.

you were the only person i could go to.

you know me.

this is bigger than both of us.

i can't stand your driving.

are you taking me to the place we had dinner last time?

that's not at all what you said.

didn't we agree on that?

i thought i made it very clear where i stand.

are these the same people that came after you last time?

are you still going on about it?

can we talk about it?

staying silent about it won't help.

you're the only person who knows the real me.

this is a bad time to talk about your problems.

[harunayuuka2060]

Mr. Gap: You... not know... look weak...

MC: ...

MC: *turns their bag upside down and shakes it, trying to get him out*

Mr. Gap: What...! Stop...! Me fall...!

MC: ...

MC: That's weird... You got stuck in my bag?

Mr. Gap: ...

Mr. Gap: Me not know... can't move... stuck here...

MC: Oh. Now I feel bad for you, Mr. Gap.

Mr. Chopped: You nice... very... them him hurt... know?

MC: *laughs awkwardly* *mutters* Not in the game though... Anyway, Mr. Gap? Is it just you, Mr. Crawling, and Mr. Chopped who arrived here?

Mr. Gap: Not yet... but them will...

MC: Shit. I should inform the others- Mr. Crawling?

Mr. Crawling: Me... protect... you...

Mr. Crawling: Me... you go with... *smiles*

MC: ...

MC: *smiles back* Well, you're in a new environment, and I haven't given you a tour yet.

Mr. Chopped: Me... go too?

MC: Of course! And that includes you, Mr. Gap.

Mr. Gap: *pouts*

Ace and Deuce: ...

Ace: Okay, I don't actually know how to feel about this.

Deuce: I don't trust that guy in your bag.

MC: Can't blame you there...

Mr. Gap: *looks offended*

Mr. Crawling: Them... nice... Them no judge...

MC: Oh, yes. They're my closest friends, Mr. Crawling.

Mr. Crawling: *waves at them* Me... nice... meet... you...

Deuce: N-Nice to meet you too, sir!

Mr. Chopped: *looking at Ace*

Ace: ...

Ace: Wh-What is he staring at?

Mr. Chopped: ...

Mr. Chopped: Him... same hair... but him messy... not good...

Deuce: Pft-

Ace: Wha- EXCUSE ME?!

[ir-abelas-vhenan]

Don't mind me, just revisiting the plot (again) and dying over this line (again). (These screenshots are going to be abysmal, but you'll get the point).

"To stop now would dishonor those I have wronged to come this far."

Yeah he's talking about Mythal (earned or not) and Felassan and Lavellan and Varric...but the way it applies to HIM, too, is what absolutely guts me.

Long post ahead...

Solas realizing that Lavellan doesn't care about how others see him or want to use him under the inquisiton, that HIS motivations as he has shared them are enough for her and worth defending against those who would tell him he's something he isn't. Solas, for the first time, being confronted with the realization that one these new elves he does not see himself in will still go to bat for him.

"You came here to help, Solas, I won't let them use that against you."

(Is he duplicitous? Yes. But intent on working against Corypheus? Undoubtedly).

“How would you stop them?”

“However I had to.”

“...thank you.”

Solas grappling with the fact that it wasn't just a one off, that this Dalish woman being faced with "hypotheticals" he's desperately been trying to get her people to entertain is jumping in head first, pushing back and disagreeing with him but never treating him worse for their differences and always admitting when he's helped shape a changing perspective. Solas daring to ask for help and marveling at the fact that he receives it, that the same woman who asked if it might some day be possible to live alongside spirits, who did not immediately shoot down his critique of THE CHANTRY REFUSING TO ACKNOWLEDGE SPIRITS AS LEGITIMATE BEINGS (GAH), who did not laugh at him for saying he preferred their company most days, this woman, is going to drop time and resources during war time preparations to personally help his friend.

And then, when he is too late and has once again failed someone he considers a friend, he disappears within himself, where he has always gone to exact punishment for the weight of the lives he believes he's betrayed. It almost works, too.

Psych. Lavellan doesn't want him to grieve alone, to stare at the place in the Fade where his friend used to be and think of all he should have done differently.

“The next time you have to mourn, you don’t need to be alone.”

“It’s been so long since I could trust someone.”

“I know.”

“I’ll work on it. And thank you.”

And still she unbalances him, accepts him, wants more. Solas is sharing a personality that brings him the closest he has ever been to his spirit form, and it is ENOUGH for her. Existing as he has always dreamt of is all takes to earn her loyalty, respect, and eventually love.

But does she stop there? No. She doesn't chafe at this random apostate who speaks with certainty and unapologetically delves into a past he believes worth preserving, even at the cost of questioning her culture as it currently stands.

The very woman he once thought of as a mistake that HE unleashed upon the world is asking to be a part of his, not because of what he can bring to the table, not because she needs a right hand man, and certainly not because she thinks he has some well of power and intelligence critical to winning over enemies she’s willing to join for "supervisory" purposes (cough cough hi Mythal). She bears the weight of choices that can and will lead to death, to pain, and when it wears on her she relies on him, not for solutions but so that at the end of it all she might smile with someone who knows her heart and the good she tried to do amidst a sea of terrible options. She wants to be known, no inch of her unturned, and worse, she thinks she knows him. But how could she? This is no longer who he is, it is merely the remnants of what he destroyed to make a world at Mythal's whim.

“You’re an admirable man. Not many people know who they are the way you do.”

“Thank you. Both for saying that and…for seeing that. Few in this world can see me instead of just seeing a pair of pointed ears”

She. Sees. Him. Every part he slowly is realizing he wants to be known for and even a few he thought he could hide. And then he gives it all up. Because he woke to a new world where spirits and elves and mages were so far removed from the role they played in Arlathan that it can only be yet another mistake he caused and must fix, never mind the fact that the dwarves have forgotten why they fled underground millennia ago in the first place.

The friend who tore him from the world he loved, urged him to take physical form? She is dead, too, never mind the fact that she ignored his urging for a different path, nevermind that he killed and tore and hurt in her name because otherwise what was losing the part of himself he loved for?

"A spirit becomes a demon when denied its original purpose.”

“It hurts. It always does, but I will survive.”

“You bound it to obedience, then commanded it to kill. That is when it turned.”

He may no longer recognize where the Dread Wolf ends and where Solas begins, but if he gives up now and permits himself the chance to remember, the pain he caused himself and others means nothing, because he did it all for Mythal and in his final discussion with her, regardless of what Veilguard tries to convey, she does not release him from his position as her agent.

And maybe that's part of why I'm so angry, because EVEN BEFORE TRESPASSER, the fragment of Mythal that ends up in Morrigan could have freed him, but she does not.

"I am sorry." He whispers.

"The failure was mine," he tells her, voice trembling. "I should pay the price."

Silence.

And do we get that "what we did, we did together" psuedo-fake ass-absolution, the one that, if given enough time and safety to put himself first he may have realised he doesn't truly need to pursue the things he deserves, that make him feel finally like himself again? No the fuck we don't.

"As am I, old friend." She murmurs.

Looking through the lens of Veilguard, this isn't an apology, it's a condemnation. It's Mythal tormenting him one more time, twisting the knife deeper, agreeing that it is Solas alone who has brought them to this point, who deserves to be punished. And then she reminds him what they are to each other, what he is supposed to be to her. What he must become again.

"It isn't abuse if I ask," Cole says in his personal quest.

"Not always true," Solas shoots back.

So he recommits to the friend he gave up his nature for, he refuses to let himself remember that Lavellan learned the full truth of his identity and still begged him not to mourn alone. Even so, he still cannot quite forget.

Var lath vir suledin. Our love will persevere.

I wish it could, vhenan.

And so he pushes onwards, spending almost a decade denying himself his true nature and regretting that he ever gave it a chance to come through because now he KNOWS that this world is different and a little broken, but it's a world he could be a part of because of the woman and the friends that made a place for him. It is a world that doesn't necessarily need to be restored as much as it might need renovation, but that is not the world Mythal demanded of him when she let him kill a remaining piece of her. And any solution but that means the hurt of taking a body, of hurting the titans, of time and time again being called on by one evanuris to fix a problem they all caused, was for nothing.

And a Pride of that magnitude, that sinister an origin, has a long, long way to fall.

And then that same uppity little shit has the audacity to tell him it's not too late, that he can turn back.

He kills again. He kills again. He kills again.

He kills a friend.

He fails to prevent the Evanuris from wreaking havoc a second time, wrenches another innocent into his war, and when they ask him about the woman he calls vhenan, he feels the mask stifling him begin to suffocate. But he never lets it fall, because to surrender now is to place her broken heart atop the pile of regrets he's been holding up like Atlas crumbling beneath the weight of the world itself. Because he still thinks it selfish to want the things that make him feel like himself again, so they need to be taken off the board entirely.

"To stop now would dishonor those I have wronged to come this far."

If he gives up now, his entire corporeal life has been a betrayal of many, but worst of all, he will have ruined himself for nothing.

But then she's there. A little older, a little sadder, and still looking at him like she did the night he almost broke and instead carefully removed any suggestion that she had ever belonged to anyone but herself.

"Didn't you hear me?" Her every action screams as she kneels to meet his gaze like he did the day he took her arm (another failure, another sacrifice he cannot let be for nothing).

The tombstone in the fade is his greatest fear, but it is not his fate. Why? She will not let it be. It cannot be his din'anshiral if she is not beside him.

Lavellan may not have understood the depth of exactly WHEN Solas first came somewhere foreign and uncertain to help, but she never once failed to keep her promise. She refuses to let his initial desire to do good be held against him any longer. And when she sees him accept that not-quite-absolution-definitely-more-of-a-power-play from the god that saw what he was capable of and molded him into a weapon, she finds her in to make sure he doesn't walk off alone to mourn again, never again will she lose him to the expectations others have of him. No doubt she wants to find a way to sink the fingers of her good hand into that spectral visage and tear it away like he wishes to do to the veil. But she is not here for Mythal. She is here for her heart, and for the man who has been carrying it since the moment her lips met his in the fade ten years ago.

“No orders to kill, no conflict with its nature, no demon.”

She forces him to see that the only remaining betrayal is to lock himself away one more irreversible time. All that's left to lose is the piece of himself he cherishes more than his greatest victories: all that he has to gain comes from making sure the love that was given to him at Skyhold, in the moment where Varric saw all he was capable of and still tried to bring him back home, was not given in vain.

"There is no fate but the love we share." She tells him as soon as Mythal's too-little-too-late platitudes send shudders through his body.

Banal nadas ar lath'ma vhenan.

It will not be so terrible a place, so unforgivable a betrayal if he can finally dare to put himself first. If, unlike that night in Crestwood, he finally gives in not to break, but to make himself whole.

There's a codex entry in Inquisiton about a spirit of wisdom who is summoned by researchers and only after a very pleasant conversation do they realize they made a mistake and never successfully bound the spirit in the first place, that it chose to speak with them of its own accord.

"I am not certain the spirit would have talked so freely had it been shackled at the time," writes the author of the entry.

I keep thinking about this alongside the datamined line of Morrigan saying, "And so, the Dread Wolf is stopped by, of all things love."

But that isn't quite right, is it?

Because in the end, of course the Dread Wolf could only ever freed by, over everything, love.

[pinkpabli]

The parallelism between Kim not being a great shooter, Eyes, Kim's previous partner and presumably dead, getting his nickname from that exact reason, and Kim shooting the mercenary right in his eye to protect Harry.

They all connect to Kim's greatest weakness: his sight. His body is a machine, HE is a machine, well oiled and programmed to serve and bring justice, so much that he fails to see himself as human. Except for his sight. His eyes remind him everyday of his mortal form, of a form that can make mistakes, have feelings, die and feel warm blood on its skin. Kim is human, and the Tribunal reminded him once again.

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[poorly-drawn-mdzs]

Hey now, Let her cook!

[maeamian]

Part of the reason that Republicans are so desperately acting like they will never lose again is because they are deeply terrified that this is their last real chance to win. The big orange dipshit came in and gutted the party of everyone who wasn't a loyalist, which left it full of nasty little gremlins who have gaping voids where charisma and human decency is supposed to go.

They still hold a lot of power, but if we stop them this year the next presidential election may not be the Most Important One Of Your Life™, that's not a guarantee or anything, but if they don't win here and now their future looks grim, this dipshit is the only guy they have left and he's extremely diminished and has his brains leaking out of his ears at this point. We can beat him into the ground.

So that's what we're gonna fucking do. We're gonna break these fucking fash. They will crash upon us and we're gonna break their fucking necks. When they come for us they will lose because they're fucking losers and we have each other's backs which is something they fundamentally are incapable of comprehending.