#i don't know if it turned out ok!

[liar-or-lawyer]

Donna wasn't sold on the new associate, Mike. When he requested help with paperwork, she saw it as a chance to show him the ropes (and the ruthlessness) of Pearson Hardman. Her initial tough act worked for a while, but Mike was unexpectedly charming. He wasn't a shining star, but his loyalty was undeniable. Donna and Rachel had both witnessed him defend Harvey's work ethic and even stand up for his new colleagues. Mike seemed to have a natural instinct for taking the side of others, perhaps a bit too readily. Donna guessed that the kid must think he was born to be a lawyer with the way he rushes to everyone's defense. Despite her reservations, Donna found her defenses weakening. She couldn't deny Mike's genuine efforts. There were mornings when Mike was late with his work, and if Harvey wasn't in yet, Donna would sneak it onto his desk. It wasn't a lie, exactly, but she wouldn't volunteer the information either. Harvey wasn't oblivious. Every time he picked up a late brief and saw Donna place it there, a knowing smirk played on his lips. Donna understood body language. Harvey's message was clear: "Let him get to you huh?" Of course, if Harvey dared to call her out, she'd point out his own growing fondness for the "brat." A raised eyebrow was enough to convey that message. Harvey, ever the coward, never brought it up. Mike, with his unwavering loyalty and dramatics, reminded Donna of the Titanic: a slow-motion disaster that inexplicably captured hearts. She didn't want to like him, but there was something undeniably magnetic about his tragic earnestness. Donna sighed, took a sip of coffee, and shuffled through her paperwork. There were other tasks to complete, tasks she didn't particularly relish. But as they say, there's a strange allure to the tragic, even when you try to resist.

[krysmcscience]

I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.

Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:

Dude slipped right into his birthday suit, lmao

this is so stupid :D

Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.

[cheesomancer]

Oh to be carried by an orc~ 🥰 Cheeseless art: twitter, bsky

[the-alien-incident]

Day 1: Screenshot redraw UnGIFed version:

[doctorho]

this one is for eveyone who needs some extra love around these times.

Viktor knows better than he'd like that life isn't always...pretty. Or simple, or easy, or fair. No matter how hard most of Piltover seemed to pretend that there was something magical in the midwinter turnpoint that made everyone suddenly forget the suffering and misery and the complexities of real-life situations, he knows that's not the case.

Which is why he doesn't ask stupid questions when you stay at the Academy over winter break. He doesn’t pry; he doesn’t need to. It's evident enough in the way you preoccupy yourself with work that it's something you'd rather not discuss. You're focusing harder than usual, and he's familiar enough with what that precarious, tight-knuckle grip on being okay.

And Viktor?

Well. Viktor's more than happy to be a distraction.

When he gets to the lab, mid-morning, you're already there. He's not exactly surprised; he'd anticipated this. Maybe even hoped for it. He'd worked with you for a while now and grown exponentially more attached to your company - not that he'd told you the extent of his affections. But he'd get to that. Hopefully.

He came prepared with two warm drinks and still-steaming pastries, and he silently starts unloading those to the common desk that had been designated as the makeshift kitchen of the room.

"Good morning," he says casually, "I brought breakfast." He thinks of adding if you want some, but upon reflection, doesn't. There's a fine line between respecting someone's free will and pushing them to make good choices, and he's currently erring hard to the side of I don't know if you've eaten anything yet today but you definitely should.

You only hum in response, not lifting your eyes off your current project.

In response to this, he hums back and tilts his head, studies the organized mess on your desk; circuit boards, either half-assembled or half-taken apart, he's not sure, stripped wires, a steaming soldering iron. Your hands, shaking a little.

He places the drink intended for you on your desk, just annoyingly out-of-reach, and waits for you to look up.

"When was the last time you ate something?" he asks, holding up the pastry now that he has your attention.

"Why does that matter?" you ask, reaching for the takeaway cup on the edge of your desk. Viktor leans the handle of his cane to block your reach, which makes you look up at him. Properly.

"Just trying to determine if I should make you take a lunch break while I'm bothering you, or if the pastry will suffice."

He lifts his eyebrows, waiting for you to answer.

You shift in your seat. He can hear your back crack in several places, and not in the pleasant type of way.

"Last night," you answer, leaning back with a sigh, then quietly add, "I think."

Viktor reaches over to turn off your soldering iron. "Lunchbreak it is, then. These can be dessert."

"I'm fine-" you start, and he lifts an eyebrow.

"I don't believe you," he says, completely casually, "I think you're pushing through low blood sugar to get this-" he gestures towards the desk, "finished, and I can tell you it's much easier to make mistakes when you aren't thinking clearly."

When you're quiet, he continues, picking up your coat and offering it to you. "You can trust me on this," he says, "I have more than enough experience."

You take a deep breath and sigh it out, feeling somewhat like a toddler.

"I promise you can go right back to poking at this later." He adds, and you slowly take the jacket from him.

"Good," he says, "I know a place."

It's a careful dance, and he knows this; he doesn’t want to push you. But he's been there, and he doesn’t want you to suffer more than absolutely necessary. And he really does know a place.

He re-packs the drinks and the pastries, and you follow him to a nearby cafe-and-drink-cart that's serving small steaming dishes outside. They're serving small steaming cups of - stew? Soup? And warm bread filled with different things, and you hadn't really noticed it before, but now that you were looking at - and smelling - the food, you were starving.

By the time you've registered the selection, he's already ordered for the both of you, and then the guy at the cart is offering you a brown paper bag and Viktor is moving again, and you take a few hurried steps to catch up with him.

"Where are we going?"

You can see him smile before he answers.

"Well," he says, "I was thinking we could take advantage of the great hall being empty, and eat there." He turns to look at you with an eyebrow raised, "I can only imagine how displeased the Academy Staff would be if we risked dirtying their marble floors with common food."

"Oh, really, you can only imagine?"

He shrugs, grinning. "Are you insinuating I have experience with matters such as these?"

"Yes," you answer, opening the paper bag to study its contents while you walked.

He hums in answer. "I am shocked by your accusations." He says, then, clearly fighting a smile, "I would never get caught breaking such a boring rule."

You smile now, too. "Right," you answer, "only the interesting ones."

The way he glances at you and smiles is more than enough of a response.

He stops at one of the long tables at the grand hall, and as he shrugs off his jacket and sits down, you place down the paper bag and do the same. He starts unpacking the contents of the bag, focused, placing down steaming bowls with a spicy scent to them, paper-covered wraps of something, utensils, and smaller bowls of... something colorful. Spices? Toppings?

Viktor opens the containers one by one, making the contents of the single takeaway bag look like a pretty impressive feast.

And you study him as he moves. Careful, confident in his movements, calm. While your insides felt like they were trying to hide, and had felt like that for... a good while now, he was calm like any other day. A rock-solid presence in the otherwise empty room.

"Are you not going to ask me?" you ask, "why I'm working through the winter break."

Viktor's only imminent reaction is the gentle lift of a single eyebrow.

"No," he answers, casually, and it sounds simple when he says it like that.

He meets your eyes, and that feels simple, too; because he is here, too.

It doesn't have to be any more complicated than that. He unwraps a folded paper napkin with careful fingers, and then places a steaming-soft bread in front of you.

You look at him for a moment, and then take a bite of the bread. It is soft and warm and heavenly, and when you taste the stew-soup-something, it's like it warms you down to your soul. You eat in silence; but it feels like there's a gentle bubble of understanding surrounding you.

You hold the warm bowl, and slowly, your hands shake less and less. The tension around your head gives away a little, too.

"Do you like the snow?" Viktor asks, and you follow his gaze out the window.

"I probably shouldn't," he continues, "the cold isn't exactly gentle on me. But it is pretty, I can't deny that."

You hum in answer. "Yeah," you agree with a small sigh, "it is beautiful."

His eyes meet yours, and he tilts his head.

"Do you want to break another rule?" he asks, something michievous curling at the end of his words.

You tilt your head in response. "A more interesting one?"

"Infinitely," he responds with a smile, and you're already on your feet.

And that's how you end up breaking into the roof of the Academy with him. Or, it's probably not technically breaking, since he has the keys, but you definitely aren't supposed to be in there, so that's what it feels like.

It also feels... breathless. And not just because it feels illegal, but it's... it's beautiful, and he holds your hand in the dark stairway and doesn't let go when he guides you to the expanse of the roof, and there's snow floating down all around you-

and for a moment, it feels like you're the only two people in the world, surrounded by a gentle blanket of snow and silence.

Or... not-silence. There is a song softly floating through the air, like it's being reflected in the snowflakes all around you.

And Viktor is offering you a hand.

You furrow your brows as your head catches up with your heart. "Are you asking me to dance?"

"Would you say yes if I was?"

And that was the question, wasn't it;

would you?

Your head tries to butt in with should you, but... something still-soft and light in your heart comes in way too solid with a yes.

Yes, you would.

So you take his hand, and meet him halfway to an embrace. He pulls you close to his chest, and the dance is as gentle as the snowfall around you; just a soft sway from side to side, breathing in sync with the music.

And Viktor isn't sure if this is a good idea, but... you look like you're further away from that edge now, no-longer shaking, and... he hated seeing you in your head that deep, and if he could do anything to help you find your way back to yourself, he'd do that.

It feels a little selfish, this dance, but... it was difficult to justify that when you were in his arms, breathing calm and even.

"I really am fine," you tell him quietly, and he runs a hand up your back slowly. You swallow. "Or I will be, at least."

"I know," he breathes out, and he means it.

You close your eyes, and believe it.

[longmaxsilvarg]

something about the main menu for life is strange genuinely makes me wanna collapse and sob

[swagveryswagamazinf]

haii wjat if qmari was part of the team red bolas:33

[ day 3 what if.. slimerianaweek

[a2zillustration]

(It's ok Yurgir will respawn in Avernus)

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.

[fearandhatred]

the cucumber aziraphale to the bestie @crowleys-bentley-and-plants' tomato crowley!! i got really into it for some reason so it's way more detailed than i intended it to be lmaoo

[one-bunny-a-day]

30/12/2023

[oneshotgremlin]

Up and Down

Thoughts on how beings generally perceive their world one spatial dimension lower than the dimensionality of the space they inhabit:

In the flatlands, the way people perceive the world around them is through lines, and so visual receptors HAVE to be on the edges of their shapes

Otherwise by all accounts the person would be effectively blind

So Mrs.Red and Mr.Blue have this strange yellow boy

Who appears to be born with no eyes

(It’s directly in his center, but without tests and doctors nobody can see it)

And for all intents and purposes, the boy is blind

He has to feel his way around buildings and people (in his hand a black cane that his parents bought to aid him)

And he doesn’t know what his parents look like, and only knows them by their voice as they guide him

They love him all the same, regardless

(Meanwhile, he stares up at the infinite expanse of the night sky. But the thing about infinity is that it makes where you stand so infinitesimally tiny in comparison, and no matter how far you run side to side the stars do not move an inch for you. And if they’re all someone sees, the only logical conclusion that can be drawn is that where they are is unspeakably, claustrophobically small)

(It doesn’t matter if the kids at school bully him and the adults look at him with pity and disdain that he can’t even see, because don’t they know how SMALL they are? Don’t they know how small EVERYTHING is?)

And so, with years and years and nowhere else to go, Bill reaches UP

(And no-one else has tried before, because why would they? There is no up or down to conceive, only forwards and backwards and left and right.)

It takes unimaginable amounts of energy to punch a rift into a dimension. In a time and space unmeasurably far away, a six fingered man and his five fingered twin would learn that lesson well

In the flatlands, it’s less of an interdimensional portal looming ominously in a metal room and more of a calculation

l is for length. w is for width. h is for height

And like a computer told to divide by zero, everything falls apart

Did you know that when energetic particles that erupt from the stars collide with a sufficiently nitrogen rich atmosphere, it produces the color blue?

Did you know the only reason the flatlanders didn’t drift off into the freezing cold yet boiling hot void of space, despite not having a planet with the volume and mass needed to produce a gravitational field, is their dimension’s lack of third dimensionality?

Like insects pinned underneath glass, yet the glass protected their corpses from falling apart?

They scream. He cries. He laughs. They die.

It’s an old saying: “When gravity falls and earth becomes sky beware the beast with just one eye”

And when little Billy looks away from the stars, looks down to finally see his tiny, minuscule home

For the first and last time, he sees a blue triangle with a hat, and a red triangle with a bow.

[auriidae]

goofy hermit doodles!! because uhh why not!!

[basofy]

i think you can be as critical about the venezuelan opposition and maría corina and edmundo as you want but arent venezuelans allowed to choose for themselves even if the options arent perfect? are you willing to justify electoral fraud and police brutality, class inequality, bad management of resources, lack of maintenance of the country, breach of the law, lack of investment in health services and education etc etc just because the person doing it is someone you like or because you don't like the other option? are people at fault for wanting something different?

[island-in-the-shadows]

"It's hard being an Armand girlie right now.."

Me: Is it? Baby boy definitely did all that shit, sure, and yeah it was terrible to Louis and Claudia and Lestat and Madeleine and technically the whole coven...he looked fabulous af doing it thought. Credit where credit is due he gaslit his way to a mediocre relationship and, probably, [Redacted but understood by the girlies in the *know* about 1973-1985]. Not being alone meant being in the worst possible relationship for all parties. Gremlin chose violence against everyone, himself included. I'm not gonna say oh woe is him when it comes to this (his backstory is a whole other story but we're not really there yet). He's a chaos demon and I just love that for him. And I love that it was his (eventual) fledgling who exposed him. He had it coming. Either way? He's a little evil shit but he sure as shit was fabulous doing it and I love him.

[mintjeru]

alexa play "kaishin no ichigeki" by amatsuki 💘💥 thank you @/smstrvngartist for your donation to @hkvthm-action (donations for this gotcha close in a few hours! your support is appreciated 🍉)

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