#i don’t think any of these characters overlap

[cinnamnt]

just met kay in aai i definitely don’t hate her i think she’s fine she’s funny or whatever but i still don’t really like the concept of her ngl mostly because i don’t think EVERY aa protag needs a weirdgirl assistant… what i always liked about edgeworth is he mainly operated alone with his weird lackey actually being gumshoe and that kind of set him apart

[cheeky-cheese]

i would like to put Kaz Brekker (soc) and Levi Ackerman (aot) in a room together and watch them try and kill each other gladiator style

[soullessjack]

oh my god like. the stark contrast between mob’s inner self — saying that everyone around him held him back, everyone was afraid of him, everyone treated him differently, everyone only saw him as something to use and that he was never accepted by anyone at any point; that he would never be accepted for who he really internally feels he is — vs all of mob’s friends and family repeatedly saying “we aren’t scared of you because we know you and we love you, this is just a part of you that we can live with and accept,”— not to mention reigen fully admitting that he was using mob and apologizing for it, as well as telling mob that the only person who really needs to accept mob is himself..? It’s just. It’s so good man

[controversial-blorbo-bracket]

how many final fantasy xiv submissions. i know that fandom has some... very divisive men

Surprisingly only 2, and for two different characters at that.

There are quite a few fandoms I’m surprised not to see here yet, but there’s still a week to go

[cabeswaterdrowned]

which tda book is your favorite?

Lord of Shadows slightly edges out Lady Midnight although they’re really close since I love both so much… but LoS has the overall most impactful arcs and storylines to me the section in the Unseelie Court is probably my favorite part of the series, and the ending packs a big emotional punch to say the least. It might be my favorite tsc book period actually I really love LoS. Also like I just said in the previous ask I tend to be a middle book(s) or middle seasons girlie it’s just who I am. I think this book struck a neat balance between being character driven and plot driven that was extremely effective although to be clear it would probably also be my favorite if it was just character centric filler angst about Emma&Jules because that’s who I am… but I’m still glad it was more than that! LM is also wonderful in a way that few first books in fantasy series are to me usually there’s a slow burn for me to be really invested but not here, and the whole murder cult mystery with body horror (had forgotten about the missing hands that made it even better) + forbidden romance + familial dynamics themes combo and vibe really works for me. Qoaad is my least favorite of the three but I still really like it, and I definitely thought far better of it on reread compared to when I first read it since back then I had been anticipating it so hard and theorizing etc. and had very sky high expectations (especially with Clockwork Princess being a rare perfect finale to me and with how much I loved the first two tda books I hoped for Qoaad to accomplish the same thing..) on reread I could evaluate it more for what it is and I came to the conclusion that about 80% of the actual content of the book I am a fan of, it’s just that the pacing of the book is insane. Genuinely if that book was split into two books and they were paced normally I’d have loved them as much as the first two I think! Genuinely I think cc has gotten too attached to trilogies as the sole structure for her work and it’s a big part of why the receptions for her last two finales have been what they are … (well I’m sure there are multiple factors at play but I’m confident that’s one of them) also maybe even effected tmi part 2 because I remember cofa being pretty filler and the plot there feeling like it could be resolved in a duology? I love almost every individual storyline in that book so if you asked me which ones I would snipe for the third book to be paced correctly I’d be hard pressed to get rid of things but if you split it into two books and grounded them each tonally to feel distinct and just gave us some breathing room I think you could stick the landing! But since I like almost every individual element of the book it’s an enjoyable reread when you already know where the story ends up and the best parts of it really work for me / get a level of emotionality from me no tlh or tmi book does so it still ranks high (like #6ish since I like all the tid books more as well as first two tda) for me, I slander her but she’s my bestie <3.

[leucosia-meme]

spotify wrapped :)

(plus lots of rambling in the tags)

[ossiethegreat]

hue makes an appearance again.. if any of yall know me from tiktok and saw my first post about him ily

don’t mind me @toffeebrew @howlsofbloodhounds

Yapping below \/

So initially he didn’t have much of a story because I’m not very creative and I blank out whenever I try to make something original so yeah.

basically, if Color were ever to get error-d, I think he would be on a hike, probably in some random AU that had nice scenery or something. He’s wearing a rain jacket because it was raining at the place he was, and he he just happened to be at the wrong place at the wrong time, and Error or some other entity was destroying it or something. As for how he got into the anti void,,, yall can use ur imagination 😭

(That’s the best explanation I can give, kill me)

I was more focused on the actual character than his backstory, so I’ll just explain my ideas of how he would act and such..

I called him Static Hue, or just Hue for short. (It’s a synonym of color I’m very creative guys)

I think whatever caused the error in his code amalgamated the human souls, and kind of made them fuse together, so Hue can never understand what they are saying because they speak over each other all the time. The different traits overlap and he feels mixed emotions all the time, along with intense mood swings and anxiety attacks. His flames also change color at a much faster rate, so people with epilepsy will stay FAR away from him 😭😭😭😭

Fun fact: he’s also blind. The only thing he can actually see is the color of his flames (which change all the time), and it tends to give him headaches and nausea. His grabblings are always out and just attached to his back so he can use them to move around.

As for the strings, they are very hot to the touch and leave burn marks on however he uses them on. They burn himself as well but he doesn’t pay any attention to it.

Hue’s memory is very jumbled, he didn’t necessarily forget about everything, but he doesn’t remember why exactly he does things. He knows he needs to help killer and protect him at all costs, but he isn’t sure why. He knows he hates Nightmare and REALLY wants that guy dead, but he doesn’t know where that hatred came from. And of course he naturally feels safer near the epic trio, and nervous staying in the same places for too long.

hue’s pretty obsessive over Killer for this reason. His need to help killer was multiplied by a gazillion, and he tends to just.. kidnap Killer and take him random places to keep him close. Sometimes he accidentally hurts him, but he doesn’t realize it, the only thing he can think about is keeping him safe and close to himself. On the contrary, he gets super aggressive and defensive at the mention of Nightmare, and if he were to see him face to face he would attack without hesitation. He knows his job is to keep Killer safe and away from Nightmare, and that’s really his only motive. He just doesn’t know where it came from.

Similarly to most errors, he has trouble speaking because of stuttering and glitches. He also can’t form very clear thoughts because the souls are constantly influencing his behavior. He has trouble explaining his thoughts and feelings, he tends to speak more in actions (as in he would crush you to death in a hug to show affection.)

anyway. If anyone wants to add onto this or share thoughts I’d appreciate it..

Here’s some older drawings of him LMAO

[physalian]

On Writing Characters with Hyper-Specific Triggers (and a PSA)

*Trigger warning for this whole post

Once upon a time, I had a roommate. Nothing looked wrong from the outside and this narcissist probably thought nothing was wrong on the inside, but there was. I knew moving in with them was a mistake, but financial circumstances demanded I shut up and try to make the most of it. Enter the longest thirteen months of aPTSD-inducing psychological stalemate I hope to never repeat again. Seven of which were on overdrive.

The why doesn’t matter. The how doesn’t matter. What matters is that this roommate was so toxic, there was no point in attempting to talk things out because any little thing could be a land mine for starting an argument and it didn’t matter what casualties got caught in the crossfire, so long as this person “won”. Casualties including our friendship. So if any little thing, anything at all, could be a land mind, what do you do if not try to completely avoid them? For seven months.

This person’s work schedule was incredibly erratic, but they were gone more hours than not, and when they were home, they were usually asleep. In those few overlapping hours where we were both awake, I could not leave my room for fear of said verbal land mines. If I wanted to cook, leave the apartment, get anything from the living room or my desk that I had to abandon, get more water from the fridge, I had to do it before they got home, or after they went to bed, and I could never predict when they’d be home.

Luckily (or unluckily), my room faced the parking lot, and this roommate drove a car that made a very specific sound. From the moment I heard that car from my room, I had about 20 seconds to shut down whatever I was doing in the apartment, retreat to my room, and lock the door. Overreacting? Potentially, I wasn’t in any physical danger, but this was seven months of near complete isolation from any other friends, and the fear of making it worse kept me silent.

So, 20 seconds from the moment I hear the telltale whine of that engine. If I couldn’t hear the car, our front door had a lock that chimes and I had about 7 seconds from the first chime to the door opening to get the fuck out of the way. I lost weight that I couldn’t afford to lose from being unable to cook past a certain time in the evening and staying locked in my room on their days off.

Seven months of only having a door chime and an engine to tell me when it was safe and when I had to run.

—

These chime locks are the new normal and one year removed from that apartment, every time I hear it and I’m already stressed, it’s a trigger.

Every time I’m on the highway and I see a dark grey sedan of that make, that is the most important car on the road until I make sure it’s not their car.

Every time I see a dark grey sedan parked in reverse, as they habitually did, that is the most important car in the parking lot until I make sure it’s not theirs.

Every time I have to drive near a certain location where they work, I am watching for that car.

I could pick it out from 200 others. I know the license plate, I know the license plate frame, I know what sticks to the windshield, I know what hangs from the rearview mirror. I would know that car rusted and crushed in an impound lot.

So. Today I drive home and I pass a rear-parked car one turn before my unit, and I think to myself, “that’s not X’s car, but I noticed it, I’m never not going to notice it.” It wasn’t the same make, model, or color, it was just a sedan with its nose sticking out and that was enough.

Then I turn the corner. And there it is. My ex-roommate’s car.

I shit you not it was like I had a warning from the Universe before it hit.

I don’t need to check the windshield, I know it’s theirs. I’ve seen it in my complex once before. The last time I did, I’d parked my own car and waited, got out, and hid between two others in the dark, waiting for this person to leave.

Today, in broad daylight, that car is empty. They happened to arrive while I was gone for 30 minutes. So I park, and I wait. I watch that car from my side mirror. I scan the sidewalk for them and I don’t see anything. I have frozens that can’t wait.

I’m thinking to myself, of all the parking spots in all the parking lots, of all the apartments in this godforsaken town, you parked right behind my spot.

Nothing happened, and even if we crossed paths, nothing probably would have happened (that’s how they worked, pretending nothing was ever wrong and that I was the crazy one). But I still waited, and when I decided to leave, I moved as fast as possible without drawing attention. One whole year removed from that person.

—

It doesn’t take physical abuse, or yelling and screaming and death threats. It doesn’t need to be a parent or a sibling, a relative, or a romantic partner. This person never touched me, never screamed (though they did yell on occasion), never actually threatened anything. They never called me names, were never direct with any of their insults, were never explicitly petty. I had no proof. Ever.

I just had example after example of every time they cut me down to feel smart, picked on me to feel better about themselves and project their own insecurities and jealousy, or used me as their emotional punching bag because of choices they made.

So a year after completely cutting them out, there’s that fucking car parked outside my apartment.

Media portrays “triggers” usually only in characters who are veterans. Noises that sound like gunshots, or thunder, fireworks, because that’s what we think of when we see PTSD—people who fought in wars.

It’s not like I sit around fixating on that car or that door chime (and actually with exposure to that chime every day with no consequences it’s gotten better), but that’s the point. They come out of nowhere when you least expect it. They don’t prepare you for their arrival, they just happen.

I didn’t have anything close to a panic attack, but nothing in the universe was more important in that moment than making sure I didn’t run into this person, until I calmed down.

Trigger attacks don’t have to be this big flashy thing, born of big flashy movements. It can be something as subdued as going quiet, staring at the thing, and your brain dumping everything else except all the potential outcomes of not escaping this situation immediately. It’s just a car. It’s not like an evil Big Dick truck with smokestacks and truck nuts and a MAGA flag on the back. It’s just a nerdy sedan that could belong to anyone.

—

So. PSA.

What you think might be an overreaction by someone you care about, they probably think is an overreaction, too. Did I want to have fate shit on my day and spend extra minutes under the hot sun when I have chores to do? No. But it happened.

What you think a trigger is supposed to look like or what the symptoms are supposed to be are not just what’s dramatic and flashy for the TV. Here I am writing a whole blog post about it instead of just moving on and I can't go back and check for typos because I don't want to have to reread it.

Do you want to die on a hill of “get over it” when someone you care about would love nothing more? Just. Be there for them.

And to writers, artists, anyone—it doesn’t have to be dramatic to be the most upsetting part of someone’s day. Including such simple things as a door chime, or the sound of an engine, really helps with visibility so people like me don’t think “I’m not allowed to feel this way, I didn’t actually suffer like a shell-shocked veteran”.

Most of us never will. That doesn’t make any of our hardships any less valid. Please be kind.

[egcdeath]

the old college try

summary: you reconnect with an unexpected guest at the creator of your scholarship’s dinner party.

pairing: patrick zweig x reader

warnings: stanford era, sassy reader, situationship, a touch of family drama, mentions of putting an etsy love spell on someone, arguing, emotional immaturity, maybe not the best decisions from our lovely characters, kindaaaa open ending

word count: 4.6k

author’s note: i am absolutely addicted to all things ex!patrick. i hope you enjoy reading this!

“This is my son, Patrick.”

Your stomach dropped the second the woman’s son turned around, familiar light eyes and scruffy appearance immediately taking you back to your tumultuous third semester of college. 

You remembered it like it was yesterday—the extended periods without contact followed by a surprise appearance at your dorm room, or the drawn out arguments on the phone that left every passerby giving you—the angry woman on the phone in her pajamas on the sidewalk—a strange look, and even the few good times you had with him. 

You blinked once to make sure your eyes weren’t deceiving you, then felt an onslaught of realization hit you at once. Despite your several month on-and-off situationship with Patrick, you never learned much identifying information about him, including his last name. In fact, that had been something you’d argued about multiple times. The two of you barely knew each other, save for each others’ bodies, which you unfortunately both knew very well.

Had you known that Patrick was the son of Mrs. Zweig, donor to your scholarship, you wouldn’t have accepted the invite to this family event. 

Mrs. Zweig seemed to recognize the shock and confusion on both of your faces. While you didn’t think your mouth was agape, there was certainly a high chance that it was. “You two already know each other?” she asked, looking amused. 

“No,” you quickly replied.

“Yeah,” Patrick said, his words coming out at the same time as yours. 

“Yes,” you tried again, trying to get your story straight. 

“No,” he said this time, your voices overlapping once more. 

She glanced between the two of you skeptically before humming aloud. “Hmm. Well, I’ll let you two chat and connect, or reconnect, whatever it is you’re doing.”

She was off without much more fanfare, leaving you very flustered in her wake. 

“What the hell are you doing here?” Patrick asked you, getting right in your face like he always did when the two of you argued. It was almost slightly nostalgia-inducing. 

“What are you doing here?” It was a stupid question, given that he had been introduced as the son of your beneficiary. Of course he would be at a family function. This was his family, after all. But you were flustered, as anyone else in your shoes would be, and words were currently failing you. 

“Zweig doesn’t ring a bell?” he asked. When you responded with a wordless shake of your head, he chuckled in annoyance and disbelief. It all felt very familiar. “What was it that you always used to say to me? ‘You don’t even know what my middle name is?’”

You crossed your arms over your chest and rolled your eyes, not knowing where the discussion was going, but not liking it regardless. 

In response to your non-verbal response, he leaned in close to your ear, clearly not trying to let on to the rest of the attendees the level of drama that was currently occurring in their midst. 

“You hypocrite.”

The words he spat were simple, but effective—leaving you simultaneously filled with rage and oddly, a little aroused.

He walked off after that, using self restraint that you weren’t actually sure that he had. Knowing Patrick, he would be back and spewing vitriol in your face or in your ear whenever he next had the opportunity. 

You were taking a very different approach to the situation. Now that you knew Patrick was at the event, you were determined to do everything humanly possible to avoid bumping into him. 

You talked to any and everyone you could find, trying to ignore the fact that you could feel Patrick’s eyes searing into you, no matter what part of the room you were in. He was clearly waiting for the moment he could pounce on you once again, evidenced by the way he seemed to start going on the move whenever you stopped talking to someone. 

Somehow, you were still one step quicker than him, quickly maneuvering yourself into new conversations or inserting yourself into the conversations of others. 

You weren’t sure what Patrick so badly wanted to tell you anyway. Maybe taunt you about some new conquest he was with, or to beg you to come home with him after dinner. Unfortunately, the latter proposition didn’t sound all that bad. 

Other than your issue of avoiding conversation with Patrick, you were also facing another challenge: People trying to introduce the two of you to each other. You weren’t sure what it was that made people think that the two of you needed to meet so badly—from Patrick’s mom, who had been insisting for weeks that you meet her son, to a random cousin who happened to think that you’d like each other. You wished you could tell them that you’d already met each other, and that you’d magnificently crashed and burned. 

Briefly wanting to get away from the repetitive small talk and questions about if you’ve met the person you were in a messy situationship with, you found your way to a bathroom—but not without being followed in. 

“What the fuck?” you said immediately as the door behind you shut. 

“We need to talk,” Patrick said plainly, locking the door behind him. 

“Unlock that,” you demanded, not because you were all that afraid of your safety, but because you wanted a quick exit plan if he started to really piss you off. 

“Fine,” he conceded, unlocking the door. “But don’t act weird if someone walks in on us.”

“Walks in on us?” you laughed, parroting his words. “There won’t be anything to walk in on. I mean, you can’t seriously think I’m going to fuck you at a family dinner.”

You were about 95% sure of your words, but that other 5% was thinking about the logistics of getting your tight dress off in that small bathroom.

“I didn’t come in here to fuck you,” he explained.

“Then what are you here for?” you asked, confused about what else he could possibly want from you. 

“We need to get our story straight. I can’t have a repeat of that conversation with my mom.”

“Why does it matter? I’ll just stay away from you for the rest of the night. I’ll expect you to do the same, then there won’t be any issues.”

“That won’t work. Have you seen the seating chart for tonight?”

“Seating chart?” you scoffed. It seemed ridiculous, but it made sense. For people rich enough to create and fund scholarships, it made sense that a large dinner for friends and family members would come equipped with a seating chart. Besides, you were sure there were people with dietary restrictions in your midst. “How would I have known there was a seating chart, let alone look at it ahead of time?”

“Well, a little spoiler: you and I are sitting next to each other.”

“What the hell? Who did that?” 

“I don’t know! Stop looking at me like this is my fault.” Now that he mentioned it, you were currently glaring at Patrick. “It must’ve been my mom. I swear she’s been telling everyone that you and I need to get together. Everyone’s been telling me all night that we need to meet.”

“God, I thought it was just me. Is this a family of matchmakers or something? Or are they trying to help you out with your fear of commitment?”

“I don’t have- can you just focus instead of trying to be funny? We’re gonna be next to each other all night and people are going to be asking us questions. So what are we going to tell them?”

“You don’t want to tell them about you leading me on for months?” you asked innocently, not trying very hard to hide the contempt behind your words. 

“No, you’re right,” Patrick agreed with you, fake thoughtfulness in his tone. “Now that I think about it, maybe we should tell them about the love spell you paid some Etsy witch to put on me.”

You instantly felt your cheeks warm at the mention of such an embarrassing action.

“That was a joke and you know it.” It wasn’t a joke. It was a dark period of time for you. “So what do you suggest we tell them?”

“That we’re just friends,” he said simply. 

“They aren’t gonna be suspicious that you’ve never brought me up before?” you probed, part of you wondering the logic behind his decision, and the other part of you wondering if he’d ever brought you, his situationship, up to his friends or family. 

“Doubt it,” he dismissed with ease.

You were only a little disappointed, but not at all surprised. “So what’s the story?”

“That we met when I was visiting Stanford.”

“That’s true, though.”

“Just leave it at that. We met once or twice through mutual friends,” he directed. 

“Okay,” you shrugged. “Anything else I should know?”

“Just that you look really hot tonight,” he said, biting his lip and unabashedly checking you out. 

“Okay. Goodbye,” you didn’t bother humoring him, though his words did satisfy you. You left the bathroom and didn’t spare a glance back, even as you heard him leave a few minutes later. 

After the torture that was socializing with people whose sole purpose seemed to be setting you up with your ex fling, you’d all been summoned to sit down for dinner. Just as Patrick warned you, you sat down at a seat that was directly next to him. You wished you could switch seats with someone else, putting their nameplate next to him and hoping that no one would be any wiser, but you couldn’t see a world where that would work out for you.

Eventually, Patrick sat down next to you, clearly trying his best not to look at you too closely, lest someone catch on to the fact that you two knew each other. 

You did your best to be a fly on the wall in the conversation that the people around you were having. You poked around at your salad and wondered if you focused hard enough on the leaves, if you’d be able to disappear. 

“So, have you two had the chance to meet?” someone asked from across the table, directing the question to you and Patrick. Clearly, your plan of disappearing hadn’t worked out after all.

“Yeah! We actually know each other already,” you explained, directing a friendly smile towards whatever cousin or family friend you were speaking to. Clearly, Patrick didn’t trust your answering abilities, as he butt into the conversation before you could finish speaking.

“We have some mutual friends, so we’ve crossed paths once or twice,” Patrick clarified, attempting to give more context to your relationship. Technically, it was true. While you weren’t necessarily friends with the man who inadvertently set you up, you’d been invited to a party being hosted by some tennis player in your accounting class who played with Patrick at some point, and met at that very event. 

Despite the many partygoers, Patrick seemed instantly drawn to you, or at least, was instantly attracted to you, based on the way that he openly checked you out as he approached you. Normally, that kind of thing would make you roll your eyes and walk away, but you’d been intrigued by his looks and his shameless demeanor. If only you could go back in time to tell yourself to roll your eyes and walk away. 

“But we don’t know each other very well,” you added. That, you firmly believed was true. Patrick may have known what position made you cum quickest, but he didn’t know a thing that actually mattered about you. He probably couldn’t even tell you what your major was. 

“What a coincidence you ended up here, then,” the other man, whose name you couldn’t remember, commented. “Did Patrick help you get the scholarship?”

“What?” you tried not to sound too offended, though you very much were. You tried to remind yourself that saying the wrong thing could cost you your entire higher education, and ended up laughing off the very rude allegation. “It’s really just a funny coincidence.”

To your surprise, Patrick jumped to your defense. “Unlike you and your seat on the board, there’s no nepotism here. We met long after she already got the scholarship, which she earned. She’s one of the most dedicated students I know.”

His words surprised you. The argumentative ones calling out his relative, not so much, but you were a little impressed by the way that he stood firm on the fact that you were a good student. Sure, he witnessed you studying for midterms in your dorm room every now and then—even if at the time he’d been trying to distract you from your work to get some attention—and now that you were thinking about it, he did bring you flowers after he found out you’d made it onto the Dean’s List. 

Maybe Patrick hadn’t been all that bad of a… you didn’t even know what, after all. But that was certainly a thought you were only entertaining due to his sweet behavior he was currently exhibiting. The fact that you were a whole year out from your entanglement and still couldn’t define what the hell happened between the two of you was a testament to how much of a mess your relationship was. 

“Not that you know too many students,” his relative laughed in that stuck-up rich person's laugh they all seemed to have. You tried to ignore how you were already getting caught in family politics, getting your academic ability called into question in the crossfire of an easy insult Patrick dealt to his family member. “Pat’s too busy going around the world hitting balls. How’s that going, by the way?”

From what you’d observed in your own efforts to see what he was up to, they weren’t going great. Notably, after you’d cut things off with him, his performance decreased significantly. 

“It’s going well,” Patrick said with false confidence that you saw right through. If you could see right through it, you were sure that his family members were able to do the same. A brief glance at the woman in front of you who was clearly attempting to suppress a laugh confirmed this for you immediately. 

It was almost a little pathetic to see, watching Patrick lie so obviously to an audience that couldn’t even pretend to believe him. Seeing how he stepped in to help you out, it was only fair that you did the same for him. Even if he hadn’t done so, you were starting to become embarrassed for him.

“Have you been to any of his matches recently?” you asked, interrupting their mockery of Patrick. “He did a really great job at the French Open. I mean, even making it to the French Open is really impressive.”

Not that you’d been at any of the matches, but you occasionally Googled his name to see what he was up to. Even more occasionally, you turned on ESPN to see if you could catch any footage of him playing. But it wasn’t like you even really cared. 

Okay. You cared a little bit. 

Most of the time, you were rooting for him to fail, as is the right of all bitter exes. But now was not the time for you to share that information. Not when Patrick was looking at you like you were crazy, and his family members were eyeing you suspiciously. 

That was when you remembered that the two of you weren’t supposed to know each other very well. You instantly tried your best to cover up your tracks. “But I don’t know a lot about tennis, that’s just what our friend told me.” Considering that you hadn’t spoken to Art since Accounting 223 ended, he did not actually share this information with you.

“Huh. Do you guys talk about Patrick a lot?” you were trying your best not to fold under the skeptical look she was giving you. 

“Only when he’s doing something cool. Which isn’t very often,” it was a good save, which left the rest of the table laughing at your little dig at Patrick. You were starting to understand his family dynamic a little more, and it didn’t exactly seem like a pleasant one. 

You could practically feel his betrayed gaze searing into you, but you did your best to ignore it. You were already feeling guilt gnaw into you about hanging him back out to dry with a family who already liked to pick on him. 

“You know, that actually reminds me. You said you don’t know much about tennis, but I remember seeing you play a little bit. How’s that going?” Patrick asked you, his question obviously trying to reveal something embarrassing about you. You instantly felt the blood drain from your face at the mention of your attempt to play the sport.

Your brief stint with tennis was mainly born out of your desire to see Patrick more often. After your run-in at his friend’s party, you were determined to put yourself in the type of situations that would allow you to ‘accidentally’ run into Patrick. 

You started off simple, going to the tennis matches for Stanford’s men’s team, hoping that Patrick would eventually show up in the stands to support his friend. Despite your incessant searching of the stands, you were never able to find Patrick amongst the crowd of students, fans, and supportive family members. 

Never one to give up easily, you decided to take matters into your own hands. Maybe if you were a little sportier, Patrick would take an interest in you, reaching out to you so you wouldn’t ever have to make the first move. You spent the evening perusing sporting goods stores with your roommate, putting cute tennis outfits and equipment that you couldn’t really afford on a credit card. 

The next morning, the two of you got up bright and early to hit the tennis courts before anyone else arrived. The game seemed simple enough, but proved to be far more difficult than either of you anticipated. After half an hour of attempting to play with frankly awful technique, you decided to call it quits and do a photoshoot instead. 

Feeling satisfied with pictures that featured your best angles and the slightest hint of breeze blowing up your skirt, you decided to post your photos on social media with a caption about how much you loved tennis. That was sure to get Patrick’s attention.

Just as you’d suspected, not long after you posted, you received a message from Patrick, casually asking about how things were going with you. Your faux interest in tennis had been promptly abandoned. 

Surprised at the fact that Patrick was bringing up your very blatant bait of him, you were caught slightly off guard. “Oh, I was never really super into it,” you attempted to dismiss.

“That’s news to me,” he chuckled. “I swear, you told me about how you were super into tennis. Was that just a phase, or…?”

He eyed you mischievously, clearly challenging you to a match of whatever mind game it was that he wanted to play with you. Unluckily for him, you were in the mood to play–and win.

“Something like that. I guess I just figured out that tennis really wasn’t for me. But you know, college is a time to try out new things. See what you like, what you don’t like. And man, I really didn’t like tennis.”

Obviously, you weren’t talking just about tennis. You hoped that Patrick was able to catch onto the not-so-subtle subtext. 

“I don’t know, I thought you liked tennis a lot. Thought it was good for you,” Patrick commented casually, going back to his food before looking back at you.

“It was surprisingly pretty toxic,” you replied easily.

“Are you sure you didn’t share a part in that toxicity? With a sport like tennis, you really get out what you put in.”

“Sure, but I didn’t put in nearly as much toxicity as I was getting from it.”

“Of course you’d think that,” Patrick murmured. 

“What’s that supposed to mean?” you asked.

“It means that you think you’re so guiltless, but you played a bigger role in… tennis not working out than you’re acting like you did.”

“Please, enlighten me on how I could’ve made tennis work out better for me.”

“I just think maybe you’re being a little too hard on tennis in comparison to what really happened.”

“Just because you have a nice racket and a little more experience than me doesn’t mean you’re an expert on how bad things were for me. Seriously, Patrick. You actually don’t have a clue about what I was going through.”

“Are you guys still talking about tennis?” someone asked with a forced laugh, breaking the thick tension at the table. There was a stiff, awkward chuckle from your fellow dinner companions. It was almost as if you’d forgotten that you were at his family’s dinner, bitterly arguing with Patrick in loosely coded language. You should have the shame to feel embarrassed, but you mostly felt agitated with Patrick. 

“Obviously,” Patrick replied. “What else would we be talking about?”

“Oh yeah. Obviously,” they said stiffly. “So like, are you sure you two don’t know each other that well?”

“We really don’t,” you quickly replied.

“Why would we lie about that?” Patrick said, your voices overlapping.

As if arguing about something that was very obviously a metaphor for your relationship wasn’t suspicious enough, this reaction certainly didn’t help your case. It was ridiculous to attempt to keep up this façade when it was becoming more and more clear to anyone at the table with eyes to see and ears to hear that you two were more than casual, mutual friends.

“Actually, we did lie. We were friends for a little while,” you confessed.

“Friends?” Patrick parroted with a scoff. He looked at you with disbelief before shaking his head. “Excuse me,” he announced before standing up and walking off from the table.

The rest of the table looked at you expectantly, which you took as your cue to follow Patrick to wherever he was sulking off to. “Sorry. Excuse me.”

The two of you said nothing as you followed Patrick out to his back patio. The fresh, cold air felt nice after a suffocating, stressful evening. As Patrick sat down on a piece of comfortable furniture, you wordlessly sat across from him.

“Just go. Back inside, back home, I don’t give a shit. I don’t have anything to say to you.”

“Clearly you do,” you replied, watching him dig in his pocket for a cigarette to no avail. He finally found a loose cigarette and brought it to his lips, ignoring you as he lit it up. 

“Don’t blow it in my face,” you warned him, though you wouldn’t mind taking a drag or two from it. 

“I won’t,” he replied, words muffled around the cigarette at his lips. 

The two of you sat in silence before he spoke once more. “Do you seriously feel like we were just friends?”

“Jesus,” you laughed at the question, unbelieving that Patrick would think all of your desperate acts to try to get him to commit to you could be interpreted as anything but romantic. “Of course we weren’t just friends. But you try describing what we had to someone who wasn’t a witness to the train wreck that was our relationship.”

“We were…” he trailed off as he thought about how to describe your relationship. “Friends with benefits?”

“Sure,” you replied, though you obviously disagreed with him. “You know, this is exactly why things didn’t work out. I wanted to be with you so badly and you refused to acknowledge that we had a connection any deeper than physical until it was convenient for you.”

“Did you expect me to spell out how I felt about you when I was showing you how I felt?” he asked as if it were the most obvious question in the world.

“Actually, yes. Clearly we were not on the same page about how we felt if you thought that you were being so obvious while I was over-analyzing every single word you’d ever said to me to try to figure out how you felt about me.”

“Are you serious? You were the one who was impossible to understand. One day you wanted me to take you out on a date and hold you in your little twin sized bed afterward, and the next you didn’t want to speak to me. How was I supposed to interpret that?”

“Patrick, you were doing the same thing to me! I was just so mad at you. Like, constantly. Even though I had feelings for you. My friends were always telling me I’m an idiot for letting you treat me that way, so obviously I tried to start pushing you away. But even with everything, I still really liked you, so I couldn’t fully stay away from you,” you explained, hoping that your disjointed words would make sense to him. 

It truly was a very complicated situation. Part of you wondered if you had communicated this earlier, if things might have ended differently for you. 

Patrick seemed to be thinking deeply about your words before he spoke again. “Do you ever still think about me?”

You had two options for approaching his question. You could lie, like you hadn’t made it abundantly clear earlier that you still, at the very least, pay attention to his tennis career, or you could tell the truth and risk having your feelings hurt again. 

“Sometimes,” you confessed, going with the latter. “I’m mostly still really annoyed with the way you treated me, and the fact that I let you treat me that way. But sometimes I miss you, anyway.”

“Then let’s do things differently this time,” he proposed as if it was the best and brightest idea he’d ever had. “I miss you, too. It shouldn’t have taken us breaking up for me to realize how much I need you in my life, but it did.”

“What are you saying, Patrick?” you asked, trying to make sure that you fully understood his proposition. Was he trying to get you back?

“I want you to be my girlfriend,” he spelled out for you. “I want to treat you better than I ever did before. I’ve thought about everything that went down between us, and I think that we can make it work this time if we just try to be honest with each other. What do you think?”

You were shocked at the offer. If someone had told you going into this dinner that you would end it with your former situationship asking you to be with him, you would’ve laughed in their face. Yet, his proposition, and the fact that you wanted to say yes, didn’t exactly feel like a laughing matter.

You paused as you stopped to consider your options. Your gut instinct was to say yes—you’d wanted him for so long, and he clearly wasn’t over you. You obviously had some things you needed to work through before you really made this relationship work, but the feelings were there. The more logical part of your brain was telling you to say no—Patrick had hurt you so many times before, that there was no telling if he would hurt you again. 

“Sure. Let’s try it,” you said, ignoring all of the logic in your head and fully following where the passion in your heart wanted to take you. 

You couldn’t be sure if this would end in another heartbreak for you, but you weren’t so sure that you cared either.

[spectralreplica]

Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.

Drawing with anti-aliasing off really brings me back...

Classpect thoughts under the cut if you really want:

Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.

So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.

Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.

Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)

So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).

Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.

I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)

Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic." 

I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.

Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.

Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.

Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".

[beneathashadytree]

HEY GUYS! LONG POST HERE, BUT PLEASE READ🙏🏽

I am genuinely appalled by the discourse ongoing in the LNDS fandom these past few days—but above all, I am severely disappointed in what had started out as one of the most inclusive and sweet fandoms I’ve ever been in. I have a few things to say, so in this post I’m trying to put all my thoughts to words. Apologies if I sound harsh, but I’m genuinely livid. Also, please ignore any typos. I’m not wearing my glasses while word-vomiting.

First off, for a fandom that is composed of mostly adults, you guys have been acting terribly childishly. It’s 2024, and yet people are still unironically shaming others for “switching up on their favs” as if a person owes 2D characters any loyalty. Let people enjoy things. The novelty of Sylus and how he’s quite literally 6 months behind the other 3 love interests makes people want to catch up on the enjoyment of him all at once. He’s still such a brand new character and concept, so there’s no wonder everyone’s hyped up over him.

I’ve seen people get genuinely mad at other players and writing whole think-pieces about this. I promise you guys, the company making this game is still benefiting whether you’re pouring your money into Sylus or any one of the previous 3. We’re all happy to have an interesting character pop up among the roster now, and we’re taking our time getting to know him. Doesn’t make any of the first 3 any less loved. I genuinely don’t remember this amount of nastiness when solo events for each of the guys used to drop.

In fact, if the popularity thing is worrying you, going off MLQC (the company’s past game) the character who was last added was—eventually, after the initial hype died down—kicked off to the sidelines in most major events and was given the least content, and was the least favorite of fans.

Secondly, and this has my blood boiling, there is an insane amount of entitlement and rudeness I’ve seen on my timeline concerning how people characterize the men—particularly Rafayel.

Absolutely nothing warrants this shitty attitude towards other creators for how they depict characters in their fics. It seems you guys feel protected behind a screen and think it gives you the right to bully strangers online. Fanfiction is for fantasizing about your favs; for letting your imagination run wild. If this were a character analysis, then yes, maybe I’d agree that inaccuracies are aggravating. However, in fanfiction, there are zero rules, especially when it comes to smut.

Sexual preferences are not equivalent to a person’s whole personality—so whether he’s written as a dom, a sub, a switch, or whatever the fuck you wanna call it, this has nothing to do with his kindness, gentlemanliness, passion, power, ruthlessness, snark, or whatever minuscule aspect of his character makes up his lovely whole and matters to you.

I think this circles back to a lack of ability to separate sexual matters and personality, because how else do people interpret fics depicting him in a certain manner as them erasing his character? They might overlap, but they can very well be mutually exclusive. I’ve seen incredibly sweet and gentle men irl who were absolute doms in bed, and I’ve seen powerful and passionate men who were reduced to tears between the sheets. There is barely any correlation whatsoever, and if anything, claiming otherwise is what I consider piss-poor media literacy and reading-comprehension.

My third point is that for some reason, there have been many, many posts and replies on here where I’ve seen people just straight-up spread pure hate for the characters. Maybe this bothered me in particular because I’m an OT3 (OT4 now!) and absolutely adore all of them, but I find no logical reason for “yucking someone’s yum” when we’re talking about liking the characters of an Otome game—a genre of video games which is made to literally cater to the tastes of as many people as possible.

It’s especially disheartening to see when it’s at a time like this, when new content is about to drop, and you find in the replies of every other post/discussion at least a few people spewing hate and disgust at Sylus. Again, so many people are incredibly excited about him. Why is there a need to rain on everyone’s parade, especially in such an unsolicited manner?

This fandom originally started as a safe space for people of all races, backgrounds, genders, sexualities, and personalities to bond over our mutual love for characters. All I’ve seen on my TL lately (in terms of discussion) is negativity, and it’s such a fucking let-down. I hope whatever the fuck has happened to this fandom cools down after a bit. It’s probably exaggerated and very in-your-face rn, cause more and more people are downloading LNDS, so the probabilities of finding people being nasty are increasing. But I seriously don’t want to grow to resent this fandom and find myself distancing myself from it to protect my peace.

Let’s all remember to be kind towards other players, to not act entitled or bratty about the characters, and to try and mind our own business if we see content that doesn’t suit our tastes.

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[darkficsyouneveraskedfor]

Paradigm Shift 2

Warnings: this fic will include elements, some dark, such noncon/dubcon, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: you get transferred to a new position but it’s hardly a breath of fresh air. (plus!reader)

Characters: Loki, Bucky Barnes, this reader is known as Billie.

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself💜

💼Part of the Bad Bosses AU💼

You finally get access to the calendars and set to work. Thor wasn’t exaggerating. Overlapping blocks, unanswered RSVPs, overdue items. You do your best to sort through it all, ignoring the ache in your knees until you have to reposition on the hard floor. You don’t think this is ergonomically safe work. 

When you get a handle on Laufeyson’s calendar and start on Barnes’ the door to your left swings open and before you can react, the box is on its way across the floor. You’re not quite sure how you managed it, but you saved your laptop before it could go with it. The contents scatter as you hold up the computer and puff out. 

Mr. Laufeyson steps back and huffs as he crosses his arms, “what are you doing on the floor?” 

“Well, sir, I tried to say something before but...” You brace the wall and stand, “I do need a desk--” 

“Yes, yes, find one,” he tries to shoo you with his long fingers. 

“I tried, sir. I don’t see any available down here--” 

“Have them bring your old one down,” he demands tersely. 

“Yes, sir, will do,” you frown. “And er, I’ve got your calendar figured out.” 

“Mm, do you now?” He challenges as his eyes drift by you. 

You turn and look down at your possessions as they lay strewn. Right. You turn and go about collecting it all and shove it back into the box. When you’re done, he’s gone. Great. 

You hitch up the box and stand, blowing out a breath. It’ll take some time to get movers to deal with your desk. Nothing ever happens in a timely manner around here. As you resign yourself to taking up space in the breakroom, Mr. Barnes’ door opens. 

You face him as you hug the cardboard, “sir, I'm working on your calendar. I just need to--” 

“You need a desk,” he says promptly. 

“Yes, sir, I was just going to call the movers--” 

“Nonsense,” he snaps his fingers and signals you to follow him. 

You shut your mouth and nod. You trail after him as he strides down the hall into the bullpen. His long brown hair flicks under his ears and away from his neck, a few strands caught in his collar. He stops and puts his hands on his hips, scanning the room. 

“Hackett,” he points without looking, “pack your stuff. You’re fired.” 

A man with a shining bald head grunt, “sir?” 

“You heard me. You missed that Southeast order. Won’t happen again. So leave.” 

“Mr. Barnes,” the man you assume is Hackett stands, “Southeast--” 

“Your paperwork is down with HR. You can get sorted there,” Barnes overrides him, “clear out your desk.” 

Hackett winces and looks down at his computer, defeated. You stand speechless as Barnes faces you, “there, you got a desk. You’re welcome.” 

“Sir, thank you,” you murmur. 

“Call the movers anyway, they’ll need to move it closer.” 

“Yes, sir.” 

“Actually, fuck it,” he jabs his finger in the air and marches away.  

You stand dumbly as you are as Hackett packs up and you try not to make eye contact. You hear Barnes low rumble from the hallway before he reappears with Laufeyson at his back. They approach Hackett and the latter swipes his arms to clear off the desk of the small bits and bobs. The terminated employee cries out in horror. 

Barnes rips out the extension cord from the wall and tucks it under. The two men each take an end and lift the desk, balancing the monitor and essentials on top as they carry it past the employees who try not to crane to see. You’re in disbelief, humiliated by the unnecessary scene of your transfer. You could’ve waited for the movers. 

You make yourself move and catch up to them as they plant your desk at the crux of the hallway. You’re the gatekeeping of the domain, sat right where everyone will have to walk by you. Great. 

The plunk it down and clap off their hands. You wonder how long it’s been since they did that amount of manual labour. Laufeyson nods and strides off as Barnes frames his hips triumphantly. 

“I’m a man that gets things done, doll,” he declares, “let that set the tone.” 

You attempt a smile but it probably just looks like a weird twitch, “yes, sir. I’ll have your agenda ready each day before you get here.” 

“You will,” he agrees, “before his.” 

He spins and stops before he can stride away, “coffee. That’s what I came out for. Dark roast, black.” 

“Sure thing, sir,” you set the box on the desk and go to step around it. 

“Ah, not that shit, Roasters’ down on King.” 

You take a breath and grab your purse from on top of the box, “dark roast, black.” 

“Good girl,” he caps off the conversation before he struts off, hands in his pockets. 

Right. They are both awful. This is going to be like pulling teeth. You already miss Odinson’s demands. At least he gave them. These two seem too far up their own asses to bother. 

You take out your phone and check the group chat. Ugh, yes. Drinks. You swear, if there isn’t alcohol at the end of this day, you’re going to cry. 

[mysterycitrus]

I love the version of Jason Todd that exists in your fic so I just want to ask: do you think it's possible for Jason to ever have a meaningful actual relationship with the batfam ever again? Ik some bridges have been fully burned but if he does change his ways, do you think that's possible?

to be blunt — no, i don’t think so.

a huge part of my problem w rebirth and new52 is they pushed jason into an overly familial relationship with everyone else but were too pussy shit to actually grapple with how he’d fit into that space realistically, or what the other characters would think of him being there in the first place. every character, including jason, has to get their edges sawn off to make the pieces fit together

jason being reintegrated into the batfamily would require a) an apology, and b) a moral concession, from one or both parties. cass and tim and steph and damian and dick aren’t apologising because jason kills people. jason isn’t apologising because he disagrees with their no-kill policy. none of those characters are conceding because what jason is doing is fundamentally opposed to their morality as a unit. jason has no reason to want to pursue a relationship with any of them because of their allegiance to bruce. what does anyone benefit here

u could have jason organically moving on from the anti hero life and denouncing lethal violence but that still wouldn’t mend those relationships. speaking frankly, the only ones in the family who would care about jason would be bruce and alfred and leslie and dick and barbara. no one else knew him before his death. there’s no substantive reason why these other characters would risk their own integrity for that relationship. why would they care, really

a competent writer who understands the narrative stakes could hypothetically do something interesting, but i doubt that’ll happen. he fits in an awkward spot with a lot of overlap on dick and helena and jpv and there’s just so much baggage there. so much had to be sacrificed for him to wear that silly bat on his chest. i wish they’d let him say fuck off and go back to having a backbone

[lornaka]

Agreed with all these points calling out discrepancies in the season, but I’m absolutely positive that at the very least none of the changes were made in reaction to the fan side of things, I believe the scripts were written years in advance. All scripts would have to be approved before they could be animated, and producing each episode start to finish takes about a year (that was the case for Rebels and TCW before that).

The script for the series finale was apparently drafted and most likely completed back in 2022. So whatever caused for season 3 to be the way it is.. it must have happened way back then. My bet is internal reshuffling, most likely caused by them not getting as many episodes as they were originally hoping for, idk. Same thing that the final incredibly rushed season of Rebels brutally suffered from tbh.

If anyone has any experience/insight into how animation production timelines and rewrites/"reshoots" work, I'd LOVE your input...

Because here we are more than 3 weeks after the Bad Batch season 3 finale, and for the past 3 weeks I haven't been able to stop wondering if the initial plan WAS to bring Tech back by the end of season 3, but given the discourse after season 2 including loud complaints of "STAKES!" and "death is meaningless in Star Wars!" and "no one stays dead!" the higher ups vetoed that plan and some changes had to be made before season 3 aired.

I'm probably wrong. It's highly likely that the creatives told the story they were planning on telling and weren't influenced at all by public opinion. But I still can't stop thinking about it.

And the thing is, if the stories are influenced by fan opinion, I question the chances of Tech ever being brought back even though they really did leave plenty of leeway for it.

Anyone have any insight??

[justagalwhowrites]

Yearling - Ch. 37: Pieces

Mitchum sends you to where he wants you as Joel questions Cody. A continuation of Yearling ch. 1-36 found on Tumblr here.

Pairing: Joel Miller x Female Reader

Warnings: Canon-typical violence and several steps beyond that. Fairly graphic torture (not of reader.) Mention of past sexual assault, not described. No use of Y/N. Minors DNI 18+ Only 

Length: 6k

A/N: As with the last chapter, I want to state, real quick, that Bambi is NOT going to be sexually assaulted again. This is a highly triggering subject and, given the situation she's in, I understand if folks are bracing for it. That's not going to happen. The threat of it is there but it's not going to happen.

We are into the final arc of Yearling and we are going to see some TLOU 2 OVERLAP again. There isn't any this chapter but there will be in this arc and here's how: a character from that game will be mentioned as will the spoiler-y incident from a few chapters ago. What happens plot wise in this arc is completely separate from the game and entirely original content BUT there is that character overlap and more specific mentions of the incident and the motives behind it. This character returns THIS CHAPTER. If you're trying to go in blind to season 2, it might be wise to step back. Feel free to send me a DM, I'm happy to answer any and all questions!

AO3 | Chapter One | Previous Chapter | Next Chapter

They were talking about you like you weren’t there. 

You’d been used to that once but it had been a long time since you’d been just a thing, separate from that life about as long as you’d suffered it. You had forgotten just how much you hated this part of being a prisoner. You’d internalized so many of the more acute horrors that the smaller things had slipped away, but the change from human being to livestock was sharp. You didn’t have much in you to fight against anything - still barely able to stand - but it seemed what little there was faded quickly just listening to the men talk about you as though you were some unruly animal. 

“Take her back to the main camp,” Mitchum said, taking your arm and turning you around so he could look you over. “She’s good on a horse, don’t let her near the reins. Don’t be stupid enough to think this one won’t take off just because she’s down some fingers, she’s a feral thing. That fucking moron… Get her there and don’t fuck her, understand? She’s mine and I gotta make sure she’s broken in right. Been wild too long, gonna have to start from scratch.” 

He took your chin in his hand, forcing your eyes to meet his own. 

“Gonna bring you back where you belong,” he said. “I tamed you once, I can do it again.” 

You didn’t say anything, all your energy going in to keeping yourself standing. You tried to think about something, anything, beyond how close Mitchum was to you again, every alarm bell your body had ringing. Where his fingers were on you burned and your heart raced, the blood loss and fear making your head spin.

The only thing that could be worse than being this close to him again was Savvy and Ellie being this close to him. The thought that you’d saved them from this was a small comfort. You hoped they made it back. You had to believe they made it. You weren’t sure you’d have the strength to keep going otherwise. They made it, they made it back to Jackson, they were safe there. 

But the men were talking about Jackson, too. Like it was something they could take. What’s worse, they sounded confident that they could do it. It was something that had seemed impossible when you were within the walls, everything so strong and permanent. How could the will of men destroy something like that? But now that you were here, back in the grip of what terrified you, it didn’t seem so impossible anymore. Jackson was just people, too. Good people, strong people who had decided to survive and work and love alongside each other but people all the same. It doesn’t take some act of God to destroy a person, just one other, determined person can do the job. 

You couldn’t handle considering that, not when the only things in the world that mattered were dependent on Jackson to be safe. You had to believe that Jackson could withstand whatever came its way, that Ellie and Savvy had made it back, that they would be safe within its walls and would never have to face men like Mitchum and Cody again. They made it, they made it back to Jackson and they were safe. The whole city was.

You thought it over and over again in your head, a mantra of sorts, as they brought you to a horse and forced you on its back. You were too out of it to grab the reins immediately, a man mounting up in front of you before you could think twice about taking control of the animal. 

“Better not try anything back there if you know what’s good for you,” the man snapped before making the horse move. You just tried to stay upright and tried to think of ways to escape once you were strong enough to run. You had to resist the urge to try now, every nerve in your body on fire and driving you to run or fight. But you couldn’t. You’d never survive a fight right now and you’d only be able to walk a mile - maybe two - before you’d collapse and then they’d have you again. You needed to save your strength or you’d never get out. 

You tried to remind yourself that you’d done all this before. You’d survived what they did to you and made it out. You’d lived and built a life and found your daughter and protected what mattered. You’d done it once, you could do it again. You just had to survive. 

You focused on the people that you wanted to survive for - Savvy and Ellie and Joel and Maria and Tommy and William and Julie and and and - and tried to settle into the sway of the horse as it walked.

Time was strange like this, pulling and warping. It seemed like it was dark longer than it should have been when the sun started to rise and then, when the men stopped for a break, the sun seemed higher than it should have been. You drank water when it was offered. You watched for a chance to steal a horse - the only way you thought you’d be able to make it far in that moment - but didn’t get one. 

The light hadn’t yet taken on the soft, hazy quality of evening when you reached where you were headed. It was an unfamiliar place, a small subdivision - maybe two dozen houses total - with mountains at its back. There was a guarded perimeter, men in cowboy hats who gave the men you were with a nod as they rode in. 

They brought you to the center of the neighborhood, to a house that was small but looked to be in good repair, two men stationed outside. 

“Down,” the man you were riding with ordered. You obeyed, sliding off the horse and stumbling, head spinning. He dismounted more smoothly before grabbing you by the collar of your shirt - Joel’s shirt - and hauled you for the door, one of the guards meeting him there. He took a padlock off the front door before opening it and shoving you inside, past a small living room with a sunken sofa and a kitchen with counters covered in a thick layer of dust. He forced you down a hall to a bedroom. You were almost positive it had been a little girl’s room once but it had been stripped of all forms of childish comfort. There were two twin sized mattresses on the floor, tucked into corners on opposite pink walls. There had been carpet once, you were sure, but it had been pulled up, just the plywood below remaining. There was a bucket at the foot of each bed and some drywall had been pulled away near each bed, exposing the frame of the walls, chains wrapped around a stud near either bed. 

“On the bed,” the man ordered, shoving you toward it and making you stumble. You more fell onto the mattress than sat on it but it didn’t seem to make a difference. He approached you and you went to kick him, not about to let him just take what he wanted without a fight, but he caught your boot, giving you a sharp shake when he did. “Just making sure you don’t run. Sit still or this will hurt a lot more than it needs to.” 

He pulled your boot off before you had a chance to respond and tossed it near the door before picking up the chain. It was thick and heavy, no cuff on the end. He wrapped it around your ankle, tight enough that it cut into your flesh a little, and put a padlock through the loops to hold it in place. He gave it a testing pull and it didn’t budge. He nodded. 

“Recommend you rest while you can,” he said, dropping your leg. “Mitchum’s back in a day or two, don’t imagine you’ll have much while he’s here.” 

He turned to leave and you looked to the other mattress. There was a smear of blood near the chain that was still bright red, like it hadn’t dried yet. There was someone else who had been here, someone recently. The door closed and locked and you stretched out on the bed, trying to force your body and mind to still enough that you could rest. 

It didn’t work very well. You faded in and out of consciousness for a while - you weren’t entirely sure how long but you were fairly certain night had fallen. The window in the room was covered with yellowed newspaper but you were pretty sure you’d seen light coming through it earlier in the day. It was dark now. 

It took you a moment to realize what had pulled you back to consciousness. There was a scuffle outside your door, the sound of someone being wrestled inside. You shot up, scrambling to find something you might be able to use as a weapon but came up empty, the room stripped of anything that could be a tool and your mind still working slowly. You were still down a lot of blood. 

The door opened and you braced yourself to claw and bite but the man there paid you no mind. Instead, he shoved a tall, broad young woman in, one with a blonde fishtail braid that hung down her back. Something inside you twinged at the sight of her, a distant alarm bell ringing. She was familiar, you couldn’t see her face but you knew her. You could feel it.

The man forced her onto the opposite mattress and all but threw the chain around her ankle before locking it into place. 

“If you’re fuckin’ smart, you’ll behave yourself,” the man backed away from her, panting for breath with a cut on his cheek. “If you weren’t one of Mitchum’s favorite toys, I’d kill you myself.” 

“Fuck you,” she spat, lifting her head from the mattress, her teeth bared in a snarl. Your breath caught, the fingers from your intact hand groping for the chain attached to your ankle, your best hope for a weapon. 

You did know this woman - almost more of a girl in spite of her size and strength, she couldn’t be much older than Ellie and definitely young enough to be your daughter. You didn’t know her name or where she was from or why she had tried to murder your husband but you knew her, knew how she looked when she was filled with rage and desperate to kill a man. Knew how she looked as she beat Joel until he was bloody and half dead. Your grip on the chain tightened. 

The man left and you weren’t sure if the two of them had said anything else, the high pitched whine that had taken over your ears only just beginning to fade. 

She seemed to notice you then, straining to sit up, her eyes wide at first but narrowing when she reached your face. 

She recognized you, too. 

“You,” she was still panting for breath, leaning against the wall at her back, sneering at you. Watching you. “I should have known they’d find some other fucking way to torture me.” 

You watched her back, ready to defend yourself in case she made a move. 

“I could have said the same thing about you.” 

***

Joel wasn’t aware of much. 

There were gunshots but they were of little consequence. The screams didn’t register, either. Neither did the sweat on his neck or the pain in his back or the pull in his leg that had been there ever since he was shot by the girl who wanted him dead. 

He could feel your blood on his hands, though, and the feel of your fingers in his pocket and hear the thud of his heart and he could see. He could see Cody on his horse but he could see how you’d been afraid of him, too. That day in the stable when Joel held you and you were so scared you could barely stay standing. He could see how it would have happened, how this man would have cut away pieces of you. How scared you would have been, how you would have fought anyway, how you would have screamed. 

All Joel really knew in that moment was that he needed to hurt this man. He needed to take every ounce of pain from his body until there was nothing else left inside of him and he needed him to know, as he died, that he was dying for you. 

Cody tried to dodge Joel as he threw himself at him, the horse stutter stepping away as Cody tried to pull it back while also grabbing his gun. But he wasn’t fast enough, Joel’s hands closing around the edges of the man’s jacket as he yanked him to the ground, Cody’s gun flying into the trees. 

But Cody was not a small man and his thrashing weight threw Joel off balance, the two of them sprawling to the forest floor. Cody was younger and more agile and got to his feet first, pulling his knife free from his belt, lunging for Joel. But Joel was ready for him, kicking him in the gut so hard that it knocked the wind out of him and sent him stumbling back. He got to his feet, too, Cody leaning against a tree, knife out as he caught his breath. 

“You’re not gonna get her back,” he panted, a sneer on his face as he watched Joel. “She’s with him now and he’s not gonna let her go so easy this time. And when he’s done with her, don’t think you’ll even want her back.” 

There was commotion at Joel’s back but it barely registered. 

“I should have fucking killed you when I had the chance,” Joel said, watching him closely. “She was too good to you. She’s always been better than anyone left fuckin’ deserved, least of all you.” 

“And she should’ve known what I gave her when I let her go,” he said, standing up a little straighter now, breath caught. “Instead of being an ungrateful cunt.” 

Joel roared and threw himself at Cody, the other man striking out at him with his knife. He nicked Joel’s shoulder with the blade but he barely noticed it, the blow not really hurting so much as being filed away as information, things he would need to contend with at some point when Cody’s blood was cold on the ground. 

Joel threw a punch, catching Cody on the jaw and he stumbled for a moment before lunging at Joel, striking out with the knife again but falling short and following up with a clumsy fist after. Joel caught his hand and twisted it, the other man giving a sharp yelp. Joel liked the sound, the evidence of his pain soothing the gnawing desperation inside him. 

But his satisfaction was short lived, the knife slamming into Joel’s shoulder making him seize up for a moment. He was aware that it should hurt, that there was metal inside him now that didn’t belong, but all it did was bring everything into sharper focus. This knife was probably the one that had drawn your blood, too. It seemed right that he should suffer it with you after he’d failed at doing what he’d vowed to do. 

The split second of the shock of the stab passed quickly and Joel drove Cody back into the tree, slamming his back into the trunk of it and knocking the air out of him, his head hitting the bark with a sickening thud. Joel didn’t relent. Instead, he punched him across the face, one arm holding the man in place as he hit him again and again. 

This satisfaction held longer. Cody’s fingers scramble and clawed at Joel, trying to find purchase somewhere they could pull him away from his singular mission but that was impossible. Joel’s physical body didn’t matter to him anymore, not without you, and every small hurt was swallowed by the drive to destroy. 

“Joel!” Tommy’s arm looped around Joel’s neck, pulling him back from Cody who slipped down the tree trunk, his hands limp on the blood coated leaves, his chest still rising and falling, eyes blinking as he stared into space. Joel strained to pull away from Tommy’s grip but his brother held him firm as he panted for breath. “Joel, you can’t kill him yet, we need information. We kept one of the others alive but we need information or we’ll never find her. He’s alive, we need him to stay a live a little longer.” 

Joel slumped forward in Tommy’s grip and his hold on him loosened, starting to feel his body again. His knuckles hurt and were slick with blood. Joel wasn’t sure how much was Cody’s and how much was his own. There was a sharp, stabbing pain in his shoulder and he reached back with his other arm, flinching as he did, before taking hold of the knife and pulling the blade free. He heard Tommy wince as he did and Joel brought the weapon around in front of him, holding it up for a moment. His blood was slick over half the blade, the edge serrated. 

“You cut off my wife’s fingers with this?” Joel panted, squatting down to be on Cody’s level, holding the knife up. His own voice sounded odd to him, so normal when everything was so wrong. 

“Wait, what?” Ellie stalked over to him and Joel glanced up at her. There was a cut on her cheek and her eyes were wide. Joel turned back to Cody and reached into his pocket, gently pulling your fingers free before setting them on Cody’s stomach. “Motherfucker!” 

Joel barely registered the sound of Tommy wrestling Ellie away, too focused on the man in front of him to worry about anything else. 

“Did you cut off my wife’s fingers with this?” Joel said again, voice flat. 

Cody struggled to swallow and Joel took hold of his jaw, yanking his head around so he was looking right at him. 

“Answer the question.” 

Cody blinked a few times before taking a shaky breath. 

“Yes.” 

There was a rattle in his voice and blood on his teeth. 

“Good.” 

Joel took the knife and thrust it into his thigh, just over his knee. Cody screamed and squirmed uselessly under him and Joel waited, keeping constant pressure down on the blade, giving him no relief. 

As he quieted - gasping for breath, eyes wide and bloodshot - Joel pulled the knife from his leg and wiped the blood on his jeans. 

“Gonna hurt you like you hurt her,” he said, picking up Cody’s hand from the ground. He started trying to pull it away, heavy breaths shifting to hyperventilation, but Joel held firm, forcing the hand down to the man’s thigh. “What, you afraid of me usin’ your knife the way you do? That it? Can’t be that bad, can it?” 

“No,” he panted. “No, please, I’ll give you whatever you want, I’ll…” 

Joel lined the blade up with the smallest knuckle on Cody’s pinky and cut through it in one devastating push, the man screaming and writhing and trying to pull his hand into his chest to comfort himself but Joel didn’t let him. 

“You’ll give me what I want?” Joel asked, putting the knife at the next joint down. “But what if what I want is my wife? What if what I want is your pain, hm? You give me that?” 

He cut again, the blade meeting more resistance this time. Joel pushed through it, the knife cutting through the denim of his jeans on the other side of his hand as he screamed again. Cody closed his eyes and leaned his head back against the tree and Joel resisted the urge to beat his face in. He had to leave him alive for a little while longer. 

And besides, he couldn’t take more pain from him if he was dead. 

“No, you don’t get to fuckin’ pass out on me,” Joel stabbed the knife through his hand, pinning it to his thigh before grabbing his hair by the fistful, bringing his head forward so it was only inches from Joel’s own. He could smell the blood on his skin, clearly see the trails of salt on his cheeks. “You get to be awake for this. Doubt you ever let her pass out, did you? Not about to do you any favors. Now, you focus on me, understand?” 

Cody managed a nod. Joel dragged the blade through is palm, between the webbing of his fingers, cutting a path through the delicate bones of his hand and the thick muscle of his thigh as Cody begged and screamed. The wound at Joel’s shoulder ached. He couldn’t bring himself to care about either thing. 

He held Cody’s hand in place again and gave him a second to quiet and catch his breath before lining the knife up at the base of his pinky. 

“Please,” he panted, eyes so desperate as they met Joel’s. “Please, I can’t…” 

“Can’t what?” Joel asked, brows raised. “Can’t survive what you did to her?” 

Joel cut, separating the bloody remains of the finger from Cody’s hand and casting it aside. Cody’s screams were growing hoarse and Joel ground his teeth. He still needed answers from him and he needed to be able to talk for that. 

He pulled the knife away, holding it firmly and watching as the other man caught his breath. 

“I can make this easier,” Joel said after a moment. “You tell me where she is? I kill you. Quick. Maybe not painless but not as bad as this. You’re not leavin’ here alive. Should have killed you in Jackson months ago. Hell, should have fucking found you years ago and killed you then but I didn’t. Not about to let you go again. But it’s up to you if how I kill you is for you or for me, if it’s fast or if it’s slow.”

“I…” the wet rattle of Cody’s breath was sharper now. “I can’t… I can’t trust you to do it quick…” 

“Yes you can,” Joel said. “You tell me where my wife is? I’m gonna go get her. Not gonna want to waste more time here with you. It’ll be quick if you just tell me.” 

Cody’s eyes searched Joel’s for a moment, like he would find some kind of answer in them. Joel didn’t need to see his reflection to know that the only thing Cody would find in his gaze was the hollow, desperate pain of your loss. There wasn’t anything else left in him to see. 

“I traded her,” he said. “To Mitchum. Met… met him about 10 miles north east of here but he won’t still be there. I don’t think he’d keep her with him - he never did before, always… always had her at his base…” 

“And where’s that,” Joel asked when he trailed off. Cody’s neck went limp and Joel grabbed his chin again, giving him a sharp shake and forcing his eyes to spring open. “Stay with me, focus right here. Where is Mitchum’s base? Where would he take her?” 

“Little spot,” he panted. “Just… a bunch of houses, don’t know if it’s got a name…” 

“Tommy!” Joel called without even glancing back at him. “Need a map.” 

It took a few seconds before Tommy appeared, handing Joel a wrinkled and worn map. 

“Point to where it is on this map,” Joel said, releasing his bloody, four fingered hand. “Your buddy over there know where it is?” Cody nodded, shaky, once. “Good. You point where it is. He’d better point to the same goddamn spot.”

He handed the map back to Tommy and kept Cody in his sights, watching as his skin grew pale and his head listless and limp. There was a scuffle and scream behind him, loud enough that Cody shocked back to full consciousness with it. 

“Sounds like your friend don’t know what’s good for him,” Joel said, taking Cody’s bloodied hand and forcing it to his thigh again. “Or what’s good for you.” 

“No,” he shook his head, his eyes so wide. “No, please!” 

“Tell him to cooperate,” Joel said. 

“Do what he says!” Cody screamed. “Just do it, please!” 

Joel pressed the knife to the base of his ring finger and cut. He was almost surprised at how easy it was to force the blade through the bone and sinew. He could barely feel the strain of it as Cody screamed below him. The knife sank a bit into his leg as it cut through the last of the skin and Joel picked the finger up, holding it in front of Cody’s crying eyes. 

“She scream like you?” Joel asked, turning the piece of his captive slowly before them both, the wet of his blood catching the light like the fractures in the glass of his watch. “You like hearin’ it like I like hearin’ you?” 

“Please,” Cody managed, voice ragged and hoarse.

“Why’d you do it?” He asked, lowering the severed finger but keeping it firmly in his grip. “You already took her, already were handing her over to that… animal. Why’d you need to hurt her, too.” 

“I’m sorry,” he whispered. Joel thrust the knife into his upper thigh, inches shy of the man’s crotch and he gasped, mouth open in a silent scream. He was wearing out, inching closer and closer to death. 

“Don’t give a shit about your sorry,” Joel said. “Why. Tell me.” 

He gave Cody a second to start to recover from the pain before twisting the knife, making him seize again. 

“Tell me.” 

“She tried to run!” He sobbed, collapsing back down again. “She… she tried to run, killed two of my men. And she never… never appreciated what I did for her then…” 

Joel just nodded slowly. You’d been able to try to run, at least before Cody took your fingers. You weren’t so scared that you couldn’t move, weren’t so beaten that you couldn’t run. That was a good sign. You were a survivor. He had to remember that. You’d survived before. You would now, too. You would still be alive for him to find, for him to save, and he would save you. If it was the last thing he did, he would save you.

“Joel,” Tommy was at his side and it was quiet at his back. “Same spot.” 

“Good,” Joel said. He carefully picked your fingers up from where they’d fallen in the leaves at Cody’s side and tucked them away in his pocket again before getting to his feet. Ellie was at his side, her rifle in her hands. 

“I want to hurt him,” she said, her voice flat. 

Joel looked at her, really looked at her for the first time since they’d found Cody. There was a darkness in her eyes that terrified him in its familiarity. It was the look she’d had for a split second when he’d found her after David had taken her from him. It was sharp and vicious and demanding and Joel wasn’t sure she knew how to come back from it. 

“Will hurtin’ him help you?” Joel asked as gently as he could. She looked up at him, that sharp look still in her eyes. 

“He hurt my mother,” she said, a hint of barely contained rage on her face. “I need to make him pay.” 

He considered her for a second, trying to think clearly as he looked at the young woman who had once been the girl he’d shepherded across the country. In so many ways, she was still that little girl, one who he’d protected and failed at protecting, one who he had saved and had led to her near demise.

Would this be any worse than anything she had already suffered? Would it hurt her any worse than the things that Joel had allowed on his watch before, when he hadn’t been good enough to take care of her the way she deserved? Would it be, somehow, any more terrible because he allowed it? 

Ellie was so like him in so many ways, ways that terrified him when he thought about it. There was a passion in her that so easily bloomed into rage and he knew what it was to keep that stifled and smothered. He knew, too, what it was to take it out on another human being, even one who deserved it. 

He adjusted his grip on the knife and held the handle out to her. She went to take it but he pulled it back for a moment. 

“Can’t kill him,” Joel said. “Understand?” 

“Joel…” Tommy said at his back, but Joel just held out his empty hand, silencing him. 

“Understand?” He repeated, watching Ellie closely. 

She hesitated a moment, watching him back with those sharp, dark eyes. 

“I understand,” she said, taking the knife from him and turning to Cody. She cocked her head, examining him cooly. 

“Please,” the man whispered, looking up at her. 

“Which fingers did he take?” Ellie asked, not looking back at Joel. 

“Outside two,” Joel said, a twinge in his chest as he said it. “Her wedding ring with ‘em.” 

Ellie nodded, her grip tightening on the knife before lowering her knee to pin Cody’s wrist of his intact hand to the ground. 

“I told you I was gonna fucking kill you,” she said, her voice dangerous as the man tried weakly to pull his arm away from her. “My dad told me not to do that. But I am going to make you fucking pay.” 

She slammed the knife into his hand with a sharp, angry cry, more hacking at him than cutting, striking him again and again until she was splattered with blood and Cody had screamed himself to silence. Joel’s stomach twisted at the sight of it, the satisfaction at knowing Cody’s agony twinged with an ache of his own at the sound of Ellie’s pained scream. 

“If you’re just gonna let her fuckin’…” Tommy snapped, nudging Joel roughly to the side and stepping around him to wrap his arms around Ellie from behind, forcing her to still. She quieted then, no longer screaming and just sobbing instead. “It’s OK baby girl. C’mon, let’s get you cleaned up…” 

“No!” She tried to shake him loose but he held firm. “I want him to hurt! I want to make him hurt, I want him fucking dead, he doesn’t deserve it, he doesn’t deserve to live, he doesn’t…” 

“I know,” Tommy said gently. “I know. But you hear him? He’s passed out, you’re not gonna make him regret this any more than he already does and Joel’s gonna finish him. He’s not gonna live, OK? He’s paid for it, he’s hurt for it, it’s OK baby girl.” 

The knife slipped from her hold then, lying beside the mangled flesh and bone that had once been Cody’s hand. His pinky and ring fingers were completely gone. 

“C’mon,” Tommy said again. “Gonna get you cleaned up, let Joel finish the job, then we’ll get movin’. You’re OK.” 

He pulled her gently to her feet and gave Joel a deadly look as he passed, Ellie gathered against his side as he led her away. 

Joel knelt and picked up the knife, every inch of it splattered in blood now. He didn’t care. He took Cody’s chin in his hand and gave his head a sharp shake and the man gave a sharp gasp before trying to cough but choked on his own blood instead, his eyes opening slowly. He couldn’t even lift his head now, his eyes the only thing it seemed he could really move. 

“Wanted you to be awake for this,” Joel said, his voice a deadly calm. “Wanted to make sure you felt it. Wanted to be sure you knew why you were dying.”

Joel thrust the knife into Cody’s side, burying it fully between two ribs and twisting it there. His eyes went wide and his body thrashed as much as it could but it was a useless endeavor. He started gasping for breath, the gurgling sound of him starting to drown in his own blood overwhelming the sound of the woods around them as Joel pulled the knife from his side. 

“You could have lived, you know,” Joel continued. “Could have spent the rest of your years anywhere but Jackson, never would have looked for you. She asked me not to look for you, to just leave you alive. Felt like she owed you somethin’. Maybe she thought you’d been a good man once, long time ago. But you and me, we know the truth. You were never a good man, never had it in you to be good. You didn’t deserve her mercy so you ain’t gettin’ mine.”

“You…” he gasped and choked. “Promised…” 

“Promised what?” He asked. “To make it quick for you?” 

He didn’t give Cody a chance to respond. Joel just shrugged. 

“I lied.” 

He thrust the knife in between the same ribs on the other side, twisting it and pulling it free before wiping the worst of the blood on Cody’s pants and getting back to his feet. He put his hand in his pocket, the one that held the pieces of you. He traced your wedding band with his thumb, feeling your cold skin below his touch. How many times had this flesh laced with his? How many times had it tangled in his hair or squeezed his arm or touched his cheek? 

He held it himself now, trying to keep the pieces of you warm as Cody drowned in his own blood. His dying breaths were harsh and rasping and desperate, the last gasp of his mortality clinging to this life as though there was anything but pain to be found for him here. As if there was anything he deserved beyond pain. Just before the light left his eyes, Joel picked Cody’s fingers up off the ground and opened his mouth, forcing them inside. He stood back again, watching as he tried to take two quick, shallow breaths around them before going completely still. 

“Joel,” Tommy said from behind him. 

Joel looked down at Cody’s body for a moment longer. This man had hurt you, raped you, taken you. He was dead now, at Joel’s hand. There was justice in that. He spit on his body all the same. 

He turned to find his brother and daughter standing side by side, Ellie’s eyes still sharp but rimmed in red, her cheeks puffy. Both of them were wet, Ellie no longer splattered in blood. 

“We should move,” Joel said, stalking toward Cody’s horse. Tommy just watched him as Joel mounted up, the horse pawing at the ground for a moment as he got settled. He looked back at his brother. “If you ain’t got the stomach, Tommy, I’ll do this myself…” 

“I’m comin’,” Tommy said, going to another horse and mounting up, too. “Just hope you don’t get lost in the process.” 

Joel didn’t say anything. What was there to say? That the man he had the potential to be had left when you did? That, without you, there was nothing left to lose? 

He didn’t need to say it. Somehow, he was sure, Tommy knew. 

Instead, he nudged his horse forward, starting on the path given to him by the man he’d left in pieces on the ground. 

Next Chapter

A/N: So Joel is pretttttttty damn feral at this point. I'm not sure I've ever written a Joel quite this unhinged and that's not even accounting for the fact that the juxtaposition between Jackson Joel and Feral Joel is pretty harsh. He's just gone, at least for now.

There are just three chapters left of this fic now (I think, the way some of this chapter flowed means it may grow to 41 chapters but I don't think so)! Next chapter is going to be a big one, one that's been building for the whole of this fic and I'm so excited for it. I hope you are, too!

Thanks for being here through this INSANELY lengthy journey both in word/chapter count and in time. It feels like we've been with Joel and Bambi forever and that's because we kind of have been - almost a year now! I hope you've enjoyed the ride. I know I have.

Love you!

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