#i didn't think i'd like this specific series as much as i did

[panelshowsource]

i have a lot of episode requests i'm working on so i'll make another post with those shortly!

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this is such a fun question — i wish i had an answer! most of my "conspiracy theories" have more to do with certain comedians being misunderstood (in both good and bad ways), as people tend to want to like who they like and hate who they hate out of selfishness that is somewhat at odds with reality. at times. like, for example, not a lot of people want to talk about how many comedians actually didn't like sean lock at all in the early 00s because of how cutthroat and competitive he was on panel shows (mock the week flashbacks, anyone?); we don't enjoy thinking about that because, as fans, we all like sean and think he was a hilarious, honest, decent person. i could talk more about this but tbh defending someone i think people misunderstand or tearing down someone people love is kinda...not the kind of discourse i'm trying to do on this website 😅 anyways, that's where most of my theories lie (that and dating theories? maybe?), but that's not enough to call them conspiracy theories ig? this isn't a conspiracy theory, right? because i so passionately believe everything i said there hahahaha

do you have any you'd share? 👀🌀

i think argumental is probably the most underrated to me, because as much as...no one...talks about shows like duck quacks don't echo and rhod gilbert's growing pains, they've had enough high-profile or just popular-within-britcom guests that people have checked them out even for just one specific episode. but i feel like no one has watched argumental!!!!!!! which, i get it, it's a lot of straight white guys standing around doing fake mainsplaining lol (please remember that before, like, 5 years ago, that's about all panel shows were) but i think the premise of impromptu debate is really funny, some of the formats really bamboozle the debaters which leads to funny banter and improv, and it was so fun to see sean lock in menace mode as host 😋

i can't say it's the best ever made or anything — because, like series like there's something about movies (jennifer saunders i love you!!!!), rob beckett's smart tv, etc it's just two opposite panels answering kinda boring questions — but if you love david tennant and i know you do because everyone rightly does then you should try comedy world cup! he's such a wonderful host and there are a lot of panel show faves as guests

and on the topic of meh-to-decent formats with A+ hosts and big name panels, have you ever tried was it something i said or insert name here? they each have their moments for sure, i think a lot of people wanted to see wisis come back (maybe we're all just obsessed with david 🤷‍♀️)

you MUST listen to the unbelievable truth if you haven't, it's such a stellar radio show

another required panel experience is the recent series guy mont spelling bee and i'm holding a gun to your head when i say this watch it and watch it right now

as many of you know i'm not a fan of a league of their own but the road trip series are def some of the better episodes so if you like the panelists you can check that out for sure

does that help a little? tbh most of what i WANT to recommend isn't panel shows but scripted series or tangential reality shows (like travel man), but you asked about panel shows specifically so i stuck with them!

i haven't, and i surprise myself because lil savage was so iconic and i am sure i scrolled past her era a bunch of times back in the day. i'd give it a try if an episode had the right amalgamation of guests, so i'll check it out!!

omg there are so many moments from so many series — and i added quite a few to these random panel shows moments posts i did last year so i'll try not to repeat myself — but let me rack my brain real quick...

as i always say THIS is my favourite wilty clip ever and i stand by that

david the tortoise

yoshi the actual tortoise

"if this turns out to be a lie you are a shamless little light entertainer"

tell 'em david!! cuz she really does have horrible views lol

the elephant :/

for the last six months i've been secretly liasing with david's wife behind his bak

obviously the horse story

omg and the THERE'S NOOOOOO UNIVERSITY story

and on the topic of classics this was always my bob mortimer fave maybe because of the genuine awe of the panel in the end lol

and on the topic of genuine awe definitely this one

this miles jupp car crash

bermuda

i love rhod's potato tattoo and it's so funny that denise is like 'why have you got that??' so sincerely she was so astounded lmaooo

i was genuinely invited to harry and megan's wedding today but i said no because i had to come here and do this

i once shared a tent in kent with susie dent

another recent fave is this adorable one<3

oh man anon there are soooo many more maybe i can work on a masterpost of both funny moments funny whole lies/truths, or a youtube video or something (i said i'd get back into making videos). did i mention even one of your faves?? hehehe

omg anon you must watch this if you haven't the ben whishaw obsession is NOT a drill

he also talks about it in his book!

god he's so relatable

OMG I DID the nostalgia...

the way they didn't want to just talk about popworld but they didn't go one whole minute without saying popworld hahahaha they're soooooo cute

richard the popworld horse mentioned!!!!!!!

miquita being a whole child when she got cast for popworld, like it's so wild to think about

"has it been clear from what we've discussed that i'm a reclusive genius and master of cinema?" + "we pretended to be pretentious directors in berets...and i have become that guy now"

i know they were 98% kidding but the 2% of them that would go through with the popworld baby?? CAN YOU IMAGINE

you can't be surprised that a guy who wears false teeth in the name of absurd comedy for a living enjoyed a film about a man who wears false teeth in the name of absurd comedy!

a friend of mine gifted me a while of nordvpn, so that's what i've been using lately, but it depends what you need a vpn for. for example, if you're torrenting and need to seed content (for ratios or whatever), you'll need something with port forwarding like airvpn. if you're just trying to find something to switch between countries' netflixes or abuse streaming services, surfshark is very popular but i'd say expressvpn comes more highly recommended. once you pick the vpn you'd like to use, it's easy to find tutorials on youtube!

aww you're too kind 🥹🫂

———

☆ FAQ ➜ PANEL SHOW WATCH LINKS • NON-PANEL SHOW WATCH LINKS ♥ https://ko-fi.com/panelshowsource

[dragondawdles]

ok so I feel like I should preemptively apologize because I'm not sure what you had in mind when you expressed interest in seeing/hearing ideas from me on this but it probably wasn't me just taking that and running and ending up with my own draconified rough designs (+notes) for the three of them but uh! I may be a little silly

hi sending this ask as a free pass to draw as many dragons as you want forever

BUT if you want a specific direction may I propose lizzie joel and/or jimmy? :0c

Omg thanks for the free pass, so generous!!

And sure!! I havent had too many amazing ideas for Jim or Joel... other than canary characteristics for Jimmy, obvs, and something swampy and threatening for Joel (because he is a goddamn menace). I imagine Lizzie as some water blorbo because of the sailor skin and her whole thing in Empires that I have only approximate knowledge of. And thats all I got! If you've any ideas I'm very excited to hear/see them 👁

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[wilhelminyard]

compilation of nice/sweet things the foxes said to neil because even though they're a bunch of assholes who'll insult anyone in their vicinity they all just love him so damn much (part 1) :

WYMACK :

"if your parents are a problem for you, we'll move you to south carolina early."

"foxes are foxes for a reason and they know we wouldn't sign you if you didn't qualify. that doesn't mean they know specifics. it's not my place to ask and I'm sure as hell not going to tell them."

"it's about second chances, neil. second, third, fourth, whatever, as long as you get at least one more than what anyone else wanted to give you."

"I have never, ever hit someone without provocation and I'm sure as hell not going to start with you. you hear me?"

"I'll take care of this. you take care of you."

"do you have any idea what could have happened to you between here and there? what were you thinking? you should have called me"

"any of us would have come and gotten you"

"it's not your job to take care of yourself anymore. it's your job to play, and mine and abby's job to look after you."

ANDREW :

"oh you might actually turn out to be interesting"

"you be something. kevin says you'll be a champion. four years and you'll go pro. five years and you'll be court."

"curious that a man with so much potential, who has so much fun, who could 'be something' wouldn't want any of it"

"a liar who practices occasional honesty. clever."

"are you going to tell kevin?" "don't ask me stupid questions"

"oh neil, as unpredictable as he is unreal"

"what would it take to make you stay?"

"I'll stand between you and the moriyamas"

"you gave your game to kevin. give your back to me."

KEVIN :

"neil is exactly what the foxes need right now. his inexperience is inconsequential. we went through a hundred files looking for a striker for this year, but neil is the only one we approached. we knew as soon as we saw him we needed to sign him. we're just lucky we got there before anyone else did"

"our primary concern was keeping neil safe"

"*to riko* leave him alone."

MATT :

"are you bleeding anywhere?"

"coach says [neil's] got potential. andrew says you're fast. [...] andrew bets you can outrun everyone on this team."

"seriously are you okay?"

"I'll owe you one" "you won't owe me anything"

"you be careful, okay?"

"I'm fine" "you say that a lot. I'm starting to think you don't know what it means."

"coach says stupid but I say you have balls of steel"

NICKY :

"neil, you clean up good"

"andrew is keeping you, same as he kept kevin. it means you're part of the family now. [...] family means something different with us because it has to. it's not about blood. it's not even about who we like. it's about who andrew's willing to protect."

"that makes you invaluable to andrew"

"you're one of us, which means we'll never push you further than you're willing to go"

DAN :

"are you okay?"

"coach said you hitchhiked your way back here. I'd yell at you for being stupid but coach said he handled that already"

"we didn't let him [in]. he didn't make it further than the front door."

"neil? you don't have to do this, you know"

ALLISON :

"looking fancy"

SETH :

"maybe you're not as stupid as I thought"

AARON :

(I know it surprised me too but it's probably the only compliment he gives neil throughout the entire series and they literally just met at that point)

"at least you're not going to completely drag us down. it'll take most the season to get you where we need you to be but I can see why kevin picked you"

[dixons-sunshine]

js read your shopping spree and dying for your haircut fics and omg

can u pretty please, with a bow on top, write another part to that series or like an au where they get separated at the fall of the world and a few season later (preferably that prison era of daryl he was so fawking sexy there like omg) they found each other again and i want some build up to their reunion yk like someone else finds r and brings them in and some ppl kinda chatting abt the new girl or wtv and dars not rlly gaf cuz he kinda getting tired of trying to find r (realistically i don’t think he’d give up easily but let’s js pretend yk) but then they see each other and they’re like omfg the love of my life’s here and safe and like i need that glenn and maggie type reunion but like tenfold bc r and dar alr loved and knew each other before the fall yk and like yeah😣

idky but i’m a sucker for “r and daryl had a relationship beforehand, got separated, and reunited” trope (?) fic, blurb shit and you’d literally be godsent if u wrote this oml

I Found You | Daryl Dixon x Fem!Reader

Summary: When the dead started to rise and the world went to hell, Daryl got seperated from you, the love of his life. After over a year of searching for you and finding no evidence of your survival, Daryl was beginning to give up and count his losses. One day, Carol stumbled upon a wounded woman while out on a run with Glenn, and the two of them decide to accept you into the prison. Little did they know, that would end up being one of the best decisions they could've ever made.

Genre: Angst to fluff.

Era: Prison, pre season 4, post season 3.

Warnings: Swearing, blood, death, mentions of attempted sexual assault (not descriptive)

Word count: 4.3k

A/n: Thank you so much for the request! I've decided to write the au since there's already a part three for the SSHD (Shopping Spree, Hangout Dreams) universe in the works, but this request was way too good to not write. I hope you like it! And I absolutely agree with you. There's something about prison era Daryl that just hits different. He was on another level completely.

As always, my requests are open for any TWD requests.

(Just thought I'd say that both third- and second person is used. I referred to the reader in third  person when Glenn and Carol first met her, but it soon shifts to second person when she introduced herself. Just thought I'd let y'all know the shift is intentional.)

—

“Okay, so I can't guess what you did before all of this correctly, but I bet there is something that I will be right about.”

Daryl looked at Zach skeptically as they trudged through the abandoned store, looking for supplies to bring back to the prison. “Yeah? Wha's tha'?”

“You're brooding, quiet, you like to keep to yourself,” Zach started, leaning nonchalantly against one of the shelves while he watched the archer place multiple different packs and boxes into his bag. “The way you act most of the time would suggest you've never been in a relationship before, but there are clear signs that you were with someone before all of this.”

Daryl stiffened for a moment, his hand lingering above a pack, before regaining his composure and continuing his task. “Wha' signs?”

“Well, for one, you know exactly what kind of tampons and pads to get for the ladies at the prison. I would've just dumped everything in and have them sort through it, but you are only taking specific brands,” Zach pointed out, motioning to the box of tampons Daryl had just put back onto the shelf.

When Daryl didn't reply, Zach took that as his cue to continue. “And while we're on the topic of periods, you seem to know exactly what to get the girls for the pain and what to do to curve their bad tempers. What guy would know that if he didn't have a girlfriend before all of this? And to top it all off, and this is totally unrelated to everything I just said, I've seen that locket necklace you keep in your pocket. It's pretty worn out and faded, but you can definitely tell it's something from this generation, so it can't be something that was passed down from a relative, so that brings me to my conclusion. You, Daryl Dixon, had a girl before all of this.”

Daryl sighed, shutting his eyes tightly as he willed the onslaught of memories away. Memories that were too painful to think of, memories that did nothing but remind the archer of his failure. His failure at finding you, the love of his life, after the dead started walking. A failure he had to live with for as long as he remained alive.

Daryl opened his eyes and turned abruptly, leaving the young man behind him as he stalked towards the exit, his bag slung over his shoulder. Zach hurriedly caught up to him, struggling to keep at a steady pace beside him as Daryl strode quickly, wanting to put some distance between him and Zach.

“Woah, man! Slow down!” Zach complained, jogging to keep up with him. “Was it because I brought up the girl thing? I didn't realise it was a touchy subject.”

“It ain't none of yer damn business,” Daryl grumbled under his breath, stalking over to the truck him and Zach were using that day.

“Daryl! Come on, man. It's not that deep.”

Daryl gritted his teeth as he opened up the driver's side door of the truck, throwing his bag into the back before climbing inside. He started up the truck and revved the engine, a warning sign to Zach that he was about to leave, with or without him.

Zach hurriedly scurried into the passenger seat, barely having time to close the door before Daryl started speeding off. He gripped the edge of his seat, sending Daryl an exasperated look.

“Daryl, what the hell? Calm down!” he exclaimed, unnerved by the archer's sudden burst of fury. He'd seen Daryl angry before, but it was never directed towards him. It was downright scary.

“'M calm,” Daryl replied through gritted teeth, his hands gripping the steering wheel tightly.

“That's what you call calm?!” Zach exclaimed, motioning out towards the road. “You're driving like a maniac! Slow down!”

Daryl simply ignored the man, keeping his eyes trained on the road. Memories of you unwillingly flooded his mind. Memories of your smile, your laugh and your beautiful eyes. Memories of the calm mornings you'd spend with the archer in your shared sad excuse for an apartment where the hot water was a joke. Memories where you'd both stand under the cold water of the shower, Daryl embracing you from behind in an attempt to make the cold water bearable for you. Memories of your loving touch on his skin, your fingers lightly tracing over the scars on his back as you whispered reassuring things into his ear, assuring him that his father's abuse had nothing to do with him, that it wasn't his fault that any of that happened to him.

The more Daryl's mind wandered, the more he remembered some of the bad memories. All those arguments you had with him over some of his escapades with Merle, telling him that it would only get him into trouble, flooded his mind. One of those arguments ended up being the reason he got seperated from you in the first place.

Merle had wanted to go do some drug deal and had barged into your apartment, practically dragging Daryl from your bed. You had begged him not to go, arguing with him that it was a bad idea and that something would go wrong this time. He remembered being so angry at you for insisting during that argument that Merle wasn't good for him, that he needed to cut back on seeing him or set some boundaries with him. He had stormed out of the apartment without so much as a goodbye, and now he regretted it more than he's regretted anything before in his life.

Daryl blamed himself daily for not having listened to you that day. If he had, he never would've been seperated from you and you would've been safe by his side. He longed to have you by his side again, to tell you that he was sorry and that he loved you. However, even after all this time of searching, going out for extended periods of time to look for signs of you, it was to no avail. You were gone, and it was all his fault.

“Daryl? Are... you okay?”

Daryl snapped back to reality at the sound of Zach's concerned voice. He felt a droplet of water roll down his cheek and he hurriedly wiped it away, realising that he was crying. He hadn't even realised that tears had started to well up in his eyes, so immersed was he in his own thoughts.

“'M fine,” Daryl insisted, wiping his eyes hurriedly as he willed the tears away.

Zach furrowed his eyebrows, before realisation dawned on him. “You did have a girl before all of this. You lost her, didn't you?” he asked sympathetically.

Daryl hesitantly nodded, swallowing in an attempt to get rid of the lump in his throat. “I didn't lose her,” he began, bringing the truck to a halt in front of the prison gates as he waited for someone to open them.

“I don't know if she's even dead at all. She's just... Gone.”

—

“What are we looking for, exactly?” Glenn asked Carol as they scanned over the shelving of an abandoned pharmacy, his eyebrows furrowed in confusion.

Carol sighed as she looked upon yet another empty shelf, its medical contents a thing of the past. “Anything medical. With all the new people we've been taking in, the supplies we have aren't going to be enough.”

“Okay,” Glenn drawled hesitantly. “But it doesn't look like there's anything worth scavenging here.”

“Let's just do a once over before we check the back. If there's nothing, we head on back. It's getting late,” Carol instructed. Glenn nodded, and the two of them dispersed to sweep through the small store once more.

“So,” Glenn started. “Is it just me, or has Daryl been more grumpy than usual?”

Carol hummed in agreement. “He has. He gets angry at the smallest of things lately.”

“Do you know why?”

“No,” Carol said, shaking her head. “I've asked him, but he won't say anything. Just tells me to mind my own business. It's really odd. He's more like he was back at the quarry. More closed off and snappy and I don't know why.”

“It's ever since he came back from that run with Zach a week ago,” Glenn replied, meeting up with the Carol again to go into the back room. “I've asked Zach if he knows why, but he refused to say anything. Says it's not his place to say.”

Carol frowned, opening the door that lead into the back room. “That's odd. So that means something—”

“Stay right there. Don't move another inch or I swear to god I'll shoot.”

Both Carol and Glenn froze in their tracks. They looked up and locked eyes with a woman, who's eyes were fiery as they darted between them.

“Names. Now. And weapons on the ground.”

“Okay, alright,” Carol responded, trying to diffuse the situation. She slowly lowered her gun and knife to the ground, urging Glenn to do the same. “I'm Carol, and this is Glenn. Now before we answer anymore questions, what's your name?”

The woman hesitated for a moment. “Y/n. What are you doing here?”

“We were looking for some supplies,” Carol spoke truthfully, eyeing the gun aimed at her carefully. “We're running low on medical things.”

After a couple of long, tense moments, with you scanning them from head to toe, you nodded to yourself after spotting something. Deciding to trust them for now, you slowly lowered the gun. However, you quietly hissed in pain, quickly clutching your side as you stumbled to regain your balance. After you steadied yourself, you limped over to your bag and grabbed a few things before handing them over to Carol and Glenn.

“Here. Hope these help. The place was ransacked when I got here. Wasn't a lot left to clear out.”

“Thank you, but we need more than this. This isn't going to last us long,” Carol responded, placing the items into her bag.

“No offence, lady, but I think I need the supplies more than you do at the moment. And I gave you more than half already. I can't spare more,” you said, clutching your side tightly.

“What happened?” Glenn asked, pointing to the your side, unable to stop his curiosity from seeping through.

“Flesh eaters,” you replied nonchalantly, shrugging your shoulders. “I was fighting a bunch of them when one lunged at me from the side. It toppled me through a broken window, and a shard sliced me.”

“Don't you have a group? Couldn't they help you?” Glenn questioned.

“Nope. I've been on my own since this whole thing started. I guess I should probably find a group, though. Things like this wouldn't happen if I had backup.”

You gingerly lifted your shirt, and both Carol and Glenn grimaced at the painful sight. The wound was deep and oozing blood. It would definitely need stitches, as well as someone to remove the remaining fragments of glass that still painfully stuck out of the wound. It was terrible. You wouldn't be able to get it all out without a professional.

Suddenly, an idea struck Carol. “You gave us some of the supplies you scavenged without even knowing us. Why?”

“Well, you didn't try to kill me, even after I held you at gunpoint. And by the looks of it, you guys have a group and are set up somewhere. Figured I should do the honourable thing and offer up some medical things if there's kids involved.”

“How do you know there's kids?” Glenn asked, confused.

“I can see the toys in your bag,” you pointed out, motioning to the toy truck that stuck out of the top of his bag. “Figured that adults wouldn't be playing with toy trucks while the world was ending.”

“Still, why would you? You don't owe us anything,” Carol questioned, though her mind was already set on one thing.

“Some might call me naive, but I hope that by doing some good in this fucked up world, karma will decide to do something good for me. That probably makes me stupid as shit, huh?” you replied, laughing before wincing at the pain that shot through your side at the small action.

Carol smiled at you. “We have a group set up not too far from here, at the prison. You can join if you want, but you have to answer three questions first.”

You raised your eyebrows at her. “Three questions? That's it?”

“Yeah.”

You shrugged your shoulders. “Alright, shoot.”

“How many walkers have you killed?” Carol began, watching you closely.

“A lot. Too many to keep track of at this point.”

“How many people have you killed?”

You hesitated for a moment, guilt creeping up on you. “Three.”

“Why?”

“Two of them were bit. They asked me to kill them. The other one... That bastard tried to rape me. I wouldn't let him.”

“I'm sorry,” Glenn said sympathetically.

“It's fine. I'm fine,” you waved him off, before turning your attention back to Carol. “How'd I do? Satisfactory enough?”

Carol nodded. “For me, yes. You'll still need to meet the leader and have him evaluate you, but I think you'll be alright. You'll fit in just fine.”

“Hopefully,” you laughed nervously, instantly paying the price for it with a sharp pain shooting up your side, making you visibly wince.

“Come on, let's get going. We have a doctor who can get that checked out for you,” Glenn prompted. He walked over to you and grabbed your bag, stopping your protest instantly. “It's fine, I've got it. One extra bag won't kill me.”

Together, all of you made your way out of the pharmacy and over to their car. You got settled in the back while Carol and Glenn got into the front, and before long you were setting off to the prison. Your eyes were beginning to droop, but Glenn seemed eager to get to know the new recruit better.

“What were you doing out there on your own anyway?”

“I was looking for my boyfriend. I was hoping that he might still be alive.”

“No luck?” he asked.

“No,” you shook your head, pursing your lips. “I'm beginning to think I might never find him, if he's even still alive.”

“Never say never,” Glenn encouraged you. “You'll find him someday, I know it.”

“I really hope so.”

—

“Have you seen that new chick Glenn and Carol brought back? She's a real looker.”

“I know, right? You think she's into blondes?”

“Even if she was, I doubt she'd go for your scrawny ass.”

“Easy, boys. She might not even be into guys. I could have a shot with her for all you know.”

Daryl groaned inwardly as he entered the cellblock. The new girl that Glenn and Carol brought in the day before was seemingly the hottest topic of discussion amongst everyone and he couldn't escape it, no matter where he tried to run to. Nobody, apart from Glenn, Carol, Rick and Hershel have officially met her, yet everybody had seemingly already formed an opinion about her. Although there were a lot of different opinions, everyone seemingly agreed on one thing; the new girl was hotter than hell.

Daryl was the only guy in the entire prison that hadn't seen her yet. He was out hunting when Carol and Glenn brought her back and he hasn't bothered to go out of his way to introduce himself to her ever since he got back. He'd meet her soon enough and he wasn't hoping to make friends with her. The more people he managed to keep at arm's length, the better.

“Yo, Daryl. What do you think about the new chick?” a guy called Mitchell asked him, snapping him from his thoughts.

Daryl shrugged. “Ain't met her yet,” he replied, crossing his arms over his chest.

“Okay, but have you seen her?” another guy called Ronnie asked. “I'm telling you, man, hotter than the sun on a summer day. I'm hoping she'll let me hit at least once.”

“How 'bout ya leave the poor girl alone?” Daryl snapped, turning to face the group that was walking with him. “She ain't even been here two days and y'all are already ogling her like she's some prize to be won. Have some more respect.”

“Jeez,” Mitchell whistled. “What's got your panties up in a bunch?”

“Nothin',” Daryl muttered angrily, turning around to walk further into the cellblock. “Jus' wanna get this fuckin' job done and all y'all can do is yap 'bout some girl ya dun' even know properly. I dun' give two flyin' shits 'bout who or wha' ya talk 'bout, but do it after the job's done. Y'all ain't free loadin' here. Do yer job, earn yer keep.”

“Sorry,” a girl called Ariana muttered, sending him an apologetic look. “What do you need us to do?”

“Take those planks over there and take em to the guard tower. Rick wants to fortify it and wants it done by the end of the week.”

“What are you gonna do?” Ronnie asked, crossing his arms as he sized Daryl up.

Daryl glared at him and squared his shoulders, looking down on his shorter, scrawny frame. “Hershel needs help with somethin'. I believe ya can understand tha' if the doctor needs somethin' done, it's considered top priority?”

Ronnie shrunk under Daryl's intense glare, nodding quickly. “Yeah, of course.”

“Great.”

With that, Daryl turned on his heel and set off to find Hershel. He didn't have to search far, however, because Hershel halted him before he could go outside.

“Daryl, over here,” the old man called after him, halting him in his tracks.

Daryl turned and walked over to Hershel, nodding at him respectfully. “Wha' ya need, Doc?”

“I'm sure you've heard of the girl Carol and Glenn brought back yesterday by now?” Hershel questioned, chuckling at the slight groan Daryl emitted.

“Who hasn't? Apparently she's really good lookin'. Her looks has been all people has to say 'bout her.”

Hershel nodded. “Unfortunately, that is true. Only Rick, Glenn, Carol and myself has had the pleasure of meeting her personally up until this point. She's a lovely woman. Had no problem that there wasn't anything to ease the pain when I had to stitch her side and she's more than willing to get up and start working to earn her keep. She won't be able to for at least another day or so since her side needs to heal up a bit first, but Carol and Glenn did good with bringing her back. She'll fit right in.”

“Good,” Daryl nodded. “She a good fighter?”

“From what I understand, she's been out on her own since the beginning. She's not dead yet, so I'd say she's alright,” Hershel replied, adjusting on his crutches.

“Alrigh', now enough 'bout her. Wha' did ya need me to do?”

Hershel gave him an encouraging pat on the back, confusing the archer. “You're going to be one of the very few people who gets to say they met the new girl for the next couple of days. I was hoping you could help her fix her bunk? One of the legs on the bunk broke and she's dead set on repairing it. She won't let me help because she keeps insisting I've done enough for her, so I told her I would send someone else to help. She'll be expecting you.”

Daryl pursed his lips but nodded, parting ways with the older man. He walked over to the cell that Hershel had pointed towards and stopped at the doorway, hesitating to make his presence known.

You had your back turned towards the door, hunched over as you inspected the leg of the bunk. You weren't aware of the archer that stood a few feet behind you, engrossed entirely in your own thoughts. That was, until he spoke up behind you.

“Hey. Hershel said ya needed help?”

You froze at the voice, willing the supposed hallucination away. You slowly rose to your feet and turned, locking eyes with the one person you've been searching for since the world went to hell—your boyfriend, Daryl Dixon.

The moment Daryl locked eyes with you, a whirlwind of emotions flooded his being. Relief, love, happiness, wonder, sadness, confusion and so much more that he couldn't decipher. Although his first instinct was to wrap you in his arms and never let go of you again, he hesitated, refusing to believe you were real. He took a step back, his eyes wide as he looked at you.

You stared back at him with equal amounts of disbelief. You took a hesitant step forward. “Daryl?” you whispered. The man in front of you looked slightly different; a little bit older and his hair was longer, but there was no mistaking it. The man in front of you was Daryl.

Daryl remained silent, his eyes locked on you as you continued to take agonizingly slow steps towards him. He watched as you stopped in front of him and hesitantly raised your hand, bringing it to rest on his cheek. Daryl instantly melted into your familiar soft touch, and that was all the confirmation he needed. Without another thought, he gently grabbed you and pulled you into his arms, tightly clinging to you as he pressed multiple kisses to the top of your head.

“Yer real,” he whispered, a laugh of amazement falling from his lips. “Yer real. Yer alive. Yer actually still alive.”

You laughed quietly against his chest as you held onto him tightly, never wanting to let go ever again. Your laughter soon turned into sobs, tears of relief and happiness falling from your eyes.

“I thought I'd never see you again,” you whispered through your tears, burying your face into his chest. “I thought you were dead, Dar.”

“'M here,” he whispered into your ear, a few tears of his own falling from his eyes. “'M alive. Yer alive. 'M never lettin' ya go ever again. 'M sorry I ever left tha' day in the first place.”

“It's okay. I'm sorry, too. I never should've asked you to cut Merle out of your life. He's your brother. It was unreasonable of me.”

“Nah, it wasn't,” he denied, placing another gentle kiss on the top of your head. “Ya were jus' lookin' out fer me. I never shoulda gotten mad at ya in the first place.”

“Let bygones be bygones?” you whispered against his chest.

Daryl chuckled before nodding. “Yeah, of course.”

The two of you held onto each other for a couple of moments longer until you pulled back. Daryl was about to voice his protest until you pressed your lips against his in an urgent kiss, wrapping your arms around his neck. His arms settled on your waist, pulling you closer into him as he kissed you back. There was no lustful hunger behind the kiss—there was only love and longing, two broken parts finally reuniting and mending together as one.

Daryl pulled back and placed his forehead against yours, closing his eyes. “I missed ya so much,” he whispered, willing the lump in his throat to go away.

“I missed you too. More than you even know,” you replied, cupping Daryl's cheek with one of your hands. “But I found you. I finally found you.”

Daryl leaned into your touch before turning his head to kiss the palm of your hand. However, he soon pulled away from you and strode over to your bag, slinging it over your shoulder.

“C'mon,” he said, taking your hand in his as he pulled you to walk beside him.

“Where are we going?” you questioned, falling into step beside the man you loved.

“There ain't no need fer ya to sleep in there. Yer gonna sleep with me in my cell,” Daryl said simply, pulling you along to his cell.

You giggled but said nothing, silently following him into his cell. When he placed your bags down on the floor, Daryl placed a soft kiss on your lips before stalking out of the cell.

“Where are you going?” you called after him, furrowing your eyebrows in confusion.

“'M gonna find tha' prick who objectified ya and teach him a lesson. Yer hot as fuck, yes, that much I can accept people sayin', but Ronnie implied he wanted to sleep with ya outrigh'. He's really gonna regret sayin' tha' in a few moments. Dun' even try to talk me outta it.”

“Hey, Dar?” you called after him, halting him in his tracks. “I love you.”

Daryl smiled at you. “I definitely love ya more.”

[lotusarchon]

nezha is a child in the show isn't he? why are you shipping yourself with a minor and writing romance with him?that's so creepy,,,, how are you talking about dynamicsimp when you're doing worst 🤮

Found this cute Nezha fanart anyways

I knew I had to deal with one of y'all eventually but I didn't think it'd be this soon. Damn, at least let me hit 100 followers first 😞

Anyways uh. Nezha's first introduction in season 3 came out in like, what, 2022? I'm assuming it is, because I started LMK in March of 2023, before s4 was released and already found the show up till s3 by then. S5 just released this year, of which we've seen a weird increase of Nezha screentime of which I'm not complaining.

Point blank. The Nezha age controversies are getting old and boring. New fans and old fans need to chill out with those issue about the age business.

1) It's confirmed the Lego Monkie Kid version of the deity known as Nezha is an adult.

2) This is a god of an Eastern religion who is still very much worshipped to our modern day. If you did your research, you should be able to take note that Nezha isn't only seen as a child god, but even portrayed as someone older. I'm not a Daoist nor Chinese, so I advise you check this blog ( @/ruibaozha ) for more information on the subject matter.

3) As is the case with modern media and adaptations, different shows will portray religious figures according to what works for their plot. In the movie Nezha 2019 (forgot the title whoops), Nezha is portrayed as a child, as we are seeing a comedic but angsty interpretation of his origins. In the Legend Of Hei, we see him portrayed as a child, assuming for comedic purposes and to bond with the MC Hei.

3.2) If LMK wanted to portray Nezha as a child like his appearances in Journey To The West, and the Fengshen Yanyi (?), you must understand then his design and personality would've been portrayed more childish or at the very least a mixture of mature and childish. We can see this by comparing LMK Nezha and TLOH Nezha = both are stern but where one acts, looks and often shows childish traits, the other acts like an exhausted 25 year old who needs therapy. LMK HAS made children in the past, as we've seen with the Lady Bone Demon's Host and in season 1 a few kids here and there as background characters. If the show wanted Nezha to be a child, I'm certain they would've given him a similar model.

4) If in the instance that, let's say, the god known as Nezha was a child, and LMK Nezha is an adult, you SHOULD separate fiction from religion. Do keep in mind that Sun Wukong is still very much worshipped, however, I have seen fans, in and outside of LMK, who have written heavy NSFW and simped for him. A god is not the same as a fictional character, because by that logic we shouldn't be simping much less writing NSFW of Wukong either, given his story in JTTW where he becomes a Buddha.

5) I do not like proshipping much like any sane person. I also HATE aging up minors in fiction just for something like self shipping or to write nsfw. I have been in fandoms before this one: Jujutsu Kaisen, Tokyo Revengers, and My Hero Academia specifically, and it makes me uncomfortable seeing porn written of actual minors with excuse of them being aged up. I'm not so hypocritical I'd dare to want to do the same, not when I'm uncomfortable with anyone else doing it. If LMK Nezha was a minor, and there were sources to even prove as well within the series he's a child, then obviously, I would NOT be shipping myself with him, much less write romantic/nsfw content with him. I'm an adult, and I don't feel comfortable with minors in general, so why would I want to write romantic content about a FICTIONAL minor??

If you can find any source that proves me wrong, I'd like for you to do so. But until then, you, and everyone else who still wants to entertain Nezha's age; please stop.

I get it. Some of you like to headcanon him as a child so as such, seeing content with him as romantic or nsfw is uncomfortable. I understand, I do; I headcanon Mei as an aroace lesbian so sometimes it's uncomfortable finding any kind of content with her being paired with others. I do understand where you're coming from with your discomfort.

But I feel like, considering season 5 and hopefully if there's a season 6, the whole thing is just dust now. S3 must've been released in 2022, so it's been nearly two years since Nezha's appearance in the show. People headcanon he's a child, and people prefer to like the confirmation he's an adult. We get it, that's what fandoms are, different views etc.

But calling people proshippers or creepy or pedophiles for not adhering to YOUR headcanons is not only fucking stupid, it's just hilarious and way too old, AND just...boring. Especially considering I feel uncomfortable around minors and hate proshipping with a passion. There's genuinely nothing wrong with liking a headcanon, but if someone likes something that isn't problematic and doesn't adhere to your preference, I think you need to breathe a bit.

I was saving this off for last however, you hit the nail on the coffin with this. There is a literal document talking about the disgusting actions of DynamicSimp. If you still choose to like them that's fine, but forgive me for pointing out how hypocritical it is for you to bring up the person who purposely shared porn with minors to someone who avoids minors like they're the rat plague of the Middle Ages. 🤔

"you talk about DynamicSimp but you're doing worst"

Do you mean writing porn for a character who is confirmed to be an adult? Do you mean ensuring that my 18+ blog isn't found by minors and if it is I'll block them? Do you mean supporting someone who's harassed others about Nezha's age?? Do you mean being an absolute creep around children?? Do you mean breaking the boundaries where people have clearly expressed discomfort? Do you mean romanticizing abuse amongst other things for an au clearly being consumed by minors with no regards or wellbeings?

I wonder who's the worst. Me, the adult who only recently turned 18 and has limited his interaction with minors outside of family members, or the however old they are person who has a literal document and their victims speaking up about their actions, and who to my current knowledge has not spoken up about this and is still posting and carrying on without a care in the world?

Well zoinks Scoob, guess we're not making outta this one alive 😟

Edit: .....*disappointed sighs* I think some people really oughta chill out in my comments. Anon, I blame this on you 😭 why did you bring this here holy fucking shit dawg.

Alright. Alright uh.

Okay, so while I do appreciate being told the reasons as to WHY Nezha was "aged up", because a writer wanted to justify shipping Wukong and Nezha...I feel like the entire, "ah, but this says, and that says here-" about Nezha's age is just ridiculous at this point.

Yes, I understand, this is justifiably weird.

However.

Has anyone else refuted Nezha's age?? And I mean the canon show writers? Has anyone working on Lego Monkie Kid made a statement saying: "This person is disgusting, LMK Nezha is a child." Because, respectfully, unless canon sources provide information on it, I'm not going off based on the fandom opinions.

I'm not happy I have to edit this post to add this, much less try to explain anything, but, oh well.

1) "Ali, you're just trying to justify yourself and keep writing for a child." Listen. I've been groomed and dealt with fucking weirdos my entire life. Trust me when I say whenever I hear about proshipping it SICKENS me to the core. I HATE proshipping. I don't care what the excuse is, proshipping is disgusting.

I'm not mentioning the interesting fellows in my comments because it's pointless and honestly to make drama over this is stupid. But I was given some context to understand where they're coming from, and I do in fact appreciate it. Justifiably I don't blame them for their annoyance/disgust towards the writer Sarah (?).

What I will say though; typically in a situation like this, I'm certain someone in the team would've made a statement about this to explain that the writer is wrong. I'd assume at least one writer, someone OFFICIALLY on the team would've denied this proclamation of Nezha being an adult. I have not seen ANYTHING that says the show denies Nezha being an adult.

2) My friend, who was also in the comments (hi), is a native Chinese and a Buddhist for six years. I also have another friend who I'm not mentioning but ALSO is Chinese and WORSHIPS Nezha. They have more knowledge than someone like me does have on this matter, and I find it really odd how people immediately cite wiki and website sources to say, "Nezha is an eternal child!", and, "No where else says Nezha is an adult."

As I've said. If there are sources including the staff from Lego Monkie Kid that claims Nezha is a child, then I am more than willing to delete any content I've made with him. Full honesty, I have no intention of keeping any content with canon, confirmed minors on my blog.

But not only have I found anything that says the official story writers deny Nezha's an adult, but my friends, who are again, both Daoist and native Chinese, are aware that he ISN'T an eternal child.

If you are Daoist and/or worship Nezha, then by all means you can tell me that what I'm doing is wrong and correct me about Nezha's age. I'm willing to listen. If you also find information where the writers claim Saraha is wrong for her statement, provide it. I'm a person that likes reasoning, and I'm willing to see reason.

3) "Ali, you're not gonna see reason you're just trying to defend yourself again-"

Okay, backstory time: last year when I joined LMK, when I myself was a minor, I thought it was okay to write nsfw content for the character who was Lady Bone Demon's Host. My friends at the time did not tell me what I was doing was bad, so of course I kept it up, until someone pointed out that Bai He (fan name) is actually a minor in the show and was also confirmed by the show's producers. I felt so disgusted about it I deleted all my posts made on my old AO3 about her (which is faeriicrafts and still up surprisingly) and offered a sincere apology to the fandom about writing nsfw content for her. I changed and learned, and now I feel grossly uncomfortable seeing anyone writing nsfw for her despite the canon confirmations.

Justifiably, if more information about Nezha is released within Lego Monkie Kid, of which it's confirmed he's a child, I am more than eager to delete everything I've written about him, and even apologize again for writing nsfw with a minor.

To be honest, I just feel uncomfortable with the comments who are denying actual Daoists for the sake of; "I've done my research, no other sources has said Nezha is an adult, you're lying about worshipping him!!"

It's uncomfortable and really off-putting how you can tell someone that about their religion. Yes, this is for you specifically, that one commenter who jumped in and on my friend. Even if she has long since stopped worshipping Nezha, she very much did once. And I've gone to actual Daoists to ask more information about Nezha and the religion in general, who has in fact confirmed Nezha isn't just a child. I get that this is the internet, people can lie about anything. But it's still uncomfortable, solely because had anyone else claimed they're Daoist or ex Daoist and agreed with your opinion, you wouldn't have said that.

I'll reopen my comments within a few minutes, but don't be a disrespectful cunt. And can you maybe not deny someone about their religion? Even if you don't believe them, that's genuinely not an excuse. Because I know damn well, had she agreed with your statement, you wouldn't have pulled that.

Gods. I can't say I'm not surprised, but I'm just impressed about the lengths people will go for something.

Anyways, I've said my piece. If official show writers (because my Daoist friends have already told me what I needed to know) claim Nezha is a child, I'll delete my stuff with him. If not, then I'm not stopping posting Nezha content.

Toodles.

[confused-pyramid]

Tell Me Some Things Last | s3

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 23.1k

warnings: canon!typical violence, mentions of abuse, mentions of death, specific episodes mentioned in this part are 3x01, 3x02, 3x03, 3x06, 3x08, 3x09, 3x14, 3x16, 3x17, 3x19, and 3x20

a/n: season 3! The slow burn continues:) This was really fun to write, so I hope you enjoy it! (and I promise the chapters won't keep getting longer, this one just got out of hand LMAO) Title is from Heal by Tom Odell

series masterlist

"Excuse me?"

Section Chief Strauss doesn't falter. "You can't expect me to believe you think Agent Hotchner has done an effective job leading this unit."

"You can't expect me to believe that you think I'd willing spy on my unit chief for you."

She sighs and you want to throttle her. "Agent L/N, I know you two share a history, but this is bigger than that. People have died on his watch."

You have been trying to remain neutral since you were called into her office, but every word that comes out of her mouth makes you see red. Yes, this past year has been tough, but none of it was in his control.

"I think you know my answer," you say coldly, straightening your back in her chair. "I have to go, we have a case in Arizona."

She holds your gaze for a second, before nodding and turning back to her computer. You stand up and leave her office without another word, hastening your pace to a light jog the moment you're out of her line of sight.

You want to talk to Hotch as soon as possible, but by the time you get back to the bullpen, the whole team and their go-bags are gone. Grabbing your own bag, you rush over to the airstrip where everyone is settled inside the jet.

He glances up with a thin smile when you take a seat across from him, and you return it, not wanting to raise his concern when everyone is around.

The Flagstaff police meet you at the airport when you land, and everyone jumps into the awaiting SUVs to get to the crime scene as soon as possible.

The victim is another brunette woman on the college campus, but luckily her body was found after curfew, so students aren't milling around.

You step closer to examine the woman's body as JJ glances down at her hand. "She had her Mace out, but she didn't use it?"

Morgan nods, looking around. "And it's well-lit. He's not afraid of being seen."

A bus stop sign catches your attention and you turn to Detective Griffith. "How often do the shuttles run?"

He answers immediately. "Every 10 minutes."

"Were all the other victims posed like this?" Reid asks, bending over to get a better look. "With their arms crossed."

Griffith frowns. "Yeah. Why?"

"It's a classic sign of remorse," Morgan responds, stepping in to take over the explanation. "The unsub kills the victim then immediately feels bad about it, so he poses them like this, so they'll rest in peace."

"You can tell that just by the arms?"

"It's why you called us here. To build a psychological profile of your killer."

After inspecting the crime scene, Gideon and Morgan leave to talk to the dean of the school, and JJ and Reid go to meet with the students living in the victim's dorm. Hotch is still back at the station, and you haven't gotten a chance to talk to him since meeting with Strauss, but you push it out of your mind as you accompany Emily to the coroner's office.

You're so lost in thought that the drive over is entirely silent, and it's not until you've parked that you realize she didn't say a word either.

When the coroner leads you to the victim's body, you notice how much clearer each of the markings and cuts are. Hotch doesn't assign you to speak with the coroners very often, usually sending Prentiss, because of her incredible attention to detail, but not that you're here, you appreciate the second chance to examine the victim.

"Did the other victims have this much overkill?" she asks, pulling out her camera as you flip open your notebook.

"Death was caused by a single, very forceful stab wound to the heart," the coroner confirms.

You lean in closer to see the insertion point and notice the lumpy discoloring on the victim's chest. "Yeah, it looks like he broke through the breastbone."

"And after that he just lashed out at random," he adds.

Emily hums in agreement before snapping a couple of photos. "Well, no defensive wounds. She didn't even hold her hands up to fight him off."

"The first two victims were the same."

A shudder runs through you as the two of you leave the cold room and emerge into the warm sunlight. "Why is it almost harder to look at the victims when they're cleaned up and no longer covered in blood?"

Emily considers your question for a moment. "Maybe it's because they look less human that way."

You remember Jeff's funeral, how lifeless he seemed in his casket, and how you could barely look at him during the proceedings. It was somehow worse than seeing him at the crime scene, blood everywhere. At least then, you could still see the warmth in his skin. Later, he just looked cold.

"I think you're right," you tell her just as her phone chirps with a call.

She stiffens imperceptibly when she sees the number, but you only notice because of how hyper-vigilant you have been about your own tells since speaking with Strauss. "I need to take this. Give me a second."

She walks away from you and answers the call, her tone hushed so that you can't hear her. You know it could easily just be a personal call about something private in her life, but there's something almost familiar about the look in her eyes when she saw the number.

"Everything okay?" you ask her when she returns, but she just sighs and starts walking to the SUV. "It's nothing."

You haven't known her for as long as the other members of the team, but it's not hard to tell that she's hiding something. She looks distracted as she avoids making eye contact, and when you remember how you did the same with Hotch on the plane, the pieces fall into place.

If Strauss gave her the same assignment she tried to give you, then you need to keep an eye on her. You don't believe that she would sell out the team, but you also know how terrifying you thought Strauss was when you first joined the bureau.

***

The profile leads you to take Nathan Tubbs, one of the campus security guards, into custody, and while Gideon interrogates him, you walk with Reid, JJ, and Emily through the quad to get back to the station.

"Everyone is so much younger than I remember being," JJ says, as you all pass through a crowded part of campus. Word must have spread that the team arrested someone, because you can't imagine why else there would be so many students hanging outside after dark.

"Yeah, it's a weird age," Emily chuckles. "You want to be treated like an adult, but you're still used to someone else solving your problems for you."

"All I remember is trying to figure out who I was."

That makes you laugh. "I had no idea what I wanted to do when I was in college."

"Didn't you go to college with Hotch?" JJ asks, her eyes twinkling. You expect she's hoping for an embarrassing, or at least interesting, story from those years, but your past with him feels almost like sacred territory: something you can't breach when he's not around.

"Not college," you correct, "just everything else before and after."

"What was he like then?" Emily asks, genuine curiosity in her tone. You still can't believe that she would spy for Strauss, but you also can't help your suspicions.

"He was completely different, but also the same." You smile as you think back to the early years of your friendship. "He was kind of a cool kid in high school, but he was just as focused and determined as he is now."

"Hotch was popular?" Reid asks in disbelief.

JJ snorts. "Why can't I imagine that at all."

"He was trustworthy," you shrug, "and kind. Even when people weren't kind to him."

The three of them go silent, and you suddenly feel extremely self-conscious, but you're saved when your phone rings with a call from Derek. "Hey."

"There's been another murder."

***

The case ends in a murder-suicide that a part of you believes Gideon should've seen coming. JJ calls the jet to take off at first light, and everyone looks exhausted when you arrive at the airport. You sleep most of the flight back, but when you step into the field office again, you know you can't ignore the talk you've been avoiding all day.

You go to his office in the hopes of having this conversation privately, but he isn't inside when you look through the open door. You turn back with a frown and are about to head down the stairs again when you see him leaving Strauss's office across the hall.

He spots you immediately, and before you can say anything, he says, "I just got suspended."

Your mouth falls open. "What?"

"Two weeks."

You blanche as you follow him into his office, where he immediately starts packing up his essentials into his briefcase. "Hotch...I have to tell you something. Something I should have mentioned yesterday."

"What is it?" he asks, his voice slightly distracted.

"StraussaskedmetospyonyouandIthinkshealsoaskedEmily!"

He blinks. "Can you say that again?"

You press your lips together, before trying again, slower this time. "Strauss asked me to spy on you, and I think she also asked Emily."

He closes his eyes for a beat, but it feels like years. You can feel the disappointment wafting off of him, but he doesn't say anything, giving you the time to explain in more detail.

"She asked me right before we flew to Arizona," you tell him, your chest aching at the defeated look on his face. "I told her I wouldn't do it, of course, and that you are the perfect leader for this team. But I was watching Emily the whole time we were there, and I think Strauss might have threatened her or made her some kind of offer."

His hands pause their packing and for a moment, you're worried that he's going to be angry you didn't come to him sooner, but then he just sighs, a deeply dejected sound. "I figured she would. It's basically in the FBI playbook."

"You knew?" you say, your voice almost like a gasp.

"I didn't know for sure," he amends, "but I believed so. And I'm usually right about these kinds of things. Anyway, it doesn't matter now. You guys will be fine without me."

You want to shake him; to reach forward and rattle his shoulders until he realizes that this is it. This is exactly why he makes such a great unit chief.

He doesn't get angry, even when he may have cause to be. He trusts his team so wholeheartedly that even under the suspicion of spying to the higher-ups, he still treats everyone the same. He puts the team above himself in almost every aspect, and the intermittent calls you get from Haley when you're in the middle of a long case prove that it may be to his own detriment, but he still does it. Because he cares so deeply, about each of you, and about each victim, and about catching each killer.

"We need you," you say, emphasizing your words as though that will make him understand you better.

"Morgan and Prentiss will be fine," he says pointedly, as though trying to prove a point. "I'm sure they'll even be better off. And Reid and JJ can look to you for guidance. It's practically what they do already."

"Fine," you sigh, throwing your hands up in exasperation. "They'll be okay. But what if I need you?"

He looks at you then, and there's a sadness behind the stern set of his eyes. "You'll be okay."

***

You have to drag yourself out of the house the next morning. The knowledge that Hotch (and most likely Gideon) won't be at the office sucks the motivation out of you, especially because you have no idea what will happen once the team is given another case. Will they assign you a new unit chief? Will they temporarily promote someone on the team?

You push your questions out of your mind as you mindlessly get through security and flop down at your desk. There's a palpable difference with half the team gone, especially since Emily doesn't seem to be anywhere in sight either, and the emptiness of the office somehow feels more claustrophobic.

You finished all of your paperwork the night before, because you couldn't sleep after hearing of Hotch's suspension, so sitting at your desk now, you have nothing to do until a new case arrives.

Reid and Morgan dive into their own paperwork the minute they sit down, and they don't look up except to grab a new pen or refill their mugs.

You can see the tension lining everyone's shoulders, the stress about the future of this team, with its two senior-most members gone.

When you can't take the lack of work anymore, you head over to JJ's office, where she is poring over a stack of case files so tall that you can't see her face until you step in front of her desk. "Hey, JJ."

"Oh, hey," she says, looking up at you. "It's been really quiet out there."

You nod, dropping onto the sofa across from her. "Half the team's gone. It doesn't feel the same."

"I wish I could come out there and sit with you guys, but I have so many new case files to look over."

"Need any help?"

She looks up in surprise. "Actually, that would be great. Can I leave you with a few of them? There's a checklist for what I need you to note down at the top of that stack."

"Of course," you say before she hands you a thick stack of files. "I'll get them back to you soon."

"Take your time," she says, waving you away. "I have like a billion more to go through anyway."

When you're back at your desk, you set down the stack with a small thud and open the first file. You're bombarded with gory images of men who have been brutally stabbed to death, and you read over the case history quickly before opening the next one. This time, the images are of live women, all of whom share a skin tone and hair color, and have been kidnapped in the last week.

You slam the file shut and close your eyes in an effort to keep your head from spinning. You don't understand how anyone could classify these cases. How they could decide that one of these unsubs is worse than another. But there aren't enough teams like yours to cover every case that comes through the door, so someone has to.

You glance up at Hotch's office again, a force of habit, and the darkness in his doorway reminds you of the emptiness in the office. It's the same with Gideon's office, and Emily's desk.

You miss them all.

***

The first week of Hotch's suspension is hell. Gideon still hasn't turned up, and you can see his absence clawing at Spencer, who hasn't gone more than an hour without glancing at his office since he left. Derek doesn't admit it, but you can tell he misses Hotch's leadership over the team.

Strauss has come by periodically to "check in" on your team's work, but with the other units available to take on any new cases, she hasn't assigned you anything. You know she doesn't trust your team, but you're surprised that even with Hotch gone, she's still treating all of you like extensions of him. Not that she's wrong about that.

Without getting called in, you stay at home for the first few days, and even get some use out of your Peloton for once. You've been missing him all week, but it's not until the following Monday that you decide to actually do something about it.

Grabbing the files JJ gave you to look over, you stuff them in your bag and drive up to his house. Both cars are in the driveway when you arrive, and you belatedly realize that you should have called first.

You knock on the door hesitantly, and are surprised to see Jack in Haley's arms when she opens the door. She looks excited to see you, but you still feel bad about just showing up. "I'm sorry, I should have called."

"Not at all," she says, opening the door wider for you to enter. "You know I love seeing you."

"Y/N's here," Haley announces as she leads you into the kitchen and sets Jack back into his high chair. She shoots you a pointed look. "And she's not here to talk about work."

"Of course not," you say with a laugh. "I just wanted to see how the suspension was going. The team really misses you."

He acknowledges you with a small nod, and you take a seat opposite him at the table, where he is feeding Jack his cereal.

"I miss everyone, too," he says, "but it's also been nice to have some extra time at home."

"This suspension has been a blessing in disguise," Haley jumps in, ruffling Jack's hair. You don't miss the way Hotch's jaw twitches.

You aren't sure what to say to that, but Haley just pulls Jack out of his chair and turns to the doorway. "I'm gonna put him down for his nap. It was nice seeing you, Y/N."

"You too, Hales," you say earnestly, before smiling at Jack. "Bye, buddy."

When she's out of the room, you shoot Hotch a look that makes him lean back with a frown. "What?"

"You miss work, don't you."

He huffs, and you take that as an admission. "I've loved being home," he says, his words slightly more emphasized than necessary.

You can hear the candor in his voice. You don't doubt that he loves spending time with his family, you just also know the pull of the job. The fulfillment of saving people from unimaginable horrors, and the desolate ache that comes when you know you aren't doing everything you can.

"You can feel both things," you whisper as he exasperatedly runs his hand through his hair. He got a haircut.

The thought pops into your head against your will, and you glance up at his hair as you realize this is the shortest it's been in a long time. It suits him, but it also emphasizes the hard furrow of his brow.

"Haley doesn't understand that," he says simply, no ill intention in his tone, "but I can't expect her to. I barely understand it, and it's what I'm feeling."

To the outside listener, his words could be construed as complaints, but there's nothing but deep empathy in his voice. He loves her so much, and even though they're having differences about his work life, she loves him too.

You spend the next half hour talking him through each of the cases that JJ left you with, and when Haley returns to the kitchen after putting Jack down for his nap, you pull out a chair for her and tuck the files away.

"We need to have you over for dinner sometime soon," she says as soon as she takes a seat. "I can't believe we haven't done it yet." She looks to Hotch with an earnest sigh. "I guess Jack has been kind of a handful, but I can't believe this is your first time coming to the house since he was born."

"It's been too long," he agrees, draping an arm over the back of her chair. The sight of their casual intimacy is a reminder of what you once had, but the usual mistiness doesn't come when you think about Jeff. Your chest just fills with a liquid-y warmth that feels like melted chocolate and syrup.

"Likewise," you smile, patting Haley's hand. "I don't know if I can handle another night out, even with the mid-evening interruption."

She laughs heartily, and you see Hotch's lips curve up involuntarily. "I think I'm partied out for the year."

His arm slips down to rest against her waist, but she doesn't lean into him like she usually does. You avert your eyes, glancing up at their kitchen wall clock and faking a gasp. "I've taken up too much of your family time. I should go."

"It's okay," Hotch assuages at the same time that Haley says, "I'll walk you out."

They share a small glance, and you suddenly feel intrusive in their home. "I'll see you in a week."

He nods and you follow Haley to the door, where she gives you a quick squeeze and another promise to have you over for dinner soon. The sun starts to set as you drive home, and before you can second guess yourself, you're turning into a local farmer's market that is about to shut down for the night.

You rush through the stalls and stop in front of the flower shop, where you buy a dozen pink carnations. The vendor ties the bouquet with a silky ribbon and you hold the flowers close to your heart as you walk back to your car and start driving.

This time, you're more aware of the direction you're headed. You don't stop your car until you're in the parking lot and you don't stop moving until you're past the front gates and up the grassy hill where Jeff's headstone sits stoically under the waning sunlight.

You take a deep breath as you sink down to your knees, blissfully unaware of the grass stains coloring your slacks. You set the flowers down in front of his headstone, which you haven't seen in months.

                                                 Jeff Adler

                               Beloved Son, Husband, Brother

                                        Until we meet again

The carnations look bright against the gray stone, and you arrange them neatly so that they don't get blown away.

He loved flowers. He knew they were impermanent and likely a waste of money, but he still loved all of the different emotions they symbolized, and how beautiful they could be for as long as they lasted.

He brought you a bouquet of heliotrope almost every week after you got married, and when you asked him what it meant, he insisted that it was something you had to find out in your own time. That time came a quick Google search later, and when the words 'eternal love' flashed on your screen, you knew you had picked the right man.

You brush your finger against the petals of the pink carnations you brought, remembering the rest of what the search yielded. Angelica for inspiration, calla lily for beauty, and pink carnation for gratitude.

You're so grateful you met him. So grateful he loved you as much as you loved him.

"I love you," you whisper, suddenly needing to say the words out loud. There's no one around, and the sun has set far enough that there's barely enough light to see, but your words feel strong as they come out of your mouth. "Thank you for coming into my life. Thank you for giving me 10 beautiful years."

You wipe away the tear that falls from the corner of your eye. "Goodbye."

***

He takes his time as he walks through the halls of the Virginia field office on Monday morning. He hasn't been inside in two weeks, and after he and Haley agreed that he should request a transfer, he likely won't be back again for a very long time.

When he walks past the glass doors of the bullpen, he spots you at your desk, pointing out something to Morgan in a case file. He hastens his pace so you don't see him. He still doesn't know how to tell you that he isn't coming back.

"Good morning, ma'am," he says when Strauss beckons him into her office.

"I was hoping you'd do the right thing," she says, her lips pressed into a thin line. "Have you given any thought to what department you'll request?"

He shakes his head. "I was under the impression that if I left the BAU, I'd have my choice of posts."

"Well, I'll consider it after I fully complete my investigation."

She pauses before looking at him again. "You were a prosecutor. What about heading up a white-collar crime task force? That'll get you home at night at a reasonable hour."

That sounds like exactly what Haley wants for them. They spent hours over the last week discussing what the best path forward would be post-suspension, and after countless late-night arguments, they finally agreed on a transfer. It would be best for the team, and best for his family. So why does he feel so guilty?

"Sorry to interrupt."

Prentiss barges into the office, as though she had an appointment. She glances over at him, and he can't read her expression. "Sir, I've decided to resign from the FBI, effective immediately."

"I don't understand," he frowns, taking in her rigid posture. He remembers your suspicions, as well as his own, but this can't be where it ends.

"I'm taking the foreign service exam. With my connections, I'd stand a good chance of landing in the State Department."

"Prentiss," he urges, trying to convey his understanding in his tone. "I think that's a mistake."

She shakes her head with a sigh. "Well, don't try to talk me out of it. Garcia saw my name on the list, and she already tried."

That makes him pause. "If she can't talk someone out of doing something, no one can."

"Sorry for the interruption, but, sir, it's good to see you back." She turns her gaze to Strauss, even as she continues speaking to him. "The team needs you."

She stalks out of the room after a quick "Ma'am", leaving him alone with Strauss, who looks like she's up to her last nerve. "I'll be overseeing this next case until I can assign your replacement."

"You don't have any field experience, do you?" He doesn't mean for the words to come out so critically, but his emotions are a jumbled mess that he can't decipher well enough to fix his mood right now.

"My job is to protect the Bureau. If I have to hold the team's hand for one case, so be it."

Hold the team's hand. He can't imagine that Strauss will be of much help in the field, but he keeps his mouth shut. He's been around enough authority figures to know when to keep his criticisms to himself.

"Ma'am," he says gently, hoping he can turn his thoughts into useful advice. "In order to function effectively, this team needs stability."

She clasps her hands together on her desk, and he knows it's done. There's nothing he can do to fix this for the team, at least not on this case. "The BAU has some very talented people, and they're Bureau assets, and I believe it's time that they were out from underneath the leadership of you and Jason Gideon."

***

Hotch was supposed to come back today. It's not until you're on the plane that Derek informs the team that he's requesting a transfer.

"What?" you burst out, unable to keep your composure even with Strauss seated a few rows behind you.

"He didn't tell you?"

You shake your head with a forlorn frown, and Derek jumps back in quickly to remediate the situation. "I only found out because I ran into him on the way to the jet. He didn't seem like he was in the mood for talking."

But he tells you everything. At least you thought he did.

"It's okay," you say, forcing your face into a neutral expression. "This isn't about me. I just can't believe he's leaving."

"Yeah," JJ grimaces, "and I can't believe we're stuck with her now. You know, from this angle, she looks almost human."

You all glance behind you, but thankfully, her face is still buried in the case file.

"Emily didn't come in today, either," you point out, turning to the empty seat next to you. "We're down two agents, and Gideon's MIA."

Reid blinks, and you curse yourself for being so cavalier. You know how hard Gideon's absence has been on him.

He recovers quickly and leans in to the center console with a raised eyebrow. "Has Strauss ever even been out of the-"

A chorus of shushes come from Derek and JJ and he shuts up as Strauss walks down the aisle and sits across from you all. "Correct me if I'm wrong, but I believe it's protocol to brief everyone before we arrive at the crime scene?"

JJ turns red and she nods hastily, opening her file. "Yes, ma'am."

Strauss has only been here for ten minutes and you already want to strangle her. JJ explains the case details succinctly, and when the plane lands, you all head over to the crime scene to find Detective Wolynski, who called your team in when the murders got out of hand.

Within minutes of meeting them, Strauss manages to ruin your relationship with the local police by questioning their decision to wait so long to call in the BAU. JJ immediately takes matters into her own hands as she explains that we have to work with them if we want to be included in the investigation at all, but she doesn't seem to care.

You get a call from Penelope as you're heading back to the SUVs, and you step aside to get out of Strauss's earshot. "What's up, Pen?"

"I tried everything I could," she wails. You can hear the distinct clicking of her keyboard in the background. "I tried to convince him to stay, but he's so stubborn."

You sigh, glancing over at the scene, where Strauss looks positively nauseous. You can empathize with her emotions, because you know how hard it was for you to see your first crime scene in person, but this just further proves how unfit she is to understand what being on this team really means. "If he made up his mind, there's gonna be no changing it, unless he changes it himself."

She huffs, before audibly perking up. "I gave him the Milwaukee case file before he went home, and I also, uh, saw that his transfer hasn't passed through the system yet."

You're almost certain she had something to do with that, but your mind immediately starts going through the possibilities of what this could mean. If his transfer isn't in the system, then that means he technically still works on this team...which means him not being here is in dereliction of duty. If there's anything that can convince Hotch to show up, it's duty.

"You've been more help than you know," you tell her, before hanging up and hopping into the SUV.

***

When he arrived at his house with the case file Garcia gave him, he immediately stuffed it in his bag and tossed it onto the floor. He definitely didn't think about reading it the entire time he was changing out of his suit, and making a quick lunch for Haley and himself. When she went upstairs to put Jack down for his nap, he couldn't help himself any longer.

Reaching into his bag, he pulls out the file and flips it open slowly, being careful to angle the gruesome photos away from the stairs in case Haley came down without him noticing. Women taken in the afternoons and killed. Bodies dumped in the morning. Hearts cut out of their chests. The words pop out at him as he skims the page, and he's so engrossed in the material that he doesn't hear her until she's standing over him. "I thought this was over."

"It is," he sighs, closing the file. "I'm just curious." He doesn't know when he started lying to his wife, but he doesn't like it. The bitter taste of it in his mouth.

He can see her gearing up for a fight when their home phone rings. He picks it up and clicks the button to answer, but even after saying 'hello' a couple of times, no one responds. For a split second, his mind flashes back a year to the Fisher King and the secret message left on his home phone, but he pushes the thought away.

He clicks the phone off, looking up at Haley again, but then a shrill ringing sound starts again, this time from her purse across the living room.

An unfamiliar queasiness fills his stomach, and he maintains eye contact with her as her eyes flicker back and forth a couple of times. He promised himself he would never profile his family, but the analyses come before he can shut off that part of his brain. Shifting eyes. Rigid posture. All indications of lying and shame.

"What did the Section Chief say?" she asks, her hands going to her hips. Stance of power to overcompensate for-

He shakes the line of thinking from his head. "She suggested that I transfer to a white-collar-crime task force."

"Would you have to travel?"

"No, I'd have a nine-to-five life."

She nods, and he can see the finality in her stance. "Then, it's a no-brainer."

***

You haven't been able to focus as well as you'd like to with the knowledge that Hotch isn't coming back hanging over your head. When you get a spare moment at the station, you step out of the conference room where all of the evidence has been scattered around and press the first number on your speed dial.

"Hello?" It's Haley.

You stumble over your words as you say 'hello' back. You weren't expecting it to be her who answered. She clearly wasn't expecting you either, because she sighs dramatically when she hears your voice and you hear a quiet "It's Y/N" before the phone is handed over.

You can understand where she's coming from. When Jeff was about to start his undercover assignment, you were so angry at him for choosing to be away from you for so long. But then rationality won over, and you remembered why he was doing it...for the same reason you are.

"Hey."

He sounds guilty. You can imagine.

"Hey," you say simply, waiting for him to fill in the gaps. He owes you at least that much.

"I'm sorry," he says after a long pause, "but you knew this was coming. You know Haley hates what this job turns me into, and you know sometimes I hate it too."

That wasn't really the explanation you were expecting. Not willing to let him off the hook, you turn your face away from the conference room windows to hide your expression and lower your voice. "You should have told me, and you know it. That's why you're hiding behind this false justification...but I guess you know that too."

There's a small rustling sound over the receiver and you can imagine him running his hands through his newly cropped hair. "This doesn't change the fact that I'm leaving."

Sometimes you forget that he was once a young boy with an alarmingly developed moral compass that didn't always point in your direction. It's times like this that remind you.

"Fine." You feel like an irritable teenager again, but you can't contain yourself around him. Even when you want to hide a part of yourself, you can't.

"How's the case going?" he asks finally. His voice has gotten softer and you know he feels bad about how this call has been going, but with neither of you willing to concede, you decide to ignore it for now.

"Well, Strauss just offended the lead detective 45 seconds into her first crime scene."

He chuckles softly. "I'm not surprised."

"This isn't about to get any better, is it?" you ask, huffing out a forlorn sigh.

"I doubt it," he agrees. "I'll keep looking at the file from my end. Any idea how he's getting control of these women? Is he blitzing them or coercing them?"

"So far, we're coming up blank," you admit, glancing back at Morgan and Reid, who appear to be in a productive debate.

"All right. Keep me posted."

***

Another victim turns up and you're not any closer to figuring out who the unsub is. Derek steps away from the group a few minutes after you and you see him pacing the halls of the precinct, his phone pressed to his ear.

A break in the case comes when Garcia identifies school records of children who exhibit signs of perfectionism and co-dependence, leading you to a profile for the unsub. You're all listening to Garcia as she reads off the records when the door opens, with two figures standing in the entrance.

"Look who's here," Morgan grins, shaking Hotch's hand. Emily looks sheepish as she glances over at Strauss, who is downright fuming.

"How fast can you get us up to speed?" Hotch asks without another greeting.

Morgan scoffs. "How fast can you sit down?"

Strauss opens her mouth to say something, but Hotch beats her to it as he takes a seat next to you. You ignore the gesture. "We're only here to help."

She sighs. "We'll deal with this later."

With two more members back on the team, at least for the time being, the SUVs are split more evenly, and you join Emily, JJ, and Strauss in the first one as you head to the crime scene. Strauss is the first one to walk up to the scene, but the moment she sees the mangled body, she breaks down, her face contorting into a sob that she tries and fails to hold in.

You make a move to go and help her, but you're surprised when Hotch is the first to step in. "If you need a second, take a second. This is what it is. Just don't let the public see you break down."

He's so kind to her, even though she's the reason for all of his professional stress. You suppose she's not the only reason, but that isn't something you get to have an opinion on.

The devolution of the dump sites leads to an update of the profile, which gets you an address for a young boy who left school early with the nurse on duty. It doesn't take long to get to the house, and Derek and JJ coordinate some of the local police and SWAT as you strap on your kevlar vests.

After an initial argument about the probable cause of entering a house you don't know is dangerous, Emily pipes up with an idea. "Let me go in alone."

"Wait..." you start but she steamrolls over you, clearly needing to compensate for not being here before. "The boy's in the family room. He's looking for female authority figures. If he lets me in, I can signal as soon as I see anything that gives us cause."

"Technically, you're not even in the FBI," Reid points out.

She nods. "All the better."

Strauss steps in with a frown, to no one's surprise. "She's interfering with a federal investigation."

"Well, if I'm no longer in the FBI, then you have no authority over me." Emily shrugs and turns to Hotch for the approval she actually wants. "I'm just a civilian knocking on a little boy's door."

He nods and she pulls her hair back into a ponytail. Derek hands her his gun, and you suddenly remember that Hotch doesn't have his gun either. Reaching into your other side holster, you pull out your second firearm and hand it to him without a word. He doesn't lift his hand at first, but then he nods at you and takes the gun, his eyes filled with an earnest gratitude, and you know you've forgiven him.

Once she goes inside, you all wait in silence for the signal to breach the home. It takes almost too long, but eventually your earpieces fill with a loud beeping, and Derek yells "Go!"

You find her in a back room, where she's on the floor, her forehead bleeding from a thick gash. You enter just in time to see Hotch leap forward and take Emily's weapon from the little boy, before lifting him up and carrying him out of the house.

"I can't officially approve of how that transpired," Strauss says when you all come outside. You sit next to Emily and squeeze her hand as the paramedics patch up her forehead.

Hotch shakes his head, clearly done with the bureau politics. "The arrest was clean. It would be a mistake to break up this team."

She looks at him pointedly. "None of you will ever move up the chain of command, you know that."

"Why would I ever want to leave the BAU?"

You almost believe him. It's not that you don't think he wants to stay. You know he does. You just also know how much his family means to him, and how thin Haley's patience has worn.

Morgan asks if he means it, and he gives a vague answer that you expect, before turning to look at you.

"Here." He reaches into his waistband and pulls out your gun. "Thanks, I appreciate it."

His hand brushes yours when you take it back, and the warmth of his skin makes you shiver against the slight breeze. "You're welcome."

***

When he gets home, the lights are off.

"Haley?" he calls out into the empty silence. He tries to convince himself that he didn't see this coming, but after her last words to him before he left, it's a futile exercise.

"Make sure to give your son a kiss before you leave."

He left, even when she begged him not to. Now his wife has left, and she took their son with her, and once again, he is utterly alone.

***

Gideon's resignation comes through and you find yourself missing him more than you thought you would. If Hotch is the backbone of the team, he was the stoic foundation. He formed the roots of the BAU as a unit altogether, and you owe your life's work to his intelligence and foresight. But more than that, you can't help but remember the fact that out of all the members on the team, Gideon knew Jeff the best.

He attended countless lectures about past unsubs that Gideon put on at the academy, because he believed understanding why people do things was just as important as knowing how or what they were doing. He even went to Gideon's home for the occasional dinner, and he brought you along once after you got married.

You're not sure what the team will look like without his guiding hand, but you don't have to wait long to find out when JJ calls you with the notice that you're going to Portland.

Spencer is reading a piece of paper over and over again when you get to the office, and when you peek over his shoulder, you see the familiar scrawl of Gideon's handwriting.

Taking a deep breath, you reach forward to put your hand on his shoulder for a moment of comfort, but think better of it and pull back at the last second. Derek sees your indecision and cocks his head towards him.

You walk over to his desk and perch on its edge with a sigh. "I can't believe he would leave just like that."

"I can," Morgan shrugs, his eyes hard with contempt. When you shoot him a look, he softens. "I just mean that he's been showing signs of withdrawal for a while now. It still sucks for the kid, though."

You both look up at Reid across the aisle, where he is still scanning the letter. "At least he got a letter." You try to bring humor into your tone, but it doesn't work.

"It's not about us," Derek says gently, in a show of empathy for the older agent that is unfamiliar coming from him. "He did what he had to do to keep himself sane. We just have to let him."

You nod, just as JJ emerges from the hallway with Hotch on her heels. "We're starting the briefing."

***

"You must be the BAU."

A handsome man with a thick East Coast accent comes forward to introduce himself when you all enter the Portland field office. "Special Agent Bill Calvert."

"Hi, Jennifer Jareau," JJ smiles, extending her hand. "This is SSA Aaron Hotchner. This is Dr. Reid and Agents Morgan, Prentiss and L/N."

He smiles at each of you but his eyes linger on yours for a moment before he takes JJ's hand. "I appreciate your help on this case."

"You're from Boston?" you ask, trying to place his accent after having heard nothing like it since you landed. 

"The accent's kind of hard to miss in Oregon, right?" he grins, before reaching his hand out to you. "Agent L/N, was it?"

You shake his hand, shooting him a thin smile. You can already see Emily and JJ's smirks behind your back.

"We'd like to take a look around Jenny Wittman's apartment," Hotch steps in, moving forward to stand beside you.

Calvert nods. "I'd take you myself, but I'm waiting to meet her family, so I'll have another agent drive you."

"Thank you." Hotch rushes off with Reid and Morgan, and you stay back with JJ and Prentiss to work the victimology.

"Can we set up in here?" you ask Calvert as you start moving the boxes of case files and evidence onto the conference room table.

"Of course," he says, before leaving the three of you alone.

The first ten minutes of looking through the evidence is silent, and for a second, you nearly let yourself believe the other women won't bring up the elephant in the room, but then JJ lets out an involuntary giggle and they pounce.

"He's definitely into you," she says, making no effort to hide her gaze as she unabashedly stares at Calvert through the window. You want to retort immediately, but after seeing her check her phone about a dozen more times a day than she usually does, you suspect she may actually know what she's talking about when it comes to love these days.

Emily nods, biting her lip. "He couldn't stop looking at you."

"You're profilers," you argue, tossing the file in your hand onto the table. "You notice all kinds of insignificant stuff."

"So are you," JJ points out. "What do you think, then?"

They have you boxed in, and you can't think of any answer that would sufficiently appease them so you just groan.

"She's into it, too," JJ grins at Emily, who replies with, "I can't believe Y/N's gonna date someone from Portland."

Without thinking, you huff. "He's from Boston." All three pairs of eyes widen as you realize your slip in not denying her statement.

Emily laughs. "Ohh, it's so happening!"

***

When the men return from Jenny Wittman's apartment, Hotch instructs JJ to televise a statement warning possible future victims who fit the unsub's victimology. When Emily and Derek later find an ad hung up in a local laundromat that suggests he's been killing for longer than you'd previously thought, you decide to head back to the trail where the first bodies were found.

When you arrive on the scene, a dozen new bodies have been found further down the trail and near the water.

"How did we miss this before?" you think out loud, not realizing that Calvert has come up behind you.

"The trail's 40 miles long."

You jump when you hear his voice, and he apologizes after a small chuckle. "Didn't mean to scare you."

"Special Agent Calvert," you say, your voice slightly airy as you catch your breath. "No need to apologize."

"Okay," he smiles, turning to stand in front of you, "and you can call me Bill."

He's a good looking man, and you don't dislike the feeling of someone showing interest in you, especially as clearly intelligent and qualified as him.

"Sure," you say, returning the smile. "I'm Y/N, btw."

"That's a pretty name," he says, his eyes glinting with mischievousness, before he turns back to the scene before you. "They dug up eight new graves before you got here."

You frown. "So the unsub didn't stick to the pattern."

"Guy had a busy year."

You nod, pondering what this change in M.O. could mean, when Bill interrupts your thoughts. "I'm interested to hear more about how this profiling thing goes."

You give him a quizzical smile, and his lips quirk up. "I took a class in criminal psychology in college, but I don't remember enough to be useful in this area."

"We observe human behavior," you explain, ignoring the subtle smirk Emily is flashing you from behind his back. "Profiling is about making connections and predicting future actions based on history, victimology, and behavior."

He takes a moment to digest your words before huffing out a laugh. "Sounds to me like we called in the right team."

When another agent comes by to ask him about the crime scene procedure, you take your leave and walk up the hill of mulch by the open graves. You are nearly to the SUV when you spot Morgan beelining towards you.

"Not you too," you sigh, rolling your eyes dramatically as you stalk away from him.

He catches up to you easily and throws an arm over your shoulders with a grin. "I'm not gonna give you the giggly girl talk that JJ and Prentiss clearly have covered. I just wanted to say one thing."

You look at him expectantly and he brings you both to a stop by the cars. "You're a catch, L/N." You start to roll your eyes again, but he shakes his head. "You are, so if you want to have a little no-strings-fun, then I'll have your back through and through."

You have no idea what no-strings-fun would look like, but you glance back at Bill, who is speaking animatedly with another agent about the change in digging patterns of the graves.

"I don't know what I want," you admit as Derek drops his arm and turns to face you.

"That's okay," he says, before the corner of his mouth quirks up into a smirk. "But figuring that out can be just as much fun too."

***

He would be lying if he said he hasn't noticed you talking to the Special Agent on the case. Calvert, he remembers as he thinks back to the capture and subsequent suicide of the unsub from the roof of his old therapist office.

They were able to find the final victim before she died, so even with the unsub's death, the case feels like a victory, and the whole team looks light on the way back to the jet.

He has been trying to keep himself light too, but every time he gets a moment to himself, his mind reverts back to the silent darkness of his home after he returned from the last case. The reminder that he hasn't seen Haley or Jack in days.

When he reaches the tarmac, he spots you talking to Calvert again, but the conversation looks different than before. The special agent looks nervous, and he tries to gauge whether you seem comfortable, before realizing how relaxed you look.

When he gets closer, he catches the end of a question that likely started with "Can I have your number?" You smile at the man, and he turns away, trying not to eavesdrop.

He can't tell what he wants you to say. He knows it's been enough time since Jeff's death that real dating isn't out of the question, but he can't reconcile the protective instinct flickering in his gut.

Regardless of the distance he tried putting between you and himself, your voice carries over the tarmac, and he hears you say, "I'm sorry." before the rest of the sentence gets jumbled in the breeze. Something that feels alarmingly like relief settles in his chest and he frowns at the foreign feeling of it coursing through his veins.

He boards the plane and purposefully chooses a seat with an empty spot next to it, knowing you'll choose to sit beside him after he practically ignored you all day. He really wasn't trying to shut you out, he just doesn't know how to broach the topic of separation with anyone, let alone someone who had as stable a marriage as you did.

When you board the jet and take your seat next to him, he glances over at you sheepishly and murmurs, "I overheard the end."

He's surprised when you laugh lightly. "It's okay. Everyone was going to find out soon enough, especially with how excited Prentiss and JJ were about it."

He nods, glad that you aren't angry about his invasion of your privacy. Then, before he can stop himself, he looks at you and asks, "You didn't want to see him again?"

"I don't think I'm looking to just date for dating's sake anymore," you explain, your eyes flitting around the cabin at the sleeping forms of the rest of the team. "I had a true love...I don't want to settle down again for anything less."

He understands that completely, but he can tell there's something else bothering you, and not just because of the rhythmic bouncing of your knee that you don't seemed to have noticed. "What else?"

You shrug, not meeting his eye. "I used to have my usual excuse, but I can't really say it's too soon anymore, can I?"

He frowns as he notices the visible strain on you that this burden has caused. "You get to decide that for yourself."

"I know," you sigh, rubbing your eye with a loose fist. "I just worry sometimes that I use Jeff as an excuse to keep myself closed off." Your knee stills, and Hotch scoots closer, even with the armrest in the way.

"You don't seem closed off to me."

Your eyes crinkle with laughter. "I'm not sure if that means much coming from you. You're not exactly the picture of openness, Hotch."

He knows you're mostly joking, but your read punches him in the gut in a way he doesn't expect. You must see the shock on his face, because you immediately lean in closer. "What is it?"

He shakes his head, trying to delay for as long as he can. If he doesn't say it out loud, maybe he can pretend that he's still a happily married man. That he didn't fail his wife and son by being as absent as he had wished his father had been, early in his life.

"It's not about Gideon leaving, is it?" You scrutinize him for a moment before shaking your head. "No. Hotch, what's the matter?"

"We agreed not to profile each other," he sighs, gritting his teeth against the pain of having to vocalize one of the lowest moments in his life.

"Aaron," you whisper. Your voice is soft and gentle, and he breaks.

"Haley left."

Your mouth parts in surprise, and he looks down at his lap, taking a deep breath. "And I don't know if she's coming back."

***

You've been waiting in the arrivals lot of the airport for almost an hour. You're assuming his flight got delayed, and you're grateful for the time to get yourself ready to see him, but the wait hasn't made your jitters any better.

You haven't seen Hotch since you left for college last year, and with his pre-law internship that he somehow snagged as a first year, it was a lonely summer.

When he called you last week with profuse apologies for not staying more in touch and a somber tone that had to be about more than his regrettable phone habits, you had told him that you would love to see him, but your winter break doesn't start for another month. After a few hushed breaths and a second of thinking, he told you that he had bought a plane ticket out to California for the following weekend.

That's why it's Friday afternoon, and you're still waiting for his familiar mop of dark hair to appear through the exit doors. A boy walks out right then, with the same raven hair and fit stature, and your heart rate hastens for a split second, before you realize it's not him.

You look down at your car's radio and twist the dial to change the station. It's been playing the same Madonna song nonstop, and you shut off the volume when the other stations are no different. Your shift in focus takes your attention away from the airport exit, so you jump in your seat when a quiet knock sounds at your passenger side window.

He's here. Your lips curve up into a bright smile and you unlock the door, letting him get in.

"Hi," you say, your voice weaker than you'd like.

"Hey, Y//N," he replies, pushing his long hair back from his face. The simple motion sets off butterflies in your stomach and you turn back to your steering wheel to keep your emotions off your face. He could always read you so easily. "It's good to see you."

He grins at you and leans forward to give you a quick, awkward hug over the center console. You involuntarily inhale as he pulls back, and the scent of his natural musk mixed with whatever new cologne he's been wearing smells dreamy on him.

You said you were over it, you tell yourself in your head. He has a girlfriend who he's going to marry, and you are his best friend. At least you were.

You don't really know where things stand between you two now. A year is a long time to go without seeing someone, and you're sure college has changed him in similar ways that it has changed you.

"I have one more class today," you say quickly as you pull your car out of the lot. "It's criminal psychology, so I figured you wouldn't mind coming to the lecture with me."

"Sounds fun," he says, before leaning his cheek against the window to watch the scenery that zips by. "God, the weather here is crazy."

"It's definitely warmer than I'm used to," you agree, struggling not to glance over at him. "We never had 70 degree winters growing up."

"Which do you prefer?"

You grin. "Home, of course."

"Of course."

You look at him then, and his expression is one you don't understand. It's the same look he gets when he's in the library and he finds a book he's been looking for.

The drive doesn't take long, and you bring him to your lecture, where he proceeds to pay more attention to the information being presented than you do. The class usually feels too short for you, but today, the time ticks by, because you can't focus.

It's been so long since you've sat next to him in a class, and the sight of him jotting down notes on a scrap piece of paper takes you back to high school, when he was still the more attentive one.

After the lecture, you both grab a quick dinner in the dining hall and settle back into your double dorm room, which you painstakingly cleaned up before he arrived.

"So, how long have you guys been friends?" your roommate, Katy, asks him as he drops into your desk chair. You've been watching her ogle him since he arrived, and if he's still as perceptive as he was in high school, it hasn't escaped his notice either.

"Forever," he says, looking at you with a grin. "We met when we were eight. When she judged my taste in The Beatles, it was over for me."

You can't help the heat that flames in your cheeks, even though you know this story by heart. Katy keeps glancing over at you as he explains how you guys met, and eventually she gets up and flops down onto your bed next to you. "You're bringing him to the party tonight, right?"

Your eyes widen as you remember that was today. "Oh, I don't know. We might just stay in."

"You have to come!" she squeals, shaking your arm. She turns to him with a pointed look. "We already have outfits picked out."

"I guess we gotta go, then," he smiles at her, before looking at me with a small raise of his eyebrow. You okay with that?

You dip your chin into a nod, and he stands up. "I'll head out for a walk as you guys get ready."

"Sounds good!" Katy says, grabbing your hand and sliding off the bed. "We'll see you in an hour."

Once the door closes behind him, Katy turns to you, her mouth agape. "You never told me how cute he is."

"What?" you sputter, your cheeks turning a bright shade of pink.

"You also didn't tell me you're, like, in love with him."

You scoff involuntarily, your usual diversion technique when someone brings up a topic you want to evade. "What are you talking about?"

"Okay," she shrugs, reaching into your closet and tossing you the dress you were planning to wear. "If that's how you want to play it."

You go into your attached bathroom to change into your outfit, but after seeing Hotch, the mini sundress you picked out feels like too much. You hate how much you're overthinking something as stupid as an outfit for a party.

You turn away from the mirror and go back into your dorm, where Katy is applying her signature shade of red lipstick in her little mirror stand.

"He has a serious girlfriend," you whisper, almost too quiet for her to hear you. But she is more perceptive than you give her credit for. "Like eventual marriage-serious."

"Oh, honey," she coos, patting the bench seat next to her. You scoot in until you're side by side and she wraps an arm around your shoulders. "I'm sorry I brought it up."

"It's okay," you shake your head, leaning on her shoulder. "I just need to get over it. It's a stupid crush that I've had since high school, but it's time. Maybe this party will help."

"Yes, exactly!" she grins, turning her head to look at you. "Nothing that a little music and a few shots can't fix."

"A few shots?" you laugh.

She nods. "Each."

~

You down another shot of whiskey before tossing your cup onto the table and following Katy onto the dance floor. She grinds against her boyfriend as you dance beside them, moving your hips side to side with the rhythm of the music.

Being in Los Angeles, the temperature outside is already warmer than it should be in November, but inside the house, your dress is sticking to your skin from the sweat and body heat surrounding you.

You're feeling the alcohol enough to have a good time even in the sweaty throng of bodies around you, and you throw your head back as you close your eyes and feel the thump of the music vibrating the floor boards.

Meanwhile, Hotch can't find you anywhere. He's drunk enough already that he knows he won't be able to find you himself, but he doesn't know anyone else here, so he grabs a half empty bottle from the drinks table and makes his way to the dance floor, where the life of the party seems to be centered.

He's usually a lot more fun at parties, but lately he hasn't felt like himself. Ever since you left for school across the country, it has felt like something in his life was wrong, like he was missing a limb. Then, things started looking up with Haley, and he pushed you away in the hopes that he would forget about any of the doubts he had, but it didn't work. The more he missed you, the worse things got in his relationship, and suddenly he wasn't sure what his life was supposed to look like anymore.

He takes another swig from the bottle and leans back against the counter as he watches people dance against each other in the dim light of the house. His eyes flicker over the mess of bodies until they catch on someone he almost doesn't recognize.

Your eyes are closed and your hands are in the air as you move to the beat. It's not exactly graceful music, but you have managed to find some semblance of a rhythm as you slide your hands down your thin dress, which is sticking to your body in a way he can't take his eyes off of.

He doesn't realize he has lifted the bottle to his lips again until the liquid is burning his throat, and he tears his eyes away from you as his head starts to spin. Maybe he's had enough for tonight. He puts the bottle down just as your roommate spots him. Katy, he thinks, or is it Sadie?

"Aaron!" she calls, stumbling over to him as a man holds her up with an arm around her waist. "Where's Y/N?"

"Not sure," he lies easily, barely conscious of the way his words have started to slur together. "I may head out soon."

"Don't leave without her," she instructs, her voice suddenly getting serious. "I'm staying with him tonight." She pats the man's arm. "So I won't be going back with her."

He nods with a resigned sigh, and slumps down on a couch in the next room, leaning his head back to stop the room from spinning.

~

When you tire of dancing, you push to the back of the crowd and look around to find any familiar face. You can't see Katy or her boyfriend anywhere, but after exiting the room, you spot Hotch asleep on the couch.

You walk forward with a slanted smile and put your hand on his shoulder to shake him awake. "Hotch, get up."

He groans, peeling his eyes open slowly. "I'm awake. Just resting my eyes."

"Yeah, yeah," you tease, looping your arm through his to help him up. "How much did you drink?"

He shrugs and you wrap your arm around his waist to hold him upright as he stumbles forward. "Whoa there. Okay, let's get you back."

You manage to get him out of the house, and once the fresh air hits, he can almost stand up straight on his own. You keep your arm around him just in case, trying to ignore the way his tee shirt is slowly riding up around his waistband.

You make the walk back in silence, and he falls back onto your bed as you lock the door behind you.

"I'm sorry," he whispers when you perch on the edge of the bed next to him.

"It's okay," you say, huffing out a laugh. He looks so young with his hair falling onto his face, and you resist the urge to push it back off his forehead. "Happens to the best of us."

"No, not that." He rolls over with a groan, flopping onto his back and scooting back so he can lay on your pillow. "I'm sorry I stopped calling."

Your heart skips a beat and you tuck your hair behind your ear, needing to occupy your hands somehow as your mind races with a million questions. "It's my fault too."

"No, it's not."

He isn't slurring his words anymore, but you can still hear the earnestness that only comes when one's filter is completely shattered. He was never one to hide things from you, but you also know how truthful people can get when alcohol takes their mask away.

"Haley and I have been having problems for a while," he mutters, making you sigh. So that's why he flew here in the middle of the school year. "We haven't been seeing eye to eye on a lot of things, and we decided to take a break, but I haven't told anyone, because the only person I wanted to tell was you."

You can't look at him. His gaze is too much, his eyes too full of truth and intensity. "Hotch-"

"I miss you so much," he says, cutting you off. "You're the only person I've ever really been able to talk to, but you know that, don't you? It's the same for you, it has to be."

You don't say anything. The air feels thick with tension, and you're afraid that if you say something, the room will explode.

"She's the perfect girlfriend," he says wistfully, his voice tight with an emotion you can't decipher. "I know it's me who's fucking it up, and I hate myself for it, because she's trying so hard to make this work. But every time it feels perfect, and I think I've finally gotten what I wanted, I just remember-"

"Aaron."

You look at him and his eyes are already staring into yours. You have wanted him to love you the way you loved him for years, but not like this. Never like this.

"You can't fuck this up," you whisper, your voice stronger than you expect it to be. "Call Haley tomorrow morning. Tell her you're sorry, and that you love her, because you do. You know you do."

"I love her," he nods as sleep pulls his eyelids down. "Tomorrow..I'll call her."

You watch him as his limbs relax and his breathing evens out, but you don't fall asleep until the sun starts to rise and you physically can't keep your eyes open anymore.

***

"Happy All Hallow's Eve, folks."

Reid pulls his mask off as Derek looks at him with a frightened frown.

"Are you scared of Halloween?" you ask him, trying to keep the grin off your face.

"I didn't say I was scared," he corrects, glancing over at Reid, who drops his mask on his desk and pushes his hair back from his face, "I said I was creeped out."

"What creeps you out about it?" Emily asks, before grinning at you.

"I bet it's the candy," you joke. "Those muscles probably cower at the sight of anything that isn't meat or protein powder."

Emily snorts and Derek frowns at both of you. "It's the masks. I don't like people in disguises."

"That's the best thing about Halloween," Reid chimes in. "You can be anyone you want to be."

Derek grins. "No, I'm pretty good just being me."

You and Emily share a look. "Yeah, why is it that neither of those points of view surprise me?"

"Guys," Reid suddenly calls out, his voice hushed. "He's here."

You turn around to see Hotch walking down the stairs, accompanied by Agent David Rossi, who you've heard a lot about in your years at the bureau. He was one of the founding members of the BAU, and you can't help but wonder what made him want to come back.

JJ introduces him to everyone, before Reid starts spouting off a list of facts from one of the old cases he solved when he was the chief of the unit.

"Reid, slow down," Hotch says with an uncharacteristic smile. "He'll be here for a while. Catch up with him later."

He nods. "Right, sorry."

Agent Rossi doesn't seem fazed. "No problem, Doctor."

This pleasantly surprises you. It's all too often that new people who meet Spencer don't immediately treat him with the respect he deserves.

"Let's start the briefing."

***

The flight back from Texas is hushed. The case went about as well as you could hope, with them catching the unsub and saving the final victim, but the way Rossi went rogue over and over again has rubbed you the wrong way.

You watch him across the cabin as he pores over his little notebook, and you wish you could peek inside his head. You know that the team aspect of the BAU is a newer addition to the unit, but you don't understand how he can keep all of his thoughts to himself.

"What are you thinking about?"

"Gah," you fright, jumping in your seat. "When did you sit next to me?"

Hotch shrugs, his lip quirking up. "A few minutes ago."

"Well, you should really wear a bell or something, god."

"Y/N," he says, giving you a pointed look. He doesn't let you use your evasion tactics anymore. Given your penchant for aimless talking, you suppose that's a good thing.

"I was just thinking about Rossi," you sigh, glancing up at him again. "Lying to the press to get a reaction from the unsub? Taking over that phone call? I don't like how he works, Hotch."

"He's from a different time," he says, even though you can hear the agreement in his voice, "but he worked with Gideon, and if you remember, it took you a while to warm up to him too."

You heave out a breath but it's the only concession you're willing to give in this moment.

"He's used to an older way of doing things, but he's a great agent."

"He clearly has good ideas," you whisper, "but I just worry that you'll have to work over time to keep him under control."

Hotch ponders this, and you think that maybe he knows you're right. Your eyes shift up and you realize his hair has been shorter for a while now, but you're still not used to seeing so much of his forehead. Not that there's anything wrong with his forehead. It's a fine forehead.

"He was the team leader before he retired," Hotch says suddenly. "He may be tough as a subordinate now, but I'm still glad he's back. We needed someone to fill Gideon's spot, we were low on hands."

"Speaking of, why do you think he's back."

He looks at you with a quizzical frown. "Is it really so hard to believe that he may just want to help us out?"

You think for a second, before shrugging. He laughs.

"I don't know," you concede, with a small chuckle. "I think I'm just expecting things from him that aren't fair."

He turns his body to face you. "Like what?"

You press your lips together, trying to formulate your words properly, so you can clearly articulate the tornado of thoughts in your brain. "I know Gideon wasn't a father figure exactly, but he was someone that Reid and Elle latched onto."

Hotch exhales. "I don't know if Gideon is someone I'd want as a father."

You let out a surprised laugh. "Fair enough."

"How is your father doing, by the way?"

You blink in surprise. It's not that he doesn't talk about your family, it's just that the timing is uncanny. You haven't spoken to him in months. After your mom died, you two were almost inseparable, but then you left for school, and you realized how much bigger the world could be when you weren't always bogged down by your grief. "I haven't called him in a while."

"What did he say after Golconda?" he asks, his voice gentle. After Frank, he means.

You close your eyes, guilt flooding your body. "I never told him."

"What?" You don't look at him, but you can see the shock in the stiff line of his posture. "Did something happen between you two?"

You shake your head, your protectiveness over your family flaring up at the concern in his eyes. "Nothing happened. I just didn't want to worry him."

"That's his job," Hotch stresses, scooting his leg over so his knee bumps yours. "If something like that had happened to Jack, I wouldn't know what to do with myself."

"That's what I'm scared of," you tell him, your eyes flitting over to the window, where the clouds are dancing across the horizon. Sometimes, when you're on the jet, you like to pretend that the time up here isn't real. That as long as the world looks like a series of splotches and blinking lights, nothing can really hurt you. "My mom's death nearly killed him. I learned to cook when I was ten, because he couldn't leave his room for a month." Hotch knows all of this already, but he lets you vocalize your thoughts, obviously knowing how badly you need reassurance for the guilt you're feeling. "Then, when Jeff died, I stayed with him for a few weeks to have some company, but...but.. I was so glad when I left, because then I could finally let myself fall apart."

He reaches under the armrest and clasps your hand in his, extending the comfort you didn't know you needed.

"I've never told anyone that," you whisper, feeling your voice tighten with tears. "I love my dad, I love him so much, but I just needed the chance to recover on my own."

"He loves you too," Hotch says, finally breaking his silence. "You know he loves you. I still remember the themed sandwich baggies that he packed your lunch with all through middle school."

You choke out a laugh. "You would always steal the Spiderman ones."

He smiles, squeezing your hand once. "Maybe you just need to give him another chance to be who you want him to be. He might just surprise you."

You know he's right. Somehow, he's always right.

You nod, flashing him a small smile, and lean your head on his shoulder as the clouds float past your window.

***

He glances at his watch for the tenth time since he sat down in his office. The plane landed just over an hour ago, and he sent you home immediately with the instruction to get some rest. He probably should have gone home too, but ever since he got his new apartment, home hasn't felt the same.

He used to be able to look around any corner and see a memory: the couch where he and Haley made love on their first night at home, the soft carpet where Jack took his first steps, the doorframe where he measured his height on his first birthday as Haley held him up by the arms. He also remembers that he wasn't there to see Jack's first steps; he was in Pittsburgh, working a case and thanking his lucky stars that Haley had had the foresight to take a photo as his son stood upright all by himself.

He lifts the picture frame from the edge of his desk, running his fingers over the cool glass and looking at the blue drawing underneath. Jack had drawn his favorite cartoon character and left it for him on the kitchen table, a few nights before his suspension went into effect.

Putting it back down, he looks at the photograph of him holding onto Haley as she clutches newborn Jack to her chest in the hospital. He still has the photo of just him and her on their wedding, but he pushed it to the back, behind the pictures of Jack, and the one of you and him at law school graduation.

A knock sounds at his door and he looks up to see Dave standing in his doorway. "Can I come in?"

"Of course," he says, waving him in. He doesn't sit down, so Hotch stands up too, unsure of how he feels about the power imbalance in the room. "What can I do for you?"

"You said out there, 'The team shares everything.'"

He nods. "That's right."

"There is no 'I'?"

He nods again, not liking where this may be going.

Dave glances down at his desk, where his phone sits next to the picture frame of his family. "Seems a big thing to withhold. Separating from your wife, your child."

He freezes, unconsciously looking at the door to see if anyone heard. "What are you talking about?"

"You used to call Haley 10 times a day," Dave says, his voice not unkind. "We've been together 48 hours and I haven't seen you call her once. You haven't mentioned her, and you're not going home now."

He frowns, feeling his brow settle into place like it's a uniform he wears whenever he's at the office. "What's your point?"

"I guess you're just not used to sharing."

He doesn't say anything, but Rossi seems to interpret this the wrong way. "Or maybe it's something else." He looks out the window at the empty bullpen, but the implication is still clear. "Was it because of...?"

"What?" He doesn't know where this is coming from, but he can't stop the anger that rumbles through him at the connotation. Unable to help it, he looks down at your desk, and Dave tuts.

"I won't say anything."

"Dave," he shakes his head, trying to remain calm. "You have it all wrong. She's my best friend...since we were children. It isn't like that. It was never-"

It was never like that. That's what he's about to say, but that wouldn't be true. Rossi is a good enough profiler that he would be able to spot a lie from a mile away, so he shuts his mouth and shakes his head again. "It's not like that."

"Okay," he accepts, lifting his hands in surrender. "My mistake."

Hotch nods, and Dave leaves his office, but he can't get their conversation out of his head until later that night when his head hits his pillow and his eyes finally fall shut.

***

"Hey, Dad."

You called him when you got home from work that night, and he answered on the second ring. "Hi, sweetheart."

"How are you?" you ask, clutching the phone to your ear as you sink down onto the couch in your living room.

He doesn't answer for a moment, and you can hear him taking a breath. "I'm good, Y/N, how are you? Is work going well?"

"It's good," you tell him. "Really good. We were able to save a woman today, before the unsub could kill her."

"Unsub?"

"Unknown subject," you explain, quickly realizing just how long it's been since you've spoken to him. "It's what we call the bad guy before we know who he is."

"Right," he says, and you can practically see him rubbing a hand over his face, his nervous tic. "I knew that. Anyway, how is everything in your life? Do you still work with Aaron?"

"Yeah, I do," you say with a laugh. "He was actually asking about you earlier today."

"That's nice of him," your dad says, his voice brightening slightly. "He was always a good friend to you."

You tell him about your most recent case, and about Gideon and Elle leaving the team, but eventually you can't evade the topic you've been trying to avoid all night.

You're okay, you think to yourself. Frank can't hurt you anymore.

"Dad," you whisper, closing your eyes as you take a deep breath. In 1, 2, 3. Out 1, 2, 3. "I have something to tell you."

Then you tell him everything, and he just listens, exactly like you hoped he would.

***

"I met this guy." You didn't even see Penelope approach you, but here she is, looking at you like she's about to say something dirty.

"Hell yeah," you grin, trying to match her energy. "Where?"

"A coffee shop," she smirks. "He was having trouble with his computer, so I fixed it for him, and then he asked for my number."

"Look at you," you joke, giving her a side squeeze, "putting your technical analyst skills to good use."

"Thank you," she huffs, throwing an annoyed glance over her shoulder. "That's more of the response I was looking for."

"What do you mean?"

"Derek," she says simply, and you nod, already knowing where she's going with this. You know they have an uncommon relationship, so you're not surprised that he didn't react exactly how she hoped he would.

"He's an idiot," you tell her, patting her arm.

She laughs. "You don't even know what he did."

"Uh, yeah," you say, turning around to face the bullpen, "I definitely do."

***

The case takes the team to Florida, where an unsub has been feeding women their fingers, killing them, and then carving pentagrams in their skin.

The pentagrams suggest a religious element, so you go with JJ, Morgan, and Rossi to the local church to meet with the priest.

"Rossi, do me a favor," Morgan says just before you walk inside. "You talk to the priest, all right?"

You remember his agitation on the jet when Reid prodded him about his beliefs, and given the cruelty of his childhood, a crisis of faith wouldn't surprise you.

"Hi, Father Marks," JJ greets the priest when you enter the church. She introduces all of you to him, before shaking his hand. "We're sorry we have to be here under these circumstances."

"It's good of you to come," he says, greeting all of you. "Abbey's parents are upstairs in my office."

"We'll go up," Rossi says with a nod, "but Agent Morgan actually has some questions for you."

Your eyes flash to Rossi, but he doesn't return your gaze.

"I have some questions too," you offer, and Derek nods gratefully.

The priest answers the few questions Derek spits out at him, and you watch as his eyes wander around the hall, his shoulders raised with tension. You insert a few of your own questions before heading outside with him to wait for JJ and Rossi to finish up with the victim's parents.

"What happened in there?" you ask when he doesn't meet your eye. "Being rude to Father Marks? That wasn't like you."

"You know what happened to me, L/N," he says angrily, kicking his foot out at a loose stone on the pavement. "I went to church everyday, and I prayed for it to stop, but you know what God did? Nothing."

"I know what a crisis of faith looks like, Derek." You stand in front of him, forcing him to look at you. "But Father Marks doesn't know your story. He's not judging you, he's just showing his faith how he knows best."

His shoulders are still tense as his jaw twitches. "Who does Rossi think he is, throwing me under the bus like that?"

"He's an instigator," you shrug, letting the topic slide for the time being. You'll talk to him again later if he still needs it.

"I didn't love the way Gideon did things either," Derek says, his posture going from agitation to annoyance, "but Rossi might just take the cake. Even if he is better with the victim's families."

"I can't help you there," you almost laugh. "I had the same conversation with Hotch after the case in Texas, and he managed to convince me to give the guy a chance. So...if you can't bring yourself to trust him, just think of it as putting your trust in Hotch."

Derek hums, bumping your shoulder with his. "I guess I can do that."

***

The search party for Tracey Lambert only leads to the unsub taking another woman, and suddenly the ticking clock gets a lot louder. By the time you find his lair and the bodies he has been cannibalizing for years, you're already struggling to keep down even the water you've been drinking. When he reveals where Tracey actually is, you feel so sick, you can't breathe.

When the jet lands back in Virginia, you go home immediately, desperately needing some peace and quiet away from the team for the first time in a while. But that doesn't last long.

You're awoken by the shrill ringing of your home phone. Rubbing the sleep from your eyes, you check the number and answer the phone. "Is this payback for the last time I called you past midnight?"

"Y/N...it's Garcia."

You shoot up into a sitting position as Hotch explains what happened. "How bad is it?"

"I don't know."

"I'm on my way."

You change into a sweater and a pair of loose jeans before grabbing your keys and flying out the door.

"She's in surgery," JJ tells you when you find them in the waiting room. She pulls you into a hug before returning to her hunched position in an uncomfortable vinyl chair.

"There's no other word," Hotch adds, giving you a quick hug as well. With his cheek pressed against your temple, he whispers, "Police think it may have been a botched robbery."

"Where's Morgan?" Emily asks, standing up from her chair.

"He's not answering his cell."

Reid nods, stepping away. "I'll call him again."

He squeezes your hand before he exits the waiting area, and you glance down at JJ again. Her eyes are red from crying, and her chin is pressed into her palm as she stares at the floor. You watch as Emily sits next to her and pats her hand, before clasping it in hers.

You don't realize you've been staring at the same spot on the floor until Hotch stands next to you and nudges your shoulder. You okay?

"I will be," you say out loud, barely registering that he didn't actually ask you anything. "As soon as she's out of surgery." When you got the call that Penelope was shot, you had been hit by an intense feeling of deja vu. Only this time, the call didn't come from bureau leadership, because she wasn't killed at the scene. Because she's going to make it.

He doesn't seem fazed as he checks his watch again, his frown lines deepening. "It shouldn't take this long to get an update."

"Where have you been?" Reid asks suddenly. You look up to see Derek walking into the waiting room, his eyes wide with panic.

"I was in church. My phone was off."

"There's nothing you could have been doing here," Rossi assures him, before nodding at Hotch and pulling him aside to discuss something with the deputies outside. You use the momentary lull to approach Derek, putting your hand on his arm as an initial test. When he doesn't jerk back, you pull him into a hug that he returns gratefully.

The doctor walks in a few minutes later and explains that Penelope will be fine, but she needs to rest until the morning.

"David and I will go to the scene," Hotch informs, his eyes fixing each of you with an empathetic look. "I think the rest of you should be here when she wakes up. I don't care about protocol. I don't care whether we're working this officially, or not. We don't touch any new cases until we find out who did this."

When they leave, you pull Derek down into the chair next to you and lean your head onto his shoulder. After a beat, he relaxes in his seat, and lets out a long sigh. "She's okay."

***

Early the next morning, the doctor shakes you all awake with the notice that Penelope's up, so you rush into her room, trying not to crowd her as she blinks awake.

"Hi," she says softly, her voice small. She looks so innocent, laying in her hospital bed with her blonde hair a halo around her head. You can't imagine how anyone would want to hurt someone like her.

"No tears," she smiles as you swallow down your anger. "I'm afraid if I start crying, I'll come unstapled."

JJ presses a kiss to her cheek, before Derek and Emily start gently plying her with the usual questions. When it comes out that the man who shot her was the same man who asked her out at the coffee shop, your anger turns to anguish, and you reach forward to squeeze Penelope's hand in an effort to comfort her.

"I just thought he liked me," she whispers, the pain in her voice breaking your heart.

"We need a name," Emily asks abruptly. You can see her mentally kicking herself at how serious her words came out, but you know Penelope understands the gravity of this situation.

"James Colby Baylor."

She asks you and JJ to stay back for a second as the rest of the team leaves to investigate Baylor.

"What's up, honey?" you ask, smiling at her sweetly as she uses her other hand to take JJ's.

"I feel so stupid," she sighs, her breath turning into a gasp as tears fill her eyes. "Maybe Derek was right about all of it."

"No," JJ says sternly, reaching forward to brush some of her hair behind her ear. "None of this is on you."

"What she said," you echo, nodding at JJ, "and don't listen to Morgan. He loves you, and he's very protective over you, but he's also a man."

She sniffles out a laugh, before pressing her lips together. "One last thing."

JJ blinks. "Anything."

"Please don't talk about me like I'm a victim."

***

The case wraps up back at the office, where Baylor, whose real name is Deputy Battle, was shot in the head by JJ, who doesn't seem as plussed by the situation as you would expect. You tried to talk to her afterwards, but after telling you she was fine, she put all of her attention on Penelope, who has spent the last week recovering at home.

Now, you're sitting in the break room stirring your black coffee, just for something to do. Hotch finds you in there and walks inside, shutting the door behind him.

"It's been a long week," he grumbles, looking longingly at the spot next to you on the worn couch.

You lift your cup and nod your head at the full coffee pot. "That's what caffeine's for."

"We really should sleep at some point," he says, filling up a paper cup and carefully dropping into the spot beside you. The couch you chose is small enough that his thigh presses against yours when he spreads his legs even the slightest bit.

You snort. "Sleep's overrated."

You both sip your steaming coffees in silence as you watch the other agents shuffle back and forth across the bullpen, unaware of your watchful eyes. The break room is the one place in the office to go for a little bit of privacy, but the unobstructed view of everyone's desks isn't unpleasant either. You imagine this is how Hotch feels when he looks out his office window.

Your eye catches on the stapled wood planks that are currently replacing the broken glass door that leads into the bullpen. He must be looking at the same thing, because he breaks the silence and says, "I think we may need to get JJ out into the field more."

His tone catches you off guard and you crack a small smile. "She does seem remarkably well-adjusted, given that it was her first time."

He nods, turning his head to look at you. "Do you remember your first time?" Killing someone, is the part he doesn't say out loud.

"Of course." You take a deep breath and gulp back more coffee. "He was a serial rapist in Texas. One shot to the heart. I wasn't trying to kill him, he just ran at the last second."

"Serial killer in Florida," he responds simply. "Headshot. He died instantly."

"That was your first year at the BAU, right?" He nods and you sink back into the cushions. "I wasn't even in the field then."

He hums, a low sound that you feel as vibrations on your skin. "I worry that I brought you in here too early. Jeff had just died, and I assumed that getting you out of the house and in the field would take your mind off of things, but I wonder sometimes if I made the wrong call."

"You didn't," you assure him, turning your body to face his, even as he doesn't meet your eye. "First of all, you brought me in six months after he died, and by then, I definitely needed an excuse to leave my bedroom."

He sighs, a small concession, and you continue. "The first case I went into the field for after he died, I could barely hold my gun. Every time I pulled it on someone, I would imagine his body...with all of those bullet holes...and I would just freeze up. It took me months to pass my firearm certification again, but I still don't regret it."

"You sure?" he asks, his voice almost timid.

"Positive," you smile, nudging your thigh against his. "Besides, I didn't realize it until later, but it wasn't getting out into the field that helped me through my grief...it was meeting the team. These people became my family in the moment that I needed one most."

You turn back to your coffee and sip it again, though it's no longer as hot as you'd like it to be.

"How are you doing, by the way?" he asks suddenly. "With Garcia, I mean."

An involuntary shudder runs through you as you remember her pale face in her hospital bed last week, but the warmth of the coffee cup in your hands makes it pass quickly. "I'll never get used to it. But she's okay now, so hopefully it'll be easier this time."

***

You're jotting down notes in the margins of a new case file JJ asked you to look over when your cell phone rings. Hotch and Reid are at a nearby prison, interviewing a serial killer on death row for the Criminal Personality Research Project, so you're not expecting a call from either of them. The rest of the team, except for Rossi, is scattered around the bullpen, but you don't expect him to call you either.

After finishing the line you were writing, you check your phone and see a name you haven't spoken to in weeks.

"Haley," you answer after clicking open your cell. "Is everything okay?"

"I know you're busy," she sighs, her voice tight with what you can only decipher as irritation, "but I didn't know who else to call. Aaron hasn't been answering my phone calls."

You get up from your desk and step out into the hallway to get some privacy. "He and Dr. Reid are at a prison right now, interviewing a criminal for this research project. There likely isn't any cell service out there."

"It's not just today, Y/N," she says, her tone getting colder as she inadvertently directs her anger towards the only person she can get ahold of. "He hasn't been taking my calls for days."

"I can talk to him," you suggest, trying to keep your tone light in an effort to keep this conversation from derailing. "I'll tell him to give you a call."

"I appreciate that," she sighs, losing her steam. "I'm sorry for involving you, I just really need to speak with him about something."

"Is everything alright with you and Jack?" you ask her quickly, wanting to make sure that you aren't making the wrong assumptions about why she's calling.

"Oh!" she inhales sharply. "Yes, of course, we're doing great. Well, great maybe isn't the right word, I didn't mean- I just-" She sighs. "You know what I mean."

"I do," you assure her as your heart twists at the sound of her shallow breathing. You know how hard the separation has been on Hotch, but you know Haley too, and she has always been better at hiding her pain that she seems. "Where have you been staying?"

"With Jess," she says, her voice brightening considerably at the mention of her sister. "She's been a godsend. I feel terrible taking up so much of her space, but she doesn't seem to mind."

You smile, remembering the few times you met Jessica Brooks while Haley and Hotch were together. "She definitely doesn't mind. She always loved children. I bet she's already scheming on how to steal Jack from you."

Haley laughs, and the sound is like wind chimes twinkling in your ear. "She totally is."

Her laughter slowly fades, and you both stay on the line for a few moments in comfortable silence.

"I'll tell him to call you," you promise.

"I know," she sighs. "Thank you."

***

The prison was a bust, but Reid got a chance to use his intelligence to get them out of a tough spot without anyone getting hurt, so the day wasn't a total loss.

He is sitting in his office, drafting an email to the project coordinator, when you walk inside and take a seat in front of his desk.

"Thanks for knocking," he says sarcastically before finishing up the sentence he was working on. Once it's done, he saves the draft and turns off his computer. "How was Indianapolis?"

"Good," you say, leaning back in the chair. "Great, actually. Rossi got to close up the case that's been haunting him for a decade, and the three kids are finally safe."

"I'm surprised he wasn't more excited when he got back," he notes, watching your body language. You look wired, but not about this. Something else is bothering you.

"The unsub wasn't exactly the most gratifying arrest," you sigh, rubbing a hand over your temple. "We don't even think he committed the murders intentionally."

He frowns, shaking his head. "Those are the worst kind."

You're silent for a moment before you sit up straighter and look at him. "Haley called me this morning. While you were at the prison."

"Oh?" Something that feels like ice slithers down his spine even though he can probably guess exactly how the conversation went.

All week, he has felt an enormous weight on his chest in the form of a stack of divorce papers that Haley served him with. She had called him right after, with the explanation that they both should have seen this coming, but he really hadn't. He was a profiler, whose entire job was to notice and analyze human behavior, and he truly hadn't been able to let himself believe that this could be a possibility. That his marriage could actually be over.

"She said you've been ignoring her calls."

He had been ignoring them. He knew she would just tell him to sign the papers, and he couldn't bear to hear her say it again. Once was enough.

He reaches into his desk and pulls out the manila folder that he hasn't opened since his initial read-through. He suspects you already know what he's about to tell you, but he also knows that it won't feel real until he says it out loud. And it's about time he came to terms with what his life would be from now on. "Haley wants me to sign the divorce papers, uncontested."

"She doesn't want to involve a lawyer?" you ask, your voice delicate as you walk him through the explanation with clarifying questions. It's the technique they use when interviewing the families of victims, to help them feel comfortable as they talk about the hardest thing they've ever gone through. He's surprised at how reassuring it feels coming from you.

He shakes his head, running his fingers through his hair. It has grown out a bit since he last cut it, but he doesn't think he minds. Haley wanted him to cut it short when Jack was in his grabbing and teething phase, but now, he likes how he can push it back when he wants. "I don't want to sign, of course, but she's adamant that we get this done soon."

"You'll be okay," you say, and he looks up in surprise. "You're a good man, Aaron."

"I'm not," he whispers, heaving out a sigh. "I'm not doing anything right. At home, I was an awful husband and an absent father, and at work, Strauss would replace me if she had even the slightest bit more ammunition. I can't focus in either place. Maybe Haley's right, maybe I'm just selfish."

You lean forward and grab his hand, even as he doesn't look at you. "You're not selfish. You're the farthest thing from selfish. You don't want to sign, but you will. You're giving her what she wants, even though it's the last thing you want."

He nods, but his heart isn't in it. He glances down at the folder again and takes a deep breath as you give him a small smile and stand up.

"I'll see you tomorrow, boss?"

He nods again. "See you tomorrow."

When the door shuts behind you, he flips open the folder, faster than he meant to, but he's afraid if he doesn't do this quickly he'll lose his nerve. Grabbing a random pen from the mug on his desk, he uncaps it and scrawls out his initials on all of the earmarked lines throughout the stack.

When he finishes the last page, he shuts the folder and leans back in his chair, letting out a long exhale. He did it. He supposes he should feel some sort of severing away of his old life, maybe an audible snap as the ties to his marriage get cut, but there's just silence.

His office suddenly feels stifling, and he loosens his tie before reaching forward and lifting the picture frame with him and Haley on their wedding day. Her smile still looks beautiful to him, and his content expression as he gazes at her doesn't make him feel anything different. Their marriage may be over, but he still loved her.

He runs his thumb over the smooth edge of the frame, and then opens his desk drawer, before sticking it inside and pushing it closed.

***

"Thank you for watching him," Hotch says, his voice slightly muffled over the phone.

"Of course," you smile, sitting down on your couch with the pasta you made for dinner. "It was my pleasure. Jack's a total sweetheart."

Jess was out of town for a couple of days, so he had asked you to watch Jack while he and Haley met up to finalize the divorce in front of an attorney. She had been adamant about finishing the process over the phone, but he wanted to ensure that she and Jack would be taken care of after the papers went through.

"Did he eat lunch?"

"Kind of," you say, quickly swallowing the bite you took. "He didn't want a full meal, but I got him to eat some fruit and bread with cheese."

"I'll make him a snack soon," he says quietly, but you can tell he's just thinking out loud. "Alright, I'll see you at the office. Thanks again."

"Always," you tell him, genuinely. "See you."

The phone clicks off and you scarf down the rest of your pasta before doing your dirty dishes and cleaning up your kitchen. You're considering whether to change into your workout clothes so you can crank out a few miles on your Peloton, but then you hear a knock on your door.

You're not expecting anyone, and with Hotch watching Jack, it can't be him. You peek around the corner into your foyer to see who's at the door, and relax when you spot a familiar mop of brown hair.

"I'm sorry I didn't call first," Spencer says when you open the door, his fingers fidgeting with the edge of his book bag. "I just didn't know how to ask you this over the phone."

"Spence, what is it?" you ask, opening the door further to let him in. He doesn't step forward, and a pinprick of anxiety enters your system.

"If I come inside, I won't be able to do this," he says vaguely, before reaching into his bag and pulling out a flyer. He hands it to you and you read the title, the tension seeping from your body as the words sink in: Narcotics Anonymous for Law Enforcement.

"I know it's a lot to ask," he whispers, "but would you drive me to the meeting tonight?"

Your heart feels like it's about to crack open. Only a boy who was never looked after, never given the love and care he deserved, would think that something like this was too much to ask.

"It's not too much," you tell him, glancing down at the address. "I'll get my keys."

When he's settled in your passenger seat, you pull out of the driveway, not commenting on the fact that his car is parked on the street beside your sidewalk. You understand the need for company more than most people.

The drive to the rec center where the meeting is being held is mostly silent, but you don't press him. He stares down at his hands for most of the ride, and when you stop in front of the entrance, he unbuckles his seatbelt and turns to you. "Thank you."

"Of course," you smile. "I can wait, if you'd like."

He gives you a thin-lipped smile. "It's okay."

"You sure?"

He presses his lips together and looks at you, his eyes reflecting the question in yours.

"Go on," you say, patting his arm. "I'll be here."

He nods and steps out of your car, and you pull into a parking space to wait in while he's in the meeting. You turn on the radio and it's the same song they've been playing for the last week, so you turn the volume down low and close your eyes for a few peaceful moments.

You must have fallen asleep, because you're jarred awake by the chirping sound of your cell phone ringing. It's a bureau number, so you clear your throat and answer the call. "L/N."

"Hey, Y/N." It's JJ, and she sounds tired. "We have a case. It's urgent, so we're flying to Texas tonight."

You sigh louder than you meant to. "I can be there in 20."

"See you soon."

The line clicks off and you rub the sleep from your eyes. A quick check of your watch tells you that you were only asleep for about a half hour, but that's just half of the meeting time. You know Spencer will come back when he gets the call, so you turn the radio off and sit up in your seat.

A few minutes later, he returns to the car. You saw him just over 30 minutes ago, but he already looks lighter than he did when he got to your house.

"I'm proud of you, Spence," you tell him as you start the car.

He nods, a quick thanks. "This federal agent gave me his one year medallion after I left the meeting. I've only been clean for 10 months, but he still gave it to me."

"He believes in you," you say simply, glancing over at his confused expression.

"He doesn't even know me."

You shrug. "You don't have to really know someone to care about them, Spencer. You just have to see something of yourself in them."

"Is that what you see in me?" he asks, finally looking at you.

You consider this for a moment. Is that why you feel so protective over him?

"I don't know," you say eventually, not wanting to lie, even by accident. "I definitely wasn't as smart as you were, or as focused. I wasn't all that driven in high school at all, to be honest. I was lucky to have Hotch. He gave me the push I needed to get out there and focus on school."

He's silent for a minute and you worry you may have said something wrong. Then: "I didn't have anyone in school." He pauses for a beat, before speaking again, his voice quieter this time. "I was in the library one day, and this girl comes up to me, and she tells me that Alexa Isben wants to meet me behind the field house. Alexa Isben was, like...easily the prettiest girl in school."

You frown, already not liking where this story is going. "Did she not show up?"

"No, she was there." His voice sounds almost resigned, but there's a note of something darker underneath. Something raw and painful, that likely still hurts after all these years. "But so was the entire football team. They stripped me naked and tied me to a goal post. So many kids were there, you know, just watching."

"No one stopped them?" you ask, trying to keep your voice steady.

"I begged them to, but they just...they just watched. Then finally they got bored and they left." He clears his throat, and the sound is small, like a little boy's. "It was like midnight when I finally got home. And my mom didn't...Mom was having one of her episodes, so she didn't even realize I was late."

"You never told her what happened?"

He shakes his head. "I never told anybody. I thought it was one of those things that I thought if I didn't talk about it, I'd just forget. But I remember it like it was yesterday."

"You don't need an eidetic memory for that, Spence," you whisper, trying to stay focused on the road even as his words swirl into your memories and create an agonizing hurricane of emotions. "I was only ten years old when my mom was killed, but I can still remember every moment of her funeral."

The field office comes into view and you push forward as you scan your badge and slide into a parking spot below the upper garage. When the car is in park, you undo your seatbelt and turn to him. "I know how hard it can be to push away the painful memories, but there's something more important that I need you to remember."

"Remember what?"

He looks at you then, and you reach forward to squeeze his hand. "You're not alone anymore."

***

"Is it always this hot?" You look up at the beating sun through your shaded sunglasses and fan your face with both of your hands.

"Every day, all day," Emily huffs, running her fingers through her bangs to unstick them from her forehead.

Everyone is sweltering in the Miami heat, but then Derek gets off the plane with a wide grin, his skin glistening in the sun, and you resist the urge to throw your bag at him. "South Beach, baby."

He immediately shuts up when he spots the stunning Miami PD detective who called your team in for the recent string of murders. JJ shoots you a smirk before introducing her to the team. "Detective Lopez. We spoke on the phone."

"Tina," she corrects, before shaking her hand. "Thank you for coming down so quickly."

"Hey," Emily says from beside you, making you turn to see what she's looking at. "Isn't that..."

You spot the person she's referring to, and your face splits into a big smile. "Detective LaMontagne!"

"He's here to ID the cop they pulled from the bay last night," Tina explains.

You don't miss the flush in JJ's cheeks as she shakes his hand. "Detective, good to see you."

"How are you?" you ask, giving him a quick hug that he returns.

"Yeah, Charlie Luvet and I worked together for seven years."

Derek frowns. "Sorry for your loss, man."

Tina looks confused, and you don't blame her. "So, you all know each other?"

"Professionally," JJ is quick to add. Will whips around to look at her, and you turn to Emily with an eyebrow raise, feeling like you're intruding on a private moment. You aren't sure why she won't just admit that they've been together since New Orleans, but that's her business.

***

You join JJ and Will at the IDing of Officer Luvet, and you keep your distance as he glances down at the body and affirms the report.

"Yeah, that's him."

JJ looks like she wants to comfort him, but instead she sticks to the professional approach. "If you need help making arrangements, liaising with families is part of what I do."

Will nods, his voice choking up slightly. "I might just take you up on that. Excuse me, I'll be outside."

When he steps outside of the coroner's office, you can't help but notice the longing look on JJ's face as she watches him go.

"Let's go," she says to you softly, her eyes still on the door. You follow her outside, but by then Will is nowhere to be found.

"It's okay, you know," you blurt out. You weren't really planning on talking to her about this, but sometimes your mouth takes over before your brain can catch up. "I know you worry that being around a band of profilers all the time makes you vulnerable."

"I'm not sure what you're talking about," she says simply, not quite meeting your eye.

"JJ," you say seriously, trying to convey your pure intentions. "If you keep trying to hide it, you'll lose him."

She purses her lips, and you squeeze her forearm, hoping you aren't pushing past her boundaries. The whole team is sparing with details about their personal lives, but you like to think that you're someone people feel comfortable sharing things with.

"I know you, hon." You flash her a knowing smile, feeling a shot of satisfaction as her lip twitches. "I know that it's enough for you to know that you care about something, but it's not enough for everyone."

She exhales, tucking her hair behind her ears. "He's upset with me, but I don't know what to do. I'm still scared."

You sigh, understanding her predicament, but still wanting her to push past it. "You can let yourself be happy, JJ. You won't always get hurt."

She nods before glancing around the room again, searching for Will even though he's long gone. It's an instinct you recognize.

Later, when JJ finally acknowledges their relationship by pulling him in for a kiss at the police station, you can't help but take it as a win.

***

Your house feels emptier than usual when you get back from Miami. Seeing JJ and Will find each other again reminded you of how much you miss having someone to share your life with.

Deciding to take a night to yourself, you pop open a bottle of red, and pour yourself a glass, which you swirl around before taking a sip. It's drier than you tend to go for, and when you check the label, you realize that's because you didn't buy it.

How can you drink this stuff?

It makes me feel sophisticated.

Jeff would break out the fancy glassware every chance he got, because he didn't believe in special occasions. He used to say that people waste precious moments of their life waiting for the right occasion to come around.

The memory feels warm in the back of your mind, and you take another sip of wine before walking over to your cupboard and grabbing the fanciest wine glass you can find. You pour the rest of your wine into the new glass and place the other in the sink, before swirling it around again. No time like the present.

You bring the glass to the couch with you, where you turn on the television and skip through the first few channels. As the wine in your glass depletes, the loneliness sets back in. You're about to pour yourself another pity glass when your phone buzzes with a call from Hotch.

"Do your television channels suck as much as mine do?"

You smile, muting the television and pressing the phone to your ear. "Definitely not."

He chuffs. "I guess I'm not used to the new tv controls."

Right, his new apartment. After the papers were finalized, he gave the house to Haley and moved into a new place ten minutes away.

"We can share mine," you say, listening to the sounds of his breath over the receiver. "I also have wine."

That gets a laugh. "I'll be there in 15."

You hear a knock on your door exactly 14 minutes later. When you open it, you're greeted with the sight of Hotch in a tee shirt and jeans. "A little underdressed, aren't we?"

He snorts, taking the wine glasses from your hands and following you into the family room. "What are we watching?"

"You're the one with the broken tv," you grin, flopping down on the couch and taking your glass from him. "What do you want to watch?"

He thinks for a minute, before his eyes sparkle with an idea. You cut him off before he can suggest what you already know he will. "We are not watching Top Gun again, Hotch!"

"You asked," he shrugs, hiding his smile behind a sip of wine. "What do you want to watch, then?"

You can see him watching you over the rim of his glass, so you blurt out the first name that comes to your mind. "Footloose."

He looks at you blankly for a moment, before his brow twitches, and your jaw drops. "You haven't seen Footloose?!"

"It came out when we were in high school," he groans, taking one of the throw pillows off the couch and stuffing it behind his back. "Terminator and Dune came out that same year. I remember because you tried to get me to watch it then too."

"It's an amazing movie!" you exclaim, standing up to go dig through your movie cabinet. "We're watching it right now."

He groans and sinks back into the pillows as you find the DVD and start the movie. You've seen it at least a dozen times, mostly because it makes you nostalgic for your teenage years, but the opening still gets you excited.

As the movie plays, you keep glancing over at Hotch, trying to see if he's enjoying the scenes just as much as you did on your first watch. To his credit, he watches the movie faithfully, without checking his phone or straying from the television screen.

"Enough," he grumbles suddenly, startling you.

"What?" you question, whipping your head around to face the screen.

"I'm watching the movie," he huffs, fixing you with a pointed look. "You don't have to keep checking."

You frown, hugging a pillow to your chest. "I wasn't checking, I just like seeing people's reactions to my favorite movies."

"Either way."

You groan, reaching out to thwack his arm.

"Eyes on the screen," he berates you, pointing at the TV. "The dance scene is starting."

You sip your wine bitterly as you try to resist the urge to glance over at him. Eventually, the movie takes over your attention and soon it's the final town council scene where Kevin Bacon gives a speech to the whole town.

"'There was a time for this law'," you quote along with the movie, "'but not anymore.'"

The movie comes to an end, and you click the remote to turn off the television. When you turn to Hotch with an excited grin, you're surprised to see that he has fallen asleep.

His head has fallen to the side, resting on the armrest, and he looks so peaceful with his expression completely neutral. His characteristic frown is nowhere to be seen as he snores quietly through his nose.

Your lips curve into a smile as you stand up and grab a blanket from a basket beside the couch. You drape it over his body, being careful not to wake him, and take the wine glasses to the sink before heading up for bed.

***

"That's because you pick horses the same way you practice law."

You hold your breath as he glances into the crowd for a brief second.

"...by always taking the long shot."

Emily snickers under her breath, and you see even Reid crack a smile as the lawyer starts floundering. The rest of the day in court goes by quickly and you all wait for Hotch in the hallway of the courthouse as he finishes up inside.

"That was impressive," you grin, nudging his shoulder as he walks alongside you. "I can't believe that was my first time seeing you in full prosecutor mode."

"Hardly," he says, rolling his eyes lightly. "I was called to give testimony, it's very different."

"I'm just surprised that prosecutor is still walking after how hard you hit him." He shoots you a look and you raise your hands in surrender. "Metaphorically, of course."

"That was a straight knock out." Derek comes up behind you and throws an arm around your shoulder as he spins you both to face Hotch. "The crowd practically cheered when you cleaned the floor with him."

"Thank you," he concedes, flashing his eyes at you. "Now let's get back to work. We still have to get more evidence for the rest of the trial."

And just like that, everyone switches back into work mode. Derek drops his arm and jogs forward to catch up to Rossi and Spencer, while Emily calls Garcia to get the latest update.

Using the moment of solitude, you bump his shoulder again. "Do you ever wish you were still a prosecutor? Your life would certainly be a lot simpler."

He shakes his head, the answer coming quickly and firmly. "I couldn't do it then, and I still couldn't now. Seeing the murderers come in after they've finished killing...I needed to know I could stop them before they were done."

His sentiment sounds familiar. Your mind flashes back to the little boy who took matters into his own hands, because no one could stop the pain for him.

You blink and it's present day again. You loved your best friend who fought his own battles without asking for help, and, even though he's vastly different, you love your best friend as he is now.

***

"Five shootings in two weeks."

"It's about time we got the call."

The whole team, plus Garcia, flies up to New York, where an unsub has been shooting people around the city, seemingly at random.

"Kate Joyner heads up the New York field office," Hotch explains, glancing down at his cell phone. "She's running point on the case and called me directly."

You have heard of her, which isn't too surprising, but all you know is that she's British and seems to be very good at her job.

"You know her?" Morgan asks him, echoing your thoughts.

Hotch nods. "We liaised when she was still at Scotland Yard."

They liaised. You don't know what that implies, but you also know that he and Haley didn't take a single break during their relationship after graduating college, so it can't be anything too personal.

JJ and Emily share a look, but you don't engage with them, instead looking back at the case file and trying to focus on any of the words that aren't 'Kate Joyner'.

***

"Kate."

A pretty blonde woman approaches you all with a smile only for Hotch. "Aaron. How have you been?"

He nods. "Well, thank you. This is my team." He introduces each of you to her, but you don't miss how her eyes linger on you when he mentions your name.

"Thanks for being here," she says, before walking you all through the background of the case. Shootings in different precincts, seemingly random, FBI only brought in after the fourth murder.

After explaining the details and introducing you to the local detectives on the case, she pulls Hotch aside for a private word in her office. You turn back to the team, trying not to let your gaze linger on them as they walk away.

The NYPD doesn't seem happy that SSA Joyner has taken over their case, but even though she comes off as a bit brusque, you can tell she cares about catching this unsub just as much as they do.

"What's your partner's problem?" Reid asks Detective Cooper, the only local officer who has made an effort to meet any of you.

"We're glad the FBI was brought in," he explains with a heavy sigh, "but all of a sudden Joyner's taking meetings with the mayor and calling in you all without us knowing anything about it."

You can understand his hesitation, but you also need his cooperation if you're going to get anything done here.

"We're only here to help," Emily tells him as you turn around to find JJ.

"Has Garcia gotten settled in with the New York tech analyst?" you ask once you find her staring at a map of the various boroughs. She doesn't answer immediately, so you nudge her shoulder. "JJ?"

"Huh?" she startles. "Oh, sorry, yeah. She called a few minutes ago, she's all good."

JJ is usually the focused one who brings you back on track, so you're surprised by how distracted she seems. You nod in acknowledgement, scrutinizing her expression for another second, before heading back to the team. Your eyes involuntarily dart over to Kate's office, and you notice how close together she and Hotch are. You're about to avert your eyes when their body language becomes a bit clearer: each time she leans in to say something, he subtly pulls back.

The dynamic of their relationship is suddenly apparent, and you mentally kick yourself for daring to assume the worst when he first mentioned her. You can't say the same for your opinion of her, though. He's still wearing his ring, for God's sake. Based on how little you've heard about her from him (nothing, you mean), you doubt she even knows about the divorce yet.

Derek and JJ head out with the detectives to check out the last crime scene, while you stay back with Emily and Spencer to build the anti-geographical profile. When another victim is shot, you head to the new scene to see if you can build a working profile.

"It's a different borough again," you sigh after getting out of the SUV and joining Hotch, Kate, Derek, and JJ in front of the body. "Prentiss and Reid are back at the office still working the profile from a geographical angle. We're starting to think maybe we should get officers out onto the high-traffic intersections, and maybe even get some of us out there too."

"Uniforms are rounding up witnesses," Kate jumps in, ignoring you. "It doesn't seem like anyone got a clean look."

You see Derek glance at you out of the corner of your eye, but you don't entertain the look. If she has some issue with you that you aren't aware of, you won't give her the satisfaction of letting her get to you. "The unsub's probably gone before anyone even realizes it's happening,"

Hotch nods, turning to face Kate. "Is this what it felt like during the Son of Sam."

She returns his gaze. "First we realized that if the violence was truly random, there was almost no way of stopping it. Seems like these people have figured that out."

You look up, trying to see if there's anything in the vicinity you can use to ID the unsub. Your eyes catch on a security camera outside one of the delis directly behind you. "From the placement of that camera, odds are the only view they're going to get is the back of his head."

She frowns. "Let's not be too quick to decide what we do or don't have."

This time it's both Derek and JJ that glance at you, but you turn to Hotch, who is avoiding meeting your eyes. Kate steps away to speak with the detectives at the scene, so you grab his arm and pull him aside. "What is her problem?"

He exhales, rubbing a hand over his face. "FBI brass has made it clear to her that if she doesn't bring this case home, she's going to be reassigned. And you are at the top of the list to replace her."

"Replace her?" you echo, trying to process what he's saying. "I haven't even been in the BAU that long."

"It's not about field experience," he says, angling his body so that you're separated from the others. "You've been with the bureau longer than I have, and your work speaks for itself. It's not a surprise that they'd want to promote you."

You still can't wrap your head around the fact that you could be leading a unit yourself, or that you may have to leave the team you love, so you focus on what you do know. "I thought the bureau was proud of the fact that they stole her from Scotland Yard."

"I don't know," he shrugs, glancing back at her. "Politics here are different."

***

After finishing up at the crime scene, the whole team heads to the hotel to get some rest for the night. You feel more alert than you usually do after a long day of building a profile, and you adjust your bag strap on your shoulder as you dig around the side pockets for your room key. You don't plan on going to bed for at least a few more hours, and you might as well use the time to work on the case, but you need your key if you're going to get any sleep at all.

When your fingers finally catch on the thin plastic card, you look up to see a familiar face that you've been seeing more often than not, as of late. "Wait, isn't that..."

JJ looks up with a start, and she doesn't look distracted for the first time all day. "Will."

He gets up from the lobby chair he was lounging in and approaches her. "Hey, I took a shot and flew to D.C., but when it didn't work, I figured a train ride to New York was only a few more hours."

"Detective." Hotch reaches out and shakes his hand, before glancing at you with a frown that says, Did you know he was coming?

You shake your head imperceptibly and turn back to Will as he looks longingly at JJ. "Look, I'm sorry for showing up like this. I know you're working, but I can't stand you being on this case and me not being near." He pauses for a beat. "Not with what's going on."

That makes you frown too.

Hotch echoes your thoughts. "Is there a problem?"

JJ takes a deep breath and turns around to face all of you. "I'm pregnant."

Oh my God.

"Oh, my God," Emily exclaims, pulling her into a hug, the first of you to regain her bearings after hearing the news. "JJ, congratulations."

"That's amazing, JJ," you grin, hugging her next.

You don't miss how stiff Hotch is as Will shakes his hand. "I've asked JJ to marry me."

"Will," JJ says tightly, a warning in her voice.

He chuckles. "Well, we're working out some kinks."

"We'll give you both some privacy." Hotch turns away from them, his face falling the moment she can't see him anymore. You know he's hurt that she didn't trust him with this information, but you're surprised by just how downtrodden he seems.

JJ rushes after him. "Hotch-"

"JJ, you could have told me," he says softly, his voice both confused and stung.

She looks down. "I know."

"Because I understand if you need to take some time."

"No," she shakes her head, without a look back. "I want to be here."

"Okay," he nods, not looking at any of you. "7:00 AM."

You try to catch his arm as he walks off, but he either ignores it, or he doesn't feel you reaching for him. You choose to believe it's the latter.

***

You all deliver the working profile to the police officers first thing the next morning. While you're explaining an alternate possibility, Garcia calls with an update that a possible unsub was caught on camera shooting someone on a subway platform at one of the intersections you suggested that your team patrol yesterday.

"We could have had that guy," you say, your voice fuming with anger as you turn to Kate with a glare you haven't used in ages.

She doesn't falter. "Even if we were on that platform, odds are he would have moved onto someone isolated."

"Maybe, but it was worth taking a shot."

She fixes you with a stare. "I had every available man on the street."

"And I suggested to you that you use this team." You can't believe that her decision to ignore your advice yesterday might have just cost someone else their life. You can see the rest of the team looking at you with some blend of concern or indignation on your behalf, but you don't care. You just need Hotch to back you up.

Instead he just looks at you. "L/N, second-guessing doesn't do us any good right now."

You're so angry, you can barely see straight. Emily reaches for your arm, but you shake her off. "Hotch, how are we supposed to look these cops in the eye and tell them that we're actually here to help them, if she won't let us do our job?"

"We're here to present a profile," he says simply, not quite meeting your eye. "That's what we need to do."

You gape at him, your back straightening as you get ready to stand your ground. You don't disagree on things like this often, but when you do, it's usually a civil conversation that gets resolved quickly. You've never felt this angry about his handling of a case before, but then again, he's never not had your back before. "We've got seven bodies, Hotch."

He looks at you then, and you can't discern anything from his expression. It's a blank slate that sends a shiver down your spine. "It's not your place to have this discussion."

"Screw you."

You spin around, shoving away Derek and Emily as they try to talk you down. You stalk past them and out of the field office, where the cool evening air fills your sinuses and clears your head for a moment of silence. You stand on the sidewalk for a few seconds, waiting, and when he doesn't follow you out, you just manage to convince yourself that you're not disappointed, but relieved.

***

You're sitting at the hotel bar when Rossi finally finds you. You only ordered a lemon water, still feeling like you're on the clock, even if there's a good chance Hotch won't let you back into the investigation.

"I know," you huff when he takes a seat beside you. "I was out of line."

"You got too emotionally involved," he says, turning to face you. "I know you and Hotch are friends, but that doesn't mean you get to be unprofessional."

You sigh, your body deflating as all the fight leaves you. "I just felt like he was taking her side. Like he didn't have my back."

"There are no sides here."

You nod. "I know."

"And he does have your back." You look at him then, and he flashes you a small smile. "That man will always have your back. Right now, he's just worried about how Kate is holding up, with the word on the street."

That surprises you. "You know about the promotion?"

He nods. "People talk. But if she were to get fired, it would be because we didn't solve this case."

You frown, lifting your hand in defense. "Rossi, I hope you're not saying you think I want her to fail."

"Of course not," he shakes his head. "I just hope you know what you're doing."

"I lost my head for a second," you acknowledge, taking a sip of water. "I think I just needed a minute."

"And you got it," he says simply. "But right now, I see someone who wants to get back on the job. Or is there another reason why you ordered a glass of water at a bar?"

You set your glass down, letting out a surprised chuckle. "Where is everyone now?"

You both stand up, and he leads you out of the lobby. "Joyner took your advice. We're spreading out across the city."

***

"Emily, what happened?"

You rush forward to where she is standing over the dead body of a young man. Detective Cooper was taken in an ambulance to a nearby hospital after getting shot, and you only just arrived on the scene.

"He was strangely calm," she whispers as Derek and JJ come up behind her. "It's almost like suicide by cop."

"Why?" JJ thinks out loud. "Why would he do that?"

Derek looks at you. "We need to walk back through this profile."

Hundreds of thoughts are swirling through your brain, but based on the look on everyone's faces, you can tell they're thinking the same thing you are: terrorism.

After the crime scene officials arrive, you head over to your SUV to get back to the field office. Derek heads out to brief Homeland Security, and Reid leaves to talk to the Port Authority police, while Hotch and Kate call with the update that they will be going to speak with the mayor's office.

You start your SUV and pull out into the street when a loud explosion goes off a few streets behind you, the plume of smoke and fire large enough that you catch the high end of it in your rearview mirror.

You screech to a stop, just as your phone starts to ring.

TAGLIST: @citrusiove, @sanayikes, @yiiiikesmish, @mdanon027, @alice-w0rld, @beata1108, @bakugocanstompme, @raely-study, @himboelover, @hermionegalathynius, @rousethemouse, @calif0rniadreamin, @tolerateit13, @delusional-13s-blog (message me to be added!)

[anythingforstories]

Currently reading Lord of the Rings for the first time. Never seen the movies (I want to read the book first) and the majority of my LOTR knowledge comes through memes and spoilers on Tumblr analysis posts. I've made it through Fellowship of the Ring and am now in The Two Towers, specifically the chapter where Merry and Pippin meet Treebeard.

Thoughts and predictions at this point (contains spoilers, but it's been out since 1954, so deal with it):

-So I guess "They're taking the hobbits to Isengard" was Merry and Pippin? In which case, they did not end up taking the hobbits to Isengard. Pity.

-(No but really, I had thought that referred to Frodo and Sam because I think they're slaves at some point? IDK. Maybe they're slaves in Mordor. I shall have to wait and see.)

-I am happy that Merry and Pippin have had more page time and got to have a clever escape. I was beginning to wonder why they were there in the story. I do like them, though.

-I wonder if Treebeard is important?

-During the entire second half of Fellowship of the Ring, I was thinking, "Surely Legolas has a bigger role, based upon the number of fangirls?" I now see that he does have more page time, though still at this point, I feel his fangirls may have overinflated his role within the story. Perhaps he shall do more later, though. Still a cool dude, in any case, sleeping while walking and all that.

-Gandalf's defeat was less dramatic than I'd always imagined. Pretty sure he's not gone forever, based mostly upon memes and fanart. And also the fact that he seems to be rather too important to be gone this soon.

-I'd honestly anticipated a long redemption arc for Boromir. Based upon all the analysis I've seen about him, I had vaguely known he sacrificed himself for the hobbits, but didn't expect it to be this soon. Not sure how I feel about this. (I did cry, and then I cried again when Aragorn didn't reveal what he'd been up to to Legolas and Gimli. I didn't actually expect to cry while reading LOTR. But the tragedy hit hard.)

-I know there's gonna be a romance between an elf-lady and a man, but I'm not sure who with whom. I don't think there's been a single hint of that yet. Maybe I'm wrong.

-Pretty sure they're going to see the ocean?

-"I am no man!" (Or something along those lines. I hope that wasn't movie-original; I think I've seen pictures of that text in the books? But it sounds very epic.)

-Gollum is a persistent chap. I rather like him. I do, unfortunately, know his fate. My sisters watched the movies when they were little and that's one of the only things they can remember.

-It's definitely picked up compared to the first book! Unlike many people, though, I did read through all those pages of pure worldbuilding lore at the beginning. It was boring and yet delightful.

-I need a map. I'm borrowing a friend's version where there's all the books in one cover with lots of illustrations and such. There was a map of the Shire but not of everything. I could easily look it up online, but I'm stubborn and want to see if the book will have one at some point.

-Can't wait for Aragorn to come back as king. I assume this shall happen in Return of the King. It would make sense. He seems a good fit for the job.

-I would DEVOUR an anime of this series. Specifically, a book-accurate one.

-Sam is excellent.

-Lots of fantasy seems so much less original after reading LOTR :P

[hewasverycinematic]

Psychological warfare has been committed

So in-ho is my second favourite character from S2 of squid game (After the salesman cause daaaaaaaaaaaaaaaaamn)

anyway

he's so complex and layered so I thought I'd list all the times I noticed him just fucking with Gi-hun

Sang-woo styling

So the first one has been said before many a time and it's how he's obviously styled his hair similar to Sang-woo. This works in two ways; One being that he's showing familiarity to Gi-hun, making him instantly comfortable around him, but ALSO that he should not be trusted in the same way Sang-woo definitely shouldn't have been. But also in a way that's so subconscious to Gi-hun that he wouldn't even register it. The other way this works is that the fluffiness makes him seem literally soft just from looking at him, making not only Gi-hun trust him but the rest of their little squad. So even if Gi-huns sub-conscious kicks in with the "maybe lets not trust him, he looks like that dude who betrayed me last time and he's got that same number as someone else I shouldn't have trusted" he would look insane (Rightly so.) This also makes Jung-bae not telling him he's suspicious of 001 even more painful.

Mingle

Then grabbing his best friend in the mingle game. Not much to say on this one, I originally thought it was odd bc why Jung-bae? It makes itself clear by the end of the season that he needed Jung-bae to stay alive for the gut punch at the end. It's also very clear, however, that Dae-ho would 100000% have paired up with him, so why did In-ho need to take him specifically? Well, he knows there's not being enough rooms for everyone. So he knew he would probably have to kill someone and this also makes sure Gi-hun doesn't see this side of him and cause tension/distrust early on. (He saw his reaction with Sang-woo and the glass bridge remember)

X O

He originally votes to continue the game, telling Gi-hun that he did it because of him. This really is a double blow, because he's basically shifting the blame of the games continuing onto Gi-hun. If he hadn't been there to give faith to "Young-il", he possibly would've voted X and this set of games would have ended. But he's also, once again, makes Gi-hun believe he has the power to make change and help people. The tone in which he speaks to him, whilst also being a bit told off, makes him come across as meek and clueless i.e. harmless. He does this alot in front of Gi-hun, the amount of times he apologises and says he must've misunderstood or didn't know adds to this.

The second time he votes, he changes to X. And, again, says it's because of Gi-hun. Repeating the same steps as before backwards, but getting the exact same result. Gi-huns ego is boosted (literally showing he can change O's minds) and appearing powerless as a follower.

Late night talking

Narratively, I love this scene, we get to hear directly from In-ho his motivations for going into the first game. But we also get to see how messed up he is that he's lying about something so deep and personal. Using it as a way to get closer to Gi-hun, appearing to let his guard down, I honestly think In-ho needed that conversation as he seemed to have disappeared to Jun-ho before he could properly grieve and process. Then again there's a gap in his history that we as the audience do not know about. After he won and before becoming the Front Man (I'll probably make another post on my theories for S3) In terms of Gi-hun this conversation is probably the one which solidifies his trust in 001 as he's showing he does care about someone so much he is willing to risk his life and ensure others death. The reasoning mirroring Gi-huns in the first series, they are one and the same in that aspect. But it's so evil because In-ho knows all this and uses their shared grief against him.

"We'll have to hope more of the other side died"

After the Mingle game, Gi-hun suggests counting how many people are left on each side, and In-ho responds with "We'll have to hope more people from the other side died". This instantly made me think of the scene in the first season where Ji-Yeong is mock praying that they can send more people to their deaths for their own survival. This is so on the nose that I'm surprised Gi-hun didn't pick up what In-ho was putting down. He's slowly drip-feeding into Gi-hun that he's thinking the exact way the hosts want them to. Us vs. them as opposed to us vs. the machine, which is a direct link to when the frontman tells Gi-hun that the games won't change unless the world does. He's also got a slight smirk in his eyes which is essentially him internally going "I told ya so"

"Is that really what you want?

Before the third vote Gi-hun & co are discussing how to make sure they win the vote. Whilst Gi-hun wants to go over to try and persuade them to change from O to X, In-ho says "If we provoke them now, we may end up in a big fight before we even get to vote. Is that what you want Gi-hun"

And then after the tied vote and during the conversation of The Plan™ Gi-hun asks "Are you going to kill each other all night and hope you survive? Is that what you want Young-il?"

This is so ironic because they're saying the exact same thing back to each other "Are you sure you want to fight?" Which has sooo many layers. Yes, they're talking about the players being split into X vs. O but what Gi-hun doesn't realise yet is that he is the O (player) and In-ho is the X (host). As In-ho says as the frontman, the games only work if there are players. And the games stop if there's no one to host (If society changes and there's no wealth disparity making VIPs obsolete).

And that's just the literal meaning of what they've said. The fact that this is the first time Gi-hun has repeated In-hos' behaviour, in a somewhat catty way and not in an "I'm just like you, you should trust me" way. It still shows how similar the two are. I think this is why people theorise that Gi-hun will be the next front man. I think the point is that during the rebellion, he already is the frontman, just to the players following his orders.

Also, can I just add the cinematography of the beam separating the two is *chefs kiss*

Repeating Jung-bae

So we all saw the jealous look In-ho had when listening in to Gi-hun and Jung-baes conversation. I, actually, think he saw it as another way to toy with Gi-hun later on as we see. In the conversation with Jung-bae they're laughing about how much of a cheapskate Gi-hun was when they were friends. In-ho is in a totally non 457 way showing he can be the same as his best friend, but with it being such a common thing to say, if this wasn't a show it'd be something to easily overlook. With it being a show, I cannot overlook the parallel.

Rebellion things

Smaller things I noticed:

When discussing the special game he only said "you" instead of "we" - "How are you going to get the guns" etc.

Until he says "Small sacrifice for the greater good? In that case, I'm with you" - Further pointing out how similar they have become.

He didn't shoot the guards when they were in the stairwell/corridor unless he was speaking. Possibly to cover up the fact he wasn't shooting - Was he saving ammo? Doubt it - Says he's nearly out of ammo without checking - Not wanting to be hit in the crossfire? Maybe

Saving Gi-hun

So he saves Gi-hun twice, once when he's about to be shot and again when he shoots Jung-bae instead. I don't believe this is just because he's grown fond of him but because, as Gi-hun said in the limo, the games are so much more entertaining for the VIPs with him in. Unfortunately, I have to speculate that him being in there has caused more money to be donated by the VIPs, further upholding the games. The reality is Gi-hun was never going to be killed. He has plot armour both for us and the VIPs watching.

The final fuckery from In-ho as Young-il is the "Are you sure" with the most suspicious look on his face. People kept saying that that was the ammo that shot Jung-bae, but it wasn't, it wasn't even the same gun. It was really the last of the ammo they had, and giving it to In-ho was just leaving them defenceless, being the catalyst to the retreat and end of Jung-baes life.

Other sass

Joking about the umbrella dalgona as if he wasn't watching

"Besides, we've got a previous winner with us" as if he wasn't also a winner

Making dad jokes about his name

Disappearing in mingle to reenforce to Gi-hun that he cares about his wellbeing

unrelated note: people saying why would he kill his own guards, as we see with no-eul, they're seen the same as the players. (trash) he doesn't care about them either

[madelynraemunson]

CALL OUT MY NAME ♛

(Book #2 of the Hellfire Gentlemen's Club Series)

CEO!bachelor!steve × fem!college grad!reader

𝐌𝐎𝐃𝐄𝐑𝐍 𝐀𝐔 • 18+ | BOOK #1 (e.m.)

Chapter 004: Encore

You have needs. Steve has needs. Given your two friends’ complicated history, you both know can’t be together — but that’s the thrill of it all.

↳ 001 (PROLOGUE) // 002 // 003 // 004 // 005 // 006 // 007 EPILOGUE

cw: slight age gap (sweets is 23, steve is 31), mutual pining, sexual tension, SMUT, p in v sex, soft!dom steve, pls wrap before you tap thanks

card suits divider: @cafekitsune 🃏🧡

“THINK I NEED SOMEONE OLDER.”

♛

3.1k words

“I’ll take a black coffee, please. Hot.”

“What size?” the barista inquires.

“Largest one you have.”

Go big or go home. You’re going to need it anyways.

Last night was a clusterfuck of emotions, all of which you had no idea how to process. But you figured that, with Isabelle being the heavy sleeper she is, that you could get away from her and the room you shared and clear your head for a bit. Coffee and contemplation.

“You can put that on my tab.”

Following the direction of the voice, you're surprised to see Steve, up as bright and early as you are, just a mere few inches away. Except he looks more presentable than you, dressed in creaseless neutral-toned athleisure, hair neatly kept with pomade into a sleek swish.

You want to curse under your breath. Fuck. When didn't he look hot?

"Well I'll be damned," you mutter with a gentle smirk.

“I knew I’d get you back eventually,” Steve winks. “Course I didn’t think it’d happen eight hours later.”

“Good morning."

“Now it is.”

Steve slips in beside you and greets you with a warm smile. His eyes remain glued to yours as he extends his credit card to the cashier, placing his order before motioning you towards some elevated bar tables. It doesn't slip your mind to be in his company.

"Did you sleep well?" you ask him.

"Yeah," he nods. "I did, actually. Did you... sleep well?"

Steve seemingly searches for an answer in your eyes. A specific answer it seems, quite possibly pertaining to the events that unfolded the night before.

"Yeah," you chuckle. "Given everything."

“I'm so sorry about last night," he exhales. "Didn’t mean to put you in the middle of all this."

“Yeah…” you shrug unsurely. "But I figured that by association, I'd get sucked into it somehow."

He laughs softly. “Isabelle your friend?”

“What’s it to you?” you cock a brow.

“Just curious.”

“She’s more like a big sister to me,” you explain. “We met in college.”

The drop in Steve’s face was something you couldn’t decipher. Or something you didn’t want to at least.

All morning, this dark cloud of uncertainty has been festering over you, making you more and more anxious because you couldn't seem to grasp what the hell was going on. Judging by the vibes of it though, it doesn't seem good.

"Eddie's a good guy," Steve sputters, almost spastically. "I don't know what your best friend told you, but based on our collective experience with him, Eddie's nothing like the monster Isabelle's painted him to be."

"Isabelle hasn't said much about him actually," you counter. "Until lately."

Steve is almost shocked. "She didn't?"

"She doesn't really talk about her past," you elaborate. "I'm assuming it's because she's traumatized by it. I did know she was married though. And that she cheated on Eddie."

It's not something Isabelle is proud of. In fact, when you met her, Isabelle had been embarking on a journey towards redemption, taking you with her to local humanitarian events, and even to church with her folks every Sunday during second year.

Because your parents had been unavailable in every way your whole life, Isabelle believed you needed to be surrounded by good people. A good deal of the woman you were shaped to be was from Isabelle's influence. You don't know what to feel now.

"Wow," Steve reflects. "She at least owned up to that, damn."

"Yeah, but given the layers of the story..." you shrug. "It all just sounds so complex and confusing. I never knew this about my best friend. Never knew she danced... maybe she was ashamed."

"I'd like to think that's why she didn't tell you," Steve kisses his teeth. "But I have a very hard time believing that's the case."

They were high school sweethearts, Isabelle and Eddie. And according to Steve, they got married right after graduation. Starting from scratch with his money he made from dealing, Eddie built his own business, the Hellfire Gentlemen's Club, a strip club in their small town with a nerdy Dungeons & Dragons theme.

"Eddie has always respected women," Steve elaborates. "Even when they didn't respect him. Never laid a hand on a lady, treated them like queens... Eventually he had me hop on board, with my business. We've always been... for the girls."

"I believe you," you grin up at him.

It got ugly pretty fast, according to Steve again. Before everyone knew it, Isabelle was running the show. Calling the shots. And the dancers, who all seemed to have the hots for Eddie, jumped to his defense and tried to run her out the club. Eddie ultimately ended up sending Isabelle to another club across town to ease the tension.

"Terry's club..." you start to piece it all together.

"Precisely," Steve nods. "And unfortunately... that's where the lines start to blur."

"STEVE?!"

You both shudder at the sudden exclamation, and Steve is quick to retrieve your coffees from the bar. You two then resume the story-telling with a brief 'cheers'.

“Childish beverage you got there,” you nod towards Steve's cafe mocha with whip cream.

“Keeps me young,” Steve shrugs.

You gaze at him flirtatiously as you sip your black coffee. "I'm sure."

You fawn at his hands, the thick veins on the canvas now brought to life by the warmth of his drink. He takes mental note of your observation, clearing his throat, and shifting slightly, but notably more towards you as opposed to further away. He wants you too, there's no denying.

"Listen, Sweets," Steve sighs. "It kills me to say that... even though I'm very much attracted to you, I don't think entertaining this any further is a good idea."

"I'm very much attracted to you too," is all you say.

You hope he takes the bait. If Steve wants you enough, he's sure to choose batty lashes over logic any day.

"I mean, I feel a connection, I really do," Steve adds. "But with all of this 'he said', 'she said' bullshit, it's only a recipe for disaster."

"I totally agree," you nod along. "It's messy."

"Spicy, if you will."

"Almost forbidden," you bite the fruit.

"Tempting..." Steve's tone darkens, complementing your previous statement. "But because of Eddie and Isabelle, I feel like we just need to leave it at that. Because they're our best friends, we shouldn't pursue anything with each other. We can't carry all this drama back home with us."

It seems like Steve was trying to convince himself more than he was trying to convince you. His gaze drifts to the ground for a bit, then back up at you, a mix of both hesitation and resolve in his eyes.

"Right..." you concur once again with a firm, respectful, tight-lipped smile. "Gotta stay away from each other. For the sake of our friends."

It's a good thing whatever happens in Vegas stays in Vegas.

"Jesus, fuck."

A scream furls at the base of your stomach as you fuck yourself onto Steve's stiff and heavy cock, the back of your thighs red from how aggressively they were slapping against his hips. Shock spreads across your body as you muster yourself up to accommodate him, the exhilaration and intensity of his pumps both euphoric and ruinous at the same time.

"How do you hit it so good every. fucking. time?" you cry out as you take every single one of his blows.

Steve smiles to himself in amusement while you unravel beneath him, brushing his soft lips against the crook between your neck.

“I jus' pay attention,” Steve whispers as he rubs delicate circles against your clit. “And you have every bit of mine, baby.”

"Oh I feel it," you say with a joke-filled whimper. "Goddd...damn..."

"Ha. Funny and cute," Steve huffs, digging himself balls-deep into you. "Guess I won the jackpot."

Hooking your ankles with Steve's now as you reel him in, you begin to clasp at the sheets for both security and leverage. His rock-hard cock and heaving pants are sure to spring you into an eye-scrunching, lip-biting, toe-curling release. And just when you thought you had a good couple of minutes left in you, you feel Steve's fingers sink into the pleasure points of your neck.

He shoves your face down into the mattress.

"'my fucking god I'm cumming!" you scream as he relentlessly fucks himself into you.

Your orgasm splashes against Steve's quads as he fucks you out, his continuous prowling despite BOTH of your evident climaxes turning your legs into a quivering mush. And hitting the sweet spot every fucking time? For a stranger, he knows your body very well. Of course, he might have 'experience' to thank for that.

You're never going back to the college boys again.

A gentle slap on the butt snaps you back from your lust-filled trance. You turn to look at Steve, whose now got a boyish smirk on his face.

"Good morning," you giggle, repeating yourself from earlier.

"Now it is," Steve joins in.

You toss the fluffy comforter over your body while Steve goes to dispose of the condom. While you wait, you take a moment to soak in the elegance of the Encore suite, comparing it to that of yours at the Venetian.

Before you know it, Steve is back at the bedside, reaching into his wallet as he glances periodically over at you.

"What do you want for graduation?" he questions.

"Huh?" you respond blankly.

"On me. I insist."

"Steve..." you chuckle nervously, bringing the comforter further up towards your bare chest. "You really don't have to.''

"I insist," he repeats.

"It makes me feel like your gift is some sort of payment."

Steve's eyes widen suddenly.

"I did not mean for it to be that way, I'm sorry," he gulps. "Gift-giving is just my love language, I've learned."

"Well I'm fine with the anti-roofie bobby pin you gifted me," you blush gesturing towards your purse where it's neatly kept. "That is enough in my book."

"But not enough in mine," Steve counters. "Matter of fact, take a look at this."

You watch as the handsome CEO scrambles across the room in his boxer shorts, all just to retrieve a pen that he graciously hands over to you.

"It's not just any pen," he explains. "It's the audio recording pen."

"Wow," you remark. "It's giving... Russian Spy."

Steve chuckles. "Well when you put it that way..."

"Maybe you are a spy," you shoot him an insinuating wink. "Did someone send you to watch my every move?"

"Mmm, I think you cracked the case," Steve smirks, matching your energy almost immediately. "Can't have a bad girl like you walking around with no supervision."

You feel him melt into you...

"Or consequences," he strains, leaving some delicate kisses at your neck.

The opening of a nearby door interrupts your foreplay for round three. Almost like it's a defense mechanism, you shift instantly, attempting to sink further into the sheets to cover yourself up.

"Morning!" comes a voice. "We're all gonna go get some donuts at the Excalibur do you wanna come wi—JESUS CHRIST!"

Eddie's wife. Taken aback by another presence in the room, Steve damn near collapses onto you to make sure you stay concealed.

"Oh god," Shy Girl remarks. "HAHAHA. This is hilarious."

"Munson," Steve whines, attempting to bury his face in his forearm. "How did you get in here?"

"Uh, joint rooms remember?" she responds. "Also... if you didn't want any visitors you should've made it obvious. Your DND sign was also not on at the main door."

Shy Girl cranes her neck over to you. When she registers who you are, there's a glisten in her eyes; and a profound, wry smile she is merely unable to hide.

"Hey stranger!" she chirps. "Get some good sleep after last night?"

"As much as I was able to," you mumble.

"Ah," she pouts. "It seems like your morning fix made it better though. The invite's still open. Doughy goodness at pretty castle awaits."

Shy Girl turns her head to ensure your clothes are on when your gazes meet again. While she waits, she takes a stroll around Steve's single room, playing around with his hair products and fancy looking e-razor.

Knowing there's absolutely nothing to say, you toss your sweats on and quickly grab your purse. After bidding Steve a silent goodbye, you start towards the door, maintaining your head in the lowest possible position.

"Really?" you hear Steve say to Shy Girl in the room, the ruffling in the background presumably him tossing his clothes on as well.

"What?" she tuts. "She's a cutie pie."

To ensure you don't lose your way, you open Maps to route your walk back to the Venetian. You also take a moment to look at your messages, your heart nearly plunging to your ass when 10 texts from Isabelle await you.

All of them asked where you were.

Frozen in place, you gulp as your trembling fingers think of what to say. And before you can craft your response, the entry door to Steve's room cracks open.

Your body remains paralyzed as Shy Girl emerges from the room, only to walk herself directly one door over. Before you two officially part ways, she says to you,

"Don't worry, sweetheart. Your secret is safe with me."

“Where have you been?!” Isabelle demands the moment you get back to the room.

“Coffee run…” you vaguely reply.

“For two and a half hours?!”

Her agitation is evident. You meander cautiously around the hotel room, careful enough to not make any eye contact because you know Isabelle can crack you like that. But soon, her constant prying makes you agitated.

"I don't know anyone who takes three hours to get a coffee."

“You’ve taken shits longer than that,” you roll your eyes. “And plus you were out like a light, I needed to get some form of a Hot Girl Walk in.”

"At the Encore, huh?"

The air turns cold. Bitter.

"Excuse me?"

You and Isabelle have each other's locations for safety purposes. But now you realize that it seems she checks it more frequently than you thought.

"At 8:04 AM, your location pinged at the coffee shop outside, between the Venetian and the Encore," Isabelle reports, as if you weren't aware. "And then by 9 AM, you were inside the Encore where you remained until now. It's about to be noon. Must've been quite some line for you to stay in that area for so long. Unless you were with somebody."

"What if there were some shops I wanted to check out in the Encore?" you challenge her.

"Like which shops?"

"The shops we don't have here."

"Cute..."

It had been a while since you and Isabelle had an exchange this hostile. Isabelle always speaks to you kindly. But with all of this unraveling, she's feening for just survival. Or an escape. From what though?

Buzz!

Your phone buzzes with a text. Opening the protected message, a smile creeps onto your face when you see who it's from.

Maybe: Steve

When can I see you again?

You:

You free tonight? Maybe we can meet by the gondolas at the Venetian.

Maybe: Steve

👍

You giggle at the simple text. Older men and their vagueness.

“What are you laughing at?” Isabelle pries.

“A meme…” you fib.

You don’t know why you keep lying. Friends don’t lie. But something in your gut tells you you’re trekking dangerous waters. And a part of you, strangely enough, doesn’t want to be rescued.

“Can we talk about last night?” you request, yearning for a civil conversation.

“What’s to talk about?” Isabelle snaps.

“THIS," you explain, gesturing up and down. "You just seem…very shaken up about seeing your ex-husband."

“Anyone would be!”

“Okay I get that, but you don’t have to take it out on me…"

Isabelle is quiet, which allows you to finish your statement.

“Especially because I don’t know the whole story.”

“Eddie just…” your best friend sighs. “Really fucked me up. That’s all I have to say about that.”

"I really wish you would give me more details," you mumble. "I don't have much to work with here."

"Asking your best friend to revisit her TRAUMATIZING past when she's still healing is a little fucked up, don't you think?" is what Isabelle fires back with.

"It's not like that at all! I thought you'd know my intentions by now."

"Touché," she snarkily responds.

"Oh," you exhale sharply.

It's become nearly impossible to deal with. All you've wanted was honesty and all you've gotten was rage. Before it escalated any further, you decide to temporarily remove yourself from the equation.

"I'm gonna step back out for a breather."

You didn't expect your best friend to deflect. "I think that's a great idea."

Refusing to acknowledge Elle any further, you yank the room key off your shared bedside table, shoving it into your purse, and pulling the purse over your shoulder. You take one last glance over at Elle, arms crossed by the window, her current mask now that of a stoic one—no trace of the rage that had filled the air just minutes ago.

But the silence is deafening. Finally, after seemingly like an eternity, she turns to you.

"By the way," Elle snarls. “If you're gonna do what I think you're doing, I don't think it's a good idea. I don't want you to regret it."

It's hard to take her seriously given her current state. But somehow, what she says next finds a way to vex you somehow.

"There’s a reason why Steve Harrington can’t bag a chick his age.”

🏷️ taglist: @xblueriddlex @angietherose @winchester-angel @aactuaaltraash @hugdealer @hazydespair @frostandflamesfanfic @mediocredreams @bl0ssomanddie @corkadymu @eddiesguitarskills @mrsjellymunson @cadence73 @m-chmcl-rmnc @n-slayaaaaa @corrodedcoffincumslut @kennedy-brooke @micheledawn1975 @maisiepotatobeans @1deverland @thatredlipped-classic @lanalosty0uu @jamielayne

[ktempestbradford]

A Story for Star Trek Day

I've told this story on Twitter before. I tell it every Star Trek Day and whenever a Deep Space 9 anniversary rolls around. It's about me and Avery Brooks (aka Best ST Captain Benjamin Sisko).

The college my mother went to specifically started recruiting top Black students in the 60s. Due to this, the Black kids all mostly knew each other as they were in that same program. Avery Brooks went to the same college and they were good friends.

(She once told me he had a huge crush on her and I was like MOM. MOTHER. WHAT. HOW COULD YOU HE COULD HAVE BEEN MY DAD.)

Anyway, many of the students in this program remained friends long after college. So over the years as Avery was getting TV gigs & such we would all watch cuz he was my mom's friend & I thought that was the coolest. There was one particularly fun night when my best friend's uncle, Frankie Faison, guest starred on A Man Called Hawk. TWO people we know on TV!

When I was in middle school Avery was touring his production of "Paul Robeson" and it came through our town, so I got to see him perform in person (awesooooome) and meet him for the first time since I was a baby (which I did not remember, of course).

Now, backing up a little bit: I am a Star Trek fan because of my mom. She loved the original series and I remember being a wee Tempest in front of the TV watching The Wrath of Khan and us excitedly going to see Star Trek IV together.

I watched TNG from the instant it appeared on TV because of her. I watched all of The Animated Series even though everyone looked "wrong". (Man... it took me 4 months to realize that dude in the red shirt was Scotty cuz I'd only ever seen movie Scotty.)

Then... they announced Deep Space 9.

We heard Avery Brooks would be the commander and there was MUCH rejoicing around our house. DS9 turned out to be the best Trek ever and, of course, Avery was awesome. This was around the time my mom dropped that "he had a crush on me but I wasn't interested" bombshell.

I'm still bitter.

I mean, I love my dad he's great. But SISKO COULD HAVE BEEN MY DAD.

I lost my mom in 1999. She was--and I'm not exaggerating--an extraordinary woman and beloved by many. I received so many beautiful messages of condolence from her friends all the way back to those college years, including Avery. So many people remembered her fondly. <3

I kept watching Star Trek and often talked to her as if she was there during episodes. She would have LOVED Discovery. Especially since she took me to RENT the year I started college. I'm sure she would have shared my opinion of Enterprise as well. But she loved her some Scott Bakula, so she would have watched, anyway.

I got the chance to interview Avery Brooks at DragonCon back in 2013 (jeez, it's been almost 10 years omg). Before the interview, I went up to him on the Walk of Fame and I said:

Hi, I'm (name K stands for) Bradford, I don't know if you remember me...

And he looked up and said: Of course I remember you.

We talked for a bit and I asked if I could come back and interview him later and he said yes (he wasn't supposed to; his handler had A LOOK). I didn't want to hold up his line, so I said I'd see him later.

Before I could go, he reached out for my hand and squeezed it before saying: I loved your mama, you know.

And we just stayed like that for a few seconds, missing her together.

...I might have been trying very hard not to burst into tears.

That DragonCon was the last time I saw Avery. Barring an extraordinary circumstance, that's probably the last time I'll see him in person. I'm glad we got to have that moment together. And we had a great conversation!

His contribution to Trek has meant so much to me. SISKO4EVA

And I'm glad that it's another tie between me, my mom, and Trek. I can't watch DS9 without hearing her voice giving color commentary. Even the episodes she didn't live to see.

I think Star Trek is part of what gave her hope for the future. She passed that on to me. ❤️🖖🏾❤️

Happy Star Trek Day to all who celebrate.

[cabi-leodrann]

Cabi! Big fan Joffrey here!

I wanted to ask, every time I see your art not only am I stunned by the quality, but also by the sheer uniqueness in style and character design. I've never seen a lamb designed quite like yours, it's so perfectly yours. What went into the inspiration behind the characters design, especially facially? Did you try and mimick a real lamb, or was there a more fantasy-element that you veered toward?

I can't specifically put my finger on it, but it gives me vague Warframe vibes. It's such a beautifully odd design and I can't get enough.

Love your work, love everything you do, can't wait to see what's next!

Hope you're well, stay safe, take care!

First of all, your ask is one of the biggest compliments I ever had in my life, I will keep it forever. You're an absolute chad! Second of all, those are very interesting questions, and I will be very happy to answer to them!

It started more or less with this drawing I made *look at the date* 2 years ago apparently. Way before I even thought of an AU- I didn't had much in mind, beside doing something that looked cool tbh.

I was very happy with the flow of it, and how it came out. And when I drew the Lamb again, I would try to nail THIS design.

The thing is, with time, I had a really big problem: Lamb looked way too young when I thought of them more as an adult. I had too much of the original game design guiding me, making a Lamb that was too cute and childlike for what I wanted. (And also, the head did not go well with the rest of the body holy shi-)

Came those drawings! I was happier with the look, Lamb was older! And I found the colored design quit nice! (I used a sheep picture as reference, but I don't think I used it well, compared to now. I used the reference for details, when I should have gone for overall shape first.) I still wanted something simpler to draw tho. The colored design was nice for an illustration, a one time gig, but I got pretty annoyed pretty fast at trying to nail the face every time. And from those attempt, you get the sketches on the right. (I also wanted to get away from other artiste's interpretation of Lamb, and at the time of those drawing, I didn't felt like I was away enough)

From those previous sketches, the idea for THaB started to emerge. I also still had problem with Lamb's design. Especially the hair. I was inspired by black hair, which is usually not a problem, but I was never happy with how it looked on Lamb specifically. I can draw black hair, I can draw black characters, but this mother-fucker would never feel satisfying to draw or finish 👀

And one day, as THaB was solidifying in my mind, I made a series of sketches that I posted! And one of them was the most important in Lamb's final design. This lil guy! (this design didn't came out of nowhere tho, Lamb was evolving into this as I kept trying. But I wont show those sketches, because those are spoilers =3)

And soon after, I made a comic that was supposed to only be a one shot, just a POV of Lamb and there reaction to Nari' telling them to die for him. But you know, things got out of hand lol

As I continued the comic and doodles on the side, I finally made myself a reference board, with real life images that were close to the vibe of this head drawing. (And I cannot stress enough how those references solidified Lamb's design as a whole. Draw with references, it is life changing. The more reference you get, the more your visual library will get diverse, and the more interesting detail and shape you will add to your art in general.) (I'd also add this: understand what you are drawing, make research and stay curious for every bit of info on everything. You never know when these nuggets of knowledge will help you as you create)

As I kept drawing the Lamb, they evolved! Things changed, slowly, like the shape of the nose, the shape of the eyes, how the hair flowed. You see those change at the face, but also on the body! As the idea of THaB's Lamb got clearer, the design got more specific. (I also got better at drawing! This comic make me draw way more often then before, and it shows)

Something before I finish: the other Cult of the Lamb character's design are way more inspired by their animals, when Lamb is more in the human spectrum. I thought of changing Lamb at some point, to make it fair/coherent, but I loved the design too much to change it again. This AU is something I do for fun, and even if it would have been more logical to change them... I don't want to-

As for the vague Warframe vibes: I play the game! And I found the character design absolutely stunning. So I am definitely influenced by the game without knowing it lol

Thank you very much, again, for your kind words! I also wish you the best, and see you next post =D

TL;DR: Lamb design, at first, wasn't inspired by much, beside the game and my style at the time. But as I retried to make them, added more intent, they got more refined. What really nailed the idea was to have real life references on the side.

[thejakeformerlyknownasprince]

hi! sorry if you've answered this already, i tried to search your blog and didn't find much, but we all know the tumblr search function is...uh...but i'd be deeply curious to hear your thoughts about Stephenie Meyer's "The Host," specifically re: treatment of the issue of souls' colonization and possession of other species...and obviously, since i'm asking you, an animorphs blog, this, my curiosity is definitely coming from a place of comparison to animorphs, but that doesn't have to be your focus!

from the posts tumblr's search algorithm did grant me, i gather you see it as wanda unlearning the colonizer's propaganda stance she takes at the start of the story, which i agree with!

but i guess every time i read it, i really can't help but feel...unsatisfied? with the way it actually engages with the horrors and colonization of it all?

sort of like, okay, The Host is this one very individual YA romance story in a sci-fi setting, which is obviously different from a heavily-Star-Trek-inspired middle-grade series about guerrilla warfare and is going to grapple with these issues differently...but still! i don't leave feeling satisfied with how it engages with consent of "host" bodies the souls are in, and i don't feel satisfied with how it engages with the souls' systemic behavior!!! but i can't really put my finger on why, and i just...was curious, i guess, whether this was something you had thoughts about.

(full disclosure: i'm asking you specifically because one of my HUGE points of existential dread on my first adulthood reread of The Host was how Jodi never wakes up, and her boyfriend just starts implied-dating the soul who's in her body? or how kids who are infested from birth are just...gone, and they were like "well sweet we can just put Wanda in there, this is a perfect solution!" and that I think hit me so hard in comparison with having read Eleutherophobia--which is, by the way, a masterwork of fanfiction that wrecked me, overwrote canon a little bit in my brain, and I think fundamentally changed how I see the possibilities of writing and narration, so, you know. thank you for that!)

(also like, i know there's different worldbuilding where it's implied most hosts just...go away...but do they actually? because Mel and the Seeker's host are still there, which kind of implies to me that it's more of a problem than the souls want to admit?! and even outside humans, all the memories, and compulsions toward certain behaviors are still there! what makes a person in this universe of Meyer's?! it's kind of fundamentally horrifying?!)

apologies for this extremely long ask, haha, and i hope you're doing well, love your blog, your writing, and all your thoughts!

Oh my god, ALL OF THIS. I thoroughly enjoy the first 98% of The Host. It's a romance novel about consent! Where the characters have to struggle to resolve the plot in a way that gets the permission of everyone in the love quadrangle to boink everyone else, and spends over 500 pages doing exactly that! It's anti-imperialist as fuck! It's got an amazing supporting cast, like every Stephenie Meyer novel! The imagery is unparalleled in its richness and coolness, because Stephenie Meyer! I've written fan fiction about it! I have an extremely normal relationship with Kyle O'Shea!

And then Sunny. And then Wanda's unnamed second human host.

I think that Meyer, either because of romance genre conventions or pressure from publishers, felt she had to write a happy ending. But the book does such a good job of setting up an unresolvable moral dilemma — either Wanda gets to be with Ian, or she does the right thing by giving Melanie's body back — that there is no path to a happy ending. If Ian did as Wanda asked and sent her in a jar to some other planet, romance fans would feel cheated. If Doc did as Melanie asked and let Wanda stay in her body, then the book's anticolonial message would be for nothing.

But resolving it through PARASITING A KID IN A VEGETATIVE STATE? What if Doc makes Wanda a nice robot body? What if Wanda stays in a jar, but Ian finds a way to join her in the jar? What if she and Melanie set up a time share? Uuuuuugggggghhhhh. The Host was THIS CLOSE to being the best anticolonial novel ever written, and then falls on its face inches from the finish line.

Which, aside, is the reason I don't think Animorphs would ever work with a happy ending. "Happy" for the protagonists would never be morally okay in the bigger story.

[kigieri]

Navigation

The Danny Ric Series🍯🦡

Daniel Ricciardo × Reader

New relationships need boundaries that have to be set and feelings that need to be talked about. Through that it can grow, and each partner can become fully comfortable so that it may be healthy and long-lasting.

A/N: Welcome! I hope you enjoy The Danny Ric Series. It is dedicated to the wonderful man that brought so much joy to Formula One and its fans.

Due to the topic there is a lot of dialogue in this fic. This takes place in no specific or real timeline.

This story on AO3.

The bathroom mirror was foggy after her shower. Where Daniel seemed to prefer colder showers in the mornings, mostly because his trainer recommended them, she enjoyed hers quite hot.

It was the third night she had slept at his apartment in Monaco. They had been together for a bit more than three months, but the race calendar had made it impossible to spend more time at his place.

She didn't need the mirror to dry herself off and slip into her lounge wear. Daniel was already in the kitchen, having gone on a jog and showered before she woke up. He was making her breakfast, since he had most of his meals premade.

When she slipped into the kitchen, he was just laying an omelette on her plate, next to some toast. She rubbed her right eye, still a bit sleepy. "Thank you, that's very nice."

He turned around, welcoming her with a wide smile. "Only the best for you!" She trotted over to him and kissed him. "You're sweet." His smile grew impossibly wider while handing her the plate. She sat down while he got his porridge out of the fridge. After fixing them both something to drink, he sat down too.

At the beginning they ate in silence, but after she had eaten her toast and was left with the leftovers of her omelette, she began to push them around the plate. "Daniel?" He looked up from his phone, where he had looked over the data of his morning jog. He put it down. "We haven't really talked about sex, and after yesterday..." She left the sentence hanging in the air.

They hadn't had sex the night before, but there were decidedly fewer clothes and more skin contact involved than the nights they had spent together beforehand. "I liked yesterday." He was searching her face for any kind of discomfort, afraid she felt otherwise, and he hadn't picked up on it. A simple nod from her relaxed him.

"So did I, but I wanted to talk about our expectations before jumping into it. This is neither of our first serious relationship, and I think neither of us is a virgin?" She lifted a brow questioningly and he shook his head. "But it's our relationship and I would like to know what you like, and I'd like you to know what I like. The same with things we don't like." Daniel nodded in response before tipping his head back, thinking about her words.

After she had given him a bit of time, she continued, "I can start. I started this conversation, and I have thought about what to say before." His eyes found hers once more and he nodded encouragingly.

"Well, I have no problem with and quite enjoy things like fingering, missionary, oral or riding." She watched for a reaction, but Daniel was simply listening and nodding. "I like both giving and receiving oral." She blushed lightly, these were normal things in a relationship, but voicing them so clearly and clinically for the first time felt a bit weird. "I also enjoy thigh riding a lot, beyond that there is not much I've tried or that I'm interested in. Not regarding my body at least, that does not mean that we cannot talk about the things that go beyond that that you like. I would also ask you to refrain from calling me names, humiliating ones, degrading ones or even things like 'good girl'. I don't think you would say that, but I wanted to voice it. My name or endearments are totally fine."

Daniel listened attentively and made note of everything she said. "Thank you for being so clear with all that. Um, I agree with the things you've listed, and I've never been involved in thigh riding, but I'm very interested. I'll look after my language." He leaned back again, after having moved towards her, and thought for a few moments more. "There are a few things beyond that that I'm interested in. I'm very big on worshipping, from top to bottom, face, neck, breasts, stomach, tight. Everything." He paused, waiting for an answer. "I'm more than okay with that, it sounds very enjoyable." Her smile was genuine, so he continued, "I also like blindfolds and temperature play. Both on myself." He waited once more, but she looked at him expectantly, waiting for him to elaborate. "I like the sensitivity that comes with not being able to see, especially when it comes to blowjobs and temperature is mostly ice. That's especially good after a race weekend. I haven't tried them both combined yet, but I'm interested in that."

She thought about it for a moment and nodded. "I'm opposed to neither of that. We'd have to talk about both beforehand, but if you enjoy it, I'm willing to try it out." This time he nodded. "Good, thank you for bringing it up. It's good to be on the same page. So, was that everything for now?" He rolled his shoulders, he didn't want to abruptly end the conversation, but he also wanted to move.

She was about to nod when something else, something important, crossed her mind. "I'm not on birth control!" Daniel nodded. "That's okay, you don't have to be, even when we're having sex. We'll use condoms." She smiled softly. "Good, I think that was the last thing."

He stood up, walked over to her and leaned down so he could give her a kiss. "Then everything is ready for the next time you stay." She grinned. "Who'd say we'd wait that long?" Her tone was teasing and humorous, clearly making a joke. "Such enthusiasm to get into my pants!" Daniel exclaimed. They both started laughing.

She stood up too. "How about we start with the dishes before wandering back into bed?" Daniel sighed dramatically. "If it's so urgent, then yes, let's do the dishes first. Before our glorious first bedroom adventure." They fell back into laughter.

***

A heavenly quiet enveloped their hotel room after the frenzy at the Austin Grand Prix. It was only Saturday, but Daniel was more in demand on this weekend than on any other. It was only the third time that she was accompanying him. Their relationship was still new, and she didn't have the time to visit all of them, but this was his home race, so she took special care to clear her calendar.

When the cars were on track, she spent time with some of the other drivers girlfriends. She was also more than welcome in his team's motorhome, so she'd enjoy a hot cup there from time to time. When they left, she also knew what that entailed.

Daniel signed more autographs and took more photos than anyone else she had seen. She liked it, especially since it showed how much he cared and how much joy it brought him. It also meant that they came back to the hotel quite late.

He was peeling himself out of his clothes, to take one last shower before going to bed. She herself was still dressed and was looking at him. "Daniel?"

"Um, yeah?" He looked up at her, which made him stumble and almost fall over, since he was trying to take off his pants. She shook her head. "Finish up first. Don't want to be responsible for any injuries before the big race." He grinned in return and kicked off his jeans before picking them up and throwing them over a chair.

He turned back towards her. "So, what was it, love?" A slight smile formed on her face at the nickname, she hoped the feeling she had while he called her such sweet names wouldn't get lost with time. "I just..."

She looked away from him, not knowing how to articulate her thoughts. "Race weekends make uncomfortable. I spoke to Alexandra, she kinda understood where I was coming from, but I think you'd want to know too. I think I simply have to get used to it, but right now I am not. Your fans adore you and I know you love the interactions, but I just don’t like the way they're looking at you. The constant photographers make me nauseous, and the interviewers are even worse. What do they even want from me?"

Her gaze returned to him. "I hope you understand what I’m trying to say." She scratched her neck. "I still want to come, I love being here with you, it's just all a little much."

He nodded and was clearly thinking of an appropriate answer. His first action, however, was walking over to her and taking her into his arms. "That's valid." They stood in silence for a bit and while she was happy he hadn't said she was overreacting, which she had never believed he would do, she was hoping for a bit more.

"Thank you for telling me. That's pretty shit." He stroked over her back. "I can't, um, do much about it, the fans are the fans and the photographers and interviewers are part of it all." He looked over to the bed. "But we can talk more about it." They let go of each other and after finding a comfortable position on the bed, he continued. "What exactly is bothering you? Maybe if we pinpoint it, it'll help?"

"It's all kind of intertwined. With the fans, it's just the way you and the team present this image. You're a high performance athlete, and you also have to have sex appeal and be entertaining. It's not like that's hard, you're sexy and funny, but the whole concept is just weird. It's not that they think you're cool, or that they see you as an inspiration. I support that, I think that's important. It's when we stand in front of crowds and I know someone in there has thought about fucking you. It's not constantly on my mind, it just comes up." Daniel was taken aback.

"Yes, so I understand that. Sometimes I have moments like that too. I think everyone in my position has. I don't like that it affects you." He took her hands in his. "And the rest of the media?"

She looked at their hands, squeezing them. "I'm your girlfriend, and I'm there to support you, but they're interested in me. Yeah, only because I'm your girlfriend, but still." She let a few moments pass before continuing. "I have to get used to all that, and I will, the others did, but right now it's just really fucking weird." Her eyes search for his and he nodded. "God, yes, it's always going to stay weird. Most of the stuff that happens in the paddock is absolutely surreal. You just get used to it all over time."

"So, effectively, I'll do exposure therapy until I'm used to the weirdness?" There was a smile on her face but a genuine slight concern to her question. Daniel nodded once more. "Yes, but I'll be there with you every step of the way."

***

They were sitting on plastic garden chairs next to a tiny bike track, eating dinner. Daniel and a few friends had wanted to bike, and she and some of the other partners had decided to come along. Now, after way more rounds than she could count, some with her, most him alone, exhaustion had sat in.

The others had gone inside the little garage they used to work on the bikes for repairs to get more drinks, but they must have gotten lost in their conversation, since they hadn't returned yet.

She only noticed that Daniel had stopped eating when he started talking to her. "Out there on track today, did you like it?" He looked at her. The track here was one made for hobby bikers, nothing serious, but one could go faster than on the normal road. She looked over the track before she answered. "We all had a lot of fun, right?"

She could see him shake his head in her peripheral vision. "Did you have fun? I thought you liked biking, but in between, I thought you'd fall over before you were even on it? And I know you don't get motion sickness."

Her gaze returned to him before answering. She was hesitant. "Well... I like biking." She bit her lip, thinking of the right words. "And I like going fast on a straight piece of road, but with all the curves around the track, I, um, was kinda afraid we'd die." There was humour in her voice, but it fell flat.

Daniel didn't look angry or annoyed, he looked hurt. "Why didn't you say that? I thought you were having fun." She nodded, trying to steer the conversation towards something else. "It was cool, I loved watching you, you were clearly having the time of your life."

He nodded. "I did, but you clearly didn't." He swallowed, laying his food on the plate in front of him on the grass. "You have to say stuff like that. You don't have to come if you don't want to, and if you want to simply watch, then you'll watch." She took a deep breath, looking at the track once again. "You were so excited to take me on the bike, I wanted you to have that experience. Also, it wasn't that bad the whole time." She tried to lessen her previous statement.

Daniel shook his head. "Then I'd have driven slower, and even if I liked the idea of driving you around, I'd like it more if you were comfortable." His chair made a suspicious creaking sound when he lifted it up to sit down right next to her. "Please tell me when something makes you uncomfortable. I'm a big boy, I can take it. But if you don't, or if I wouldn't, then we'd both be down in the end."

"Okay, yeah. I'll try next time." She looked over Daniel's shoulder. Their friends were returning, drinks in hand.  She looked back at him. "Let us talk about this more tomorrow, I want to enjoy this evening." He nodded, accepting her request. "Yes, I just want you to know that that's really important to me." A warm smile formed on her lips and she nodded. "I do, I promise."

***

The music at Jimmyz was deafening, and the air was practically vibrating. The party after the Monaco Grand Prix was something else entirely. She took a sip of her drink and leaned into Daniel, who had an arm around her.

He had just come back after being away for a bit, talking to different people he had spotted. She had sat in a booth with multiple of the other drivers and their partners, a lot of fun and alcohol involved.

He leaned towards her ear. "You aren't uncomfortable, right?" He kissed her cheek, a bit sloppily. He'd had some drinks. "Just wanted to make sure you were all right."

She turned her head, kissing him on the mouth. "No, no, I'm not! The others are great. Thank you for asking." They both had to talk loudly over the music to be understood.

"That's good. Want you to have a good time!" She nodded her head, taking another sip. "Don't worry!" He nodded and turned his head, someone had tapped on his shoulder and he was buried in a conversation shortly after.

She looked around. Clubs may or may not be her thing, but she was sitting next to Daniel, surrounded by drivers that were more or less his friends and the women that were more or less hers. This was just fine by her, she liked it like this, and she knew Daniel did too.

@kigieri 2024. All rights reserved. Do not copy, steal, translate or repost any of my work.

[myfriendpokey]

tunnel notes

i wrote some extra little notes and thoughts for the bonus tunnels in anthology of the killer, and then removed them before release; i didn't like the prescriptive feeling of leaving that stuff in the "final package" as if it was something people should feel obligated to engage with. but as of today it's been 30 days since the loader came out, so i figured i'd dump some of them online, for the benefit of whoever is interested in these things.

History: HISTORY IS A NIGHTMARE FROM WHICH I AM TRYING TO AWAKE is one of many famous zingers given to Stephen in Ulysses and I’ve always wondered if it’s especially Irish as a sentiment, Ireland sort of feeling like the “Oops! All Peasants” edition of European history as a whole – same misery, exploitation and death minus the occasional episodes of feudal colour or triumphant empire-building that seem to make the past tolerable for other people, and give them their own sense of demarcated time. But then I’ve never been much good on Irish history, which has always just felt like an interminable, indistinguishable series of massacres and betrayals and missed shots. Was I not paying attention or was this how it was taught in school? Well, it would have fit the style at the time – I was born in 1989, smack at the start of the famous end of history era. The 90s in Ireland meant the peace process and infusion of American capital to our backwards shores, all the more reason to cosign the idea of an abrupt and permanent break with a history notably lacking in the non-depressing or picturesque. All our history textbooks seemed to trail off at the point we’d joined the EEA. And even as this new modernity just started seeming like the monstrous antiquity dressed up in different clothes – hooded prisoners transported to torture sites through Shannon airport, our patchy social infrastructure dismantled by burghers, ghost estates and half-completed monuments scattered around like the ruin theory of value with more leprechaun imagery – there was still a sense that any change was off the table. You didn’t want to drag us back into history, did you? History seemed to have “ended” in the same sense Freddy Krueger did – done away with in ways that none of the grown-ups ever wanted to talk about, and now officially a non-presence, even if all the kids in town were mysteriously disappearing.

--

Art: One reason I wanted to do an episodic series is just to see what would turn up, if any recurring interests would build despite a minimum of planning. One of the themes turned out to be, “art” – or specifically modernist art – and I am curious about why that would be. A recurring tendency in modernism was the idea that only by destroying the world as it currently existed could we clear space for anything better to emerge. Under the cobblestones, the beach! But this was always attended by a kind of fear: that clearing away the old structures would just allow something even worse to emerge, unmasked. Under the cobblestones, more corpses! And that the bleakest tendencies of the period would now run free without even the emptiest symbolic constraints to chafe against. Max Ernst’s painting of the fascist victory in Spain, of a huge, grinning oaf rampaging over the landscape like a kaiju while a miserable birdlike figure remains haplessly grafted to its leg – is titled both “The Angel Of Hearth And Home” and “The Triumph Of Surrealism”. As if to suggest that these are each the same thing, as though a cause of creative liberation worth devoting your life to and an empty cliché of domestic repression had so little light between them as to not even be worth the effort of distinguishing.

Part of the reason works like that make their way into the games in little ways is because I just like them, and go back to thinking about them. But the status of modernism in the 21st century is an odd one; the most tentative and inventive parts got dropped, while the brashest and stupidest aspects curdled into a kind of official state ideology – the idea of “creative destruction”, which just seems to mean a vague sense that it’s punk rock to create ridesharing apps. The monkey’s paw curled and the emptiest version of the modernist credo became something we all have to live with.. and yet I still can’t help but be moved by the source works and the goofy, ridiculous temerity of that wish to transfigure the world. sometimes it feels like only way to keep faith with those ideas is to travesty them, to try returning to them some of that sense of fear and doubt without which they just sound like so many web design agency manifestos. Kept alive in the breast of so many grimacing waxworks, underground.

Another reason to put this stuff in a horror game: to try getting at that feeling in a dream of looking in the eyes of people you know, people you love, and seeing nothing there anymore, seeing them look right past you. An earlier horror game idea I used to think about would have ended with the protagonist being dismembered and eaten by Gertrude Stein.

--

The moral: I’ve seen people express a sense, now, that merely working in the negative is not enough; to just outline what’s bad without also trying to give a vision of the good, some glimpsed utopia to shoot for. For the benefit of these people here is an epilogue. Imagine it’s the future and the long nightmare of prehistory is over; history proper unfolds as the full expression of human powers unhindered by material subjugation. Some students are given an assignment by a professor to investigate the meaning of a term that no longer exists, the meaning of horror. Well, the students do their best: they watch lots of old movies, put on rubber masks, comb through old fragments of the world that was. They’re enjoying themselves and that enjoyment warps the process, they keep drifting into pleasure, unsure what’s meant to be funny and what’s not. They get lost, get confused, lose the thread, famous faces appear under the wrong names, espousing things that are the opposite of whatever they believed. In the end they all have to admit defeat: they hand in their assignment with a note saying that in the new world, we can’t even imagine what horror may have been. The professor reads their findings, nods, and gives them all an F. No moral.

[image source: James Ensor, "The Intrigue"]

[seonghwaddict]

★ NEVER SAY NEVER. [ 001 ] over my dead body.

synopsis. something about the eight most well-known boys of your campus just didn't sit right with you, so you never gave any effort to interact with them. but after a series of... interesting incidents, they can't seem to leave you alone. pairing. college students! vampires! ot8! ateez x fem! reader. genre. fluff, angst, eventual smut, college au, vampire au. chapter warnings. suggestive comments, swearing, wooyoung being an annoying piece of shit. word count. 1.1k

　　　　　　　　chapter i // chapter ii

"The groups have already been decided and the list can be found on the bulletin outside. See you all next week." And with that, your professor walked out of the studio and left your classmates scrambling to get out of class and find the list.

All things considered, your day could have been worse. Yes, you'd gone to bed at 5 am and woken up at 7 to your housemate blasting music in the bathroom as she showered. Though, that was a daily occurrence, being mad over it just didn't make sense anymore. Yes, when you got into the shower and turned on the water without paying attention to the heat dial, you pretty much burned off your skin. Yes, on the way to the art department you had dropped one of the paintings you've been working on for over a month, getting mud all over the bottom half of the artwork.

But, nevertheless, it could've been a lot worse.

As you gathered the used paintbrushes next to your easel, you thought about who could be your partner for this collaborative project with the dance majors. Professor Yun just spent about ten minutes informing you and your peers that the art majors were to pair up with a dance major to create an artwork. The specifics—such as whether it'll be a painting or collage or other media—were completely up to the students.

You holstered your bag on your shoulder, finally leaving the art studio to see who you were paired with. Maybe it'll be Suncha, possibly the most beautiful girl you'd ever seen. You could definitely see yourself working with her. She moved with grace and would probably be the best subject you could ever wish for. Maybe Daehyun—you'd always found his face and body aesthetically pleasing.

The crowd in front of the bullet slowly dissipated and people found their partners in the crowd, already making conversation and talking about the project. With a slight sense of dread but a pinch of anticipation, you stepped up to the list and scanned it, quickly finding your name next to-

Oh you've got to be kidding me.

Nevermind, this was definitely one of the worst days you'd ever experienced. Because right next to your name, stood a name associated with one of the eight most sought-after men on your campus.

Jung Wooyoung.

They'd never done anything to you personally, but you just weren't a fan of the way they'd go from girl to girl without being ashamed or being called out. Granted, you weren't sure if all eight of them behaved like that (though this particular Jung Wooyoung did), you still disliked them (except for one of them, but you'd never admit that). Maybe it was how they were practically handed everything they needed at any given moment on a silver tray. Or how ridiculously good looking they were. Either way, something about them just felt... off.

An arm being slung over your shoulder broke you out of your thoughts of just ending your life right then and there. Without even looking at the person, you already had a suspicion of who it could be.

"Hey there, partner," He stepped in front of you, hand lingering on your shoulder for a second longer than you'd like. A mischievous smile graced his features, "I don't think I've ever talked to you. What's your name, pretty?"

"It's on the paper right behind you." You deadpanned, resisting the urge to roll your eyes.

For a second, Wooyoung's eyes hardened before that playful glint returned. "I know, but I'd like to hear you say it. After all, I don't want to be pronouncing it wrong."

With a sigh, you gave him your name and he repeated it, testing the sound of it on his tongue. Seemingly satisfied, he returned to your side with a hum and once again slung his arm over your shoulders, steering you toward the exit of the arts department and practically dragging you with him.

Along the way, you passed multiple clusters of girls and boys, some of them watching Wooyoung with admiration and lust in their eyes while others simply glared at you out of jealousy. Feeling their stares, your head turned to the ground and you screwed your eyes shut, wishing it was Daehyun dragging you. Not this painfully pretty, charming man that you couldn't stand.

"So," Wooyoung started—though he never really stopped talking, "I was thinking, if you don't have any courses or stuff for the rest of the day, you can come over to my place and we can start working on whatever it is we have to do."

"I told my roommate I'd be back early to clean our apartment."

"Oh, then I can come with you, help you and then you can come to my place."

"Why not just do it at my place?"

"That's fine, too. Maybe you can show me to your bedroom?" He wiggled his eyebrows suggestively and you had to hold back the urge to smack him right then and there.

"Over my dead body."

"Sorry to disappoint, but I'm not really into necrophilia."

It was then that you noticed you were walking towards the campus' parking lot. You stopped in your tracks and waited for Wooyoung to turn.

"Ok, first of all, what the fuck. But I guess I'm glad that's not your thing. Second, what are you doing? Where are you taking me?"

He blinked. Once, twice. "I'm taking you to my car...?"

"Why?"

"To take you to my place so we can work?" He looked behind him and then back to you, his dark hair bouncing around and revealing the bleached layers underneath.

"But I have stuff to do." You crossed your arms over your chest, shifting your weight to your right leg as you looked up at him. He wasn't that much taller, but because of his proximity, it was hard to look him in the eyes without craning your neck just a bit.

A chuckle (though it sounded more like a giggle) escaped him. "The dishes and vacuum can wait. I'm only available for the next two hours, after that you're free to do whatever you want."

You took a second to mull things over before dropping your head and groaning. "Fine but–"

"Great!" Wooyoung grabbed your hand and resumed pulling you across the parking lot. "Let's get going, maybe the food Seonghwa-hyung made will still be warm when we get there and–"

"Wait!" You tugged on the hand that held yours harshly, making him stop to look back at you with a raised brow. "But... no funny business. Please."

He let out another high pitched laugh. "Oh, YN, my dearest darling YN, I don't plan on doing anything like that with you. Today, at least. Though if you'd like-"

"No!" You extended a hand to stop him from finishing that sentence, cheeks blushing dark crimson. "Please just- just lead the way."

That specific mischievous grin returned to his face as he whipped around and practically skipped to his black Mercedes with tinted windows. You didn't stop to appreciate the car, getting into the passengers seat and strapping the seatbelt on.

　　[ lilo's notes ... ] hope you guys enjoyed this first chapter!! any guess as to who the ateez member is that YN likes more than the others? hint: it's not wooyoung. also, i'm basing each of the mebers' looks off of different eras. in case you couldn't tell, we will be dealing with oreo wooyoung here.

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