#i didn't reread that

[trans-axolotl]

that post about luigi mangione that says that solitary confinement is only used for cannibals is actually pissing me off what are they even TALKING about solitary confinement is regularly used for sooo many arbitrary reasons. like so many prisons have bullshit gang affiliation policies that land people in solitary there's a lot of prisons where most people with psych diagnoses are held in solitary many prisons have automatic solitary policies for trans people many political prisoners are held in solitary and just like there are a million different arbitrary rule infractions that could put you in solitary. what in the world do they MEAN that solitary is only for cannibals and why in the world are so many people reblogging that post without saying anything about that!

[naomistares]

harrowhark has suffered more than jesus

[queerdraws]

it's zoro's birthday!! happy birthday big guy, may you say many more insane things to your enemies in the coming years

[cultivating-wildflowers]

You want me to turn on automatic software updates? The thing that made Murderbot commit mass murder?

[yutaan]

Papercraft Tohru - and Yuki, and Kyo! And some little fruit details, because, after all... Fruits Basket! 🍎

I got pretty emotional making this one! Fruits Basket had a huge, profound effect on me in my teens, and I often curled up with it for comfort and a sense of companionship during hard times. Now as an adult, it's been a while since I've read the whole series through, but I pick up random volumes fairly often and skim through them to get that familiar rush of warmth. It's still such a lovely series!

[zoenold]

🥄🥄🥄 spoon boy 🥄🥄🥄

one of the consequences of re-experiencing mp100 as a real grown up is that it's making me crazy. but in a different way than it did six years ago

[disgustingtwitches]

@rememberwren's Sperm donor!Johnny and Husband!Ghost has been stuck in my head for far too long. So here's a quick unedited little thing I wrote for it!

You forgot exactly what you were nervous about. Then again, you usually forget everything when your husband is between your legs.

“Gotta warm you up properly.”

He said earlier to Johnny and you, his large hand rubbing your thigh just a touch too high and making your face hot. 

You're not sure how much “warming up” you needed; he's been at it for God knows how long, and you're dizzy and pretty sure you can't feel your toes anymore. He can be so mean sometimes when he's like this, biting your thighs when you try to push his head away, smiling at how you whimper.

“You know, I'm starting to think you like it when I do that.”

As overstimulated as you are, you whine when he pulls away. You swear you can see the hearts in his eyes when he looks down at you. Gets you right in the heart. 

When he rolls out of bed and walks to the door you suddenly remember why your stomach was in knots earlier; you're about to sleep with his subordinate. No, that's not the right word. Brother in arms? Best friend? Their relationship always seemed more complex than words could describe. There's a soft knock on the door and you look up to see your husband walk in with Johnny in tow. 

Johnny's knees nearly give in at the sight of your body tangled up in the sheets, breathing hard, and skin glistening.

“Prettiest thing I've ever seen.” 

He smiles while unbuckling his pants. Simon hums in agreement and sits next to you, running his fingers up your arm and neck to caress your face. The look in his eyes could melt you right then and there, grounding and reassuring. Everything is going to be alright; it always has been and always will be.

Your eyes shoot back to Johnny, who's crawling over you slowly. You bite back a groan when Simon coos a good girl as you open your legs more, inviting Johnny to settle between them. The difference between your husband's face and the man hovering over you is night and day; Simon all soft and enamored, Johnny all fervid and lustful. 

“Ye ready?” 

Johnny's voice is almost as shaky as his hands, not nervous but almost deliriously aroused. You never had wandering eyes; it seems like it's wrong to even look at him now, but you don't want this to feel unnatural; you want to enjoy this. So you scan his body, toned chest falling and rising fast, strong arms caging you in, blue eyes so intense you have to look away.

“Uh-huh.”

You reply quietly, bucking your hips against his, your most sensitive parts rubbing against his. The gasp you share makes you both chuckle, easing the tension. You run your hands up his arms and wrap them around his neck. When you pull him closer, he follows eagerly, burying his face against the crook of your neck, stubble tickling you. 

“Dinnae have to do this if you don't want to, hen.” 

“No, I want to.” 

Your voice, smaller than you want it to be, makes Johnny's eyes soften. You look over to Simon, he cocks his head to the side, raising an eyebrow slightly, checking in. You just nod and he nods back. You keep your eyes on Simon while addressing Johnny,

“Ready.”

There's a pause, a shift, and then. You groan and roll your eyes back when he slides in, still facing Simon who blinks fast. Johnny breathes like the air was knocked out of him,

“Jesus…fuck…”

He curses to himself, face still buried at your neck, slowly moving his hips forward until his pelvis meets yours. You whine as he nips your neck and yelp when he punches his hips forward from the sounds you make. Your husband leans over and palms the back of his neck, talking in a low, serious tone that makes you tighten up, 

“Johnny.”

“Yeah, LT?”

“Ease up.” 

“Yes, Sir.” 

Johnny places a soft kiss where he bit you. It's all so…overwhelmingly intimate. Another man on top of you, grinding at just the right angle, hitting the right spots, all while your husband watches, instructing him. Simon pulls his hand away from Johnny's neck and shifts on the bed, sitting right next to you. Your eyes go wide when you turn to see him palming his erection. Oh. This is okay. This situation is more than okay. Simon fucking loves this. Johnny too. Guess you should throw away any reservations or doubts you had and just embrace this moment. Enjoy it to the fullest. 

Johnny pulls back, face slightly flushed, panting softly,

“She's so wet, Simon. Just so soft and perfect. Prettiest thing I ever saw...” 

You soak in the compliments but tune him out eventually, your attention drifting down to where Johnny slides in and out of you. It's a dreamy sight, really; you look so good together, it kind of reminds you how wonderful you and Simon look together. 

“Looks real nice, doesn't it? Taking me so well, hen.”

Johnny presses his forehead against yours, looking down while you hum in agreement. It's quiet for a moment, save for the occasional pant and moan or slick sounds from between your legs. A rough hand holds your left and another, larger hand grabs your right. It's all so sweaty, so sticky and sweet. So dazed, you barely register the first kiss Johnny plants on your lips. The second one makes your eyes shoot open, staring right at his annoyingly long, brown lashes until he pulls back and opens his eyes, blindingly blue. Your face gets hot, and you pull your hand to your face, your husband's fingers still intertwined with them. He extends his pointer finger to caress your cheek and you turn your face to look up at him. He's so gentle right now like he knows that's what you need from him. 

A smile plays on his face when you open your mouth and slide his finger into your mouth, sucking softly, rolling your eyes back, and moaning softly. You love giving him a show. Love making him melt in your mouth. He nods over to Johnny, whose jaw is slack, breathing hard. When you look at him, it's quite the sight: blue eyes wide and wild, mouth hanging open, and you can see his pulse right underneath his jawline beating wildly. Just fucking delectable. You pull your face away from Simon's hand and smile up at Johnny who groans and chuckles,

“Christ, LT.”

“Focus, Johnny. Ain't done yet.”

There's something feral that flashes in Johnny's eyes, hungry. Eager to please. You or Simon, you're not too sure. But he hooks an arm under your knees and hikes your leg up as far as it'll go, digging into you until you're a whimpering mess under him. His whole body pressed up against you, pinning you down. His mouth pressed right up against your ear, replacing every thought you had with his voice. 

“Right there? Huh? God, tight cunt right here…C'mon... Tell me how good it is…Tell me.”

He repeats the last phrase until you're mindlessly praising him, telling him what he wants to hear. What he needs to hear. You can feel him smile against the skin right under your ear before pressing tender kisses there. 

You're pressed chest to sweaty, hairy chest when you wrap your arms around him tighter, embracing him. All traces of guilt scraped away with Simon's breathy praise. You move one hand around until it rests on your husband's big thigh, and he tenses up under your touch. 

“C'mon love, give Johnny something real nice. He's been such a trooper, yeah?” 

You nod into Johnny's shoulder, breathless. 

“Uh-huh,”

It hits you hard and fast. Almost unexpectedly. Hearing a small moan escape Simon always sent you over the edge, though, always a rare moment when he lets himself relax and be vulnerable. 

Spasming and moaning under Johnny had his hips moving frantically, desperate for his own release. Biting his shoulder had him crashing right into it, digging deep into you until his hips still. He crushed you under his weight, licking the sweat off your neck. Simon pushed his head away though. 

“Don't forget, she's my wife Johnny.

His voice isn't harsh, it's almost soft. His large frame leans down and presses a tender kiss against your lips. Then another. And another. All while singing velvety praises between each one. For a moment, you forget about the other man in the room lying right on top of you. Until he pulls away, sliding out of you. Almost makes you whine til he starts pressing his lips against your sternum and stomach. Head in the clouds, you feel like you're floating. Suspended in this moment of pure bliss. 

“You got one more in you?”

Simon asks. Before you can answer, Johnny responds eagerly. 

“Always.”

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[hylora]

Went on a proper reread of ASOIAF in english recently and I don't know what happened.

Never really cared for Theon, never understood the obsession some had with him, and when reading his chapters in ACOK he was even worse than I remembered.

Then I got to ADWD again, and now I understand....

[dandelion-roots]

[ID: a series of drawings featuring Riz Gukgak from D20 Fantasy High. In the first, Pok holds Riz's shoulders in heaven as says, smiling, when you work until the dead of night, your friends know you do it because you love them. In the second, Riz is having a group hug with his party and the text reads, but is it really love that drives you, Riz Gukgak... In the next, a desperate, pleading Riz clutches the shoulder of an indifferent, faceless person and the text continues, ...or is it fear? In the fourth, Riz is younger and digging through crystals with bleeding hands; the text reads, what use are you when you can no longer dig. In the fifth, Kalina, shrouded in darkness with only her eyes glowing, reaches towards the camera with a smile; the text reads, when you're too scared to think. Sixth, Riz is filling out Fig and Kristen's papers under the light of a lamp, serious and tired; the text reads, when you're too tired to work. Seventh, Riz is lying in bed, eyes hidden behind hair, hand on his father's picture; the text reads, too sad to keep the mood up. Eighth, Baron stares into the camera; the text reads, too lonely, too insecure, too weird. Ninth, Baron is holding a defeated Riz by the throat; the text reads, to keep moving? Tenth, Riz is standing in the distance, holding his briefcase, and behind him is a football/soccer ball; the text reads, what use is a ball that can no longer roll? The last drawing just says none in brackets on a dark background. End ID]

[ineffably-human]

So here's my problem.

And it's not about Nandermo, not exactly anyway. Because I didn't expect Nandermo to become textual until the very end, if at all. The show kept making it clear that they liked their ambiguity to keep the relationship on the razor's edge, and Paul Simms made it clearer and clearer that for some reason (put a pin in this) he just couldn't see their connection as a sexual one.

But I frankly don't care about that, because if anything is canon in this show it's that the vampires will eventually fuck everything, and Nandor canonically fucks his other friends. More importantly, their connection was always the emotional core of both characters. And Paul always did say he saw their relationship as a romance, if a strange and non-sexual one.

So I figured we'd maybe get Nandor confessing that Guillermo meant a lot to him (and immediately walking it back a little), or Guillermo confessing how lost he feels without his vampire dream and Nandor offering him a place. Maybe an ambiguous, could-just-be-queerplatonic-partners 'I love you'. Maybe just the hug they kept teasing for three or four seasons and never got. We got like...half of two of those, in episode 10, so I guess that's a wobbly semi-fulfilled thing by my definition of it.

But it's not the Nandermo of it all. It's the Guillermo of it all. And how this final episode seemed to almost mock Guillermo's place at the emotional core of the show.

And the Guillermo of it all is why we never got the Nandermo of it all.

Shadows has vampires doing absurd-ass things, but every character also has things they want and feel, and there are various amounts of emotional ink spilled about it. The show has found space, sometimes very poignant space, to take that seriously in between the piss and sex jokes. The vampires change very slowly and in spirals, they repeat a lot of their old issues that stem back even to their mortal lives. But they always try.

And things do change in the vampire house; that is not the same household from the first season. Every single character, right down to the Baron and the Guide and Derek, are in different and better places than they were before the show began. They've made progress in their individual desires, and a lot of that is due to the improved connections they have with each other, connections we've watched them foster. A lot of the time it's because they're talked about as a found family, something Guillermo started and Guillermo believed before any of the rest of them did.

---

So where is Guillermo this season? Our human point of view, our dynamic character, the character who has a dream and wants something more than any of the others? Whose dream drives the storyline of the entire show?

Guillermo has chosen to be human, and he thinks he can't be part of the household if he's not a vampire. We watch Guillermo try to throw himself back into the human world trying to make up for lost time - to the point that he forgets the person he called his best friend, the people he called his family, in a way I think we never fully resolve. He thinks he's thriving, and he doesn't even seem upset about leaving the others behind.

We watch him revert (and that's fine, people revert sometimes) to the same waiting lapdog he was when we started the series. We watch him realize that and he says no. Nandor stands up for him, and feels better and more fulfilled in doing so, and that's a great capstone for Nandor and Nandor's own tendency for selfishness. And that's excellent. Episode 10 was a great start for all the ground they had to cover.

Nandor offers for Guillermo to be his partner in crime. His sidekick, but Guillermo expressed that desire back in season one so it's not an insult inherently. But here's the problem. Here's the part of Guillermo that has frankly always been a problem, because I thought it's something the show was eventually going to cover respectfully, and instead it was always part of the joke.

---

Guillermo is someone who made a decision sixteen years ago as part of a very young man's desire, to be respected and have cool powers, to live forever, to see the world. (He somehow thought being a vampire, and only a vampire, could get him those things but that's a rant for another time.)

That young man has grown up. He's in his mid-thirties, he has a body count. We've watched him at various times be empathetic, clever, cunning, and brave. Also extremely sexy in bodyguard gear. (And for some reason, the show keeps wanting us to forget that for a season he was extremely competent and badass and sexy pretty much all the time, and he seemed thrilled to be in that role, and he didn't even care about being a vampire if he could protect Nandor in that way and be regarded as 'part of the team'.)

Then Nandor dresses him in a stupid cowboy costume, and gives him a sidekick name ending in 'Kid', which he seems less than thrilled about. They all still talk about him the entire episode as if he's a disobedient child. The vampires speculate if Guillermo is having a fling with the crew, but no - Guillermo's had one boyfriend, who we saw him hug once and nothing more. Despite living in a house for fifteen years that is openly raunchy and shameless, he seems like a character designed to be both desexed and humiliated, and they never expand on the reason why.

(And if Guillermo were ace it'd be amazing, hell it's my headcanon at this point, but I don't think that's what they're going for. I think the show just desexualizes Guilermo. As a matter of praxis. For some reason.)

And the show has done this more and more to Guillermo in the later seasons. Nandor says he could steal original!Freddie easily from Guillermo if he wanted to. The vampires laugh at the thought of him being a vampire - "a little bat pooping everywhere," and Guillermo's time as a vampire has him basically feeling no different in his sexuality or, after a very brief moment, his confidence. Even Nandor's big climactic moment in Episode 10 has him saying that just because Guillermo isn't as cool or hot or interesting or strong as Jordan (or Nandor) doesn't mean Guillermo deserves to be treated poorly.

Look, I don't know if it's because Harvey Guillen is babyfaced, or because he's fat, or because he carries a different energy to his masculinity. Or because it's great to talk about gay sex and being horny, but writing a gay relationship is just too hard. Or some fun combination of all those things.

But I keep thinking about everyone freaking out when Nandor swooped into the collapsed floorboards to save Guillermo in season 4, and everyone freaked out and swooned. And Paul Simms expressed that as "[Nandor] has to save his little buddy."

Guillermo is a grown-ass man, with a desire to feel powerful and special and accepted, who Nandor sees as his little buddy. (Who everyone in the house sees as their little buddy, and it's nice he's part of the family, but...) After every emotional beat that makes them seem like equals with a special connection, he reverts to the less-cool sidekick who makes Nandor feel special and important. And Guillermo's prior devotion to Nandor - not to vampirism, not to a job or promotion, to Nandor - changes to other things, but Nandor never figures out why that hurts him so much. And for some reason the deepest bond of the series just isn't sexual, the showrunner just can't see it that way, in a house where everyone's fucking but not you Guillermo.

We're at the end of the story, and that's our punchline.

---

And we don't end on one of the points where Guillermo is asserting himself as someone who deserves to be taken seriously, and given the things he wants - and the show has had plenty of those moments, all of which seem to be building and evolving his relationships over the years.

We end on Guillermo being told that suddenly, the documentary is packing up without any fanfare or clarity on what they were looking for in the first place. We get Guillermo stumbling for clarity on what it all meant, what the point was for him and what his life is going to be now. We're told over and over again the documentary (and Guillermo, and the viewers) needs a satisfying capstone, needs emotional closure.

And the vampires tell him to shut up. And they tell him this has all happened before, and none of it is special to them. ("No human is special," Nandor said several episodes ago, and never went back on it.) And they tell him to do a little dance for their amusement, and Colin recites some pithy lines. And every attempt to take a moment to care about Guillermo's journey, or the core of his character and what he needs, is turned into a joke for him and for us.

Guillermo's looking for a point to it all, for some kind of fulfillment, and there wasn't one. And everyone is satisfied in that but him. And even if there were times Guillermo got the chance to be respected, to have cool powers (which he kept, but the vampires keep forgetting them), to live forever (he will die and leave Nandor someday!), to see the world - none of these things are going to come to him now.

It would make absolute, complete, and devastating sense for Guillermo to feel he's outgrown them and to leave. Nandor doesn't even seem upset enough to try and stop him. We never really get a clear reason about why he decides to stay.

I mean, it's for friendship or something, with a line about how they can still be close but he needs 'his own thing'. But in six seasons, over and over and over, we've been driven back to the idea that the most emotional part of this story is Guillermo's desire to become accepted in this family, and the effect he has on Nandor. That Guillermo needs this home and he consistently makes Nandor softer, kinder, less selfish and more fulfilled when they're together.

But those parts of their relationship, the love story parts, don't matter. Guillermo is going to find 'his own thing' when it's been clear how entrenched in this world he is (right down to his DNA), but Nandor will drag him back into shenanigans anyway, probably keeping Guillermo from whatever 'his own thing' is.

And Guillermo will always be Nandor's sidekick, his little buddy, never to be taken seriously. And one day, Guillermo will die, and he'll be someone they all forget. And for some reason, he'll be just fine with that, because he belongs with them but will never really be in a better position.

And he'll be satisfied with that. For some reason. But I won't.

[allbuthuman]

what a silly fella i hope he has a nice day ^_^

oh no

[ventique18]

The fact that Lilia is canonically horrible at making food, but he's wonderful at making frozen treats because it makes Malleus happy. That he hates food that don't fill the stomach, but makes an exception for shaved ice because his little boy loves it so much... 🥹

[sengenism]

gen is next to senku like, 90% of the time just to stand there and look pretty while going "ohhhh?" when senku explains science stuff

[charlietheepicwriter7]

fic finding help?

it's a ao3 dcxdp story where Maddie finds one of the hidden cameras Vlad keeps in Danny's room and assume that Vlad has been SAing their son despite Danny's protests. They go to Danny's bio-dad, Bruce Wayne (not that danny knew Bruce was his bio-dad), to help hide Danny while they gathered the resources to take down Vlad.

[welcometogrouchland]

Disgustingly messy and crusty sketch dump but I couldn't get my own terrible theory out of my head and ended up making a bunch of sketches about it. Also at the end a bonus dickbats and Damian doodle bc I was reading an issue of their Batman and Robin run (IDs in Alt)