#i did not intend for this to get so long

[dracanboys-m]

sticker of shame on top of my head that says "i turn everything i love into a monster hunter au". some boys that bite just dropped

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[fist-of-vengeance]

thinking about how essentially every relationship john locke formed in the early seasons of lost has completely disintegrated by the time of his death.

of course there's his relationship with jack, which starts tense but manageable and culminates in jack pointing a gun at john's head and pulling the trigger. but even his smaller, less narratively prominent relationships either implode or drift apart. he bonds with walt in season one but then walt leaves the island, which is itself a severing of their bond since it was mainly based on being the only two people who wanted to stay. still, he goes and visits walt off the island so this is probably john's most successful relationship. I dont think i need to explain how he fucked up with boone, "the sacrifice that the island demanded." charlie viewed john as a mentor and claimed to trust him more than anyone on the island, but after the events of fire and water, that trust is destroyed and charlie despises him. at the same time we get john bonding with claire and having a pseudo-paternal dynamic with her, but their closeness basically drops off the face of the earth as he gets less and less involved with the other survivors.

his arc in the series is essentially a gradual distancing from everyone around him. it starts when he abandons hunting (providing for the others) in favor of trying to get the hatch open (it's extremely clear his primary motive isn't any survival applications but getting answers to the mystery). when they do open the hatch, he spends more and more time inside, underground, cut off from other people. he spends more and more time interacting with ben, a human mystery box that he's obsessed with cracking even if it gets him killed. he follows the proverbial white rabbit deeper down the hole and leaves his connection to humanity behind. the island and its mysteries become more important to john than anything or anyone else.

then in season three we get him claiming to go undercover with the others only to unceremoniously tell sawyer that he's actually going to join them. and it doesn't feel shocking, it feels inevitable. because john has spent the entire series becoming less and less connected with the people he arrived with. in that sense he actually makes a fascinating foil to juliet, who is introduced as one of the others and yet never really fits, she's increasingly sympathetic and kind in a way the rest of them aren't, her redemption arc feels so natural that she actually starts referring to her old people as "the others" like she's been one of the crash survivors from the beginning. her and john basically have inverse arcs, which is probably accidental but very neat.

in season five john tries to convince everyone to go back to the island, and fails spectacularly. and of course he does, because he was so consumed by obsession that he stopped maintaining his relationships, and in many cases actively alienated people (this is also basically what happened with helen) and now he can't wrap his head around why they're all so hostile to him. i am forever obsessed with the scene where he confronts kate and she brutally calls him out for wanting to return to the island because he doesn't love anyone. it actually struck me on rewatch how well the two of them got along in season one, and how badly their relationship has degraded by this point. john repeatedly casts aside interpersonal relationships in favor of his obsession with destiny, so when said destiny actually involves persuading the people he once shunned, he's at a loss. this is because john treats purpose as a supplement for connection, destiny as an alternative to love.

as an aside, this aspect of john's character kinda ties into my opinion that several lost characters can be read as allegorically neurdivergent under a certain lens. i know this was absolutely not intended, but as an adhd former gifted kid who struggles socially, there is something uncomfortably familiar about a character who allows their relationships to burn around them because of a single-minded obsession, especially as a result of being promised the fickle status of "special."

tl/dr: john locke is a doomed idiot and i love him

[liliumofthevalleyy]

The trial of younger Louis and Will isn't talked about enough

I have no idea why I haven't seen someone talk about it yet from Baxter's prespective with how funny it is.

Imagine you are an arrogant, selfish, hypocritical, and frankly annoying nobleman, who does not deserve the wealth his ancestors have build like half the birtish ppl back then, in late 1800s Britain.

You cheat an orphanage out of it's donation money and then some kids from the slum form an agreement with you to repay it so that now you owe them instead, and you don't think much of it because 1. they're kids 2.they're "uneducated stupid dirty kids"

Those same kids take you to court for not repaying them a month later💀.

Spoiler alert, they weren't dumb.

Turns out, even without a lawyer, the older kid is dominating you effortlessly, you a nobleman (unbelieveable right?). And the kid decidsed to adhere to the agreement by taking one pound of flesh. To which your lawyer objects with a reason and his objection is sustained.

Surprise, the kids prepared against that too. And surprise, you are losing and the case and it's stressing you out while the older kid freaking asks you if you would like him to recite all of Shakespeare's plays (since this trial mimicks the trial in one of the plays) while posing. (We stan theatre kid William).

Out of nowhere the older kid pulls out a relatively large knife from his small blazer's pocket? And menacingly approaches you as everyone watches casually because ain't no way that small-ahh blazer is covering ANYTHING.

Unsuprisingly atp, you lost the case...

Out of all corrupt nobleman that actually got one-ep long screen-time before getting off-screened like Enders, Baxter's case is the most miserable to me. Like with how status was everything back then, how is he ever gonna live it down?

[guardian-angle22]

Hello, could I request the cute little turn TK does after talking about olive oil to remove spiders from someone's ear, before the surprise party at the firehouse 😊🤗. No pressure at all it not possible 🥰.

[whiskeyswifty]

Getaway Car - Taylor Swift

Getaway Car as a Formula 1 merch concept design. The Getaway Car Racing Team champions poster for the 6th Grand Prix in Rome where in 2017, they clinched their victory in the Rep Racing World Championship. The poster features lyrical easter eggs as the team sponsors and nods to the track number and lore around the song's subjects. Additionally, racing team hoodies and stickers for fans to rep their team. print and sticker and t-shirt in my etsy shop

[bleue-flora]

as much as I like the dsmp story and its message about how there’s a deep down, I can’t help but think about the Bojack horsemen quote about how there’s no deep down and you are the actions you do regardless of someone’s intent or backstory

[context]

I believe you are referring to this quote “That’s the thing. I don’t think I believe in deep down. I kind of think all you are is just the things that you do.” (Which btw yall its real annoying when I have to find whatever the hell you are talking about, no shade just as an aside…<3)

The thing is, both things can be true. Life is about choices, and your every action and inaction has a consequence, (which I think I’ve talked about before but I don’t feel like finding it at the moment). In other words, everything you do impacts the world around you and has lasting effects. You may not know it and are likely very unaware of the consequences (positive and negative). This is because like my post said we are all inherently selfish because we live and see the world from only one view - our own. So yes, you are the actions/“things you do” and choices you make, regardless of the intentions.

At the end of the day, whether you meant to or not, whether you had good intentions or not, if you hurt someone the facts remain the same - you hurt someone. They have a fundemental right to feel hurt and that is always valid, emotions and feelings are always valid, whether it’s logical or makes sense or not. The reason deep down doesn’t change the outcome or the hurt you caused. However, that is about the past action. If you want to learn and grow and form meaningful relationships, avoid conflict… etc. That’s where the deep down comes in. Then it’s important to look at the reasons, not as excuses or justifications but as explanations - a bridge to understanding and shattering our stereotypes, assumptions and judgement.

(Okay, my foot still hurts from you stepping on it, but yeah if it was just an accident then the relationship doesn’t have to just all end over something stupid like it would if I assumed it was intentional.) Yes the impact you make on the world is the sum of what you do and that impact is true regardless if there is a deeper reason behind it. But also, if you only focus on what people do and go no deeper, then you are missing the bigger picture and your relationships will not last long and you are going to live a very lonely and conflictfilled life.

That is why it is important. Not because in the finale of the dsmp Dream’s reveal changes any of his actions, but because it changes our perspective of him and that changes how we act next. Whether we show compassion and empathy or understanding or forgiveness of someone’s actions or run the hell away. (Whether a conflict breaks out over you stomping on my foot so I step on yours back.)

As an engineer, a nerdy metaphor I could use is that it’s kinda like if situations were an equation then the effect and action is the answer (the one side of the =), but sometimes we need to used the other side of the = to solve for x, so we can solve the next equations.

The deep down matters because it should change your action. It matters because in recent years after excusing my behavior because of something or the other, I realized ya know other people might also have a valid reason too. So while my automatic assumption of why they are late to class is that they are lazy, or rude, or don’t care, maybe maybe they actually woke up nauseous and were throwing up which prevented them from being on time, maybe they fainted coming out of the shower, maybe their car wouldn’t start, maybe they had a doctor’s appointment beforehand, maybe there was a car accident making them late, maybe there was a train blocking the road…etc. there are so many reasons, but our mind just jumps to the worst, and we expect grace from others when we are late but wouldn’t give others the same benefit of the doubt. If we had, if instead of judgment and criticism, we checked on them after class to see if they are okay then maybe we learn of their struggle, and maybe they need our help, or maybe we relate and become friends, maybe you share your notes with them, maybe you give them a hug. The deeper meaning changes what you do and like the quote says, what you do is the impact on the world…

[swiggity-swexual-i-am-asexual]

I'm not opposed to hear your rambling of DP in dungeon meshi

Ayyy someone asked! 

Oh, you’ve activated my trap card.

So, naturally, I cannot find the post because Tumblr ate it off my blog, BUT what they’re referring to is a post about how the Fenton parents could have TOTALLY ended up overshooting when trying to get to the Ghost Zone and ended up in different worlds instead… and thus decided ‘hey free children!’ And surprise adopted (read: kidnapped) both Jazz and Danny from two different realms. 

I actually had a LOT of ideas on how you could do this. But, I ultimately decided that a post-canon approach was best for this little exercise. Not that you COULDN’T add Jazz and Danny, I suppose, but the timeline and the character movements are, for lack of better terms of it, EXTREMELY tight. You can wiggle an OC in there, sure, but for a fully developed character from ANOTHER media, especially one as OP as Danny, it’s far more difficult. 

That’s my way of saying, this absolutely has Dungeon Meshi spoilers if you’ve never read the manga and don’t know how it ends. That’s my only warning. 

So here’s the ideas and eventual story (there’s elements that are general and some that are specific to whatever storyline I ended up with) that I have doubts I will ever write but someone might as well enjoy them. I technically wrote a few scenes in my notes app, but these aren’t those, this is—kind of the whole roadmap? It’s a little funky still though, haha. 

Here goes!

As with the post, Jazz is Barbara Gordon’s twin, and Danny was actually a half foot. And now he’s a halfa halffoot. Lmao. Lol even. 

Before I chose to do a post-canon approach, I considered having the Fentons as a party. Jazz and Danny are basically playing babysitter to their FAR too enthusiastic parents who keep almost or actually dying because they’re exploring the whole immortal dungeon thing. While that is scrapped, some of the ideas I did have came from this, er, phase of development? So I felt it was worth a shoutout. 

Marcille describes magic (well, mana) as coming from ‘The Infinite’, which is also where demons come from. And these demons can do things like grant wishes, ‘feed’ off of emotion, and change people. They also, once sealed into dungeons, do various things inside these dungeons, including making animals that cannot exist without magic for very long but also seem to still require a sort of internal logic. This sounds a LOT like how ghosts work in Danny Phantom, if you take maybe a hint of liberty and a dose of speculation about how lairs likely work. 

Basically, The Infinite = the Ghost Zone, also known as the Infinite Realms. Demons = Ghosts. Dungeons = Lairs. And, most importantly… Ectoplasm = Magic. 

For my own sanity and also for a successful meshing of these two very different universes, I’ve decided to go with the semi-fanon idea that the influences of the people in the living world can create things in the Infinite Realms. Belief creates reality, basically. For example, perhaps Pandora was never alive in the first place, but because people heard and believed her story so much, she became a ghost (realms being, demon, what have you). So, while those in Amity Park might not have initially believed much in ghosts, they saw them, and because people saw Phantom as powerful and either villain or hero-like, Danny and the rest of the ghosts became more like comic book characters than spooky ghosts (somewhat explains how things are still a LITTLE spooky, but seem a bit more heavy on the probably dead people thing at the beginning of the series). 

Similarly, demons became what they are over time as the people of the world influenced them. You could call what demons started as, as ‘proto ghosts’, and that every world that HAS ghosts has them, and the beliefs change them into whatever form and binds them to whatever rules the dimension now holds. 

There should still be some universal ‘laws’, though. For example, ghosts exist in both stories, and so do magic, as do spaces that operate at least SLIGHTLY outside the usual laws that govern the area outside of it (again, lairs and the Ghost Zone, dungeons in general). 

All this to say—when Danny ends up in the Dungeon Meshi world, he ends up being a very unorthodox and extremely powerful mage, but might lose a good percentage of his usual ghost powers. He is not salty about this, no, really, ITS FINE JAZZ.  

This would be less of a problem if there wasn’t a SLIGHT issue about halffoots being known as not being magically inclined… and those that might have had an interest in the past sorta-kinda got taken by the elves. 

Another note is that this isn’t going to be a particularly Fenton parents friendly sort of story, because the whole thing STARTS with them KIDNAPPING CHILDREN and passing them off as their own. I’m sure there are ways to spin it as a happy tale, but uhhhhhhhhhhh. I’m not. 

An additional point that you do NOT have to take from this if you make your own story is, if you’re a big fan of halffoots having tails (which, to fit with the humans-all-have-the-same-bones thing, are made of cartilage), you can have Danny have been docked as a baby by the Fentons. Adjust angst regarding that to your own tastes, but I imagine its probably something that HAD been done in the past for not-great-reasons, and so the social stigma for the parents doing that to their child is messed up—but due to the dangers of dungeoneering, some halffoots may have lost their tails in accidents or just because they were THAT serious. Point is, it’s at minimum a gossip point. 

Anyways, as halffoots are very short, and Danny is one, by age fourteen his teachers are probably going to go ‘uuuuhhhh, I think there’s a problem here?’ But the Fenton parents are oddly reluctant to arrange a doctor’s visit to check for various possible causes of potential dwarfism. Like, they’re already dodgy about doctor visits, but this seems particularly avoidant. 

Both Jazz and Danny might know that they’re adopted, but even if they don’t, they know where all their papers are. So they snoop through them to see if there’s any leads or anything. 

There’s various ways to for them to figure it out—realizing there’s no paper trail about their adoptions or about how delayed the at-home-birth paperwork was—but one that I did contemplate was that the Fentons KEPT the tail they cut off Danny as a baby, claiming it was a ‘lower spine surgery and don’t worry about it champ!’. 

As you might imagine, he’s worried about it. But also, you can nix that plot point if you’re not a fan. (Well, I mean it technically my own story developing here, but—part of this exercise is to see what other people would take away from what I’ve got too.)

More searching through papers and likely a conversation if not confrontation with the parents later, Jazz and Danny learn about the different realms and such. 

Jazz is still worried about Danny’s health. They SEEMED human, but what if they weren’t and they were just lucky to not have gotten super sick? Or what if they’ll live thousands of years or something?? 

Danny is, understandably, a little upset about everything too. So they both pack what they might need, basing their travel kits on what notes they DID have about the world they were heading to (minimal technology, so laptops were a bad idea, but Jazz did pack a bunch of instructional books on How To Make Things), and got the dimensional coordinates to where they needed to go. Or, if you don’t wanna explain HOW those dimensional coordinates are still accurate or how that system might work now that the Ghost Zone was there, because who knew how to navigate that place on a GOOD day, Danny could just ask Frostbite or Clockwork for a quick favor. On that note, Danny should probably have a way home—personally, I gave him the starting ability to make portals, although they’re not YET powerful to get through, which is why he’s concerned that he might actually be unwell on his human side. 

POINT IS. Jazz and Danny arrive, taking the name Nightingale just in case their parents went around calling themselves as Fenton and pissing people off by, oh say, kidnapping their child. 

A quick survey around tells them a bit about the world, with Danny probably very used to being very adaptable on the fly. And also we’ll let him keep invisibility. As a treat. Though it may now be a bit more difficult to do. Jazz is tasked to either help Danny to let him hide behind her presence when needing to actually be invisible, read through the travel journal from the Fentons to find clues to Danny’s birth family, and her own self imposed mission to reinvent running water and water filtration systems. She is not about this no-indoor-plumbing life. 

As it so happens, with the Golden Kingdom beginning to pop up, there’s plenty of spaces and houses in various states of repair that they’re currently REALLY trying to fill up. Jazz files some paperwork about being refugees, and they take a house that’s pretty far into the woods for most of the people looking for a place. The two need the space, as they are keeping literal dimensional secrets. Other than the lengthy walk to town, it’s fine. Plus, it lets Jazz do her plumbing project. 

Once they both have a pretty good grasp on things, Danny C-student Nightingale realizes OH. WHAT IF I’M A HALFFOOT— wait no I’m not going by that. Call me a hobbit instead. In Jazz’s defense, she spent most of her time grasping everything else about the world, or otherwise spent most of her time they spent either camping in the woods or making their new house LIVEABLE that the whole ‘different races’ thing completely sped by her. Plus, where they live might be more Tallman heavy. 

Good to know he’s healthy though! But they’re already here, and they do actually want to find Danny’s family, and… it’s just… been very nice and not stressful. The ghosts hadn’t been bothering Danny nearly as much back home, to the point where he felt pretty comfortable leaving it in Valerie’s capable hands, but this is the most relaxed he’s been in a while. It’s amazing what not living with people who would skin you semi-alive will do for mental health. 

They also realize they maybe need to like… make money. 

Good news is, when they switched dimensions, they automatically became able to speak Common. And, as a compensation for losing some of his other abilities, Danny can have omnilingualism. He also keeps his ice powers, mostly, and he’s pretty sure he kept his Ghostly Wail. 

There ARE reasons why he keeps the powers he does. In short, he’s still part ghost (or, part demon here, but words are just words and in this case, both just mean ‘realms being’), so turning invisible is fine. So is making things cold—and, as he’s also human and able to use magic, he can create ice like other mages do. He also has limited intangibility, but for reasons involving ‘I don’t recall any mages doing it’, he has more trouble with it than usual. As for the Ghostly Wail, its similar to the mandrake cry, and thus something that likely involves magic to do—as a veritable wellspring of magic, as he’s kinda sorta a dungeon master ruled by HIMSELF now, he has plenty to spare. Plus, banshee legends might still exist in Dungeon Meshi. As for the languages thing… it’s me throwing him a bone for taking away his ability to use lasers. I might let him overshadow people, but seeing as that just kills people in Dungeon Meshi, I might not. 

The two siblings begin taking odd jobs in town. The people think it’s a LITTLE odd that a Tallman (Jazz) and a Halffoot (HOBBIT, Danny) are siblings, but they usually just explain that they were both taken in by the same couple. If anyone even slightly insinuates it’s something else, the two both start gagging before they begin lecturing the gossiper. 

While Danny’s skills as an interpreter ARE extremely valuable, they find that with so many new people in this town that, apparently, JUST rose out of the gotdang sea, that there are many people looking for all sorts of odd things, and THAT is something Jazz is more suited for than translating, seeing as the only language that she knows from THIS world is Common. 

In short, she finds out about potions. You know, that thing mentioned like ONCE at the beginning of the Dungeon Meshi series and NEVER MENTIONED AGAIN (afaik). 

Ingredients are a liiiittle hard to come by in markets, but most of them just need magic to grow, right? And Danny can make magic ice that turns into magic water. 

Jazz starts a farm. When Danny starts taking home books and such to translate on a commission basis, mostly in order to avoid another close call about knowing ancient elvish languages that they may or may not be incredibly suspicious about him being able to know, he takes care of a lot of the gardening. 

It’s at this point that Danny finds out he can just take a mandrake that’s in a pot, dunk it in a barrel of water, and harvest that way. It’s still a bit LOUD, but it won’t harm or kill anyone. And, the water now has magic toxins or whatever, which could have uses of their own that Jazz is now experimenting with. 

So, basically, Jazz is out here doing the Dungeon Meshi Cooking Montages except its potions and it’s mildly terrifying. 

Danny is just glad that he’s ALSO legally a halffoot adult and can just go to town to a tavern whenever she’s being too weird. Good news: he can drink alcohol now! Bad news, sort of: it does nothing for him. I mean, go him for never getting drunk, but like, rude. 

Both Danny and Jazz are learning magic, mostly because Danny needs to offset some magic every now and again so it doesn’t build up (ie, his ice) and should at least look like he knows what he’s doing so he doesn’t get caught, and Jazz is learning so they can occasionally depend on her to claim that Danny’s magical whatever is actually HER doing. Plus, it helps with the potions. Most involve magical ingredients, so the maker doesn’t need to be a mage, but still. 

Danny gets a bit homesick about Sam and Tucker, so he makes a magic mirror in an afternoon and contacts them through one of Sam’s compact cases. It had some unique design she made on the back of it, so he’s able to hone in on it. Sam is EXTREMELY jealous that they’re living some kind of cottage witch fantasy, meanwhile Tucker is like ‘they have wHAT kind of meat? And you left me here?!’. 

Yeah. Tucker and Laois would get along, although Senshi would definitely have some words to say about his nutritional needs. 

SPEAKING OF the Dungeon Meshi characters. What, you think I wasn’t going to add them?

Falin likes to take walks through the area. As it so happens, the Nightingale House is about two hours of very casual strolling from the castle. She discovers them one day when she noticed Danny tending to the mandrake farm (there’s likely other magical plants, but I imagine Danny is wary of the more monster-like ones). 

Danny just can NOT keep her name in his head. He keeps calling her Bird Lady. Falin is not upset by this. She’s actually pretty glad to make somewhat friends with Danny and later Jazz, because they’re both pretty nonchalant about the feathers thing. Most are fine, but some are still… Off about her. Also they didn’t participate in the whole eating her thing, which she didn’t MIND but some people avoid her because they think she WOULD be upset. 

Falin is also glad to find that Danny can see ghosts like she can. She promised to keep his little magic secret, though she likely has no idea how powerful he actually IS, and she visits like twice a week. 

At some point, Itsuzumi claimed their front porch as one of her napping spots. Jazz thought they should maybe not have a cat girl sleeping on the doorstep. Danny agreed… by making a hammock. Jazz just accepted her fate and occasionally feeds her. That said, Itsuzumi doesn’t stay in one place as her ‘home’, so it’s a toss up if she’s there. Still, she somehow convinced the postmasters to only deliver mail to the Nightingales, seeing as they don’t mess with her letters and are out of the way enough that she has privacy when she does read them. If she’s there while it’s raining, she’ll take over the couch. 

Like, Itsuzumi doesn’t have keys to the house or anything, and Danny and Jazz are both a bit secretive, but that translates really well to respecting Itsuzumi’s privacy as long as she isn’t bringing huge problems to their doorstep. Danny did once offer to see about making up a guest room that was more or less hers—the house did need repairs, so some of the rooms weren’t quite habitable even if the house itself was fine to live in. Itsuzumi was not a fan of this, as I imagine her the type to not like feeling so tied down, but she did accept a compromise of having a closet space for her to store things. It’s where Danny and Jazz will put her letters when she DOES get them. 

Danny’s need to help people isn’t an obsession, but he IS quite fond of it, so as he does his work but also studies magic Just In Case, he finds a certain affinity for sensing magic, monsters, and breaking curses. The first one he broke was entirely by accident—the client had no idea that the book passages he gave to Danny were cursed. 

It worked out, it was fiiiine, stop worrying so much Jazz. 

While Danny certainly wasn’t advertising the curse breaking part, his previous client was told about it, and suddenly everyone knew that the Nightingales knew a little about curse breaking. They assume it’s Jazz, and Jazz has to learn on the fly how to break simple curses and protect herself until Danny can come actually work his literal magic. Jazz, oddly enough, is the one to figure out how to make protective charms. 

Also, she’s successfully made the first section of her water filtration system. 

Listen, they are very busy. But they’re hoping if they branch out enough, get a big enough system, they can find Danny’s parents. Because all they REALLY had to go on was One—They were halffoots, Two—Danny’s hair came from his mother, and Three—in both Jazz AND Danny’s cases, the Fentons kidnapped a twin. 

It’s this work as a cursebreaker and Jazz’s work as a near miracle worker at potions—her little mad scientist experiments were bearing fruit after all—that Falin brings Laios over to work with. Long story short, Danny’s general attitude about it is ‘fuck that lion guy’ because he recognizes the work of a ghost—er, demon—when he sees it. Sure, the Toudens don’t TELL Danny it was a winged lion, saying after a really long pause that the cursers name was Leo or whatever. But Danny isn’t completely stupid, especially not about something he can PLAINLY see. 

Also, a good note here is that neither Jazz nor Danny have ANY idea who Laios is. Sure, they’d HEARD of the King, but either Danny gave him a nickname, they think Laios is one of those cases where there’s an uptick of people named after a famous person, or it’s just a super common name. Or, heck, it’s entirely possible that Laios has a king monicker and that’s ALL that Jazz and Danny have heard, and they don’t know that the king’s name is Laios. 

Anyways, Danny is like ‘you have two curses from your frankly very petty curser’. And they’re like ‘yeah we know’. 

For the monster repellent curse, Falin points out (possibly on her own but also possibly remembering something Kabru said once) that it’s a pretty useful curse, but that it upsets Laios to have on him. So, Danny thinks ‘What Would Sam Do’ and makes a creepy doll. The idea is to attach the curse to the doll, but for various reasons involving having the curse NEED an amount of magic to stay going, it needs to be, well… fed. As you MIGHT recall from Dungeon Meshi, blood is pretty potent as a magic tool. 

So, anyways, blood sacrifice for the repellent doll curse, preferably either by Laios or someone of his blood. I’m sure this won’t become a plot point for a b rated adventure story several generations later where they need to find the One True Heir to help save the kingdom or whatever. 

As for the hunger curse, it’s a pretty tricky one. Most curses, Danny can kind of just. Push it out using his own magic, or trick it into thinking its done whatever the curse maker wanted it to do. But this curse is very ingrained, as hunger is something very basic to literally everyone, and it’s goal is basically ‘then SUFFER’ and that’s hard to make it understand when Laios is, technically, already and constantly suffering from it. 

So, it needs to be magically purged. Starve out the magic in Laios’s body, starve out the curse. Issue being that it’s EXCEPTIONALLY hard to do that when magic is LITERALLY in the air. 

With a bit of thinking, Danny comes up with a solution, and tells them to set up their creepy doll shrine and see him in three days. Also maybe haggles the price because while he DOES have a way to do this, it’s a bit risky to not only Laios but to the makers of Danny’s curse-breaking method. 

Danny contacts Sam, who contacts Frostbite, who is VERY against this but ultimately agrees so long as Danny is careful. Danny technically has Jazz do most of the next part, so he’s being cautious. 

The Toudens come back, with Laios happily chattering about a small monster he noticed just before they got to the Nightingales—good to know what the range of that is then, though it may have become smaller with the smaller vessel and the lesser amount of regenerating magic supplying it. I’m not looking up the one panel that sorta shows how big the field is right now. 

Danny is like, bundled up and covering his mouth, while Jazz is very careful with the prepared potions. 

Blood blossoms. Basically anti magic, which do not grow in this world naturally and should never do so, and involved Sam needing to travel back in time to grab a few. They explain their caution as Danny being extremely allergic to one of the ingredients and the effects of the potions being dangerous to mages in general by DESIGN. 

In short, Laios has to take these potions for three days—one bottle for each day—and to light a candle anointed with the potion in the forth bottle in a closed space he needs to stay in for the duration and at least an extra two days. There’s also a fifth bottle that he needs to sprinkle into any food or drink he has for that time until after the fifth day. Remember, magic is everywhere in Dungeon Meshi. This is basically him going into a sterile bubble field for a while, but also needing to include sterilizing the things he eats and drinks as well. 

“Don’t keep even a drop,” Danny warns them both very, very seriously. “This stuff shouldn’t exist here, but that is one NASTY curse you’ve got. Anything you’ve got leftover, including the bottles, bring back here.” 

He also tells them that its possible that Laios might never regain magical ability he had previous, or if he DID he had to relearn it. Laios accepts this risk. He wasn’t much for magic anyways. Danny also tells him to maybe make sure the room(s) he uses isn’t his usual bedroom, and again that he needs to stay in them as MUCH AS POSSIBLE, preferably not leaving at ALL, until after his treatment. 

They take his warnings seriously, at least, and they head off, carefully with the contents they just got. 

They actually do as instructed! Kabru did manage to take a drop, though, just to see what would happen. Holm’s undine DISSOLVED is what happened. Kabru did not take any more risks about that because WHAT the hell, WHAT. Laios and Falin also won’t tell him WHERE THEY GOT THIS FROM. At least, not until after they finish the treatment and see if it works. 

It does work though! He gets his normal hunger cues back after a couple of weeks, and Falin happily tells the Nightingales that it worked. Great! Never tell anyone what they did. Also give back the bottles please and thanks (handed off to Sam very carefully—although blood blossoms ARE a magic-and-ecto disruptor, they can be put through portals, such as the mirror phone things that technically also act as portals). 

A little late for total secrecy, but no one that the Toudens didn’t already trust with the numerous secrets they already had, including but not limited to Marcille’s fun necromancy habit. 

… Listen, I know that the curses Laios gets are like, consequences or something, but I didn’t like the hunger curse because of my own traumas and didn’t like the monster avoidance curse cause that just seemed cruel. Which I get was the point but I have OPINIONS on the whole thing, and it ultimately equals up to “Laios didn’t ask for this, and I’m not sure he’s actually happy in the end”. Anyways. 

Because they literally helped heal the king, Laios does invite them over to dinner in the castle. 

“That guy was a KING?!” Danny shouts. 

Jazz is just like. Yeah that fucking tracks. But hey we can ask his help about the parentage thing! 

So, now they’re going to dinner. That’s fun! Maybe! 

Side note, Jazz has now invented showers and indoor baths. She’s still working on a heating and cooling mechanism but at least all the water is clean. She’s still working on getting faucets for sinks, such as in the kitchen. 

Don’t ask how they have time for this, by the way. The gardening, their actual jobs of potion making and translations, Jazz’s plumbing project, Danny’s (and slightly Jazz’s) magic training, and the biological family search. To be fair, they probably have very few leads on that last one, so extending their social net is kind of their only plan. 

They get dressed up fairly nicely and go to the king’s castle for dinner because apparently Danny just cannot stop impressing royalty both dead AND ALIVE as it turns out. 

There, they meet the whole Touden party. Itsuzumi is there. Both parties are very surprised, but good to know, but also what. W h a t. 

Senshi likes hearing about how similar potion making and cooking is, and he and Jazz seem to be getting along pretty well! Chilchuck, meanwhile, is like. Why does this kid—sorry, young halffoot adult—look so gotdang familiar. Regardless, he offers to help teach him a few things about halffoot culture, seeing as Danny was apparently raised as a Tallman. 

“Yeah, we didn’t even know about other races! We just thought Danny was a little weird,” Jazz said. 

“That must have been really isolated,” Marcille replied. 

Oh, she didn’t even know the half of it. 

Of course, someone questions how Danny was so good with languages if their ‘isolated little village’ never said that any race other than Tallmen existed, to which Danny just kind of says he had a knack for it and was bored, so. Languages. They kind of just start following patterns after a certain point. And he and Jazz HAD been traveling for a while. 

Dinner goes well, with just one odd report about scratching in one of the mirror halls by the guards that Danny juuuust manages to hear before he and Jazz go out the doors. 

That’s probably nothing! 

A bit more time passes, with Senshi visiting Jazz and helping her learn ACTUAL cooking in exchange for those sweet sweet mandrakes and the water harvesting method while Danny gets lessons from Chilchuck and, ironically, another halffoot named Dandan about Halffoot culture. Luckily, Danny just so happened to know the halffoot language equivalent of Common, but they teach him a bit more about the language anyways. 

This is also when he learns that Halffoots tend to have twins, but also that it’s not terribly uncommon for one of the twins to die. Happened to both Dandan’s ex wife and to Chilchuck and also so, so many other halffoots. That just made Danny’s search even harder. Yikes. 

By week two, Danny is very tired of CONSTANTLY hearing the term halffoot, and so has requested Tucker get him a copy of the Hobbit and The Lord of the Rings trilogy to send through mirror-mail so that Danny can then translate THAT into Common and go publish. Maybe if he has a book or two to sell, he can make a passive income so he can concentrate on things other than translating YET ANOTHER tax form because the local government all wants Common—understandable—but not everyone can READ Common. 

This may be a time to give Danny a misadventure with some orcs that paint him as a fucking weirdo but ultimately friendly. 

Jazz gets the idea that hey, if the whole halffoots have lots of twins thing is true,  meaning that she and Danny are going to have a TIME of it trying to find HIS parents, maybe she and Danny should invent, like genetic testing with magic and or potions or whatever. It’s not like they don’t have an understanding of genetics, if what Kabru’s (adopted) mother teaches him is any indicator, but genetic testing it relatively modern by our own standards. 

So they start developing that. Falin still visits, mentioning how there seems to be a scratching that just won’t stop in the castle, but its always in the same hall of mirrors so at least its localized. Just, really weird. Everyone else thinks its ghosts, but Falin has checked so many times now and there just isn’t one. But Laios is doing fine, he’s very thankful, and Danny is like hahaha don’t mention it! No really, don’t! You already paid me! We had dinner! We’re friends now! Ahaha!

Should it be the case that Halffoots (-HOBBITS!) have tails, Chilchuck still has his, though it’s a liiiittle shorter than it should be, and he’s the sort thats proud about how long his wife and daughters’ tails are. He’s reconnecting with his family! Slowly but surely! In case you CAN’T tell, I actually like happy endings here. Despite the everything else I put in a story, ha. Anyways, as such, he’s a little offput by Danny’s parents since Danny admitted that they’re the ones who cut it off of him, and that even then they never told Danny that he wasn’t a Tallman despite having to have had at LEAST a clue that he wasn’t one. Shouldn’t the orphanage or however they got their kids from know? Don’t tell him that both Jazz AND Danny were just left on their doorsteps. 

“Definitely not that one, aha…” Danny quickly changes the topic. “So I wrote this story—or, well, its like this story that was SUPER popular where we’re from—“

Chilchuck also explains how Danny’s name is just SO weird to most of the other halffoots. Like, it’s not OUT there, per se, but definitely reads as Tallman. Even admitting its fully Daniel does not help. This is also when Chilchuck explains that part of the infant mortality rate, halffoots don’t get their names until their fourth month of life. 

Jazz made some liberties and changes to the Hobbit to fit in a little better with Dungeon Meshi and it’s whole world, but otherwise it’s mostly the same story. Chilchuck and Dandan get free copies as they’re helping Danny so much, especially with getting Danny used to other people like him (mostly). They’re both pretty impressed with it, though Danny insists that it wasn’t exactly his own writing. But, hey, the actual author was dead and he doubts any copies are going to come from his old hometown any time soon so like, might as well! 

Also, copyright law is probably far different in Dungeon Meshi than here, ha. I declare it—legally in the clear! 

Danny has a mission with this and that’s getting people to use the word Hobbit dammit! 

Surprisingly, despite not showing up in it, the gnomish community quite like it. And so do dwarves, and elves, and halffoots, and it becomes pretty popular. 

It’s The Hobbit. This is not an unexpected result. Thank you Chilchuck for helping with the printing rights and contracts for getting the book published. (And we can guess that the printing press DOES exist in Dungeon Meshi, since we can see the books they have—though there may be other obstacles about getting your hands on a book, we can see by the amount they have and how gimmicky Laios’ monster book is that printing a book itself is likely a done and solved issue in some way or another). 

Danny is extremely glad he did not put his own name as the pen name for that mess. 

While all that drama is happening, including the fact that Chilchuck’s wife—I have named her Brightmerry—is now a very avid fan and would love to meet Danny, Danny and Jazz have just about perfected their genetics test. Laios and Falin know about the test, although not WHY they’re doing it. Despite some concerns that the magic and chimeraism that probably STILL affects both, though Laios’s maybe got purged during the magic curse breaking thing, it certainly was unpleasant enough for him that he’d BELIEVE that he got part of him ripped out, they still seem to test just fine as siblings. Still, they need more tests. 

But it’s not like they know an entire family, do they? 

Danny complains about this issue to Dandan, in part to see if Dandan knew anyone that MIGHT be willing to help. 

As it so happens, Dandan volunteers Chilchuck. Chilchuck only agrees to drag his family into it because he generally trusts Danny and Jazz even if they ARE kind of weird and make incidental inventions at their house that they should REALLY sell, because WHAT do you MEAN you have a hot water shower?! He also knows that both Brightmerry and Fullertom would like to meet Danny because of the book he totally did not steal from another dimension to make a profit. Might as well drag the rest. Plus, they assure that the test itself won’t hurt, and will even demonstrate with themselves and with the Toudens what a false and what a positive result will look like. 

So, they arrange a date to do so at the castle. Kabru is pretty interested in the experiment, truthfully, because it seems neat! Not at all because of his own issues with his hometown involving his eye color! Why do you ask! 

Off they go, and the best space to do this in due to some preparation and magic circle nonsense is the same room Laios did his whole magic purge, which was the mirror hall. It’s small but open, with no windows except for a small one in an attached restroom area. Sure, there’s some creepy scratching going on from time to time, but no one has gotten hurt or recorded anything else odd. 

The magic genetics test involves having the participants positioned equally around a magic circle in little circles of their own, having a small cup of a potion that gives off a lot of steam or vapor—entirely harmless-, and pricking a drop of blood into the potion. What happens with a positive is that the vapor takes on a color and follows a trail through the magic circle, and the colors and how strong the connection between the vapor trails between two people tell how related they are. In a negative or, when two parents are in the circle, the vapor trails will not have ‘matching’ or similar colors, and the trails will not actually meet up with each other. 

It’s still a work in progress, but it should tell at least siblings. Luckily, Chilchuck did manage to get all three of his daughters and his wife along, with Dandan being invited as another variable to test with. 

Danny and Jazz go first, showing how their trails don’t meet up. And there’s not a particular meaning to what color a vapor trail is to a person—it can change and vary for each test, it’s only consistent when it’s a ‘positive’. 

Than Laios and Falin. Fittingly enough, their trails are fairly strong, with just a few different trails fraying off, and slightly different shades of green-ish yellow coming from their potion cups. 

The Chilchuck Family then take a turn, and they can observe the trails. Sure enough, Chilchuck and Brightmerry don’t have any connection, but seem to match and meet with each of their daughters’ trails, who also connect to each other in a web of vapor. They decide that maybe more than three is hard to read. 

They agree to do a couple of combinations and tests, which Jazz and Danny are like ‘sorry for all the finger pricks!’ But they DID bring a bunch of sterilized needles at least. And Falin is happy to heal them in the meantime—using the space as an anti magic purge room seems to not have left an affect on the magic now in the space. 

Dandan joins a few times so they can record how he doesn’t match at all. Laios then mentions why Danny isn’t doing that when they explain he’s adopted and therefore for all he knows, he’s distantly related. 

Which prompts them to have him test with Dandan and Chilchuck. 

He doesn’t match Dandan. 

But he does match Chilchuck. 

This does not change when he repeats the experiment. 

They then switch out Chilchuck for Brightmerry. 

… And he matches to Brightmerry. 

SEVERAL different trials later involving all the halffoots there confirms it. 

Somehow. Someway. 

He is Chilchuck and Brightmerry’s child. 

Are you surprised? Probably not that was a twist coming a mile away not going to lie. 

Anyways, the story THEY give is that he’s Puckpatti’s twin. They’d been napping outside while with one of Chilchuck’s brothers, when something or another distracted said brother for, at most, two minutes. But then Puckpatti’s twin was gone. He was stolen, although they hadn’t actually KNOWN what had happened, when he was three months. It’s why Puckpatti’s name was, well. Puckpatti. Puck was supposed to be her twin’s name, and they considering having her be Pattipuck, but Puckpatti worked better. It wasn’t particularly odd for twins where only one survived to carry the other twin’s name as either their first or second name. This is also why her usually nickname is Patti instead of Puck. 

Danny and Jazz explain that… yeah, they were taken in. As in kidnapped. Hadn’t wanted the pity points but saying they were adopted felt kiiiiinda wrong. 

Now, this would be a very touching family reunion scene. 

Except now that mirror scratching has started up. 

And its loud. 

And—Oh would you look at that. 

Mirror portal. 

Can you guess who pop through? 

It’s the Fentons! Say Hello to Jack and Maddie. 

It’s a whole confrontation scene, which BASICALLY goes with Maddie and Jack absolutely NOT realizing anything they did wrong, insisting they SAVED Danny, that there were two and it was fine, and BESIDES, JAZZ wanted a little sibling and when ASKED she asked for a brother, so really, its her fault. 

Jazz gets a guilt complex! Chilchuck tells the Fentons that thats NOT HOW THIS SITUATION WORKED, SHE WAS TWO! 

Jazz also has a horrifying memory of when she was four and Danny was two, and asking if they’d like a younger sibling, and that they’d have to agree, but Jazz said yes and Danny said NO and was this why there were only two of them?!?

Danny disowns them, pointedly saying that cutting off a baby’s tail is kind of MESSED UP DON’T YOU THINK.  And they go, well if you’re going to be ungrateful��and he gets like, hella hurt. 

More arguing and fighting, and Danny just kind of lays there and lets himself heal before propping himself back up like. Did. Did you think that would work. You have a magic science workshop that I regularly cleaned did you NOT THINk. THAT WOULD NOT HAVE AN AFFECT. 

The Fentons go ‘oh, he’s a ghost’ and disown him right back, though not in so many words. Whichever members of the Dungeon Meshi group you imagine are there right now take it as ‘he’s a MAGE?!’ 

Danny tricks the Fentons back through the mirror portal and shatter it. From what he guesses, the magic purging done to Laios let there be a slight thinning in the natural magical-ecto-whatever barrier that protected this world from another one. The Fentons didn’t know where the kids went, but might have figured out they went to another world, but couldn’t locate the notes to locate the Dungeon Meshi world. So, instead, they tracked Danny and Jazz themselves. With all the blood testing Danny did in the same room with a thinning veil, that meant they were finally able to break through by using him as an ‘anchor’ to follow through the mirrors. 

Universal constants, remember? Both magic mirrors AND portals are things in both worlds. 

Danny takes this time to go ‘well, they already know anyways’, and uses the opportunity and also all his blood now on the floor to make some quick magic barrier things with Jazz’s help. She’s better at protection sigils, after all, but he’s the more magically powerful. Together, they sort of ‘lock’ the dungeon meshi world. Or, more accurately, they lock out a certain scientific couple. And, because three is a stronger number for magic, they also block out Vlad. Three birds, one stone. 

THEN Danny passes out, you know, like a champion. 

Once awake and reunited with everyone, things begin to simmer down. Sure, Danny was just exposed as a powerful mage to the King, but the king is just like ‘Eh, won’t mention it, I don’t know anything I’m barely sure how I became king most days and I was THERE’. Marcille probably finds out, either because she was there or she’s just really good at finding out things she absolutely should not, also possible interest from a long time over Jazz and Danny and their whole deal. But she’s also just like NEAT. Translate these texts for me and we’re even. 

Danny is not convinced about her smile but goes with it regardless. 

Chilchuck and family are cautiously open to Danny. Of course they’re glad to have him home, but also—he’s lived his entire life ELSEWHERE, so while Chilchuck knows the most about him, he’s still a stranger. 

A few cute fluffy bits about learning about his siblings and his mother and father. Notably—Chilchuck is APPALLED that any child of his doesn’t know how to properly lock pick. Even Fullertom, the MOST disinterested in his line of work, is well aware of how to do it. Brightmerry is fond of reading, and Danny has lots of stories she’s never heard of going through his head. He insists they’re just local stories he’s heard of here and there, but she’s like. Suspicious of it. Not enough to cause him to stop telling her them, though. He also learns of the interests of his sisters, and is also like WHAT. WHAT DO YOU MEAN I’M STILL THE BABY. 

The three girls are also fond of Jazz, surprisingly enough. Like, I’d hardly call them besties, but they get along pretty well. Especially when teasing Danny. Jazz tells them of the occasions she’d dress Danny up as a princess when they were little, and next thing Chilchuck knows, he’s walking in to see his son—not resisting being dolled up, because he loves his sisters already, but also very clearly hoping for an out. 

“Have fun,” he says and leaves immediately before his daughters can drag him into it too. 

Jazz has completed her indoor plumbing project! They no longer have a latrine and cesspit! They have proper toilets AND a filtration system for both incoming AND outgoing water, and along the way she’s made a waterwheel for electricity to power the filtration system AND the heating and cooling systems. They’re ALMOST modern at the Nightingale house! 

From here, things are a bit more loose. 

Danny makes gifts for his family for some kind of festive holiday. For Chilchuck, he gets a wood carving for the night each of his children were born, as well as his own birthday and Brightmerry’s. Since Meijack and Fullertom are twins, as are Puckpatti and Danny, this means four carvings. Each carving is technically a thin piece of darkly painted wood with holes drilled through, but when a light is shined onto the correct side, such as a candle or Jazz’s next project involving lightbulbs, it projects out the night sky. 

Danny consulted a LOT of astrological charts for this thing, but due to how close their dimensions are, the stars were mostly the same between the two. It’s not a universal constant, but the closer two dimensions are, the more similarities there are. 

After all, the Fentons were trying to slip BETWEEN dimensions, which is kind of like sewing but only going through to BETWEEN two pieces of fabric, even if the fabrics are already rubbing against each other. In other words, precision was needed, and there was no point in aiming for a FAR dimension for this, that was more likely to end in failure. 

An alternate for Chilchuck is that Danny finds alcohol in the Infinite Realms to give him, if you want Danny to have more free access to the Realms. Just warns him to only drink it if he WANTS to be completely sloshed, and to maybe not do that at home, haha. 

Anyways, for Brightmerry, he gives her not the next one, but the entire Lord of the Rings trilogy, translated and edited for the Dungeon Meshi world. He assures his father they’ll get a copy for print later, but this was the first edition and it was for Brightmerry. 

Meijack got an armband for easily hold and quick access to her most common picklock tools. Kind of like a bracer or that sliding blade thing from Assassins Creed. 

Fullertom, Danny gave her a bunch of blue ribbons and accessories. Jazz had to point out for him that this meant he was supportive of her desire for marriage—Something old, something new, something borrowed, something blue. Usually a tradition reserved for the marriage, but anyways. 

As for Puckpatti, he makes her a magic compass. No matter where she is, she can always ask her to point it where she wants to go. North, South, the next town, home, to a specific person, so on. The first thing she has it point to is to Danny. It’s a much more touching moment than I am capable of writing right this second. 

Uhhhh a plot point I hadn’t integrated yet was that Danny absolutely cannot cook with meat. It was started in the ‘they met during canon dungeon adventure times’ but I hadn’t translated it fully yet. Basically, when Danny tries to cook with meat, it comes alive—like the turkey or the hot dogs in canon, and SOMEWHAT like the familiars do. Of course, it’d be really weird to be able to do that without even trying, and possibly mildly illegal, so they just have Danny not cook meat. Then a draft came to be where Danny was like ‘fine I’ll just SHOW YOU’ to Senshi, and if it was in the dungeon, then he’d use them against a monster, and if it was during post canon, it’d be against his parents. Then the point of WHY all or most of them were together during the Fenton’s break in changed from the dinner party to the genetics test, and there was no reason for Danny to have been cooking. 

Danny finds and introduces Fullertom to a dwarf that she starts dating. Chilchuck isn’t sure if he should be concerned or impressed with the portfolio Danny pulls out when Chilchuck asks about the dwarf and what Danny knows about him. 

Another plot point for why Jazz and Danny were staying so long, outside of finding Danny’s birth family since we have now figured out he WAS developing normally and the whole portal thing was just sorta because of how tricky that power is, is that Princess Dora wanted Danny to find a good host for the Necklace of Aragon so that her brother could no longer claim it. It would, predictably, eventually go to Laios. Also, I am starting to realize I am more partial to Laios than the other characters, whoops. Anyways, I hadn’t figured out if I could or even SHOULD integrate that into the plot. 

Payment for the blood blossoms were going to include five of Fallin’s feathers. They’re magically powerful, and three of them were going to be used for each name that was ‘blocked’ from the Dungeon Meshi world. So one feather for Jack, one for Maddie, and one for Vlad. I haven’t decided if I’d keep that or not, but I also wasn’t sure what to do with the other two feathers, and just asking for three and that HAPPENS to work out, the number being considered magic aside, felt a bit off and too convenient. 

Danny would eventually take on a new name in honor of his birth family. Danbright Chils. Dan is him, obviously, and since he’d be taking Chils for Chilchuck, he decided to take Bright for Brightmerry. (I actually debated between Bright or Bridge. So either Brightmerry and Danbright or Bridgemerry and Danbridge. This is directly because of Danny’s ‘be the bridge’ thing.)

Things are just starting to settle… 

Then, Sidney of all people shows up in Danny’s magic communication mirror. And we get information that due to Jazz and Danny’s mild meddling with the magic-ecto-whatever barriers, that Jazz’s twin has become aware of the fact she once had a twin—basically, Inspector Gordon kind of ‘felt reminded of [Jazz]’ and told Barbara about it. And since Barbara is part of the superheroes club, she was able to find out that not only was her twin alive, but in an entirely different dimension entirely. 

Annnnd that’s all I got. 

It’s a lot! Don’t expect me to publish it! Have a nice day! 

[ssruis]

At some point I really do need to talk about tsukasa + rui wrt to rui - who has had so many people leave him because his ideas were scary/dangerous even when he did everything to ensure people wouldn’t actually get hurt - going “I’m going to be too weird and he’s going to leave me so I should just get it over with now by being as insane as possible. Ok he’s still here what if I’m more insane. Ok he’s still here but surely he’ll leave if I’m even crazier. Ok he’s still here but THIS time (rinse and repeat).” I feel like a lot of why rui acted Like That in the beginning was because he was like “this guy is a liar there’s no way he’ll actually stick around *nobody* is ok with my stunts.” If everyone says you’re weird and your ideas are insane and will hurt people you might as well lean into that being your reputation so that nobody else will attempt to be your friend and then leave when you + your ideas are too much. Obviously a lot of this is unconscious but I think in the beginning it was at least a little deliberate.

He was 100% lying when he was like “if you touch this you’ll die” in the main story but I feel like that was his way of being like “see recruiting me was a bad idea. Oh well this is what I expected”. Which is also why he immediately is like “bye then ✌🏻” when tsukasa is like “I don’t want to die.” & then he’s shocked when tsukasa is like “ok fine let’s do that” -> he suggests a flame thrower and launching tsukasa 10 meters into the air -> tsukasa is still like “😰… but it will wow the audience so as a future star I must do it”

which is 100% the first time anyone has been insane enough to agree to what rui throws at them & he’s very obviously super cheesed by this

The reason I’m singling out tsukasa (besides the fact that I’m a ruikasa enjoyer) is that, unlike with emu/nene, 1) tsukasa promised to match his freak during their first interaction 2) when rui attempted to call his bluff tsukasa continued to be insane and agree to his ideas.

& then when rui “shows and theatre are my entire life and also the only way I know how to connect to people (even though that never works)” kamishiro leaves and refuses to return, Tsukasa elects to convey his true feelings/rediscovery of his original goal through a show based around their argument. Which is an absolutely unhinged thing to do, but it works because rui is also unhinged and shows are the language he speaks best.

I think after the main story rui’s continued attempts to find the point where he’d finally become Too Much for tsukasa were unconscious. The brain likes patterns and it’s natural to attempt to make any exceptions to a rule fit with what you’re used to.

Wonder Halloween is absolutely rui’s worst nightmare coming true, in that he constantly goes to such great lengths to ensure that what he does is safe and people still leave anyways - and now he’s finally found someone just as crazy as he is, a place he can be accepted, and Tsukasa gets hurt because one of rui’s inventions malfunctions. If people left rui when it *was* safe, why on earth would someone stay when they actually got hurt because of him? & then tsukasa doesn’t leave, but rui pulls back because there’s no way he’s getting a second chance if someone else gets hurt. I think tsukasa being mad at *himself* for getting hurt and only getting mad at rui for pulling back was Huge because rui is so used to being too much, and now tsukasa is going “I won’t accept anything less than your authentic self.” Also huge because it showcases that tsukasa is a fucking freak.

The constant roping tsukasa into antics at school is (imo) another part of that - ok so tsukasa is fine with all of this on the stage, but what about in front of all of his peers? Getting in trouble and being labeled as weird will be the deal breaker right? Even nene doesn’t want to be seen around him. Nope! Tsukasa actually is going to act like they’re glued at the hip at school. Tsukasa cares about his reputation, in that he doesn’t want to be labeled as a trouble maker, but he’s already known as a weirdo and doesn’t really care. He’ll huff and puff about Rui being irresponsible and tarnishing his reputation but he’s still not leaving. Rui will purposefully annoy him & tsukasa will react dramatically but continue to associate with him.

Pandemonium is essentially an event about their relationship, & I’m not going to go pull a bunch of quotes (I am keeping this post solidly under control. I am not going to go insane with the evidence. I am normal and in charge of my own destiny.) but since I have this quote on hand:

Rui: I had always thought that I could never properly understand everyone around me.

Rui: as I started doing shows at Wonder Stage with everyone, my way of thinking and feelings began to change.

Rui: now, I am able to understand and connect with someone without relying on shows, and I’ve come to value the beauty of laughing alongside others

Rui: that’s why — tsukasa-kun. Thank you for giving me the chance to change.

The reason why pandemonium is the turning point for their relationship is because they’re connecting outside of shows. The reason why rui specifically cites tsukasa as the reason he changed is because tsukasa brought him to wxs, repeatedly emphasized that he would not accept rui holding back, and stuck with him when any sane and reasonable person would have been like “I value not getting detention on the daily and not dying on stage.” I say that with love. Pandemonium shows that rui *can* connect to people and form relationships without playfully threatening bodily harm several times a day, but the rui + tsukasa relationship is special in that they’re both insane Together.

One specific thing I want to point out is in the card story where tsukasa joins the disciplinary committee (I’m not transcribing that/pulling quotes watch it yourself) because he’s tired of having a reputation as a trouble maker. The easiest way to clear his name would be to stop associating with Rui at school, but tsukasa instead goes “I’m going to be taking responsibility for him and watching him carefully”. ??? Ok? Freak. (Tsukasa Tenma voice) you are NOT getting rid of me.

Last thing to mention is that saki, upon first meeting rui, is like “He must keep my brother in check I’m glad he found someone to do shows with 🥰” (funniest possible first impression of the ruikasa dynamic). This post is rui focused (consequence of spending the past 24 hours rotating him in my mind) but I think that because rui is so crazy people often forget that tsukasa is also insane. Even saki, who he’s objectively more normal around, thinks he’s a freak.

They’re both show maniacs. Matching each others freak. Absolutely misery inducing to be around if you haven’t built up a tolerance. I think they’re neat. I hope they both explode. You understand.

[pushing500]

We left Loyalty's Meander at the same time our last guests did. Apparently, the horrible murder-cult vibes weren't enough to deter them, so now we have allies! That's nice, I guess.

Blackthorn learned to walk while we were road-tripping and I couldn't get this scene from Ice Age out of my head while I was trying to draw it so you just get the scene instead.

Thanks to the vehicle mod, it only took us eight days to get here, so here we are! I can't wait to see the ship!

hmmmmmmmm

there is... no ship

That is problematic. We'll try to mine into those mountains and see if there's a ship hidden in there somewhere, but I fear this may call for some Dev Mode intervention from Ecthuctu themselves...

Duchess now is not a good time

Curly, that is RUDE. Ecthuctu will not be impressed by this slight, mark my words... Terrible things are coming for you.

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[captain-gillian]

Here is a nice ask right back 💜🩷

What culture shock and antics would the 126 get into if they visited Australia?

(I will answer yours later probably when I am not doing what I'm supposed to do on my prep time at work again haha)

thank you so much for the return nice ask! 💕

this is a really fun one, i think they'd be on seperate trips not all at once, so they'd have different culture shocks and experiences. i have deffs overthought all of this, but it was fun. there's some new fic ideas brewing now.

so tk & carlos are on a vacation to celebrate their anniversary, tk has always wanted to see the great barrier reef.

owen is on a vacation because tk raved about the australian beaches so much, mateo tags along with owen.

grace, judd & charlie are in victoria visiting grace's sisters who are in aus for their music and doing a trip along the great ocean road.

tommy and the girls go on a trip to australia zoo because while tommy was sick she realised life is too short and she's always wanted to see a koala in real life, so once she's better, she pulls the girls out of school to spend two weeks in australia. they also visit uluru and learn about aboriginal culture and bush tucker.

paul and asha go on their honeymoon.

marjan and nancy are chosen to go to a global conference in perth about leadership for female first responders, to represent the AFD.

as for their antics and culture shocks:

for tk, I think he would somehow end up rescuing an animal, maybe an orphan wombat joey and trying to convince carlos that he can raise it fine and they don’t need to call WIRES (a wildlife carer organisation), carlos calls anyway. as for carlos, who we know is not a great traveller, I think he'd struggle with how even the familiar stuff, like american chain stores/fast food places, and basic foods like bread are different in Australia, but he'd find how laid back it is, even in touristy areas really relaxing for his anxiety.

I think judd would be surprised by how different and challenging he finds it to drive on the opposite side of the road. at first he assumes it'll be easy, he's a really competent driver, he can drive a firetruck, how hard is it to drive a minivan on the 'wrong' side of the road. He also absolutely loses his mind at hook turns in melbourne (for good reason, who came up with those?) In the end, grace takes over for their road trip along the great ocean road, and is a total natural at driving on the left. judd sits in the back with charlie pointing out every animal they pass and playing "i spy" with her. at some point in their trip, they pass a bunnings and charlie gets really excited because that looks just like hammerbarn from bluey.

i think owen would go to bondi beach to surf, and end up in an episode of bondi rescue stealing the lifeguard's thunder by pulling off some daredevil rescue before the lifeguards get there (but not before the cameras do), then he gets a really hipster vegan smoothie from a nearby cafe and somehow ends up getting a date with a rich much younger local blonde woman who's sole heiress to a mining magnate.

meanwhile, mateo takes a day trip to the blue mountains, to see if they're really blue in real life. he comes across wild kangaroos and thinks it would be so dope to send everyone back home a selfie of him petting a kangaroo and thus becomes intimately equated with the differences between paramedicine in austin and sydney. after he's been stitched up he avoids the wildlife, opting to wander around the city near their hotel playing pokemon go when owen goes to the zoo.

paul & asha are looking forward to a really relaxing honeymoon, along the east coast, eating good food, drinking good wine, sitting by the pool reading, walking along the beach, hiking and taking in the wildlife. unfortunately, as a member of the 126, paul can't stop attracting trouble, with people having emergencies everywhere they go. on the flight there, there's bad turbulence, a few people get hurt and paul has to give minor first aid. then they get to a resturant that had amazing reviews for the australian fusion cusine, paul has been dying to try it and a woman at the next table chokes just as their first course arrives. paul has to render aid until the ambulance arrives, by the time it does his food is cold, the resturant comps their meal though. then when they're driving to a mountain to go hiking, a car crashes in front of them, they help rescue the driver with no equipment before the car is engulfed in flames. by the time help arrives and they give their details etc, it's too late in the day to start their hike. a man almost drowns in the hotel pool just as paul gets to the good part of his book, the lifeguard doesn't notice, so he has to rescue them. asha starts to joke they shouldn't leave their hotel room. that said, paul is shocked by how good all the food is in australia, and the coffee. he struggles to adjust back to american coffee when he gets home, and starts importing a specalised blend from a cafe they visited in australia who ship worldwide.

while nancy and marjan are at their conference, they're constantly next to each other, in each other's personal space and making inside jokes/laughing at things the other says, to the point everyone they meet, including hen who's there representing the afd, assumes they're dating (they aren't, yet) and asks what it's like working together and dating. marjan wants to go to rottnest island while they're in perth and get a quokka selfie for her instagram, she gets at least a dozen, and convinces nancy she needs to be in at least one quokka selfie with her. they send it to the 126 groupchat and tk assumes it's an announcement that they're finally dating. they both blush. by the end of the trip they are, infact, dating.

tommy & the twins go to queensland first, they have the best time as a family at australia zoo where they cuddle a koala and tommy is so excited to see robert irwin doing the croc feeding show. then they go to the gold coast and stay by the beach, where tommy expereinces the culture shock of how much more laid back and peaceful it is. she wants to have a really 'authentic' experience, so they have fish and chips on the beach. they're surprised that nobody else is eating on the beach, until they get attacked by a flock of seagulls. after losing half their chips and all their calamari to the gulls, they decide to have ice cream for dinner instead. the twins dare tommy to try vegemite flavoued ice cream, and not only does she like it, but she gets it with a scoop of cookies and cream. when they're learning about bush tucker on their uluru trip, tommy is the only person in the tour group willing to try witcherry grubs.

[thecomicallytragicgangle]

CHAOS POWER ACTIVATE

... I don't

I don't actually know what that did.

Anyways, hello :3

-Entropy (a possible new friend? :3c)

[oh boy,,sorry for taking so long to response, hello! you're in this comic here (grins) you may have to scroll a bit] [previous comic here] [next comic here]

[he VANISHED he is GONE also hammer anon if you want me to explain what happened i will. message you if you'd like. for context! im not sure if i should explain here because i would like to keep things unpredictable :3 nothing bad happened i swear]

[sisterdivinium]

Little update for anyone counting: VtM doctor superion AU is still in rewriting phase. I'm at page 32 of 106 and it is the equivalent to page 52 (of X) in the new version.

[magistralucis]

Actually I'm not done thinking about this post, thank you @ghostinthegallery for the inspiration. 👀 Motives-wise, Lysikor is the most obscure character in TDK; it's not clear what he wants, other than to steal things and watch Rome burn, and something about him makes the people around him act in unusual ways. It shows most obviously in Oltyx, but also with Unnas and Mentep and all the canopteks he keeps on stealing. I mean, there is no way he ought to have gotten away with the disrespect he showed his world, you know?

Oltyx claims Unnas only spared Lysikor because Unnas was more reasonable at the time (Ruin, Chapter 4). But necron lives are expendable, and many have been killed for doing much less than Lysikor. This dude is ridiculously good at surviving. He repeatedly taps into Oltyx's mind without consent, and those intrusions hardly ever have consequences; he almost fucks up the beginnings of Oltyx's kingship entirely by mentioning The Regicide; of course, he also gets off scot-free at the very end, heavily armed and unafflicted. Why?

My theory is that it has to do with reality. Ithakas is cursed because they tore a hole in reality. In the 9th Edition Codex (pg 11), it's stated that 'the C'tan were bound to reality itself, and so could never be destroyed, only splintered into stunted echoes of their former might' - but they did destroy Llandu'gor, and the Flayer-urge spread from the aftermath, and the Twice-Dead King is about Oltyx's journey to heal what was broken. He has to deny, repair, or move past at least three realities to achieve this ending, and each one is represented by a different character:

Djoseras, for the past reality of Ithakas, when the glory of the dynasty belonged to the stones and not its people. This reality is no longer tenable by the end of Ruin, and Djoseras is killed defending it to the last man.

Mentep, for the present reality of Oltyx, in that he helped cause Ithakas's affliction millions of years ago. Throughout TDK he's trying to atone for what he's done, but the problem with what he's done is that he's made Oltyx paranoid and tyrannical, and his good intentions cannot outmatch the other's violence.

Yenekh (and Zultanekh), for the future reality of the Flayed Ones, the transformative one eventually claimed and shaped by Valgûl's heka. Yenekh gives Oltyx the hope to regrow from the ashes, and Zultanekh validates their new world-order by bearing witness to it. Only after this point are they all somebody, instead of vermin, nobodies, or Nobody (Οὖτις).

Where Lysikor comes in, I think, is the fourth reality: metafiction, the realm outside Oltyx, the Bone Kingdom, or necrons as a concept. Literally the fourth wall. Lysikor knows that he's in a book! His idiosyncrasies make so much more sense if you interpret it as his playing around with tropes. The way he signposts Oltyx's actions with literary devices (e.g. 'the bait's been taken' re: the warboss, describing Oltyx's explanation for Yenekh's exile as a 'story', etc.). How he always manages to steal the exact McGuffin they need. The plan he had to kill Oltyx at the figurative eleventh hour. Of course nothing ever touches him! He literally exists above the narrative!

That too is why he can make nonsense of the order of the world. Lysikor already has his own sense of order, if anything he makes everybody else answer to it. His complete dismissal of heka, Oltyx's and others. The insistence that he be called Duke, which is not an Ithakan title, which he somehow gets people to respect. His cavalier attitude towards stealing as well as giving back. My favourite fourth-wall moment has to be when he answers a question literally nobody asked, the one about the Ithakan serapteks: the last we saw of them was Oltyx witnessing their slow deaths in Chapter 19 of Ruin. So what became of them? Yoinked by Lysikor, of course. 👍

But that's the genius of it. Ithakas has only seven serapteks to spare, and they are the most powerful canopteks there are: 'symbols of dynastic might, reserved for only the most apocalyptic conflicts', as Chapter 11 of Ruin puts it. In a significant sense they are the dynasty. When they pass into Lysikor's possession, it means that he becomes a world unto himself! I think that's why he's as secure with Oltyx as he is: they are supreme leaders, capable of world-shaping heka, just that Lysikor is the only one who knows it for most of TDK. He's forbidden from commanding people, he lives with the figurative animals, as canopteks are ranked slightly above C'tan shards and below all necrons. But what fantastic canopteks! What an army!

Canopteks are often simulacra of beasts pre-biotransference. Lysikor is a simulacrum too, not of beasts but a Synaptic Disintegrator, pointed not at people but into the firmament. He's the perfect deathmark, textually and metatextually, sneakiness and treachery and hyperspace nowhere played dastardly straight. I bet he wasn't even that disappointed Oltyx got away. He analysed Oltyx's character arc carefully and liked what he saw, and it wasn't until Oltyx started bending reality himself that Lysikor was bested. Even that won't be for long. The Twice-Dead King better watch out, eat your heart out, Oltyx, here comes the Twice-Troped Duke 🔫🤪

[lucalicatteart]

Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0

(additional pictures/info under the readmore)

-

Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...

Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.

The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.

I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.

The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol

Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.

Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.

Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .

Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).

The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).

Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.

-

I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.

Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol

[flowerfletching]

Alright so I've seen someone post about how Jenny x Gilan is a bit weird, which I do agree with, but since I don't really focus on their relationship much I don't really have much to say on it, plus what I would have had to say was better said by other people. That being said when I looked on the reblogs I also noticed that someone brought up Halt x Pauline and how there are some things weird about it because of how they met but I also have more to add to it. And since this is really long I decided to make it my own post since I have a LOT to say on this. Plus it's just a bit different than their reason for mentioning it so I figured it'd just be a better idea if I made it an individual post-

First, to the person who mentioned it, I agree. There is absolutely NO WAY Halt would have fumbled that hard and I don't care how pretty she is, it just makes absolutely no sense whatsoever for him. There's also the fact that, a little bit after, Halt said that he was tempted to tell her about his royal background but ultimately decided not to. And you want to know why he decided not to? Why, that's just because he thought that she wouldn't be impressed. Not because he just spent all that time escaping to begin with and didn't want to risk her stabbing him in the back, no it was just because he thought she wouldn't be impressed. Keep in mind, I'm pretty sure they had literally JUST met. Like, bro. Seriously?

Then there's also the fact that their relationship just kinda feels shallow and undeveloped. I feel like it's shallow because it was literally love at first sight, which was essentially loving the other immediately without knowing the other person literally AT ALL. We also don't really see them growing together much before they actually get married, and the little moments that we actually DO get to see still don't have very much development and don't really show good examples of the love that is allegedly there. I get that there was a lot of the relationship that was built behind the scenes but still, you really couldn't show us much proof of those developments, could you? Plus it also just feels like their marriage in general was just used as a plot device, providing as a huge event that got disrupted to lead into the main plot of the book.

Alright but that could be mostly excused if the relationship was actually nice, cute, and functioning in the end, right? Well, while there are some scenes of them having a good relationship, there's this one scene that absolutely DESTROYED any chances of me actually enjoying that ship.

My final reason for not liking this ship, which is actually kinda why I just don't like Pauline in general, is in the Lost Stories (I believe the section it's in is Purple Prose and it's the first chapter of it). I mentioned not liking this section when I rebloged someone else's post and mentioned that I had another reason for not liking this section, and this is that reason. This is actually the main reason, actually. The idea is that Halt, Pauline, and Will are all having dinner together, right? Will decides to read to them what he plans to read at Horace and Cassandra's wedding for his speech. Will's wording was a bit extra and Halt didn't hesitate to let him know. Now I will admit, I feel as though Halt was being a bit rude in this scene. And while his personality of being blunt and grim doesn't really make that behavior okay, his behavior absolutely does NOT justify Pauline's response to it.

How it ended was by I believe Will mentioning the way that Halt was acting, and then Pauline ominously (literally the word that was used, I'm not joking) said that she would talk to him later. And how did Halt react to that, exactly? Well when it comes to his reaction, it says that the wolfish smile was wiped off of his face and that he looked scared. Halt, the war hero, the one that had been betrayed by his own family, and the one most famous for hiding his feelings, was scared of his own wife. I've seen the trope of men being scared of their wives but I feel like if Halt, of all people, has to be scared of his wife, then there's a problem. Not to say men having to be scared of their wives ISN'T an issue, it is, but for someone like him to be scared it MUST be bad. Especially after she literally just hit him... TWICE. This scene alone proved that Pauline would hit Halt (proven by the first hit), she WOULD do it again (proven by the second hit), and that there's probably more that goes on behind the scenes that we don't see (proven by Halt looking scared when Pauline ominously mentioned talking to him later). Once again, Halt was being rude in the way he let Will know that he didn't approve of the way that he decided to go about his speech. That does NOT, however, justify Pauline's behavior in response to it.

And the thing is, Pauline is the stupid either. She's smart enough and is good enough with people that there's almost no POSSIBLE way that she doesn't know what she's doing. And yet, she does it anyway. This is either borderline, signs of, or is straight up abusive behavior. You might think I'm exaggerating and I hope wouldn't really blame you, with the way he wrote it it wasn't really depicted as serious since that probably wasn't the way it was intended. That still doesn't change what actually happened.

And yeah, that's the reason why I have such a hard time actually liking this ship. To me it feels shallow, underdeveloped/forced, is borderline abusive, and is basically built on an interaction that was just ENTIRELY out of character to begin with. And while yes, there are some good moments, I feel like there aren't NEARLY enough to make up for all of the flaws in it.