#i did it i know how to work ao3 now

[ev-writes-things]

merchants, maps, and mysteries ❀

idk who or what turned me into a writing demon but this will NOT LAST…

switching between writing this and writing my essay is truly the only thing keeping me sane thank you very much

this is part/chapter two of @enden-k’s fantasy au!! got to write one of my favorite characters for this it was so much fun :D i hope you all like it 🫶🏼

─── ✿⋅❀ To undertake such a journey is to shoulder a burden alone.

Kaveh's plan is quickly met by a dead end; he knows what he wants to do, not how to do it.

In this new, unfamiliar world, will Kaveh be forced to navigate on his own?

Perhaps not, for everyone knows that a journey is easier with friends. ❀⋅✿ ───

[hellaverse-critical-confessions]

(from this video)

[kindlythevoid]

Me, upon receiving one (1) SORTA mean, maybe-off comment out of hundreds of super nice comments that I love, now staring for even MORE hours at the draft of the next chapter I need to write: Well, fuck. Now what? Also Me, .02 seconds later, gritting my teeth and strategizing: Well, I write this fanfic for me. This is my fanfic. People can think what they like. I will take this comment and use it to think of new ways to improve my writing, but I will not internalize it. I write this fanfic for me. This is my fanfic. People can think what they like. I will take this comment and use it to think of new ways to improve my writing, but I will not internalize it. I write this fanfic for ME. This is MY fanfic. People can think what they like--

[michameinmicha]

I'm so completely unable to just sit down and do important stuff and i swear every time i give it a try something else happens that just takes my entire attention off what im supposed to be doing it's not even my fault this is the universe sabotaging me!!! It's not even funny anymore i need to apply to jobs and do other paperwork but i just cannot do it!!!

[bright-and-burning]

stuck trying to figure out if i should orphan my first ever published fic or smthn bc of c*dy k* allegations... like is that fic very Good exactly? no. not even a little. is it still my first ever fic on ao3? yeah...

[just-spacetrash]

🦾

[i-am-bitterly-jittery]

Every time I open my ODD doc I look at the word count and wonder how I got here

[fandomymous-anonymous]

fandom vore rant in the tags guys ignore me genuinely this time

[orcelito]

I do love how every single piece of writing I've done has been copy-pasted from discacc. As in I figured out the document formatting I wanted to do, forgot what it was, and have just copy pasted bits of text from one doc to another when starting smth new. Not necessarily copying from discacc every time, but it was the first.

All my fics lead back to discacc

[notacowfest]

The collection has a fic already! I'm so excited!!

we actually have SIX fics!! and we're still (approximately) a month out from when they're due ........ i am right there with you in excitement. it's exciting!!!

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[millermenapologist]

Fandom friends, we have won the battle (although we definitely did not win the war).

Yesterday, I wrote this post about lore.fm, an AI scraping app that was being marketed as an accessibility tool. Now, the person that has been promoting this app decided, in the light of plenty of backlash, to backtrack and pull it down, as they "feel uncomfortable" with how authors reacted to it.

Of this video, it's very important to highlight a couple of things:

the video is 3 long minutes of guilt-tripping: she keeps repeating that her (and her team, whose existence wasn't disclosed until yesterday: this app was marketed as being a sole woman's pet project) wanted to do good and create an accessibility tool. This comes with the underlying layer that all the authors who rightfully decided to defend their creations are ableist and in the wrong. It's a manipulation tactic;

there is no acknowledgement of the fact that the app was created by a team that specifically works to create apps that generate AI stories;

there is no explanation as to where the money to fund this app is coming from, and we all know that, when you're not paying for the product, you are the product;

this is backtracking, not genuine conversation: since the other day, the videos promoting this app went viral on r/Ao3, and plenty of people began contacting team@lore.fm to ask for their works to not be included. Then, the news spread on Tumblr too. They originally thought they could get away with "legally" stealing as much material as possible, and had to cut the project short because authors were doing everything in their power to stop them. The decision to take the app off for "reassessment" doesn't come from the goodness of their hearts.

At this point of the conversation, I think it's clear that the entirety of the project was relying on the perceived naïveté of fanfic readers and writers, who are oftentimes seen and stereotyped as being silly teens and not adults with real jobs and real knowledge of the law. When they saw dozens, if not hundreds, of authors contacting them to ask their works to not be featured, some of them threatening legal consequences, they had no other choice but to backtrack.

For now, the issue is closed, but don't think it'll be forever. Know your rights, even if you're "just" a fic author, and defend yourself and your works too from these scummy companies that see us as nothing but machines that churn out material for them to steal and profit off of with no consequences.

[pipermca]

New AO3 Tag Wrangling Policy and the Transformers Fandom

Edit in the event people come back to the original post: Please do not email AO3 about this issue. See their response about this issue!

(This is a long one, folks, but I think it's important.)

A new tag-wrangling policy on AO3 has the potential to create some massive confusion and chaos in the Transformers fanfic community, with regards to fandom tags. There is a Reddit post about it here with a focus on anime fandoms, but I want to give some concrete examples for the Transformers fandom on why we DO NOT WANT this, and why I think it's a horrible idea.

The Problem

Basically, AO3 is looking to get rid of the "All Media Types" fandom tag across the board, either by dismantling them or just not maintaining them. The Transformers - All Media Types tag has been an all-purpose tag that you could select when your story doesn't fall into any one specific continuity. Additionally, all most (see below) TF continuities on AO3 are considered a subtag of the Transformers - All Media Types tag. For example, if you look at the link above for all works in the All Media Types tag, you will see fics that are also tagged ONLY with Transformers: Animated, because it falls under the All Media Types tag.

One exception: With the upcoming Transformers: One movie coming out imminently, there will likely be a big influx of stories tagged with Transformers: One. In fact, there are several already. However, it hasn't been linked to the larger Transformers - All Media Types tag yet. I wasn't worrying about it though, because I know these things can take time.

With information about this new tagging policy, however, I'm now wondering whether it'll EVER get linked to the All Media Types tag. If that happens, and when more continuities are developed in the coming years (since you know Hasbro loves creating new universes) this has the potential to cause massive confusion when looking for stories to read.

Searching for Stories with the New Tagging System

So let's say the All Media Types fandom tag isn't accurate anymore, because it no longer includes ALL of the continuities (such as TF:One). You will need to include ALL the Transformers continuities when browsing for TF fics.

How many tags is that? Well, here are all of the tags currently listed under the Transformers - All Media Types tag:

Note that this doesn't include Transformers: One since it hasn't been categorized yet.

You will potentially have to have 40 or more different fandom tags in your search, just in case the author tagged their story with something you weren't expecting.

This massively decreases the findability of a story.

Tagging with the New System

The email response from the Tag Wrangling group (see the linked Reddit post above) seems to be a bit flip in the response to the user's concern. "...encourages creators to tag with the media they intend."

While I appreciate what they are attempting to do, this policy change feels like a solution in search of a problem, especially in larger fandoms with multiple continuities, versions, and media types that are all cross-pollinated in both canon and fanon. While I'm focusing on Transformers fandom, imagine a creator in the DC comic universe writing a story that incorporates bits and pieces from a dozen different reboots.

For example, let's say that I am writing a fic about Ratchet. I am using the setting of the original G1 episodes, but I also am using the characterization of him as a bit of an old man grump. That characterization originated in the Animated continuity, but I want to incorporate bits of pieces of his other characterizations as well (old friend of Optimus from TFP, Ratchet ran a faction-free clinic like he did in the War for Cybertron series, he's got a Decepticon boyfriend like in IDW1 - or maybe even Cyberverse, etc.)

With this new tagging structure, I might potentially have to tag the story with ALL of those continuities. So instead of just slapping down the "All Media Types" tag (and maybe one other fandom tag that matches the characters as best I can), I'll have to analyze my story and try to figure out how best to tag for the characters I used.

And what if you're doing a completely AU version of the story? For example, a humanformers story, or merformers? Using the All Media Types tag along with a Alternate Universe - Human or Alternate Universe - Mermaid tag worked perfectly, since you weren't writing the story to fit into one specific continuity. But now, that might not be an option.

What To Do??

The first thing I would suggest is to contact AO3 (using the Feedback and Support page) and let them know (nicely) that you think this is a horrible idea. Give them some examples on how you use the All Media Types tag to find stories to read, or to help you tag a story. People outside of the Transformers fandom don't always appreciate how absolutely tangled the continuities can be with each other, and providing examples might help them see why this would be a really messy change.

Readers: Be aware that when you are looking in the All Media Types tag, it will no longer show newer continuities. And if AO3 starts dismantling that tag like they suggested they are doing, be aware that some stories won't show up in that tag like they used to. You can also create and then bookmark a custom search page that includes all 40+ continuities. REALLY annoying, but it's a workaround.

Writers: Until they start dismantling the All Media Types tag, ALWAYS ALWAYS tag your stories using Transformers - All Media Types... Especially for newer continuities. This will be especially important if you are writing a Transformers: One story. Right now, anyone who is only browsing the All Media Types tag will not see a story tagged only with Transformers: One. Make sure you're aware of how tags work and how they can affect the visibility and findability of your story.

Epilogue

Ugh. That's a lot of words for a long-weekend Saturday. And maybe I'm overreacting a tiny bit. But my work involves information architecture, and this change just absolutely baffles me. It's almost as though they want to make it harder to find stories. Considering that AO3 won a Hugo partially because of its fantastic tagging system, this change seems like AO3 is doing its best to shoot itself in the foot.

When you have a square hole, a round hole, and a rectangular hole… Yeah, you DO want each peg to go in the "right" hole. But if all of the pegs fit in the square hole, who cares? You got the job done.

I love you @ao3org, but please reconsider this change... Especially for IPs that are as old and are as varied as Transformers.

[hussyknee]

i'm so confused rn, can you explain the goncharov thing?? i get off tumblr for five minutes

(Edits closed as of 28 Nov.)

Lmaoooo

Nah I getchu. So this post has been circulating for like two years:

Link to post.

But yesterday, it had inspired someone to do this:

Link to post.

Next thing I knew there were fake Letterboxed reviews.

Goncharov moodboards. Really good ones.

Link to post.

Meta analysis. So many fake meta essays. Disturbingly good ones. And of course the memes. (Edit: HAVE I SAID THIS SHIT IS DISTURBING)

As you can see, the myth just started to grow, characters and ships and tropes being added one after the other, almost bizzarely without contradiction, until there was enough of shape to the whole thing for people to start posting fanfic about it on AO3. "No beta we die like ice-pick Joe" is already a tag.

Link to post.

It was hilarious in the beginning, but the way it's developed within less than a day, kind of like it's being willed into existence, is freaking me out a bit. We're toying with powers beyond our comprehension. 😂😂😂

Link to post.

Of course, there could be an ulterior motive as well.

Link to post (tags mine).

Edit: guys, please tag these posts "unreality" so people with disassociation issues can filter them out (not this one, this is an explainer). <3

----------------------------------------------

Edit 2: Aparently the boots in the original post are actually referring to a movie called Gomorrah that came out in 2008, directed by Mateo Garrone, based on the Scampia Feud. And other people had also been making posts about the fake movie for a while before the poster took off.

found by @thepotch

Edit 3: Explainer: why did those boots have this movie on them anyway?

Edit 4: Alt text added to all images courtesy of @valentineish ❤️

Edit 5: Turns out tumblr has done this kind of thing before. Nine years in this hell place and I had to have "Squiddles" and penis smp explained in the replies.

Edit 6: This post collects the Lore so far.

Edit 7: Lynda Carter (real one)/ earns more/ Tumblr cred.

Edit 8: Holy shit y'all we have the theme music. With sheet music. And it's on Spotify!

Edit 9: THERE IS A TRAILER WITH THE THEME MUSIC

----------------------------------------------

I made this post 18 hours after the movie poster went up. Closed edits 27 hours after first posting. So all of the above happened within 45 hours of the movie poster going up.

Edit 10: Google document live-compiling all the lore so far (Day 3)

Edit 11: Masterpost of Goncharov soundtracks (Day 3)

Edit 12: Entertainment news articles covering the Gonch-posting (real) (Contd from yday)

Edit 13: The music from the masterpost all compiled into a 31-minute original score with video edits on YouTube (edit: unfortunately taken down)

Edit 14: Staff's Goncharov art showcase for Tumblr Tuesday

As of closing on Day 3 there are 371 works in the AO3 tag.

-----

Updating with Day 3 shenanigans I missed yesterday:

Edit 15: Goncharov TV Tropes page

Edit 16: Ethics of Gonchposting

Important PSA 1 (how to reduce harm to Tumblr's neurodivergents)

Important PSA 2 (reality affirmation, anti-bullying)

Important PSA 3 (why you should stop trying to vandalise legit information sites)

Edit 17: Character lore from beezlebub whose poster they originated from

Edit 18: What we know about/ Director Matteo JWHJ0715 (#unreality)

Edit 19: Link to post with screenshotted and described NYT article (scroll down) and this golden exerpt from BuzzFeed: 💀

(alt text included)

End of Day 4 there are now 485 works in the Goncharov tag on AO3

----

Didn't get to update this on Day 5, so these are the Day 5 doings:

More trailers!

Trailer 1 (My favourite)

Trailer 2

Trailer 3

Trailer 4

I also just found out about the Goncharov Game Jam.

It appears this opened a day after after the meme took off.

Goncharov was first entered into Wikipedia between Day 4 and 5 (attempts to vandalise it with fake info don't count, incidentally – please knock that shit off) under List of Internet Phenomena. This was then expanded into its own Wikipedia page at the end of Day 5 because, according to the talk history: "the topic now meets the notability threshold for its own artice due to significant coverage in The New York Times and other sources cited." We're on Wikipedia, people!

And then we made The Guardian half a day later. So while the meme is definitely dying down to embers by now, it still stays winning.

YouTube channels with episodes on the meme:

InformOverlord (4:30)

Lessons in Meme Culture (2:43)

End of Day of 5 there were 511 works on AO3, and End of Day 6 (today) there are 556.

--

🚨BREAKING 🚨 from Martin Scorsese's daughter's TikTok (real actual)

tw: unreality:

We did it you guys!

Clarification: Francesca Scorcese asked her Dad about the meme and Martin played along. Please reblog this PSA to help Tumblr people with psychosis. Thanks.

Final edit: Day 8. Media reactions to Scorcese's TikTok (everyone from Forbes to Vulture). That one Tumblr user who said they'd do a screenplay if their post got notes has promised to shoot a single scene, but please don't be dicks just because you reblogged it; leave them alone until they get around to it themselves. As of end of Day 8 there are 609 works in the AO3 tag. I love all you lunatics. Peace! ❤️

[tteokdoroki]

˗ˏˋ 💎  JJK MEN AS OVERPROTECTIVE GIRL DADS gojo, sukuna & geto .ᐟ

⋆˙ ᯓ★  about ! “a little girl’s first love will always be her father." three scenarios in which the daughters of three jjk men introduce their boyfriends to their fathers. ( 5.7K )

warnings ! minors blank and ageless blogs do not interact. video banner. not beta read. sfw, fluff, angst if you squint, no-curses!au, mentions of pregnancy, children and babies, the children have no names, some family issues, married life, domestic bliss, husband + father!jjk men, mother + fem!reader.

sonic says ! hello everyone !! i wanted to try my hand at some head canons and scenarios, i couldn’t get this idea out of my head so put a pause on working on kinktober to write it lol!! hope you enjoy <3 - m.list ⋆ read on ao3 ! ִ ࣪𖤐₊ 

ᯓ★ SATORU GOJO:

before meeting you, satoru gojo had never been fond of a family dinner. 

in his childhood home — they were cold and quiet, pockets of clattering cutlery would cut through painstaking silence and distract from the loud emptiness of the seat at the head of the table where his own father was supposed to be. his mother, often solemn and sunken in the shoulders, never spoke. never cooked and slipped small bites to her son in between preparation or steps.

they had staff for that, they had staff for everything.

to keep the household clean and together. to keep him fed and breathing. to keep him alive. all requirements felt almost clinical, the environment in which he was raised almost like the white walls of a hospital — without a trace of love needed for a child like satoru gojo needed to thrive. 

even if he had all the money in the world, he hadn’t a drop of love. he wasn’t ever sure if he was capable of the warm and fuzzy emotion, didn’t know if it was something his heart could ever open up to — sealed in by layers of cool, cold concrete and cement. kept in a safe without a key. at least until you miraculously found it and melted the thick layers of ice blocking satoru’s veins. you brought back colour to his cheeks and light to his eyes, taking up the space in his heart where his family had left a swirling, black void. 

to satoru, you were a saving grace. his everything… and he swore he’d never be like his father; who left his wife unhappy and empty, like a abandoned shell. he promised; he’d do much better than his parents ever did. especially when you found out you were pregnant, even more so when your little girl came into the world with plentiful white curls and lashes, screaming at the top of her teeny tiny lungs. 

at the time, you were sure you’d never seen satoru gojo so in love ( and so teary eyed too ) — but you knew what becoming a parent meant to him. what it meant for the new life you now shared.

but now, having met you and married you and created life with you — satoru had found a new appreciation for family dinners. they were a sacred event, a special time for him to keep up with the lives of his children and let them know he was there. present. 

it wasn’t a time to be imposed on and certainly not by meddlesome boyfriends brought home by sixteen year old daughters.

“so kid, what’s your 401K look like?” 

satoru carries a look of disdain, his nostrils flared, blue eyes narrowed and perfect pink lips curled in an unhappy frown. 

the young boy opposite him, a little scrawny and awkward, shrinks underneath the white haired man’s intense gaze — if you squinted, you could probably see him shaking like a little leaf in the intense wind from across the table “um… i don’t know?”

“hear that little guy? no 401K… how’s he meant to take care of your sister. yeah, yeah.

you’re right, i’ll give him a chance,” he mutters to the baby boy snoozing happily in his arms under his breath, engaging in a one sided conversation before switching his focus back to his daughter’s…sorry excuse for a partner. “okay then… finances, clearly not. academics and common sense —“ pausing,  the white haired father of two clicks his tongue, pushing it into the soft flesh on the inside of his cheek as if to feel his next words out in his mouth. “do you even know what a bouquet of flowers is, kid? a corsage? gojo women don’t play about their flowers, yanno.” 

“sir—“

without giving the boy a chance to speak, gojo drops his intrusive gaze under the table and back up again — pointing an accusatory finger at his little girl’s partner. “your top button’s undone and your shoe laces are untied. you might wanna fix that! if you care about my daughter’s safety!” he turns his nose up all petulant like a picky toddler being forced to eat his veggies, he even sticks his tongue out for good measure. gojo’s eccentric movements nearly jostle his sleepy son in place. the baby whines and gurgles a little bit, only soothed by a pat to his back from dad — who repositions him to snooze over his shoulder.

in a silent, quieter gesture, satoru uses two fingers to point between his eyes and the boy’s. almost as if to say ‘i’m watching you.’

catching him in the act, the eldest gojo daughter bounces into the room carrying plates of steaming hot food, exhaling with worm down patience evident in her body language. “daddy please, you don’t act like this normally. stop messing around.” rolling her eyes, she sets the dishes down, freeing up her hand to smack the back of her dad’s clearly empty skull. just like her mother.

“well sooooorrry for being a good dad and caring about your wellbeing! who you’re dating! who you’re bringing into our bloodline!” gojo rebuttals with petish grunts, unable to cradle the back of his injured head like he does with his son.  

and as if by magic, you, his beautiful and loving and gorgeous wife appear with dinner plates in hand to double down on a scolding the white haired man. amused, you also swat at your husband’s head and tut down at him. “satoru? what are you doing?” there’s something about the way you tease and tell gojo off that always makes his heart race, even after all these years of marriage and raising his kids. he loves you, his family so much. he almost keens into your touch like a pathetic dog, until your daughter starts gagging at the sight — slipping into her set. you were supposed to be watching the baby. not interrogating the poor kid.” 

“we’re having a heart to heart, babe,” gojo swoons, clearing his throat as his head bobs in the direction of his daughter’s boyfriend. “jimbob here was just telling me about his 3.4% grade point average.”

“it’s hiro sir! and uh… 3.5% sir.” the boyfriend in question chirps shyly.

you know that your husband feels… almost threatened by another man entering your daughter’s life — they’ve been practically inseparable since the moment she first opened her eyes. to give up the duty of loving and protecting her and pass it onto someone else is probably what scares him the most. “that’s pretty good hun!” you comment absentmindedly, hoping to pull satoru away from the conversation.

“no it’s not! our daughter has a 4.0%.”

“s-she was failing in math, i was tutoring her.” the boyfriend hopefully interjects again, whispering next when the baby stirs at the dining table. “i hope that makes up for my 401K sir. i-i also work part time to save for college and—!” 

“haha — no i wasn’t!” the younger gojo girl tenses in place, elbowing her date in the ribs not so discretely from under the table. it’s this interaction that makes her father smile, only briefly, before you scowl his way.

“i thought you told them we met at a tutoring session.” 

“you were failing?” you raise a brow, taking your own seat beside her father. 

“see! this boy failure is a bad influence on our daughter!” a glare settles on the slopes of satoru’s angelic features, mirrored by your child’s unimpressed expression across the table. in his arms, your youngest fusses about as if he senses the mounting tension at the table — earning a bounce or two from daddy, who turns your way all matter-of-factly like. “see, this why he doesn’t have a 401K”

“why would a teenager have a 401k, satoru!” comes your exasperated sigh.

“i had one when i was his age.” satoru shoots back and the kid sinks nervously in his seat. the poor boy looks as though he wants to disappear, squirming in place like he’s no better than a worm on a bait hook — it’s torture being interrogated and inspected by someone so close to the person you love most, but even he knows how important satoru’s approval is to your daughter.

she wouldn’t say it now, not when she was all grown up and finding her way out in the world — but she idolised gojo, all of her fondest memories are painted in his colours. shades of sapphire and azure like his vivid eyes, snowy white from his hair that almost rivals the clouds in the sky — the backdrop to days spent riding her father’s shoulders through the big wide world, racing down grassy green hills and wasting the hours away. she wouldn’t admit it here, today, but she never wanted to leave those memories. leave her father behind in her youth — it was written on each dip and curve and highlight on her youthful face, she wanted her father to move into this next phase of life with her too.

“daddy, you were a trust fund baby with shit grades and no prospects until you met mum,” she huffs but her words hold no malice, even if the sass brims over the edge of her tone like an emotionally charged, overflowing glass of water. you’d chide her for cursing — but you know she means well, stubbornly expressing her desire for approval to her man child of a father. “a loser, if you will.” 

gojo slumps, the rosey petals of his plump lips pushing into an age old pout. “how could you say that about dear old dad?” he whines, as though he’s a wounded animal. 

“well she’s not wrong, baby. you were a loser satoru, you still are.” the words are fond and light hearted on your tongue, a similar state to the wisps of a smile that trace over your own lips. leaning in close, you tickle the nose of the gurgling baby boy in his arms, heart heavy with affection — grateful that the one interaction you had with your husband all those years ago ( when he was a scrapier and misunderstood ) led you both to the beautiful chaotic family you have together now. “a hot one at least.” 

“gross.” your daughter groans and buries her embarrassed gaze in the spread of food on the neatly laid table — grabbing a plate and piling it high to cope.

her boyfriend chuckles nervously, wanting nothing more but to eat and do the same. desperate to hide from gojo’s intimidating aura, but too afraid to cross another one of his ridiculous invisible lines. “i think that’s very sweet mrs gojo!”

the brief moment of peace in the war of dad v boyfriend is then interrupted by the white haired man’s temper tantrum, realising that his only daughter is still in the room. “don’t push it kid.” the father of your children all but wails and finds something else about the young couple to pick apart. “you’re sitting too close together! move apart!” 

“daddy—!”

“w-what?”

“i said move it or lose it kid, before i keel over and die of heartbreak.” “betrayal. my own daughter, leaving me for someone else.” 

the two separate, shifting their chairs away from one another despite never actually being too close. you share an empathetic look with your eldest, empathetic to your husband’s actions. you both knew he wouldn’t handle the meeting well, but this was beyond your whilst dreams. the young couple’s hands remain intertwined under the table cloth as the meal begins properly, and when satoru notices, he doesn’t comment — biting down hard on his unhappy tongue. he knows all too well what it’s like to love against the odds, his father in law hardly wanted him around you. it’s not like he wasn’t aware how bad he was for you, how your standards might have even dropped for the man to be with him. but you loved satoru with your entire being, wholly and against all of your own parent’s wishes. 

in a way, the dinner tonight reminds him of himself meeting your father for the first time — how he had to work for his approval too. prove that he was more than just a spoilt brat. too caught up in the memories, the odd sense of loss threaded between his every breath and the love he holds for his daughter settled in his lungs — gojo almost kissed the way you whisper to him adoringly, head drooping to rest on his shoulder mostly to look at your baby but partly to comfort him. “you’re being dramatic satoru. look at them, don’t you just love young love.” 

and he does, he looks, really looks — softly staring across the table and through the haze of his own judgement, noticing how happy his little girl looks all wrapped up with her boyfriend. all he’s ever wanted is to keep her smiling, give her a life that his parents couldn’t give him, he feels all of his resentment and fear or losing his daughter melt away like a plain sheet of paper dissolving in water. he loves her too much to not let her be happy, his baby. his little girl. 

“no, not at all,” satoru finally relents with a wobbling voice and silvery tears that dot his vision — shaking his head back and forth to stop them from dropping onto his sleeping son gathered in his arms. “w-why would you say that? god, is it allergy season? my eyes are killing me. they’re not cute at all, why would you say that i’m crying?” 

your teenage daughter glances over, relief evident in all of her identical gojo features. “no one mentioned you crying, daddy.” she coos softly in an attempt to console satoru.

it doesn’t work, he starts dry heaving and sobbing. which is new for her, he hasn’t cried this hard since her baby brother was born.

the kid scrambles into his pocket and damn near stumbles over the table in order to hand your white haired lover a tissue. “i don’t think you’re crying sir!” 

“shut up!” gojo sniffles dramatically, putting on his best theatre kid act and drapes himself ( and the baby ) all over you. “shit, is this cushioned tissue? three ply?” pale, deft fingers swipe at the blue pools of eyes which well with tears while the kid nods over enthusiastically — desperate to please his girlfriend’s guardian. “good stuff this is… but this doesn’t mean i approve of you for my daughter!”

“gojo!” 

“whaaaaat!? he doesn’t have a 401K!”

ᯓ★ RYOMEN SUKUNA:

if you’d told sukuna, almost a decade and a half ago, that he would end up with a life shrouded in domestic bliss — he would have laughed in your face. maybe even called you a cunt whilst telling you to fuck off. back then, when he was younger and the spirit of ambitious fire burned brightly in his veins as though he had petroleum for blood, the pink haired man never dreamed of settling down. buying a house. getting married. or having kids.

he was as untameable as a wild horse, with only one goal in mind. to open up his restaurant and get his family out of that shithole town by all and any means. he’d cross whatever rivers he had to, climb whatever mountains he needed to — push past societal hurdles that judged him for the pink in his hair and the thick ink on his body. ryomen sukuna did not care. not about anyone else, only about his goals.

at least, until he met you. 

in many ways, you were a blessing to the world where sukuna was a curse. his complete opposite, the day to his night. though the worlds and lives you came from were completely different — 

nowadays, the man is a little softer around the edges and weaker in the heart — they say that’s what true love does to you.

a set of keys jingle at the front door, followed by the dull thud of trainers on the shoe rack and footsteps on the mahogany wood floor. sukuna hardly looks up from the article he’s reading — something about the best recipes for autumnal vegetables. who would have thought, ryomen sukuna, reading up on gardening. he would tell anyone who asked it was for his restaurant, not because he actually enjoyed it. would make him look soft. 

“hey, i’m home!” the voice that calls to him is sweet and youthful, a dulcet symphony that tugs paternally at the pink haired man’s heart strings. “is ma here?” 

sukuna smiles to himself behind the newspaper, inhaling its fresh ink scent. “in the kitchen, workin’,” he replies absentmindedly, listening to his daughter skid down the hall after dropping her backpack. “oi squirt, you ain’t slick. you know what day it is, report card. now.” 

there’s a dramatic sigh that follows footsteps trailing back into the living room. sukuna’s daughter, his pride and joy clings onto the doorframe with a scowl that could very well rival his own, ruby red eyes twinkling with annoyance — she’s in a rush to chat with her mother after school, he knows, but he can’t help but to tease her just a bit. “s’in my bag, can i go now?” she whines impatiently but takes off at the first gentle nod from her father in reply. 

but the pink haired parent’s peaceful evening is quickly turned upside down at the discovery he makes in the bottom of his pride and joy’s bag. no matter how much time has passed, how many decades have gone by in which he’s been a father — nothing could prepare him for this new challenge, the new wave of emotions that come with having a tween daughter and swirl hotly in his chest.

“what the fuck is this?” he announces with a foul snarl, slipping into the kitchen where his girls chitchat idly over a test batch of cookies sukuna had made earlier in the day. for his restaurant of course. not because he’s a doting husband or loving father. he’s got an image to uphold and it’s not one of domestic bliss. 

his daughter chirps, not looking up from the sweet treat she picks apart and pops into her mouth — seated on the kitchen island while you work away on your laptop. “what’s what, daddy?” her innocent nonchalance about the older sukuna’s discovery almost makes him pop a vein. “also, ma told you to stop saying the f-word. so, swear jar.”

the hulking man with the contrastingly soft pink pokes his tongue into the soft epithelium of his cheek, his jaw ticks and a playful frustration tingles throughout all four of his limbs. the swear jar was something you’d brought into play as soon as [daughter name] had learned how to talk, afraid that your rough and rugged husband’s potty mouth would rub off on her young impressionable mind. every time a cursed word falls from between ryomen sukuna’s lips, a couple hundred yen is popped into the jar as punishment. the thing was practically full by your baby’s third birthday, so you’ve been putting it down as her college fund ever since.

paper rustles between deft and tattooed fingers as sukuna reveals not a report card, but a crinkled note like the kind passed back and forth between distracted kids in the middle of that one class before lunch. “don’t play dumb with me, squirt.” ryomen holds the note up to the light so that both of his girls can see, blood diamond eyes squinting so he can inspect it better. somebody get this guy his glasses. “‘do you want to go out with me? tick for yes, cross for no.’” he reads out loud, each word leaving a bitter taste on his tongue, his frown so deep that lines of disapproval form on his well-aged face.

thoughts of the once all-important report card vanish into thin air, the relaxed aura in the room replaced with a palatable tension that not even your husband’s finest knives could cut. your precious baby girl shoots up from the counter to scramble with her dad over the note in hand. he holds her back with a large palm to the forehead.

“oh my god! you weren’t supposed to see that! daddy, give it here. please!”

“fat chance, squirt,” the tattooed man retorts. “you passin’ notes in class? that why you’re hidin’ your report card?” 

“you can have my report card, when you give that back!”

with the two standing side by side, the resemblance strikes you as clear as day. they share the same hair, same scowl and same rugged intonation to their voices. they’re both yours, your entire world under one roof. before they can blow said root off, you stand between the elder and younger sukuna — turning to your husband with hooded eyes and a gentle hand on the centre of his broad chest. “oh ryo,” you coo in flirtation, slowing his train of thought as you sneakily swipe the crushed paper from his grip. “shut up ‘n let me see that.”

your daughter gags behind you at the display of affection, contrasting with the amused smirk you share with your long time lover. after all this time, marriage and the perfect kid, you’re still able to make a fool out of him — make sukuna’s heart skip a beat and a heat he refuses to acknowledge crawl up the back of his neck. he’s gone soft, for you and his family. for now, for you, he relents on taunting his precious little girl. 

casting your gaze over the note, you grin at the pink-ink chicken scratch scribbled across the page. it’s sweet and endearing, reminding you of young love. “did atsushi finally ask you out?” you ask tenderly, handing the paper back to your daughter who cuddles it to her chest like the  physical version of a precious memory. 

a bashful expression lines the contours of her face, seeping into features you’d recognise from your husband on her. sukuna would argue that she has the shape of your eyes and your beauty too — but all you see is a culmination of love. “ma you were so totally right, playing hard to get really works!” 

she gushes dreamily over her crush like it’s puppy love, biting her lip and bouncing on the spot. 

“like a charm, every time.” comes your entertained response, much to your husband’s dismay.

“you weren’t playin’ hard to get with me…” sukuna questions rather than states, trying to piece together parts of the gossip that he’s missed. an anxiety corners the beat of his heart at the thought of his daughter dating, something in which the burly man never thought he would be afraid of. the world had been hard on sukuna; he only worries that it’s not as safe for his pride and joy as it were for him.   “never mind that; the brat asked you out with a piece of paper?  y’better not have said yes. we have standards here.” 

his words make you roll your eyes with the hint of a smile. ryomen almost reminding you of your own father around the time you’d met him.

your daughter scrunches her nose petulantly, gearing herself up for a witty reply. “well ma married you, so her standards can’t be that high.” she snaps, earning a stifled laugh from you and an unimpressed grunt from her hardheaded dad. “and no, i didn’t. told him he needed to ask me out  properly. face to face. with words. he said to meet him on the running track tomorrow at lunch for a surprise!”

pulling her into a hug, you kiss her round youthful cheek. “oh baby, i'm so happy for you!”

“well i ain’t! show me the damn kid, need to see what kind of pitiful brat wants to ask out my little girl,”  sukuna crosses his arms and grumbles to himself, black ink tattoos flexing menacingly as he does so. almost as if he’s preparing to threaten the kid before even meeting him. “whatever happened to askin’ for permission to court or whatever. he should have been on my doorstep asking for your hand.” 

“firstly you would have said no, and secondly this isn’t the olden days, dad. nobody does that anymore.” your cheeky daughter chides him loudly, her words slipping over her snarky little tongue. like father like daughter, the way they snip and snap at one another has an uncanny resemblance.

tilting your head upwards towards your fuming husband, you laugh breathlessly in a way that washes away his anger.“she’s right ryo; though my dad hardly approved of you either.” you say softly. even now, you make him feel weak in the knees and dizzy in the mind, like he’s so anything for you. whoever dates his daughter should feel the same about her.

“i freakin’ earned it, didn’t i? 

“just barely.”

sukuna huffs but settles a hand on your waist from behind and his head atop yours. he needs to soothe himself somehow, his daughter is growing too fast. “stop ganging up on me and lemme see the damn kid.” 

“here, isn’t he cute.” 

lips downturned, sukuna craned his neck to look at your daughter’s phone from over your shoulder — scrutinising the instagram page that she’s opened now offering the kid his only child has taken an interest in like a lamb at the slaughterhouse. “brat looks like a noodle.” haughty laughter fills the kitchen, reverberating against the bones and organs in ryomen’s chest and buzzing right though your back. “you’re right i woulda said no as soon as he fuckin’ turned up!” 

two sets of scolding eyes similar in shape, belonging to the two girls he loves the most swivel around to face the pink haired man disapprovingly.

“ryomen sukuna!” 

“daddy!”

“yeah yeah, i know. swear jar.”

ᯓ★ SUGURU GETO:

“my love, were you aware that our little munchkin has a boyfriend?”

suguru looks up from the bubbling pot of child friendly pasta sauce on the stove. if it were just the two of you having dinner tonight, like it was merely three (nearly four) years ago — he would have planned for a more adventurous meal. perhaps sought out a bottle of fine aged wine for you both to enjoy on the balcony and even gotten a dessert to sweeten the date in. but now, you both had more than two hungry tummies to worry about, and bottles of wine could only be purchased when the little one was off with her uncle satoru.

“no, i wasnt. i don't believe that’s come up in discussion before,” your dark haired lover turns his narrow gaze to the giggly little girl swaddled in your arms — her chubby cheeks and dark, curious eyes just peeking out of the fluffy duck-themed towel you’ve wrapped her in. bath time is usually after bed, but someone got into the paint pots at nursery school and managed to get blotches of blue streaked through her hair and under her fingernails. “care to elaborate sweetheart?”

suguru taps the wooden sauce spoon against the side of the pot and swipes his hands on a nearby tea towel before allowing them to rest on his hips, look of faux irritation settling on the contours of his face and slopes of his features. thin brows draw together like closed gates in the middle of his forehead — the expression earning airy light and squealed laughter from your baby girl.

“nuh uhhh! not my boy-fend!” she babbles her way through the big girl word, missing a few syllables here and there, but geto still grins with pride — happily leaning forward to press enthusiastic kisses to his little angel’s damp forehead. “no boy-fend papa!

bouncing your daughter slightly, you cock your hip out to hold her weight and cheekily roll your eyes. “such a daddy’s girl, lying to him already? he’ll let you get away with anything if you keep that up,”  though you muster up a pout to rival the toddler’s, the uncanny resemblance warming the cockles or your husband’s heart, your tone is playful and adoring — it’s lilt full of love for the baby girl you made together. you pinch her chubby cheek, waggling it from side to side as more of her childlike laughter tangles with the scent of pasta in the air.  “we bumped into the fujioka boy and his mother at the gates this morning, he held her hand all the way up to the classroom. it was quite cute. you had to be there, love.” 

“i’m sure,” he responds, gentle mirth and protectiveness swirling in dark framed eyes.

you relay the information to your husband as though it’s hot gossip fresh from the press, whispering over your dark-haired daughter’s head not so secretly. even with the hair and eyes to match suguru’s, she’s still just as much your carbon copy as she is his — he tends to say all of her spirit comes from you, not to mention the way she laughs and smiles.

shaking her head between you, both — your baby chimes in brightly. “noooo mama!! boys are gross, i don’ hold hands with boys.”

this time suguru manoeuvres to pinch her other chubby cheek, clicking his tongue as he does so. “not even papa?” he pretends to pout, crouching down with his hands on his knees to coo into her sweet little face. 

“nuhhh, papa isn’t gross!! papa is my favourite boy!” she quickly tacks on with a dribbly smile.

“that’s right. i’ll be the only boy in your life always, just you and i princess,” your husband reaffirms with a firm shake of his head and presses a promise in the form of a kiss to your daughter’s nose. her chubby little hands, still wet from bath time, smack either side of suguru’s face and keep him close — close enough for her to plant a soggy smooch onto his forehead affectionately. a wet kiss only a father could love. “that settles it, i’m no longer sharing my kisses. papa says no boyfriends until you’re ninety.”

once your two loves are done sharing their candied affections, you seat your daughter on the edge of the kitchen table to allow geto the room to finish up with dinner. the comforting symphony of baby babbles and kitchen utensils clanking and food boiling fills the steamy air, it makes you smile. it feels like home. “oh come on suguru, they’re only three. don’t you think it’s the tiniest bit adorable?” you say with a sing-songy voice, entertaining both your little one and her father.“they even share their animal crackers during break time and crayons when it’s time to colour, one of the supervisors told me.”

with his back now to you as he stirs through the pasta sauce one final time, you hardly miss the way suguru’s shoulders tense at the mention of the little boy your girl has taken a liking to. he wouldn’t dare frown about it in front of her, what upsets daddy upsets baby too. that’s why he’s always smiling for her, and you find the man’s subtle jealousy endearing. it’s always supposed to be suguru and his princess, with no room for anyone else ( aside from you, of course ) 

“nope, no boyfriends. no amount of cuteness can convince me otherwise.” voice falling tight and flat, suguru reaches into the cupboards for plates and bowls to dish up his lovingly prepared home cooked meal, slamming them into place at the table with a little less patience than before. 

the idea of some… little boy chasing after his daughter’s heart? over his dead body.

“boy-fends are gross!” but your daughter is forever a daddy’s girl, furrowing her brow and crossing her tiny arms in an act of defiance — supporting her papa’s cause. boyfriends are bad! 

fuelling her excitement and even more support for papa — food is served shortly by your husband, who plates up as best as he can with toddler safe dinnerware. you adjust your little girl into her high chair at the table, giggling to yourself softly when she cranes her neck to keep an eye on suguru. “does that mean papa’s gross? he’s technically mama’s boyfriend.”

“husband, love, there’s a difference.” 

three plates of hot, aromatic spaghetti are organised in a table — each a domestic reminder of the family suguru geto has been blessed with. in that moment, he thinks he would be happy if he spent the rest of his life as just the three of you. briefly his mind wonders to setting a fourth place at the table in a decade or so’s time, once his daughter truly is old enough to date. the very thought makes him feel ill. 

round, doe eyes dart between you and suguru as you take your seats either side of your darling daughter at the table — she mimics you both with fumbling little fingers that reach for her baby fork and concentrates as she attempts to repeat your husband’s words. “can i have a husbsband-love?”

you laugh and kiss her cheek, helping her to gather a bite of pasta on the full end of her fork. “husband. just husband, my love. make sure you blow on your food please!” she follows your instructions with a comical air, cheeks puffing and breath huffing while you explain why her father is a second away from blowing his top. “good girl. husband’s aren’t for babies, baby. and i think papa might not like it if you got one now.”

“if you got one ever!” suguru interjects, eyes narrowing while he fights with his lips to avoid a scowl. “the answer is still no, princess. no husbands and no boyfriends until papa is old, cold and in the ground.” 

now that your hands are free, you grab the nearest tea towel and wind it up in your grip — launching its tail end at geto as though to swat at  him. he jumps in surprise and your daughter shrieks in amusement as she begins babbling again. “don worry, papa!. fujioka is  no my boy-fend!!” she says over food in her mouth and happy tummy. geto wipes over her face again. she’ll definitely need another bath later. “hasegawa is!!”

the pair of you share a look and this time, you really think suguru might just throw in the towel. 

how could he compete with pre-school love and paint pots shared over playtime gossip? 

“two boyfriends? oh god, love… i think need some air.”

꒰ end. — all rights reserved © tteokdoroki 2024. do not copy, repost, translate, feed into ai & recommend elsewhere.