#i did have other choice actually and that was doing it at any other time today but shhh

[eowynstwin]

Ghoap x reader. Autistic reader. Christmas angst. Allusions to Ghost’s backstory. Salacious use of ribbon. Soap being inappropriate. NSFW.

Soap fidgets on the train the whole way over to the light show. You don’t notice, of course, your earplugs are in, but Ghost, hypervigilant for the season, cocks an eyebrow.

“Itches like mad,” Soap grouses. He tugs at the collar of his sweater, a ghastly thing in fuzzy green, red, and gold, with LED bulbs embroidered down the front.

Ghost scowls at him. Soap purses his lips, not chastened. You sit between them, oblivious, fingering the zipper of your purse.

There’s enough cheer on the train to make up for their collective lack. More than one person wears a dumb Santa hat, and at least every other has on something colorful and festive. It seems like everyone feels some sort of Christmas spirit but Ghost, and it makes his hackles tense up.

Your hand slips into his then, smooth like silk settling over his palm. He looks at you; your gaze is fixed steadily ahead, unfocused. He’s not sure whether you reached for him to find comfort or offer it, but he closes his fingers around yours anyway.

He looks over—Soap has your other hand. Reaching to find, then. He squeezes.

The three of you wait until the very last moment to disembark when you arrive, letting the crowd out first. Ghost’s choice. The absolute last thing he wants is to lose either you or Soap in the stream of people flowing from the train—Soap will get distracted, and you hate it when strangers crowd you. This is going to be a trial as it is.

Ghost has to admit—once they reach the grounds, the displays are something to see. Together, you walk through a tunnel of lights leading you to the beginning of the walk, rings of warm white gently shining overhead, and Ghost, despite himself, can’t help but admire how it makes both of his partners look like they’re glowing.

Then Soap tugs at his sweater again, and Ghost bites down a growl.

“Oh, hot chocolate,” you say at the end of the tunnel, looking over at a cart laden with a few big steel samovars. “I’m going to get some, either of you want any?”

“Cider,” Ghost says, softening the curtness of his tone with the tenner he hands you. “If they’ve got any.”

“Coffee for me, hen, if you don’t mind,” Soap adds with a smile. You nod, and scurry toward the drinks.

Soap eyes him. Ghost knows what he sees—his back has been ramrod straight since the bloody month started. He holds his shoulders the same way he might if he had his rifle across his chest. His jaw has been hard as a cinder block any time the market clerk tossed “happy holidays” at him when he did his best to get away as fast as he could.

“Don’t,” Ghost says.

Soap says nothing.

This is not their first Christmas together, but it is their first with you. The sergeant already knows how Ghost feels about the holiday; you do not, and Ghost wants to keep it that way for a little while longer.

Divining your feelings about anything takes a little longer than it might with anyone else, but he’s pretty sure you’re excited, in your way. Soap, for whom pine trees and glitter and the smell of snow in the air seem to activate a sleeper agent in his brain that orgasms at the mere sight of tinsel, already has a Wellington resting in their shared fridge, and artfully wrapped presents crammed under their pre-lit tree. The two of you together have flooded the flat with lights, candy-cane frippery, crocheted snowflake doilies, and ski-lodge scented candles.

Ghost, for his part, has scrolled various travel websites to figure out if assassinating Santa Claus is something actually feasible. Maybe if he defeats the final boss of Christmas he can actually sleep through the night at least once this month.

It isn’t that he hates it, exactly. It’s just that Christmas, to him, began as a hazy game of roulette, wondering if the wild animal of his father would appear to ruin the exchange of charity-shop gifts wrapped in reused paper, and then solidified as an image reflected in pools of spreading blood.

The last happy Christmas, he had to burn down. That’s no reason that he has to ruin it for everyone else, though.

You return with three paper cups held awkwardly in your two hands, and Ghost and Soap relieve you of your burden. Your cup has a peppermint stick jutting up out of it, and you use it to stir your steaming drink periodically as the three of you proceed.

The path leads through an army of glowing snowmen in mismatched sizes, life-size gingerbread houses, past multicolor balls tossed across the top of a frozen pond. Trees banded with so many strings they look like branches of lightning reaching up from the earth. Electric snowflakes dangling above your heads from netting stretched between lampposts.

Ghost keeps clenching and unclenching his fist. His cider goes rapidly cold in his other hand, untouched. He probably can’t get his money back for it, but he’s agitated enough to start a fight and try.

Meanwhile—it’s obvious, you’re enjoying yourself immensely. You don’t say much as you flit between installations, running a hand over the glowing bulbs, tilting your head this way and that like a curious little bird. You take your phone out more than once to open your camera, and Ghost knows you’re saving pictures to put together a slideshow later on.

More than once, you look back at him and Soap, and grin wide at some novelty or another. Ghost manages to nod his head at you—go on, little birdie, keep having fun.

“Jesus,” Soap mutters, trying to scratch at a spot on his back for the third time.

“Fuck’s sake, Soap, just take the fucking thing off,” Ghost snaps.

“Canna,” Soap says.

“Why the fuck not?”

Soap’s mouth slants sideways. He looks around for spectators, and, finding none within eyeshot, lifts the bottom of the sweater.

Bright, shiny, very red ribbon runs in two lines along the naked cut of his obliques—down past the waistband of his trousers.

Ghost tosses the cider out of his cup and grips Soap by the back of the neck, throws, “OY! Duckie! Bathroom!” at you, and drags his boyfriend to the nearby public loo.

It’s empty, thank god, so Ghost wastes no time yanking the closure of Soap’s trousers open. The ribbon continues downward, downward, the V narrowing and narrowing until—

It converges in a (somewhat lopsided) bow tied right around the base of Soap’s dick.

“Soap, what the fuck,” Ghost says.

The sergeant backs up, and pulls the sweater fully off. It reveals a latticework of satiny red crisscrossing his chiseled torso: lines of ribbon accenting the curves of his pectorals, his toned abdomen, highlighting the small indent of his trim waist.

Soap’s cheeks flush pink.

“Goes further down,” he mutters, not meeting Ghost’s eye.

“What the fuck,” Ghost repeats.

“Was gonna do a big reveal when we got home,” Soap says. “Start stripping when we got the door closed. That rubbish.”

Ghost, incredulously, snorts, and Soap smiles at him.

“First time you’ve laughed this month,” he says quietly. “S’ why I did it.”

Ghost steps up to him and takes Soap’s chin between thumb and forefinger. “You fucking idiot,” he says, and kisses him.

The bathroom door opens, letting in a gust of wind, and Ghost and Soap jump back from each other momentarily, before relaxing when your voice reaches them.

“There better not be a handjob happening in here without me—oh,” you say, stopping short.

Shoving the waist of his pants down further, Soap turns around to show off to you the full extent of what he’s done. It gives Ghost a good look at the pretty intersections happening overtop of the muscles of Soap’s back, and the dip of the ribbon down between the two perfect globes of Soap’s arse.

You blink several times. “There isn’t a lock on this door, Soap. If I get down to suck you off, someone is going to come in.”

Impossibly, Ghost snorts again, and then laughs for real, a full-belly guffaw that comes out a little more harsh than it should. But you grin at him, and the line of Soap’s shoulders, which Ghost suddenly realizes has been as tense as his this whole time, relaxes.

He pecks the bare swell of Soap’s bicep, and then the crown of your head as he passes you by.

“I’ll hold it closed, duckie,” he says. “Do whatever you want.”

He only leaves the door once when he hears you shriek suddenly with laughter—to find that Soap has decorated his cock with a peppermint-loop of red lipstick, all the way to the tip.

“Fucking idiot,” Ghost repeats, and cancels his trip to the North Pole then and there.

[bigmoon-is-bigwife]

I'm still thinking about how a few days ago when Bad was having that out of character talk with Tubbo and others about The Realm and the issues he and others were having where Bad just admitted that he was only matching the energy he thought was being put out there and he would be willing to pull back if people asked.

I think a lot of people forget that Badboyhalo (the creator) leans into playing chaotic villain character that causes problems but he is genuinely a very sweet dude who wants things to be fair. He plays the antagonist because he knows someone has to for things to be interesting. That is how he helps contribute to the story on servers. He gives people someone to go against.

On every server he plays on he falls into the role of a cartoonishly evil character with messed up morals because that's fun and interesting! Bad cares about things being interesting and he will always choose the more interesting choice! His character is as smart or stupid as the most interesting choice requires! If he thinks it's interesting he will walk straight into a trap knowingly! He understands rp is a story told between people and he always does his best to create a scenario that gives other people a chance to do interesting things.

I think a lot of people don't see past the character Bad plays but especially the last few weeks you have been able to see it in the way how Bad freaks out and starts panicking every time he accidentally kills someone. The character he plays is evil but Bad the creator is not and he did not mean to do that! Eventually when he recollects himself he'll play it off in character as being intentional but Bad even admitted on that stream that he played into it because it was interesting for the story! He did not actually mean to kill people but it already happened so it may as well be made interesting and impactful to the plot!

I just have so much respect for him because playing the antagonist is a hard and often thankless job but he throws himself into the role constantly. We have him to thank for pretty much any lore on The Realm right now because he's so passionate about keeping a story fun and exciting. Out of character he's always willing to communicate so I hope that conversation opens up more communication so people coordinate things better.

[taeyongdoyoung]

poison

summary: tasting the king's meals for poison is a great honour to be bestowed on you. but poison is not the only thing you're interested in tasting... paring: king!haechan x maid!reader genre: royalty!au, romance, drama, smut warnings: reader has anxiety, food-tasting, mentions of poison, hierarchical system, rich guy/poor girl trope, shitty ex jaemin (sorry boo 💞), evil uncle trope, threats, mentions of blood, insecurities, crying, pet names, lots of kissing, inexperienced reader, lowkey corruption kink, fingering, handjob, cum-eating, loss of virginity, unprotected sex author's note: the plot is loosely inspired by some historical kdramas and the folk of the air trilogy 🥰 also, there are some references to nct songs in bold bc it's me, duh word count: 4.8k

Your life as a maid in the royal palace is pretty boring. You wake up, you prepare meals in the kitchen, you wash clothes, you clean rooms, you sneak a piece of stale bread if you find any (if you're lucky even some cheese), you go to sleep, repeat. Every day is the same. No drama, no adventure, nothing out of the ordinary. You don't like it but it's all you can do so you can send some money to your poor family.

That is until on one random day you are summoned to the king's chambers immediately, the other maids saying it is of utmost importance. You are panicking. Did you do something wrong? You try to attend to your duties with all the care and attention to detail possible. Will you be scolded or worse, punished, for some mistake you cannot place? You try to calm your rapidly beating heart, as you enter the king's room.

Looking down nervously, you bow deeply, not able to think of anything else to say, rather than mumbling a weak "Your Majesty".

"Relax, I'm not going to kill you," king Haechan says in his signature deep voice.

His words do little to ease your mind and your hands are still shaking.

"I've been told by my most trusted counsellor that I have many enemies and cases of poisoned aristocrats have been increasing. So, after discussing it in great detail, he advised me to look for a food taster. Someone I could count on not to betray me," the king explains.

"With all due respect, Your Majesty, but w-why me?" you ask meekly.

"You know my counsellor Jaemin, don't you? I believe you two were once…intimate. He said you could definitely be trusted. And I trust him with my life, so…"

Your damn ex Jaemin…You can't tell if him recommending you to the king as a potential food taster is a compliment or a curse. After all, you could literally die from poison. But then again, what can you do? You can't exactly disobey the king's direct command. At the end of the day, he bestowed a great honour on you. Anyone else would be jumping with joy. Anyone else but you.

"Your Majesty, I'm not denying you, of course. It's just that…I'm the only source of income for my poor parents. I can't bear to think of them all on their own."

"You have my word. Should anything happen to you…your parents will be well taken care of," the king promises and there is so much compassion and sincerity in his voice, you have no choice but to believe him.

"Very well, then. I'll try all your meals before you," you vow solemnly.

"Splendid," the king claps his hands.

That is how your boring days at the royal palace come to an abrupt end. You try the first couple of meals anxiously and with little appetite. Your stomach hurts from nervousness and not because there is any poison in the food. As time goes by, the food-tasting process becomes second nature to you. Eventually, you convince yourself that the chances of actual poison are low and you begin to enjoy your daily interactions with the king.

"What do we have for lunch today, my sweetest treasure?" the king asks. You like how he addresses you. As if you are genuinely important to him. As if it would pain him if he lost you. It's a kind gesture to distract you from the reality of how replacable you are.

"Your favourite, Your Majesty. Kimchi jjigae," you respond politely.

"Yesss, it's gonna be a great day!" the king squeals happily like a little boy.

It is an unwelcome reminder of how young he actually is. Unwelcome because you cannot imagine how difficult it must be for him. Enemies lurking at every corner, having all this power and responsibilities…and no one to share them with.

After you try the kimchi jjigae and check its safety, the king begins eating excitedly.

"You know that not all poisons kick in immediately, right?" you know it's rude to interrupt him but you cannot help yourself. "There is still a chance that we both get poisoned but the symptoms appear later."

"I know, but…" the king sighs, his mouth still full. Once he finishes chewing, he finishes his sentence. "It's still a precaution. At least Jaemin seems to think so."

You roll your eyes at the mention of your ex.

"Did you not end things on good terms?" the king is curious.

"We just…had lots of differences. Jaemin, being from a higher social class, said that I was just a way to pass the time. That he didn't see any future for us…That he would never marry me."

"Ouch," the king keeps chewing his favourite food. "I mean, it's technically true you belong to different worlds, but he could have said it more nicely."

"Do you trust his judgement? I'm not talking about relationships. Just…on the topic of poisons and stuff," you need to know.

"I suppose. We've known each other for so long, it'd be silly not to trust him."

"May I make a suggestion?" you inquire. "I know I'm not as qualified as Jaemin, but it's still worth taking other people's opinions into consideration."

"Sure," the king shrugs. "What did you have in mind?"

"If there are so many cases of aristocrats being poisoned, why don't you try taking a little poison each day to build an immunity? I've heard this method is quite common in other kingdoms."

"Where did you learn that?" the king asks you suspiciously.

"I read it in a book somewhere."

"You can read? No offense."

"None taken. When I'm done with my maid duties, I sneak into the royal library sometimes. Don't tell the king," you joke.

"Your secret's safe with me," the king laughs.

Time passes in the same old way. Cleaning, cooking and food-tasting. Repeat. One evening, the king summons you again.

You are about to take a bite from the food before him when he unexpectedly grabs your wrist and stops you.

"I don't want you to do that anymore," he murmurs.

"What?"

"I've started taking a little poison each day to build an immunity, like you advised me to. So far, I've been doing alright. And…I just think it's unfair, alright? What if you actually die?" the king whispers, as if the thought is so unbearable to him he can't even say it. "I can't lose you. I…trust you too much."

He trusts you? The thought is so bizarre in a flattering way your heart hurts upon hearing his sincerity.

"Are you planning to find another food-taster, then?" the very question is painful to you. Despite the potential danger, you don't want to be replaced. You want to keep being his person.

The king shakes his head.

"No life is worth more than mine. I'm not doing that outdated thing anymore."

"Of course, your life is worth the most! You are the king!" you exclaim passionately, pulling the food towards you.

"You think I don't know that?" he whisper-shouts, taking the food once again. "You think I don't wake up each morning wishing things were different?"

What…what is he on about? Why would he wish he wasn't the king?

"I'm not sure I follow," you say quietly.

"It's fine. I don't understand myself. Just…don't tell anyone, okay? Not even Jaemin. Let everyone believe you're still tasting my food and come at the allotted times as usual."

The not even Jaemin part shocks you. Does he no longer trust him as he once did? What is going on?!

"As you wish, Your Majesty," you respond, not even thinking of disobeying him. As confusing as everything is, you need him to trust you. More than you've needed anything else in your life.

"Oh and…one more thing. You should call me Haechan. When we're alone, that is."

"Uhm, okay. Haechan?"

"Yes, sweetheart?" he tilts his head cutely.

"Nothing, just trying it out," you chuckle.

Haechan laughs warmly and starts eating calmly.

"I can't tell if you're brave or reckless," you tease him.

"Perhaps both," he shrugs.

One Monday, your worst fear comes true. As you are preparing Haechan's meal, you are faced with his uncle. You've never been a fan of him for some unknown reason, but now you know your suspicions were completely justified.

"Give me the meal," he orders and you are so terrified, you do as he asks.

He pulls a vial out of his pocket and pours it on top of the food nonchalantly, mixing it well with a spoon, so that it doesn't show.

"Say a word to the king and you parents are dead," he threatens.

"What do you know about my parents?" you ask boldly. Foolishly, even.

After Haechan's uncle says the names of your parents and the exact location of their home, you realize he isn't bluffing. What are you going to do?

As you enter Haechan's chambers, you realize you can't do it.

"Ooh, this looks delicious," Haechan is about to put the food into his mouth when you rudely push the spoon away from him, spilling the food all over the ground.

"It's super cold and totally unappetizing," you exclaim the first thing that comes to mind.

Haechan eyes you weirdly but doesn't scold you.

"Have this, instead," you pull a sweet pastry from your pocket, knowing it's safe.

Haechan shrugs, not caring about what he's given.

"So yummy," he smiles happily, not suspecting a thing.

If you tell him, your parents are dead. If you don't, he's dead. Sooner or later.

When his evil uncle questions you later, you lie through your teeth that the king wasn't hungry and tossed the food away in an angry fit. Miraculously, his uncle believes that.

Similar things happen throughout the week. On Tuesday, you eat the food meant for Haechan yourself, hoping that the self-poisoning you've been doing in secret with the help of your apothecary friend Renjun will be plenty of protection and that you'll survive this extra dose of poison. On Wednesday, you explain to Haechan that the food was made with old ingredients and give him a piece of bread and some cheese you've set aside. On Thursday, you once again make a mess and spill the meal, pretending it was a clumsy accident. On Friday, you tell Haechan that you saw a cockroach in the food. Very far-fetched but it somehow works?! On Saturday, you go as far as lying to Haechan that you were so hungry you ate his food in the corridor.

Not once does he question you or get angry. His evil uncle, however, is becoming more and more agitated.

On Sunday, the uncle has had enough of your failed attempts to poison the king. And he shows you something that makes your blood run cold.

Two chopped-off fingers that he claims belong to your parents.

"If you fail again, it'll be their entire hands next time. And then, their heads. Choose wisely," he threatens cruelly.

You seem to be at an impasse.

As you are once more left alone with Haechan, you debate what to do. You are running out of ideas. Haechan's spoon is approaching his mouth eagerly. After all, he's been eating nothing but bread and random snacks all week. Your mind goes blank. If he eats that, he'll surely die. If he doesn't, your parents might die. It's an impossible situation. But you are greedy. Greedy to save both his life and your parents'.

"Stop," you cry out.

Haechan's hand freezes mid-air. It's now or never.

"I have betrayed you, Your Majesty, please kill me," you drop to your knees desperately.

"I told you to call me Haechan," he rolls his eyes. "What's wrong?"

"Your uncle has been trying to kill you," you blurt out. "He's been putting poison in your meals for the past week. I kept trying to come up with ridiculous reasons to prevent you from eating it but…he's been threatening my parents. Today he showed me two chopped-off fingers and said the next time I fail to poison you, it'll be their hands and the final time, their heads, but…I can't do this."

"Can't do what?" Haechan asks you to clarify.

"I can't poison you," you admit, eyes filled with tears. Even though your parents' lives are in grave danger, losing Haechan would hurt just as much.

"Could have just said that from the beginning instead of feeding me bread for a week," Haechan teases.

"You believe me?" you inquire nervously. Only now does the gravity of the situation strike you. What if he'd chosen to side with his uncle and executed you for treason?

"Jaemin's been warning me about my uncle plotting against me for a while now. I thought it was just his paranoia, but…I'm inclined to believe you and Jaemin."

"Over your own flesh and blood?" you are pleasantly surprised.

"Blood doesn't necessarily make you family," Haechan shrugs. "Okay, here's the plan. We'll sneak out of the palace and go find your parents. We'll make sure they go somewhere my uncle won't be able to find them."

You nod numbly, amazed at how quick he's thinking and finding a way out of this situation.

"Then, we'll return to the palace and make my uncle regret ever trying to mess with us."

"Us?" you repeat.

"Yeah, us," Haechan confirms. "We're in this together, no?"

"Hell yeah!" you reply, infected by his enthusiasm to find a solution.

Once you dress up with cloaks and daggers, Haechan leads you through a secret tunnel hidden behind the royal library that takes you both out of the palace.

"Don't tell anyone about this," Haechan whispers in your ear, his hand on your lower back, making you gasp for air.

"Who am I gonna tell? The king?" you joke to distract him from how affected you are by his gentle touch.

"Yeah, he should never know about this," Haechan chuckles in the dark and kisses you on the lips, taking you by surprise. You…he…what?!

You wrap your arms around his neck, desperate for the way he grounds you and makes you believe it will all be alright, you'll find a way out of this mess. Together.

He is the one to initiate the kiss but sadly, he is also the one to end it as abruptly as it started.

"As much as I'm enjoying the taste of your lips, we have to get to your parents and make sure they're okay."

"Right, right," you agree. He's more concerned about your parents than you, which speaks volumes about his noble character.

You resist the urge to swoon and try to focus on the task at hand.

Once you get to your parents' place, you are happily amazed to find all their fingers intact! That bastard was bluffing!~But the question remains…whose fingers were that?!

"You'll have to go to another town," you explain impatiently. "Haechan has some trusted friends who'll take you in."

"H-haechan?" your mom repeats in shock upon hearing you call the king by his first name.

"Uhh," you look to Haechan nervously for a way to explain. You know he told you to only call him that when it's the two of you but it just slipped so naturally…

"It's okay," he reassures you. "Your daughter has saved my life on multiple occasions. Making sure you two are fine is the least I could do."

"You are too kind, Your Majesty," your dad is even more stunned by Haechan's gentle demeanour.

"Just returning the favour. Your daughter's irreplaceable."

Oh. You wonder if he truly believes that or is simply trying to ease your parents' worries.

Soon enough, you parents are travelling to Haechan's friends and you and the king are riding back to the palace.

Immediately, he summons a court meeting and gives the order for his uncle to be brought to justice in front of all the aristocrats. His uncle is struggling to escape the guards' arms and screaming treason. But Jaemin's and your account of the uncle's actions are enough to convince the people of the truth. Eventually, other aristocrats start speaking up of suspicious things Haechan's uncle has done or said like threatening them or their family in an attempt to take the throne. In no time, the uncle is imprisoned.

"You should have just killed him," Jaemin tells Haechan quietly. "He would have done the same to you."

"I do things differently," Haechan replies. "If you were king, you'd understand."

Jaemin shrugs.

"Lucky for me, I'll never know what that's like."

Haechan rolls his eyes, trusting that his friend has no such ambitions and is happy with his life as a counsellor.

Even with the threat of Haechan's uncle behind bars, he still continues to take little doses of poison to build an immunity. You don't tell him but you do the same, carrying on with food-tasting his meals before him. You value your life, sure. But you value his more.

One random Tuesday, Haechan summons you to his chambers. But the hour does not indicate food-bringing activities. Just like the first time, you are overwhelmed by a strange sense of anxiety. Even though you've known him for so long and have been through so much together, it still unnerves you, being alone with him. You don't know if things would be different if he weren't king. Perhaps not. There is just something about Haechan that makes your knees tremble in the best way possible.

"You've asked to see me, Your Majesty?" you mumble.

"When will you get rid of that annoying habit? It's just me…Haechan," he reminds you needlessly.

"I know, but you're still the king."

"That sounds so detached," Haechan groans. "But I'm hoping what I have to say will convince you to only call my name. Not just when we're alone."

"What are you saying?" you're beyond confused.

"Marry me. Become the queen of my kingdom," he pleads, taking your hand in his.

"But…you can't," you whisper in shock, reminded of how adamant Jaemin was. And if the distance between your place in society and Jaemin's was big…then, the distance between your and Haechan's worlds seems far more insurmountable.

"I can," Haechan looks more determined than anything to do this.

"People will talk…They won't be happy."

"Fuck people," Haechan scoffs. "Will you have me or not?"

"Of course, I will, Haechan," you cry out. "You've shown me more kindness and understanding than anyone in my life."

"You do know I'll give you anything you desire?" Haechan speaks softly. "As long as you're by my side, as you have been so far."

"You do know I don't want anything, right? Even if you weren't king, I'd choose you in any universe."

"Are you serious?" Haechan smiles in disbelief, the idea so foreign to him.

"Of course I am," you insist. "Even if you were a poor bard singing in taverns."

"Hm. I do love singing," Haechan smirks and kisses you.

And gods, his lips are sweeter than any meal you've tasted and every poison you've consumed. You could never get enough.

Your wedding day finally arrives. Shockingly, people are more accepting of your union than you anticipated, because they take your food-taster position in consideration and how valiantly you exposed Haechan's evil uncle. Your parents, as well, are happy to see you and Haechan together.

However, there is one person who is against.

"Is that why you broke up with me? Aiming high, I see," Jaemin snickers rudely once you are out of Haechan's sight for a brief moment at the wedding afterparty.

"I broke up with you because you said I was just a way to pass the time and you see no future for us. If you think I'm with Haechan because of his crown, you're even more foolish than I thought," you scoff.

"Oh, really?" Jaemin raises his eyebrows. "So, you're saying if Haechan lost his title as king, you'd still be with him?"

"Yes, I would. But the fact you're even talking about that can be considered treason by some."

"You know I'm loyal to Haechan. But do you honestly think you're good enough for him? You could never satisfy him. He'll grow tired of you, you'll see. You're so fucking…cold," Jaemin hisses.

His words sting more than when he implied you were with Haechan because of his power. It is true that you are not experienced. Even though you were with Jaemin for a while, you two never…went all the way. You were perhaps far too romantic but you wanted to save it for your wedding night.

"Well, lucky for you, you'll never get to feel how warm I can be," you say with a self-assured smile. "Now, piss off and let me enjoy my wedding."

Jaemin rolls his eyes and seemingly has nothing else to say, leaving you alone.

Why did he have to say all that stuff? You know it's not entirely true, but it still sucks. Jaemin was the one who ended what you two had with his cruel words. It's just that you were the only one brave enough to finally call it quits. And you're glad you did. He may be bitter now but he'll eventually find someone better suited for his character. As for you…you were perfectly happy with Haechan. And you wouldn't let Jaemin ruin your special day.

Eventually, the guests started leaving one by one and it was time for your wedding night. To say you are nervous would be an understatement. Your hands are shaking more badly than the first time you were summoned to Haechan's chambers. You are aware that he's a good person who will treat you right…but he's still your king and that fact is intimidating enough to make you tremble with anticipation.

"Good evening, my lovely wife," Haechan enters your (gods, this is insane) now shared room.

Your mind completely blanks and you have no idea what to say. So, you just start crying.

Haechan immediately rushes to you, embracing you and kneeling next to you.

"What's wrong? What did I do?"

"N-nothing," you manage. "It's not your f-fault."

"What is it?" he asks again. "Did Jaemin say anything?"

"How did you know?" you blink furiously to clear your vision from the tears.

"He's not over you yet, is he? It's obvious from the way he looks at you. And me. I mean, don't get me wrong, he's still as objective as he can be when giving me advice, but…he sometimes stares at me as if I stole his dinner. Not that you're dinner. You're obviously much more important than that and uh…I really should stop talking, shouldn't I?"

You laugh, pleasantly distracted by his ramblings.

"You're good. And he did say some stuff implying I was a gold digger, but…frankly, I don't care about his opinion."

"I'm gonna kill him," Haechan gets up but you are quick enough to grab his wrist.

"No, please, stay. Let him think what he wishes. I only care about what your opinion of me."

"Darling, I am perfectly confident you did not marry me because of my title."

"I know. I'm not talking about that. I mean…I'm just nervous I won't be able to please you. I've never done this before," you explain nervously.

"You and Jaemin never…?" Haechan waves his hand in the air meaningfully.

"I wanted to wait till my wedding night. So, um, here we are, I guess."

"Oh, my angel," Haechan places a hand on your cheek. "You don't have to worry about that. Just, relax, and let me take care of you."

"No, no. Teach me. I'll do anything you say, just…guide me, please?" you plead him, looking up at him, your eyes still moist with tears.

"Okay," Haechan agrees easily. "Take off your clothes."

You gulp anxiously and start unbuttoning your wedding dress. Why is it so hard? Why are there so many freaking buttons?

"Gods, you're trembling," Haechan points out the obvious and his impatience takes over. He removes your hands from your dress and finishes the remaining buttons himself. You are grateful for his help, but you still feel like a total failure for not being able to complete one simple task.

"I'm s-sorry," you pout.

"Don't apologize," Haechan shakes his head. "Can I touch you?"

You nod and he caresses you with his pretty fingers. It feels so sticky and weird but…weird good. Definitely good.

"You're so cute, you know that?"

"N-no, stop," you disagree, chuckling.

"Stop what? Stop doing this?" Haechan teases you but continues his motions, because he sees how much you're enjoying it.

"Stop calling me cute," you elaborate.

"You're so not cute," Haechan obliges jokingly. "That was a lie, by the way."

You laugh again, not just because of his words, but because the things he's doing with his hands make you feel so amazing you can't hold it in.

"You like that, my pretty wife? You like being touched by your husband?" Haechan talks you through it.

"Yes! So much! You have no idea!" you scream as you fall apart under him.

"I think I do," he smirks proudly and lets you ride it out. Then, he takes his fingers out…and licks them clean. Your eyes widen in shock. You've never imagined such a sight possible. The king of the country just did…THAT to you. And against all reason, you're still breathing.

"Show me how to do this to you," you beg, wanting to make him feel as good as you.

"It won't be the same," Haechan giggles. "But I'll give the best of me."

He takes off his clothes hurriedly, extremely excited to teach you everything he knows. You are amazed to see him in his full glory. His golden skin radiates in the dimlit room.

"You look incredible," you gasp.

Haechan tilts his head to the side, his cheeks turning red.

"May I touch you?" you ask reverently, still in awe of his sun-like beauty.

"We're married. Of course you can," Haechan reminds you sweetly and guides your hand, showing you all the way he likes to be touched, telling you what feels good and what doesn't (though everything you do feels good for him but he won't tell you just yet).

You do your best to follow his instructions and soon enough become bold enough to start experimenting yourself. He is enjoying it judging by the expressions on his heavenly pretty face.

"You're so hard. Isn't it uncomfortable?" you inquire, genuinely curious.

"It kinda is. But it's also a good thing. It means I'm really into you."

"The way when you touch me and I'm drippin' and it's kinda strange but also feels nice?" you try to explain the logic in your own terms.

"Exactly that way. You're a quick study," Haechan praises you.

"I just have a very good teacher," you compliment him in return and kiss him deeply, your hand still stroking him.

Soon enough, his release comes and you marvel at how much of it there is. You gather some of it with your finger and lick it, just like he had done with you.

"Fuck. You don't have to do that," Haechan moans.

"But you did it? Isn't it okay?" you blink innocently.

"It's not that it isn't okay. Just saying, you don't have to. I bet it tastes weird."

"No, it's not weird," you shake your head adamantly. "I mean, it's you, so I think it tastes sweet."

"Better than poison?" Haechan teases.

"Definitely better," you agree without thinking.

"I know you've been tasting my meals even when I told you to stop," Haechan blurts out all of a sudden.

"You knew?" you whisper in shock.

"I felt so bad but I didn't mention it because I knew no matter what I said, you'd keep doing it."

"You thought correctly," you sigh. "But you don't have to feel bad. I'm also taking little doses of poison each day, so I'll be fine. We'll both be fine, I'll make sure of it."

Haechan kisses you again, gripping your hair firmly, but gently at the same time.

"Remind me again what did I do to deserve you?"

"Did the Sun ever do anything but shine to make the Earth revolve around it?" you smile fondly.

"You're saying I'm your Sun?" Haechan presses his forehead against yours.

"Provided I'm your Earth," you respond.

"Well, did you know the fate of the Earth is to be consumed by the Sun?" Haechan informs you with a sweet voice but sombre expression.

"Consume me, then," you gladly consent and he slides inside of you all too smoothly.

Earth and Sun, moving together as one. Two entirely different worlds and yet…you belong with each other.

"You're too sweet for me," you murmur, chasing his lips once more.

"You've had too much poison your taste buds are off," Haechan jests.

"Maybe so," you grin. "I should probably drink more of you as an antidote."

"I'm counting on it, my beloved wife."

The End

[cthulhus-curse]

Extra Credit

Pairing: Natasha Romanoff x Reader

Word Count: 6,020

Warnings: Age Difference, Alluded CSA, Alternate Universe - College/University, Angst, Fluff, Hurt/Comfort, Smut, Teacher-Student Relationship | 18+ Minors DNI

A/N: Hopefully I scheduled this & the other fics correctly and not for the following year because I may no longer be around to fix it.

Summary: A series of snapshots of loving months alongside your professor which lead up to one of the most difficult decisions you’ve made in your life.

“Good morning, sunshine. Ready for another day of work?”

Although exhaustion ripped through your body, the sound of the woman’s voice made you smile. You learned to enjoy it through the past few weeks. Each day you woke up at what felt like the crack of dawn and went straight to work. Although it was right on campus, an office not too far from your dormitory, you weren’t used to being awake at such early hours. At least the pay was good and your boss was even better, you mused. 

“I can’t wait,” you replied flatly. Your boss, Professor Romanoff, came up to the desk you called a home ever since being hired. She held up two cups – one was her usual morning coffee and the other scalding hot chocolate topped off by a mountain of whipped cream. As always, she called you a child for picking that over anything caffeine-heavy. “Thanks for this.”

“No problem, sweetheart. Gotta keep my little assistant awake enough to get through the day,” Natasha chuckled. “Don’t worry, it won’t be heavy for you. We just have to get through grading some papers and then the rest of the shift is yours.”

The smirk remained plastered over your features as she handed you the hot chocolate before moving further in her office. Being the head of the English department at your university, Natasha got her privacy intact. It’s not like she was thrilled to work with her fellow professors anyway. 

“I heard there was a big party being hosted by your friends in the girl’s soccer team. I assume you’re planning on going?” Natasha’s tone was filled with curiosity, but never anger when she so much as alluded to your private life, specifically that having to do with one Wanda Maximoff. “I can let you go a few hours early if you need to get ready. Classes are done for the semester and you need to enjoy your college years. I’m sure Miss Maximoff would be happy to see you again. I know she means a lot to you.”

Ever since you had accepted the job as Natasha’s assistant, Wanda had given you the cold shoulder. You had spoken to her from time to time, but only when she came back to the dorm after days of being away, only to leave once again. At first you blame yourself for causing a rift in your relationship, if one could even call it that, but eventually you came to realize just how immature she was – taking a simple job offer did not mean your feelings for her changed in any way. 

“I actually haven’t seen her in awhile. She’s staying at Carol and Val’s place I think,” you shrugged while taking a sip of your drink. The way it burned its way onto your tongue and down your throat caused you to hum happily. 

“Oh? And how are you feeling about that?”

“I’m taking it pretty well. You know she’s not very fond of you and I think I pissed her off by agreeing to work for who she deems as ‘a fucking witch bitch’. It’s just childish and stupid,” you rolled your eyes at the mere idea of it. “I hate being someone’s second choice like that. She doesn’t even see how much I love her.”

Just like Wanda didn’t see you, you didn’t see Natasha. Your professor was crestfallen at the voices you threw at her. She hated seeing you in such pain, not being able to do anything about the mistreatment you received from your casual fling. The older woman cared for you, perhaps more than she led on – the mere image of seeing you in pain made bile rise up your throat before it was maintained in place. 

“Then it’s her loss. You deserve better than that, honey. You’re an amazing, beautiful, and smart woman. You don’t need to be sitting around waiting for someone to notice you. If she doesn’t like you the same way you like her, then it’s time to move on,” Natasha explained as she attempted to keep her own emotions at bay. She threw a sympathetic look your way even if you didn’t notice it. “Listen Y/N, I know we aren’t as close as you are with Miss Maximoff, but I care about you. You are by far my brightest student yet and I see so much potential in you. You don’t deserve to be thrown around like trash, only used when she gets bored with someone else. You deserve the world.”

“Yeah? And who’s gonna give me that?”

The ‘me’ went unspoken from Natasha. She simply sagged her head and stared down at the mountain of paperwork laying in her desk. It would be to no avail if she decided to work – with a brain oozing with thoughts of you, her focus disrupted. 

“How about we try something different today? We can work for a bit and then I can take you out for lunch. My treat,” Natasha said. “How does that sound? I just hate seeing you like this, sweetie.”

You thought about it for a second. There was something awfully safe about Natasha. As much as you wished to spend countless hours obsessing over Wanda, sometimes you found yourself humoring the idea of your professor. She was sweet, always protective as she huffed at the idea of you being hurt. At first you assumed it was some sort of motherly instinct, but after having caught yourself staring down her cleavage from time to time, the top buttons of her blouse always open, and she stared back with a smile, you knew something much more intimate lay beneath. 

“I’d like that,” you replied, suddenly drunk on Natasha’s presence as Wanda was left behind. 

“Good! Now time to work, hon. You don’t get paid to sit all day and look pretty,” the redhead chuckled at her own joke, suddenly feeling much more rejuvenated. “If you finish quickly, maybe we can grab some dessert as well.”

━━━━⊱⋆⊰━━━━

A shudder ran down your body as hands traveled across your back. Fingernails left heavy trails in their wake, surely to be worn with the utmost pride. You hummed, eyes closed while holding still, standing there naked as the day you were born. In the dusk of the room, you let yourself be the center of attention; the center of her attention. 

“What did she do this time?” Natasha asked from behind. Her mouth was quickly upon your upper back, kissing its way along your shoulder blades. Never did she lose her tenderness when touching you. “Tell me, darling girl. Use your words.”

You didn’t know when it had begun. One day you were at work standing in front of your boss’s desk before you became trapped against it. The first time Natasha kissed you was then and there. Neither could hold back the attraction you shared for one another. No longer did you prioritize Wanda as you allowed your professor to take you. 

“I found her sleeping with Kate. She was…she was laying in my bed, Nat. I saw them and just ran away. She fucked her in my bed!” You sobbed, but didn’t allow yourself to shed tears. Not long before you had promised yourself never to cry over Wanda again. “I didn’t know who else to go to. I just thought of you and ran.”

“Oh baby, I’m so sorry. I hate that she keeps hurting you,” Natasha mumbled back as she hugged you from behind. “Don’t you dare run away this late at night again. You know how much I worry about you. I’m just a phone call away, malyshka. Always.” 

“I’m sorry,” you responded before biting down on your lip. “I promise I’ll be good from now on. Your good girl, right?”

“Darling, you are always my good girl.”

Natasha motioned you to get on the bed, your head against a pillow as your ass remained up in the air. She allowed her hands to roam over your backside, smirking as a hand went down against a cheek. It was only a soft hit. Never did Natasha wish to inflict any horrid pain over you. As her eyes noticed the faint bruises Wanda left along your skin, she huffed. 

The redhead stood over you. She carried a dildo between her legs that was attached to a harness. Similar to you, she was fully nude minus for the red briefs she wore. Strong arms reeking with muscles held you close. As she inched the toy between your legs, you let out a loud moan. 

“I don’t like how she hurts you. I know you like it, Y/N, but she leaves you looking like a piece of meat. Does she even take care of your wounds, baby? Or does she leave you like that after hitting you until you’re crying out for her to stop?” Natasha questioned, already knowing what the answer was. Ever since first seeing your body, she was the one who took care of you as a surrogate for Wanda. “I know I can’t control what you do, but honey, this isn’t right. I can’t stand seeing you like this.”

Rather than vocalize your response, you hid your face against the pillow. Natasha slid inside you softly, allowing the dildo to fill you with ease. There was a grunt that you basked upon – it was low and throaty filled with your professor’s longing desire. She used all her force to drag you into a makeshift sitting position. From then on, Natasha allowed herself to, only gently, give you the pleasure Wanda failed to gift you with. 

“I want more,” you begged, eyes rolled to the back of your head the further Nat moved inside of you. Movements were languid and sloppy. All the older woman focused on was your own pleasure, not speed or roughness. Unlike Wanda, she took her time getting to know exactly what to do and how to touch you. “Please, mommy, I need more!”

“Whatever you want, my little angel.”

Natasha did not spend time rummaging through the newfound honorific. She beamed at it, but didn’t comment on anything. Instead, she thrust her hips forth fucking you with love that Wanda never gave you. Kisses were spread all across your back. Each grunt, each little noise she made mixed with your own, made you feel in heaven. 

Hands gripped your breasts from behind. They squeezed the mounds tightly, rolling erect nipples through the fingers. As Natasha pumped the strap-on in you, your cunt dripping with juices while velvety walls hugged her tight, she brought a hand down your body. Fingertips pressed against your clit and began teasing it, flicking the bud as you screamed loudly – surely her neighbors would hear. 

“You’re doing so well for me, Y/N. Just look at how you’re taking my cock. My pretty, little girl,” Natasha moaned when hugging you tight. She nuzzled her face against your shoulder before nipping your skin. There were various hickeys left upon you, signs for Wanda to see if you ever dared return to her. Natasha knew you weren’t hers, but each second she spent with you made her crave you even more. “I bet she can’t fuck you like this, can she? That little…she can’t make you feel this good. Only I can make it better. I’m the only one that will ever keep you safe and you know this.”

When you finally came, Natasha was there to keep you close. She remained frozen in place as your orgasm shot through your body. Not even a second passed before she inched you on the bed, allowing you to rest upon the soft mattress with the dildo still inside you. 

“I never want to see you hurt again. If she ever does this to you, if you end up going back, I want you to call me when you need me. I never break a promise,” Natahsa muttered as she placed a kiss over the back of your head. “I’ll always keep you safe.”

From then on, you found yourself hesitating each time you merely humored the idea of going back to Wanda. Even if you told yourself that the relationship with Natasha was nothing more than platonic, you questioned the validity of such a statement. Every second you spend with her, you fall further for your professor. 

━━━━⊱⋆⊰━━━━

“Tell me about your family.”

The two of you had escaped the cruel Bostonian summer filled with never-ending traffic and burning skyscrapers. It was the dead-center of the season and the entire city was plagued by a mix of potential commuters for the various academic institutions or those who, for some reason, decided for it to be her vacation destination.

Natasha had taken you away to a small town across the state. It was remote, small enough so that the two of you could enjoy your life in public without the student body of the university to find you. All you had done was pack all the bags you could muster for the weekend getaway. It was peace which became well-deserved. 

You weren’t much of a fan of them, but Nat had always spoken highly of the times she took her sister to pick out peaches ever since she first learned how to drive. The two of them would escape into an orchard in the depths of Ohio and come out with their hands full with fruits. The mere memory she shared with you was enough to get you to agree to her plans. 

“Well, there’s really not much to talk about. I was adopted by Melina and Alexei,” Natasha began as though it was the most casual thing in the world to refer to her parents by their given names. “I have a sister, also adopted, named Yelena. She’s the light of my life. A bit of an asshole I must say, but she’s the one I care about most.”

“Yelena Belova? That’s your sister?” You asked with furrowed eyebrows; it was a name similar to that of a member of Wanda’s team. 

“Yes. I realize she’s friends with Miss Maximoff,” Natasha replied with apparent dismay. “As hard as I’ve tried to keep her away from that girl, the two are almost inseparable. I trust her enough to not do anything overly stupid though. Lena has always been a bit of a firecracker.”

The two of you walked hand in hand along the orchard. There was not a label to whatever you had yet, but it didn’t care. Natasha was clear when she said she would never pressure you into it. Instead, you allowed yourself to be a free agent who, at times, found yourself wishing to have something more with your professor. 

Eyes roamed over the woman’s body. Usually you saw her in professional clothes or the occasional nightgown when you stayed over at her place, but never with a pair of shorts and a loose camisole. There were sunglasses shielding Natasha’s viridescent eyes from the sun, but you had looked into them for long enough to memorize their beauty. 

You noticed how she covered her body from time to time, hands over her thighs, cowering away from the nonexistent public that dared gawk in her general direction. It hurt to see. She was the perfect image of beauty to you, but a disgusting void to herself. 

There were rare moments in which Natasha allowed you to touch her. She was a fan of studying each and every one of your favorite sweet spots, running hands across your skin before making you giggle under the drunkenness of arousal. The few times you had placed your palms upon her frame you did so in a tender manner – Nat was a porcelain doll under your touch who could break at any seconds. It merely lasted a few seconds before she pushed you off and rushed to apologize for acting out, only for you to shoot her a warm smirk and tell her there was nothing wrong with that. 

Shaking your head, you brought yourself back to the present and carried on. 

“Yeah, your sister’s always been nice to me though. She’s not as close with Wanda if that makes you feel better. I’ve mostly seen her chasing around that Kate girl. Maybe it’s an underclassmen thing,” you shrugged. “What about your parents?”

There was a pregnant pause, clear hesitation, before Natasha continued.

“Well, I never met my biological family nor did I care about seeking them out. My mom has always been amazing,” Natasha stopped for a second, her hands gliding across the peaches that she carefully eyed. “My father…not so much.”

“Why do you refer to her as mom and him as father?” came your question before you could help yourself.

It was clear her demeanor had changed. Natasha stood with her back straight, hands clasped in front of her as a means to shield herself. She only stared forth into nothingness. Her body was with you in the orchard while her mind went back to when she was a child – to when she was alone with him. 

“It makes it less personal,” she finally answered. “It’s also easier than calling him ‘the man whose wife wanted to adopt two kids he never wanted’ and then turned my childhood to shit. I grew up way too fast because of that…that durak!”

The yelp she let out was fueled with emotions you had yet to see. Natasha was rarely angry, let alone emotionally vulnerable to let you peek through her walls. Her body sagged after fighting so long being tense. You could see tears rushing down her face even with sunglasses that covered them, but knew not to make a comment.

“Nat, has he ever…?”

You didn’t want to humor such a thing. Even then, you already knew the answer given her body language and unspoken words. While you fought with the idea of potentially driving to her father’s house and beating him to a pulp, Natasha found herself glad it had been her over Yelena. If something were to happen to her sister, she would never forgive herself. Each time he came at night, the woman sacrificed herself. It was a small price to pay for her beloved sibling’s safety. 

“I don’t want to talk about it, baby,” Natasha said with a cracked voice, turning the other way to move further into the orchard. You gave her space knowing that whenever she felt comfortable enough to talk, she would. All you could do was follow along as the professor whispered again. “I’m sorry.”

But behind her broken tone, deep down, you could hear a younger Nat’s faint cry of ‘yes’. 

━━━━⊱⋆⊰━━━━

There were moments in which exhaustion overtook you during long tedious days. You could barely move a muscle and still feel as though life had been sucked out of you. Most of your summer was spent chasing around Natasha, who you remained working for throughout the following months with little to no workload. Being around the woman, doing mere iced coffee runs and chatting without a care in the world while in the office made you feel free for once in a lifetime – for the first time since you met Wanda, she was an afterthought. 

Natasha was quick to jump in and take care of you through those moments. She always acted out in small, loving ways when paying for your food, giving you rides, or merely holding your hand as the two of you walked into your next adventure. Her desperation to hold you in her arms and promise you all would be well was intense. There was love radiating from her a mile away which you were far too shortsighted to see. 

“Tell me what you need, malyshka. Come on, little darling, use your words.”

After a particularly difficult day, you found yourself safe in Natasha’s lap. There had been no overexertion of your being during that day. It had mostly been relaxing as you worked alongside your professor on a Friday, but when you received a call from Wanda midday, the woman asking you to meet up, you merely froze and broke down in the office – your ‘friend’ only reached out when she needed something from you and it had been nearly a month since you last spoke amicably. After you only hummed as a reply and ended the call, Natasha was there to break your fall. 

“Mommy’s here for you. I know today has been a really difficult day and that you’ve felt really stressed, but I don’t want you focusing on those icky thoughts. I just wish she didn’t hurt you like this,” came the older woman’s whisper as she pulled you close. The two of you had rushed out of the office even hours before Natasha liked calling it quits. Even as behind as she was with her future lesson planning, she still prioritized you before anything else. “Use your words, detka. Tell mommy how she can help.”

“I don’t even want to think,” you flatly mumbled with tears threatening to fall down your eyes. Hands gripped the professor’s clothes while your forehead lay frozen in her shoulder. With arms wrapped around your body you finally felt safe. “Please help me forget, Nat. I never want to think about her again. I just-” your words were cut short by a short while your voice was left cracked. 

“Shh it’s alright, my darling girl. Mommy’s here to make it all better.”

While holding you tight, Natasha allowed a hand to slip down your body. It snuck to your lap then between your legs. No teasing was found – she knew you how overwhelmed you were and was ready to give you whatever you wished for without question. When naked fingers went past the waistline of your sweats and underwear, landing upon your already throbbing sex, you couldn’t hold back a throaty moan. 

You quickly realized Natasha wanted to separate herself from the man who agreed to adopt her. He was rough, violent, and torturous much like how she saw Wanda, whereas your professor never failed to bring a smile to your face even as she smacked your backside harshly — she always soothed the skin with the palm of her hand before carrying on. She wanted, no, needed to break away from his grasp over her mind. Otherwise she’d end up as a battered slave of his once again. 

Fingertips brushed against your clit then studied the entirety of your slit while coating themselves in your everlasting slick. Natasha peppered your wet cheeks, filled with desolate tears, with kisses. She mumbled only the sweetest words while easing herself in you. You cried out about your sorrows, about Wanda’s mistreatment over you, while the older woman simply sat there and held you through it. 

“You’re the most beautiful girl I’ve ever had the pleasure of meeting. Anyone who dares make you feel this bad is an idiot. Y/N, my love, you deserve the world,” Natasha said lovingly. She nuzzled her face against your own, foreheads pressed together with fingers knuckle-deep inside your cunt. You couldn’t even muster the enthusiasm to grind on them. Instead, you remained shaking as Natasha made it all better. “You never let yourself be treated like that by anyone, alright? Whether it’s Miss Maximoff or me, or anyone else. My darling angel should be treated as the princess she is. You’re one of a kind, honey, a perfect little bear. I never want you to forget just how valuable your existence is.”

Tears of joy were mixed with your gloomy ones. There were cries of pleasure and internal pain that Natasha never stopped supporting you through. She allowed her lips to touch down upon your own. With your orgasm approaching soon and her tender care, you were elated. 

“My sweet baby,” came Natasha’s hushed whisper. She made you come, your back arching while fingernails dug deep into the redhead’s outfit. There was a loud moan, though distant, that boomed across the room. Even as you fell apart, strong arms held you in place. Such a wondrous creature such as yourself, according to your boss, deserved to see the stars. “You did such a good job for mommy. Always my perfect girl,” she breathed out with fingers still deep inside you. “All mine.”

You swore there was a muttered ‘I love you’ thrown somewhere, but with the mix of mental and physical exhaustion raining down upon your body, you merely shrugged your shoulders and fell limp against Natasha. Although you wouldn’t admit it, your heart longed to say the words back – out of everyone in your life, you never expected to fall into the depths of love with your professor. 

━━━━⊱⋆⊰━━━━

“I don’t know why you like this show so much. It’s just senseless killing and at the end they solve everything and go home.”

Although it was supposed to be a relaxing weekend towards the start of the Fall semester, you found the mind boggling statement to fill you with feigned rage. Even as classes began, the arrangement between you and the professor carried on. You still worked for her even if there were no classes in said semester you took with you. As disappointing as that was, you began seeing more of Natasha regardless in more ways than one. 

The two of you were sitting on the couch late one Friday night. You were exhausted with your course load and Natasha cursed off the new freshmen she had to teach; they always pretended to still be in high school. A bowl of popcorn was nestled between your legs. While you watched Criminal Minds, Natasha settled for insulting it. 

“It’s fun, Romanoff. Entertaining at the very least.” you shot back with a knowing smirk. You had been the one to introduce her to various shows. Who would’ve thought that the great Professor Romanoff was living underneath a rock her whole life? 

“Wow I’ve been demoted from mommy to Romanoff. That’s sad,” Natasha laughed before grabbing a handful of popcorn. “Who’s your favorite character?”

“Probably Rossi,” came your shrug. “He’s the guy with the beard.”

“Really?” At the surprised tone your lover let out, you feigned offense. “I thought you’d like one of the girls. What about that brunette with the bangs?”

“Oh, Emily left for the Interpol. I would like JJ, but I don’t know. There’s just something cool about Rossi in this season.”

The two of you remained silent for a few seconds. It wasn't awkward, but then again, nothing was with Natasha by your side. Even if you slipped and fell in front of her, you wouldn’t feel embarrassed. The woman never judged you, instead supporting your every decision while also guiding you through life. You felt comfortable enough with her to be yourself. At times it felt as though it was you and Nat against the world. 

“Maybe you just have daddy issues,” Natasha casually offered. Moment passed before the two of you burst out laughing. Tears sprinkled in your eyes while your breath left your body. With the amusement that basked in the room, you both were giggling messes. 

“Hey!” you huffed when gaining some of your composure back and lightly slapping Natasha’s shoulder. “We both have daddy issues.”

“Fine, but I have more than you. Mostly because I’ve never actually met my real dad. Maybe he’s an asshole like Alexei,” Natasha giggled. She never failed to look radiant as ever, especially when laughing and seemingly worry-free. You had to do several double takes because the beauty that exuded from your professor was far too enthralling to break away from. As the laughter died down and you were left holding one another, her head on your shoulder while you leaned back against the couch, she spoke. “I want you to be my girlfriend, Y/N.” 

You had both agreed to keep things unofficial and yet there was that unmistakable skip of a beat your heart underwent when Natasha spoke her words. Teeth gnawed at your bottom lip nervously. There were striking green eyes which made it difficult for you to ignore the pegged comment. While your heart longed you to reply with a ‘yes’, to finally be Natasha’s forever, your mouth reacted differently. 

For the rest of the evening the two of you sat by and finished watching the show. Natasha was silent as she ghosted over her house, leaving you alone in the living room before hiding out in her bedroom. It was the first night in months that you slept in the guest room by yourself. And to your dismay, you went to sleep listening to Natasha’s quiet sobs that escaped the privacy of her bedroom. You had felt bad for Wanda when she got sad about you seeing your professor casually, but listening to the redhead’s woes was synonymous with your heart being squeezed to death. 

━━━━⊱⋆⊰━━━━

It was October when you fell in love. 

You returned to your dorm room days later behind the guise of assuming Natasha wished for you to be far away. She had barely spoken a word to you at work. Most of the time she sat by her desk with sagged shoulders, glasses perched at the edge of her nose, and glossy eyes hiding behind the frames. You desperately wished to say something, but when Wanda sweeped back into your life, the guilt ate at you until nothing was left behind. 

The Fall semester quickly rolled by. You were at the end of the month and still couldn’t sleep without seeing Natasha’s face tainted in your mind. At times when Wanda lay above you, hips thrusting with straps wrapped around them and letting out low grunts, you closed your eyes and imagined it was the older woman. The memories of her doing the same were soaked with humiliation. You had broken her heart, you knew. Never would you dare forgive yourself for having caused so much pain upon the frail, angelic woman. 

“I hate her so much,” Wanda had grumbled when you walked through campus hand-in-hand passing by a certain professor whose sight was solemnly trained on the floor. Your hand was squeezed as your eyes drifted to Natasha. As much as she seemingly hated you, all you wanted to do was run up to her, wrap her in your arms, and bed for forgiveness. Even if it would take ages, she was worth it. “Fucking bitch.”

Perhaps it was Wanda’s comment or the fact that you finally gained enough confidence through your depressive episode to take action, but that night you found yourself standing in front of Natasha’s house. Your roommate was long forgotten and for the first time in your life, you couldn’t care less about who she was fucking. All that mattered was the woman you, without admitting it, had fallen for. 

There was a desperate knock upon the hardwood door. There was furious rain which fell down upon your body. That along with the cool breeze of the night made you freeze in place. Still, you felt as though you deserved it. Even then, you’d do whatever it took for Natasha. 

“It’s 10pm on a Wednesday, Y/N. Someone better be dying,” were the first words Natasha spoke to you once the door swung open in a low grumbled voice you knew to be from when she awoke. “To what do I owe the displeasure? Did you come here to tell me how great Miss Maximoff is compared to-”

You cut her off by practically tackling Natasha into the house. Even if your body was dripping with the tears of the sky, you clung to the woman as though your life depended on it. She was clearly taken aback and yet never moved away. Instead her arms were left unmoving as you embraced her. That was good enough for you, you assumed. 

Putting your heart on the line has never been easy. You were the person who shoved her emotions so deep down that you somehow told yourself Wanda was the one for you. Although she hurt you so much, you still remained by her side. It wasn’t difficult to assume Natasha had felt something similar when you rejected her. She had spent countless months giving you the utmost love and never daring to ask for anything in return. You were always protected by her mere presence until one day you decided to throw it all away. Going to her house, you were without hope of being taken back. There was slight hesitation reeking in your chest, but as soon as you saw your former lover, you swore you fell for her once again – she would forever be worth it. 

“I’m the world’s biggest fucking idiot and I admit it. I should’ve said yes to you,” you began. Life had been tedious without Natasha even if only for a few weeks. You hated how only a cold slap in the face in the shape of one Wanda Maximoff could awaken you from such a dismal nightmare. “I hurt you so badly and I never, ever expect for you to take me back. I was an asshole. A svo-lach' if you will,” you could practically feel Natasha’s slight smirk at the mention of a Russian word she had taught you. “I miss you and I don’t think I can do this without you. It’s probably stupid since we weren’t with each other for ages. It wasn’t official and yet I can’t stop thinking about you. I want you to be my girlfriend. It’s always been you, Nat and it always will be.”

No words were spoken as the door was locked and you were dragged to the bedroom. Even if dripping with water, Natasha helped undress you. She threw you against the bed, viridescent eyes twinkling under the dead of the night before taking her rightful position over your body. There was not an area of your freezing body that she didn’t kiss her way through as sudden warmth radiated from her skin and onto yours. 

When you first kissed her after weeks of being away, you swore there were fireworks going off. Never had kissing Wanda felt even remotely good or similar. You were enthralled by the way Natasha was seemingly everywhere. Her hands drifted up your body before taking your breasts into her palms and squeezing them, nipples rolling through her fingers before being pinched – she did always have an adorable fixation on your chest. There was a sense of longing within her. The two of you hadn’t been together for far too long. During the rest of the night, you explored what was missed, holding one another as cries of pleasure were let out. 

Positions were switched from time to time. Natasha would be on top before you pushed her against the mattress and had your head disappear between her legs. There was nothing to be said. You two communicated through sweet and rough touches, connecting as one without the need for words. There was a moment when you made her squirt, legs shaking as your fingers were dug deep inside her cunt. Natasha was left wide-eyed and suddenly droopy while you lapped at the mess – even when a spent mess, she was the most beautiful woman in the universe. 

When neither of you could keep going it was already the early hours of the morning. Your bodies were sore and marked with the reddened tracks of fingernails. It was the first time in ages that you finally felt as though you belonged. Natasha was your person, she was safe, and she was home. It was then that you, while fingers trailed across the back of the woman’s hand, decided never to dare leave her again. 

“I love you,” she muttered once you were breathing raggedly, laying back on the bed with bodies intertwined and hearts aligned. You felt yourself crawl out of your skin, frowning as the words were spoken. Without even daring to turn around, you went to grab Natasha’s hand. When squeezing it, you gave her your response. 

You couldn’t say it out loud, but she knew then you loved her too.

[heliomanteia]

Kind of adding on to my previous analysis bit about Davrin's arc, but I'm gonna say I'm concerned about media literacy within the DA fandom if Davrin's arc was hard to comprehend for people.

A little rant-like so I'm putting this under the cut:

VG has a strong and consistent narration that is mirrored or reflected within each companion's quest line: it's all about the bigger picture of personal choices and regrets and change and the inevitability of alteration and the need to live with the consequences — it is also somewhat about mortality and carpe diem. Pretty much every companion's line has something to do with death, coping, trauma, fear, and a big and important personal choice that would alter them as a person — it's always a "neither is better" choice and it calls upon your personal judgement to be made. There's room for criticizing the necessity of the black-and-white nature of some choices (i.e. Taash's culture question, for example) but overall they all have a consistent and equally important narrative line.

Claims that Davrin's arc is about Assan are actually hilarious. I assume people saying that have never in their life encountered a story where the main character had an animal companion, or just less sentient companion, that reflected their personality or some of their inner conflict. You know, the staple Disney/fantasy trope. This is an incredibly common narrative tool, it's bizarre to me that people saw that Assan has a lot of screen time and immediately assumed it's no longer about Davrin just because of that. I guess I could say it's not particularly shocking to me that DA fandom of all places had an issue of keeping their focus on a Black man's story. Moving on.

As for the claims that Davrin's arc is about Isseya, I'm a little shocked that was even a talking point. Because just as "animal companion reflecting the character's struggle" is a narrative tool that's up there among the ten most frequently used in media, "antagonist that reflects the main character's pathway in an inverted, perverted manner" is just as frequently applied. In fact, it's concerning that people missed Davrin vs. Isseya mirroring in the game based around the concept of recognition through the other and mirrors of self (Solas vs. Rook). I think it's safe to say that if someone did not catch anything about Davrin's arc and how it's entirely about him, I don't trust their general opinion on DATV overall. Because they're fucking stupid/didn't pay attention.

I don't think it's any surprise that at certain points VG gets a little too exposition-heavy, because apparently just giving people a good storyline with consistent and repetitive narrative that breaches the same narrative points but reflects it differently depending on the character it's about is not enough? Some people will be given the most direct mirror narration there could be without spoon-feeding it and they will still miss the whole fucking point? I'm not shocked that a large bit of "criticism" on VG writing/narrative/what was kept and what was omitted from being mentioned has been genuinely shit. And has consistently offered "fixtures" that would just make the stable narrative of VG a mess without a main theme.

Anyways, Davrin's storyline is very directly about him in every aspect mentioned; every person within his story reflects back on him and fleshes him out.

[widowling]

One thing I did really like in Veilgaurd was that they made the combat super integrated with your companions. In previous games, my companions were just kind of, like, there. Except maybe with Origins but that's a whole different combat system that I honestly dislike/like for entirely different reasons. In DA2 and DAI, I just stuck to my PC and pressed buttons.

In Veilgaurd though, you need your companions much more. You really are fighting together. You need to act together to set off the combos and I need their help a lot more. I take characters with me not just for the storyline, but because I need this character with me to defeat the type of enemy I think I'll be facing. I need them more.

They created a gameplay where you rely on your companions and then, every once in a while, they take them away.

And fuck the panic for me the first time that happened, and honestly every time that happened, was visceral. I was counting on Bellara to heal me, now she's gone. I was counting on Neve to slow time because I was overwhelmed, now she's gone. I was counting on Lucanis for this combo, now he's just gone. And I'm running around, dodging, stabbing, but I'm fully aware that I'm not as strong. I can't take down this enemy alone. I am just desperately trying Not To Die until they come back. It's great.

It's a type of writing and storytelling that is ONLY possible in video games. I think people underestimate what a new genre / medium it is so they overlook these kinds of things when they happen. I'm thinking about Jedi: Fallen Order, when Darth Vader pops up and you think 'cool I get to fight Darth Vader now' then he has no health bar. You realise oh. This is not a fight I win. This is an encounter I just try to survive. I'm also thinking about the first Bioshock game, where Atlas is guiding you through Rapture and you don't even question it because there is always a character like that in video games that tells you where to go and what to do. Then the 'would you kindly' reveal. You never had a choice. You still don't. You didn't question it because you just trusted the way you thought the medium worked, then it reveals to you that your implicit, unquestioning trust in the way you think the system works is not a choice. It's brainwashing. Makes me feral actually.

I'm just thinking about video game writing and how it differs from other forms of storytelling. You could not have a character like Solas, who reflects the reader's actions and choices back at them, in like any other medium.

And I just kind of love that a little.

[butchvamp]

i dont know how you could play veilguard and genuinely think the dalish elves are represented well in that game. you can't even play a dalish rook (except somehow they kinda are dalish, but also you can make them andrastian too, because actually you're not dalish but you do know elven and call them "our gods" repeatedly for some reason but your faith is completely unshaken by all of this regardless), there are no dalish clans in the entire game, the only one we do interact with is massacred off-screen but it's fine this time i guess because at least it's not our fault, and the two dalish companions are treated like shit by the writers and the narrative and the playerbase. the veil jumpers are not the dalish, these are separate groups, there are humans and qunari and dwarves all within the veil jumpers. the dalish are separate, irelin and strife and bellara all left their clans to join the veil jumpers. the actual dalish clan in arlathan is killed after the gods escape, there's literally a whole quest where you have to run around and find their dead bodies.

bellara is punished not once but twice with her brother's death for daring to pursue elven history, just like merrill is punished for restoring the eluvian before her. and then rook is the one that gets to choose whether or not to destroy the archive, despite not even being dalish. yes, bellara is smart and strong and brave but she also is belittled for her beliefs; her struggle at the start is played as a joke, her comments are all punchlines, and when you do get to talk to her she blames herself and feels guilty, and the game gives you no real option to comfort her. it takes the game killing her brother a second time for us to finally get to see her practice her culture without feeling guilty and without being mocked for it at his funeral, because now she's learned her lesson (but also they make sure to throw in a comment about how Weird it is, and also that all the other dalish clans have been doing the Wrong funeral rites, just to make sure we know how silly they are)

outside of davrin and bellara, the dalish are absent. strife and irelin both immediately accept the sudden revelation that their gods are evil with no pushback (and i don't care if this is because they know harding and varric, this is not communicated in the game). and apparently every other dalish elf just accepts it, too. how is this not depicting them as a monolith? did we play different games? dalish clans have their own traditions and cultures and would absolutely have different opinions about their own gods; the only way you get to see something even remotely close to this is if you take bellara and davrin out together and listen for their banters-- which are never mentioned or relevant anywhere else in game.

and no, i don't want the dalish to blindly follow the gods in veilguard, i want the entire narrative to just not be so fucking racist. the oppressed people's gods being revealed to be evil all along is just racist. nothing else can be "fixed" while this is the core plot, and we knew this since trespasser came out, since it was first revealed over 10 years ago. people have been criticizing this choice and the depiction of the dalish for over a decade. and they still continued with this storyline, despite the various other lore bits they did end up changing for better or worse... instead they just wrote out the dalish completely while still managing to perpetuate harmful anti-indigenous tropes that they've been criticized for repeatedly in the past-- that are made even worse with the total absence of any other dalish characters to counteract them.

[corviiids]

rachel is a pretty popular blonde girl pigeonholed as a confident mall rat until the war starts and slowly reveals her natural assertiveness to actually be a deep-seated bloodlust and vengeful rage that leads her to become a legitimately disturbing blood knight with a penchant for crossing lines none of the others are comfortable with crossing but which are maybe sometimes necessary to win an ugly war and the books do not shy away at ALL from her violent thoughts and desires, from the team's increasingly willingness/need to use her to do their unthinkable dirty work, or from how much her own nature scares her while she starts to wonder who she is without war.

tobias is the boy she falls in love with and by boy i mean hawk because he used to be a sweet-natured dork from a very broken home but he got stuck in "morph" (hence animorph) and now lives permanently as a red-tailed hawk which it is implied he did at least partially on purpose to escape his hellish home life. he struggles immensely with what humanity means to him anymore and how "human" he still is vs how much he is truly a bird of prey, for a number of reasons, including that in order to retain the power to morph and stay in the war he can never permanently become human again, and he has made the choice to keep fighting.

their love story is very tragic and star-crossed because tobias can only be human for two hours at a time and expresses frequently that he's no longer comfortable in his human body which means they can never truly be together. rachel wishes tobias would stay human, partly so they can have a normal romance but also because she wants to keep him safe and out of the war. he's not put off by her violent nature outside of concern for keeping her safe in turn nor does he try to use her for it unlike the others and he repeatedly risks everything to watch out for and support her. they are the only ones who see each other clearly including all the dark parts they scare themselves with and love each other for all of it. tl;dr she was a girl he was a bird can i make it any more obvious. did i mention the animorphs books are all free online

it's just unjust that animorphs never found a big fandom niche here because you all really need to go crazy about rachel/tobias with me for real among one billion other reasons

[itsjustelian]

Spoilers for Ep 1 of Link Click's Bridon Arc

Did anyone else realize that all the people they ran into this episode were in some way a parallel to what Lu Guang was going through?

1. The Cosplayer was concerned that she would regret her choice to become a comic artist. She didn't want to commit to it and then have it ruin her love for art. I feel like that's something that Lu Guang would genuinely have to grapple with if he's gone back over and over. Would there be a point where he regrets it? What if he starts to resent the people he's trying to save?

Also, with that arc is the comic artist saying "Don't give up on your flashlight." And I feel like that ones kinds obvious. With Cheng Xiaoshi being the flashlight in the scenario. To keep going even if it seems impossible, even if you're taking the harder route.

2. With Zhou Xun, I mainly noticed when Qiao Ling was like, "He seems so smart but us so irrational because he's in love," and even platonically, it's so clear that Lu Guang loves Cheng Xiaoshi (you don't do the shit he does if you don't) and he is currently doing an irrational thing in his attempt to save him. There's no guarantee this works. There's no guarantee he doesn't actually tear time and space apart doing this. But he is. The same way Zhou Xun is (albeit kinda stupidly) trusting and enamored with Vivan. He has no reason to trust her after the others reveal her lies, but he's emotionally connected to her, and he doesn't want to let go. He doesn't want to give her up.

3. With Vivian, it was more at the end and less to do with her situation and more her thoughts on it. She mentions wanting a relationship free of lies, something that Lu Guang no longer has. Inherently, his relationship with Cheng Xiaoshi is built on lies. In a way, it comes back to Season 1, Ep 2, where Cheng Xiaoshi questions if they'd still be friends even if they disagreed on something. He is being kept purposefully in the dark (for his own benefit, yes, but still) by Lu Guang and its going to put a strain on their relationship even if he doesn't know its there (As a side note. I do really hope that at some point Cheng Xiaoshi learns about what Lu Guang is doing. It'll hurt so bad but I do want to see his reaction).

Also, Vivian mentions wanting to go to Bridon, which is a very fun (if not obvious) reference to the rest of the Bridon arc loll.

(It is very late, and i am emotionally drained from that episode, so if there's any mistakes in this please let me know 🥲)

[steamberrystudio]

2024 wrap-up and 2025 plans

It's been a really weird year for me and the last few months have been particularly challenging - so much so that I can't really remember much of the start of the year. There's been a lot that has happened and yet it feels like almost nothing has happened.

With a personal move in the works at the moment, and lots of lists and packing and cleaning, the last couple of weeks have felt like a blur of limbo as well.

But rather than just complaining let's jump into the wrap up and plans for 2025.

2024 Progress Wrap up

When looking back over a year of visual novel development, it can be really easy to forget progress and victories because it all smears together into an indistinct timeline.

You know stuff happened but you lose sight of the details of that stuff.

Even while writing this last night, I forgot that A Faerie's Tale was something completed and released this year. I remembered it just now while doing a final proofread of this post.

Development is such a long and repetitive process that you forget all the individual steps it took to get where you are. When I look back over 2024, I admit I feel like I somehow didn't do that much...that time slipped away while I did very little actual work.  

And of course, that isn't true. (Or is it?? Self-doubt assures me that I didn't do anything noteworthy this year.)

When Stars Collide

At the start of 2024, When Stars Collide sat at 485,000 words. I was finishing up editing Asher's route but had portions of the other routes to draft. The UI was still the old design, most of the backgrounds were incomplete and none of the additional features like the flowcharts and affinity meters were set up.  

I wanted to release an updated demo and the more new people told me they were playing the demo, the more I died inside because it was not at all reflective of the project any more. But I was missing critical backgrounds that I actually got only a few weeks before Episode 1 went to beta.

The point is that back at the start of 2024 the game was still very unfinished but I had big plans. My goal was originally to start releasing episodes in June of 2024 but editing and coding just took so much longer than expected that it just wasn't possible.

From a writing perspective, I learned that drafting and editing a game in this overlapping route style was hard. It was just genuinely so much more difficult than the separate route structure I'm used to. It really requires different processes and styles of planning than what I've done in the past. The burden of meticulously matching a timeline of events across 6 routes simultaneously is really tricky with the way I write and form the choices in my games.  

You kind of have to either never refer back to anything that happens within a choice scenario or you have to remember and track a lot of variables and conversations and events. Additionally, writing one plot line from multiple relationship perspectives is actually quite tricky. Things have to align in very specific ways but you also kind of want to make sure that each play through is interesting. You don't want the conversations within the LI-specific content to be identical but they have to be similar enough you can manage the difference with a few key variables.  

I honestly found it a really exhausting way to write. There's so much less complexity and so much more freedom when you are writing separate routes. And for that reason, the writing took a lot longer than I am used to.

One day I want to write up all my thoughts on route structure in visual novels but I haven't had time yet.

Ultimately I drafted about 172,000 words this year. The total word count of the game before I coded it was around 657,000 words - plus an additional 8-10k or so of bonus content. Of course, that shrinks when I code it but that was the total uncoded word count. So that is quite a jump from the 485,000 words I started with this year.  

I always say that working on VNs really skews your view of what "a lot" of words is. To me, as weird as it is to say, 180k doesn't feel like that much writing, which is silly because it's like writing two YA novels.   

But between the end of the Kickstarter for Gilded Shadows and the end of that year, I think I wrote about 250,000 words. That's 70,000 more words but in less time. I think it just shows how much more difficult writing WSC has been due to the structure of the routes.  

I remember having a conversation with someone once where she told me that writing a game like Gilded Shadows is *definitely* harder and more work than writing a game like When Stars Collide. GS has multiple plots and a lot more words. In WSC, the routes share a plot, they share scenes and content, there's only one plot line and there are far fewer words.  

I think it really underestimates the simplicity buff and the freedom buff that you get from having a single separate route in its own space time where you don't have to care as heavily about continuity across routes or a shared timeline of events or all of this other stuff that was such a burden to me when writing overlapping routes.  

I maintain that I'm really glad I wrote When Stars Collide the way I did. I learned so much about game structure and choices and all this mechanical stuff about how visual novels work that I'd never really had to think about for. It was really, really enlightening.  

But I will never do this game structure again. Lemme just say that.  

Drafting aside, I had to also edit all that writing which was its own special layer of hell.  

And then the art. The art has been enjoyable. I really love this game's aesthetic and the character designs. And the characters. I really enjoy them all so much. They are the most adorable crew of nerdy gremlins out there.  

But the art has had is own challenges. I've done about 20 CGs for the game so far and a lot of them are easy enough but the colour slider MC is definitely a bit of a challenge for the CGs. With GS where I recoloured by hand, there were times that I had to slightly tweak Morgan's default colours to look good in CGs. For instance, one of her skin tones looked quite odd next to Magnus, who is very pink. And I had to just slightly tweak that skin tone in his CGs so they looked okay together side by side. It was easy to test that sort of thing before the CG even got into the game.

But I colour Wil in greyscale and I don't see them in colour until I test. And each colour available on the slider is represented by a number. And there are essentially 100 of them. So testing all of those isn't really viable. I do test multiple skin tones from my saves. But in some ways it's more cumbersome to make sure all of that looks good.  

Wil also has 8 hairstyles…in two colours (which are recoloured manually because a couple of the hairstyles just don't really looks as good recoloured automatically (it's my art, not the dynamic colour slider tool).  

It's a lot of work. Hair 5 usually puts my hand out of commission for the rest of the day (so I save it for last. Ha ha). I don't regret it and again, it's something I wanted to to do as an experiment. I knew that 5 hairstyles was probably manageable and 8 was definitely pushing and I was right so no hard lessons really learned there.  It's sometimes valuable experience to push yourself right to that line and really see where the division between "feasible" and "too much" really is. Because then it's no longer hypothetical. You know where the line is.  

A lot of how WSC is set up was me testing if the line was where I thought it was.

Beyond the art, I also got all the other new features set up and experimented with a few things I hadn't been planning on. Many of those features had the core elements set up and coded by wonderful programmer friends and colleagues (Feniks and Windchimes and Jeneara) but I still had to implement all those things in the code to make them function as part of the game.  

Which, for things like the flowcharts - is time consuming. Flowcharts are like that.  

The flowcharts in WSC use a different method than the ones in GS. It's a brand new tool and I'm still learning how to use it but there are also some kinks that rear their heads (not those kind, you guys! The annoying kind that break the game!)  

I think the feature most people are most excited about would be the save screen. It's quite popular. Ha ha.  

With all of that stuff done, I was able to finally….*finally* release the official version of Episode 1 to Patreon and on Itch.  

And I released Episode 2 (minus two CGs that have been delayed by an abrupt move to a new place and me just not having time to draw right now) to Patrons in early access. (and the Itch version should go out mid-January. I hope).

So the point is…that is actually a fair amount of work that has taken place this year. And a lot of challenges that have been met and overcome.

A Faerie's Tale

Another thing I did this year was finish and release A Faerie's Tale as part of Amare Fest and with a team of friends to help out.

AFT is a concept I've had since about 2020 (prior to WSC actually). It was based on a dream I had as was always meant to be a cute little side project. But it kind of fell by the wayside in favour of my larger projects.

Being able to get it released was definitely fun. Jen and I definitely want to go back to it and release Lachan's route though - it was something we didn't have time for previously and it would be nice to get it truly complete.

Thornewood

And while I haven't specifically mentioned it anywhere outside of my server and Patreon...

The truth is...

I've secretly been planning my next project. But not really all that secretly since I have mentioned it a few times.

I've been torn, for a while, on two projects I'd like to tackle. One is called The Crown Wheel and the other is called (tentatively) Thornewood. I still go back and forth over which one I really want to do next. 

Crown Wheel is the one I *really* want to get out there. It's another story that's close to my heart with some ancient characters of mine that I really love and would love to throw out there for other people to enjoy. But…

Thornewood is a bit more solid a project when it comes to planning and plot. Crown Wheel is a little more nebulous in terms of where the story would go. I'm getting side tracked…I'll get into this more in my 2025 plans.

I have not been working on any other project regularly or in any truly significant way. I've really been working on outlines and character profiles more than anything and I typically do it late at night when I can't sleep but can't draw any more because I'm resting for the day and while I just don't want to be working on WSC because I worked on it all day.

I think I have about 13000 words of outline. I did a rough summary of each route and have been trying to expand those and detail them out a little bit more. So technically that is work I've done this year too.

2024 still somehow feels like a weird year for development. I can't articulate why but it definitely was an odd year for sure.

So What are my 2025 Plans?

That's really the big question at this point. What is in store for Steamberry Studio?

First and foremost, the plan is to get When Stars Collide fully released. This isn't as straightforward as it seems though. With the writing complete, I'm focused on the coding and art, but...

Coding expressions is currently a bit tedious because there have been a ton of group scenes in this game so far. This is because it is somewhat of a 'closed set' so when you are not 1x1 with a love interest…you tend to be with a group. This will diminish in upcoming chapters as the plot kicks off more and you also get longer scenes with the love interests. But unfortunately it does come back in the last few chapters.  

But for now I'm looking forward to heading into parts of the game that are more 1x1 or at least smaller groups at a time.  

Additionally the CG situation has been somewhat up in the air for me. I was originally planning to do CGs in every chapter but I wasn't sure if that would a) be sustainable for me and b) make sense.  

I suspected that there would be chapters coming up where there just weren't necessarily any good CG moments. So the "CGs in every chapter" thing was always going to be a bit squishy.   

I know, for instance, that chapter 6 probably won't have any because there aren't any good moments for it to be honest?  

Anyway. I am thinking that I may take a less formulaic approach to CGs and focus on making sure there are CGs in every episode if not every chapter. Maybe chapters 5, 8, 10...and then...Idk. One or two of the ending chapters. 

Even if it's just four of the remaining chapters, that's still 24 more illustrations for the game. Which I feel like is a very reasonable amount considering there are already about 20. 

Another thing I'm really going back and forth on is the nature of episodes moving forward.

Do I want to continue with 2 chapters per episode or do I want to drop to 1 chapter per episode? I battle myself on this all the time. It's such a hard call for me.

One challenge with moving into single chapter episodes is that I just feel the episodes would be less satisfying with only one chapter. Realistically the chapters aren't that small - even the short ones are more than 30,000 words each. That's...half a YA novel.

But, again, *realistically* when we reduce that to a play time, it's not that much.

People consume unvoiced visual novels at a rate of about 250 words per minute. That means 15,000 words per hour.

So 30k is just two hours of content. When you start dividing this up between "main plot" and "LI route content", you start whittling away at how much content *per character* there is. If there are 20,000 words of "LI content" - yeah, that's more than half the chapter. But that gets divided by 6 characters. And that means 13 minutes of playable content *including all the choices* for each character which isn't a lot. And most people are not going to play through every choice option.

Which means people could be getting through the unique content for their favourite character in less than 10 minutes.

By combining chapters, that means we get episodes that are 70,000 words or 90,000 words. It boosts the amount of content per character by a significant amount and that is really what I'm looking at when I consider episode layout. 

I try to think about what is going to make for the most satisfying episode for players. The drawback of 2 chapters per episode is that it's…a lot. It's a lot of expressions. It's a lot of flowchart work.  

It just takes more time.

Regardless of whether it's just 1 chapter at a time or whether it's 2 chapters at a time, I really want to move forward with steady releases and get the game fully released to players in 2025. That is obviously my primary focus going forward.   

The story is finished. It's burning a hole in my laptop. (Not really). But I want to get it released.

Having the story already written but delivering it in smaller bites to players is doing a lot to save my drawing hand from inevitable doom but it's so hard for me mentally. I know the things coming up in future episodes and I'm so keen to release it and see reactions and talk to people about it. And it's just so difficult to not be able to do that as fast as I want.

I'm trying to be patient and I hope all of you are willing to be patient with me.

In other work…

I will likely continue to plan out my next game on the side, though I don't intend to start working on it or writing it until WSC completes. It's too hard to manage two projects like that - at least for me - most of the time.

When it comes to Thornewood (the most likely contender for 'next project'), it is a 'dark fantasy' in that the setting is gritty and grimy fantasy with an underlying darkness in the world. It's not really a dark romance though.

I always view dark fantasy as including settings where the darkness comes from outside the main character interactions. The setting is dark and the stories have danger and darkness....

But dark romance is when the relationships themselves are also dark. And I feel like I don't really write dark romance. I don't write perfect relationships either but I wouldn't describe them as 'dark' by any stretch.

Either way I'm looking forward to working on something more overtly fantasy again.

I've been dabbling in science fiction for a long time now (since 2019 - that's when I started Gilded Shadows!!) and I've been wanting to move back into fantasy settings for a while now.  

Even just working on the profiles and outlines and world building for fantasy projects, it feels like the Fae and the magic are calling me back home. So I'm really eager to wrap up WSC and bury myself in a more fantasy themed setting again.

But I have a long journey to get to that point.

There's a lot to do in 2025 and I still have a lot of stories to tell.

I hope you will all be here with me for the journey.

[impala124]

Bad Buddy Ep 6

My thoughts on Ep 1 | Ep 2 | Ep 3 | Ep 4 | Ep 5

Me, at the end of this episode:

Something about the way Pran buttoned his shirt all the way up to the collar, like it's suffocating for him to share space with Pat for the first time since their rooftop kiss, is making me unwell.

Why is Pat's father on my screen? I do not like that man. He makes Pran uncomfortable and I can't allow that. Why does Pran make himself look small when interacting with Pat's dad? Is it just his way of showing respect for an elder or is there something more?

"We know how it's going to end; isn't it better not to start at all?" Pran, bestie, are we still talking about music here? It hasn't escaped me that Pran is leaving the guitar with Wai after Pat kept it with him for 3 years before returning it to Pran. I just hope Pat doesn't find out about this.

Now, What is Pran's mom deal? You're on a timeout along with Pat's dad. Go sit in the corner for a while.

Pa is a child of (PatPran's) divorce at this point. She has to put up with Pat wreaking havoc in his room with the drums.

Pa out her assuming that everyone likes Ink because she likes her. Understandable, bestie, but you're way off in this case.

Pat following Pran to the architecture faculty volunteer camp strengthens my belief that Pat is just a lost puppy following Pran around.

The irony of Pran ignoring Pat by using the earphones that Pat gave him isn't lost on me.

Pran hasn't counted on Pat's pesky persistence. I'm cheering you on, Pat; make Pran go off-kilter.

Now, let's all thank Uncle Tong for coming up with these activities at a volunteer camp and divine intervention for actually pairing them together.

PAT USED HIS HAND TO PROTECT PRAN'S HEAD FROM THE FALL.

Wai is officially on my shit list. Why is he being so damn possessive of Pran? Pran can make his own choices, and if he weren't comfortable with Pat lying on him, I can't imagine why he wouldn't be, he can take care of himself.

Pat, bestie, I love how brazen you are, and I appreciate it.

Pran saying, "Someone like him will quit bothering us when he has had enough," in relation to Pat, and Pat coming with a chair to settle between Pran and Wai is just too fucking funny.

Now, Pran is being the physical embodiment of "My having feelings for you has nothing to do with you. Don't talk to me."

Pat is using the child, Junior, as their unofficial couple's counselor.

So, the trip to the market counts as a date, right? Glad we agree on that. Even the vendor thinks that they look cute together.

PLAYING IN THE WATER TOGETHER!!! This episode is a gift that keeps on giving. The conversation by the beach.

Okay, but what did Pat do to have Pran transferred from the school? I get his anger at his mom, but what did Pat do other than be a part of the band?

I love how, although there isn't any direct mention of homophobia (yet) in the show, their (familial & faculty) rivalry, that they didn't ask for but was imposed on them, feels like an allegory for it.

Without people around, I can sit next to you just fine. But when there's other people, talking to you feels like amatter of life and death. What can we do? We were just born this way.

OMG. Their hands touched, and Pran didn't pull away!!!!

I'm not even mad about the product placements, and that's how you know the show got me hooked.

Wai and Pat sharing a room will be interesting for sure. I don't trust him, though; he looks like he's planning to hurt my boy.

I love how Pat has zero chill, just bulldozing his way to Pran.

Wai, you fucking asshole, who do you think you are?? Pran, save your man!!!

And he does. Pran's on-the-spot lore cooking skills need to be taught in school. It's a survival skill if I'm being honest. He wasn't lying, though. His first love did fall in love. WITH HIM.

Pat CAUGHT Pran's hand and stopped him from leaving. ASFFGHDGJ—

Oh, nothing to see here, just a pair of lying liars sitting by the beach and lying to each other.

Pat's face lit up like a Christmas tree when he heard Pran say It is so obvious that you like me.

Gotta love Pat's tenacity and how he maneuvered Pran into being the recipient of his flirting.

Everything's gotta be a competition with these two. However, in this scenario, both of them are going to win and have fun along the way.

Let the (flirting) games begin!!!

Pran's definition of flirting is licking Pat's finger. SIT WITH THAT INFORMATION!! Pran, my beloved, you are a fucking menace for pulling the big guns out this early in the game!!

Tagging the usual suspects: @shortpplfedup, @incandescentflower, @starryalpacasstuff, @7nessasaryevils, @greenteadumplings, @grapejuicegay, @madworld-bbs, @usodeshou. If anyone wishes to be tagged in the future, let me know.

[projectjasper]

number one. every single job under capitalism is inherently exploitative and if you think for a fucking second that any of the other companies are a better choice then you are either ignorant or stupid. this is 2024. everyone chooses a job to pay the bills and further their career in a way that would afford them a stable life. that said, considering the fact that many artists can afford to buy property, cool cars, designer clothing, and many other expensive and/or luxurious things - i would wager many of their contracts are not incentivised by starvation.

number two. if you think gmmtv is a monopoly, you do not know what a monopoly is. change2561, domundi tv, and indeed be on cloud are all successful companies with highly popular artists and series. there is no universe in which any of their working artists would sign with anyone else, because they have constant, guaranteed work in their respective companies. which is something barcode did not have and which is why he left by the way.

wuju bakery, despite being promised long ago, is at a complete standstill. happy ending is notably not a be on cloud project at all but there is a different kind of uncertainty and anxiety to this kind of independence, and who knows when they will start working on it.

shall barcode wait even more years and actually be out of a job that whole time just because you find it easier to hate against one company and support the others, instead of realising that they all the same greedy capitalistic enterprises? or shall he make choices that would finally provide him with actual roles, along with a possibility to pursue his music career, which he can easily get with riser, if he hadn't explicitly added it into his contract already?

what is your actual criticism here? gmmtv is not a unique evil. nothing that it does is particular to it. should he have stayed with be on cloud? how? why? what is better about it? it's yet another shitty ass capitalistic company that is exploiting its workers like any other. except it wasn't even giving barcode a job, and you supposedly care about him making the bills. what do you wish for exactly? for artists to not have to make decisions based on the need to pay the bills? for sure. go out there and change the world then. because this is how our horrific world order built on imperial ideals currently functions for every worker and it is specifically designed to function as such. although i have to tell you, actors are probably not the people you have to worry about being exploited and starving the most.

people literally saying that gmmtv is STEALING all the artists is so funny to me 😭 girl they are not holding them hostage??? they fucking signed a contract? that they wanted to sign? because it's good for their career? grow tf up.

[saints-who-never-existed]

God I would love to have seen Lieutenant Jopson actually disagree and argue with Crozier, just once.

I'd love to have seen them have a proper argument once Jopson finally had the official authority to actually speak his mind a bit more.

I can't help but wonder if, perhaps unconsciously, Crozier promoted him in small part so as to have a lieutenant who would always agree and back him up in his decisions. But Jopson, of course, is a bright lad who knows his own mind, and nothing tantalises me more than the thought of that united front just not happening.

[cherry-treelane]

I find it so ironically funny when hardcore Debbie defenders use the defense that she was just a victimised teenage girl (agreed) and then proceed to slander Fiona and express their hatred for her character and lack of sympathy

as if being an adult magically absolves an individual of the horrifying trauma that precedes them and screws up their mentality and actions

funnily enough these people get mad at others for "expecting Debbie to be an innocent angel and hating on her for acting out as a result of trauma" (also agreed, debbie does deserve more sympathy, she can't be expected to grow up to be a perfect saint when she's been through so much) yet seem to hold Fiona to the same unattainable standards and put her on a pedestal as if she wasnt a child that was forced to intensely grow up while never actually being raised

like lets put this into perspective and remember that fiona grew up surrounded by corrupt morals and insanely screwed up behaviour yet still emerged as messed up, yes, but surprisingly good considering the situation she was in??? she had to navigate basic things such as morals and being a good, responsible person on her own. imagine how difficult it must be to lead a bunch of kids, including yourself, with no previous role model or good example of your own to follow. most of the time, she always tried to do what she thought was best and would have the most desirable outcome

[icewindandboringhorror]

Apparently I can meet my goal of roughly 400,000 words in 6 months if I just somehow write at least 2,200 words a day ghbjh... Almost 2,500 today... huzzah...

[swallowerofdharma]

Sorry, I failed to espress myself again. I was answering you but I was not trying to change your mind, just showing how I looked at things.

What I take issue with is the suggestion that readers who approach this story under a romantic lens would be distorting it into something it isn’t, which is what your original post appeared to suggest.

I didn’t say that tho. I made the new post to answer you on this and I am sorry I failed to clarify. I did say that the novel Lolita has been distorted into something else. And that made me think that with Saezuru we can have entirly different frames in mind as well. When talking about Saezuru I was then pointing at the arguments about consent because again, I am not trying to convince you to change your mind: the more you romanticize Doumeki’s intentions and problematicize Yashiro’s previous choices, the more you are shifting the scrutiny on the person who was at the bottom in that scene and who was asking to stop to the person who had taken charge. Stigmatization of Yashiro’s sexual past is the same as victim blaming. Without the romantic lens on, sex isn’t more morally acceptable if it’s gentle and the parts involved love each other, and if consent was revoked then it isn’t right in any case.

Frankly, I’m confused about why me holding the opinion that there is a lot of ambiguity about Yashiro’s consent in those chapters seems to be such a point of contention. I never argued that Yashiro gave any clear consent, nor that he has no right to object, I’m sorry but if that’s what you think that’s purely an assumption you’re making.

Please, don’t take it personally. I am purely looking at the arguments in the debate, not at who made them. I’m questioning the approach of analyzing in depth Yashiro and bringing all the attention to him instead of Doumeki in this case. That’s why I was talking about victim blaming: why you consider Yashiro a victim of his father first and of himself after, but you don’t consider him victimized by Doumeki too, which some of us do. Using Yashiro’s trauma or his past as arguments or putting responsability on him because he came on Doumeki first is taking away attention from Doumeki’s responsibilities and I don’t agree with that.

I like Saezuru because I like that Yashiro, a victim of domestic and prolongued CSA, is portrayed as a strong and independent adult, with problems sure, but not incapable. If you think that he can’t control himself or doesn’t know what he wants when he wants to have sex (which is not the case in every example given in the story), then you must think that maybe Doumeki could have had better control of his own sexual desires and could have waited. We are looking at the same pages, yet our emotional response is different. But at the end of the day, I look at the way Yoneda draws Yashiro after sex with Doumeki and he is always at a low point. To me, it seems that the point was to bring him to break, to experience a crisis. And I am having a hard time romanticizing it.

Personally, I refrain from conflating fiction with reality too much, because fiction doesn't operate under the same premises as reality; I believe to know what Yashiro actually wanted or didn't want based on my understanding of the story and in turn I base my opinion about chapters 23/24 on this belief.

The “I believe to know what Yashiro actually wanted” is a big theme in the manga as of the later chapters too. I find it interesting, because it is a possibility that this is Doumeki’s motivation now. And I am so very critical of it! Hugely critical of this approach, while also understanding that it is deliberate in the story.

In my analyses I will continue to be critical of things, and I can’t see that as a misuse of fiction. I am grateful that you took your time to read my arguments. This remains a place open to discussions as long as we are aware that romantic views about love and sex are not superior nor compulsory to read Saezuru.

Third to last page of ch 25: breaking the fourth wall

Following the discussion from here. Hoping you don’t mind if I make a new post so that the other one doesn’t become too heavy. I’m answering some lingering questions, but I am also saying that I won’t be dissuaded from treating this manga differently. As said recently*, Yoneda takes such care to give details and context to the story, that it is intriguing to look into things with analytical eyes and I can’t see the problem with it. For those who maybe feel like “the story isn’t that deep”, that is more offensive to the author tbh than to me or others in fandom who write commentaries. * @dragomfry said: “It makes our analyses of her work hold extra weight because there are things that she wants us to look for and derive meaning from (rather than us trying to derive meaning from nothing to begin with)”.

So to clear this first.

I can’t quite see why this story would be distorted into something it’s not intended to be if we approach it under a romantic lens.

I am not debating people for approaching the story romantically, but - because some troubling arguments were made about the recent poll - I will say this. Rape culture takes some arguments from romantic and patriarcal views to defend the aggressors and blame the victims instead: this isn’t romanticism’s fault, but the very fact should be at least taken into consideration. [More on this below**]. So several of the reflections I was writing about framing the manga as romance rather than literary realism were prompted by this issue. And reading your thoughts about the story, I can understand where we differ so much: and that is in how we view Doumeki especially, rather than the rest. Maybe you are not romanticizing Yashiro and his trauma, but you are especially romanticizing Doumeki. For example:

I allow myself to indulge in the romanticism of it all; both of them falling in love at first sight, depressed Yashiro finally finding someone who truly cares about him, Doumeki who doesn’t back down when Yashiro rejects him, Doumeki still having feelings for Yashiro even after he shot him in the leg and pretended not to remember him, etc. There’s so much in this story that’s blatantly romantic, almost corny.

There are many aspects of the manga that I do find realistic in it’s portrayal, such as the CSA, what I don’t find realistic, however, is the portrayal of love, the romance. I find it very idealised and romanticised for the most part (i.e the falling in love at first sight (I’ll get to that), Doumeki being Yashiro’s exact type, Doumeki happens to be impotent which allows Yashiro to develop feelings for him, the fact that Doumeki is completely accepting of everything Yashiro does regardless of how Yashiro treats him, the fact that Doumeki is still in love with Yashiro after he shot him the leg, maybe he even stayed in the Yakuza world just to be near him (although who knows why exactly he did that?) Idk maybe it’s just me but I find it very unrealistic. It’s this romantic idea of „there is this perfect person out there who accepts you just the way you are and you don’t have to do anything to keep them happy, you can even shoot them in the leg and they’ll still love you, they’ll stick around no matter what it takes to be with you“.

I can’t pick and choose what I want to romanticize or not, I have chosen to look at things differently, and I am keeping the same approach when looking at characterizarion. When I look at Doumeki, I see as many problems as those Yashiro has. He is the one depressed imo, at the beginning of the story, he is in much worse shape than Yashiro. Yashiro has a support network, Doumeki was isolated in prison and kept family away when he was released. Doumeki isn’t this strong and stoic person who is in love with Yashiro and is therefore shouldering a burden or enduring abuse in the name of love. I have been misunderstood before on this, but I want to say that I look at these characters without romanticizing either of them. I am not so much interested in looking at who is right or wrong, or to paint one character in a better light and bashing another: I want to understand their differences and how they came to be, how the relationship is affected by those differences. This is why I don’t take a shipper’s approach either, I am not solely focused in their relationship, but in the story as a whole.

There are several posts where I talked at lenght about these characters, because Yoneda gave a lot of backstory, and I encourage who may be interested in checking further. Doumeki has trouble facing or recognizing reality, until reality kicks him in the face, and that is happening to him since the nurse and Aoi. So he is only observing when it suits him. Yashiro established his emotional boundaries plenty of times, and Nanahara is there to corroborate and reinforce Yashiro’s prefereces. Here are some examples, and these are from volume one alone. It is a pretty clear situation, and Doumeki understood it.

I know that people are objecting to the very idea of framing Doumeki as the aggressor in this case, but the power dynamics had already shifted at that point when things went down in ch 24-25. It is the result of an escalation that sees Doumeki hiding his feelings and his arousal, and becoming more aggressive and unhinged towards others during the investigation into who ordered the hit on Yashiro. Yoneda was painstakingly building towards that scene, while also painting a bigger picture and external plot, and there are so many details that I haven’t even touched upon yet, but nothing is filler. And the parallels between Doumeki’s arousal and his violent behavior can’t be easily ignored.

Again, I feel quite powerless and unequipped to persuade those who already formed their opinion. But when given arguments in favor of dismissing Yashiro’s right to object or arguments that shift the focus away from the simple topic of consent, then I have to ask myself why this is happening. **Rape culture does play a role, and as I said, rape culture can and does weaponize some romantic ideas about love. Or against the autonomy of the person, against choice and so on.

I find it very important that Yoneda chose to put those words in the mouth of an ex-policeman, while dressed up as a policeman, and of another abusive detective with the police. Or the fact that Inami commented on Doumeki’s father building a career to cover up his crimes. See these statements from the Wikipedia page on rape culture:

With how difficult has become to search on the web for unbiased results, I am just giving the Wikipedia page not as a source of authority, but as a peer reviewed summary that provides a starting point for research and some bibliography on the subject. For example:

I want to add that I don’t agree with the way the article frames “men” as perpetrators and “women” as victims. That should be corrected and can be misleading. Men have been historically and consistently discouraged to speak up about being victims of rape themselves and often the law didn’t even consider them. And the gendered approach contributed to make so many victims invisibile. There is so much we have to learn.

Again, this post is solely for the purpose of answering arguments or points made directly to me about how we interpret the story in Saezuru. These are my observations and reflections, the links I see, and it is possible because these things are in the manga. And last, I love love-stories. But romance - especially romantic tropes, often reinforced by fandom shipping culture - don’t always equal love to me.