#i could make this more interesting but that would be out of character for me | Explore Tumblr Posts and Blogs

cuubism · 13 hours

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last year I saw this 1989 Dreamling art by @webonchin, became extremely obsessed with it, pondered and mulled over it for much time, and now ten whole months later I have a fic

my kingdom for a kiss upon your shoulder

Chapters: 1/3 Fandom: The Sandman (TV 2022) Rating: Explicit Warnings: No Archive Warnings Apply Relationships: Dream of the Endless | Morpheus/Hob Gadling, Dream of the Endless/Hob Gadling Characters: Dream of the Endless | Morpheus, Hob Gadling Additional Tags: Alternate Universe - Human, 1989 Hob Gadling and Dream of the Endless | Morpheus Meeting, Musician Dream of the Endless, Stockbroker Hob Gadling, Love at First Sight, Getting Together, New York City, Alternate Universe - 1980s, Queer Themes, Disillusionment, Explicit Sexual Content, Blow Jobs, Anal Sex, Recreational Drug Use, Depression, tfw you meet someone who makes you want to change up your whole life Summary:

Despite Hob's success on Wall Street, life is starting to feel meaningless. Limitless sex, drugs, and money should be endlessly entertaining but instead he's bored, he feels empty, like something's missing.

Something, maybe, like the beautiful, tragic musician he meets at a party, who opens more than one new door in Hob's life--and reawakens the buried longing in his heart.

Hob lies on the couch of the crowded apartment he’s found himself in for the evening, head tipped back over the arm. Pounding music thumps distantly around him. Dim lights. Warm bodies moving in blurs. He ignores it all. Picks up his vodka soda from the coffee table and takes a swig. Half of it runs over the side of his mouth instead of into it.

He’s… bored. What’s wrong with him that he’s bored surrounded by as much drugs, sex, and general debauchery as he could possibly want?

But he is. All that climbing for so long and now… he doesn’t know where he is. Why he’s doing any of it. The climb, the growth, was fun for a while. Chasing hunger, chasing more, that was fun. But now he has all of it. Supposedly.

He sighs. Pours the rest of his drink inelegantly into his mouth. If he wants another one he’s going to have to get up. He doesn’t really feel like getting up. He feels like merging himself with the couch instead.

The party spins on around him, as it always does. Not everyone’s feeling as burnt out on sex, drugs, and debauchery as Hob is.

He could go track down some coke, he thinks hazily. Someone here’ll have some. Maybe it would kick his energy back up.

He just feels kind of tired at the thought.

It says something bad about the point he’s reached in life that even cocaine isn’t doing it for him anymore.

“This is very dull,” says a low voice, and a man slumps down beside him, sitting on the floor and leaning back against the couch. He tilts his head back, looking up at Hob. “Do you think so?”

“Yeah,” Hob says, and then does a double take as he catches a proper look at the man.

Christ but he’s gorgeous. Nothing like the men Hob would normally see at a thing like this—nothing like Hob himself—with their fashionable suits, slick hair, slicker smiles. This man is lithe and sprawling, like a wild predator, stark black and white lines, spiky hair, dark makeup, studs flowing down his ears like raindrops. Clever eyes. Long fingers clutching a cocktail that he doesn’t seem particularly interested in.

Hob is instantly fucked.

“I was promised good drugs and better sex and I’m bored on both counts,” the man continues. He takes a sip of his drink, and grimaces.

“That why you’ve come over here?” Hob asks. “Because I looked equally bored?”

“Exactly.” He offers the drink to Hob. “You should try this.”

Hob takes it. It’s… very blue. “What the hell is this?”

“There was a girl working the bar… very drunk. She said she would make me her ‘special potion.’”

That sounds… questionable. Hob takes a sip, and chokes. “Christ.”

“I witnessed her pour in vodka, Prosecco, and tequila. Blue Curaçao—for color, of course. And maraschino cherries.” He plucks one out of the glass by the stem—there are about seven of them total—and eats it.

“What the fuck.” The stuff’s revolting. Hob takes another sip. “That’s alcohol poisoning in a glass.”

“It’s been one of the better parts of the night,” the man says.

Hob returns the glass, and the man tosses more of the drink back, his throat working. Hob’s just drunk enough to not attempt to stop staring like a creep. He wants to ask him if he wants to get out of here, or even just to steal away into one of the many spare bedrooms—it wouldn’t be out of place at a party like this, hell, Hob could drag him into his lap on the fucking couch, everyone’s far too drunk to care—but propositioning this creature for a mere hookup feels like wearing an Italian suit to mud wrestle. What a waste of a perfectly-made thing.

How did something like this wind up at this party?

“Who’d you come in with?” he asks, as the man plucks another cherry from the glass and delicately bites it off the stem.

“Someone who gave me a rather mediocre blowjob after a show,” he says. “I suppose I thought I would find better here, but I was mistaken.”

“Fifty-fifty shot on that, I’d say,” Hob says. Based on personal experience. Sometimes mediocre is good enough. Sometimes sex, regardless of quality, is good enough. For a while it has been. He’s not so sure anymore.

“I dislike betting,” says the man. Then stretches up a limp hand to shake Hob’s. “If we are to commiserate, perhaps names are in order. I am Morpheus.”

Morpheus. What kind of name. Though he had said at a show. A performer of some kind? “Hob,” says Hob, shaking his hand despite the awkward angle.

“Greetings,” says Morpheus solemnly. “You are the first man I’ve met tonight who has not tried to impress me with inanities. I am indebted to you.”

Hob tips his head back against the arm of the couch again with a sigh. “Too tired for bullshit. What’ve people been saying to you, then?”

“I have been taught much,” Morpheus says seriously. “Thrice I have been ‘educated’ on the great promise of ‘mortgage-backed securities.’ The reactions to my disinterest ranged from offense to outright concern for my sanity.”

“I think they were just trying to get in your pants,” Hob tells him.

Morpheus frowns. “The finance lecture was not helping their case. In fact, with each passing minute, I became more aggressively repelled.”

Hob laughs. “You’re on Wall Street, baby,” he says. It comes out kind of slurred. “Only thing more important than the size of a man’s dick is the size of his portfolio.”

Morpheus hums in consideration. “Neither of those has a direct correlation to talent.”

“Try telling them that,” Hob says.

Morpheus sits up straighter against the couch, leaning his head on his arm to study Hob. “I suppose I should ask about yours.”

“You’re too pretty for me to be tacky like that,” Hob says honestly. Maybe he’s a bit more drunk than he thought.

“Am I?” Morpheus seems pleased.

“So pretty.”

“Hmm.” Morpheus rests his cheek on the couch cushion. The tips of his hair brush Hob’s hip. His eyes are so liquid in this light. Hob wonders if he’s hallucinating his existence.

He reaches out, mesmerized, to touch Morpheus’s hair. Morpheus doesn’t stop him. He lets Hob pet him, eyes falling shut. His hair is tacky on the ends with hair spray, but soft underneath.

“I’ll tell you a secret,” Hob says, and Morpheus hums. “All those self-important stockbrokers trying to impress you with their convoluted financial instruments… they just want to hide that it’s all really a scam.”

“Is it now?” says Morpheus. “I was under the assumption it was legal.”

“Something can be a scam and technically legal. Oh, it’s all very clever. But it’s just building money on top of money with nothing real to support it. Kick out the base of the tower and it’ll all go into free fall.” He makes a whistling, falling sound, and Morpheus smirks.

“And I suppose you are better than all this.”

Hob chuckles. “Oh, no. I’m a money-grubbing little vermin, too. Just letting you in on the game. How it’s not so serious.”

“Hmm. I am a musician,” says Morpheus. As Hob figured, then. “I’m afraid it’s as serious as death.”

“Hence the all-black ensemble and the makeup,” Hob says.

“Indeed.”

Hob wants to hear Morpheus play. Or sing, or whatever it is he does. He bets he’d be exquisite. Divine. Hob can imagine those lips pressed to a microphone. Or those long fingers on guitar strings.

“Do you want something more interesting than alcohol?” says Morpheus.

“Why, you still bored?”

“Less and less so.” He pulls from his pocket a small bag of pills and hands it to Hob.

“You brought your own drugs to a party where you were promised drugs?”

“Promises cannot be counted on,” says Morpheus seriously.

“What is it?” Hob asks, then decides he doesn’t care, and takes a pill, chasing it with the watery last drops of his drink, which is a terrible idea, but then, he’s full of them.

“Ketamine,” says Morpheus. Oh, great, Hob thinks. Morpheus takes it back from him and takes a pill himself. “It occasionally makes me feel less like I am going to hurl myself from the balcony.”

He doesn’t seem to be joking. “Good for something, then,” Hob says. “Why do you want to jump off the balcony?” He still has his hand in Morpheus’s hair. He honestly can’t believe he hasn’t propositioned him yet. That’s not like him. These parties are usually only good for quick, casual sex. He even thinks Morpheus would probably agree, and yet.

“The state of things,” says Morpheus. He has such a deep, solemn voice. Hob wants to touch his mouth, or throat maybe. Okay, this is already not going so well. “And the state of my heart.”

Hob pets his hair again. Morpheus leans into the touch. “Writing songs about yearning and angst and stuff isn’t fixing it?” He can well enough guess what Morpheus’s music is probably like.

“No,” says Morpheus. He seems to really think about it. “I think it is making things worse. Perhaps I will try manipulating the financial markets instead. Is that giving you existential fulfillment?”

“There’s only so much money you can make before it starts feeling stupid,” Hob says. Maybe he should just throw all his cash out the window and go live in the woods or something. Carve figurines out of fallen trees. Probably do more good for the world, not that that’s ever been a focus of his. “Maybe it was always stupid.”

“No solution has been found for us yet, then,” says Morpheus. “Would you care to go outside? I find that if you are high enough, the city lights look like stars.”

“You’re not going to jump off the balcony, are you?” Hob asks, suspicious.

“This is not the right locale for my dramatic end.”

Somehow, Hob actually believes him. Morpheus wouldn’t truly kill himself unless it could have the right effect.

Hob levers himself up from the couch. Oh Jesus, now the room is spinning. The pounding music is starting to feel louder, starting to thud through him. Feels good, though. Everything being bright and hazy.

He helps Morpheus to his feet. Leads him, hand in hand, out to the balcony. They lean against the stone wall, looking down at the street, dizzyingly far below, cars poking along like lines of luminescent ants, distant horns crying. Then up, out at the collision of skyscrapers.

Morpheus was right. The lights are spinning and twinkling, just like stars. It reminds Hob of the first time he’d come to New York, when he was looking for adventure, and to get a little rich—or a lot rich—and everything had seemed like it was glowing and buzzing and flying.

The air is clearer up here than down on street level, and Morpheus tips his head up, breathing it in. His throat is so long, his shoulders and collarbone so angular. He looks like he’s been starving. But the stud in his ear at least looks from afar like a real ruby. Intentional, then, to be skin and bones.

“I think I am tired,” he admits, still looking up at the sky. “Do you know that… all I had ever wanted was for someone to like my music. And now I have that and it has not fixed anything.”

Hob takes his arm and pulls him close. He’s feeling very touchy-feely now, which could be the drugs but could also just be Morpheus. He’s so pretty and he looks so sad, and his sadness is beautiful and all the more terrible for that.

“I could kiss it better,” he offers. It’s still not a real proposition. Hob’d just kiss his hand if that’s what he wanted. Or the sharp bone of his sternum under those hanging necklaces. Or kneel at his feet and kiss his thigh—

Christ. Hob’ll be lucky if he survives the night, at this rate.

Morpheus looks at him, eyebrow raised. But Hob must look serious about it, because he says, “Okay.”

So Hob leans in and kisses his cheek. And Morpheus smiles, a bright, truly happy smile, just for a moment.

“Do you wish to dance?” he says. “I do not usually, but I feel I may fall over if I move from this wall without something to hold onto.”

Yeah, the floor is kind of moving. And Hob will certainly not turn down having Morpheus in his arms. “You wanna dance to this shit?”

They’re playing some godawful thumping grating song over the speakers now, and Hob doesn’t think either of them is up to the kind of bouncing thrashing dance that would call for.

“I will sing something different in your ear,” Morpheus says.

So Hob draws him in, wraps his arms around his waist. Morpheus plasters himself to Hob’s body, mouth to the shell of Hob’s ear. He starts humming a low, melancholic song. Hob shivers at the brush of his voice.

They sway together with very little coordination. Eventually Morpheus starts singing, though Hob’s brain isn’t capable at the moment of taking in many of the lyrics. It’s something about longing, and losing things in a terrible fire. Hob presumes it’s one of his songs. Morpheus’s voice is gorgeous, low and hypnotic, and Hob closes his eyes as it rumbles straight through him.

“You’re beautiful,” he murmurs eventually, filled with a sudden tragic pain about it. “Please don’t throw yourself off the balcony.”

Morpheus chuckles. “Another time, perhaps.”

“Never,” Hob says vehemently, and clutches his warm body close. He might cry about it. Fucking drugs. “We should go get food. You’re so fucking bony I think might you die of an overdose if we don’t sop it up. You had that wretched drink, too. Christ.”

“You are worried for me?” says Morpheus, sounding touched.

“Incredibly. Come on.” Hob finally pulls away from him, with chagrin, and takes his hand. “This party’s shit. I’ll take you to get pizza.”

“Pizza,” Morpheus repeats, with a tiny smile. It’s gorgeous on his face. “Very well.”

One dollar pizza is one of New York’s greatest inventions, in Hob’s opinion. They find some hole-in-the-wall place barely a block from the apartment building, and stand outside the door, eating incredibly greasy pizza off of paper plates, and it’s fucking heaven. It might be the best pizza Hob’s ever had in his life—granted he’s still very high.

Morpheus is scarfing his down like all pizza on earth is about to be chucked into space. Poor bony thing. Hob just wants to feed him up until he stops looking like a skeletal waif that’s about to drop dead at a cold breeze.

And wants to fuck him, too. Yeah, that’s still there, even with Morpheus licking grease off his fingertips. It’s actually getting worse because of that.

“Told you,” Hob says. “Needed some bread to soak up the fifteen shots in that drink.”

“I think I may throw up,” Morpheus says, with the careful articulation of someone who very well might. “But I am enjoying it nonetheless.”

“Let me know and I’ll find you a bin,” Hob says. He’s had worse nights than puking on the street corner.

“Now I owe you sexual favors in return for this generous meal,” says Morpheus, folding the empty paper plate with surprising precision, considering his enduring level of intoxication, and sliding it into a nearby trash bin.

It says something about Hob’s own level of intoxication that he barely responds to this statement. “Oh, yeah, the whole four dollars of it. What does that get me?”

Morpheus scrunches his nose in thought. “Two kisses,” he decides.

“We’ll save it for after you’ve decided if you’re going to throw up.”

Morpheus giggles. He’s so cute.

Hob tosses his own plate, and takes Morpheus by the arm. “Come on. You can come back with me. I don’t live that far.”

“Ah, now the proposition,” says Morpheus, but doesn’t sound unhappy about it.

“The ‘make sure my new friend doesn’t get hit by a cab effort’, more like, but sure.” He feels kind of responsible for Morpheus now. If Morpheus actually threw himself off a balcony Hob would never forgive himself.

“Friend,” repeats Morpheus, sounding pleased.

“See, isn’t this better?” Hob says.

“Better?”

“You got to eat pizza and didn’t even puke yet, isn’t that better than killing yourself?”

Morpheus huffs. “Quite a dichotomy. If you recall you too stated that you felt your efforts becoming meaningless.”

“Yeah, but I’m not gonna jump out a window about it.”

“Fortitude,” Morpheus says, and it sounds mocking but Hob doesn’t really mind. Maybe it is fortitude, he doesn’t know. Maybe to Morpheus fortitude is gullibility, continuing to play the game when it’s long lost its spark and its reward. Hob likes the game, though.

“What will you do about it, then?” Morpheus asks.

“Dunno.” It’s the first time Hob’s really thought about it. Up until now, it’s been about chasing. Always wanting more. But now— now he’s basically at the top. Where he wanted to be. And... there’s really nothing there at all. “Leave New York, maybe.”

The words surprise him, even as he says them. Midtown is so bright, even at four a.m. It’s something Hob once loved about the area. About the city. But now he’s staring into Morpheus’s darkness. Into the ink stain of his hair against the glowing storefront lights, the sway of his body, graceful even while swimming in dissociation. And everything feels different.

“To go where?” says Morpheus.

“Back to London, maybe.” He has enough money to go anywhere. And yet, it’s hard to feel a particular point to anywhere. Where’d his sense of adventure go? His ambition? Somewhere it all slipped, in the glut of the present.

“I grew up in London,” Morpheus says. “It is too personal there, now.”

So he’s chasing something too. Or running away.

“Tokyo, then,” Hob says, as if Morpheus coming with him is a key part of the decision. “Is’at the furthest city from New York? Gotta be close.”

“It’s Perth,” says Morpheus.

“You’ve looked it up?”

Morpheus nods solemnly. “And from London: Wellington.”

“It’s settled, then,” says Hob.

“I am coming with you?” says Morpheus.

“Course.” Hob’s not going across the world by himself. Not anymore. He bumps his shoulder with Morpheus’s, squeezes his arm where they’re leaning together. “You’re coming with me.”

“We should go further, then,” says Morpheus.

“Antarctica?”

“Mars.”

Hob finds himself giggling, mirth rising in him like champagne bubbles. Morpheus giggles, too. It’s truly a ridiculous sound in his deep voice.

“They don’t have cool jackets on Mars,” Hob says, poking at Morpheus’s studded blazer.

“Ah.” Morpheus frowns. “Maybe not, then.”

That only makes Hob laugh louder, leaning on Morpheus’s arm, and Morpheus sighs, irritated to be made fun of, but doesn’t push him away.

“Come on, I’m here,” Hob says, steering Morpheus into his apartment building as it comes up. They make their way across the lobby and to the elevator bank, only a little unsteady, and then slump against the wall once the elevator doors close.

“I think I am very sleepy,” Morpheus says, tipping his head back against the mirrored wall as they go up, up, up the insanely tall skyscraper Hob’s for some reason chosen to live in.

“You think you are?”

Morpheus squints at the infinite tunnel being created by the opposing mirrors on the walls. It’s dizzying, more so now, when they aren��t exactly sober. He shudders and closes his eyes. “I would have to be connected to my physical form to know for sure.”

Yeah, Hob’s feeling that too. The walls are kind of tipping in at him, which is particularly uncomfortable when they’re mirrored. “I’ll put you to bed, sweetie.” He still really, really wants to bed him, more specifically, but he might also be about to fall over. He’ll rue the missed opportunity in the morning, but it can’t be helped.

“Sweetie,” Morpheus echoes, with vague distaste, and tips his head against Hob’s shoulder.

The doors slide open, and they stumble out into the hall. Hob somehow manages to get his keys in the door and get them inside without dropping Morpheus, who’s now using him to support almost his entire weight, and then gets them into the bedroom.

What follows is a dreamlike whirlwind of undressing, where the floor keeps tipping under him, where he tries to hold Morpheus up as he slips out of his boots and his bloody complicated jacket, his skintight jeans and even tighter shirt, helps take each ring off his slim fingers to leave carefully on the nightstand, and the pendants too, and gives him a t-shirt to sleep in, and Morpheus says, “Wait— I must—” and flees to Hob’s adjoining bathroom to strip off his makeup with some makeup wipes scavenged from Hob’s cabinet, undoubtedly left behind by a prior hookup. The silly thing talks about killing himself but still puts effort into skincare. Hob just shakes his head, then regrets it as it makes the room spin.

He strips down to boxers and undershirt and climbs into bed, because he is actually about to fall over, and soon enough Morpheus stumbles back out and collapses into the sheets beside him. For a moment they just gaze at each other in the dark. Hob means to do something, to kiss him, maybe, claim one of the ones that was promised. But exhaustion claims him first.

#dreamling #my writing #80s au #cw drug use #cw alcohol

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originalwinnerfanfish · 2 days

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And here is the last part

Predaking - Oh, my fiery boy! I have so much to say about him…

He was probably the main reason I got into the Transformers fandom when I was a kid. My thoughts were like: It's a dragon! And a robot at the same time!? And he turns into a hot looking man!?! *mind blown*

Of course, over time I realized that behind the beautiful cover, he was a rather naive and very foolish character with a storyline too much like Dreadwing's. But despite all this, I still love him. Predaking is a real gem of the third season, and perhaps the coolest character in the entire series, and you can’t deny it!

In the WOF version, he is a resurrected dragon from the extinct skywing tribe. Being the largest dragons in this AU, their tribe was the most powerful on the continent until it completely died out due to a wave of cataclysms.

So, Predaking is a real giant compared to other characters. And, in the final addition, he is firescales! Because it’s BADASS!🔥

(and actually, because he gives me pretty strong Peril vibes)

Unfortunately I couldn't give him a bright color, so his firescales nature is shown through glowing areas on his body, creating the effect that he is literally burning from the inside. I also just noticed that his face looks very much like a skull, and I tried to pay attention to this in the design by giving him dark spots around the eye sockets and nostrils

Hardshell - I don’t wanna draw some random insecticon, so I chose this guy. Here I will be short. He’s appears in only two episodes and died almost immediately. He’s more of a plot tool than a real character

His stripes look cool, but drawing them wasn’t easy at all (I hate floating shapes). I wanted to make him look more like his beetle form, adding a big front horn and green plates on his neck. I also think that insecticons should be more different in coloring in this version

Skyquake - Same story - appeared in one episode - died in the same episode. Most of the fandom remembers him only as a zombie from the shadow dimension, and it's kind of sad. I believe he had potential. I always imagined Skyquake as the "brawn" in a duet with his brother, while Dreadwing was more of the "brain". And it would be great if we were shown this contrast, giving Skyquake a chance to prove himself in at least a couple of episodes

His design is, as expected, almost the same as his brother, but I still decided to add some small differences in details to make it more interesting

Vehicons - STEEEEEEVES!

I like these silly dudes)

I didn't want to make them actual clones or something, so here they're just regular nightwings and icewings, but they may look the same because of the iron masks that hide their faces. Like many other dragons, they are victims of a war they may not have wanted to participate in. Actually, in that case their deaths don’t seems so meaningless and even give the autobots actions a darker subtext (although I believe in the theory that they could simply pretend to be dead on the battlefield (I really want to believe in that))

I know there are still a few possible undrawn characters left, like Skylynx and Darksteel or Unicron, but that's probably enough for me. I'm happy with my closed gestalt)

#art #wof #wings of fire #wof crossover #wof skywing #wof beetlewing #wof nightwing #tfp #transformers prime #tfp predaking #tfp skyquake #tfp steve

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bucked-it-up · 2 days

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i wanted to ramble about where I think Buck and Tommy will be going into season 8 and what I think could possibly happen.

With the gap between S7 and S8 looking to be a shorter time skip and there not much development in the relationship, I’m quite excited to see what milestones they have passed together and which ones we will look forward to seeing.

This quote from Oliver interests me a lot “They’re still learning and figuring things out about each other and what a relationship might or could look like.” I feel like this could mean a few things, one being they are both firefighters and this is something new for Buck to navigate and also possibly new for Tommy as well. Both of them will have to get used to seeing the other leave for long shifts that mean they may not come home completely safe and sound. That will mean navigating the emotions that come with this, learning how to let one another go knowing that they will worry but they have to trust one another and having to live with the feeling that the other could get hurt without them being able to help/ get there as quick as they wish they could.

This is also the first relationship Buck has been in with a man and that will come with many obstacles, these could arise from being something that Buck hasn’t done before. A queer relationship come with pressures and negativity that straight relationships do not. Especially being in a queer relationship for the first time while having a boss like Gerrard and being separated from Bobby, someone he goes to advice and is a major part of Buck’s support network.

Another thing I get from this quote is they are working out how to be around each other and what they want their future to be like. This could include moving in which is something I would love to see but after this quote I am curious if it will be early season 8 or further down the line as a conversation talking about living situations could definitely come under what Oliver said.

I think as well the choice to bring back Gerrard will make things interesting for Buck and Tommy. I think it will give a good look at how they work through problems together and how they come to solutions. It will also show us more about how their relationship works, how they communicate and how they support each other. I hope that their relationship is explored in this arc because personally I think it would be a missed opportunity to not show how a newly out Bi character deals with a homophobic boss and how he communicates this with his boyfriend who has gone through it before.

Furthermore in S8 I really do hope we see many happy moments from them and we get to see ‘I love yous’ and milestones from them, I also hope we get to see some adversity. Preferably from outside sources rather than coming from within the relationship, such as one of them getting injured and having to navigate what that means for them and if they can cope. I would like to see them go through something like this and come out the other side even stronger.

As I have already said I would love to see them move in together and see Tommy’s house. To me this would signal that they (and the show) plan to stay with each other for a while and I would love to see Buck choose to live with his partner not because it just kinda happened like with Abby or out of some kind of guilt like with Taylor. I want him to make the choice and it be a deliberate and loving choice that allows him to spend more time with Tommy and increases their strength within the relatiionship.

To focus a little more on Tommy, I do hope he is featured in the opening arc in some way or another. I will be happy with any scenes he gets but i would love if he got a prominent role and we got to see his skills as a firefighter. I think having a pilot as a character is a good addition to the line up and allows for interplay between firefighters on the ground and in air support and means he can be included in more scenes as it has been shown he also does groundwork.

To end this ramble I hope that we get to see them happy and healthy. I hope the show explores their relationship and how different aspects of their life affect what they do and say. I truly hope that Buck is now off the hamster wheel and we don’t have to see him get back on it. I want to see Buck grow more within his professional life and outside of what he is like in relationships.

#bucktommy #tommy kinard #evan buckley #911 abc #911 #winnie thoughts

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accirax · 6 hours

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Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

#danganronpa despair time #drdt #fanganronpa #drdt spoilers #drdt chapter 2 part 2 spoilers #ace markey #eden tobisa #hu jing #nico hakobyan #teruko tawaki #i'm glad i got to shout out so many people in this one! :D #i try to keep a pretty good pulse on what's happening (on tumblr at least) so i can give credit where credit is due #although i obviously can't read everything lol #i was freaking out so much while watching this episode #bc i felt like i was so right but then all of a sudden so wrong. unless?#also i really wanted to put the meme of “sickos -> ”yes... ha ha... yes...!“ after teruko talking about how the tape points to Eden or Ace #but i already ran out of images so. you'll just have to imagine that one sorry #my theories

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lxmelle · 2 days

Text

Just some thoughts on 270

Yes the end is near.

Yes I almost threw up when I saw that unmistakable hairstyle...

Yes I was a bit disappointed that there were no visible satosugu crumbs - or are there? More on this later... and the it overall just felt a little bit 😔 empty 😪

Nevertheless, I want to just blab about a few things.

First, is it Geto/Kenjaku?

If we think about how Yuta’s copy CT works, Rika would need to consume a viable part of the sorcerer. The only part of Kenny left was his whole brain. He was the brain. The rest is Geto. We have not seen any evidence of Yuta having CSM, so it can be assumed that Yuta did not have Rika eat any part of Geto. Otherwise, it’s be Geto’s CT and not Kenjaku’s body-hopping technique.

Imho: The person with Takaba is not likely to be either Kenny or Geto. Geto cannot function without a brain, there was none “spare” either, so the theory of a spirit entering the body is going to make it alive again - no, it doesn’t. There is no other living sorcerer who can do that - Ui Ui maxed it out with the number of times and there is no other person to swap with. Just. Not. Possible.

And Kenny was seen to have told Mimiko and Nanako that he took Geto’s brains out to inhabit it.

So. My conclusion is that Gege is baiting. Just as he did with the “we have to help Yuta!” And the rude yelling that got so many of us wondering just who would speak to roughly to Yuta and what warranted it. We were all asking: who calls Yuta “Yuta” and not “Okkutsu-senpai” etc. I even thought it was Shoko, assuming that Maki was in the same hallway as the others, but the main culprit was of course the most obvious, Maki herself.

And that baiting thing with the clock theory about 2:21 pm linking with chapter 221 of Gojo’s unsealing - I theorised it’s about having presence (like how spiritualists, and in Shinto, believe that spirit is all around us) despite being dead and his soul with Geto.

And goodness know what other theories there are out there about time and Gojo revival. I’ve said before that I don’t buy into it, but it is interesting.

So is it Geto? Kenjaku? I 80% think not but... yeah, I am worried. To be completely transparent, I’m so scared that it is.

Because I’m in the camp of: please please Gege, please please please let Gojo and Geto be at peace in their eternal afterlife until they’re ready to be reborn and let them find each other over and over and over again.

So rationally, I doubt it is. But I’m worried. I’m worried for reasons like: why aren’t the bodies and resting places of Gojo & Geto still not mentioned?

Next thing to I have some thoughts on are about Itafushi. They’re really good friends and I think it’s also just one of those things Gege is doing because it’s JUMP and he doesn’t want to just pretend the Hana -> Megumi thing is forgotten. It also shows some character growth.

So overall, I’m rather neutral about the Megumi + Hana thing. They’re still kids, and Yuji + Megumi are compatible but they’re also not quite Satosugu, so their relationship will be undeniably different. Friends or otherwise.

It’s nice to see the Megumi is taking initiative and finding novel ways to make new meaning & connections. I wouldn’t read too deeply into it, especially since Hana obviously read too deeply into it and got it all wrong.

I will say that it feels cliche maybe. Again it’s maybe a JUMP serialisation thing shonen mangakas do, since a big portion of the fanbase are young boys too. Gege can’t be doing too much for lgbtq+ too obviously after all.

So it leaves me feeling it is a little reminiscent of the Sasuke and Sakura pairing in Naruto - as if it could become something seemingly out of convenience/settling/making do, but what do I know? Sometimes relationships in life are like that. I’d rather marry my best friend, but you know... different strokes for different folks. As they say.

Now it wouldn’t be me if I didn’t find a way to make it about satosugu. I’m imagining collective groans from people who may be reading this... so please skip if you’re bored of me now, lol. Or read on if you like to be in satosugu delulu brainrot like me.

One of the satosugu-related takeaways from this recent chapter is that it seems to reduce the possibility of interpreting Gojo not allowing Shoko to process Geto’s body as being out of consideration for her.

Her saying that the idiot should have let her process Geto’s body pretty much says Gojo took matters into his own hands. Not only was it protocol… but she also personally thought it would be a privilege. But Gojo did not let her.

We ofc don’t know the details.

So it leaves us with: He did it for his own reasons, or reasons at least relating to Geto. Kenjaku thought it was out of consideration. And Kenjaku is not a reliable narrator, nor was Geto... who tended to think he didn’t matter.

You know, as a person who can quietly just swallow vomit and shit rags without complaint. As a person who could practically transform the filth, negativity, evil, and darkness of the world into power that he could use for good - he was vessel of sacrifice.

Anyway, I digress.

It seems to indicate that Gojo kept his body to himself ... for his own reasons, breaking protocol.

And referring back to 270 again, for Shoko to talk about the afterlife right after preparing the body -> cremation is strange. Does preparing the body and cremating it have anything to do with the afterlife? 🤔 so somehow, prepare body -> cremate -> mourn/afterlife?

Interesting in that Gege is giving us yet another example of how everyone has a different reality / belief. If we believe what we saw in Gojo’s death, then there is one and Shoko will be proven wrong when her time comes like how Gojo was wrong about dying alone.

And it is also interesting in the sense that it’s familiar…

Something about how she said prior to Gojo’s unsealing, about “I couldn’t love either of you like you loved each other, but I was there too.” - am I reading too deeply? Probably. But it’s there for me to read.

Shoko prepared Tsumiki for cremation. She was made her beautiful for the afterlife - even if she was to be cremated, there was something about giving her something (dignity?) before she turned to ash. And those left behind can send them off into the afterlife feeling they did their best.

I think you’d need a certain level of trust for someone to hand your beloved over. Or at least feel like they would mourn the departed like you would. Or faith that your beloved would be happy with entrusting you with that decision. In some cultures, the family wash and swathe their dead in cloth with their own hands where possible.

So Shoko. Shoko could do it for Geto, for Gojo. She was there. She was willing. But. It was almost as if saying that Gojo 1. could not allow someone else to prepare Geto’s body, and neither did he seem to have mourned because 2. Geto was not cremated to be sent into the afterlife. As if he didn’t trust anyone. As if he could not let go.

Again, Rika kept Yuta’s body “alive” too. Parallels are paralleling.

I don’t know how Geto regenerated or if Kenny was responsible for it. Or if Gojo somehow did. But those are just unnecessary details at this point.

And again, Shoko was there but she could not be like what Gojo was to Geto and what Geto was to Gojo.

How complicated.

I’m reminded of that scene where he says to ichiji and Shoko: “There are just 3 of us remaining huh.”

In agreement to Shoko acknowledging that Geto’s body needed retrieving from Kenjaku, it was quite a pregnant pause from Gojo before he goes, “………yeah.”

He seemed surprised Shoko brought it up and decided to just gloss over it.

To me, it collectively implies that Gojo doesn’t let Geto be anyone else’s but his.

His friendship was his one and only. His loneliness was his. His dreams were his. His love was his. His life was his. His body was... his. And his soul was his too. As was his satisfaction.

I think Gege wants us to understand something here. By what he is showing and not showing us.

If I think about the exclusivity that they shared... the whole, “we are the strongest (together)” and “it wouldn’t be bad to be killed by you” or even “I’m jealous but if you were satisfied I’m glad for you.” and then “if you were there to pat me on the back I’d be satisfied.”

It’s a lot like... only YOU can be the one. And therefore I think Gojo kept Geto all to himself. Maybe thinking Geto would only want HIM to touch his body.

It was his exclusive right. And that was mutually shared... because Geto wasn’t really pleased with Gojo getting satisfaction from elsewhere (lol, you know, the “jealous” 妬けるね that got the fandom in a frenzy).

I’ve mentioned it in another post... link: https://www.tumblr.com/lxmelle/758015943938113536/i-love-the-idea-of-mutuality-that-is-deeply-rooted I really do like the idea of Gojo and Geto just teaching each other things. Like selfishness and love. Binding each other to the other. Selfishness and selflessness as part of being human.

Was this an act out of the side of Gojo that was “a little selfish, a little inhuman but a little too human”, and he wanted to keep Geto all to himself? Despite not giving his best friend a proper burial?

When I think about how he normally did what Geto approved of (you can dispute this if you wish) and I think back to how he might’ve really given Geto’s body back to his family- but what we saw in the manga seemed like they didn’t have much involvement either. Surely they’d have wanted Geto cremated?

So it leaves me with the idea that it was Gojo acting out his secret feelings.

Just Gege and how he shields Gojo’s privacy. Secret words. Secret thoughts. You know. Gege being Gege letting Gojo do Gojo things.

I think we might need to accept that Gojo and Geto just have this exclusive thing we aren’t privy to.

That’s all for now. Abrupt ending 🫡

Thanks for reading my rambling if you made it this far 🫶

Feel free to share your thoughts/comments/criticisms 😄

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pilot-boi · 3 days

Note

White Knight Time Travel idea : People are suspecting..

Jaune and Weiss are at the Vytal Festival , each one with their respective teams , their mission has gone..well.. so far. Even without trying to change so much some things never change like Team CVFY and Prof.Port saving the city or Ruby meeting Penny...

But that doesn't matter compared to the titanic work they would have to do during this specific moment..it was now or never

~Weiss Side~

Ruby:WE DID IIIT!!!!....Anyone esle is starving?....

Weiss listened to Ruby and Blake's chat from the side , each time they have this small moments the more she thinks how everyone took Beacon's days from granted

Having to relieve the fight against Team ABRN made her notice how..unprepared they were ; even herself with her "Competent" perfomance wasn't still not enough to face that monster..

Weiss..

The Grimm entering Beacon..

Weiss..

The Witch's inner circle playing right under their noses..

WEISS..

Pyrrha and Penny along many other students being casualties of the..

WEISSS!

Weiss:W-W-What?!

Yang: Your scroll is ringing , shouldn't you answer it?

Weiss noticed her scroll , the contact named "FATHER"..

Right..her time at Beacon was almost up..

Weiss:I will call him later , thanks for making me know Yang..

The Blonde Brawler has noticed her friend weird..this last few day , she can't say why..but it's there , spacing out of chats most of the time or reacting to certain words like Destiny , Maiden or even mentioning locations like Haven Academy can get her all shaky

Right now Ice Queen is looking at her Sis talking with Emerald and her silent friend like she's trying way too hard to keep herself civil , her face may not show it but that tense posture and hands behind shouted something was wrong

And to say the last person she saw acting this way her Dad after..her Supermom left was all she needed to know , Ice Queen's hiding something and she will find out

~Jaune's side~

Jaune did miss Beacon , the academy.. , but coming right back wouldn't make it any better..quite the contrary it shows him how somethings must remain as memories..

The Vytal Festival just started and the mood seems festive enough for him to enjoy a little. Children playing around , teens being themselves truly a moment to breathe fresh air

Miss : Gather around as I tell the story of the Girl who fell through the World!

Jaune tenses hearing that , it's just a woman reading a story to a bunch of kids..nothing dangerous..

Yet..

He takes a look at his armour , clean not rusted..his face is still young and Crocea Mors is still complete..

Ren: Jaune?

Jaune:W-What?!

Nora: You have been standing there for a while , did the story peak your interest? Alyx's story is a classic! The Curious Cat is my favorite character! So mischevious!

If looks could kill , Nora's smile would have been erased a while ago..

Jaune:That Cat is nothing but troubles..

Nora:What? Don't tell me you are a fan of the Red Prince? Or the Rusted Knight?

Sensing hostility , Ren tried to change the topic..

Ren:Why don't we go with Pyrrha? She's saved us a nice spot in that Mistralian restaurant.

Both teammates agree , Nora leaves because she has won another petty argument..but Jaune seemed so personal about it..The Girl who fell through the World is just a Children's story..why is he so defensive about it?

Lie Ren is someone who can read the room quite well and to his knowledge..there's something wrong with Jaune..

He acts like..an adult sometimes , there's nothing wrong with that but it seems off..

Even their stategies , they are a group of Four , Team JNPR..but Jaune always acts like only Nora and him are part of the team

Ren even hears his silent sobs when he has nightmares , the words "Cinder" "Kill" "Penny" "Pyrrha" is all he has as evidence , trying to make sense of said word it would be something like

Cinder will kill Pyrrha and Penny

That sounded so..dumb , Cinder is a student along her team but he would ask Jaune later right now they have a fight to win

👀👀👀

So many of these WK Time travel asks are from their POV, I LOVE this look into their friends’ view

#rwby #jaune arc #weiss schnee #knights in time #mine #asks #anonymous

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lamemaster · 2 days

Text

The Monster Who Ate Words

Request: Hello (*^^*) Can i please request an Arranged Marriage AU story for Maedhors x Vanyar Reader? Let's say reader is a bit intimidated by Maedhors ( who has not shown much interest in her ). And Maedhors doesn't want to scare her so he keeps his distance.

Pairing: Maedhros x Reader

Genre: Arranged marriage au

Summary: Nelyafinwe was good. Good enough in your books. Good looking from the times you had met in childhood, a great politician if rumors from Tirion were to be believed, and tall enough to expect respectably tall elflings in the future.

AN: Thanks for requesting! I hope you like this :3 I really enjoyed writing this. Unedited for now don't kill me pls I have 3 little fish to feed.

“He hasn’t bothered to show face even once!” You scowl adjusting the errant pendant. “So why should I be the one to write to him?” You turn to your father, who by now has folded into himself like a petulant sunflower at sunset.

“He is a prince!” Your mother roars undeterred. “He probably does more than just writing children’s fables in his free time, daughter mine.” To this your father protests silently to your mother. Only to flail helplessly.

Such has been the case for your parents. Your father- the distressed damsel and your mother- a fire-breathing drake.

And you were nothing if not her rage personified. Which was wildly out of place in most Vanya settings. Some astray friends of yours had even jested in passing about you taking after your father-in-law, Crown Prince Feanaro more than his eldest.

An arranged marriage to Nelyafinwe hadn’t been the most unexpected. Born to Ingwe’s brother, you expected such. Given that you rarely held the passion and patience for sweet nothings for a romance of your choosing.

Nelyafinwe was good. Good enough in your books. Good looking from the times you had met in childhood, a great politician if rumors from Tirion were to be believed, and tall enough to expect respectably tall elflings in the future.

Additionally, much to your ire and your friend group’s joy, if a certain Telerin minstrel was to be believed then, the son of Feanaro possessed worthy assets. A fact that you swore did not bother you to anyone who dared to bring up the topic.

Your betrothal to him had been set up 2 loar ago. An agreement was established through embellished scrolls and a piece of jewel exchanged by each side. That jewel now the emerald that had been forged into the pendant that hung from your neck for the past 2 loar.

Binding you to the Feanorian with the dignity less than that of a stabled mare.

Love, you did not expect. But such coldness had hurt. Absence of even a single acknowledgement had hurt. This your mother knew well. Better than your soft-hearted father could ever understand. For even rocks nestled in the depths of Earth crack under the pressure of an unyielding hammer.

“My letter or the absence of it will make little difference.” You whisper and what follows is your mother’s uncanny silence.

You have written to him. For two loar, you have written. Every week at the beginning of your betrothal, letters about Vanyamar, about your favored writings, or scents and silks that you would like for your wedding.

Those soon dwindled to monthly updates with perfunctory greetings and everyday happenings. Sometimes about stories that you wrote for the children in court. Or about elflings born to your siblings.

No matter what you wrote, Nelyafinwe never once did reply. As if your letters by some sorcery never slipped past the borders of Vanyamar.

The last one had been short. A last-ditch effort on your end. A simple request. To meet at the Feast of Trees. That is all you had wanted of your betrothed. And he had failed.

Out of all of Finwe’s line, Nelyafinwe had been the one to not show his face. A fact that you bitterly swallowed with a forced smile and cheerfully chatted with your future in-laws.

At least Nerdanel and Feanaro seemed to possess basic decency of character to bear the Vanya thrust their way.

Nelyafinwe despised it. The lingering scent of a promise that his betrothal held. Unfailingly binding compromise.

A business matter to be ended over correspondence. He hadn’t given it much thought. His resentment did not allow it.

The piece of amethyst that arrived with the letter had been handed off to Curvo and his father, who within a week produced a hairpin that ended up somewhere in the mess of Nelyafinwe’s room or the drawers of his study on most days. Gathering dust away from his gaze. Next to the letters.

He had desired a choice. Unlike the horde of brothers and cousins that fate had thrusted into his life, Nelyafinwe had desired love.

But that too had been stripped away from his hands when his grandfather in a matter of a single day roped his father, who on most days detested Vanyar to arrange a wedding with one for his eldest son.

It started as a silent protest that soon became a habit. The letters from Vanyamar were thrusted into the farthest drawer where the light of the trees barely ever lingered.

Why could you not understand his signs? Was it not clear that he did not desire such a connection? He did not want your words or get to know you. He did not want it because depriving himself was the only way of showing his father what this had done to him.

For once, he did not wish to be agreeable, gentle Nelyo everyone had made him into. This was his rebellion.

Some part of him had protested such cruelty towards you. What fault was it yours that elders desired a marriage of convenience? How fair was it for you to be the scapegoat of his ire? But those voices remained quiet.

So it came as a surprise when one day, your words found him despite all he tried to run away from them.

Crouching next to Ambarussar, who sat surrounded by the hurricane of their mess of toys and all the possible possessions, Nelyafinwe saw tiny books. Handwritten illustrated books that the twins read aloud as Kano snored next to them, sprawled on a chaise.

“What are you reading?” Maitimo sat next to them, only for the twins to ignore their usual protocol of climbing all over him. Amras sighed, barely glancing up at his elder brother “The Monster Who Ate Words.” He replied, his eyes glued to the book.

The pages of the book, inked it a clean hand, next to the drawing of a long red serpent with blazing eyes caught Maedhros’s interest. “Sister-in-law wrote these,” Amrod looked up at Nelyo, thrusting the book in his hands. “She designed the serpent after you!” The twins giggled now sharing a book as Maitimo flipped through the pages.

A childish tale indeed. The story went- on a long lonely island lived a raging serpent with red mane and glimmering silver eyes. The serpent terrorized the island with his loud roars and ability to devour words. This left the world empty and elflings bereft of any tales or lullabies.

The ridiculous tale further developed into a group of outcast elflings gathering the words hidden in their textbooks to fight the serpent that detested sums and numbers.

Nelyafinwe scoffed finishing the book. He was perfectly capable of summing, and no, he did not hate numbers or mathematical calculations.

It took a moment for him to spot the empty room. Ambarussar had fled to Eru knows where and Kano had left the room unnoticed by Nelyafinwe. Rays of Laurelin had dimmed casting a mellow light in the room.

Suddenly Maitimo wanted to go far away from the cluttered room. He wished to get on his mare and wander until his mind calmed down. Until his heart rate evened out. He despised this restlessness.

For his heart could not remember the last time he had held your letter. The last time he had the chance to thrust it into the drawer. He could not remember.

He had failed to notice it. This settled like dread in his gut. That something had changed. Somehow, from a stranger he had become the monster in your stories.

Nelyafinwe does not run away. He knows he cannot do that, no matter how much his heart craves for freedom from such obligations. He is the eldest-born Feanorian. Named after the high king of Noldor.

So seated in the silent dark of his study he opens the drawer full of the same writing as his brother's books.

Picking up the Amethyst hairpin heavy in his palm, he pulls his hair back and uses his betrothal gift after 2 loar. It holds his hair with the comfort he is familiar with. His father’s work never fail their purpose. But this one in specific is achingly familiar as it settles into his hair.

With a distant curiosity, he wonders what gem of his claim rests on your being. He cannot remember the conversations 2 loar ago. He had merely agreed to the first suggestion by Indis and his mother.

One by one he reads through your letters. Words leave him heavy with guilt. His throat- scratchy with the fullness of his heart and eyes.

He is one wretched betrothed. Worthy of all the villainy in your books.

He reads from the first letters of ill concealed excitement of introductions. Of likes and dislikes, ideas of works in progress, to rare fleeting letters about weather and courtly affairs.

In a matter of hours, he goes through the process of getting to know you and losing you. But he does not stop reading. He does not deserve the respite of that ignorance.

And so he picks up the quill and begins his labor. For days he sits in his study replying to the letters. His likes, dislikes, hobbies, courtly affairs, and a short review of The Monster Who Ate Words.

To quell the heartache of his own making. This in the least was of his own choice.

#the silmarillion #silmarillion x reader #maedhros x reader #maedhros #arranged marriage au #he's kind of a douche ngl

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sitp-recs · 19 hours

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Part II: table for two

Following my list featuring the sea (now with a lil banner cause I’m getting in the reccing zone again baby!!!!), I thought I’d make this a series called “fic as a sensory delight” and continue the trend with good old Drarry domesticity walking hand in hand with some food porn appreciation. Who knew that Drarry living their best life while enjoying tasty treats could be so personal? These fics feel like a comfort meal when life gets too crazy and provide a delicious sensory experience. From cottagecore to road trips, found family, case fic, established relationship and even kinky delights - this list has a bit of everything and features food as a main character either bringing Drarry together, healing past traumas, helping them connect with their heritage or simply playing as a love language. I hope these fics bring you as much comfort, joy and healing as they brought me. Happy weekend!

🥘 Breakfast by @moonflower-rose (E, 3k)

Breakfast is Harry's favorite part of the day.

🥘 Market Saturdays by @sorrybutblog (M, 3k)

In which Harry is an accidental part-time cheesemonger, Draco is an organic farmer and they fall in love. Not an AU.

🥘 Salt and Sauce by onbeinganangel (T, 3k)

Sure, of course he knows how you take your tea. But does he know your chippy order?

🥘 Cupboard Love by @shealwaysreads (G, 4k)

Harry’s life, and love, in food.

🥘 Don't Bite the Hand That Feeds You by InnerLilith (E, 11k)

In which Harry takes Draco out for Eritrean food, and Draco has a severe obsession with Harry’s hands. Smut ensues.

🥘 Harry Potter and the Showstopper of Doom by @doubleappled (M, 11k)

In which Harry’s an amateur baker, Draco wants him to go on the Great British Bake-Off, Petunia never misses an episode, Sue is a witch, Paul Hollywood is Paul Hollywood, and everyone eats a lot — like a whole lot — of baked goods.

🥘 Poppiholla by @moonflower-rose (M, 13k)

Harry had accepted that he would pine silently for Malfoy forever, but one, humid summer might change that.

🥘 Connecting Lines, Connecting Crimes by @sleepstxtic (M, 15k)

“Hello, Harry,” Draco said. He was wearing a black turtleneck under a long grey overcoat, and he was already flushed with sweat. His hair was tied into a knot; it was longer than I remembered. He was older than I remembered. There were lines around his eyes, and I wondered if they were from laughing or frowning. “Hello,” I managed. “You must be with the British Ministry?’ He nodded. I thought I might faint.

🥘 Bridges by @cavendishbutterfly (E, 16k)

Harry and Draco are on a trip to Budapest to help with Kingsley's re-election, but that's the boring bit. More interesting: Harry Potter is changing his Tinder preferences to include men. Also interesting: Harry's spending more time with Draco Malfoy than he ever has, wandering around the city. And Harry doesn't hate it. The city's pretty gorgeous too.

🥘 Sourdough by @academicdisasterfic (M, 17k)

Draco writes romance novels and doesn't leave his apartment much. Harry bakes bread and sells it to Draco. Draco is quite weird. Harry might like that.

🥘 Preserving Lemons by @saintgarbanzo, @ihopeyoubothstaysafefromharm (E, 17k)

Harry is cooking food he couldn't care less about; Draco is making art he couldn't care more about. A story about kebabs, miniskirts and the way preservation can transform a lemon.

🥘 Passion Cake by @icmezzo (T, 19k)

It’s all about desire. (Harry orders a magically enhanced cake from a chic London bakery, and from there it all goes to hell in a cake tin. Also, will someone please tell Harry what Passion Cake is?)

🥘 Knead by laughingd0g (E, 83k)

This is not a story about Harry renovating Grimmauld Place. This is a story about coffee shops and brewpubs, about Ginny and Luna on a farm with creatures, about magical Oregon, coastal road trips, flying, friendship, and Draco Malfoy's lean arms.

🥘 Soup-pocalypse and The Great Curry Cataclysm by SquadOfCats (E, 104k)

Eleven years after the war, Draco Malfoy leads a quiet, boring, and perfectly respectable life, thanks very much. Or, at least he does, until a sudden and very unexpected veela awakening causes him to throw soup all over Harry Potter in the middle of the Ministry cafeteria.

🥘 Make This Leap by @oflights (M, 118k)

Harry owns a struggling restaurant which is running out of money, and his Head Chef has just handed in notice. He's at a bit of a loss as to what to do until Narcissa Malfoy presents an obvious solution: bring in Draco Malfoy as Chef and part owner. Harry does.

#fic as a sensory delight #part 2 #drarry & food #fic recs

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howlsofbloodhounds · 1 day

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So glad someone else sees the weirdness of people being gross about fem body nightmare it always comes off as somewhat fetishy too bc they reduce him to just being hot

Yes! Absolutely. Seeing the weirdness not only in how nightmare is treated, but also how killer is treated! If he supposedly respects his boss, then why the hell is he drooling over him and treating him vastly different just because nightmare has tits now?

I also see this a lot with female killer or feminine killer—female killer always has huge breasts and small waist and it hardly seems like killer. Even when it’s just normal killer wanting to dress or express himself more feminine, it makes me uncomfortable when it’s done in an overly sexual manner for no reasons?

And of course nightmare and killer are adults, so there’s absolutely nothing wrong with being attracted to them or writing/drawing them in adult situations with eachother or others, it’s just that it feels very fetishized and hyper sexualized to have characters drooling over nightmare when hes just existing and also has breasts.

Even with killer as he is now, vastly hypersexualized as a character for not even any real reason either. He only flirted like once or twice in his canon drawings, clearly as a joke even and mostly because people asked rahafwabas to draw those things with killer, and yet it somehow became his entire character. Not to mention how people took “flirty” and “romantic” and immediately went “lustful creepy pervert.”

To the point where people just cant seem to let these aspects of killer’s character be just that; aspects, something interesting and fun, but not his whole entire character.

Don’t yall find it interesting to explore how a character who views themselves as emotionless and is dissociated from themselves and their actions most of the time navigates things like physical intimacy?

Especially when this character has very likely not felt any kind or comforting touch that wasn’t just a way to keep him further manipulated and controlled? How his experiences with abuse and torture and control have become so normalized it taints every aspect of his life, from the ideas of consent to the idea of boundaries.

Can he even feel much sensation that is too gentle, would it send him reeling in discomfort and disgust at first. would he hate how his body reacts even if it’s something that feels good—wouldn’t he feel viscerally unsettled if someone could provoke bodily reactions like flushing cheeks or a beating “soul beat” or even genuine arousal from him.

wouldn’t he think with contempt if his body reacts positively or negatively to receiving comfort. wouldnt he try to find a way to maintain control and detachment because too much stimulation or stress or feeling threatened or trapped or controlled or afraid for his safety and life could trigger higher stages and he lashes out and literally could kill his partner(s) because his mind mistakes the situation for something else. wouldn’t he need a level of either trust or control to willingly engage in something that feels deeply threatening.

Anyway i got off topic, but you’re absolutely correct. I love female or feminine Sanses, especially with the apple twins, and i don’t think there should be any need to hyper sexualize and fetishize the female body. (especially if these feminine/fem presenting or female bodies also happen to be trans/queer bodies; such as with transfem dream.)

like just let nightmare exists as nightmare, regardless of if he happens to have breasts or not—and don’t have his subordinates drooling all over him and behaving super strange just cause nightmares got boobs now.

(and I also don’t wanna see any situation where nightmare who usually doesn’t have boobs has boobs one day and the gang make a big deal about it, since nightmare is a shapeshifter and all. he could realistically just decide he wants boobs one day and the gang could just go “interesting. Anyway..” and hardly even that.

unless it’s to like, ask for today’s pronouns or something, i don’t see no need to comment on the breasts unless in the context of, nightmare is engaging in intimacy with their partner(s) or something. a context where it would make sense. Anyway just be normal about female/fem killer and nightmare please.)

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mariyekos · 2 days

Text

New DMC Anime Trailer Breakdown Part 2

Hit the image limit on Part 1 so to a new post we go!

This guy that Dante punches has a bunch of metal on his face, and what might be a prosthetic, might just be a metal glove. What's interesting is this anime has Dante fighting a lot of humanoid characters, which is a little bit of a departure from some of the games, but honestly not that crazy. He does fight people from time to time across various media, and in the DMC1 Novel we even hear about the people who hunt him down. What has me interested here is whether this guy is fully human, or if he's been modified in some way, and if he's been modified, if he'll have any demonic traits or it'll just be the metal. It would be interesting to contrast a human trying to transcend normal human limits through human means (by making themself into a machine) with Arkham, who is a human trying to transcend humanity by using demonic power to achieve godhood.

Skipping a bit so if you want to see the things between the last two images please go to my previous post where I ran out of room. As for the two green/turtle-like demons Dante fights on the rooftop, I've got to say I'm a little disappointed in some of the demon design. I love how creepy/demonic a lot of DMC demons are, and while some of them would probably be hard to animate, I feel like they still could've been more...I don't know. Creepy looking? Compare it to the Hell Gluttony from DMC3, which is a much creepier/more scary DMC cloaked enemy. Not sure if the demon above was meant to call back to these guys, but I think it would've been fun to have some references to DMC enemies even with the generics.

As for the shot above this, seeing this shot all I could think was "infested chopper" and I haven't even played DMC2. I've just seen the memes. '

Zooming in I'm not sure who this guy is supposed to be. (Right image comes from later in the trailer). It can't be Agni because we've already seen him and the blade doesn't match. This demon wields a sword and has something in the middle of his chest though. I have a feeling that's going to be important. (Also complete crackpot theory: this guy's hair is a similar color to the pendant(?) from earlier, but surely this can't be related). He looks mutated, with more spikes emerging from his right arm, so I wouldn't be surprised if this was a human turned demon or something.

Looking at the gatling gun and missile heading toward an armored truck, I wonder if the military is going to get involved in this one. Police officers showed up a few times in the old anime, and the military DID come for the Qliphoth incident in DMC5, so it's possible the military may intervene in this one. That the missile is heading for an armored truck is interesting though. Are there two human factions at war with each other? Will this missile be deflected? Will it be just the military, or will there be groups like the ones we see Dante fighting that may get involved? The giant portal to Hell that opened up in the sky could definitely draw attention.

Then we have red eye/ red sclera Dante while fighting mysterious red guy from above! Interesting. We see that in the DMC3 manga too (assuming his sclera are meant to be red here instead of black). Both he and Vergil do it.

I'll probably also do a write up on overall thoughts, but I'll cut it here so I can link these posts. Edits to come!

#erurandomness #devil may cry #dmc #devil may cry anime #dmc anime

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darkficsyouneveraskedfor · 14 hours

Text

Mad Season 3

Warnings: non/dubcon, social anxiety, chronic illness, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Bucky Barnes, Peter Parker

Summary: a class project gets messy. (short!reader)

Note: happy weekend.

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

“Hey, how’d you get in?” Peter rushes in, a tray of drinks in hand.

You pop up on the stool, broken from your trance. Uncertain what else to do, you spent much of your time trying to distract yourself with his schematics. You twist to face him.

“Um, Bucky,” you answer and cringe at home dumb you sound. “He helped.”

“Bucky? Helpful?” He nears and puts the cardboard tray on the table, “I guess he can be.” He picks at the edge of the tray, “I got you a blueberry matcha. The place I hit didn’t have strawberry in season anymore.”

“Oh, sounds... interesting, but you--”

“Didn’t have to. I know, you always say so but I felt bad for being so late. I told may to get an airtag for her wallet. She can be so--” he stops himself and chuckles. “It’s whatever. She’s got a lot going on.”

“Mhm,” you accept the cup he offers. “I was just looking over the plans. I think we could probably just go with yours. Makes more sense.”

“What? Oh, no way,” he takes his iced whatever. It just looks like layers of sugar and cream. “I think we could easily bring together both. Take some of your features and mine. I don’t want to take over.”

“Yeah, but...”

“But nothing. Really. It’s a team project, not my project,” he insists as he hops up on the stool next to you, “so,” he swipes his hand in the air and a holographic screen appears. You flinch. “Let’s compare and redraw.”

You gape as another floating rectangle appears before him. No wonder his look so much better than your Paint hack job. You want to sink down and disappear. You always figured you’re not interesting enough to be his friend but now you’re certain you might be too stupid and poor for him too.

“So, I’m going to get logged in...” he mutters.

“Um, Peter?” You murmur, “are you sure you wanna be my partner?”

“Why... wouldn’t I?” He hovers his hand before the screen as he looks at you.

“I dunno. I don’t... I don’t have much to offer. Not a lab, not all these cool computers...”

“Oh this? No, it’s not—it's not a big deal. Dude, I'm so lucky Mr. Stark is letting me use this. I’m not ignorant, you know? I just thought it would be easier. I don’t think your roommates like me much and mine are so loud.” he explains as he lowers his arm, crossing both over the table as he leans on it. “Do you not want to be my partner?”

“Nnnooo,” you drag the word out. “No, I do, but I want to contribute to and I don’t know how to use any of this.”

“That’s cool. I’ll show you.”

“Um, okay,” you nibble your lip sheepishly. “I guess...”

“Did you try the tea? Is it good?” He changes the subject. He does that a lot. Pivots around before you can finish your thoughts.

“Not yet,” you look down at the bright pink lid, “where did you get this?”

“Some place called Berry? I don’t know. Everything was bright. You’d hate it,” he laughs again. “Oh,” he snaps his fingers as you blow into the lid cautiously. “Before I forget, I’m having a party. I know it’s not really your thing but it’s ‘my turn’,” he makes quotations with his fingers, “and I don’t really wanna but I also thought I'd invite you in case you wanted to not be there with me, too.”

Your blink in surprise, “a party?”

“I know, too much. Well, I didn’t wanna leave you out.”

“Mmm,” you drone nervously. It is really nice of him to think of you and after everything else, you hate to say no. “No one ever invited me to a party.”

“No?” His brow furrows, “really?”

You shake your head, “I’ll come. Yeah. I’ll try. You know, it’s college and ...” you take a sip and clear your throat, “should I bring a dessert?”

He laughs and gives you a playful grudge, “wow, I don’t think I’ve ever had anyone ask me that except my aunt’s friends. Nope, you can just come as you are. You can always bring some drinks for yourself but I’ll have more than enough to share.”

“Oh, okay,” you nod.

“The tea good?” He asks again.

“Yeah, sweet,” you put the cup down.

“Awesome!” He grins. “I really didn’t think you’d come. I’m so excited.”

“Really?” You ask.

“Well, duh. You’re so fucking cool. Like all my other friends, they try so hard. It’s all ‘let’s go do shots’ or ‘watch me do this dumb shit’. You don’t even try, you’re just you. It’s like people don’t realize they can just be nice and be cool for just that.”

“I... yeah,” you don’t know what to say.

It’s like he’s calling you boring but not. You know you are and you don’t mind but you can’t ever remember when you just felt like everyone else. Where you weren’t the odd one out. Despite trying to include you, Peter still manages to push you to the edges.

You wince as you notice how he stares at you. You fidget and pick at the button on the front of your corduroy skirt. His eyes flick down to the nervous movement.

“I like that,” he reaches to touch the ridged fabric, “blue. Oh, thick.”

Your leg twitches in surprise, “uh, yeah... found it at the student thrift shop.”

“Really?” His fingers brush over the hem and touch your coloured tights. They linger for a moment before he pulls away. “Cute. I’ve never been there.”

“It’s not bad...” you cross your legs as you knee tingles from his touch. That was strange.

“Well, anyway,” he waggles his fingers as he turns back to the table, “uh, where was I?” He squints at the screens and taps in the air. He pauses and looks at you. “Here, I’ll show you how it work, alright?”

He reaches over again and you brace yourself. He grabs the underside of the stool seat and drags you closer. He it so easily, you gasp. He’s a lot stronger than he looks. He slides his hand around so his arm is diagonal around your back.

“Right, so...” his shoulder presses to you as he points with his other arm, “you can just use your finger. I’ll have to add your prints to the program. Put your hands up.”

You obey as he stays close. You’re overly away of it. The way he’s pressed to you. He doesn’t seem to notice at all. You try not to think of it and focus on his instructions. The project. That’s why you’re here.

#peter parker #dark peter parker #dark!peter parker #peter parker x reader #bucky barnes #dark bucky barnes #dark!bucky barnes #bucky barnes x reader #mad season #series #drabble #au #winter soldier #spider-man #avengers #marvel #mcu

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thecoolerliauditore · 3 days

Note

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

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Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

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"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

#asks #random thoughts

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