#i could keep going forever but my point is it all comes back to representation

[darlinimamess]

also can we talk about how there’s so few popular musicians making gay (mlm) music that isn’t either sexual or sad?

[afinestoutlove]

things i love about heartstopper 11/?

Isaac Henderson. I love this boy so fucking much. He's sweet, he's funny, he's thoughtful, he's stylish, he's kind... He's a goddamn delight and also all the feels. (Tobie Donovan is SO GOOD you guys!!?)

The moment in ‘Truth/Dare’ where he comes back into the party? Those tears? Then when he’s on the balcony alone?

The times he opens a book in S2 and S3 but ends up ruffling the pages because he can’t read it?

His face when he’s gazing up at the art in ‘Sorry’ and seeing himself? My heart!

Then when he's watching Tori and Michael (two more characters I could rant about forever) in 'Apart'?? Just inject that shit into my veins.

"I know they would be [supportive about being aro/ace]. I just can't be bothered to give everyone a vocab lesson." ('Love') So goddamn real. Even knowing all your friends would be there for you, having to explain yourself is isolating. (Side note, I love that Charlie does go home and google what aromantic means and lets Isaac know.)

Realising you’re gay or bi or pan or trans is hard. But realising you’re on the ace spectrum is a whole different type of hard. It's so invisible even now. Even his friends who are accepting and loving keep making him feel excluded without ever realising, because they never consider that this is something they should account for. A lot of us find so much safety in queer spaces because people know us (or parts of us) without us having to educate them, but for ace/aro/demi people, even really welcoming queer spaces can be as isolating as cishetero ones. (Side note, it can be a very odd experience having part of yourself feel so seen in queer spaces, while another is still invisible.)

“It changes everything I thought I knew about myself. And about my life and my future.” ('Talk')

It’s so true, and such a gut punch. I think most queer people have a moment like this when we're figuring out who we are, but for aro/ace/demi people there's still not many visible potentials. For gay/bi/queer people, we have visible queer relationships to look to. For trans people, we have visible trans people to look to. NB folk are closer in experience to aro/ace, but even there, we see more representation even a few decades ago. And these are all things that are visible in our local queer spaces in a way ace/aro/demi people's experiences aren't - they're mostly seen as "just single", as "not yets". Our community haven't learnt to see something else yet. Isaac's story is so fucking important and he’s such a beautiful character and I love him so much. (Also Tori is so great for this, but she needs her own post!)

Isaac is also courageous and principled. Lecturing Harry Greene on basic human empathy under the Eiffel Tower?? Iconic.

Bonus points for all the ways he’s the sweetest human. He knows Charlie isn’t okay and he’s trying his best to be there for him, even though Charlie can't accept it. “You said you were okay and I guess you just lied. I mean, I kind of knew that" ('Journey' - didn't check the exact quote sssh). Ugh, ugly crying.

Luckily it doesn’t hurt all the time either. His humour is tragically underrated imho. In no specific order:

*kicks over the monopoly board to end an argument without even opening his eyes* "Oh, whoops."

“They’re just in the honeymoon phase.” “It’s not like they’re even dating.” “Unless they are.”

His completely unsubtle smirk when he’s delivering antiseptic wipes.

"Ooh I might have been asleep...!"

“No, I want all the details!”

I would watch a whole series about him and his side eye and his adorable smile I love him.

[freddiemerqwerty]

It took over two years, but I finally finished watching the entirety of Supernatural. I took a week to process some thoughts before foisting them upon Tumblrland, so here we go!

I did not expect to like it. Specifically the ending.

The original reason this Supernatural rewatch began was to see Castiel's confession in context. I wanted to see what drove Tumblr's primary form of newscasting, what got the Supernatural fandom back from the depths of superhell, and thrust the bury your gays queerbaiting discussion to the forefront of every YouTube video essay—and to potentially seek justice for my first ever gay ship, good ol' Destiel. It is for this reason that I wholeheartly did not expect leave 15 seasons of this fucking show feeling content.

This was a hard task. I wanted to stop so badly. I don't think I could tell you a single season I liked the plot of. HOWEVER, it did teach a valuable lesson: if you're looking for good representation in Supernatural, you're looking in the wrong place. This applies to even to show's representations of itself.

Supernatural should have ended 11 seasons before it did, and yet, much like nearly every character in the show, it just keeps on coming. Season 12 nearly did me in, but oh? Season 13-15? It was worth it to get to the seasons where the target demographic was literally anyone who would watch the show. The main plot? Nope. The filler? Yes. I loved so many episodes from these seasons! Scoobynatural, Advanced Thanatology, Tombstone, The Scorpion and the Frog, Various & Sundry Villains, Optimism, Peace of Mind, Atomic Monsters, Golden Time, Last Call, The Heroes' Journey, The Gamblers, Last Holiday.

Cass's confession made me absolutely bawl my eyes out for the remaining episodes of Supernatural (I was a blubbering little ball, throwing in a good few mutterings about Our Flag Means Death along the way) However, in the end, it just felt right that it should end this way. Not in terms of good queer representation, not in terms of my love of Destiel, but this is what the characters each needed.

Death means nothing on Supernatural because of the ways characters need each other to keep going. Cass telling Dean how he feels means he can let go. Dean getting permission from Sam to stop fighting death means he can let go. Sam living out a full life away from hunting means he can let go. All the characters have what they need so we as an audience can let go.

As much as I will still very much struggle to sit through the main plot points of Supernatural, the characters will always have a place in my heart. They just couldn't die, couldn't fully fit the original format of the show, and just kept finding family (and trauma) in literally everything. I'm glad they're resting well.

I final note I absolutely had to include: DEAN IS SO BISEXUAL THE ENTIRE SHOW! I somehow thought "oh maybe we've been exaggerating this". No, no. I—I... I have problems now. Problems that can only be resolved with getting back into the Supernatural fandom.

Thank you for a wild ride Supernatural. Destiel forever

[demento-mori]

1 n 3

1. favourite character

Its veryyyyy close between Siffrin and Loop but......... right now if i think I have to go with Loop. I was talking about it before but their whole deal fucks me up. Everything about them being a ""failed"" version of siffrin, after what feels like an eternity of pain and struggle and suffering that was too much for them to endure- being forced to watch as another version of themself gets the happy ending that they gave up on. The agony of learning just how EASY the solution was all this time. Knowing that their version of that is gone forever now, just like their country and their home and their family. Its SO cruelly ironic how they end up losing the one thing they wanted the most in the universe- staying with their family. GOD it fucks me up thinking about them......

and thats not even talking about just how charming they are as a character in their own right. Their character design especially is so fucking cool and thematically rich- with them becoming a physical representation of their own missing culture. (I was also thinking a lot about how im pretty sure by now that the siffrin in the opening cutscene is loop, and how they?? fucking ate a star and that made them turn into one??? like just thinking about the physicality of that is INSANE like its lowkey some body horror shit)

also just a misc thing i appreciate (kinda blurring the lines between loop and sif here) but I love how throughout the game you can see small glimpses of Loops personality and demeanor in Siffrin. For example:

I appreciate how, even though Loop acts notably very different to our Siffrin you can still see enough snippets of those mannerisms in Siffrin to the point where you can see how he would reasonably grow into this personality (and i know a large part of Loops persona is probably an act or a front, but i have trouble believing that 100% ALL of it is yknow).

In this same vein, its also gut wrenching to see how, as the loops progress, you can see how and why Loop has become so detatched from their family and the events surrounding them through seeing how Siffrin begins to disassociate, growing to view everything around him as a play.

I really could go on forever but I'll cut it off here with. yeah. I like the star!

3. favourite soundtrack

I think my favourite would have to be 'How Can You Help Me, Stardust?'. Its a really simple thing but I always love hearing boss themes that are expanded versions of the character's standard(?) theme. It just scratches an itch in my brain every time. The song also just absolutely FUCKS.

I really like the part where the melody from 'I WONT LET YOU GO HOME' comes in as well, because of how it shows the Loop fight as a mirror to the Vs Friends fight since yeah! the Vs Friends fight was Siffrin trying desperately to keep his family with him- and the Loop fight is Loop doing the same, trying to get their family back. Theres also a part where (unless im mistaken) it uses the harmony from the standard fight music, which i also think is really cool!!

[elialys]

Per your lovely, lovely flawed show tag, I am curious what you think the flaws of Fringe are?

I’m sorry it took me so long to answer, I got distracted!

Fringe definitely had its share of flaws. I won’t even address the ones that can “be excused” by the fact that it was a show made before/early 2010s in terms of representations/inclusions, because you know, it is what it is.

I think my biggest ‘regret’/annoyance has always been the writers’ tendency to…shove traumas under a rug, or to not properly (if at all) talk about the consequences of some events that happened. I get that they had to make the characters go through a lot of drama because that’s the point of stories, especially on TV shows that have over 20 episodes per season, but the characters suffered through some terrible stuff time and time again, and they were just FINE. And it’s not like they didn’t know how to do it!

I’ve always loved the first few episodes of season 2 because they showed recovery. Olivia had a bad car accident, then she had to kill “Charlie”, and it took her time to get better from all of that, not just physically but emotionally, too. And yet, over and over again after that, she goes through horrible things and there’s…almost nothing? Like, I adore Marionette, I think it’s a brilliant episode through & through, but I still can’t believe Olivia went through all the shit she went through Over There (and coming back) and didn’t have some serious PTSD, on top of EVERYTHING ELSE she’d already gone through (aka why I wrote Shivered Bones). Peter too was barely allowed to mention what Walter did to him after he came back at the end of season 2, barely ever allowed to mention what Altlivia did to him either, except in some awkward bits of dialogue (I will discuss Peter’s character a bit more later).

Also, the whole REWRITING THE TIMELINE at the end of season 3?? Biggest cop-out. I mean, I’ve never hid the fact that any kind of ‘amnesia’ plot is honestly one of my LEAST favorite tropes, in anything. From the moment that season started airing and Peter reappeared being a complete stranger, I just disliked that so much on principle. But what will always pain me is how by doing so, the writers completely erased not just Peter but THE FIRST THREE SEASONS.

Like, poof, gone.

(adding a 'keep reading' because this is long 😂)

Conveniently, it erased Baby!Henry in the process, which the writers might have felt would be too much of an issue? Personally I would have loved to see that unfold. I know I’ve discussed this before on this blog, probably more than once, but they could have kept SO MUCH of season 4 the way it was, as far as the Bridge was concerned, could have come up with a brand new Vilain to do all the “NEW UNIVERSE” stuff Bell/Jones tried to do, while our core characters had to deal with the consequences of everything that happened in season 3 (including Peter being a dad, WITHOUT trying to force a stupid ‘love triangle’ down our throats, thank you). It would have made for great, impactful family drama, because who are we kidding. Anyone who loves Fringe typically loves it because it is such an emotional, family drama. So yes, I will forever mourn the universe(s) we had season 1-3, and endlessly daydream about what could have been.

Now let me talk about Peter Bishop, it’s been a hot minute. Peter Bishop, who was hated basically the entire time the show was airing, and still now is strongly disliked by a lot of viewers, and honestly, I can’t blame them? I’ve had over a decade to analyze his character, have spent hundreds of hours writing stories from his POV, explaining his traumas & mistakes, have written giant meta posts about him back in the days to explain his behavior, so I’m not exactly objective, but I’m also very honest about how flawed his character is. Not (just) as a human being, which is normal because humans are flawed. I mean, he’s flawed in the way the writers used him/wrote him.

He’s probably the most inconsistent of all the characters. He’s the character who suffered the most from the ‘let’s make this person act out a certain way to make sure it fits our plot’ syndrome.  I will never forgive the writers for how…clueless (for lack of a better word), they wrote Peter in early season 3 during the Switch. Yes, Peter was traumatized as a kid, yes he was in love, yes yes, I know all of that, I’ve written endlessly about it to explain his cluelessness so I know.

Still, Peter should have figured it out. Peter as we saw him in season 1 and 2, especially second half of season 2, would have figured out. He figured out BY HIMSELF that he was from another universe, ‘just’ from his dad and Olivia’s weird behaviors and the fact that he didn’t go ‘POOF’ on that bridge in 2x18. Peter went to another universe, he met Olivia’s alternate. He’d just spent weeks running from his life, trying to accept the fact that he was lied to all of his life. At best, he was suspicious, at worst, he was paranoid (as was mentioned in 2x20 in Northwest Passage). Literally 3 days after he gets to THAT OTHER UNIVERSE, and 3 hours after meeting Olivia’s doppelganger, Olivia ‘I hide from my own emotions’ Dunham comes tell him he belongs with her and smooches him, so he goes home. Yet the writers want me to believe Peter would not have still been reeling from EVERYTHING that just happened in his life, and not be a bit on edge?

Like, ‘damn, the woman I love and have come to know quite well these past 2 years is suddenly SO DIFFERENT? ALMOST LIKE SHE’S ANOTHER PERSON? A BIT LIKE THAT ALTERNATE VERSION OF HER I MET 48H AGO, THAT’S NOT A COINCIDENCE AT ALL’. But nope, Peter just accepts it, EVERY CHARACTER on that side just accepts it, when Lincoln and Charlie keep on looking at our Olivia like “Is this chick for real? WHAT IF THEY SWITCHED THEM?”

I’m forever frustrated. It just doesn’t feel believable to me, never has. It feels like the writers went “we want everyone, and especially Peter, to be clueless the entire time so we can write our drama the way we planned it.” And that’s a shame, honestly, because that whole damn arc is already so good as it is. But it would been even better if Peter HAD figured it out, if he’d kept on pretending for a bit, if HE’D conned Altlivia the way she conned him. Like I mentioned before, Olivia already went through so much trauma during the Switch, they could have found ways to make her miserable upon coming back, without Peter having slept with her alternate for a few weeks—and the knowledge that he didn’t realize what was going on. More daydreaming on my part about what could have been.

I could go on when it comes to the way they wrote Peter honestly. The whole “maybe Peter has feelings for the other Olivia” crap in the second half of s3, and “the universe that will survive depends on which Olivia Peter chooses”, excuse me??? Altlivia basically abused him??? She used him in so many ways, including sexually. She wasn’t even herself, she was pretending, playing him the whole time. HOW IS HE SUPPOSED TO HAVE FEELINGS EXCEPT A LOT OF SELF-LOATHING AND MORE UNRESOLVED TRAUMA?

Anyway, I think you get my vibe and why I’ll forever be sad/mad about this. As a writer & storyteller myself, one of my strengths and favorite aspects of writing is figuring out the characters’ motivations, what drives them, and how it makes them behave. Peter’s character is just…wobbly, during those arcs. He’s inconsistent from plotline to plotline, and it feels off to me. He’s a lot more true and consistent to how I understand him in season 4, but in season 3, he’s a hot mess, meant as a plot device more than anything else, and that makes me sad. Characters are what drive stories and shape the plot, not the other way around. So yeah, I don’t blame people for always having such strong opinions/dislikes where Peter is concerned.

I could come up with more things, but this is already long enough 😂 In case that wasn’t clear, those flaws don’t stop me from having the deepest love for this show. What it did well, it did extremely well, and even all those years later, I still cry rewatching it, because the emotions were real. They're still real.

Plus it gave me Olivia Dunham, so really, it wins just for that.

[tinyhistory]

hi. just wanted to drop by to say that you are an inspiration to me in every way—your work has such grace and poetry & every reading will stay with me forever. i've devoured your posts on writing advice, and found the one on imagery in astra inc. so helpful. like. just getting it down first and coming back to add immersive details (!) is a lesson i've learned the hard way lol. i was wondering if you could expand a bit on how you create such immersive environments and evocative descriptions? cont

Thank you so much for your lovely ask, and for waiting so patiently for a reply. Questions about my writing always make me stop and think. I suppose when you’re busy writing, it’s not something you think about.

I think I covered a fair bit about dialogue, the general writing process, dealing with the dreaded blank page, writing vivid and meaningful descriptions, coping with writer’s block, and managing pacing issues. I think one more thing I can emphasise is repetition, which I know is a signature feature in my work.

Repetition is very effective but you need to be careful. It’s kind of like a song you like (but don’t love). It’s nice to hear it here and there, but when it’s playing non-stop everywhere you go, it quickly loses its charm.

To use a concrete example, I’ll draw on Astra Inclinant. After Teddy dies, James sits and looks at a painting of a field and watches a starling fly through it several times. This is the first time a starling is mentioned, and the painting is described in detail. As James tries to understand that Teddy is dead, the starling keeps flying its little magical loop through the painting.

After that scene — infrequently, every 2-3 chapters — a starling makes a brief appearance, usually when a character is trying to come to terms with something. And the last time a starling is mentioned — very deliberately — is in the final paragraph of the last chapter (not the epilogue) where everyone is calm, happy, and together. While Draco and Harry laze on the manor lawn, James and Scorpius relax in the gardens. And a starling pecks at the leftover crumbs of the picnic.

The starling represents not just Teddy, but death itself. Astoria, Ginny, Sirius, Remus, Tonks — all the family the main characters mourned. The presence of the starling is bittersweet. It’s sad — it’s a reminder of loss — but it’s also a representation of the fact that wherever those main characters go, they’ll always carry their lost ones with them. To add another layer, I also chose starling because it has ‘star’ in the name, and stars are a sprawling, overarching theme in the story.

I don’t think anyone noticed the starlings, but that was the point. I didn’t want it to be obvious. I just wanted readers to subconsciously connect the starling with that terrible scene in which Teddy dies, and then — every time a starling is mentioned thereafter — feel an odd sense of bittersweetness that they couldn’t really connect to any particular sentence.

So you do this with multiple things across the story. The starling is an example of how I might subtly evoke sadness, but I can also weave in particular items, phrases, words, or environments which readers will connect with other emotions: joy, anger, fear, or excitement. When you write a description, you need to think very hard about what you’re including. My starling strategy wouldn’t have worked if I’d just decided to use “bird” as a generic term, or if I’d then written the scene about the starling painting and said, “Okay, that’s done, I hope it made readers feel sad about this particular scene,” and never referred to a starling again.

Readers are clever. Don’t underestimate them. The nuance of the starling would’ve also been lost if I decided to overexplain things, and written a scene where James said, “You know, it’s odd — every time I see a starling, I feel sad.” It takes readers out of the scene and draws attention to the fact that there’s a writer hovering over their shoulder saying, “See what I did there?” At best, it ruins the immersion. At worst, you’ll lose readers who don’t appreciate the mollycoddling. Trust that your readers are smart, and trust in your own writing to stand on its own. And if nobody mentions your symbolism or other writing devices, don’t assume it means you’ve failed. Often, it means you actually succeeded. A lot of the time, readers shouldn’t notice these things (especially not on the first reading). Don’t make the mistake of thinking, “Oh, maybe it wasn’t obvious enough,” and start overdoing it. When you try to use the same cue every time for a particular emotion or atmosphere, readers not only start noticing the strategy but they also become annoyed with it. It’s sometimes a fine line — be mindful of how many times you’re using a motif and remember it’s a small part of your writing toolbox, and not something you should be solely relying upon.

Anyway, I’ll leave it here because I’ve already rambled too much, but hopefully some of this is helpful. I feel like I didn’t really answer your specific question about how I choose a particular image or theme, but truthfully it’s hard to explain how it pops into my head.

[lovelycleon]

So I decided to make an analysis about the last scene of Infinite Darkness

But before I start with the fun part, I just want to tell you that my history with “angst ships”

I had a bad experience with another ship, soul mates full of angst tropes and true love, beautiful... and a really bad ending because the showrunner fought with the actors (I wasted years watching and I regret it).

Anyway, after suffering that kind of pain, no other ships and angst scenes can hit me hard enough. I'm numb or just got used to it. You choose.

So maybe the scene of Leon and Claire's argument wasn't that impactful for me because of that. But for all the fans who felt hurt, I understand and it's okay to feel that way, because the scene was meant to hurt. The scene exists because of that. And your feelings are valid.

So let's get to the fun part.

spoiler alert, it's not that fun, it actually hurts 😅

The scene starts with Leon going to meet Claire at the gates of the White House.

I don't think anyone denies the fact that, whatever Leon is doing, he just wants to protect Claire. And he doesn't want her involved because of it.

But this dialogue makes this even more evident if we analyze how it begins.

Nothing in a show or movie is by accident. Everything is handpicked for one reason or another. The meaning is not always that deep, but there is still a meaning behind it all.

So when – of all the ways a conversation can be started – they decide to make Claire joke that she sneaked out of the hospital, Leon takes it seriously and she has to clarify that it's a joke, there's a reason:

Show that Leon is taking what happened to her too serious, and Claire not that much.

When Claire makes a comment about when he's going to stop treating her like a kid and he says probably never. There's a reason:

Show that Leon wants to protect her (or being overprotective) and Claire doesn't like it.

Of course, some might argue that this specific line is capcom trying to show that their feelings aren't romantic and sink the ship completely. And, ok, people are free to think that.

But if they really wanted to sink cleon forever, they shouldn't have done the scene of Leon saving Claire the way they did. They did it because they knew it would tease a certain part of the fans... They knew exactly what they were doing...

And there's simply no reason to tease a ship you want to sink.

So no, I don't think that's it...

For me the scene means the classic and simple: "stop being worried about me🙄" "noooo🗣️"

Another way to intensify Leon being overprotective is Claire's broken arm. A reminder that she was injured following his plan. Just as she was hurt the last time they saw each other in Harvardville.

And yes, I know Degeneration made Claire hurt to take her out of the action. It is undeniable. But somehow I don't think the same situation and reason applies to Infinite darkness.

Because Claire was already out of combat, following Leon's plan and showing no intention of doing anything different. It's not like she's going to attack the monster that is several platforms higher than where she is. She couldn't fly around and there were no guns where she was anyway.

So why hurt her to get her out of combat if the story itself has already done that?

Again, you are free to think differently. Capcom made Claire dirty, she was underestimated and they wasted her potential. I won't argue with that, I'm also on the team Claire deserves better.

I just don't think it fits this specific situation.

The injured arm is there and a awkward conversation about Leon being overprotective starts because of it. I think it makes sense.

So moving on.

Claire mentions the chip and Leon looks disappointed for a moment and says he thought they were going to dinner.

This is to indicate that he didn't come to see her with the intention of breaking their friendship. Leon just wanted to spend a good time with her and nothing more. Some place a little more normal, maybe?👀

But Claire wants the chip and tells Leon her plan. The same plan that Shen May was killed trying to convince her partner to follow. Is there a parallel here?

The only difference is that Jason broke her neck while Leon decided to break Claire's heart.

Okay now I could show more parallels between them, but I won't because this is already too long and I know maybe I'm reading too much into this. Resident Evil isn't that deep most of the time 😂

Anyway, Claire asked for the chip and Leon said no.

And that's the point, right.

The climax of the conversation and the turning point in their relationship.

Note that Leon took a few seconds to say he couldn't. That was the moment when he made his decision...

He went to meet her for dinner, remember? He didn't expect to have this conversation or make a decision like that. But he had to.

Now, I'm not from the US and I don't trust politicians in general, fiction or not. But I admit this sounds realistic.

Just imagine if the president makes a speech about peace and prosperity and whatever and the next day the media reveals that members of the government are involved in BOW and planning an attack on another country.

At the very least, it won't look good.

In the worst case, it will be a catastrophe 😂

So... I don't agree with Leon, but I understand why he chose this.

It's an important decision, however. And how long it takes him to say something and how he's quiet after saying it shows he knows what's on the line. Not just the security of the country and “peace”, but also his relationship with Claire.

And despite everything... He didn't lie to her.

It would be much easier for Leon to simply say "the chip was destroyed in the fight" when she asked. Claire would never know about it and probably never doubt him. And they would still be fine with each other and having dinner.

But he didn't lie. Why?

Because their relationship is not based on lies. And it's not based on betrayals.

And while it may be hard to believe right now and it hurts to think about it, this relationship is still based on truth and trust in each other. And now their relationship is being tested.

It's easy to trust someone you're on good terms. How hard it must be to trust someone who has let you down.

There is a lot of room for development here.

Obviously Claire felt hurt in this moment. Maybe even betrayed. Heartbroken. I think we all feel that same way.

But Leon played fair there. He said he had the chip, showed it to her, and then said he wouldn't give it to her.

He was honest with her. And this act also shows respect.

They are two people with different points of view and that truth hurts.

There is silence as they look at each other. She never asked his reasons and he obviously never told them. The exchange of glances is enough for them to understand what was happening.

When Claire says “you do things your way and I do mine” it's almost like “do you know what that means? ”

Then Leon nods and another moment of silence. The time they need to accept that the relationship is broken.

Now that's angst

Interesting choice of camera angle. Showing her broken arm as a visual reminder of why he was pushing her away like that.

Claire leaves, but looks back and says again that his outfit doesn't suit him.

What's interesting here is that the director has done a few interviews over the past few weeks and he always said that the suit is a representation of Leon's position in government.

Claire commenting that it doesn't suit him is basically the writers/producers/directors admitting that this position doesn't look good.

And while all the characters praising Leon for his success, Claire is the one who sees this reality and who he truly is out of the suit (position)

And that's good angst.

Claire walks away and Leon with a sad look watching her leave and he has to say to himself "I will stop this".

Could it be just one of his one-lines? Yes.

Could it be a way for him to remind himself why he's doing this, even if it means sacrificing his relationship with Claire?

It's already done, now he has to make it worth it.

Whatever happens after that is a mystery.

I don't think Claire believes that Leon is going to cover up the government's involvement in things (their discussion would be much more intense if that were the case), she probably thinks he's going to resolve it internally without taking anything public, which is precisely what she wants to do.

I also don't think Leon believes Claire is going to give up on the investigation, he probably thinks it's going to take some time to her to get real evidence and he has time to carry out his plans.

But this is capcom... They are masters of forgetting plot points. So who knows.

Angst is only good if it has a good closure. I hope they keep that in mind.

In any other tv show that used this kind of angst trope and drama I would be completely fine...

I would expect a sequel to this plot. The characters find each other unexpectedly, having to work together and acting awkwardly because they don't know how to stick around each other after the argument. Then the story would develop and they would gradually mend their relationship.

That's the trope.

So that's all I can hope for.

[makeste]

BnHA Chapter 308: VIBE: CHECKED

Previously on BnHA: Lots and lots of Shindou idk what else to tell you.

Today on BnHA: Tired Nomad Deku rescues Shindou from Muscular, and us from Shindou. Muscular is all “OH BOY I SURE CAN’T WAIT TO FIGHT DEKU AGAIN AFTER HE TOTALLY KICKED MY ASS THE LAST TIME!! I’M SURE THIS TIME WILL GO DIFFERENTLY SEEING AS HE’S HAD ALMOST AN ENTIRE YEAR’S WORTH OF ADDITIONAL TRAINING, AND ALSO HAS SIX FOURQUIRKS NOW, IN ADDITION TO THE CONFIDENCE THAT COMES WITH HAVING EIGHT OTHER PEOPLE’S SOULS CHILLING OUT INSIDE HIM OFFERING MORAL SUPPORT AND ENCOURAGEMENT.” Deku is all, “[kicks Muscular’s ass effortlessly].” Muscular is all, “[gets his ass totally kicked].” I for one am very satisfied with this, and with respect to all, I would like to hereby declare this post a discourse-free zone. I’m just happy to see my son out here making good use of his FOURQUIRKS, and more importantly beating Muscular in less than seventeen pages so we can all go on with our lives lol.

damn Deku since when were you allowed to look this cool

from this perspective and with the smoke, cape, backpack, and mask more or less obscuring his actual profile, he looks less like a sixteen-year-old boy and more like a grownass man

OH SNAP

we got a glimpse of this in the cleaned-up scan of 307, but seeing both of his eyes looking so distinctively All Might-esque here is... whoa. I mean we know that his face still looks pretty normal underneath the mask and he doesn’t actually have the black sclera, but still, this is an awesome look. mini-Might

lol Muscular

you and me both. I mean no offense, but yeah

so Deku is just standing there silently

typical Deku. tight-lipped and expressionless. mum’s the word. quiet as a mouse. silent as a grave

okay no but seriously this is so weird and creepy though you guys. Deku please say something or else I’m just gonna mindlessly say whatever stupid things come into my head in an effort to make things less awkward

so Muscular is all “I should probably make a cool speech about revenge but Horikoshi couldn’t think of anything good so I’m just going to stand here clenching my fist real slowly”

“I’m not here to go on a monologue” he says, as he monologues about not monologuing

okay you guys I confess I have only read through/watched the Deku VS Muscular fight once because the arm-breaking is just way too uncomfortable for me to revisit. and so as a result, I have completely forgotten Whatever The Deal Is with Muscular’s eye lmao so let me go look it up real quick

okay so it’s a prosthetic, obviously, and he changes it out according to his mood. that part does sound familiar. I just can’t remember which eye is supposed to indicate which mood. don’t tell me I actually have to go back and reread this shit

lol I’m skimming through chapter 75 now and remembering/realizing that I hardly paid any attention to this the first time around because as soon as I found out the villains were after Kacchan my brain was like “TIME TO FOCUS ON THIS AND ONLY THIS NOW AND FOREVER” and yeah. ah memories

anyway so he started out with the flower-looking eye, and then later on he was all

which begs the question, how on earth could I have ever forgotten the most ridiculous panel I’ve ever read lmao

anyway, but so after all of that, I'm only just now realizing that this isn't one of his previous eye prosthetics in the current chapter; this is an ACTUAL FUCKING ROCK that he's just randomly shoved into his eye socket fkdsjlk

so basically (1) I did all of that painstaking research for nothing, five whole minutes of my life wasted THANKS A LOT, and (2) what, and I have never meant this more emphatically, THE FUCK

anyway so now he's leaping at the building that Deku is standing on top of. but he’s not aiming anywhere near Deku though, wtf

(ETA: HAHA YOU BROKE ALL YOUR MUSCLES YOU LOSER.)

...huh

lmao okay then. I hope those annoying citizens in the building next door are watching this go down and rethinking their life choices

dlkdkljk

just keep standing there pressed right up against the window, why don’t you. “WHAT’S GOING ON THIS SUPER CLOSE COLLAPSING BUILDING IS BLOCKING OUR VIEW.” well, folks, we’ve long since known there’s a critical shortage of hero and villain brain cells, but what we’re learning now is that civilian brain cells are also in short supply

OH THANK GOD DEKU IS FINALLY TALKING THAT WAS ACTUALLY UNSETTLING AS FUCK

SO HE’S STILL OUR GOOD, POLITE, WORRIED, CONSIDERATE DEKU UNDERNEATH THAT COOL AND MYSTERIOUS VENEER. for real, thank fuck, because I swear to god if he suddenly started acting like the Dekus in all of the vigilante AUs my interest in this series would have dropped something like 50% lol. just because he dropped out of school and ran away from home and is currently dressed like the physical manifestation of a Linkin Park playlist doesn’t mean he’s not still the WORLD’S BIGGEST DORK okay

I MEAN, THIS RIGHT HERE. THIS IS WHAT I’M TALKING ABOUT. HE’S APOLOGIZING FOR THE DELAY

PLEASE FIND THE ATTACHED SHINDOU YOU REQUESTED. BEST REGARDS!!!

OH MY GOD WHY IS HE SUCH A BADASS

something about making bold, confident statements while obscured in smoke?? idk but damn it fucking works

ffjkkl

more importantly, should you tell him you actually need your copy of Shindou in excel format and not pdf?? on the one hand you don’t want to sound ungrateful, but on the other hand what are you even supposed to do with this

this chapter so far consists of like 50% smoke, but on the other hand Deku VS Kacchan 2 had a lot of cinematic smoke too so who am I to complain

OMG IS IT HIS ARMS

IDK DID YOU?! TELL ME YOUR SECRETS. PLEASE, AT SOME POINT THIS FIGHT HAS GOT TO ACTUALLY ADVANCE THE PLOT

OHHHHHHH

IT’S EN’S QUIRK!! OH MY GOD OKAY THAT’S ACTUALLY AWESOME

I CAN HEAR THE SOUND OF DISCOURSE RUMBLING IN THE BACKGROUND BUT I DON’T CARE LOL. WON’T CATCH ME EVER SAYING NO TO ANOTHER SIXQUIRK. GO AHEAD, BRING THEM ON, I WANT TO SEE THEM ALL but take it easy though Deku. don’t want to give yourself lung cancer or anything

also it’s good to see that in a very real sense he’s not fighting alone. the Vestiges really did mean it when they said they could appear more easily now. this is on a whole other level

so is this whole next page still En talking, or someone else? because whoever it is sure is chatty

okay, several things

pretty sure it is En, because he keeps saying “I suppose.” for someone who never said two words until one page ago, this guy sure never shuts up. we can’t all follow Muscular’s lead I suppose. oh my god now I’m doing it too

really like the suggestion of Deku using the SIXQUIRKS like tools in an arsenal, because that’s what he’s good at! it’s almost like he’s been training for this his entire life. “you value quirks too much” LOOK HE JUST THINKS THEY’RE COOL OKAY IS THAT A CRIME

where the fuck did all this rope come from

not gonna ask what the fuck that thing is sticking out from the back of his utility belt. Horikoshi will surely explain this

is that a fucking jetpack. I’m sorry Deku were six fucking quirks not enough for you. you can fucking float??? but JUST TO BE SAFE, LET’S STRAP A PAIR OF ROCKETS TO OUR SHOULDERS IDK

-- or wait, is this all supposed to be like a visual representation of En’s metaphor?? OH MY GOD AM I JUST STUPID LOL, DON’T ANSWER THAT. NEVER MIND. NEW LIST!!

rope = blackwhip

jetpack = float

radio = danger sense

and so I’m guessing that this ridiculously phallic thing is supposed to be a flare or something?? and that = the new quirk, smokescreen. well that was a fucking ride lmao we now return you to our regularly scheduled chapter

so now Deku is floating to his heart’s content and thinking that he’ll just sneak up on Muscular and vibe check his ass or whatever

WOOOOOOOO DANGER SENSE YESSSS I LOVE THIS FOR HIM

okay guys, I'm gonna press pause here for a sec to make a serious note, because I am loving the shit out of this, but tbh I'm having trouble enjoying it as much as I want to because I keep getting anxious thinking about the discourse. I know that a lot of the fandom has very strong opinions on Deku's character development one way or the other, and I want to respect that. but I also really have no spoons to debate this topic at all beyond what I’ve already weighed in on. so if it’s all the same to everyone, I plan on staying out of this discussion, at least this week

anyway! that said, YEAH BOI GET HIS ASS

VIBE: CHECKED. CURB: STOMPED. HOTEL: TRIVAGO

-- OF COURSE HE’S STILL FUCKING FINE LOL HE CRASHES INTO BUILDINGS FOR FUN IDK WHAT I WAS EXPECTING

dammit Muscular. how many fucking quirks does it take to beat you?! the annoying thing is that even with all of his cool new powers, Deku is still something of a mismatch against him. anyway r.i.p. to all these poor buildings

OOOOOHHHHH

you guys have no idea how intrigued I am at the prospect of watching Deku try to play both good cop and bad cop here lmao

anyway so Muscular says he doesn’t know, go figure

“I’m not here to make small talk or anything” he says as he small talks about not small talking

OH MY GOD DEKU

are you really gonna talk no jutsu all of these villains from now on?? that last battle really did have a profound impact on you, huh! interesting

you guys he’s really doing it omg

Deku this guy tried to murder a five-year-old literally just for fun. I mean more power to you, but holy shit you’re really gonna try to defeat Muscular with anger management therapy huh

I MEAN

WHO COULD HAVE SEEN THAT RESPONSE COMING dlkjslkjk

FUCK’S SAKE DEKU, I KNOW YOU MEAN WELL BUT THEY CAN’T ALL HAVE TRAGIC PASTS KIDDO

but. I have to admit, I do still like that he tried. probably knew just as well as we did what the end result was going to be, but still. he made the effort in good faith and I respect that

uh oh

why do I get the feeling Muscular just got a whole lot deader

oh my god oh my god he’s doing the “powering up” stance ffff don’t fucking tell me you can still use your fucking arms here, Deku

BUT MORE IMPORTANTLY WHAT’S THIS??

okay so basically he’s saying that whatever it was he sensed in Tomura, he doesn’t sense from Muscular. which, yeah, that sounds exactly right. good judge of character here lol

AHHHHAHAHA YESS

WHOOPS, GET FUCKED I GUESS

WOOOOHOOOOOOOO

lmao so apparently this is the belated result of Shindou’s attack from chapter 307?? I’ll be damned. good for you Shindou!! I always liked you buddy. please just take my word on that and don’t fact check that statement

okay lol the one tiny bit of discourse I will allow is that it’s bullshit that he just did that with his right arm. like, I’ll fully acknowledge that. that makes no fucking sense, and I demand an explanation from the Great Plot Hole Filler himself. he’s never let us down before when it comes to continuity so I’m trusting him not to suddenly start now

that said, we love to see a rematch against a boring guy settled quickly and decisively within the span of a single chapter. THANK YOU

I like that Deku implies that his power is being a smart nerd who battles villains using the power of ANALYTICS. he basically didn’t do anything except restrain Muscular and wait for Shindou’s attack to take effect while halfheartedly checking to see if he regretted any of that murder and stuff

(ETA: and almost forgot to mention, he made excellent use of all four of his active SIXQUIRKS. it’s like the chapter title said; this is basically him fighting all-out, and it’s a sight to see.)

also, as cool as the mask was, this just feels right. like, we had our fun, now let us see his face, yes good

anyway, I think this was a good start towards establishing What’s Up With Deku Right Now! so if it’s all the same to Horikoshi, I would next like to take some time to explore Why’s Up With Deku. that, and What’s Up With Everyone Else, Especially Kacchan. por favor

[flareish]

Anxiety

kuroo x reader

summary: you hide your anxiety from basically everyone including your boyfriend, until he finds out for himself

genre: hurt/comfort

warnings: Emetophobia Warning! description of nausea/vomit, anxiety, bit of angst but ends in fluff

word count: 2.0k

a/n: I tried to make this as close to my anxiety since I hadn’t known anyone with my kind of anxiety(symptom wise) until I was seventeen, which was a good ways into when I realized I had anxiety. So here is some nausea anxiety representation!

masterlist

You tap your fingers in a mindless rhythm. Alternating the fingers and repeating them back and forth, trying to make it a game, a challenge. You did this over and over again to distract yourself from that all too familiar sinking feeling. That feeling like your stomach has managed to twist and knot itself a million times. Each bump of the bus made acid crawl up your throat. You crunched a mint in your mouth hoping the peppermint would soothe some of the nausea. It didn’t, but the thought was there. You just will yourself not to throw up on the bus, anything but that. The thought in itself makes you even more nervous, and in turn even sicker.

You don’t even know why you are anxious. Today is Kuroo’s big game, but it isn’t yours. You’ve been to a hundred of his games before but never before did you feel like this. Normally you get cute little butterflies, not an angry swarm of bees. The worst part is, there is Kuroo sat next to you happy as can be, completely oblivious. He keeps trying to drag you into conversations but you fear if you open your mouth for too long, all that will come up is vomit. So you keep your mouth firmly closed only smiling tightly or shaking your head at his prompts.

It's not exactly his fault though. He doesn’t actually know you have anxiety. It’s not something you really like to talk about. You are all for promoting the acceptance of mental health but you just find every time you tell someone the dynamic changes. Either they flat out don’t believe you since you “don’t seem like the type with anxiety”. Well duh, I don’t have social anxiety, I have situational anxiety. Like here in this situation. That or they suddenly treat me like I am incapable of handling myself. That whenever a slightly stressful event comes up, I am going to melt into a puddle of pure anxiety. Sorry but I’ve made it this far, I may have to throw up a few times on the way but I am still making it. 

So you just haven’t told Kuroo. You're just nervous that it will change the dynamic. You also don’t want to steal his spotlight. Today is supposed to be all about him. It's his big game. To suddenly speak up and tell him that his game is giving you anxiety would be selfish. So like you always have, you put a brave face on and face it head-on.

“Hey, are you okay?” Kuroo asks you, now facing you, “You look a little pale.”

“Hmm?,” You also turn to look at him, “Oh I am just a bit tired that’s all. I will be fine in an hour or so.” You hope at least. He nods relieved it's not something worse. 

You finally pull into the stadium and everyone is pushing their way off the bus. Luckily Kuroo is right by you to make sure you don't get accidentally pushed down the bus stairs and trampled. The team makes it’s to the bulletin board where they are given their matchups. Nekoma is paired with a pretty hard team. Suddenly, out of nowhere, you dry heave. You knew at the point you were going to throw up and within the next few minutes. 

“Hey I think I left something in the bus I’ll be right back.” You say to Kuroo before dashing off. He goes to reply but you are already gone. 

You make it around the back of the building before you throw up. At this point you’re kinda out of it, your mind is occupied on emptying your already empty stomach. Then you feel someone pull your hair back and gently rub your back. You don’t even have to look up to know it’s Kuroo. When you finish he hands you his water bottle.  You waterfall it and rinse your mouth out of that acidic taste. 

“What’s going on are you okay?” Kuroo asks full of concern. You hesitate for a moment, thinking of telling the truth. Then you remember this is supposed to be his day. 

“Sorry I must have caught a stomach bug.” He doesn’t completely buy it so you quickly add to it.

“I didn't feel great on the bus but I just thought it was because I was tired.” You feel bad lying, “I also don’t want to distract you before your game.” At that Kuroo quickly pulls you into a hug, “Your not a distraction, I just want to make sure you’re okay.” Your cheek is pressed against his chest and your hands grip the front of his shirt. 

“We should probably head back.” You mumble.

“Yeah.” He leans down to kiss you but you duck away. He looks incredibly offended and hurt at this.

“Dude I just threw up I don’t know if you want to do that.” 

“…Point.”

The two of you head back inside to the team, you feeling much better after throwing up. Before you know it, the competition has begun and Nekoma has won. You run down and celebrate with the team and it’s a happy day.

On the bus ride home Kuroo has a strange energy about him. Not like he’s mad more just like he’s just realized something. You nudge him and smile hoping to break him out of his little funk. He immediately smiles back and goes back to celebrating with the team. His reaction was almost like putting a mask on. You watch him for a moment before slipping into a conversation of your own.

When you make it back to school you go your separate ways. Him going to shower, and you to get home before it gets too late. A big hug before pushing away. You still refusing to kiss him after throwing up earlier in the day. 

You are laying on your bed, exhausted. Anxiety really takes a toll on your energy. Your thoughts are broken when your phone chimes with a text.  Leaning over to grab your phone off your bedside table you see it is from Kuroo. 

“Can you come over? I want to talk.”

No cute pet names. No slowly easing into it. Actually using proper grammar. Nothing in that message was a good sign. Just “I want to talk” was enough to make the acid begin to crawl again. You knew it had to be about today. Especially after you saw him zoning out on the bus. It had to be your anxiety episode. You knew he wouldn’t be happy you lied but going to this extent. Like he just found out you have anxiety and this is what he hits you with? The world’s most nerve-wracking text message. The only worse place than this would be “we need to talk”. That’s when you have really screwed up. So maybe you’ve only minorly screwed up since he said want not need. Does that mean you have the choice to say no? That was kind of tempting but you knew you would be tossing and turning all night thinking about what might be wrong. 

“Okay.” You reply to the text. Short and sweet. Putting on some shoes and grabbing a hoodie, you quietly slip out of your house. Kuroo’s house wasn’t too far but it was far enough. Enough to continue to stir in your intrusive and unstoppable thoughts. You eventually make it to his house and head in going straight for his room. Before you reach the door you hesitate and gather yourself. Preparing for whatever was about to come. 

When you go in you find Kuroo sat on the floor of his bedroom, back pressed against the bed. He jerkily looks up and you and gives you a tight smile. None of this is giving good signs. Something is very heavy on his mind. You sit down across from him, your back against the wall your feet almost touching. 

“So what was it you wanting to talk about.” You break the silence. He doesn’t respond for a moment. Just as you are about to try again he speaks up.

“Do you still love me?” Your face drops into confusion.

“Why wouldn’t I love you anymore?” You ask, suddenly realizing this wasn’t the conversation you were prepping yourself for. 

“You’ve been distant lately. You don’t tell me things like when you don’t feel good. I thought about it when I got home and I was wondering if you weren’t actually sick but just making the excuse because you got caught.” He’s very serious at the moment and his words hold a cold edge. 

“What do you mean get caught?” You match his tone. You weren’t planning on fighting but something about how he said it just set something off in you.

“You didn’t want to be there. Ever since this morning you were quiet and reserved. Even after the game, you wouldn’t even kiss me-”

“Yeah, cause I threw up! And how could I be faking it when I literally threw up.” You snap.

“You’ve been like this before though! Like last year’s big tournament you would barely talk to me.”

“That’s not true!” Although it kind of was just not the reason he thought.

“Oh yeah? What about at training camp you wouldn’t talk to me then either, you didn’t even eat with us you just sat on your own.” He threw back.

“Yeah, cause I have anxiety!” The words left your mouth before you knew it. Kuroo looked taken back.

“What?” His brow furrows, “Since when?” He’s not sure what to believe. You’re not surprised since you have worked very hard to hide it from everyone, accidentally sabotaging your own relationship without even knowing it. 

“Since forever. I just never told anyone.” You quietly say, ducking your head down.

“Why didn’t you say anything?” You didn’t even need to look up to see the hurt on his face, it was apparent in his voice. You start playing with your finger, tapping them in rhythms.

“I wanted to,” You mumble, “But whenever I do stuff changes and I didn’t want anything to change.” He shifts forward and you think he’s going to leave. Instead, he grabs your hands, stopping the pattern you had going. You look up.

“Did you think I would judge you?” He was staring straight into you, willing the truth to come out.

“Whenever I tell people they either don’t believe me and brush it off or treat me like I’m incapable of handling any amount of stress. I’ve never seen anyone react any differently so I was scared you would fall into one of those reactions and I didn’t know how I could handle that. I didn’t want my anxiety to be the thing to tear us apart. But I guess it still was.” By the end of your speech, your gaze has returned back to the floor, unable to hold eye contact for that long with him staring at you so strongly. You hear him sigh then you are pulled forward and into his arms. 

“I want to be your pillar of support. I want to be that third reaction that is one of acceptance, one that doesn’t drive you crazy.” He strokes your hair soothingly, his words making you tear up, “When you are ready I want you to tell me everything. From when you first noticed it, to where it is now, to how you deal with it, everything.” By now you are fully crying, absolutely collapsed into his chest. “I love you so much.” It gets muffled in his shirt but he hears it.

“I know, and I love you.”

It would take some time for Kuroo to get used to this change but slowly but surely he will be different from the rest and he will support you no matter what. Although he also respects your strength and knows you can handle your anxiety on your own, he is always there when you need it. He becomes the third unexpected and unheard-of reaction; acceptance.

[thephantomessoftheopera]

Notes on Gaston Leroux‘s „The Phantom of the Opera“ - Epilogue

<< Previous chapter “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known”

-Charles Dickens, “A Tale of Two Cities”

As we are coming to the end of the story, Leroux ties up a few more loose ends in the epilogue.

As for Raoul and Christine, their possible happy ending is only implied by what Erik told the Persian - that they had “taken a northbound train” and were planning to get married in secret. They have disappeared from the world, and Christine never appeared again on stage anywhere. According to Leroux, they might have finally settled in Norway together with Mama Valerius. At first, I thought Leroux might have been confusing Sweden and Norway, but when I did a little research on the name „Daae“, it turns out that the name is actually most prevalent in Norway, with almost no occurrences in Sweden. It is also implied that even if they took that “northbound” train before, Christine took a train back to Paris a few weeks later to return to Erik, because she had the wedding ring on her when she left, and it was finally found on Erik‘s finger.

As Philippe‘s death was deemed to be the consequence of the fight between the two brothers over Raoul’s supposed engagement to Christine, Raoul was a murder suspect - but as his previous testimony had already made him appear a lunatic in the eyes of the Commissary, Philippe‘s death was ultimately pronounced accidental. However, as Parisian society had taken less than kindly to the news of the engagement, I think that the couple would have had a very difficult standing if they had officially married and assumed the now vacant titles of the Count and Countess de Chagny. It is therefore likely that Raoul, having officially disappeared, never claimed his titles and inheritance, and chose the more simple lifestyle that Christine was accustomed to. Leroux concludes the story of Raoul and Christine with the statement that one day, he too might „hear the solitary echoes of the Northland repeat the singing of the woman who knew the Angel of Music''. In the epilogue, the boundaries between the „false“ and the „real“ Angel of Music become blurred, as Leroux repeatedly speaks of Erik as the “Angel of Music” - indicating that maybe, just maybe, Erik truly was the Angel of Music.

After following up on Raoul and Christine, Leroux relates how he obtained proof of Erik‘s existence from the Persian, mostly through the letters written by Christine that Erik had sent to him, but also through the testimonies of Meg Giry and La Sorelli. He supposedly placed all the proof he had gathered in the archives of the Paris Opera.

He also obtained the testimony of M. Poligny, the previous manager of the Opera. The „Opera Ghost“ affair was the final straw that made him resign his post, which again indicates that Erik‘s reign as „O.G.“ was rather short and caused by Erik falling in love (since he had been living in the Opera House presumably since the early 1870s). He also quotes from the fictional „Memoirs of a Manager“ by Armand Moncharmin, where Moncharmin relates that a few days after Christine‘s abduction, Erik returned all of the forty thousand francs he had extracted to the managers, no longer having any need for the money as he had given up his plan to marry Christine. The mystery of the safety-pin is also finally resolved, as Leroux was supposedly able to locate a small trapdoor in the floor of the managers’ office, through which a dexterous magician like Erik could easily have reached up and retrieved the envelope from Richard‘s coattail pocket as it was hanging down from his chair.

Leroux also notes that the marble pillar next to Box 5 sounds hollow and would offer ample space for Erik to hide inside it. According to Gérard Fontaine’s research, the pillars being hollow applies to all the pillars in the auditorium of the Palais Garnier. Whether that proves or disproves anything is up to you... Leroux’s plan of having the lake drained in order to obtain the ultimate proof of Erik‘s existence - finding the entrance to the house by the lake - did not go through, but Leroux still sustains his hope of one day finding the score of „Don Juan Triumphant“ there (that is, if Christine had not taken it with her when she came to bury him).

Leroux then gives a summary of Erik’s life according to the Persian. Erik was born near Rouen in France and ran away from his parents as a young boy, as they were afraid and horrified by how he looked. After being exhibited as a “living corpse” at fairs, he became a singing sensation and garnered a reputation that reached as far as Persia. The daroga of Mazenderan was sent to bring Erik to Persia as entertainment for the “little sultana”. Erik, who also worked there as an assassin, is described here as amoral, “not knowing the difference between right and wrong”. Even though he does not have an evil heart, his life up until this point has left him completely without a moral compass of any kind.

After building an ingenious palace for the shah, Erik’s execution was ordered so that he could not divulge its secrets to anyone. The daroga was supposed to carry it out, but as he owed Erik favours (and was the one who brough Erik to Persia in the first place), he helped him escape instead. He was punished for this and went into exile to Paris. Erik took a detour to Asia Minor and Constantinople before he ended up in Paris as well. It is also mentioned that Erik could make lifelike automata, which is reflected in the musical in the form of the monkey music box and also the “mirror bride”, a physical representation of Erik’s dream of a loving wife.

Once in Paris, Erik decided that he finally wanted to live a normal life, and placed a successful bid to work as a contractor on the Opera House. Wishing to hide his face from the world forever, he built his comfortable home into the foundations of the Opera. Erik’s plan to live out the rest of his life in peaceful tranquillity went well - until he crossed paths with Christine Daae and lost his heart to her completely. And the rest is history…

Leroux here gives his own view of Erik: “He had a heart great enough to hold the empire of the world, and in the end he had to be content with a cellar.” With a normal face, Erik, with his brilliant mind and extraordinary talents, could have had the world at his feet. And even though no one had ever loved him, he still had a heart capable of feeling deep, pure love, which is pretty remarkable. His beautiful voice is a reflection of the beauty he carries inside his soul - which was sadly eclipsed by his ugliness, which did not allow him to live “like everyone else”. The great tragedy of his life was his face, which kept others from treating him as a human being and recognizing his full potential. He is therefore clearly worthy of pity, instead of being cursed and condemned as evil.

Leroux had already mentioned in the Prologue that he believed the skeleton found in the cellars of the Opera was Erik’s. Now he finally reveals why he was so certain of that: because Erik’s skeleton wore the gold wedding ring on his finger, which Leroux believes Christine had placed there. Even though Erik had set her free and given her the ring, she later came back to him, and this time it was certainly not out of terror. With Erik dead, none of his threats would hold any more sway over her - and yet, she still returned to him to keep her promise. She not only buried him with the wedding ring, but she slipped it onto his finger, ultimately fulfilling her promise to accept him as her husband. In a sense, she buried him with her love, and that is truly a bittersweet and beautiful ending. After everything he had to endure, Erik’s life ends with a kiss and a ring on his finger, put there by the woman he loved more than his own life, and with Leroux praying for his salvation. That may not be a traditional happy ending, but it‘s very powerful. And it’s definitely not a villain’s ending.

As „Faust“ is the most strongly referenced work in „Phantom“, it is also worth comparing how the endings are different. In the final act of Gounod‘s opera, Faust and Marguerite first swear their love to each other, but when Marguerite sees Mephistopheles and realizes who Faust really is, she turns away from him and chooses death instead, while Faust is dragged into the fires of hell. Her famous last words to him are „You horrify me!“ In „Phantom“, the progression is almost the other way round - Christine is horrified at first, but then accepts Erik and chooses life instead of death.

It should also be noted that the ending in the novel is so vague that it also allows a lot of room for the reader’s imagination. Was Erik really dead when Christine returned? He himself was announcing his death, so it would not even be so very unlikely. But as this is Leroux’s story, the official reading would of course be how he himself imagined the ending: Erik dying and Christine coming back to bury him. This might be my favourite line from the novel:

“The skeleton lay near the little fountain, where the Angel of Music first held the unconscious Christine Daae in his trembling arms after taking her into the cellars of the Opera.”

As if the return of the ring was not enough poetic closure, he also asked to be buried in the very spot where he held the love of his life for the first time...

Symbolism and Metaphors

Now that we have concluded the epilogue, I would like to add a few more notes on the general themes which are present throughout the novel and still influence how we feel about it today.

To understand the extent of symbolism employed in  „The Phantom of the Opera“, it is necessary to understand the cultural mindset and environment in which it was written. At the turn of the century, the arts (and sciences, as evidenced by the slowly emerging works of Sigmund Freud) were rather obsessed with the fateful connection between Eros and Thanatos - love as the life-bringing force, and death as the destructive force. Both were often seen as intertwined and mirrored in the other.

Erik is the personification of Eros and Thanatos. He unites both forces in him to a degree unparalleled by any other character in the story. The death symbolism that is also clearly reflected in how he is described, would be both perceived as horrifying - and yet not without a strangely seductive fascination inherent in it. Death is intricately tied to darker feelings of passion and desire.The “Eros” and the “Thanatos” part of his character are intertwined, but his character also oscillates between the two sides in the course of the story.

Music in „Phantom“ also serves as a metaphor for romantic love, not only in the spiritual but also in the physical sense, as it is connotated with “passion”, “fire”, “ecstasy” and “rapture” throughout the story. Erik’s teaching awakens “an ardent, voracious and sublime life” in Christine, symbolizing the burgeoning romantic feelings in the young woman. She is terrified with the changes going on in her, which is also in line with how „Eros“ was originally viewed: as a frightening loss of control. Erik says in “Apollo’s Lyre” that “some music is so formidable that it consumes everyone who approaches it”, and Christine states that “Music has the power to abolish everything in the outside world except its sounds, which go straight to the heart”. In both sentences, the word “music” can easily be replaced with “love” - especially in Christine’s example, it would be the musical equivalent of “love is blind”.

Like in other (gothic) romances - “Wuthering Heights” being perhaps the prime example - the two rivals in the principal love triangle represent two very different types of love: one is intense and passionate, but also consuming, terrifying and potentially destructive, and the other is safer, but also somewhat chaste and lifeless. Erik and Raoul each represent one of the two extremes. This contrast is exemplified in the scene at the Masked Ball: Raoul wears white, the colour of innocence, while Erik wears red, the colour of passion, but also of danger and blood.

It is suggested in the novel that Erik and Christine were chained together by fate (“La destinée m’enchaîne à toi sans retour”), and I believe they were destined to save each other. Erik saved Christine from her grief in the wake of her father’s death and brought her back to life, and Christine saved his soul by being the first person in his life to accept him and grant him true happiness. „Phantom“ may be a tragic love story, but it is also a hopeful one, as love proves stronger than death. Christine’s choice, Erik‘s sacrifice and the skeleton’s wedding ring are all symbols of love triumphing over death.

[lilliagradiewrites]

go get her, kid. (peter parker)

Summary: Peter Parker is hopelessly in love with Tony Starks’ teenage daughter, and Stark encourages him to shoot his shot.

WC: 7.4k (holy shit)

Warnings: Bad language, , really nothing else. A lot of cute peter and a painful amount fluff. A tiny bit of angst too.

A/N: I found myself watching Tom Holland interview clips today and I just couldn’t help myself. Here we are: my first peter parker/ spiderman one shot! I have some Harry and Jj pieces in the works, so keep eyes out for that!

LET’S DO IT!!!

--------

Peter  found himself in this position far too often. Staring at you shamelessly while you worked away at whatever was on your desk, usually a school assignment or some tech project. His crush had been going on for quite some time, but it was getting more and more difficult to hide.

You and Peter had been best friends ever since your dad first recruited him. Something clicked between the two of you, causing an instant friendship. As time went on, you grew closer and closer to the superhero, and he quickly became your best friend. You began surrounding yourself with his friends without even realizing it, becoming close with Ned and MJ almost instantly. They were great people, and you loved being around them, but something about Peter was just different. Your energies matched perfectly for some reason. He got your humour, liked the same things as you, plus he was a great conversationalist and an even better listener. Some of your favorite memories were made with Peter.

Despite knowing practically everything about the boy, you were completely oblivious about his huge crush on you. Ned was the only person who truly knew, though many other people had their suspicions. The Avengers had an idea about it, considering you were what he talked about 90 percent of the time. MJ could tell because of the way he looked at you. When he looked your way, his pupils enlarged, his cheeks went pink, and the look on his face was entirely lovey-dovey. It was so obvious just in the way he gazed at you when you spoke.

He was looking at you in that way now, though you weren’t aware. He was meant to be studying (it was the whole reason he came over to your house, or at least that’s the reason he told you), but he couldn’t bring himself to care about chemistry homework when you looked so damn beautiful. Your hair was pulled back into a low ponytail keeping it away from your face as you worked. Your hands flew across the keyboard on your laptop, typing out something Peter probably wouldn’t understand. He was smart, sure, but you were intelligent in a different way. You were insightful and observant, you got things other people couldn’t begin to process. Your brain understood things in a different capacity than most. Peter assumes you got this trait from your father, who was the exact same way.

“What’re you typing? Something for school?”

You nodded, your attention not wavering from the laptop screen. “Yeah, an assignment for AP Lit.”

“Oh, that one project you told me about? With the essay and the powerpoint?”

You nodded again. “Mhm.”

Peter furrowed his brows, moving off your bed to come stand near you at your desk in an attempt to get a better look at what you were working so eagerly on. “I thought that project wasn’t due for another month.

“It’s not. I had an idea for the essay, and I figured if I get started early, I have more time to edit and perfect it.”

“You’re such a perfectionist.” Peter says with a light chuckle, looking at the state of your desk. It was both chaotic and organized at the same time. Pens, highlighters, pieces of paper, a book with annotations scribbled in the margins, notebooks with neat class notes printed inside of them in your pretty handwriting. They were all scattered about the surface, but Peter knew you well enough to know that there was always a method to your madness. As you observed longer, he realized that all of the items were in different sections on your desk, based on categories and subjects. He smiled lightly, realizing that this messy but technically neat surface was probably a very accurate representation of what goes on in your mind.

You finished the paragraph you were typing with a flourish, a satisfied smile resting on your lips. “There. I have a basic outline done for the essay portion. Obviously, I’ll have to go back and add a little more and elaborate on the points, but the basics are there.”

Peter glanced up at your laptop screen. His eyes were met with a never ending sea of typed out words. He smiled; this was so you. Your ‘outline’ is another student's essay doubled.

“You’re gonna write more than that?”

You looked back at him, and he saw your face for the first time during the encounter. His cheeks went slightly pink at the sight of you, and he prayed that you didn’t notice.

You didn’t, or perhaps you just didn’t say anything. You continued on with the conversation without skipping a beat, and relief washed over Peter because of this.

“Of course I am.” You stated with furrowed brows, as if it was the most obvious thing in the world. “This is so boring and basic, and has no detail whatsoever. Anybody who reads the summary of the book online could write this. I want my teacher to know that I thoroughly read and understood the novel, you know? I don’t want to submit some surface-level shit, I want to really pick apart the undertones of and the meaning behind the story.”

Peter nods, pretending to understand what you meant. He’d barely been paying attention to the words you were saying, too encapsulated with your beautiful eyes to do so. You turned back around towards your work, causing your best friend to snap out of his trance-like state.

“Do you wanna watch a movie or something? I’m bored.”

You had now picked up a pencil and a highlighter, working on the chemistry notes he was supposed to be taking. “Don’t you have work to do, Pete?”

“...No.”

You paused your writing to gaze at him skeptically.

“So you did your book report for english?”

“Yes.”

“Your worksheets for pre-calc?”

“Mhm.”

“You read the assigned chapters for Pschycology and finished the quiz you had to take on them?”

A nod was your only answer.

“What about chem? We have notes, essay questions, assigned reading, and a formulas worksheet due next tuesday. Have you done all of that?”

Peter hesitated for a moment. “Yes, I have.” It was a clear lie. “Can we watch a movie now?”

“There’s no way you did all of that. Go finish your work, and then we can watch a movie.”

A groan escapes Peters lips as he turns, resting against your desk. “But that’ll take forever. Your dad kicks me out at 11:00. We’ll never have time to watch one.” He whines.

You smile slightly, unable to fight it. Not replying to your friend, you spin around in your chair, raising your voice slightly, “FRIDAY, connect to dad please.”, the command directed to nowhere in particular.

“Connecting to Mr. Stark.” The familiar robotic voice echoes throughout your room.

“What’s up, Y/N/N?”

“Hey, Dad? Can Peter stay a bit later tonight?”

“Why?”  Your dad’s voice replies through a hidden speaker, his tone almost accusatory.

“Because he wants to watch a movie but I won’t let him until we’re done with homework. We won’t have enough time to finish the movie if he leaves at normal curfew? Pleeeaseee, Dad?”

You can hear your father sigh. “Fine, but only because it’s not a school night and I’m feeling generous. He’s gotta be gone by one though, no exceptions.”

Both of you smiled widely, and you erupted in cheers. “Thanks, Dad!”

“Kid, be ready for training at eight. A later curfew doesn’t mean an exception from your early morning saturday sessions.” The statement was directed at Peter, who nodded, despite your father not being able to see him.

“Got it, Mr. Stark.”

“FRIDAY, disconnect.” You heard Tony’s voice from the other side.

“Disconnected.” The sound of the AI confirming the command filled your room, and the space fell into a brief silence once again.

You spun in your chair, turning to face Peter with a smug smile on your face. “There, now we can get our work done, and watch a movie. Satisfied?”

Peter nodded, giving a roll of his eyes and heading back over to his workspace on your bed, plopping down and continuing his assignments.

An hour and half later, Peter gave a heavy sigh, finally closing his textbook with a smile. “All done!” he announced proudly.

“With everything?”

“Yes, everything.”

You closed your notebook you’d been working in, standing up. “Great. I’ve been done for half an hour, I’ve been working on future assignments while I waited for you to finish up. Ready to watch that movie?”

Peter nodded excitedly. He loved watching movies with you, because you always cuddled up close to him on your bed while you watched. Peter loved being in close proximity to you, even though it made him a little nervous.

“What do you wanna watch?” He asked, beginning to clear his things off your bed.

“I don’t know. We can discuss while we go make popcorn.”

Peter’s eyes lit up; he loved popcorn.

“Okay!” He tossed the rest of his things in his school bag, zipping it up quickly and dropping it in the corner of your room. “Lets go!”

You chuckled at his childlike behavior, following him out of your bedroom door towards your kitchen. The entire journey down the stairs, down the hall, and to the kitchen was filled with Peter going on and on about movies he wanted to see.

You grabbed the microwave popcorn from the pantry, unwrapping it and tossing it in, starting up the machine.

You continued to listen to Peter as soft popping sounds filled your kitchen.

“Oh, you guys have Disney plus, right? What if we watched that new star wars show thingy? The mandalorian?”

You smiled at this statement. Though you didn’t see the boy in any way but a friend (at least that’s what you told yourself), you found Peter’s Star Wars obsession very cute.

“I mean, I would watch that, but I don’t think I’d understand it.”

Peter’s brows furrowed. “Why not?”

“Because I’ve never seen the movies.”

You watched in amusement as Peter’s jaw dropped, his eyes widening in shock. “You’ve NEVER seen the Star Wars movies? Are you kidding me, Y/N?”  

You laughed at his reaction, moving to fetch the fully popped popcorn from the microwave and transfer it into a bowl. “No, I’m not kidding. I’ve been meaning to watch them forever, but I guess I never got around to it.”

“I can’t believe this!” Peter exclaims in disbelief. “We’ve been friends for a year and a half now, and you’ve never seen the Star Wars movies? This is insane! I talk about them so much… did you just never understand what I was talking about?”

You shook your head, chuckling. “Nope, I never have. I kinda just let you talk about it, because I planned on watching the movies. I figured I’d understand what you meant when I watched them.”

“Holy shit… we’re watching the first one tonight, Y/N. No arguments, we’re doing it.”

You grabbed the now prepared bowl of popcorn, smiling at your friend. “Alright, let’s do it.”

You headed back up the stairs, the sound of your footsteps accompanied with the sound of Peter murmuring in disbelief as you made your way to your room.

Once the two of you arrived at your destination, you closed the door, placing the bowl of popcorn on your still cluttered desk.

Peter climbed into your bed, while you rummaged through your drawers in search of comfy clothes. “I’m gonna change into pj’s before we start, i want to be comfy.”

Peter nodded. “FRIDAY, put Star Wars: The Phantom Menace on Y/N’s TV.” He spoke out in a slightly raised voice. The movie appeared on your screen, waiting to be started as you changed.

A few moments later, you emerged from your bathroom, now wearing a pair of Nike shorts and a slightly oversized t-shirt.

“Y/N, this is about to change your li-” Peter’s voice trailed off as he looked at you. The oversized shirt you were wearing… was his.

He choked on the piece of popcorn he’d been eating. “I-is that my shirt?”

You looked down on what you were wearing, realizing that it was, in fact, Peter's. “Oh shit. Yeah, sorry. You left it at the lab once, dad gave it to me to give to you, and I guess it just got mixed in with my clothes. I’ll wash it and give it back.

Peter shook his head, coughing again. “No, it’s okay. You can keep it. It looks better on you anyway.” his cheeks went pink as he realized what had just left his mouth. He hadn’t meant to say the last part.

Your cheeks went even pinker at the compliment, which you couldn’t deny made your stomach flutter a little bit. “Okay, thanks.” You smiled at your friend, climbing into the bed beside him. You cuddled in close to him, probably closer than need be, but Peter didn’t seem to mind.

“FRIDAY, start the movie.”

---

A few hours later, the credits were rolling, and Peter was red in the face. You had fallen asleep halfway through the movie, and had moved even closer to him in your slumber. You were now full-on cuddling the boy, and he had no idea what to do. Your leg was moved over his, your head lay on his chest. One arm thrown around his waist. He liked having you this close, but his stomach was in a constant state of butterflies, and he was worried that the sound of his heart beating loudly in his chest would wake you.

He didn’t know what time it was, but it must’ve been close to one, because a knock sounded from the other side of your bedroom door.

Without waiting for an answer, Tony entered the room. “Alright, kids, it’s almost curfew, time to wrap it up…”

His eyes landed on you and Peter, cuddled up in your bed.

“Kid, what the hell is going on here?”

“Mr. Stark! Um, Y/N fell asleep while we were watching the movie and she kinda… I don’t know.. Ended up like this? Nothing’s going on, I swear, it’s just… I didn’t want to wake her up…”

Peter’s face was the color of a tomato at this point. Stark still had his suspicions about the boy’s intentions, but had a feeling that Peter was telling the truth. “Alright, then. You’d better get your ass home and get some sleep. Like I said, you don’t get a free pass from training because you were cuddling with my daughter till one am.”

Peter’s eyes went wide. “No, Mr. Stark, I- We weren’t… I Wasn’t…”

Stark chuckled at the boy’s flustered state. “I’m screwing with you, Kid. Now get the hell out of my house. I’ll see you at 8 AM sharp at the compound”

Peter nodded frantically. “Yes, sir. 8 AM. Got it.”

Tony turned and left without another word, leaving Peter slightly panicked. Did Mr. Stark think that something was going on between him and Y/N? Would he be mad if there was? Peter didn’t know what to think, but he knew that he should probably leave before Tony decided to come back.

Peter climbed carefully out from underneath Y/N, setting her head gently on her pillow. He tried his very best not to wake her as he moved out of the bed.

“Goodnight, Y/N. I’ll see you tomorrow, okay? Love you lots.” Peter whispered to his ‘best friend’, planting a sweet kiss on her forehead. With that, he slid your window open, climbing out of it and swinging his way home.

Peter was completely oblivious to the fact that Tony had been standing quietly outside your door when Peter said his goodbyes, and Tony saw the entire encounter. The ‘goodnight’, the ‘i love you’, the sweet forehead kiss.

Tony had his suspicions, but that night it was confirmed: his newest recruit had it bad for his daughter.

Strangely, Tony didn’t find himself terribly angry over it.

The next morning, you awoke to the sound of your alarm blaring frustratingly loud. You groaned at the noise, picking up your phone to turn it off. The time on your phone screen read 7:00 AM. Groaning again, you pulled yourself reluctantly out of bed. As much as you hated getting up out of bed, you knew you had to if you ever wanted to complete your training. Your father had promised you that you’d get a spot on his team if you trained hard enough, and you were extremely determined. It had been your dream for years to become an Avenger, so you had been training your ass off for months to earn your spot.

This is how all of your Saturdays had begun for many weeks. An alarm going off at seven in the morning, waking you up to get ready for training at eight. It was a normal routine for you at this point, but for some reason the early wake up never got easier.

You moved about your regular morning routine, heading straight for your bathroom to brush your teeth and wash your face. Once your basic hygiene was done, you brushed through your hair, changed into some clothes (your training uniform was at the compound), grabbed your phone, and headed downstairs.

You made a beeline for the kitchen, where your father was already making his morning coffee. When he noticed your presence, he gave you a tired smile.

“Morning, Y/N/N. Sleep well?”

Still half asleep, you gave an exhausted nod. “I shouldn’t have stayed up that late last night. I’ll yell at Peter when I see him. He always manages to convince me to let him stay late.”

For some reason, your father gave a light chuckle at your words. “I bet he does, sweetheart.”

Your brows furrowed at his statement. Something about his tone of voice didn’t sit right with you. “What’s that supposed to mean?” You ask, making your way over to fix yourself a cup of coffee.

Your father smiled smugly at you, passing over the coffee pot and a mug. “Nothing, honey. Be ready in fifteen.”

Still suspicious, your eyes followed him as he placed his coffee mug in the sink and moved from the room. Why was he acting like this? Did Peter do something last night? You remembered falling asleep halfway through the movie, not being able to make it through the whole thing. Had something happened while you were sleeping?

Deciding not to let it bother you, you pushed the interaction from your mind, focusing solely on fixing your coffee. You were barely functional without it, and you knew you needed to be fully aware for training. You had to prove to your father that you could keep up with the Avengers, and that you’d be a useful asset to their team.

You downed the coffee quickly, knowing you had only a few minutes left to get ready. When your father gave you a time warning, he always meant it. And, you knew all too well, he would leave you behind if you were going to make him late.

He’d done it twice before.

Once you had finished chugging the remnants of your coffee, you placed the mug neatly in the sink, right beside where your father had left his. The drink had been an instant pick-me-up, and you automatically felt more awake. You found yourself getting more and more excited for the day ahead of you. Though waking up early on saturday mornings was a pain in the ass, you did enjoy training. You got to exercise, learn about cool technology, and screw around with your best friend. What wasn’t there to like?

Now that your best friend had crossed your mind, you pulled out your phone to text him. You sent him a message every morning, or he sent one to you. It was just a thing the two of you did. Over the past year the two of you had been close, it became some sort of routine.

Y/N/N: morning spidey. u awake?

Within moments, he was typing out a reply. He always answered your messages quickly.

Spidey: yes i am :) ready for training? I’m gonna kick ur ass in sprints today

You chuckled lightly at his response. You and Peter had always been insanely competitive towards each other, and it really jumped out during training. Unfortunately for you, Peter usually won the challenges. You always blamed it on the fact that he had more experience and super strength; he blamed it on the fact that ‘you suck’ and ‘he’s just that awesome’.

Y/N/N: u can try, but idk how that will work out. I’ve beaten u in all of the other sprints for weeks.

Spidey: doesn’t matter. I’m showing out today

Spidey: bring ur a-game, irongirl.

You smiled at the message.

Y/N/N: always do, spiderboy

He started typing back immediately, and you knew exactly why. He called you irongirl to screw with you, so you had begun calling him spiderboy to get on his nerves. It worked every time.

Spidey: Y/N!!! It’s spiderman!!!

Y/N/N: spiderboy!!! It’s nova!!!

Spidey: ugh. Ur impossible.

You grinned widely. Your playful banter with Peter has always been one of your favorite parts of the friendship.

Y/N/N: but u love me anyways :)))) see u soon

Spidey: u better be glad i do. see u soon

You reread the texts, unable to fight the smile on your face. Everytime you interact with Peter, you remember how much you truly love him. Being an avenger, and the daughter of one of the smartest and most famous men on the planet, wasn’t easy. Peter was the only one who had a taste of the madness that was your life. Having him around was having a sense of normalcy, and so were incredibly grateful for him.

Your thoughts were interrupted by the sound of your voice being called from the front door of your house.

“Y/N! Time to leave!” Without hesitation, you locked your phone, slipping it into the pocket of your sweatpants.

You hurried towards the front door, not wanting to be left behind again. When you arrived, your father was already standing there, holding the door open. You gave him a smile and a quick thank you for holding the door, then made your way out. The driver was already waiting patiently in front of your house. This was one of your dad’s six drivers.

“Morning, Bernard.” You say kindly to the driver, climbing into the back seat of the range rover. “How are you today?”

“I’m doing wonderful, Y/N. How are you?” The older man replied. You really liked Bernard, he was one of your favorite drivers. He was an older man, in his mid seventies, and you found him to be the sweetest person in the universe. Sometimes, he’d bring you your favorite candy when he used to pick you up from school, and he was always so considerate and kind.

“I’m good. Tired, but good.”

The man smiled at your reply. By this point, your dad had finished locking up the front door of the house, and he climbed in the backseat beside you.

“Good morning, Mr. Stark.” Bernard said professionally to his new passenger, and your dad nodded as a reply.

“Morning, bernard.”

The conversation ended there between the two men. Your father wasn’t a very social person with people he didn’t know, and Bernard was aware of this fact. He mostly talked to you when you were in the car, and Tony went on his phone and did Lord knows what.

“How is Dorothy doing? Is she feeling better?” You asked the man as he began pulling out of your driveway. Dorothy was Bernard’s wife, and she’d gotten sick the week prior. Given her age, Bernard was very worried about her.

Bernard smiled at your question. “Much, much better. They released her from the hospital yesterday, she’s back home and doing great. Thanks for asking.”

“Of course!” You grinned back. “Did you ever find out what she had?”

“Pneumonia, just a very bad case of it.”

You nodded in understanding. “Well, I’m glad she’s better! I was worried when you first told me.”

The conversation continued, talking about anything and everything as you drove to the compound. He told you about his wife, his four kids and what they’re doing. His granddaughter had a baby a few days before, and he was extremely excited about it.

After a 20 minute drive, you pulled up to the building you knew so well. Bernard went to the normal procedure of getting through the front gates, and then pulled up to the front of the compound.

“Well, here we are.” Bernard announced, parking the vehicle. You and your father began climbing out of the backseat.

“Thank you, bernard. Tell your granddaughter I said congratulations!”

He wished you a kind goodbye, and then you were gone, leaving the car and heading towards the compound.

When you walked into the main section of the building, you spotted your best friend in the kitchen. You had to admit, he looked incredible, standing near an open window in the early morning light. He was already dressed in his sleek, black training uniform. It was tight against his body, showing off his muscled body. Sometimes, you forget how beautiful Peter is.

“You’re staring…” A singsong voice came in your ear. You whipped your head towards the voice to see your father walking away from you, smirking. You stood there, feeling slightly confused. Had you really been staring at Peter?

At times, you forget that Peter is only your best friend. The two of you act like an old married sometimes. You spend all of your time together, and you know each other so well.

Strange feelings you couldn’t understand had crept up on you before, especially recently. You couldn’t deny Peter was attractive, and he was a great person, too. How could you not love him? The issue is, you found yourself loving him in a different way than before…

You shook your head, clearing your thoughts. You couldn’t be thinking about this right now, it’s not the place or time. Peter was standing right in front of you, and you needed to be focused for training.

You could process your feelings and emotions at a later time.

You began walking up to Peter, who was leaning up against the counter holding a cup of coffee.

“Morning, loser.” You said teasingly, greeting your friend. His head snapped in your direction, and he smiled when his eyes found you. (You thought you could see his cheeks go pink, too, but you forced yourself to ignore it.)

“Hey! How’d you sleep?”

“Pretty good.” You replied, leaning against the counter beside him. “I didn’t even notice that you left last night, I was really out. Did my Dad come in and tell you to leave?”

The pink in Peter’s cheeks darkened at your statement. Of course, this was the perfect time for your father to reenter the room. “Yeah, I did. He seemed very comfortable, but I kicked him out at one.”

Peter and your father were making direct eye contact. Your dad had that stupid smirk on his face, and peter was bright red.

You looked between the two of them, not knowing what to think. Before, you were just suspicious, but now it was confirmed: something happened last night between the two of them, and you were determined to find out what.

Hours later, you’re completely exhausted from training. You worked your ass off, and had successfully beat Peter in sprints.

“That’s right! You lost! How amazing is spiderboy now?”

Peter rolled his eyes in mock annoyance. “Whatever, Y/N. I let you win.”

Your jaw dropped. “You did not! I won because I’m better!”

Peter just smiled at you. You took a swig of the water bottle in your hands, turning around to look at your friend as you did.

The sight you were met with was very sweet. Peter stood there, smiling at you with a look you could only describe as adoration. You looked back at him, a small grin resting on your face.

“Why are you looking at me like that?” The brunette boy says cheekily.

“Why are YOU looking at ME like that, Parker?”

You took a step closer to him, his eyes widening slightly at your movement. He said nothing in response to your question (though it felt more like an accusation), and you smiled again.”Got nothing to say?” Your voice was barely a whisper.

“Parker!” You jumped what felt like 20 feet in the air at the sound of Natasha’s voice, breaking up the little moment between you and Peter.

You stepped back away from him, and you couldn’t help but notice the sadness flash across his face before he turned to the other woman in the room.

“Yeah, Nat?”

“Tony needs your help in the lab. I believe his exact words were ‘he needs to be here in five or I’ll kill him.’ A few minutes have already passed, I’d start running if I were you.”

Peter’s eyes widened for the second time. “Oh, shit, okay. Thanks, Nat.” He turned his head quickly in your direction. “I’ll meet you in your room when I’m done, okay?”

You nodded with a smile. Peter planted a quick kiss on your forehead before jetting off in the direction of the lounge.

Grinning to yourself, you turned towards the sink, your back facing Natasha. You begin cleaning out your now empty water bottle, thinking over the previous interaction with Peter. You loved when he kissed your forehead.

“So, how long have you liked him?” You were so deep in thought, Natasha’s voice made you jump once again. When you’d fully processed her words, your cheeks went pink.

“I’m sorry, what?”

“Oh, don’t give me that. I know you like him.”

“Like who?” Play dumb. That’ll throw her off your trail… right?

“Peter! Come on, you’re caught. Just admit it, Y/n, you’re making things harder on yourself.”

Finally, you sighed. Drying your hands on a towel, you turned reluctantly back towards Nathasha. “Is it really that obvious?”

The woman broke out into a grin at your words. “Of course it is! You two are hopelessly in love with each other. It’s almost hard to watch.”

Your cheeks went pink at her statement. “With each other? Oh, no. You mean I’m hopelessly in love with him. It’s not mutual. I’m just his best friend.”

Nat rolled her eyes dramatically. “Oh, come on! ‘Just his best friend’ my ass. He loves you, Y/N. He’s even more obvious than you are.”

You shook your head quickly. “No, I promise you’re wrong.”

She looked at you pointedly. “I was right about you, wasn’t I?”

“Yes, but…” Your voice trailed off. You couldn’t argue with that. Nat grinned smugly at your reaction.

“That’s what I thought. Please confess to him when he meets you in your room later. It’s painful to watch, I can’t do it any longer.” And with that, Natasha was gone, leaving you alone with your thoughts.

Was it really thought obvious? Could everyone tell how you felt about peter? You could hardly even tell how you felt about him; the line between best friend and crush had been blurred for so long. If everyone could tell that you were hopelessly in love with your best friend, you would be incredibly embarrassed.

Even worse… what if Peter could tell that your in love with him?

You shook your head, as if clearing your thoughts. No. You couldn’t think like that. Of course he didn’t know; he would’ve said something.

Right?

Sighing, you walked off towards your room to take a shower, pretending you weren’t going to think of him while you were in there.

---

While Natasha was exposing your feelings, you were completely oblivious to the fact that Tony was doing the same thing to Peter in the lab.

When the boy walked in, Peter fully expected that he was being called for one of three reasons.

One: Tony had a new mission for Peter.

Two: Tony needed help with an experiment.

Or, three (the scariest option): Tony wanted to scold him for (albeit unintentionally) cuddling with his daughter the night before.

Peter could only be described as apprehensive as he walked carefully into the lab, where Tony was hunched over a table, working on something that Peter couldn’t see.

“Mr. Stark?” Peter spoke nervously, a timid way of letting Tony know of his presence. “Nat said you needed me. Is that true, or was she just trying to get rid of me?”

“No, no, I called for you.” Tony replied. He made a few last touches on whatever he was working on, then turned around towards peter. “I wanted to talk to you.”

Okay, option two is eliminated. Now, the question at hand is: will it be option one or three?

“Oh, okay. What about?” Peter said casually (or at least, that's how he hoped it came across.)

Tony gave a pointed look to the boy before speaking again. “My daughter.”

Peter’s eyes widened slightly.

Shit, shit, shit.

Option three it is.

“Is this about last night sir? I swear I can explain-” Peter was quickly speaking.

But, before he could finish, Tony was cutting him off.

“This isn’t about last night, kid. I mean, it kind of is, but not really.”

Peter’s brow furrowed.

Unknown option number four?

“What do you mean, sir?”

“I saw what happened before you left last night. The forehead kiss, the ‘I love you,’ all of it.”

Peter was bright red in seconds. “Oh…”

“Do you love my daughter, Peter?”

The boy’s cheeks somehow managed to go a darker shade of pink.

“I-I uh.. O-of course I do, she’s, uh, she’s my best friend.” Peter stammered out.

Tony narrowed his eyes. “That’s not what I mean, Peter.” The man says, his tone borderline accusatory. “Do you love her, love her?”

Silence. Peter didn’t know what to say, so he opted for nothing at all.

“I already know the answer, Peter, so you might as well just come out and say it.”

Peter pondered his next move. If he played his cards wrong, this conversation could end in him losing his life. Tony Stark was not one to be messed with, especially when it comes to Y/N.

On the other hand, Tony Stark was not one to be lied to, either.

Peter sighed, accepting his fate. “How did you know?”

Much to Peter’s surprise, Tony gave a small smile. “I see the way you look at her, kid. I’ve looked at many girls like that in my day. That enamoured look. You're in love with my daughter, and I have some questions.”

“Questions?”

“Yes, questions, kid. Keep up.”

Peter nodded. “Alright.”

“How long?” Tony asked.

“How long…?” Peter didn’t understand what Tony was aking.

“How long have you been in love with Y/N! How long have you known?”

Peter looked away, breaking eye contact momentarily out of nerves.

When did he begin loving you? Now that he’s truly thinking about it, he can’t really remember.

Maybe it was the first mission that the two of you did together, back when you still known as irongirl. It was a bank robbery, an easy task that Tony had given for your very first mission.

Maybe it was that one time when you dragged him out of bed at 6 AM so that you could show him your favorite coffee shop.

Perhaps it was when you took that faithful mission to Asgard, when you gained your powers accidentally, earning your new title as Nova.

Or, it could be the time that you and him stayed up late binge watching a show he couldn’t remember. He couldn’t take his eyes off of you that night. You looked so beautiful that night, getting excited as something cool happened in the show. Your hair was tied back, wearing an oversized shirt, your face makeup free. He couldn’t help but smile as you laughed, and didn’t think he’d ever heard a more beautiful sound in the world.

Yeah, he thinks it was that night.

“Um… about ten months ago, I think? That’s when I realized, but I think I’ve loved her for longer. I just forced myself not to acknowledge it, I guess.”

Tony nodded in understanding. “I get that. What is it about her?”

Another question the boy had to think about.

“There’s a lot of things, I think. Like how excited she gets when she talks about things she’s passionate about. Oh, and the way she laughs when something’s funny in a movie or a show or something. And the way she sends me memes or videos that she thinks are funny. They’re usually not very funny, but of course I think it’s hilarious just because she sent it to me. And she always listens to me when I talk, even if I’m talking about something stupid and boring like science stuff I think is interesting. She talks back to me like she cares what I’m saying, and I know she probably doesn’t, but she acts like she does, and that’s enough. She always drags me out to go on adventures, or, at least, that’s what she calls them. Usually it’s just going to get coffee or try out some new restaurant she heard about but it’s still fun. She’s just so amazing, and I think she makes me the best version of myself.”

The rant ended, and for a moment, Peter forgot that Tony was even in the room.

“Damn. I wasn’t expecting that. I’m impressed, kid. To be honest, I expected some shallow answer like ‘she looks hot in her suit’ or something like that.”

“No, sir. Of course, she’s beautiful, but Y/N is just so much more than that.”

Tony gave another sweet smile to the boy in front of him.

“She likes you, too, you know.”

Peter’s head snapped toward Tony again.

What the hell did he just say?

“What?”

“Y/N. She likes you.”

“No way. She just sees me as her best friend. I’m probably like a brother to her. She doesn’t like me like that.”

“But she does, kid. I know my daughter better than I know myself. She is head over heels for you, spidey. Which is why you should tell her how you feel.”

“Tell her how I feel? Why would I do that?”

“Because she likes you, too, and then you two will be stupid kids in love.”

“Are you serious?”

“Aren’t I always?”

Peter paused for a moment. “I thought you’d kill me when you found out I liked your daughter, not convince me to go talk to her about it.”

“I’m gonna be honest with you, kid. I brought you in here with the intention of killing you, or just telling you to stay away from my daughter. But after you went on that little rant about why you loved her, I just couldn’t tell you to keep away from her. You really love her, kid, I can tell. So go talk to her.”

“You’re sure you won’t be mad if I ask her out?”

Tony shook his head and smiled.

“Go get her, kid.”

-------

Freshly clean and feeling a significant amount better, you sat on your bed scrolling on your phone. Thoughts of Peter had begun to fade (mainly because you forced them out of your mind) and that helped to keep you from stressing about what’s to come.

You had decided to confess how you feel to Peter.

True, this plan could ruin everything. Today could be the day you lost your best friend, and that thought made you want to cry.

But today could also be the day you finally get to kiss the boy you’ve loved forever, and that thought also made you want to cry.

You didn't have much time to think about it further, however, because Peter was knocking on your bedroom door.

“Y/N? It’s me. Can I come in?”

You paused immediately, your heart rating speeding up.

Oh, shit. This is it. This could be the beginning or the end of you and Peter Parker.

You took a deep breath, steadying yourself. It was now or never.

“Yeah, Petey, come on in.”

The door opened, and the boy you loved so much walked in. His cheeks were pink, you noticed. His cheeks only went pink when he’s nervous. Why was he nervous?

You could tell by his damp hair that he had also showered before coming to your room.

“I need to talk to you about something.” He rushes out.

Oh.

“Same.” is your reply. What else are you meant to say?

“Oh, really? Well, uh, you can go first. I’ll wait.”

You shook your head frantically. “No, you first. You said it first, so it’s only right that you go.”

Peter’s hand went to the back of his neck, rubbing it. Another nervous habit of his.

“Can I sit down?”

You nodded. Why was he even asking? Usually he’d just plop down whenever he pleased, no questions asked. This behavior was very out of character for the boy you knew so well.

The boy sat down on the edge of your bed, and then took a deep breath. “Okay. I don’t know how to tell you this, but I just have to. I don’t want you to hate me, and I really hope this doesn’t affect our friendship, but…”

Peter paused for a moment, and looked into your eyes. They were brimming with concern, and he just couldn’t hold it back anymore. He broke the eye contact you’d been maintaining, mustered up all the courage he could, and then blurted it out.

“I’m in love with you. I have been for I don’t know how long. I wasn’t planning on telling you, because I didn’t want to ruin our friendship, but it was starting to get physically painful and I just- I can’t hide it anymore. I love you and I’m sorry.”

Peter clenched his eyes shut, unable to look at your face. He waited (very anxiously) for a reaction, but it never came. Eventually, he opened his eyes, gaining the burst of bravery it took to look at you.

Your jaw was dropped, the expression on your face unreadable.

Oh, no. No no no no no. He’d fucked up. He fucked everything up and now you were never going to speak to him again. He’d lost you. Damn you, Tony Stark.

“Y/N…” He began his apology solemnly. “I’m-”

But he never got to finish his sentence.

Because you were pouncing on him before he had the chance to.

You were on him within seconds, kissing him with so much intensity that he fell back on the bed. He was taken aback for a moment, but quickly kissed you back.

For a moment, the two of you just lay there, wrapped in one another, kissing like there was no tomorrow.

A kiss that made up for all the ones both of you had longed to have in the months before.

You pulled away gently, looking into Peter’s eyes.

“I have loved you for so fucking long, Peter. I was going to tell you that I loved you today.”

“Are you serious?”

You laughed lightly. “Of course I’m serious, you dumbass.”

“Hey!” Peter feigned offense.

You pecked his lips. “You’re a cute dumbass, though.” And then you were kissing him again, and it’s all you could’ve asked for.

----

After a while, the two of you had finally tired each other out, and now you sat cuddled against each other on your bed. No movie or show was playing; it was just you and Peter, listening to each other’s breathing and the sound of your heartbeats.

You looked up at the beautiful boy you were cuddling with, only to find he was already looking down at you.

“Aren’t you going to ask me out, Parker?”

Peter’s eyes widened, and his cheeks went red (for the millionth time that day.)

“Oh, yeah, I- I just thought- nevermind, uh- Y/N, will-”

“Yes, of course I’ll be your girlfriend, Petey.” You cut him off, saving him a few extra minutes of nervous stammering.

He smiled sheepishly at you, then leaned down to bring you into a kiss.

You cuddled back down into his chest, smiling warmly.

You can confidently say that right now, in this moment, you are the happiest you’ve ever been.

[gb-patch]

Ask Answers: May 15th Part 1

It’s been longer than usual since our last answer session, so I’m answering a ton of questions today! It’s so big I split it into two parts. Thank you for the patience on getting a response to these.

Thanks for reaching out to us with your questions and kind words ^^!

Sorry if this has been asked before or isn't something you can say but is there anyway for Cove to confess in step 4? I wanted him to confess in step 3 and followed all the steps to make him do it but ended up texting my family instead of Cove at the end.

Yeah, Cove can confess in Step 4!

Hello! I heard that Cove is on the spectrum, albeit undiagnosed. As someone who is ND, this makes me UNBELIEVABLY happy. I literally was brought to tears! Thank you for that!

Out of curiosity, will Cove be diagnosed in Step 4? I have a strong feeling y’all won’t make it a HUGE deal/make it out to be negative, so I’m not worried about that whatsoever! I’m just curious just he’ll off handedly mention it? Or will it just not be touched upon at all (which is ok!)?

Either way is ok, I’m just curious!

I’m happy it made you happy! Admittedly, Cove simply being someone with autism that grew up not being diagnosed was something I included for myself. I didn’t really think anyone would notice or ask about it, aha. But players did start to have questions about his traits, so I started to talk about it outside of the game. It’s great to see it get such a positive response and now I do feel like having it be a non-topic may have been the wrong choice and bringing it up would’ve been good in terms of having positive representation for that. I don’t know if I’ll find a way to mention it in Step 4 now, with how far along the game is, but I am at least thinking about it when originally it wasn’t something I really even considered.

Hey!  Just wanted to say thank you for Our Life.  It's been a bright spot and a needed escape in what's otherwise been a crummy year.  I know you just did a Q&A post but I figured I'd ask anyway.  Was just curious about Step 4.  Will it be similar to the other Steps in that it consists of several different moments or will it just be one long sequence?

Step 4 is shorter than the prior Steps because it’s just an epilogue rather than a full arc of a story. It’ll consist of scenes that all happen in a set row one after the other. There won’t be a collection of Moments to choose from. But it’ll still be very sweet and fun.

¡hola!, you see, first I want to say that I love Our Life! (°◡°♡) and I have 2 important questions, would Cove cry watching titanic? and what is the saddest part according to him? (sorry for my english) 

Titanic would make him cry. He’d probably think the parts showing people who aren’t able to make it to the life boats/are choosing to stay and go down with the ship were the saddest.

Hello, I wanted to ask how much you earn with creating games? Like is it possible to make a living? Thank you >< <3 

How much I earn varies a lot month to month based on Steam sales, Patreon backers, and how many projects are in full production at the time. It’s also hard to say how much I make historically, since that also changes dramatically year by year. But I do earn enough to work on these games full time! I really appreciate all the support that allows me to do that.

Hey!! I was wondering for the 18+ Our Life moment, will there be an emphasis on safety/comfort for all involved? I feel like there  would be just going off of what the rest of the game is like, but I wanted to ask 

Yes! Cove is a nervous boy himself and also super cautious about doing anything the MC doesn’t like, so clear consent from both is absolutely needed for anything to happen. It’s a conversational sexy times Moment with stops/starts so the two can talk about how they’re feeling, rather than a heat of the moment just going for it kind of thing.

Hey!! I was wondering how long the wedding dlc would be? Will it be broken up into moments, or just one big event? 

It’s one long series of scenes all in a row rather than a collection of Moments to pick from. It’s the shortest and the least expensive of all the DLCs. It’s not super crucial to get and those who aren’t into big weddings can totally skip it without worry.

HELLO AMAZING DEVS 👋 i am hopelessly in love with the worst guy ever (jeremy king) and because of this i have a really stupid question: does he really hate people who are nice to him? TvT he’s too cute to be mean to istg it’s a miracle JB held the urge to be consistently nice to him bc just look at his FACE he is so cute! thank you for jeremy’s route it’s so lovely (and awful bc he’s scum 11/10) it gave me so much laughs LMAO i hope you guys have a good day!! 

Haha, thank you. He doesn’t hate them but he’s certainly not pleased with them. Jeremy is either uncomfortable with or annoyed by people being sweet on him, depending on how they approach it. He’s far more comfortable with jerkiness. It lets him relax and he can be himself without it being a problem, since he’s also a jerk. He feels a level of guilt being such a little punk to kind people, not enough to be a better person but still.

Has Cove dated or been interested in someone other than MC? 

Nope! He stays single over the course of the game if he’s not with the MC.

Is Step 4 more mature? Or it's gonna be set in similar atmosphere as Step 3? 

Step 4 is a similar atmosphere as Step 3. Though, it’s actually kind of less mature-topic heavy than Step 3 since it’s just a ‘hey, let’s check in on the gang to see what they’re up to’ style epilogue rather than a story arc with serious issues.

will there be new music for now and forever?? or will the old our life music be reused? 

It’s gonna be a brand new soundtrack. We’ll be opening up a job position for that soon.

Hi, is it okay if we use the assets in Our Life (like the sprites) for fanworks or fan content content, like edits? 

Sure! Just as long as you don’t use the assets made by those artists to make money.

Quick clarification on Step 3 choices: I hope I didn't come off rude (because I LOVE the game, really!!), I was just curious because the intro threw me off at times. For example, you could choose how you felt about Elizabeth in Step 2 (Dinner), but during the Step 3 intro, it says that you got closer to Liz and I didn't get a choice in it. 

For the example, it can’t be helped that you’re closer to Liz in Step 3 than you were in Step 2 because she’s inherently closer to the MC regardless of whether you liked her or not in Step 2. Her feelings are out of your control and the game isn’t so dramatic that you can push her affection away and not let her bond with you, haha. But ‘being closer’ can still be relative. For some people maybe that means you’re best buds now and for others it might just mean you’re not fighting all the time any more. If there’s other parts you want to mention, feel free to let us know.

Did the illustrator for Our Life change? 

We have many OL artists! The main artists who set the game’s style haven’t changed, but there’s multiple other artists who help finish assets.

So Miranda's type is confident and outgoing, huh? So...does that mean Terri's her type?? 👀 

Haha, sorry for the late reply on this. As you might’ve seen in our post yesterday- yeah that is her type.

Hey! First, I just want to say I've really enjoyed how detailed OL got with gender identity and sexuality and how respectful the topics were handled! It's been so wonderful to play since the experiences could be close to my own (I'd be lying if I said I didn't tear up at parts). Second, I was wondering, would future games explore the topic of polyamory? I'd love to see more visual novels allow room for that and I saw you've explored the topic before.

Keep up the amazing work! ♡

Thank you! We do want to include polyamory in at least some of our future projects. Floret Bond, which might be what you’re referring to when mentioning how we’ve explored the topic before, is on hold unfortunately. So right now I’m not sure when something might release or what will be the first game of ours to come out with poly relationships (we might do something else before FB is done). We’ll have see how things ends up coming together.

Hey um. I feel like im not allowed to ask this on the private discord cuz people will yell at me but why is there so much focus on OL2 and not finishing OL1 stuff? I like the new people but i kind of want to finish cove's story and get derek and baxter stuff first. didn't people pay for it? 

I’m sorry, I don’t understand entirely what’s making that situation a concern. There’s a channel in the discord for critique where no one is allowed to comment back. People can voice things they’re worried about without any way for others to push back on it. And the two teams working on the OL games are different. We try to post pretty often about how we’re hiring brand new people to start on Our Life: Now & Forever. The OL1 team is all still working on OL1 like normal. There’s only more updates on the Patreon for OL2 because the expansions to the first game are mostly script-based at this point while OL2 is just starting to get all its art, which means there’s a lot more to show off as previews.

Also, there was a Kickstarter for the first Our Life, if that’s what you mean by people paying for it. But one of the stretch goals was to start Our Life 2 early, before fully completing Our Life 1, so that the new game could be out sooner. It wouldn’t make sense to stop doing OL2 work because that would be going against what backers were promised. Maybe you didn’t get the full story before and hopefully this clears it up!

Hello! I know it's up to every player but.. What is your recommendation for playing order? Did you ever had any timeline  events planned? 

I didn’t make the events with a planned timeline. The events got made simply as I had ideas for them and then I just kind of organized them from left to right on the screen in an order to space out more dramatic ones between more lighthearted ones. Any order the player wants to go with is totally valid!

Hi! It's Step 4 a paid dlc or update? And how long it's planned to be? Ps. Love the game! 

The Step 4 epilogue is free! The Cove Wedding DLC does cost money, though. Those are planned to be shorter than the usual Steps/DLCs.

Will we have options for what sort of job the MC might have by the time step 4 takes place? 

Yeah, you can. It’s not super exact or detailed, but there are options about it.

Is there a pandemic in Our Life world, or is it just in a better timeline with no pestilence? 

Our Life is pandemic-free! That didn’t exist when we began working on the project and it’s not something we’d like to feature in this story now that it has unfortunately come along, aha.

Hi, you said that you can play tic-tac-toe or hangman with Cove in Boating if you're sick/scared but I keep getting tic-tac-toe. Am I doing something wrong?

After being sick/scared you have to continue to be upset/unwell. If you calm down and decide to just chill you’ll end up playing tic-tac-toe.

Hi, GB Patch! Since Lee was initially commissioned to only appear in two Steps does this mean she won't appear in the Wedding DLC? I really like her character so it'll be a little weird to not have our cousin at our wedding, aha.

She is gonna be in Step 4/the wedding DLC after all! We’re still working with her creator to make sure it fits with what they wanted.

Is Sunset Bird based on a real place? Asking for a friend, not trying to move there or anything. 👀

It’s based on small beach towns in So-Cal, but not one specific town you could go see in real life, I’m afraid. It’d be nice if it was real, though.

—– —– —– —–

We released a new FAQ! It answers common questions and we’ll keep adding more to it. Please check there before sending an ask. FAQ   Also, if you prefer to just see the main posts without all the asks/reblogs, feel free to follow our side account instead: GB Patch Updates Blog

[selenesparis]

 Forever by Alekseev is probably one of the most painful songs I have ever heard. The dramatic and intense music that manages to be nostalgic, heartbreaking and soothing all at the same time, his voice that changes through the song and expresses so much, the lyrics. 

Let's analyse the lyrics just for a moment.

It must be something that we call love Wherever I go, I'm coming back And time cannot knock me off my track This resolution is final

PLEASE. I don't know about you but I can feel the pain etched in this beautiful declaration of love. It feels like, I will always come back and never forget you no matter what I do, I can’t escape from you. and the way he says "something that we call love" MMMM. Like, I have no idea what this feeling is but it must be love.

But there's more.

It must be something that we call love It's when you're craving to say her name And my reality seems to break Apart with her arrival

Like, guys. If this isn't the declaration of self-destructive love I don't know what it is. Her presence alone is enough to make him doubt everything he knows, it brings him into a whole knew reality molded by her. Also, the use of the verb “crave” says everything by itself: utter desperation and need.

Let’s go on, we’re in for the whole ride.

No need to worry, rain falling down It's our happiest story and there's no one around We will go for it and I know you'll be mine forever

The first line. Sang with this soft voice, it gives me a sense of resignation that is shown with the representation of rain. I feel like he’s saying don’t worry, just accept it, you can’t change this like you can’t stop the rain. “It’s our happiest story” oh my god. It can’t go better than this, it’s the best we’re gonna get. Resignation again, resignation everywhere. And we will go for it, you’ll be mine forever. Is he talking about death? For me, he is.

Windows wide open, flying so high Both of us roaming through a magnificent sky Rain keeps on falling and I know you'll be mine forever

There’s freedom in the acceptance of one’s destiny. That’s all I have to say about these lyrics.

It must be something that we call dream When all you told me, I know by heart The type of beauty I call supreme And how it's driving me crazy

This knocked me off my feet. This is the turning point of the song. He introduces a crucial word: dream. An idealized love surrounded by the madness its intensity arouses, a morbid need that suffocates reason. Again, the absolute idealization of her beauty and the terrific awe it inspires in the last two lyrics.

And we’re down to our last lyrics.

You'll always sing me something new I will always follow When I first saw you here I knew That I was blind before you

AND THIS LADIES AND GENTLEMEN AND ENBIE COLONELS IS THE ULTIMATE DECLARATION OF LOVE. I mean, singing has always been an act of love for me, a storyteller who comforts you at night with a soft voice and tales of forgotten lands. He seems a lost child who has found his sweet north star. And that last fucking line. I die. It represents such a worship that could and will redesign his entire world, such a worship that makes of her the only truth.

If you have read so far thank you for enduring me and sorry for the pain. Forewarned is forearmed. :’)

@immoralsofties

[jayankles]

The Culmination: Endgame

Pairing: Sebastian Stan x Reader

Word Count: 2362

Summary: Y/N doesn’t feel so good and it’s not like her to not answer the phone to Sebastian. He was right to send over Josie, Y/N’s friend, over to find out what’s wrong.

Warnings: Angst, Implied Smut, Fluff

Written for: @anyfandomangstbingo​ | @anyfandomfluffbingo​ | @anyfandomgoesbingo​ 

Squares Filled:  Sick fic | first time | “I really don’t like doing this over the phone”

A/N - Blake Lively is not a representation of the reader; it’s just for the dress. And the other beautiful woman is exactly who I pictured for Josie.

Feedback is gold and appreciated

Of course, you were sick today. The day that Sebastian had told you that he was to take a day at the gym then spend it with Don. You knew that when you woke up this morning it wasn’t going to be a good day, the cold sheets a little foreshadowing of how your day would have gone. The little guttural feeling you had punching you in the gut right now, it had you on the floor, bent over the toilet seat with your head in the bowl.

You felt awful. Unable to move, unless it was your throat spasming. Definitely the worst day so far, you couldn’t move and when you finally were able to move at all you felt like a robot. Not a good look.

You decided that it was time to head back to bed, none of your food would stay down so you made yourself a bottle of water and stumbled into bed with a bucket in your hand, ready to put the bucket on the floor beside your bed.

Pulling at the covers, you curled up under them and took a swig of your drink. Tears rolled down your face as you felt the pain grow stronger, you rubbed your stomach in hopes it would make you feel better; it didn’t.

All you could do was pray that you would fall asleep to not feel this pain anymore. Sleep evaded you. The pain is all there is that you feel. You threw up another three times before you finally succumbed to the pleasures of sleep. Rattling of keys had been the object that had drawn you out of your few moments of slumber. You didn’t dare move though, there was no point, you couldn’t move anyway.

“Y/N! Y/N, where are you?” It took you a minute to realise that it was your friend, Josie, shouting your name in hopes of finding you. “Y/N, Whe- There you are. What are you still doing in bed? Oh...”

She looked as if she sighed out a breath of relief before she retracted, covering her mouth and nose with her hand. Inhaling the stench of the room, she quickly ran out of there, returning with air freshener, spraying it around you to make her feel better.

“You need a bath, babe. Stay here and I’ll run you one. Of course you’re going to stay here, you poor thing.” Josie rambled, you stopped her before she could go on for another hour.

“Jo, pour some lavender in there. Love you.”

Freshly out of the bath after thirty minutes, you were wrapped up in Sebastian’s bathrobe, a reminder that he was home as it still smelt like him. “I hate feeling like this. It sucks. But I feel better already.”

Josie softly smiled at you, pity in her eyes. “Must have been that nap you took but I know it sucks. Could you imagine Seb with this kinda illness, though? It would be 100% worse just because it’s man flu.”

“Thank you for being here.” You said, taking a seat on the couch. “What are you doing here anyway?”

“Seb called, said he tried texting and video chatting you but you wouldn’t pick up. I guess he was right to have me come over and check on you.”

“He’s such a cutie.” You groaned as you walked, the bath only slightly relieving some of the pain.

“I know. It makes me wanna barf… not like you, though. That shit is nasty, no, thank you, ma’am.” She tutted through a pinched nose, reminding of just how gross you felt and smelt not even a mere hour ago.

“You’re a pleasure as always, Jo. Always so kind to me, when I feel like shit. Thank you.”

She shrugged knowingly, a smirk on her face as she reached forward for the remote, finding a music channel and turning it down a little so it faded into the background becoming nothing but white noise. “So do you know what brought this on? Eat some bad food?”

“I don’t think so, otherwise Seb would feel the same way right?”

“Well you aren’t pooping as well as being sick so this isn’t a viral or bacterial thing. You’re not burning up? No severe migraines?” She asked and you only had one answer.

“Nope. And no, my appendix hasn’t burst because I’ve already had it out.” You said, becoming tired again as you let out a yawn.

“Well, I think I might need to slip out for a little bit.”

“Why? Where are you going? I thought you were going to take care of me?”

“I am. I’m just gonna head to the store and grab you some stuff to make tomato soup. I’ll be twenty minutes tops.” Josie was true to her word, never taking more than the twenty minutes she promised. Putting the bag of groceries on the counter, Josie pulls out the contents, revealing the ingredients she offered to get for you but you could tell that there was something else in the bag.

“What’s in there?”

Josie was fidgety, her fingers twiddling together. “I need you to keep an open mind because I think I know why you’re grossly throwing up.”

“Hit me. I wanna know how I can feel better right now.”

“It’s a good thing that you’re sitting down because…” She paused, making a face that she knew you weren’t going to like. “Because I think you’re pregnant.” her face unchanging as she pulled out the pregnancy test.

Then it hit you. 

No.No.No. Fuck!

Hands dancing.

Tongues twining.

Passion blooming.

It was everything you could have asked for when he was away but now that Sebastian was back, you couldn’t keep your hands off of him. You covered every area of the apartment possible.

Oh crap.

“Fuck!”

“Yes you did.” Josie laughed at her own joke, the reaction not quite the same on your end.

“Oh god, Sebastian is going to kill me. He’s never going to want to talk to me. Why was I so stupid? Oh, I’m never gonna hear from him again. I’ll be kicked out. I’ll be a single mother. I’m gonna have to live with you and if I have this baby, you’re gonna hate me, then you’re gonna kick me out too. ”

Josie scoffed at you, helping you scurf back your hair away from your face, making you look into her wide eyes. “First of all, chill. I gotchu, you know I gotchu forever. Sebastian isn’t like that, but if he is you will never see him again and that is a promise and maybe a little bit of a threat. He’ll deserve it if he hurts you so. Just be my alibi if anything ever happens. Just go take the test. Negative? You’re just sick. Positive? You call Sebastian and you talk to him like an adult.”

“Why are you always right? Don’t you ever get sick of it?” You huffed before you smiled at her, squeezing at her hand after taking the small handful of the pregnancy test boxes back to the bathroom.

Five minutes passed and you were holding the peed on sticks in your hand, four out of five of them being positive. “I think I need to call Sebastian, and a doctor.”

After making an appointment with the doctor, you took a deep breath and pressed the button to call Sebastian. He picks up the call pretty quickly and you are not surprised.

“Y/N! Finally! Are you okay? What happened?”

“Hey bubba. I’m fine, just a little sickness. But I really don’t like doing this over the phone. When are you coming home. We need to talk.”

Two months later.

It was the night of the premiere of Avengers: Endgame and you couldn’t be more thrilled for the success that the Marvel Franchise had. It was 10 years of absolute lovable craziness. Thank you, Stan Lee.

You had no idea that you would be here on the aptly coloured, purple carpet with Sebastian after all you would have thought that you would still be with him after the whole pregnancy fiasco but the two of you were able to talk things through. Things were thrown, voices were raised, and tears were shed but still after all of that, Sebastian made the executive decision to calm the two of you down. The stress was no good for anyone at this point. You were both going to be parents; it’s what was established.

The two of you walked hand in hand, palms sweating as the cameras flashed, and photographers called out to each and every star that was involved in the production of Endgame. The culmination of the whole franchise was just so surreal, the fact that it was ending with a bang both made you swell with pride but it also made you a tad emotional because this collection of amazing characters wouldn’t continue but the legacy they left would. And that was what mattered.

“Sebastian! Y/N! Over here!” You heard from one of the interviewers, looking beautiful in her outfit, Sebastian rubbed his thumb across your knuckles, you were going to be okay. He was right there with you and you had done this a few times before. He was there for you.

“Hi.” “Hello. You and Sebastian answered at the same time, making the interviewer laugh.

“Wait, I remember you. I bought you a soup in a thermos and Tom gave you his jacket. I see we got lucky with good weather today, huh?” You said, smiling at her.

“Yes. You remember me?!” The woman turned to the camera looking right into the lens of it. “Guys, I’m fangirling so hard right now. Ah!”

Once the woman got her fangirling out of the way, she moved onto the interview, trying to get any information that she could before the movie premiered. Sebastian took over that one, telling her that there was no way that they were allowed to say anything about the movie other than he was dust.

“Now we’ve got that movie non gossip out of the way. Are you okay to talk freely about your pregnancy?”

You looked to Sebastian, it was his decision just as much as it was yours, you knew that Sebastian wanted to keep his private life separate from his professional acting career. “It’s okay, honey. Go ahead.”

“I think you’re good to go.”

“Thank you. I must say that you do look stunning in that dress.” She gushed, you thanked her, hiding your face a little. You loved this dress, the nude under layer and the little white and purple flowers that scattered across your dress, your bump barely visible through your dress.

“How far along are you?”

“Well, we’re in the first week of the second trimester. So I’m a little more confident when telling you that.”

“That’s amazing. Was the pregnancy planned at all?”

You made a face, sucking in a little air, looking to Sebastian for a little light to be shed on the situation. “Not at all. It was Y/N’s friend that actually realised that her morning sickness wasn’t her having the flu. She felt absolutely awful that morning, it was enough to know that it was bad when I tried to call her and I didn’t get an answer.

“We had our issues, you know, we didn’t know what to do, we're new at this. But I think that it’s important to know that you don’t abandon your family.” Sebastian softly smiled at you, subconsciously putting a hand on your slowly growing stomach. “I guess that is what this franchise is about though, right? It’s about family and- and looking out for one another. Everybody’s got a somebody here and I love that.”

“And Thanos, fucks it all up and snaps his goddamn fingers.” The three of you and the cameraman began to laugh at your little outburst about the mad, purple titan. “God, I can’t wait for the premiere tonight but I’m scared. For everybody. But especially for me, you know, I’m an emotional person anyway, add a hormonal woman to the mix and a whole lot of angst. Get my ice cream and tissues ready, because I’m coming for you, Thanos.”

“I heard that!”

“Love you, Josh. For the record, Josh is a nice guy, the character he plays is a big old sack of balls and I have no idea how he does it so convincingly.” Lovingly, you made eyes at Seb. “But it’s just like my Sebastian, a dark hydra assassin but in reality he’s a big ball of sunshine and goofiness. And I love him for it.”

“This is- this is what gets me.” The interviewer leaned in a little as Sebastian’s voice dropped to a slight whisper. “I know that she is going to be the best mom for our child because Y/N loves everything and everyone and that is a great quality to have but she’s also caring and matches my goofy side but her sass outweighs mine of course, no one can beat that.”

“Aww, he’s making me cry already. Seb,” you whined. “My makeup.”

“Well that's it folks.” The woman spoke, telling the audience that this was one of the cutest interviews that she had ever taken, that she could die happy and quickly saying congratulations before the two of you were whisked away to walk the carpet again and pose for pictures.

“You’re way too good to me, you know that right?” You said to Seb as you admired the sky blue suit he was wearing over his plain white tee. “I never even got to tell them that this baby will have the hottest dad in the world as well as the sweetest man. Thank you for being my baby daddy.”

Unbeknownst to you, the cameras had caught every single moment the two of you shared. The kisses you shared together, were now shared with the world, all over social media. At this point you didn’t care, you only cared about the man in front of you and the baby growing in your stomach. And this god damn movie!

Feedback is gold and appreciated

[masterhandss]

Personally I don't see what you see in Geordo. He seems like such a scumbag to me and is the least likable charater in the whole series. He is always trying to get her alone to push her into things of a sexual/ more romantic nature without taking how she really feels into consideration. Like he "really wants her" and thats enough for him without caring what she really wants. Honestly he is the borderline non-con villian in my mind.

I mean, it's okay if you feel like that. To each their own.

Hmmm when I think about Geordo being sexually aggressive towards Katarina, I only really just think of the anime. The manga is a much more moe-fied and toned down version of the novels, and the novels does an okay job at balancing his desires for Katarina in all aspects. I'm not saying he doesn't have that trait in the other two mediums, I just think that they aren't as intense as the anime, so as someone who consumes all three versions I just tilt my head and go "huh." Of course I'm sure there are people who read the manga and novels that still feel uncomfortable about his behavior and that's valid too.

-> light novel spoilers ahead <-

tldr, there is a lot more going on to him than just someone who offers sweet words and questionable invitations to Katarina's ears, this may not be noticeable or acceptable to some people but we get to know more about how he thinks whenever the novels puts us in his point of view. You're free to dislike him as much as you want, but I like him & don't see him as a scumbag; and here's why:

I at least find it okay that Geordo is very serious about his pursuits for her because he is aware that she is dense and will not get it until you spell it in the sky. Everyone is just walking eggshells around Katarina hoping that the girl would just develop feelings for one of them to win the harem olympics. He knows that being dealt with a good card isn't enough, so he's actively taking action in order to win her heart. I mean I don't always agree with his methods either, like the "fait accompli" line or constantly inviting her to his room alone, but really, how much of that is something he really means to do vs how much of that is his excessive flirting + our minds assuming that he really means to claim her in that way?

Lines like that are really popular with japanese fans because it makes Geordo look "sexy" and "forward", which they enjoy in their fictional stories. He knows that his position gives him an advantage so he'll try to play his cards right and use it to increase his chances in victory.

It actually reminds me of a scene from the Hamefura StoryMe game, (don't really know how canon it is but I remember the JP ver. was advertised by @/hamhura) where Geordo indirectly asked Katarina how to woo a girl he really likes, and Katarina thinking he was referring to Maria, gives all the things he usually does in order to win her heart (visit her home, give her gift, dance with her in parties, be really forward about your feelings etc). I'm not saying Katarina approves of the ways Geordo attempts to win her heart, but there's some hilarity in knowing that Geordo already had and is constantly trying all the known ways to win over a girl in the world from a young age, and still has nothing to show for it. Like no awareness, much less any *feelings* lmao. So trying to make it obvious that he is interested in her romantically and sexually seems like the next logical step to him. I mean if you go by Geordo's logic and considering the time period this takes place in, he's pretty confident that he can get Katarina to love him back and they are engaged anyways so in his head he's in safe waters to attempt to make teases about such advancements if it gives him the smallest chance that Katarina would become at least aware of him through it.

Of course I know that stuff like that won't fly here in the real world, but maybe that's why I'm so lenient personally when it comes to his (debatably) sexual teases and advances, because it's a fictional story for a japanese audience. Doesn't mean I would approve any advances like that if it happens to me, it's just that it's hard to take his actions seriously when Katarina or the story doesn't take them seriously. Like, the girl would be pushed down to a bed by RufuSora and gives her a hickey and she still thinks the man is out for her blood.

He wouldn't even be entirely wrong, knowing the identities of the characters who Katarina knows has romantic interest in her in the novels, actions does speak louder than words when it comes to her. Like I said, whether or not Geordo really means what he says when the story teases the readers with sexual implications in his words and action depends on the reader in my opinion. They are there, I wont pretend they don't but I'd argue about the level of intent depending on what scene you're talking about.

The only scenes on the top of my head where he is very abrasive towards Katarina is the "fait accompli" scene, the Book scene form the anime (S1 EP8), saying he wants to lock her in his room (LN6) and the multiple times Geordo had invited her in his room at night alone (LN6 and LN8, i think).

I've already explained why I am okay with both Keith and Geordo's Book scenes from episode 8 of the first season because they are accurate representations of an exaggerated and unhinged versions of their desires towards Katarina so I won't bore you with those details again.

He mentioned in Volume 6 that he wants to lock Katarina in his room forever and keep her light to himself, which alarmed a few people when the book came out, but he said that in a moment where he feels super grateful and loving towards her because she knew how tired he was despite his fake face and without even saying anything. It was a moment where he felt so infatuated towards her that he wished the moment where he gets to rest in her arms would last forever, thus he made such a comment. I make it sound more dramatic than it was in Volume 6, it was just a quick comment honestly lmao.

For people who don't read the novels, that last part looks very sus and raises a few red flags I know, but to be fair we can't definitively say what his intentions are because Katarina never commits to those visits. Katarina has actually become wary of those invitations, because Keith and Mary have warned her that Geordo's intentions are sexual, but I'm not really trusting the word of the two people who are most distrustful and antagonistic to Geordo. They could be right, of course, but who can really say? We assume that they are correct because they care about Katarina and are wary of Geordo, but hamefura('s novels) is full of unreliable narrators anyways, it's not like Keith or Mary would consider the possibility of it being anything else because when it comes to the third prince they always fear the worst case scenario.

If you think about it, Geordo is probably aware that winning her over with a "fait accompli" won't work at all because it'll put him in a position that will make other people push him for the throne (which he doesn't want) or could ruin his reputation in high society if Katarina or her family react to it negatively. I'm not Geordo though, so I can't really say if he even have such fears and doubts in the first place, that's just my assessment based on the obstacles he has. On the outside he is really sure of himself and confident (which he arguably deserves) and on the inside he is very careful and insecure when it comes to Katarina.

Also like, spoilers but for someone who is very forward when it comes to his physical advances, Geordo is super weak when he is in the receiving end of those touches. He gets super embarrassed and easily flustered when its Katarina who is touching him, as if implying that to some extent that he's all just talk lmao.

I don't really agree that Geordo doesn't care about what Katarina feels at all, in fact his inner dilemma in the novels is that he doesn't know what to do because in every step he takes he might do something that could ruin his image in Katarina's eyes, be it pursuing or abandoning the throne or looking like a monster in front of her. He even halts his plans to make advances towards her during the Keith Kidnapping Arc, but threw it away because he knows how much finding Keith means to Katarina. He puts what Katarina want and doesn't want as his priority, so when what she feels is unclear that's when he acts on his own intuition. The only reason Geordo feels so confident to advance towards her sexually is because Katarina never rejected him before (because she doesn't know what they mean, and all of this is for the sake of simply making her aware in the first place)

I'm not trying to make anyone think that one has to read all the books in order to understand him, I think the manga does okay at conveying his feelings too. The anime really prioritizes on making him look "sexy" for the japanese female audience, so anything he does is sprinkled with spice whether we like it or not.

I'm sorry if it seems like I'm overanalyzing all his actions just to justify them, everyone has the right to be uncomfortable with his advances if it seems too much for you. It's just that his actions, while over the top and unnecessary, are done to please the type of audience that hamefura caters to, and it's hard to take him completely seriously when the story doesn't either in my opinion. Doesn't mean he's right or that any of it is okay, but it's his method of trying to put a dent on Katarina's bakashield. When you're in a race versus your friends who Katarina all loves equally, he's gonna use whatever card he can get in order to win.

I like Geordo; I like how much of his feelings for Katarina forces him to reexamine himself and realize that he isn't a perfect prince at all, that he has lots of problems and flaws that he needs to work out in order to be someone worthy of her. I like the way he falls more and more in love with her in every interaction they have because he finally gets to have a genuinely and caring interaction with someone. I like how Geordo wants to do better and be better for Katarina and the people around him, and he wants to be able to thank Katarina directly for that through being able to show his love. I like that despite how much of a chad he acts in front of her, he's a blushing mess at the thought of Katarina returning his feelings. I find it funny when his "sexual advances" fails and gets thwarted because he's trying them on the densest person and most protected lady to ever live. I like how Geordo is so head-over-heals in love with her and how much comfort and warmth she brings to him by simply being her caring and bubbly self.

I guess it's just a matter of different perspectives. If you find him unlikeable or a villain, then you do you. I try to explain why I personally excuse his actions, but I know it wont fly with everyone. We all see each character differently and absorb the material in different ways. In fact it's probably a bad idea for me to defend him with material that isn't the anime nor manga yet lmao. I mean I'm not that much of a fan of Mary anymore, and I'm kinda scared and wary of her, but I know people don't see her the way I do and I'm okay with that.

Maybe its just me, who is the kind of person who just goes with the flow and doesn't think too hard because it's all fiction anyways

It's hard to tell all this from simply watching the anime, so I laid all my feelings down in hopes that someone out there would understand why I like him so much.

Thank you for the ask, you can ask more questions or call me out if I said anything insensitive or wrong, I know a lot of this is me overanalyzing things which might look like I'm jus stretching. As someone who is aware of the things to come in Hamefura X, I can say that I am both excited and nervous as to how everyone will react for the direction of Geordo's character.

[mischievouswritingblog]

Meta Essay: Medivh The Bisexual Icon

As of the time of this post, there’s going to be an update coming to World of Warcraft where the once all female ghosts in Karazhan will be changed to include male varieties as well.

Full details on the update can be found here: https://www.wowhead.com/news/female-only-ghosts-in-karazhan-updated-to-include-male-versions-324371

This has caused a lot of fun posts and people to take this as an ‘accidental confirmation’ by Blizzard that the character Medivh is bisexual. Pair this along with how some of his portrayal in Hearthstone was made into Warcraft canon, and in my opinion, it’s an excellent update to his character.

It’s no secret that Blizzard’s had a massive lack in LBGTQ+ representation for the longest time. Often when such subject matter did show up it was treated more as a punchline in some quests or was kept conveniently to the sidelines, with nonconsequential, blink and you miss it text, side characters, moments. It’s insulting, to say the least, and is the source of a growing frustration from the LBGTQ+ members of the audience. What’s more, whenever this frustration gets voiced it’s always talked down to. We are told that to ‘keep politics out of gaming’ and that we are too sensitive, when these are the same people that get bent out of shape when even a single thing changes or is called out in their game. It’s bullshit. LBGTQ+ people exist and the act of existing isn’t a political issue.

But of course, with people even making lighthearted jokes or posts of Medivh being a ‘Bisexual Icon’, there’s folks crawling out of the woodwork with reasons from “But the loooooooore!” (as if the lore isn’t constantly changing and being retconned from one expansion to the next) to “Well A-C-T-U-A-L-L-Y, those male guests were just for the female nobles that visited and attended his parties, Medivh was very straight”. To that, I’m going to say: “Nah, Medivh is a bisexual icon, deal with it”.

In my personal opinion, Medivh is an excellent character to explore queerness  with. He’s a character that’s been around since Warcraft 1 and the effects and ties from his story are still felt throughout World of Warcraft in various ways. Medivh is also a character that’s gone through a large amount of evolution and various portrayals. My personal favorite being the One Night in Karazhan take on him because it’s so different from the usual ‘brooding, grand powerful hermit-mage’ that his type of character usually is. Medivh in One Night in Karazhan is instead, vibrant and is a thriving social butterfly that loves to have and treat people to a good time. His reasonings for being this way make a lot more sense when you really think about what Medivh’s situation was.

Now, I have to mention that I do a much deeper dive and deconstruction of Medivh’s circumstances and just how messed up they were in this self indulgent essay/headcanon dump: ‘My Completely Self-indulgent Medivh Essay’. Feel free to give it a read but here is the basic gist for this essay:

Yes, Medivh was the Guardian, one of the most powerful mages to exist at the time. He was also possessed by Sargeras and was the one that created and opened the Dark Portal that brought the Orcs to Azaroth and changed Azeroth forever. But here’s the thing, Medivh had no choice in any of it.

To be the Guardian means you have to put your life on the line for Azeroth’s sake. This is a role that had to be kept to secrecy, people had to make a lot of sacrifices to be the Guardian. You gain phenomenal powers and it is a great honor but none of this was anything that Medivh ever asked for. He was literally born to become the Guardian, there was no other choice for his own future. 

Then you have Sargeras, he had his plans in play long before Medivh was even a thought. A sliver of Sargeras had entered Aegwynn (Med’s mother and the Guardian before him) from a battle between Aegwynn and his avatar. This influence hid within her and made its move when she decided that she wasn’t going to allow the Council of Tirisfal to choose her heir for her title and powers for her. Ignoring Chronicle’s softening of her, she used Medivh’s father, Neilas Aran, the court magician of Stormwind to sire a child. In TLG she let him know she flat out used him and felt nothing for him then came back later and tossed baby Medivh to him for free childcare. What neither of them knew at the time was that Medivh was possessed by Sargeras while he was in the womb. Sargeras would then screw him over even further by causing his powers to lash out when he was fourteen, causing him to accidentally kill his father and fall into a near 10 year coma, and wake up mentally and emotionally fourteen in a twenty-three-year-old’s body. So from the very beginning Medivh was always set up for failure.

So with this summary out of the way, the point of the matter is that Medivh is a character that had little autonomy for most of his life. His career and his fate were chosen for him from the start. Sargeras was in his head messing with him throughout his life, in TLG Medivh even tells Khadgar that he tried to fight it as much as he could. His story is a tragic one but with his reappearance in Legion there’s potentially a ray of hope.

I think there’s a lot of aspects in Medivh’s story that can tie well with the feelings and experiences of queerness. Not so much the being possessed by discount space Satan, but more so the struggle of trying to have autonomy and hanging onto who you are as a person. Being queer myself and looking at it through that lens, I see Medivh being vibrant and throwing parties as an attempt for him to seize what autonomy he could for himself. To exist, to be seen, and to have an identity of his own that had nothing to do with being the Guardian of Tirisfal. I think that it’s also something that separates Medivh from Sargeras. There were likely times where Sargeras may have forced the lines between them to blur as he gradually poisoned Medivh’s thoughts and twisted his soul throughout the years. Medivh likely had to struggle a lot with separating who he truly was from Sargeras. This being inside him, who wasn’t him but would at times take over his body suppressing Medivh’s true self. It’s a horror story where some elements can really hit close to home.

Medivh I believe surrounded himself with like minded, free spirited people like Barnes and the theater troupe (while there’s the joke Medivh’s only seen three plays, I choose to headcanon he’s a theater kid, given how he has a theater to begin with and his own love for theatrics). Whether you picture Medivh as aro, ace, gay, bi, pan, or trans, with the upcoming changes he clearly accepts many kinds of people into his home.

This also has the interesting effect of changing some of the tones for some events in his lore. One example being the titans sending down the Maiden of Virtue to punish Medivh and make him live a more ‘pure’ life. The Titans are Azeroth’s closest thing to a pantheon of gods. They are beings of order, having taken Azeroth in her rawest form and molding her into something they saw fit. Apparently, Medivh’s parties and behavior was seen as something that required ‘correcting’.

On one hand, it’s really easy to read it simply as Medivh being a selfish, spoiled brat. But with looking at it through a queer lens one can put a more positive spin on the situation. The Maiden of Virtue was sent to shame and punish him into conforming into something the Titans believe someone like Medivh should behave. It clearly didn’t work. Looking at this situation, one can read it as Medivh refusing to relinquish his identity because a ‘higher power’ wanted him to. In the real world there are so many that have to hide their orientation and gender thanks to people using religion and belief as a cudgel. So having a character like Medivh as queer, with the power and willfulness to flat out refuse and shut it down is a refreshing power move.

Medivh’s story and the way he is in general has elements that I believe many people of the LBGTQ+ can relate with. He’s a complicated character that has dealt with abuse and being forced into roles without his consent, he made identity for himself and it was stripped away by an oppressor (Sargeras), and, depending on if Blizzard decides he’s actually resurrected/alive instead of being a ghost, is a survivor.

So to me, I love the idea of Medivh being a queer icon in Warcraft. It hasn’t been officially stated by Blizzard at the time this essay was posted but it has started a fun conversation. There are and will be the haters who will scream and tantrum about the LBGTQ+ touching their precious (when convenient) lore with their filthy paws and tarnishing ‘their game’. But in the meantime, I’m going to continue having a blast with the idea and enjoy working the story potential it gives into fanfics, speculations, and essays.

If you enjoyed this essay, I did a few other bits of meta, headcanons, and speculation for fun: My Completely Self-indulgent Medivh Essay

A Bit About Wizards and Sorcerers

Headcanons: Medivh is Alive and Currently Uses ‘The Guardian’s Study’ as his Home