#i cant make sense of why i'm not

[acesammy]

i think i may have bitten off more than i can chew

[blue-jos10]

i wonder how kevin's fitness-obsessed mind justifies his alcohol addiction

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[harbingersecho]

grif's surgery but just a little more... obvious?

I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔

[lunarharp]

Very important conferences.

[dungeons-and-dragon-age]

gjdfll that confused "so.. am i not gonna die or what?" look tho

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[kunikiiida-kuuun]

Personal vent time

This is a purely personal complaint but I think one of the major reasons why I'm so disappointed with how things are currently going in the manga is how they kept teasing us with this "once the agency is together there isn't anything we can't do" thing and ultimately divided them again AND killed off Kunikida. They took the idea away before we even got anything 😭😭

They even had Atsushi say this in one chapter ago which got my hopes high and now obviously it's not gonna happen with how easily Amenogozen can slurp people up. I know eventually it's gonna be a SSKK battle in the end but heck, I'd take any crumbs they would offer but give us something?? I just wanna see some ADA action, is that too much to ask for?? 😭😭

[ebonytails]

sorry my post is just to complain but guys i literally hate adobe after effects. i can not explain to you the mental torture and how LOW it has brought my mental health because I *need* to use it for my post production class because it's "industry standard". ADOBE After Effects has made me write off the entire film and video production industry as a turn off and I never want to do it ever again.

The amount of times this has crashed on me where I lost everything? 5+ hours of work? 8+ hours of work? It's my fault for not saving sometimes but I also have auto-save on. it didn't save anything so im just left with nothing.

You want a trip to burn out town really quick? Use adobe after effects in an academic setting where you have no choice but to use this program.

I have never in my life TOUCHED a program SO TERRIBLE that it made me never want to do anything about that form of art/media EVER AGAIN

[vivitalks]

i JUST realized that the reason deputy dewey comes back as a ghost isn't because aubrey's magic goes wrong. it's because he died in the company of aubrey, who is sylvain, and that's what happens when someone perishes in the presence of sylvain's light. it wasn't aubrey's magic going wrong, it was sylvain's magic going exactly right.

[your-ne1ghbor]

Magnifico's "Wish Stealing form" design/some Character Dump (Disney Wish)

Oh boy ya'll in a BIG BIG Story beat plus some more information on Amaya and Magnifico in my rewrite:

The Kingdom of Roses and Thorns

Oh yeah...this is another long post and Ik @oh-shtars @chillwildwave @signed-sapphire @annymation @uva124 @rascalentertainments is gonna love this idea

For starters...

I Had this nightmare of Magnifico because of this form and now you all will see it too :3

There were also other posts that inspired this design too, so I'll link them here:

Anyways, this post is mainly an MAJIOR STORY IDEA DUMP for my sweet sweet emo Maggy- erm Magnifico (he is glaring at me guys send help please)

Soooo....

I had this terrifying idea for TKoRaT Maggy, even before I had this nightmare of him, where he legit becomes somewhat something like this, but with more vine core when he is taking the wishes/"monster in my closet" wrong vibes.

More like this for the idea I'm going for:

This is one of the ideas I had for Maggy when he is taking the wishes. This is might not be final in my final version of Maggy, hell, I might change that particular design to be Amaya's form when she takes the wishes too, since hers is more smoke which is more or not on par with her character in my rewrite/redesign. It might end up being more of Maggy's thing with Amaya helping him get into this state of transformation to take the wishes since I'd imagine it more of a whole process, but it could also just be something they both do together.

Some more design details I added was his scars from when his kingdom was attacked and almost everyone died because he showed mercy to the attackers. He doesn't really have them in his main design, probably because he covers them up with Amaya's potions or the wishes could have some form healing abilities? Idk I'm still firguring out the magic system of my story or that I just keep forgetting to put those scars in his design so awesome???💀

In my post here, I said that they don't hold ceremonies that has them granting/taking the wishes like they did in the movie. This is mainly because I wanted to do a little something original and gives me the oppertunity to take in the horror aspects of the story (because I love scaring children(not in a bad way, but to show them that there are these kinds of people in the world yk?)). This is why I am intentionally making Maggy and Amaya horrifying in their own way because well...good people can become the bad guys if pushed in the right direction. Especially in what they do to other people. Mainly inspired from Hunchback and Prince of Egypt, with subtle, but TERRIFYING pieces.

BUT, They do have a ceremony, but it is not related to the wishes, it is just there to give them some sympathetic traits to Maggy and Amaya (after all they've been through, I just feel bad, they literally wanted to good things and the world just beat them with a 90 foot pole).

This one I tried making Maggy more jagged. Although it seems like he is a different character here, thats mainly my fault since I really tried to figure out what he would say to Star Boy in this "idea" scene but my brain blanked out and couldn't think of anything so wahoo

Star Boy in this scene doesn't even know he has a desire, he just didn't think stars can form desires (ofc Maggy and Amaya is going to manipulate the hell out of him and Asha :3)

ALSO

This is also the main reason I split Star Boy's powers between what Amaya and Maggy does.

Maggy has only 1 shape-shifting form, and it is only done to steal the wishes. He can't shape shift into anything else, but it is why when he steals star's powers, he becomes more of a terrifying shapeshifter.

Amaya creates dangerous potions, and more or not lurks in the darkness in some way like a cat to bring them to their doom. Although it would make more sense if Maggy has the creation part of Star's powers, I gave it to Amaya since it works for her too, and keeps the power system balanced in some way. If I do give Amaya the ability to also shapeshift into a monster from my dreams, I could also say the same thing can work in reverse too, I just personally think the creation part of her character conflicts with Asha's ability to create/draw magic.

Power wise for this design...

This form also gives Maggy the ability to see people's desires that HE could take. He can't really take them until they are 17-18 years old and older (ruh oh, 2 of our main protagonists fall under that age gap). Plus, he cant take them from children since they are young and dont understand these kinds of things.

This form also falls under the MAIN conflict of why the hell is everyone miserable when they turn around 17/18 years old? Oh yeahhh this is going to fall under how he steals the wishes, but I'm not going to say anything here yet because I really want it to be a surprise.

Nothing that he does is not without reason. He blames the stars for not granting his wish (there is a reason why they didn't), and for not stepping in when a star, or Aster (NOT STAR BOY) went "rouge" (not Aster's fault btw, they didn't have a choice). So, this presented him with this ideology (that I personally believe Amaya first started thinking this way, out of pain and wanting to blame someone for what happened a century ago) that in order for people to not wish on stars, is for them to never wish/dream again. The story in my version is the aftermath of this. Still figuring out THE MAJIOR STORY BEATS, but this falls under Star Boy as well.

Star Boy represents the thing Magnifico hates the most. Plus, Maggy has more of a personal beef with the stars so of course he is going to make sure Star Boy dies, becauseeee he didn't do it last time, so second times the charm, am I right? (OR MAYBE THE THIRD WHO KNOWS, LETTING THE STORY WORK ITSELF OUT ;3)

ORIGINALLY, this was going to be Amaya's thing, but as I said, this might end up being mainly Maggy's thing, or it is something they both do, since they share the same goal, but here is the designs I was going to show for that:

Anywaysssss, ya'll can ask me questions regarding to this design if ya'll want to! I'll gladly answer them! I also will accept suggestions for the design/abilities for this "wish stealing..." thing. I might come up with a better name for this form later. Soo have a happy weekend as your neighbor watches some marvel movies as I work on my projects for my classes.

explodes

Edit: Okay my imagination took my to the most tragic part of his character then randomly imagined star boy getting stabbed by this guy and said "now you feel the pain I felt when everyone died" and star boy, in the worst condition says "almost everyone" then gets a another stab from him💀

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[agirlinthegalaxy]

It's been rolling around in my brain the last few days for some reason, but I still hate the family backstory reveals for Sophie and Eliot. I've seen some of the meta for it, but quite frankly, it still makes no sense. If it had been something actually thought of and intentional in the original, I think it could have been so fascinating. I mean, Sophie's willing abandonment of Astrid to contrast with Nate's loss of Sam or Eliot's adoption in contrast with Hardison's and Parker's? Could have been excellent! But they came out of nowhere in Redemption and don't work with these characters.

Sophie was still actively using the fucking alias that she met Astrid under! She met with someone from her past on the show! Like. Quite frankly, that one is unequivocally bullshit that they made up and threw in and pretended could fit with the established canon. (And I'm sorry, but the idea of Sophie abandoning Astrid and never telling Nate about her just... So much of Nate's trauma was rooted in the loss of Sam, and I think that introducing this element after he's gone and unable to respond to it taints Sophie and Nate's relationship in a way bc I'm not exactly sure how Nate would've responded to learning about this but I think that it's something he'd have needed to know. I don't know how to fully express my thoughts on that but yeah.)

As for Eliot, I don't like the adoption aspect literally at all. The way that he would interact with his family and the memory of his family would be different, and I think that it's flat out ridiculous to think that he'd have never mentioned it to the team in the original show, especially when dealing with the kid cases. (I also dislike the biracial adoption as its own element because if Eliot was actually raised by Black parents in the... idk what 80s/90s? That just. doesn't feel congruent with how they write Eliot interacting with PoC, not necessarily in a bad way, but babe, he's written like a white southern man raised in a specific kind of culture that does not jell with that. It also makes Eliot look... really bad that he was apparently raised with the knowledge of how fucked up the military was and his parents' history and made the choices that he did.) Like the show may not have explicitly stated it but the implication of that relationship was vastly fucking different throughout the original show.

Just. These were not backstories that were congruent with their depiction and characters in the original show, and they're also just moves that I don't particularly like or find interesting directions for those characters. There's also something to be said about how it was apparently unacceptable for a woman to not have kids or someone not reconciling with their biological family when that was something that the original show handled a lot better. Out of all the directions to take Sophie and Eliot's stories, that's just not really one that I think was a good idea.

[rouge-fauna]

I think you’re talking about these posts [here & here], I don’t know if there have been others.

I'm not gonna say what I did was right, you are correct I should probably just not respond to asks getting me to talk about other people. I will say for these two posts those people had already blocked me I’m pretty sure, so it’s kinda hard to talk directly to them in that case. And I was not doing so anonymously and had not blocked them so I wasn’t hiding what I was saying. I did not follow them, I am not part of the innitor community, and not that that makes it right but I do think it is kinda different. Though you make a good point, perhaps we should stop this pattern of responding to asks about other blogs and such.

Still, the biggest thing to me I realized, back in elementary school when I first dealt with this, was that honestly all the time we talk about people behind their back. Talking about people when they aren’t always in the room is kinda just inevitable and part of socializing, however I think the important part is how you are talking about other people. It’s when you are insulting them, talking negatively about them to people they know, spreading false information and so on that it becomes not okay. Hopefully that makes sense.

In these cases I merely focused on the lore. I didn’t insult them or talk shit about them, as a person, as a blog or say their takes were stupid or they are stupid or speculate about their trauma or mental history. I just talked about reasons why I disagreed, or saw things differently and why we might see things differently. They were also not the only ones I saw to say similar things so I think in my mind I was making more of a general discussion, not trying to target them specifically. I didn’t post beyond that about them. But you are right, regardless it was probably not the right way to go about things.

But just to be clear, if I am a hypocrite it is not my intention. I haven’t vague blogged anyone or meant to vague reblog anyone. I think this week is pretty much the first time I’ve ever been not naming, passive aggressively talking about blogs, and even then I’m not trying to insult them, trying to cancel them. I’m just expressing that before you go off about how I’m stupid and unable to have a discussion about it, the very least you could’ve done was give me an opportunity to try.

[b4kuch1n]

dip pen ink comm batch 4 complete! for Ezechiel, @ohwwhuv, and Leo :]

[cowboyskeletons]

thinking about my au where after the trial the dads are actually just transported into another universe where jodie was transplanted and they replaced their alt-universe selves.

so there are small details that the kids notice (except for nicholas) that are kinda... off, but it's not big enough of a shift to notice until reminiscing about childhood memories and like it doesn't matter (it does matter but that's only half of the story)

point is that without them, their home universe kinda crumbles, as the narrative is about Them and why even exist if there's no purpose? so everyone kinda just fades away over a short span of time (thinking around a week) as the world loses its flavor.

....buuuut nick's still there.

because the dads are The Dads, right. it's their defining characteristic. they need to have children to be dads (if the child is dead it doesn't matter, just needs to exist in the universe). the children are... kind of like anchors.

so if their children stopped existing, what then? well, it was a simple solution-- they got linked to the new verse kids. done done. new anchor, continued existence, "forever" relevance, hoorah.

only problem is that glenn doesn't have a kid. and he's not a dad anymore. so like, what's the point of his being there? nicholas is technically completely unrelated to him. in the new verse, it's said that he's darryl's friend who's just. there. in-auniverse and in a more meta concept sense, he really shouldn't have been there.

(eventually, glenn won't need an anchor anymore because of the relationship he develops with nicky but for now he needs a weight to assert his existence in the narrative)

erasing him from existence kind of goes against the court ruling because then why all the shenanigans. so he still has an anchor, though the new universe is unaware of it

so nick is still there.

nick is... not fully what he used to be. he seems overall the same, but he's in a sort of... stasis? like the most obvious effect is not aging but there are mental effects too. his and glenn's relationship and place in the world can't really change, so he doesn't.

he's like an ice sculpture now metaphorically-- fading like the rest of the world, but his process is slower because he's connected to glenn and he's still important to the story. he has approximately until the s1 finale until he starts getting into the danger zone. the worlds aren't exactly synced up time-wise, but time shifts and flows and the universes drift so there's never a concrete ratio-- usually worlds sync by story beat but. yea

so he's just wandering the world as it breaks apart. he's the only reason that it's still there, actually-- it becomes weaker as he does, as it loses its purpose completely.

by some chance, nicholas manages to contact nick then Stuff Happens.

cue shenanigans, primarily with nicholas and nick but several other people come into play too like glenn and jodie and morgan

(yes nick still dies in the end but there is Closure with the family okay. can't spell closure without close. do you get it)