#i can make executive decisions over any of these if it turns out theres an issue with getting instrumentals/vocals

[chongoblog]

I just realized I can do polls here so now I can do this

[doodler16]

"If anything Ozzie could’ve been the one who would ask where Stolas is, yknow an established character we already know and someone who knows the details and gave Blitzø the ozmedous crystal so they don’t have to travel illegally."

i think this is the exact reason viv wants to act like ozzie was incapable of doing anything by passive aggressively liking fans tweets that argued he couldnt have possibly spoken up. because if he had even tried to save blitzs heiny by saying truthfully, "hey, wait - i know that guy! my partner fizz is friends with him! and he didn't force himself onto stolas, stolas personally asked me for an asmodean crystal for him when he realized he had, and i quote, 'feelings' for the imp! see? look at his right forearm, that there's one of my crystals, legally approved of." then they all would've believed a seven deadly fucking sin over some pissy elsa rip off that's ranks below ozzie, who has NO evidence of these vile accusations, vs the literal asmodean crystal on blitzs arm that you can literally see throughout the entire the trial. it's not like they took it off or anything! it's still there! keeping in mind theres no such thing as bootlegs crystals, because every on screen depiction (and i think even on screen description) states that an asmodean crystal is a personal item tied to it's owner - it's LEGAL owner.

but if that had happened, then we wouldn't have gotten our stoliz climax where stolas shows he loves blitz by.. doing the bare minimum of NOT letting blitz die due to STOLAS'S DECISION in murder family to make them fuck for the book, instead of giving his "first ever fwiend" an asmodean crystal immediately. how romantic!

im just getting so sick of the parasocial vivziepop stans doing backflips in logic to justify the way the story is, without realizing that they could and SHOULD be given something better. they see the cracks, but viv just doesn't want them to, because it's her way or the highway - she's the biggest fan of her own show, so things happen the way she wants them to, not in a way that makes any logical sense when you put it under the usual critical eye the average writer (and casual viewer) would.

i mean, what if oz said that, but satan still deemed a punishment against blitz worthy for having the grimorie to begin with at all as an imp, still tried to execute blitz as a public display of power, and THEN oz texts stolas while notifications of fizz texting oz pop up? you still get your angst, have ozzie ACTUALLY be a good person who's willing to put his neck out on the line for someone lesser then him with no personal gain and not just be a canonical complacent royal fuck who was about to let his lovers reunited best friend die on public television, which is why i will never be invested in fizzozzie ever again tbh, and STILL have your big stoliz savior moment, without it happening due to just because of stolas just so happening to turn on the news that day. a text from oz could've given stolas a moment to very briefly consider if this is something he should intervene in, before realizing he has to, because blitz made him feel free for the first time in his life. now he can free him too, from the grimorie, and from suffering the consequences of his actions that put blitz in this position unfairly to begin with. also i wouldn't personally write stolas following this up with a song about how he's the mastermind behind a plan he knows nothing about or have him insult his "lovers" intelligence repeatedly within it, "that's the point," my ass, stolas could've just sung about the way blitz made him feel when they first met as kids and then again as adults, and why he gave him the grimorie because of that, contradicting andres imp rape claim and showing blitz that stolas DOES care in a way that ISNT self sacrifice, but nooooo, we need just one more song of stolas being a entertaining dick! no wonder she said this episode was self indulgent lol

Someone get rid of Vivziepop’s Twitter or someone on her Spindlehorse team get Viv a social media manager. 💀 The fact this woman is passively aggressively liking tweets in defense of her show is insane. And maybe just maybe Vivziepop should explain herself in the show instead of Twitter.

I don’t care what anybody says Ozzie could’ve done more and spoken up. He is one of the seven deadly sins and has the power to make a difference. If Stolas (someone who is lower than Ozzie in terms of status) can make a heroic entrance to save his booty call and talk/sing against Satan. Then Ozzie has a chance.

Anon why is your version so much better. That “Mastermind” song so unnecessary (it’s one of the few songs I personally don’t vibe with except the ending, I will admit Satan and other sins part is fire). Stolas says how he love blitzø yet uses any chance to insult and demean his intelligence in the most mean spirited way possible.

[mamawasatesttube]

Sorry, I know you don’t really like people bringing up Jason but I’m very curious. I read Straight on Till Morning several times before really joining Tumblr and I was surprised by how much you seem to dislike him compared to how nicely he was written in said fic. Is it cuz it’s a future fic so he can be more chilled out than in current comics or something?

Feel free to ignore me if you want. Curiosity does not owe me answers.

no worries, i don't mind polite questions! :P

so there's two things. a) sotm was written when the only real comics i'd read were sb94, yj98, tt03, batgirl (2000), and nightwing '96 (iirc - i might be forgetting one or two but the point is, when i was pretty new to comics). at this point wfa had tricked me into thinking jason actually had a consistent character arc that i simply hadn't read yet, and i assumed it would be weird to write a fic where dick, tim, and cass were all around as kon's friends + damian was there being jon's friend in the background, but jason didn't get mentioned, so i worked him in bc i thought that was like. gonna be weird if i didn't, even tho i didn't know what he was doing in postcrisis yet. i mostly just wanted to write about kon and did not yet have the strong "actually i do not care for 99% of post-rebirth comics" feelings i have today. if i were to do the sotm rewrite in my mind, jason would actually still be in his villain to antivillain era because that's my actual favorite era of him. i think it's fun when he's hanging around being like... a vengeful ghost who's just determined to make his problems Everyone's Problem. i'm not really interested in soft angsty daddy's boy jtodd or whatever sdkjfh and that seems to be the most popular version of him i see. it's either soft angsty daddy's boy jason or it's power fantasy cop-adjacent jason who has never done anything wrong in his life and is completely valid in every decision he's ever made. neither of these interests me.

which brings me to b) it's not so much that i dislike jason todd as a character so much as that his fans are so fucking annoying to me. that chapter of sotm? multiple people in the comments were there ONLY to talk about jason, even though the fic is literally about kon and not about jason and he just happens to appear for PART of one scene that chapter. it made me get sick of hearing about him. like theres soooo many jason todd fics out there can you go read those. i want to talk about kon! and i've had people bring him up on my completely unrelated fics too like he doesn't even get MENTIONED like one fic is about clark kon and tim, and someone was in the comments like "omg i bet clark was thinking about jason here" and i was so ... dude. read the room. or the fic even. it is not about him.

but even more than the way a lot of jason fans have this apparently compulsive need to make him the main character of the entire universe, i really can't stand how many of them i've seen spout literal straight up copaganda and/or defense of the death penalty. like they will bend over backwards so hard to defend why he was right to put 8 heads in a duffel bag or why it's morally correct to kill rapists that they start spewing right-wing talking points. and the constant need to make him the perfect imperfect victim ("he's angry and loud unlike GOOD victims--") and all of that just... it really turns me off of 99% of fan content about him that i've seen. it makes me genuinely kind of uncomfortable. like if you think there's a category of criminal that it's okay to execute (without a trial, even) i want nothing to do with you. can you guys just say it's sexy when a man is covered in blood after murdering a room full of people without having to be like "and he was right to do it too!!" because i promise he was not. and if you SAY any of this people will come up with a whole thing about how you must hate victims and/or poor people or some shit. its... really something.

all of that being said - i think there are interesting things you COULD do with his character. i think he can be a fascinating character! with stories worth telling! the family tragedy, the horror story, the vengeful ghost! but at this point with how rancid i find his fanbase i just really only want to see jason takes from people i know will not start spewing copaganda at me + people who i know appreciate tim kicking him in the balls (bc he kicked dick in the balls and tim is a bitch).

anyways. bring back tentatodd 2k25 who's with me

[theoautisticallyreviews]

The Omen (1976)

SPOILERS INCOMING!!

overall : ☆☆

concept : ☆☆☆☆

execution : ☆☆

characters : ☆☆☆

casting : ☆☆☆

coherency : ☆☆☆☆

spookiness : ☆

┆ ° ♡ • ➵ ✩ ◛ °

BRIEF SUMMARY

Ambassador for the UK in the US has a child with his wife, the child dies in childbirth so they are given a baby who's mother died in childbirth to adopt without his wife knowing. Years later, things start to go a little bit off the rails, Damien (the child) is given a new nanny after the last one publicly hung herself at his 5th birthday party. The new nanny is a bit creepy and encourages Damien's evil tendencies(?) Animals are frightened of the child, and his mother begins to believe there is somwthing wrong with her son. A Camera man that frequents through the movie sees that his images are prophetic towards death, when he takes images of the local creepy priest (of whom warns the main guy several times throughout the movie about many a thing.) The camera man and Damien's father discover that Damien is the son of satan, when finding the grave of his mother and discovering she was actually a wolf (somehow??). Damien causes his mother to have a miscarriage and his new evil nanny throws her out a window, killing her. its all super insane. Damien's father is supposed to try kill him but hes not very good at killing 5 year olds because the police kill him before he can do the job.

Damien looks into the camera evilly at the end.

┆ ° ♡ • ➵ ✩ ◛ °

So as you can tell... theres a lot to cover here!!! Overall I give the movie a solid rating of... 2 stars!!! I'm quite a biased source considering I don't like old horror movies (that said, all movie reviews are biased), since I prefer a lot of newer technology for things like special effects etc etc. This in mind though, I just found the movie to be confusing and almost mind numbingly boring. There wasnt any frightening suspense, the only part that made me jump was the original death of the first nanny- and even then it was just shock value. It was like being a 9 year old and having to go to a car garage for your dad's MOT because you cant be left home alone; dull, tasteless and the only enjoyment comes from zoning out. And in true 70s horror movie fashion, you couldnt hear a fucking thing over the annoying ass 'suspenseful' music

And I feel a bit like an ass for feeling this way since people seem to hype this movie up like its some gift from the lord above, but be so for real... do you actually like this movie, or is it just old enough for it to make you feel like youre unique for liking it?

┆ ° ♡ • ➵ ✩ ◛ °

The concept is cool, I'll give it that. The whole born antichrist thing has definitely been done a million times over, but I'll put some respect on it's name since it is technically the OG antichrist child plotline. However, the execution is questionable. It was dragged out, and it never elaborated on stuff. Why did the priest have the 666 birthmark?? why was the cameraman able to prophecise people's deaths when he had literally nothing to do with anything before hand??? why did everything start going to shit when Damien turned 5 specifically, youd think it would be when he turned 6, but whatever. The dogs are probably a metaphor for something, but they never made much sense outside of the fact its probably meant to have something to do with satan- which is also weird because why rottweilers?? congrats for giving perfectly loyal dogs a bad rep, The Omen, should have had them be chihuahuas instead, that would be damn scary.

┆ ° ♡ • ➵ ✩ ◛ °

The characters!! Characters can make or break a story, this time however the characters... well, they were kind of just There. Outside of Damien, almost all characters are forgettable. I watched the movie YESTERDAY and I only remember the wife, Kathy's name- purely because its my nan's name and we thought it was funny. The main US ambassador lad fell into the trope of 'dad that makes stupid decisions and takes way too long to believe in the paranormal' way too much and just spent the entire film frustrating me- like when he got speared through the arm (which by the way, a gate would Not be sharp enough to skewer him like that) and the next day was just fine as if it never happened. He kept just rinsing the shit out of the poor priest who was just trying to warn him, in fact, I want justice for the priest- Damien is clearly a weird ass kid and the dude was just trying to warn him that his wife was in danger but noooo god FORBID someone criticise your darling boy who tricycled your wife into a miscarriage- which could have been AVOIDED if he wasnt such a stubborn piece of caca. Had this man just agreed to an abortion, she wouldnt have had to have been knocked down 2 stories. Hes casted terribly too, pirely because his wife is about 3 decades younger than him. I was half expecting him to drop her at high school somewhere throughout the movie, but it never happened; I get it was the 70s, but have some decorum??? Whatever happened to picking on someone your own age. He looks like what tar smells like, and I just dont get why señor tire mark gets to be with Miss Americana. But anyways... It's hard to sympathise with the main character when hes such a pain in the ass- somewhat realistically written, but he makes you want to piledrive your face into a metal beam at the best of times. The photographer man however, I like him, I can appreciate him even though he looks like every single one of The Beatles all at once. Though, its never mentioned why this cameraman is just all over the place, he really just follows them around which I mean yeah, the dad ambassador guy is famous, but at some points this dude was just taking pictures of whatever the fuck- what caused him to take the first picture of the priest?? what caused him to CONTINUE, why was he ever taking mirror selfies?? why did his death make me cackle. We'll never know, because its never explained. Damien I have nothing to say about, hes a silly little guy who is also a little bit unhinged. He's definitely cast well though, hes the most kid looking kid I've ever seen.

┆ ° ♡ • ➵ ✩ ◛ °

Despite my millions of complaints, the movie is coherent- since I found it mind numbingly boring, I don't remember everything in enough details to list the entire plot out, nor do I have the patience too. Aside from that though, it makes sense. A lot of the events string together nicely and the pacing was pretty good, despite how far fetched it all was. Something that never made sense to me was the grave scene when they find Damien's bio mother and her skeleton was like some kind of wolf dog thing?? Me personally if I were a midwife and a wolf walked in, I'd probably have some second thoughts so god knows how THAT ever slid well. The baby skeleton made enough sense but I dont really know why the baby was killed when they could have just... put it up for adoption or something but whatever, I guess it is the devil or whatever.

┆ ° ♡ • ➵ ✩ ◛ °

this movie wasnt scary.

I dont know WHY its hailed as some classic horror movie because truth be told, I never jumped once, i felt no sense of fear or suspense, and the fact my 50 year old mother was able to watch it without shitting bricks says enough about how tame it is. Theres some REALLY good old horror movies (even I could admit that) but this? this makes them ALL look bad. This movie is the Firkle from south park of classic horror movies, a literal fucking toddler amongst intimidating older kids- not that I've ever found gothic 10 year olds intimidating, but you get my jist. My mother had nightmares about this movie once- when she was 6 years old. The scare factor was like Scream, where its technically a horror, but it's not scary at all- difference being that Scream is a really good movie, and The Omen is just... not.

┆ ° ♡ • ➵ ✩ ◛ °

Overall, my ranking remains at 2 stars- this movie was a sorta weird one to start with since for some reason I didn't have a LOT to nitpick, but its the most recent movie I watched thats fresh in my mind, so it gets a review while I'm motivated. No caiman footnote because I dont think hes watched this, and i cba to ask properly

[purplespaceace]

very few characters actually have adhd in media, and when they do, what people mean by that is just that they fidget a lot, not that they have adhd. the only character with adhd I can think of where I’ve watched/read it and I’ve gone, “oh, this character actually has adhd” is Jake peralta from Brooklyn 99. so, here’s my take on how to write adhd, with examples from Brooklyn 99.

I’ll do the best I can to separate them into three categories; the three things people look for in adults with ADHD, which are rejection sensitivity dysphoria, an interest-based nervous system, and emotional hyperarousal.

I’ll also randomly bold and italicize bits so people with ADHD can actually read it.

Rejection Sensitivity Dysphoria, or RSD

Rejection sensitivity dysphoria makes people with ADHD overly sensitive to criticism, even if they perceive a rejection and there actually isn’t one. Their emotions are also very strong generally. Because of RSD, people with ADHD become people-pleasers and can develop anxiety because they’re so eager to please.

For me, RSD makes me cry an embarrassing amount for any little reason. in your writing, make your characters overdramatic, criers, and/or people-pleasers. They’ll have trouble saying no. They may also be over competitive, as their perceived rejection may include losing.

how does Jake show this in b99? When Jake comes up with a catchphrase and Rosa says it’s terrible, jake is far more hurt than he should be. He hates losing, and he gets overly upset whenever someone says they don’t like him or don’t trust him, etc. he’s also a people pleaser who has trouble saying no.

An interest-based nervous system

An interest-based nervous system includes hyperfocuses and an inability to pay attention. It stems from the fact that we can’t make as much dopamine as neurotypicals. This means that while neurotypicals get dopamine after completing a task, people with ADHD don’t. That means that people with ADHD don’t have any reason to do tasks, especially those they don’t like. This leads to executive dysfunction—people with ADHD will know they have to or want to do something, but they can’t seem to do it. people with ADHD hyperfocus on things that bring them dopamine. I was obsessed with warrior cats for three years. But hyperfocuses can also last a short amount of time—I’ll have a drawing idea in the middle of class and won’t be able to concentrate on anything else before I finish it. this is where our impulsiveness comes from. we can leap into things we think will give us dopamine without thinking, which can lead to injury. We also tend to tell people personal things they don’t want to hear because of this, and don’t have very good boundaries. We sometimes say whatever comes into our head, which can also result in us being rude on accident. Our voices can also get very loud or we can interrupt people frequently because we’re so impulsive. When people with ADHD hyperfocus, they can forget about anything else. I’ll forget to eat if I’m busy reading a Wikipedia article about feminism in the 1850s, and won’t go to the bathroom or drink water either. It’s also important to note that taking away distractions doesn’t help, because we can do things like pick at our skin and daydream—something that people with ADHD do a lot of. Because of executive dysfunction, people can call people with ADHD lazy or irresponsible.

people with ADHD can also be extremely indecisive because ADHD affects our executive functioning, and making decisions requires planning and prioritizing, and task initiation, which are both executive functions!

people with ADHD also have poor memory for important things, but tend to remember random bits of trivia. Poor memory leads to object permanence problems, which means people with ADHD can forget to call a friend back for weeks, forget that they need to read library books in a closed cabinet, or forget that the vegetables they got will go bad. People can sometimes say that people with ADHD don’t care about anything because of this.

people with ADHD can also be prone to depression because of under or overstimulation. Boredom feels painful for people with ADHD. If we’re overstimulated, we can experience sensory overload—if things are too bright or too loud, if too many things are touching us at once—often it’s not because the thing is too intense, but because too many things are happening at once.

We also have something some people call dolphin brain, where we jump from one thing to another. From the outside, it looks really random, but I find that when I’m talking to another neurodivergent communication is generally easier. For instance, someone with ADHD might see a bee at a baseball field and tell their team about the time they saw whales at seaworld because their little brother was also stung by a wasp there. people will see no connection on the outside, but it makes perfect sense to the person with ADHD.

people with ADHD can also be overachievers, either because they hyperfocus on schoolwork or their RSD makes it so that failing at something isn’t an option. people with ADHD can also be very controlling and stubborn, probably because we hyperfocus on something and cant handle it being any different, and any change to our plans can be seen as rejection.

we can also have a hard time ordering our thoughts or doing stuff like math in our head. a lot of the time I number my thoughts like, 1. this reason, 2. this reason, etc. even if theres only two or sometimes I just need the 1. as a transition for my brain. when I don’t write it down or organize it like that it feels like I’m trying to grasp ropes that have been covered in oil (it’s not going to happen) and then my brain gets all jumbled and I have to restart at the beginning. this is probably just me, but it feels the same way when I’m reading long paragraphs of something uninteresting, or even short bits of historical documents because the way they phrase things is really pompous and hard to process.

also, stuff like caffeine calms us down and helps us focus. people who don’t take medication (me) often drink coffee or caffeinated sodas to focus.

another random tip, but if your character with ADHD also is genderfluid or genderflux, they might have a hard time figuring out their gender sometimes, because we can be known to have a hard time putting our feelings into words or our brains will just go, “nope, not thinking about that right now” and move on, which can be pretty frustrating.

people with adhd also have a trait called time blindness, where we have no idea how long something takes and therefore can’t manage our time very well. this often results in us being late or just sitting around the house because we got ready way too early.

we also have something called consequence blindness—we do things and are completely unaware of the consequences. if I don’t brush my teeth, I get cavities. but I don’t think about that when I’m deciding I’m too tired to brush my teeth.

in b99, jake regularly stays up all night solving cases and watches documentaries on random topics. He’s also very distractible—when they’re trying to find the person who sent Captain Holt death threats in the train yard, Jake says he and captain holt should take a train trip together sometime. Jake says that he’ll forget Amy if they don't work together because he’s like a goldfish.

Emotional hyperarousal

This is the only thing people tend to include when writing characters: the fidgeting. People with ADHD tend to need more stimulation than others, so we’ll do things like draw during class and chew on pens.

people with ADHD can also have apd, or auditory processing disorder. we tend to watch shows with subtitles on and may take a second to process what you’re saying, or hear it wrong. The subtitles thing may be partially do to creating just the right amount of stimulation, but if I don’t have subtitles, me and my other friends with ADHD will watch tv with the volume turned up very high. People with ADHD also can have a hard time interpreting other people‘s tone and have a hard time controlling their own. They can be bad at social cues and have poor manners because we don’t pick up on that stuff.

people with ADHD also tend to observe everything or nothing at any given time, mostly based on the amount of stimulation they have—if they dont have a lot in their main task, they’ll need to take in something else at the same time. Likewise, if I’m hyperfocusing on something I often don’t notice anything else, like if someone asks me a question.

in b99, Jake fidgets with things a lot. In the intro, he’s picking up and examining a figurine on his desk, likely because he was bored with paperwork or some other task.

[anti-endings]

I’m fairly sure at this point that Naruto is more or less fascist propaganda. There are so many things that we as a fandom want to turn a blind eye to yet when SNK was called out for being fascist, we had no problem boycotting it because it wasnt an anime that we’d come to love throughout our childhood. Unfortunately Naruto was a lot more subtle and pulled a fast one on us towards the end - 14/15 years after its initial release. 

Theres a lot of intricate reasons as to why I’d call it fascist but I’ll list the general points to be made that everyone can easily recognize. 

• Genocide for the good of the nation. This one is pretty obvious but I thought I’d get it out of the way. Slaughtering possible defectors of the state is apparently an honourable and justified choice. Even if some members of the oppressed minority were completely unaware of their leaders planned coup or had no desire to revolt against the system, each and every single one of them apparently deserved death. 

• Brainwashing children into military violence goes completely unquestioned by the narrative. The only people who challenge this idea are portrayed as “hateful.” The best example of this is how the narrative feels the need to emphasize that Itachi murdering his clan was his own decision. I just find it awfully strange that we’re expected to believe that a 13 year old, who was sent to fight in a bloody war for his country when he was just a toddler and was shown to suffer from severe PTSD, apparently wasnt brainwashed with threats of war on his impressionable child brain when he was already completely numb to the concept of killing people. Itachis history details the story of a brainwashed child soldier yet goes to great efforts to brush it aside and give Itachi the autonomy that he never actually had. On a meta level it’s pretty messed up that Itachis actions as a result of his brainwashing, was praised by Hashirama Senju - the ultimate force of “peace” who founded the village and “the will of fire” that were so expected to admire. 

• Consistent denial of blatant military violence. In the manga, the truth about the Uchiha massacre is covered up by Naruto, Sasuke and eventually Sakura to “maintain honour of the Uchiha.” This makes absolutely no logical sense whatsoever. How is it more honourable to say that a clan was slaughtered by a rogue criminal of their own (further perpetuating the selfish, bloodthirsty and power-hungry stereotype) when the truth is that an oppressed group of people were slaughtered off by the government? How can an act of genocide be prevented by a future government when the truth is actively censored by the governemnt? Neither Naruto nor Sasuke did anything to implement some sort of bill of human rights, laws or Geneva conventions in honour of Uchiha to prevent more innocent bloodshed at the hands of the state.

• Ultranationalism at every opportunity. The village is literally gated off. No one enters or leaves without permission from authority. The unification of the village under the statist military + the slaughter of any and all potential defectors is pretty telling. Its scary that “the will of fire” and protecting the state is the only honourable and good goal/ideology to have in this series as shown by Sasuke only ever being seen as “not evil” when he is beaten down into conforming to the government.

• Evil is in the genetics of the oppressed. This was pretty unsettling to witness and I’m surprised there havent been more people speaking out about it. Ideologies are inherited not just by fate, but by your genetics. The Senju-Uzumaki obviously have “The will of fire” which is known to be the supreme ideology. It consists of uniting and enduring the hardships of the world under the totalitarian government but NEVER pursuing revolution or change for the better. “The curse of hatred” is its counterpart which has its origins exclusively to the Uchiha. Its explained to be Uchiha culture to some degree. The narrative very desperately tries to paint the pursuit of revolution to prevent more violence as evil, bloodthirsty and selfish. This, in reality, makes no sense. Why are the Uchiha hateful for trying to fix a situation for the better of their family yet somehow the senju arent characterized by hatred despite openly hating the Uchiha? Simply put, the Uchiha are GENETICALLY undesirable and their push for equal rights are characterized as hateful, selfish and lonely. In reality, Madara Uchiha would not become a rogue ninja who decides to attack the entire village including his own family with Kurama because he could not get equal rights for the Uchiha. This doesnt add up with why he was so angry in the first place. Non of the “bloodthirsty” actions of any Uchiha do. They’re a fictional race of people that are only evil by the design of the author to portray oppressed people as selfish and aggressive. Towards the end of the fourth war, the story of Ashura and Indra is told to Naruto and Sasuke. Indra is apparently the original Uchiha who was influenced by some deranged evil spirit to pursue power over unification for completely selfish purposes. This is very unfairly equated to Sasuke and the rest of the Uchiha clan to explain to audience that the Uchiha are inherently evil and selfish detractors. 

• To be a revolutionary is to be lonely. This ties into my last point. Sasuke is constantly referred to as lonely by just about everyone in the cast, Naruto especially. This has always been bothersome because Sasuke wouldnt have been lonely if his entire clan wasnt slaughtered by the very same people that Naruto stands by. This point is incredibly simple yet its overlooked because the anti-uchiha propaganda is so successful in what it sets out to do. To add onto this point, what if Naruto had simply said to Sasuke “I believe you have every right to bring the murderer of your clan to justice and I’ll stand by your right to justice every step of the way” instead of physically fighting him and screaming at him all the time? Sasuke isnt inherently lonely exclusively by his own means, he is alienated by everyone around him. The narrative acknowledges Sasukes emotional unfulfillment, IGNORES the real reason why hes lonely and then states that the only way that Sasuke will find a sense of family through the acceptance of his peers is if he conforms to the government and adopts the hegemonic ideology…. after “repenting” for ever daring to get justice for his clan in the first place. This eerie emotional blackmail is completely normalized and unquestioned by the narrative. It sends a harrowing message to the audience that it’s more desirable and fulfilling to conform to the government despite their poor treatment of your people and should you question otherwise, you must repent for forgiveness. 

• The leader of the village is the most powerful member of the military, who is chosen exclusively through nepotism by a rich man who owns the land instead of the people, and is in power for an indeterminate length of  time. Again with the military obsession! Not even necessarily the best military commander or anyone with experience in any leadership position at all. This is partly fascist due to the fact that theres no limitations on what a Kage can do to their village, they’re selected through nepotism and not democracy and they’re in power for as long as they please no matter how the public feel. The leader is not necessarily someone who is shown to be compassionate, responsible, trustworthy, intelligent or reliable. In fact, you could be a known, unpersecuted war criminal like Danzo and still get the position. 

• To add on to that, war criminals in the Government or Military go completely unpersecuted and often unpunished - as shown by Danzo and the village elders. The village elders are still in the same position during the events of Boruto as they were in over 20 years ago when they conspired to execute the Uchiha massacre. Naruto and Sasuke know of their involvement yet havent held them accountable in any way. 

• Child soldiers are sent to die for the government. It seems that only Obito notices this when Rin dies. The second he becomes critical of the fact of this reality is the second he becomes “hateful” and “evil." 

Theres plenty more but I’ve already spent an hour typing this up and checking over every little detail. Generally speaking, much like SNK, the theme of Naruto is to just simply ENDURE hardship, stay loyal to your government at all costs even if they cause the hardship and NEVER revolt. Naruto as a character serves as the purpose of being as reductive as possible to every single character that faces hardship with "I too was lonely and oppressed but I coped by worshipping the government for a sense of emotional validation and you can too!" 

[paintedwarpony]

CRITICAL ROLE REWATCH C2E110

(And further ranting and raving and campaign predictions...)

Hey guess what I'm back to talk about today you guys?

Verin Thelyss? Always. But not for this episode.

HOW ABOUT SOME MORE GODDAMN HINTED MULTICLASSED EODWULF.

Yep. You bet.

For those of you just joining this Ted Talk I posed a theory months ago that Eodwulf is NOT infact multiclassed as a paladin for the Raven Queen/Matron of Ravens as most of the fandom has considered. But is something far more dangerous and terrifying.

That Eodwulf is in fact multiassed as a War Domain Cleric.

WHICH IS BAD.

VERY VERY BAD.

At least from a D&D combat campaign point of view. Because essentially it creates an absolute malestrom of a NPC. And it turns the gut to think of the kind of fight it would put the Nein through.

*coughTPKcough*

Because the facts are this. Eodwulf is already a very highly trained, extremely powerful wizard, which is dangerous in and of itself. Add to that fact that he's ALSO a homebrewed Volstrucker and considered one of Ikithon's elites. That means there's going to be all kinds of shit mixed up in that bag of tricks that we haven't seen or yet to speculate.

My basis as to why I think Eodwulf is a cleric of some kind leans heavily on the fact that Matt Mercer himself very often grumbles and complains during campaign about how "unfair" it is that the Nein have two clerics. Yet to date the Nein have not actually gone to combat with a full party that includes a cleric (that may change with the Tomb Takers, who knows) but its certainly not an oversight by any means. I'm positive Matt is saving the use of a cleric enemy for a particularly nasty encounter or series of encounters.

Because lets be real

Clerics will fuck some shit up no matter what their domain is. Between the ridiculously long list of spells they have access to and the ability to pop other members of their team back up clerics are brawlers in the disguise of supports.

NOW HERE'S WHERE IS GETS DANGEROUS CONCERING EODWULF.

Considering Eodwulf is a wizard, and a homebrewed Volstrucker at that theres going to be alot of fire power there but Wizards are notorious glass canons unless handled or multiclassed correctly. Caleb is EXTREMELY powerful mage wise BUT he still follows wizard format to balance him from becoming to powerful. At lvl 13 his AC 15 (jumps to 16 with Mage Armor) and he has 96HP. They're at a point of the campaign where they are coming up against creatures that deal out damage in the 50s, 60s, 70s, or more in one shot. And in turn the Nein themselves are starting to be able to do that kind of damage back.

Which if Eodwulf was just a wizard played by wizard stats, even just slightly homebrewed, wouldn't make him much of a threat.

BUT THROW CLERIC IN THERE AND MAKE IT A WAR DOMAIN CLERIC?

You just turned that glass canon into a GODS DAMNED SHERMAN TANK.

That gives Eodwulf access to martial weapons, heavy armor and a PLEATHORA of other equipment that most wizards could only look longingly through a shop window at before. Not to mention the spell list expansion. His AC jumps. His HP jumps. His attack ability skyrockets as he could both cast spells and make (multiple with certain effects) physical attacks in the same round. His magical longevity bolsters as he can save spell slots until more opportune times to but continue to cause damage with physical strikes.

Not to mention the aspect of keeping the rest of his side of the fight up. Healing up other Volstrucker, Astrid, fucking Ikithon himself to keep them in combat. Hell even using FUCKING REVIVIFY to bring one back if he needs to.

Counterspell? Got it. Cure Wounds? Got it. Guiding Strike? Yep got that, too. Divine Intervention? Sure thing! Fireball? Pssht, for sure.

Considering the hint in C2E110 that Eodwulf favors electricity the same way Caleb favors fire I wouldn't be surprised if he has friggin' Chained Lighting as a go to favorite spell.

BUT I DIGRESS

Some more hints came into focuse during C2E110 to support this theory but the biggest one was said by Eodwulf himself. When questioned about what he did on the front lines Eodwulf admitted:

"I am not much of a front line fighter..."

Its kind of a throwaway line BUT is very much known and considered within D&D that paladins (like Fjord) are considers front line fighter types. But wizards AND CLERICS OF ALL DOMAINS are considered SUPPORT LINE. That they hang back and try to stay out of the thick of danger. Despite the abilities of a cleric to be absolutely savage in combat, as displayed by Jester and Caduceus over the campaign, they're still considered 'support/support line' classes.

It might not be a huge hint but the only time at the table Eodwulf showed any small bit of his own personality was when he bragged just a little about himself and admitted to liking being called a 'living magical weapon', he was also incredibly honest and forthright when he answered questions or spoke about their duty, parents, the torture that he'd been put through at the hands of Ikithon and his faith in the Matron of Ravens was no secret and peppered casually into his conversation. I think that if he was in fact a paladin Edowulf would not hesitate to talk about his pride at serving the Matron of Ravens AND the Empire in direct combat. A wiz-pally combo like that would be formidable but...

A Wiz-War Cleric combo thats a homebrewed Volstrucker and backed by the goddess of death...

Its gonna get real ugly really fast for the Nein if they have to fight him.

I fully believe Eodwulf can be flipped to the Nein's favor but I think to manage that he needs to be separated from Ikithon AND Astrid. During C2E110 he took ALL of his cues from Astrid, looking at her EVERY TIME before starting to speak or reacting to anything. He only acted a little more independent when they were outside the tower. Everything about Eodwulf's demeanor and behavior suggests someone so very lost and used to being bullied or directed one way or another that he doesn't think twice to follow instructions or vomit back up beliefs he was 'taught' but might not be his own. People like that bury their personalities and only find their way to the surface when they're separated from the supervision of their influence. Caleb as expressed multiple times he wants to win both his friends back with a much heavier emphasis on Astrid than Eodwulf. Astrid seems a much more difficult person to turn to their side imo and habors to many secrets and ulterior motives and its worrisome the way she does execute her will over Edowulf. Its clear by some of the interactions at the table that Astrid was very much the 'leader' of the Blumentrio, as she several times tried to cue Caleb with looks to stop or change his behavior and actions. Caleb has been free of Ikithon (and Astrid's) influence for so long now and grown so much in the care of his found family it didn't even cause him to balk but it worries me that if Astrid were introduced into the Nein her influence and manipulations that she does still hold over Eodwulf may start to sink in and control Caleb again as well. The encounter certainly rattled him and left him repeatedly insisting "freeing" her specifically over the course of the campaign since.

But thats a whole different can of worms...

If the Nein turn Astrid to their cause I'm almost positive Eodwulf will follow her. He cued to her FAR more than he did to Ikithon and that speaks volumes.

But I would so much like to see Eodwulf on his own, see his personality and see his own decision to join the Nein's side or not.

But truly... if the answer is 'not'...

Its not going to be good...

[kazuwhora]

hiiiii this is my first time requesting a match up ever since i went in to the world of tokyo revengers and so for that matter; can u write me a matchup with any tokyo revengers characters esp the bonten executives since ehemm most of them are of legal age???? 💗💗

hi my name is kaye and i'm a she. my personality type is INFJ, gemini, i am more of a depth person with huge bags under eyes, 23 and currently a tired college student who seeks refuge from fanfics and books and animes and kdramas.

i'm a bit morena, same skin color as that of moana and raya with brown eyes and short hair. my hobbies are probably over sleeping and reading books under a dim light and dancing to carpenters songs on sunday morning. im an education major (i suck at this course of mine)

the type of partner that i like is uhmmm, how do i say this one, a little bit chaotic but warm, clingy and street smart or book smart (either is fine though) idc if he's a working student and or rich bc the only thing i want is reaasurance from them if we ever get in to relationship. and i hate it if they become too nosy that it becomes unnecesary already. im okay with living together with them but i hate it if they don't trim their toenails. im a huge admirer of clean toenails since i happen to have clean toenails as well and its going to be a huge turn off for me if he has an untidy nails. and about the clingy, i like the clingy kind that is a little bit into squeezing my butt or laying on my valleys as we cuddle for a sunday movie marathon loves to kiss and a little bit pervy

pls do the matchup in nsfw. i'm of legal age, 23 already a species from 98 liners haha and for the type of nsfw, can you write it in a fluff, soft yet kinky way?? bc i've never been in a proper relationship before and my first 1st bf that i had at the age of 20 was a total bullshit so im kind of craving this type of relationship 😭😭

if your request is still open, i hope u consider my request!!! thanks a bunch lovely earthlingggggg 🦋

hi hi thank you for requesting! in my announcement I mentioned I'm only doing sfw for this time around because I have so many requests to get to so I hope thats ok with you and I hope you understand 💜

im going to match you up with Koko!

im gonna be honest theres not a lot of people in bonten that I feel really match what you need from a partner other than koko LOL. like really, koko is DEF a clean man. like this man probably has a 12 step skincare routine that he does every night and I can definitely seeing him sitting in the middle of a meeting filing his damn fingernails like boy pay attention would you?

the thing about koko that I think is valuable in your relationship is his loyalty and attachment to you. it's not that he's clingy, because he finds himself too scared to show any signs of clinginess (given his past) but he definitely has an unspoken connection to you that keeps him close and his mind on you at all times. everything he does has you in consideration, every move or decision he makes, you're the first thing he thinks about. you and your safety.

I wouldn't say that koko is street smart, though he knows how to get out of danger and protect himself, I would say he's easily more book smart than anything in terms of intelligence. this makes for intellectually stimulating conversations, ones that seem easy and natural to the both of you.

[mspbandj]

More on The Mandalorian Season 2 and Why its so Frustrating and Also Why Lucas Film Should Just Hire Me as a Writer Goddman it coz this is My Blog and I have Feelings™

Okay so again, this pertains to the finale of The Mandalorian Season 2 so............ spoiler warning.

Lets talk about Dins face

I feel like that final scene, when [redacted] came in and took Grogu away to train as a Real Jedi rang really hollow. It didnt feel rushed so much, but it just felt really anticlimactic. We all knew it was coming (sure we didn’t know for sure it would be [redacted] but we knew someone was going to come get Grogu) but even with that knowledge, they had real potential to make the scene super emotional and touching, which the final cut just didn’t really have and heres why.

Most of the emotion was supposed to come from Din taking off his helmet to let Grogu see his face. Baby Yoda had never seen his Adopted Dads face before, and this moment was set up to be a really touching moment of connection and vulnerability. But it was dampened by the fact that we had already seen his face, multiple times, and in detail. We the audience. And because of that, we couldn’t relate to what Grogu must have been feeling in that moment. 

Like, for Grogu, that must have been such a Big Deal yk? He’s spent so much time with this man, they’d been through so much together at this point, but he hadn’t even seen his face because of the very strict Mando Creed that Din had been raised under (the cult or not cult thing is a discussion for another time btw.) So this must have been huge for him. For Din to finally make the decision that Grogu was more important than his Creed... thats a huge thing!

But! For us, the audience, Din removing is helmet was old news by now. He’d taken it off twice before (in Season 1 with the droid, and then in Season 2 at the Imperial Stronghold (dont even get me STARTED on that craptastic episode)) so we didn’t have that sense of anticipation or importance. We were very much treated like we werent in that moment with them, and I find that hugely underwhelming.

So here’s how I think it should have gone, because that moment could have been set up perfectly all throughout the series.

Din very much could have taken his helmet off the first time, with the Droid. The whole arc there was about What Makes a Life, and Are Droids Counted as Living Things right? The Mando cult Creed dictates that no other living being can see the face of a Mandalorian (with very very few exceptions, and with death being preferable to being exposed.) And the argument in that moment is that the Droid is a machine and not technically a living thing, even tho it acts and behaves like a living thing, and is capable of the same “emotion” as a human. In the end, the Helmet comes off, and we are left to make up our own minds about whether this is a violation of the Creed or not - that was my take away.

But by allowing us, the audience, to see Dins face also calls into question our own place in the Mandalorian Universe. Are we Living Beings here? Apparently not, according to this we’re not a part of the scene at all, which is a decision I disagree with because, as I said above, it dampens the emotional potential of the entire show. Allowing us to be an exception to the Strict Mandalorian cult Creed limits the use and/or very purpose of the Creed at all.

How I believe that scene should have gone is more like this:

The Is a Droid Alive philosophy is discussed, and as they talk it becomes urgently apparent that the only way to save Din is to take the helmet off and allow the Droid to attend to Dins wounds. We see a close up shot, as we did, of the Helmet being raised, with a cut away at the crucial reveal moment - denying the audience a view of Dins face. The next shot is of the Helmet being laid down beside them, which informs us that Dins face is now definitely fully exposed, but we are not allowed to see it, which confirms our place in the Mandalorian Universe, and gives the sense that we are very much there with them in that moment.

Cut in some extreme close ups of a hair line, a patch of cheek, some disinfectant being administered, with further voice overs of the discussion, and we’re golden. The scene takes on a much more intimate feel, with a heightened sense of anticipation. We get a tease of Will We Ever See Dins Face, and are left with the question of What Will it Take to Make Him Cast Aside His Creed, which is raised in light of the knowledge that a Droid does not count, but we the audience do. We ponder this for a moment and then the next time we see The Mandalorian, hes restored to full armour, and we’re reminded that this is The Goddamn Mandalorian motherfuckers, and hes here to Fuck Shit Up with his Little Green Gremlin Child.

As for the Imperial Terminal WELL

This was a very good opportunity for a second removal, and I definitely think that part was a good choice however the execution of the scene was poor as shit.

Having Din change out of his armour was a good start, it showed us that he was Serious about finding Grogu, and that he was willing to bend the rules and push the boundaries of his Creed without technically breaking it. This was discussed pretty well in the script, so it was a strong start.

Now, again, I dont disagree with the decision to have Din remove the helmet at the terminal in order to complete the face scan and access the information he needed - in fact I agree with that part entirely. Again, is shows us how far Din is willing to go to get Grogu back, and it’s a solid recall to the What Would it Take to Have Din Cast Aside His Creed question from Season 1. Furthermore, it really drives home the fact that Din will get Grogu back at any cost. Its exciting, and emotional, and drives his character development.

So heres how I think it should have gone:

Mayfield makes his attempt, sees his former superior, and turns back. Tells Din that no, it wont work, he cant do it, just as the scene originally goes. Din says no, fuck that, I havent come this far to turn back now, Ill go do it. Mayfield says lol good luck, the terminal needs a face scan for access so have fun with that, Din hesitates, and then very deliberately makes the choice to go - this is all pretty much in the scene.

Where it differs is after the failed face scan when Din still has the helmet on. The Countdown starts, Din hesitates, clearly torn between his Creed and Grogu, and we leave him there. Next shot is of Mayfield in the doorway when he looks over and sees the back of Dins head. We see this too, and we know that holy shit the madman actually did it. Hes *exposed* and his body language tells us he knows this. Maybe throw in an extreme close up of a drop of sweat on his chin, give us a lil glimpse of his bottom lip even, more than we got the first time he took his helmet off, but still not the full thing. Really get that anticipation going, you know?

As soon as Din gets the info, and the officer dude comes over to investigate, we get a half shot of Din turning while simultaneously stuffing his helmet back on his head, and the scene continues as it did. Maybe we see the same section of chin and neck in the process, maybe we dont, but the helmet is firmly back in its place, and so are we. I strongly feel like these events would have ramped up the emotion of the scene and, like i said above, the anticipation. We got closer this time! When will be the next time? Third times the charm right, so we can conclude that the next time he takes his helmet off will be The Big Moment™ so whats it gonna take???

Lets skip to that moment now.

The Final Scene. The Big Reveal. The Reunion, and the Parting of Ways.

Imagine the series went the way I just described. Imagine that in this Final Scene of Season 2, you, personally, had not seen Dins face. You’ve watched this Mandalorian trek and fight and blast his way through the Universe, been there in the room when hes been at this most badass and his most vulnerable. You’ve come so so so close to seeing his face, of seeing him break the Creed he’s clung to for two whole seasons, but you never have. Not yet. And now you’re watching him reunite with Grogu, Baby Yoda, The Kid. The one thing in the entire Universe that Din cares most for. Its a touching and emotional scene, after the fight, after the reveal of [redacted] after it becomes clear that This Is The End.

And then... he reaches up.... is he going to??? is he going to????? HE IS!

He lifts his helmet. Theres no danger, theres no threat, theres no pressure or incentive. This is completely his choice. This is Din, The Mandalorian, raised under the Mandalorian cult Creed, choosing to reveal his face, not only to Grogu, but to everyone in the room, including you.

How much more personal is that? More intimate, more emotional. We get to experience the moment that Grogu, who we all love and care for, is experiencing. We get to feel like we’re in the room. Everyone in that room knows how Strict the Creed is. Sure, the other Mandos dont live by it, but they know what it means to Din, so even they know the sheer significance of this act.

As it is, we the audience dont get to experience this on the same level. We have to think about it after the fact, after we’ve calmed down from the hype. We’ve already seen Dins face, many times, so we dont get that same intimacy. And its a real, real shame.

[diamondnokouzai]

talking abt the visual novel characters under the cut <3

mayhart player character. red-haired human commoner, youngest child of her family, last child born of her mother before mother died and father remarried. shorter than average (5′2″ as female, 5′5″ as male) named mayhart because she was born on the fourth of may. wild & uncontrollable, bearing a rage that she herself doesn’t even understand. grew up a commoner alongside her childhood friend yerick. widely rumored in town to be a changeling- she doesn’t act the way a normal human should, never knowing when to leave well enough alone or how to calm down and settle for her lot in life (the number of times when she, accompanied with yerick, has been chased back to town by some beast she provoked in the woods is uncountable). was recently conscripted into the army and adopted by the duchess koballe after her latent magic appeared. one of very few people who can use offensive magic and not purely reconnaissance/traveling magic. finally has an outlet for her rage, and somewhat hates the things she does. wears standard military uniform but badly- doesnt entirely understand how all the straps & bindings work and will not learn :) as the player character, she can be male or female. as a male, his rage turns inward, and as a result he is less open with his own emotions and keeps all his feelings hidden within himself. openly contemptuous of the war, but far more polite than his female counterpart. neither version holds any respect for anyone who hurts the weak. neither can hold their liquor either. 21 in human years

demavieve eldest princess of the draconic realm- as such, the future sovereign. the draconic realm is the only country allied with perine in this war which makes several people very nervous (its like if the us allied with luxembourg in a war against belgium france germany & the uk excep the us was the only country with nukes). demavieve has a very strong sense of honor though so constrains herself to a human form along with swordplay. this is less dangerous than it seems because if demavieves human form dies then she just turns back into her draconic form. her human form also has red hair, but its far more tameable than mayhart’s. she wears it tied back in a ponytail in general. she wears a perine knight’s uniform with vestments from the draconic realm to signify that she is (a) a foreign-lent soldier and (b) a commander. her human form is muscular and about 6′6″. hot and well aware of it.arrogant but also very friendly about it- ‘you love me? haha, of course you are! you seem great too!’. kind of sees this whole thing as a game- dragons live a lot longer than humans, and something like this is just a blip on her radar. very low empathy until someone she cares about is hurt at which point everything goes out the window (and she cares about pretty much all the perine soldiers- not in a very respectful way, but she loves them all and she goes apeshit sometimes). very friendly with serenina. can absolutely hold her liquor. only romanceable as f!mayhart. 23 in human years, ~150 in real time.

serenina the only princess of the former emperor and empress. i spoke about her in more detail in another post so this is gonna mostly be glossed over. wears her hair in afropuffs cause she does her own hair and shes proud of it. temporal (reconnaissance) magic. desperate to please. legally only friends with demavieve, although also friendly with yerick. about 5′0″ although she desperately wants to grow taller (unlikely). her eyes look like theyre black but if you look closely (which she probably wont let you do) theyre actually purple/indigo. is completely out of touch with the rest of the world because shes a princess but she is also very sincere and tries her best to be helpful when she can. very expressionless and sensible. not very well-liked as the former princess of the warmongering emperor and empress. actually very touch starved. does not wear standard military uniform outside of mage’s robes, which she wears over tea dresses (which is another reason some soldiers dislike her) is kept away from alcohol as much as grayson can and as such will get drunk off half a cup of wine. sleepy drunk. 18 in human years.

grayson the bastard son of the former emperor, sereninas older half-brother. grew up as a commoner in the same area as serenina & yerick until he was brought into the royal castle at age 9. fiercely protective of serenina. faux affable- you know the ‘expressionless smile’ princes from otome games/manga always have? thats graysons face pretty much always. legally not eligible to the crown (due to some religious issues with committing patricide & stepmatricide) but like. like hes already doing everything? yk how it is. highest commander of his troops attempting to broker peace with the other countries perine was at war with (most noticeably alloue, nawolem, & farik in order to attack caledonia, which was the puppeteer behind the former reign) but is not above underhanded methods/tactics including attacking noncombatant targets (they dont even have geneva). very intelligent & very calculating- consistently calculates highest reward/lowest risk maneuvers and has them executed flawlessly. his own cunning scares him on occasion, but he mostly locks that away- theres no time for those kinds of feelings in war. a foil to f!mayhart- she is wild, he is restrained; she shows her true feelings regardless, he always acts at a happy neutral; mayhart confronts her uncomfortable feelings, grayson hides them from everyone. about 5′11″, has long dreads that he keeps tied back. dressed in perfect military regalia, including commander’s cape & military crown (basically just a circlet). also cant hold his liquor- hes nearly as bad as serenina. 25 in human years.

izyn the son of count dau claire, the only noble house in perine that has been loyal to grayson since before the deaths of the former emperor and empress. very quiet because he has social anxiety. completely brainless. very friendly but his height (6′4″) and imposing aura (he gets nervous) means that the only people who can easily communicate with him are yerick and grayson. black hair, cropped short, and green eyes. skilled swordsman, mid-commander. will get trapped in an unwinnable situation which yerick needs to save him from. wears his military uniform right but...........not really? he wears the base uniform right but always forgets his commander’s cape. has a dedicated fanbase that came about when he did his training shirtless. literally doesnt think that any of his problems are that deep (honestly doesnt think anything is that deep). suffice to say, theres a reason why count dau claire never shows up and doesnt seem to be involved in any of the decision making of the count’s matters. very protective of yerick (younger brother). is the most visibly affected by the war- as the one who is usually in the center of the violence and doesnt have a survival cheat like demavieve, he has pretty bad ptsd which coupled with his anxiety issues make him a hot mess. his hobbies include hiding in dark rooms that have been reinforced to the point where literally only yerick can get in. despite his size he gets drunk very easily- not as bad as grayson & serenina, but 1-2 mugs of beer puts him out. 26 in human years. only romanceable as m!mayhart

yerick adopted son of count dau clarie. childhood friend of mayhart. born an orphan, an old woman took care of him til he was 4 and she died. stuck around mayharts town cause their family would give him food whenever he stopped by. still ended up fairly malnourished. small but vicious- hes screamed at mayhart lots of times for the stupid shit they would get him into and is not afraid to smack some sense into them. however he is not a good fighter because hes physically very weak- most of his energy in developing went to his magical capabilities, which came to fruition when he was 6. about a year after that (with a great deal more shunning from the townsfolk besides mayhart), he was adopted by count dau claire. was sealed with a subordination seal (used in order to ensure compliance with reasonable requests as long as a reasonable argument is made) for a year to ensure that he wouldnt run away. izyn liked him right away, but it took about 18 months for yerick to not be completely vicious whenever he was approached. as of the modern day of the vn, yerick is as protective over izyn as izyn is him- yerick has seen some of the worst of the world, and in his opinion izyn has not (this is despite the fact that izyn helped overthrow the royal family at age 15 but in fairness to him izyn told yerick none of this) so he wants to make sure his big brother stays happy. yerick holds absolutely no loyalty towards count dau claire or even to grayson- he is loyal to his own needs first, with a decent second being izyn and an even further distant third being mayhart & their family. very prickly & well acquainted with the fact that most people are inherently selfish and would turn away from an orphan on the streets. abandonment issues. his spatial magic is mostly used on rescue ops (mostly mostly getting izyn out of situations where hes surrounded by enemy soldiers but this extends to other perine soldiers). wears his uniform properly, including mage’s robes & commander’s cape over the standard perine uniform. hates to ever appear weak ever, so when he has to go to the medical tent izyn has to either force him there or pretend to be tsundere and throw bandages at him. izyn desperately wants to dote on him but that is one of yericks Hard Boundaries. theres like ONE time when yerick falls asleep because of arcane overexertion and izyn piggybacks him back to camp and yerick acts like its the most shameful secret in the world. foil to m!mayhart- very open with his anger & feelings and shows when he is angry and accepts that part of himself, open with his loyalties and doesnt give a fuck about it, doesnt like the war but does respect it. despite his size, it takes easily 3 barrels of alcohol to even get him tipsy, izyns lack of alcohol tolerance pisses him off cause he has to walk him back to his tent. 5′4″ and wants to grow taller but has accepted his fate. 19 in human years.

eliya legally not a combatant. former princess of caledonia, was discovered at 12 to hold the power of the divine will and so was sent away from her mother and father (who she perceived as loving) to be raised within the church as a holy sacrifice (those who hold the power of the divine will release a huge psychic shockwave when theyre killed, so she was basically raised to be a holy tyke bomb). has a lot of religious obsession, prays 3x a day and has been brainwashed into believing in the power of holy judgement- essentially, her church handler (aka the deacon of the church where she was raised) has raised her to believe that if she commits a sin she’ll be killed so she has a LOT of anxiety over doing the right thing.at the same time shes been brainwashed into believing that doing anything in the service of the throne of caledonia is morally & theologically correct. shes also had occasional contact with her parents (like a yearly dinner or smth) and so still has a lot of loyalty to them due to how they manipulated her and her relationship with her little siblings (7 yrs younger x 2, 2 yrs younger, 13 yrs younger). completely devoted to her church, would gladly martyr herself for them (however this wouldnt trigger the shockwave needed by the army). is loyal to her parents, the deacon, and then the church. is captured by the perine army after a raid on a noncombatant area and spends a lot of time figuring herself out. foil to serenina (esp in terms of loyalty & parents/siblings, emotions (eliya has a lot of them and shows them, serenina is the opposite), their royal treatment, their relationship with trust (serenina doesnt, eliya does and worringly easily). long golden hair, light blue eyes. wears neither a military uniform nor a priests’ uniform, instead wears a one-piece white ‘dress’ (really more a tunic/oversized shirt) & is barefoot. desperate for attention, praise, love, etc. widely disliked due to her POW status but she really thinks shes making all these friends. has quite literally not been able to make her own choices since she was 12 years old. above average alcohol tolerance but nowhere near yerick. 19 in human years.

[angrylizardjacket]

time’s arrow {Roger Taylor}

Anon asked: Hi, I love your roger/ben imagines so much and was wondering if you could do some angst with Roger x female, maybe they are good friends and she sees him with another. Whatever you would like! Thank you x :)

A/N: 2727 words. A story told through Seasons. I took a little bit of liberties with the prompt, if that’s okay? This hit me like a lightning bolt and I had to write it. Angst with a happy ending. (I’m just trying to show I’ve got versatility in writing, okay?)

Warnings: Implied sex.

You meet him in Spring, before it all begins, he sits up the back of your Intro to Head and Neck Anatomy lectures, the only class with open spots available by the time you were looking for a science credit. You find out he’s in a band three weeks into the first class, finally going to the local bar, sick of cramming your brain full of information you’re not even sure is necessary for your degree. He grins at you and wow okay, you didn’t even think he’d recognise you.

“You’re in, um,” he’s leaning against the bar next to you in this dimly lit pub, grabbing a drink between sets. Faltering for a moment, his eyes travel down before you clear your throat, angry at yourself for blushing, but his smile widens, “my class.” He finishes, taking a sip of his beer. You agree, rolling your eyes at him, but even that seems to amuse him. He asks your name. The guitarist is calling him over, setting up for the next set, but you tell him before he leaves. Something tightens in your chest when, later that night, he catches your eyes mid-song, his look of intense focus shifting for a moment as he grins, giving you a wink.

He takes to sitting next to you in lectures, chewing the end of his pencil and taking occasional notes in a falling apart notebook that looks as though he uses it for every class. You catch lyrics in the margins and at the bottom of some pages, but he’s cagey about that in a strange way, just says you’ll have to come to a gig to find out what they’re about. So you do.

Gigs become a regular for you, and you start to become friends with the girls who frequent the shows, often hosting predrinks in your dorm room for Mary and her friends on a Friday night. You learn on one of those nights that at least two of the girls have hooked up with him, and there’s a strange, sinking sensation in your chest. You’re not sad, or at least, you tell yourself you shouldn’t be. You and Roger are just friends, it’s not like there’s anything going on there, sure, sometimes after a really good show he’ll give you a pash, but it’s- that’s just him. 

It’s not like you’ve never thought about it, but you also know his reputation, and that it’ll do more harm than good to get involved with that. He’s the one mistake you don’t think you want to make.

It’s Summer, a few years later, when they trade in the van to get money to hire the recording studio. Roger had really loved that van, and he lay on your sofa for a solid hour grumbling about it, about how Freddie had some kind of nerve. You roll your eyes at him, call him a drama queen, which he takes offence to, but moves obligingly when you sit down, letting him rest his head in your lap.

When you raise the point that it might be worth it, he looks frankly aghast, griping about how he has to catch lifts everywhere now. He calms down somewhat when you start carding your fingers through his hair, though he still pouts.

“If it comes to it, I’ll buy you a car, you baby.” You snort, despite the fact that you’re currently barely making a living wage on some retail job, it’s not where you’d thought you’d be after university, but sometimes that’s just how it is. He looks up at you, and when you look down at him, he’s looking very intense. Perhaps he might say something poignant about your offer, you think, but instead he reaches up and pokes your nose.

“I can see up your nostrils.” He tells you, and you smack his hand away, scowling. You stand abruptly, ignoring his complaints, smoothing your pants out against your thighs.

“Come on,” you offer your hand, which he regards with both confusion and a bit of disdain, “you can’t mope around my apartment and complain about the band again. We’re going out.” That gets his interest.

You’ve been to bars with him before, and usually you go home alone while he gets the pick of the prettiest girls of the night, or he decides to wingman you, which hurts your heart a little, but you won’t decline. You were attractive in your own right, you won’t deny that, you didn’t technically need his help, but a selfish part of you likes the way the attention to you, even if it’s to help you get with other people.

Tonight is different, tonight he doesn’t leave your side, he slings an arm around you as the two of you stand by the bar watching the truly mediocre band they had on that night. 

“You know why they aren’t recording an album?” You ask as the set ends.

“Because they didn’t sell their van?” Roger mused, vaguely bitter, but not melancholy as he swirled the last of his drink in his free hand.

“No, it’s because they’re terrible.” Turning, you smile at your own blunt remark, and when he looks back at you, he’s grinning with a little disbelief. There’s very little space between the two of you, but that doesn’t make your heart race anymore, he’s your best friend, close contact was part of the bargain. But he kissed you, quickly, without warning, and when he pulls back, he turns away to order another drink like nothing had happened.

Your mind is spiralling, this isn’t post-gig excitement, this wasn’t something you were expecting. The selfish creature in your chest that you tried to deny for so long was crowing with victory. Taking a quick look around the bar, you don’t recognise anyone, though there are a few girls who look like they’d be his type- but his hand is moving to wrap around your waist as he turns back.

“What was that?” Voice quiet, you take his drink and have a sip of it yourself, the movement done from muscle memory alone. He raises his eyebrows at you, not regarding the drink, that was a usual occurrence, but at the question. He doesn’t seem to know how to answer, baffled at the question. Dropping you gaze, you take a sip of your own drink. “Why me? Why tonight?” You asked. Looking incredulous, he stepped back, looking you over.

“Have you seen yourself tonight, love? Couldn’t help myself.” You’ve heard him talk like this before, to other girls, not as blunt, but with you he can get away with it. The creature in your chest is elated, and you find yourself smiling, actually blushing. He moves closer once more, his arm around you, voice low as he spoke into your ear. “Trust me, you look very fit tonight, any man would be lucky to have a crack at you.” Heart in your throat, you hope you’re reading the situation right, at the same time ignoring the part of you that knew this was a bad idea.

“Even you?” You turned to face him, watching the way his smile shifted to a smirk, and he pulled you a little closer.

“You know I’m always feeling lucky.” 

You kiss him, feeling your blood thumping in your veins, selfish and excited in equal measure, but with his hands on you, you can’t find the focus to care about the former. 

Once the bad starts up again, Roger pulls away, making a face at them, asking if you wanted to get out of there. You do, and the two of you are elated on the quick walk back to his apartment, stopping only when he pressed you up against the wall of an closed shop to suck a hickey into the skin of your neck. You catch sight of it in his bedroom mirror, but he’s pulling off your jacket and you have better things to worry about.

It’s not weird, like you thought it would be, when you wake the next morning and he’s curled up, fast asleep with his back to you, but your chest aches just a little. He avoids eye contact over breakfast, though you chat like normal. The gripes about his van have died down, though he makes an offhand comment about things are changing that you read enough into to realise what had happened.

“You’ll always have me, Rog.” You reach across the table to take his hand, and he finally looks you in the eye, he looks so relieved, not that he’d ever say it. Afraid of losing another thing he cared about, he had panicked last night and tried to keep you close in the only way he knew how. He certainly loved you, but not in the way you wanted him to. Giving his hand a gentle squeeze, you give him a smile that doesn’t reach your eyes. It’s not his fault.

Bohemian Rhapsody airs in Autumn, you’re regional manager now, and you’re sitting in your office when you hear for the first time; you almost scream when the first harmony comes in after the radio host introduces the song.

“You’re a star, Rog!” You gush over the phone on your break, unable to wait until that night when the band was having a celebratory get-together to talk to him.

“Of course, I am, you think I sing that high to be paid in peanuts?” You can hear the smile in his words without even seeing him, and being able to hear his voice warms your heart.

“That was you?” You laugh, the ‘Galileo's playing back in your head, and you try to picture him singing it, which only made you laugh harder.

“Oi,” he bristled, indignant at your laughter, “I’m the only one with the range to execute Freddie’s vision.” You could see him in your mind now, proud and stubborn, standing tall to defend the decision.

“I’m proud of you.” Suddenly sincere, you find your smile turning to something more genuine as you think back on far he’s come.

“Thank you.” His own voice has become less animated, more sincere, though you can still hear him smiling.

“Love you, Rog.” You tell him, just as you always did when you parted ways.

“I’ll see you tonight.”

He’s grinning, draped with casual confidence in an armchair in Freddie’s living room when you arrive, and you feel like you’ve been taken back five years, the casual enthusiasm he’s exerting. Smile brightening, he stands when he sees you, striding across the room to enfold you in a hug.

“Good to see you!” He practically beams at you, holding your shoulders as he looks over you, as if assessing you, seeing if anything has changed.

“Of course, you’ve been holed up for weeks, I wouldn’t miss this for the world!” Though he’s in front of you, you’re words address the room as a whole, and when he steps back, Brian moves in to hug you as well, asking how you’ve been.

The boys are your friends, all of them, you’ve been around for most of their big band moments, and it eases something in your chest to be here for this one too. But then the ease sharply tightens as a woman you’ve never seen before sits on the arm of Roger’s chair, and he rests a hand on her thigh, smiling up at her.

Mary follows your gaze, and her smile is sad as she pulls you down to sit beside her, asking you about your thoughts on the single. You answer, though your heart’s not in it, and the selfish creature in your chest rears it’s ugly head after such a long slumber. 

The monster has shifted, changed and grown, it hadn’t cared about him running around with any pretty girl he could find for the past few years, but this was different. Roger had made it clear that he was far from sacred, but this was the band, this was Freddie’s home, this was the place of some of your happiest memories; this was yours. 

You stay well into the early hours of the following morning, despite the interloper, but Roger still stopped you at the door.

“I’m really glad you could make it, I feel like I haven’t seen you in ages.” He’s smiling at you, but you don’t smile back. It’s been a long night of being kind and pretending that you’re heart didn’t hurt.

“Well, you’ve very busy.” You shrug, punctuating it with a yawn. His expression turns confused, and you open the door.

“Y/N.” He tried to get your attention, but you left, throwing a goodbye over your shoulder to him. “Love you.” He calls through the door, but you stay quiet, refuse to say it back, just keep walking. You’re too tired to be upset, but maybe you’ll get there tomorrow.

Things change, and you’ve grown to accept that, but sometimes old aches don’t heal like they should. Or at all.

“I’m getting married.” He calls you at the end of Winter.

“Oh.”

“Oh?” 

Your relationship’s been on the mend in the years since the Bohemian Rhapsody launch night. You two smile and laugh like you had when you were younger, and you’ve learned to listen to his exploits and his gripes about women, offering your own about your partners, though they’re few and far between. He’s still your best friend, and you learn to act like it. 

“Congratulations.” Your voice is flat. It had been a shock, you’d heard about his latest on-again off-again girlfriend, and had even offered advice in certain situations, actual advice, no malice at all.

“Thanks.” He doesn’t seem to know where to go from here, and silence stretches out between the two of you.

“I should go.” You finally murmur.

“What? Why?” He spluttered, and you sighed deeply.

“Was there something else you wanted to talk about?” You asked, closing your eyes and leaning your forehead against the wall.

“I- no, but I want you to be there.” He paused. “And I wanted to be the one to tell you.” Clenching your jaw, you make a snap decision.

“I can’t-”

“Why not?” He actually sounded angry, which was perhaps warranted, though your next words shut him up.

“Because it hurts, Roger.” After a beat, your voice is quiet. “Because I love you.” Taking a breath, you let yourself relax. “I want you to be happy, but I can’t watch you marry someone else.” There’s silence for a very long moment, but you hang up before he can respond. You take the phone off the hook. You need to be alone, just for now.

“After everything, you still-?” It’s the first day of Spring, and he’s on your doorstep, seemingly unable to say the word love. You’re wearing your pyjamas and he looks like he’s just walked out of a Rolling Stone cover shoot, though he just sort of looks like that now, you supposed.

“Don’t worry about it.” You try not to betray how much his visit shocked you, or the way his very presence after your recent conversation hurt you.

“You’re my best friend! Of course I’m gonna worry about it!” He threw his hands up in the air, exasperated. Sighing deeply, he stepped forward. “I thought I fucked everything up when we hooked up, I’m sorry, I panicked.” He was looking at his fidgeting hands, rather than your surprised expression. “And then... I thought I fucked it up again when I chose the band over you.”

“You never-” You tried to protest, but he smiled self-deprecatingly.

“No, I did. I loved you, and I thought that would get in the way of the band.” Clenching his jaw, he looked up and you could see the regret in his eyes. “It was easier to fuck around that tell you I love you.” Your breath stopped in your throat as he finally walked closer. “And I thought after everything, that you deserved better; you know what I’m like, why would you-?” But you cut him off with a kiss.

“You’ll always have me.” You murmured, finally letting yourself smile. Nothing about it felt selfish, in fact, it felt as though the sun was finally shining on you, warming you from the inside out.

“I know,” he agreed quietly, wrapping you up in a hug.

[scarletrebel]

⭐star⭐ waffle at me about your favourite lines youve written

ohhh friend you have opened a pandoras box and i hope you are ready also thank you aha

so i started…….. picking some lines and made the Executive Decision to just do one fic because i was planning on doing a couple from a handful of fics but turns out im far too prone to waffling about this kind of stuff because i love picking things apart and figuring out why they work because i love fuckign words and the things they evoke and stuff so yeah this is just some fave lines from most recent fic, requital. 

this was part of a ‘directors cut’ writer thing and if anyone has any more prompts, feel more than free to send them my way! 

Requital, Chp. 1: 

His honesty, wrapped tightly underneath a chivalrous act; a throwaway comment to soften the exposure of such a question, draws her closer.

She kisses him, and hopes that even though the motion is countless in the amount of times they’ve come together, that the answer is plain enough. A claim, she hears her own words in her head, tasting the tobacco of his morning cigarette on her tongue, the warmth of the pull at his hands on her hips.

so whilst i cant say this section was directly inspired by the ecdysis book, what i can say is that there is definitely some influence going on here, in particular these two lines from the page ‘synesthesia’:

“Wu Ming is a bonfire in the darkness, and she crawls toward his warmth.”

“Wu Ming leaves his questions by the wayside as he is drawn inexorably into the gravity well of her desperate honesty.” 

and thats not something i realised until i was writing the final draft, and im pretty pleased with myself considering not only is requital going to examine some of the similarities between avia and drifter, but also the fact that ecdysis is probably my favourite book. i mean…… ‘drawn inexorably into the gravity well of her desperate honesty’ what the FUCK KIND OF LINE its gorgeous i cant deal with it or this book or this page or how desperately gorgeous the tragedy of drifter and orins relationship is 

also…… look. im a hopeless romantic. always have been, probs always will be, so when i say avia and rook are soulmates i mean it in the cheesiest way possible. right before this is rook feeling a bit self-conscious about the whole awoken engaging thing, and theres no way avia can actually put into words how irrevocably in love she is with rook. so she kisses him, and hopes beyond hope that she can put those feelings into motions if not words. i also enjoy the small bit of possessiveness that came out of her too, because the whole ‘claim’ thing with the awoken was there since the first draft but this section came in the final edit, she thinks of it so casually but when she goes on to say that she’d actually duel anyone who came between them i…….. would not put it past her to be 100% down to do that. 

rook isnt a bonfire in the darkness, he’s an anchor in the deep, a solid tether when the sea becomes a storm. 

(ayyy where the FUCK WAS THAT WHEN I WAS WRITING THIS) 

Requital Chp. 2:

Here’s the thing, if you’ve gone through the trouble of decrypting this (a fortified certain-eyes-only encryption that took me a couple of hundred years to perfect, thank you very much), it at least means you’re interested, so hear me out.

i like this line a lot, for a few reasons. drifter knows avia well enough at this point to be well acquainted with her temper and lack of time for dealing with his nonsense. it’s the first flick of the coin between the two of them, drifter laying the proverbial gauntlet down and at the end of the day, its up to her whether or not she picks it up. 

and she does, avia asks levi to decrypt it, and the first thing she sees is drifter acknowledging that shes done so and asking her to at least hear him out. he’s kind of caught her out, and she can respect that even if thats not at the forefront of her mind. avia also has her own brand of curiosity when it comes to people like the drifter, so this is kind of the first inkling of that. and it also (i hope) makes you wonder if drifter is aware of that curiosity that she has, if he sent the message decrypted on purpose to get her interested. 

She smiles at the note, throws her legs over the bed and stretches around a yawn. Five minutes later, Levi puts her in her armour.

“Are you sure you don’t want to stick around?” The Ghost asks. “We don’t have anything urgent to do. There’s breakfast here.”

Avia hums, considering. She moves into the kitchen, glances over the fridge, the cupboards. She looks then onto the sofa, the sprawled pillows, untidy blankets. Suddenly the armour on her body feels heavy, out of place, like the metal has no right being somewhere like this.

“No. I’m not hungry, let’s go.”

“Okay,” Levi says in that tone of voice that lets her know they aren’t buying it. “Should we walk, or transmat?”

Avia notices the balcony door is still open. She walks over and closes it, the streets barely alive as one or two civilians walk to and fro, glancing idly at each other as they pass. “Transmat.”

avia immediately makes an comment about being all domestic with rook in chapter 1. its just not something that suits her in her own mind, and that line (even though i havent waffled about it bc dear god theres too much here already) was something i immediately knew i wanted if i was going to write a day of domestic bliss with her and her fiance, because i knew it’d be a hard thing for her to just get on with like a normal person aha. 

so, we get this part in chapter 2. the domestic bliss is over, and what avia knows best, what shes always known best, is a set of armour and getting back to work. however this part of herself contradicts that which she’s experienced for the past day, and especially the line ‘Suddenly the armour on her body feels heavy, out of place, like the metal has no right being somewhere like this.’ i put in to really reinforce that idea. its not the metal that feels out of place in this scene, its the person in the metal. and her eagerness to transmat straight to the tower rather than walk through the peaceful city streets shows her tendency to run from such thoughts.

this part came really naturally, actually. its a small snapshot into a bigger struggle avia has with herself (especially given the dreaming city, the reef, petra and now potentially going back to the worst part of the shore with drifter) of where she belongs, and more importantly, if she deserves to belong. which is why levi talks to her in that tone because they know what shes doing, theyve seen it so many times before – avia in a scenario that resembles something normal and running from it with no one around to stop her, because in her subconscious she doesnt believe she deserves it. 

“Ada-1, I believe, has fully settled into the Tower. She becomes more and more tolerable of the Guardians by the day. And with the discovery of Niobe labs, her mood has been favourable.”

i had no idea how fun scarlet was to write until i got to this part. she almost has her own language, really. writing ‘im really proud of ada because i spent all morning with her and she was only snippy with like two guardians and shes been really uplifted and im really happy for her since they found niobe labs’ in scarlets own ‘okay but heres the relevant information’ way of explaining things is a challenge but FUN. like, really fun?? 

because scarlet wouldnt be mentioning adas mood if she didnt care, ya know? and its not that she cant say that longer thing about being proud and stuff, its just that she doesnt see the sense in it and its not important information. like, if avia and eden were to spend a dedicated amount of time whittling her down she would absolutely say ‘i am so proud of ada and also i wanna smooch her face how do i do that as an exo’ but its just not a thing for her. but part of the reason why ada and scarlet being together was an idea that i had was because i imagine that line of thinking probably suits ada. 

“It was at Ada’s request. I had more knowledge of the area in its current state, and felt more comfortable talking to Ikora and her Hidden agents than Ada did…”

supportive exo girlfriends. that is all. man ive gotta write more about these two

“Hmm,” Ada wears a concerned stare masked behind a formal rigidity that Avia knows her Warlock teammate best for.

if im being honest, i just really enjoy this line. i imagine its hard for exos to show concern, esp a character like ada and my girl scarlet, so avia has spent a lot of time dissecting certain facial cues and yeah im proud of how this description came out aha

…as if she hadn’t spent the past few months clipping sidelong comments and threatening him when his Gambit veered out of the realm of her control.

avia is a control freak. plain and simple, and i wanted to make that as obvious as possible considering this sentence is only a few away from avia choosing to go and talk to drifter. 

there’s a certain amount of ‘i need to understand this thing that i have limited knowledge on so i can predict/control/plan for it in the future’ in how avia views drifter in general, its a kind-of warlock way of thinking about things but the big difference is avias need for control in these situations is a) selfish and b) only applies to things that she knows she has a good chance of understanding/taming. shes not going around learning about the hive because she has a good understanding that thats a cosmic threat that can only be defended against until it comes. drifter on the other hand is on her doorstep.

i also really loved the contradiction in putting ‘gambit’ and ‘control’ next to each other in a sentence, i kinda hoped it showed how conflicted avia is about going and talking to drifter, and maybe even how naive it is of her to think that it could turn out okay. 

She was incensed, maybe, at the way he spoke to Ada, needed to go and stomp the idea out of his head but he got her talking, like he does

i like this line bc its avia acknowledging that she knows how shes viewed. she knows everyone sees her as a hot-head, she knows her anger veers away from her sometimes and whilst she’s gotten better at getting a handle on it, it’s still an aspect of her that people who dont know her well enough find it hard to get past. 

i also enjoy how new people to this fic/avia in general might not know that this is a big part of her? so she’s trying to use it as an excuse, ‘well no one can blame me if i say i got really mad because thats what i do’ and it (hopefully) tells new people about that aspect of her character without having to show the worst part of it, the convo with ada being an introduction to it i guess – especially since the past few scenes have seen her a lot softer than im used to writing aha. 

“Dammit,” she mutters under her breath. And walks towards the Drifter before she can make a better decision

fun fact – this line was originally ‘and walks down the corridor before she can make a better decision.’ 

i changed it because i wanted to make it more obvious that avia is making a conscious decision to choose drifter, that she’s walking towards a path that she knows is not a good idea. it provides foreshadowing for the allegiance quest and referring to him as ‘The Drifter’ cements it as an idea that she’s walking towards and not necessarily a person. 

[luxexhomines]

S

Ahhh, thank you guys so much for asking!! I just compiled them all into one post so I don’t clog up your dash with several posts. Here we go! I’m going to tag this as discourse and put a cut because my answers to the letters might not please everyone, aha. It’s long, too. Major spoilers for NDRV3.

S: Any fandom tropes you can’t resist?

Honestly, I’m not super sure at this point. Surprise, surprise, I only just recently finished watching the rest of NDRV3 and started writing for it. And I haven’t thought about tropes that much, though I’m sure I’ve written plenty of them into my writing at some point, even if not posted on here. 

If we’re going to go Danganronpa-centric, as this is my side blog for Danganronpa writing, I’d say that I fall in love with characters that are contradictory and with seemingly bipolar or gray morals despite probably having morals as straight as an arrow myself, i.e. Nagito or Kokichi. The characters playing “straight man” and relating to the reader’s perspective are also my favorite; in a wacky situation, they offer reason and normal reactions, which I would peg Hajime as (maybe Kazuichi, too, although he’s more of a crybaby). In fanfiction, I just love hurt & comfort fics, especially involving–you guessed it–Kokichi. I am particularly partial to the Oumota chapter 5 and chapter 5 trial rewrites, which, lucky for me, both of which are quite often rewritten by spectacular writers.

If we’re going in general, I always end up reading manga with an independent, strong and decisive character that crosses worlds and/or bodies by accident or death and becomes incredibly powerful/influential in the world and dominates over other characters with skills ranging from cooking to fighting. I guess I read a lot of manhua with martial arts or other manga with game aspects to it.Writing-wise, I love reading slow burn fics, even if I haven’t read one in quite some time. 

T: Any fandom tropes you can’t stand?

I have a feeling this is going to go into highly controversial areas, so if you ultra ship Kaito x Maki, please turn away now...

I just hate that “man saves woman” from herself or traumatic past trope. Don’t get me wrong, I love hurt/comfort like I mentioned, but to specify, what I mean is when a strong and independent woman needs saving by a man. I realize Maki has a lot of issues from her past as an assassin and that Kaito is a viable, good option for helping her out and facing those issues, but the fact of him being a man and the way he just swoops in and fixes things forcefully by pulling her along for training just irks me. And before you ask, yes, if Kaede did it instead as a woman I would have less of a problem with it, even if I don’t like that somehow after a couple days of training together Maki somehow is better able to get along with others and most notably Shuichi despite having spent the previous entire time cooped up in her Ultimate room alone, is willing to use her experience as an assassin to help out with the investigation when she just walked out in the past, etc. Problems from a past like that would never be so easily faced in reality; people and their minds are much more stubborn than we’d like to think, too. 

In general, I am also highly averse to the Women in Refrigerators trope. To some extent, I feel that Kaede fits this trope, as a.) she is an important, pivotal, incredibly fleshed out female character and even the initial protagonist of ndrv3, b.) she dies arbitrarily for a murder she did not commit, c.) a big part of her death is written into Shuichi’s character development for making him grow as the protagonist (he sheds the cap, faces the truth, and the memory of Kaede’s last wishes serves as his support to reveal the truth several times in trial), and of course, d.) her death in the execution is grotesque as befitting of a Danganronpa execution. Kaede deserved so. much. more.

There are probably more out there, but I won’t mention them for the sake of length & time. 

U: Share three of your favorite fic writers and why you like them so much.

Okay! So don’t hate me for this, but I haven’t been really keeping up a bunch with fanfiction writers or specific ones that much. It just hasn’t ever been a habit of mine in the past to follow one writer–ironic, I know. There’s one that immediately comes to mind, but she’s not part of the Danganronpa fandom, so unless someone asks, I’ll leave her out of it. However, there are a couple of writers that I recently discovered through the Oumota weekend event and which I follow on my main blog, and I thoroughly enjoy reading their work. Their work also contains mentions of NDRV3 spoilers!

1. @kirastrations

I recently reblogged her work on this blog because I have so much love for the Oumota fic she wrote (which deserves more love!). It’s called One by One, One After Another, and I simply adore the way she writes Kaito’s character and experiences with the other characters throughout the game and the overarching feeling that comes across as a result of the situation and what ensues. The diction choices she makes is absolute art; I see the imagery so clearly in my head, and not a single word of hers is wasted. It’s concise while being aptly and most beautifully descriptive. Even though I’m not a huge fan of Kaito, the way she writes him and his actions make me love him. I would describe the work as a futile yet desperate and exquisite struggling, an embodiment of angst that is so beautifully painful that it appears to be an illusion. I haven’t had a chance to check out other works from her just yet, but that’s on my to-do list!

2. @golden-redhead

I love, love, love their work too. They recently posted Lavender, a Kirumi x Kaede (Tojomatsu? Kaerumi? Kirumatsu?) work for femslash Feb, and it is a post-reality Virtual AU short fic. The way they write the interaction between Kirumi and Kaede offers such a delicate, carefully constructed image and story while creating some tension between the two. They also format the story with Kirumi’s thoughts in a simple and straightforward way that is just so delicious to read. Aspects of Kirumi explored are small things that unravel into a bigger statement about her character and the nature of the killing game and the impact it has left on her. It reminds me of the way a player might gently stack up a house of cards–attentively, with a sharp eye and feel. 

3. @starlightwritesalie

They wrote these two Oumota fics for the weekend that I fell in love with, especially the one for Day 1: Heroes/Villains. Sometimes when living in the world of Danganronpa, you forget that these tragic situations and the killing game are experienced, in essence, by children. You can argue that they’re older than high schoolers for the first two games, but mentally they are still high schoolers, and let’s face it–a couple years above the legal age of being an adult in America, 18, can hardly be counted as an adult, either. They reminded me of that sickening fact so poetically yet bluntly, and the story they write only serves as a further reminder of that fact. They write statements about the situation and how the pair act in the situation that are so agonizing yet irrefutable–as is the situation that they’re both trapped in. The ending is so unbearably cruel, packed with pain, but the way they create it is so decisively soft and snatches away my breath with the truth at the heart of the game, the situation. 

So there you have it! Sorry that my answers are so long... I have too much to say, and especially about the people whom I adore. Since it said to pick 3, I didn’t get to include these two, but I also love aroseandapen and mystic-mints dearly. If you ask, I’ll write a whole paragraph on why I love them, too, although I suspect by this time you all are getting rather tired of all my talking, haha. I also didn’t include imagines blogs, but if you’re curious, feel free to ask about that since I am still kind of a imagines blog! I guess at this point I’m kind of a fusion of an imagines blog and normal fanfiction writing blog.

Thanks for asking, and if you have any more questions, feel free to shoot an ask!

[helihi]

The Good, The Bad, and The Dirty: RWBY Vol 6 E 12

I wish I could’ve enjoyed this, but the fact that this episode could’ve been perfectly merged with last weeks episode for a rightful 23-25 minute episodes makes me angry.

Overall rating: 3/10

A.N.: First we got all buildup, now we got all pay off. Why do they keep doing this?

The Good:

Quick spoilers for the review ahead: most of the contents of this section are about the Bee vs. Adam fight. In fact, the 3/10 rating is earned because of this since I was just bored during the fist half and during the cliffhanger.

A quick shoutout to Ruby for figuring out an alternative way to neutralize Cordovin without yelling it or making it as obvious as Oscar’s plan was. TBH the writers did a poor job trying to execute the first plan by being just as obvious to make it not work.

This week the fight between Blake, Yang and Adam continues, but unlike last week, both girls get to fight by each others side. What’s really interesting about the scenes showcased on this episode is the way both adapt to their current circumstances and still manage to get that sweet Bumbleby combo we’ve experienced in previous volumes.

They are both quick on their feet, always in sync. Blake’s evasive technique and light hits help to destabilize Adam while Yang carries the punch (literally). She distracts him and positions him right where Yang needs him to be. Not only that, but she makes sure Adam cannot absorb any of Yang’s heavy hits, completely conscious of how that can backfire.

Of course, the ribbon combo attack the pair is known for makes a comeback. This time, Yang grabs what’s left of Gambol Shroud to protect Blake and is the one throwing her partner around.

The flying cat Faunus is not strong enough to break Adam’s stance and she’s thrown away, and her aura breaks. Like everyone guessed, Blake’s aura is purple, the same shade Yang’s bandana is ;)

Now is Yang’s turn to hold her ground against Adam while she keeps an eye on Blake, who could easily fall to there death. hOW THE FUCK CAN SHE CLIMB WITH HEELS.

“The moment of truth, Yang. Do you think you’re faster than you were at Beacon?”

Yang trembles.

“Me neither.”

Here’s the second thing I wanted to point out about this fight: Adam still tries to use manipulation to get the upper hand. He knows a part of Blake still fears him, and he knows Yang’s trauma is associated with him.

Again and again he has tried to exploit this, but once more: he fails.

Yang goes for an evasive tactic rather than an offensive one, more proof of her character development.

Adam continues taunting, because he has no other tools or tactics he can use. He desperately tries to clutch to power, even though last episode showed him that Yang and Blake are at their strongest when together.

This is why he wanted to sever that link in volume 3. Even if he didn’t know how good of a team they were, he knew the best way to break Blake was through Yang.

“What does she even see in you!” remarks how out of his element Adam is. He lost the fight before he actually lost it.

Yang’s Semblance makes a return, but TBH the animation was pretty underwhelming considering we’ve waited for its comeback for about 3 years. I think Adam’s Moonslice animation has been maintained. Everything from the color palette shift, to the way the red on his outfit lights up. His presence is there.

Yang’s Semblance doesn’t bust in victorious and glorious. It’s more like a tame flame. I appreciate the fire effects, and the way Yang’s moments are highlighted with 2D yellow effects, but where’e the frame distortion? The glowing red eyes? The final punch was nice, but overall, I’m disappointed.

Finally, the moment we all have been waiting for comes: Adam Taurus’s death. Have some popcorn peeps. There was no other way to end the whole arc, Adam was irredeemable.

If you wanted me to be honest, I thought Adam was going to fall to his death in some fight scenario where he was so consumed by anger and his obsession that he looses it; or Yang was going to be the one ending it.

Having them both kill him, with both halves of Gambol Shroud no less, is so fucking powerful and fitting. Of course, quite traumatic for Blake, who would be the one most affected by it.

I think they nailed the reaction. Aside from the obvs Bumbleby excitement, Blake breaking down, the remainder of the promise and Yang comforting her so delicately is the perfect way to end this arc.

Unfortunately, it isn’t quite as cathartic and beautiful since we’re cut short by the need to establish another cliff hanger.

The Bad:

I see people left and right on RT’s forms, Tumblr and YouTube praising the CRWBY for getting better at pacing or even “nailing” it.

Boi, oh boi, could you not be more wrong.

This episode could and should’ve been part of last episode. There’s no reason why any writer would cut the momentum episode 11 carried for a cheap cliff hanger and have the resolution to the fights be concluded 7 days later.

Do you know what real shows do? They make a two parter. A half an hour special.

I could bring up AtlA, but I’m going to bring up SU.

Do you know what’s going to happen next Monday on CN?

A 45 minute special Steven Universe season finale.

You know why?

Because the best way to finalize the diamond arc is by paying off all the buildup with a huge chunk of content! The decision to have the final 4 episodes group together to deliver some satisfactory pay off will be a blast.

Yes, we don’t know how season is going to end, but I can fucking tell you this special is the best way to end this arc.

SU’s atrocious schedule has made a lot of people drop the show, and I don;’t blame them. CN doesn’t know what its doing, and it’s purposefully killing shows with this (Se also: Adventure Time).

However, if there’s something the Crewniverse know how to do is delivering a story that can fit an episode.

A beginning/set up, a middle and a resolution/ending.

RWBY doesn’t do that. Episodes are: all build up, all buildup + some middle, some middle+tiny resolution.

The only way one can truly enjoy RWBY is by binge watching it, but unfortunately, RT doesn’t release the episodes Netflix style.

Do they change and adapt their writing because of this?

No, they don’t.

The problem wasn’t that the RWBY girls were separated, it’s that the writing team doesn’t know how to properly pace a story for an audience.

Also, is anyone bothered by the fact that no matter how many times Cordovin hit the Atlesian ship, that thing could still work?

Way to kill the momentum.

The Dirty:

I see a lot of people reflagging GIFs of Ruby and Qrow showing how much the girl has grown and how conflicted he might be, and TBH I see what you do.

I know Qrow looks at Ruby and probably thinks of Summer.

Summer is dead; Ruby is not, and Qrow wants to keep it that way. But Ruby is on her way to becoming an adult, she’s the leader on her team, a figure to her friends and the protagonist of the show. She has to show she’s prepared to take a stance.

Awesome scenes guys! You forgot something tho:

Rubys conflict.

Just like the glazed over Oscars big “this is what I stand for” moment of his arc, we never see Ruby at her weakest.

People complained of this during volume 4, but have you not notice she has not broken down or showed a real crisis? This 5 minutes with the apathy is not enough, and though I love her questioning Ozpin, I feel this needed more fuel.

Sometimes it feels like the writers know what a protagonist is supposed to sound like and act like, but don’t quite get how they got there.

Oh yeah, Grimm show up btw. We all knew this so meh.

Overall rating: 3/10

A.N.: Someone should really teach Miles and Kerry the ways episodes are structured. It’s season 6 and still haven’t grasped how to write an episodic series.

[pamphletstoinspire]

The Death Penalty and the Myth of Closure

Many argue that the death penalty can help survivors move on with their lives. However, this counselor writes that true healing can happen only when we learn to "walk with the pain."

The death penalty has been with us for millennia. If you take the time to read the Old Testament, you will find that the death penalty was widely accepted. We find in the words of Exodus the justification invoked to this day to defend the use of executions: “You shall give life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, stripe for stripe” (21:23–25).

This is known as Mosaic law and is an integral part of our legal system. And yet Jesus came to challenge it: “You have heard that it was said, ‘An eye for an eye and a tooth for a tooth.’ But I say to you, offer no resistance to one who is evil. When someone strikes you on [your] right cheek, turn the other one to him as well” (Mt 5:38–39).

What a truly radical notion! In the Old Testament, one sees that violence was a way of life, and execution was a primary tool for meting out justice. But Jesus sweeps that all away.

As with many things Jesus said, excuses have been made and qualifiers added: Love your enemy . . . except when he is a murderer. Then you are justified to kill him, a conclusion that sounds very much like Mosaic law.

Desire for Vengeance Is Real

On the other hand, even if we accept Jesus’ teaching, turning the other cheek is not that simple. I can’t simply say, “Well, Patterson, you claim to be a Christian, so you must love your enemy and oppose the death penalty.” I also understand the desire for vengeance.

Some years ago when I was an Army psychologist, I was tasked with evaluating a man arrested for beating his 3-month-old stepdaughter within an inch of her life on Christmas Eve. It had already been determined that the child suffered irreversible brain damage. As I was interviewing the man, I received a call from the pediatric ICU informing me she had also been blinded. I hung up and told this man that news. He shrugged his shoulders and said, “Oh, well.”

In that moment, I wanted to jump across my desk, grab him by the throat, and beat him within an inch of his life! As I think about him almost 40 years later, I have the same feeling. I am not proud of that, but it also helps me to be sensitive to the feelings of survivors when it comes to discussions of the death penalty. It reminds me to be sensitive to survivors’ need for justice and, possibly, vengeance.

Many justifications for executions set aside the language of Mosaic law and focus on possible benefits for the surviving family. One doesn’t so much hear the word vengeance in such discussions, but one does hear the word closure. A common justification for the death penalty is that it provides closure for the family.

When Boston Marathon bomber Dzhokhar Tsarnaev was sentenced to death, the mayor of Boston expressed the hope that “this verdict provides a small amount of closure.” Similarly, when the decision was made to allow survivors of the Oklahoma City bombing to witness the execution of Timothy McVeigh, Attorney General John Ashcroft stated that he hoped the execution would help survivors “meet their need to close this chapter in their lives.”

Whether executions provide closure depends on what we mean by that word. For most of us, closure implies a completion or conclusion. When a corporation announces store closures, that means those stores are no longer operational. So, in discussing the process of grief and trauma, closure would seem to imply a conclusion—the suggestion that there is an end point to grieving.

This expectation of closure is sometimes supported within a person’s social network. At this time, I am counseling several parents of children who committed suicide. All have commented on encountering, either directly or indirectly, the message “Aren’t you over it by now?”

Think for a moment of the people in your life you have lost. Are you no longer grieving? If I think of loved ones who are gone, I become aware that I may be grieving those losses for the rest of my days. My grief may not be as intense as it was at the time of the loss. But reminders of someone’s absence in my life help me see that grief goes on, that there is no closure in the sense of conclusion to my grief. There’s no point at which I dust myself off and say, “OK, I’m done missing that person.”

The Myth of Closure

In her book Closure: The Rush to End Grief and What It Costs Us, Professor Nancy Berns makes the compelling argument that the concept of closure has emerged within a political context to justify the death penalty and as a “made-up concept: a frame used to explain how we respond to loss.” It has become such a common word in discussions about grief that people assume it exists and is within their reach. In fact, its prevalence reflects the hope we all have that we can heal from the devastation of tragedy and trauma.

For some, closure means the conclusion to a very public process of crime, arrest, trial, and multiple appeals. Anecdotal evidence suggests that indeed the execution provides that sense of closure. But the word closure also implies healing and completion. Evidence suggests that not only does the death penalty not facilitate healing but, in fact, may interfere with it.

In his 2007 study of families of murder victims, Scott Velum found that only 2.5 percent indicated a strong sense of closure resulted from the execution of the murderer. A study published in the Marquette Law Review compared survivors’ reactions in Minnesota and Texas. Killers in Minnesota were sentenced to life imprisonment, an outcome that was experienced as satisfying by survivors. Texas survivors were less satisfied by death penalty verdicts, in large part because of the prolonged appeals process.

As Bill and Denise Richards, parents of a 9-year-old boy killed in the Boston Marathon bombings, wrote in the Boston Globe, asking that the government not seek the death penalty, “The continued pursuit of that punishment could bring years of appeals and prolong the most painful day of our lives.”

Jody Madeira worked with and studied survivors of the Oklahoma City bombings. In her book Killing McVeigh: The Death Penalty and the Myth of Closure, she noted that Timothy McVeigh’s execution did not provide the kind of closure some survivors may have hoped for. As one survivor noted, “There won’t be closure till I am dead.”

The Path to Healing

Are survivors then simply left in anguish, or is some form of healing possible? Perhaps rather than talking about closure, we should be talking about healing.

Sociologist Loren Toussaint suggests that healing is possible through the process of forgiveness. Madeira agrees that forgiveness can help but argues that it is not the only path to healing. This is a delicate topic that must be approached carefully and without judgment. Forgiveness can indeed help survivors heal, but it isn’t that simple. Forgiveness is a process, one that can last a lifetime.

First, let’s be clear on what forgiveness isn’t. Forgiveness does not mean condoning—a distinction relevant to people dealing with someone on death row. Forgiveness does not minimize what was done. The bombings in Boston will never be acceptable. The 9/11 attacks can never be dismissed in terms of the personal trauma. The murder of a loved one will never be OK. After all, the God of my understanding is indeed a God of mercy, but also a God of justice.

Then there is the common phrase forgive and forget. Not only is that often not possible, but in some cases it’s not a good idea. If someone has assaulted me, I may need to forgive that person, but it may not be a good idea for me to invite him or her over for dinner. That person may have no remorse and might assault me again.

The first step in forgiving is making the decision to forgive. The important thing to realize in making this decision is that the person who will benefit most from forgiving is the forgiver. Forgiving frees the forgiver from all the negative venom of hatred and resentment. Essentially, to forgive is to reclaim power from the forgiven. Professor Madeira quotes Oklahoma City bombing survivor Bud Welch as saying about forgiving Timothy McVeigh: “I was the one that got relief from all this pain . . . and it wasn’t about McVeigh.”

Sometimes we confuse forgiveness with reconnecting with someone in a loving way. That reconnecting is a decision that I may make after I have forgiven. I also have the option of not having the offender in my life. In other words, to forgive doesn’t necessarily mean to reconcile with someone.

To forgive means I also have to face all my rage and anger, all my thoughts of vengeance. We can’t sidestep the emotions. I have sat with some people who experienced tragedy or trauma and afterwards stated, rather flatly, “I’ve forgiven that person,” without any acknowledgment of the pain inflicted by that person. This to me is an intellectual exercise, not an experience of true forgiveness.

Learning to Walk with the Pain

In exploring alternatives to the prevalent concept of closure, we also need to broaden our understanding of grief. The concept of closure may have its roots in Elisabeth Kübler-Ross’ famous five stages of dying. That theory has been broadened to include grief. The fifth stage is acceptance. Like closure, this notion has many meanings.

What does it mean to accept the death of a loved one? Again, some kind of finality is suggested, a sort of conclusion to the grieving. I have sat with persons who judged themselves because they did not feel they were finished grieving. Others had well-meaning friends and relatives suggest they should be “over it by now” or that they hadn’t “accepted” the death because they were still grieving.

Over the years I have dealt with many people who came to see me because someone else was concerned about them or, more often, because they themselves questioned whether they were grieving correctly.

I recall one beautiful woman who came to see me after the death of her husband of 50-plus years. She was concerned whether she was grieving correctly. She stated that well-meaning friends had given her a stack of books on grieving. Not wanting to disappoint anyone, she read them all. When I asked what she thought after all that reading, she told me: “I’m completely confused. They contradict one another.”

So what did I do? I gave her a book to read! Only it wasn’t an edition of Grieving for Dummies. It was C.S. Lewis’ A Grief Observed, his journal written the first year after the death of his beloved wife, Joy. The book has no easy answers, and, at its conclusion, it is clear that Lewis will continue to grieve. There is no nice, clean ending. No closure. Only Lewis trying to learn to walk with the pain.

In dealing with losses in my own life, what works for me is to view grieving as a process of learning to walk with the pain. This suggests that, because of a particular loss, my life is changed forever. I am challenged to find a way to move forward living my life as well as possible while at the same time carrying the loss. This is especially true for those who’ve lost a loved one through some criminal act, be it murder or terrorism.

To learn to walk with the pain has several facets. One is to make the decision not to let the trauma define the loved one’s life. It is to affirm that I will not be known as the parent of that girl or boy who was murdered. Rather, I will be known as the parent of a child who touched lives in a beautiful way before leaving life much too soon.

Another facet of walking with the pain is to facilitate the loved one’s legacy. Such legacies may take the form of charitable donations or even the establishment of a charity. Others might establish a scholarship fund. Some get tattoos or plant trees. Such actions don’t make pain go away, but they create a legacy that has some meaning.

For me, acceptance means acknowledging that life is now different, and that I will be walking with this pain until I meet my loved one again in a better place. That may be the only real closure.

By Richard B. Patterson, PhD

[patriotsnet]

Why Some Republicans Are Feeling Shame

New Post has been published on https://www.patriotsnet.com/why-some-republicans-are-feeling-shame/

Why Some Republicans Are Feeling Shame

Who Are These People

Why some conservatives feel targeted by social media companies

Earlier this week, as the challenge by congressional Republicans of the choice of electors by six states loomed ahead of us, I shared with my spouse how miserably dispirited I had become as an American citizen. The realization weighed heavily on me that I have nothing in common with nearly half the electorate in this country: not my social values and attitudes; not my political beliefs and allegiances; not the value that my ethical sensibilities place on rationality, cooperation and the common good; not even my fundamental moral principles.

I cannot relate to these others, nor do I want to. I already know what they represent, and what they represent, I despise. I feel alienated from them. They make me feel that I am a stranger in my own homeland. I suppose the alienation felt is mutual between us. But I cannot reach out to them. Like addicts, they need to recognize and claim their own demons and crawl away from them. Neither I nor anybody else can do that for them. This may be a harsh and uncharitable comparison. But I would be dishonest with myself to think and to say otherwise.;

Steven Pokorny, Urbandale

Senate Republicans Are Bathed In Shame

Theres no impartial justice, just protection of Trump at all costs.

By Frank Bruni

Opinion Columnist

The impeachment trial of Donald John Trump began on Thursday when John Roberts, the chief justice of the United States, directed all of the senators to stand and raise their right hands. Ever since I cant get two questions out of my head.

The first: How in Gods name and it was in Gods name can the Republicans who have already decided to acquit President Trump take a solemn oath to administer impartial justice? Theyre partial to the core, unabashedly so, as their united march toward a foregone conclusion shows. A mind-meld this ironclad isnt a reflection of facts. Its a triumph of factionalism.

The majority of the partys senators have said outright or clearly signaled that they have no intention of finding the president guilty and removing him from office. Yapping lap dogs like Lindsey Graham and obedient manservants like Mitch McConnell have gone further, mocking the whole impeachment process.

So the oath they took: How does that work? Did they cross the fingers on their left hands? Do they reason that American politics has reached a nadir of such fundamental hypocrisy and overweening partisanship that no one regards that pledge as anything but window dressing?

If there were nothing to this, why would Trump stonewall Congress to the extent that he has? Thats not how the innocent act.

A pathological liar, Cruz called Trump.

What To Watch For

It is highly unlikely Cruz or Hawley will resign or be forced out, but their political prospects both within and outside the senate appeared to have dimmed. In addition to alienating possible donors, one anonymous Republican senator told Politico the caucus would face a reckoning over Hawley and Cruz.

Also Check: How Many Republicans Are There In The Senate

Think Republicans Are Disconnected From Reality It’s Even Worse Among Liberals

A new survey found Democrats live with less political diversity despite being more tolerant of it with startling results

In a surprising new national survey, members of each major American political party were asked what they imagined to be the beliefs held by members of the other. The survey asked Democrats: How many Republicans believe that racism is still a problem in America today? Democrats guessed 50%. Its actually 79%. The survey asked Republicans how many Democrats believe most police are bad people. Republicans estimated half; its really 15%.

The survey, published by the thinktank More in Common as part of its Hidden Tribes of America project, was based on a sample of more than 2,000 people. One of the studys findings: the wilder a persons guess as to what the other party is thinking, the more likely they are to also personally disparage members of the opposite party as mean, selfish or bad. Not only do the two parties diverge on a great many issues, they also disagree on what they disagree on.

This effect, the report says, is so strong that Democrats without a high school diploma are three times more accurate than those with a postgraduate degree. And the more politically engaged a person is, the greater the distortion.

Should the US participate in the Paris climate accord and reduce greenhouse gas emissions regardless of what other countries do? A majority of voters in both parties said yes.

Our Very Right To Vote Under Fire

The foundation of the American democracy is the absolute right of the people to choose their own leaders through the ballot box. Historians label this the sovereignty of the people. We are our own authority, in the decision-making process of the state and in the maintenance of order.

This absolute right of the people is under severe attack. Many of our fellow citizens believe that votes legitimately cast and counted are illegitimate. I do not know how or even if we will return to a culture of trust in the sovereignty of the people, and if we cannot go back, how will American democracy survive?

;Karen Merrick, Guttenberg

Recommended Reading: Why Do Republicans Still Back Trump

Hes Destroyed Conservatism: The Republican Case Against Trumps Gop

Stuart Stevens was a winning GOP operative. Now he feels terrible about what hes done to the country.

AP Photo/Patrick Semansky

Link Copied

Michael Grunwald is a senior staff writer for;Politico Magazine.

Stuart Stevens spent four decades helping Republicansa lot of Republicanswin. Hes one of the most successful political operatives of his generation, crafting ads and devising strategies for President George W. Bush, Republican presidential nominees Mitt Romney and Bob Dole, and dozens of GOP governors, senators and congressmen. He didnt win every race, but he thinks he had the best won-lost record in Republican campaign world.

And now he feels terrible about it.

Stevens now believes the Republican Party is, not to put too fine a point on it, a malign force jeopardizing the survival of American democracy. Hes written a searing apologia of a book called It Was All a Lie that compares his lifelong party to the Mafia, to Bernie Madoffs fraud scheme, to the segregationist movement, even to the Nazis. Hes pretty disillusioned.

It Was All a Lie is really about the party that spawned Trump and now marches in near-lockstep behind himthe party to which 67-year-old Stevens has devoted his career. The GOPs abject surrender to its unorthodox and unconservative leader was a surprise to Stevens, but he has concluded that he shouldnt have been surprised.

Aboard Mitt Romney’s campaign plane in Sept. 2012, senior adviser Stuart Stevens speaks to the press. | AP Photo/Evan Vucci

Hart Is Doing The Right Thing

I know Rita Hart personally and in my experience, she is the kind of person who is always trying to do the right thing, even if its difficult and an uphill battle.

Hart would likely win if just the uncounted 22 ballots were counted, but she is going a step further to ensure everyone can be confident in the election outcome by asking for a full recount. In a situation like this, a bipartisan commission in the U.S. House will likely ask the nonpartisan Government Accountability Office to conduct the recount so we can trust that politics will not interfere with the review of the election.

It is commendable that Hart is fighting to protect our sacred right to vote and the trustworthiness of our elections. Every vote must be counted to ensure Iowans continue to have confidence in their election system. Count every vote

;Maria Dickmann, Davenport

Also Check: How Many Registered Republicans In Illinois

Executive Action Is A Slippery Slope

The rationale given by the editorial board Jan. 3 to have Joe Biden issue executive orders to undo Donald Trumps executive orders is that some issues are too important to just wait for Congress. ;

Im sure this was the belief of Barack Obama when he issued his orders and the belief of Trump when he issued his orders. In other words, this rationale could be employed by any president at any time and it poses a real danger to the separation of legislative power and executive power provided by the U.S. Constitution. ;

Do the board members really want to combine these powers in the office of the presidency ?

Lonny Wilson,;West Des Moines

Democrats Werent Violent But Chose A Different Dishonorable Path

Why Do We Feel Shame?

I agree with the Jan. 7 letter Shame, shame, with the closing statement, This is one of the saddest days in our history.

And yes, when Trump won in 2016 there was no mob violence by Democrats. There was just four years of disbelief by the Democrats that Trump won and four years of trying to impeach him.

William D. Blohm, Carroll

Read Also: Who Makes More Money Democrats Or Republicans

Why Some Republicans Are Feeling Shame

Back in the fall, when Donald Trump dubbed Jeb Bush low-energy, Carlos Gimenez grew a little concerned. By last month, when Marco Rubio and Trump engaged in childish name-calling, the Republican mayor of Miami-Dade County thought the GOP presidential race had gotten out of hand. Now, after a tawdry week that has focused on the wives of Trump and Ted Cruz, Gimenez is certain that the race has moved totally out of bounds.

Politics is a contact sport, Gimenez said, but there should be contact in other ways.

Gimenez is watching with disgust, as are many Republicans across the country, as his partys presidential race turns into a tabloid talk show. After a winter that featured anatomical insults, violent clashes at rallies, and fierce accusations of lying and dirty tricks, Republicans say the past week has been particularly dispiriting.

At a moment when the party had hoped to turn its attention to;a general-election matchup against Hillary Clinton, Republicans were instead caught in;an;uncomfortable back-and-forth over allegations of adultery and jabs at the physical appearance of the wives of Trump and Cruz.

That dispute took on renewed vigor Sunday, when the two candidates went at it again on the morning shows.

Dont forget, I call him Lying Ted. I call him that because nobody that Ive known Ive known a lot tougher people over the years in business, but Ive never known anybody that lied like Ted Cruz, Trump said.

Republicans Said President Obama Would Raise Taxes Sky High

It never happened. Income taxes for over 95% of Americans remained the same or lower than they were before Obama was elected. The only people whose income taxes increased were those who make more than $400,000 per year, and their taxes rose only 3%. For most Americans, taxes are still lower now than they were under Reagan.

Don’t Miss: Can Republicans Vote In The Democratic Primary In South Carolina

Conflict Over Health Vs The Economy

Masks are also linked to the broader debate about the disease threat from the coronavirus versus and the devastating impact that social distancing has had on our economy. This controversy again has fallen out on political lines, with the right placing a relatively greater emphasis than the left on the need to restart the economy.

Within this debate, some may see masks as playing up the disease side of this balancing act, while those who don’t wear masks might be seen as prioritizing a swift return to normalcy over concerns about health and safety.

Why Republican Voters Say Theres No Way In Hell Trump Lost

By Brad Brooks, Nathan Layne, Tim Reid

12 Min Read

SUNDOWN, Texas – Brett Fryar is a middle-class Republican. A 50-year-old chiropractor in this west Texas town, he owns a small business. He has two undergraduate degrees and a masters degree, in organic chemistry. He attends Southcrest Baptist Church in nearby Lubbock.

Fryar didnt much like Donald Trump at first, during the U.S. presidents 2016 campaign. He voted for Texas Senator Ted Cruz in the Republican primaries.

Now, Fryar says he would go to war for Trump. He has joined the newly formed South Plains Patriots, a group of a few hundred members that includes a reactionary force of about three dozen – including Fryar and his son, Caleb – who conduct firearms training.

Nothing will convince Fryar and many others here in Sundown – including the towns mayor, another Patriots member – that Democrat Joe Biden won the Nov. 3 presidential election fairly. They believe Trumps stream of election-fraud allegations and say theyre preparing for the possibility of a civil war with the American political left.

If President Trump comes out and says: Guys, I have irrefutable proof of fraud, the courts wont listen, and Im now calling on Americans to take up arms, we would go, said Fryar, wearing a button-down shirt, pressed slacks and a paisley tie during a recent interview at his office.

This is dystopian, Light said. America could fracture.

THERES JUST NO WAY

NO WAY IN HELL

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Republicans Said Waterboarding And Other Forms Of Enhanced Interrogation Are Not Torture And Are Necessary In Fighting Islamic Extremism

In reality, waterboarding and other forms of enhanced interrogation that inflict pain, suffering, or fear of death are outlawed by US law, the US Constitution, and international treaties. Japanese soldiers after World War II were prosecuted by the United States for war crimes because of their use of waterboarding on American POWs.

Professional interrogators have known for decades that torture is the most ineffective and unreliable method of getting accurate information. People being tortured say anything to get the torture to end but will not likely tell the truth.

An FBI interrogator named Ali Soufan was able to get al Qaeda terrorist Abu Zubaydah to reveal crucial information without the use of torture. When CIA interrogators started using waterboarding and other enhanced interrogation methods, Zubaydah stopped cooperating and gave his interrogators false information.

Far from being necessary in the fight against terrorism, torture is completely unreliable and counter-productive in obtaining useful information.

Shame Can Last A Lifetime If We Let It

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Shame is one of the hardest emotions to talk about. It can also be the hardest emotion to recognize in ourselves, and it can feel the most painful. So, what is shame and how do we know if were feeling it?

Shame is often confused with embarrassment or guilt. Embarrassment arises when the way we want people to see us isnt the way they do. We want people to think were cool, but then we walk out of the bathroom with toilet paper stuck to our shoe. The feeling usually doesnt last long. Guilt arises when we think weve broken societys or our own moral code. We feel guilty when we lie, for example. Guilt can last a long time, but we usually know that well feel better when we come clean.

Shame can last a lifetime if we let it. It isnt caused by a single event, but an amassing of wounds to our self-worth. We feel guilty when we think weve done something wrong and embarrassed or humiliated when weve erred in public. But we feel shame when we think we are wrong. We may feel powerless to change whatever it is that makes us feel it, which then leads us to feel even more of it. Shame can feel unfixable, because it binds to all emotions. So even when we feel good, we can feel shamelike we dont deserve it.

Its never too late. Love yourself and forgive yourself. Begin today.

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Senator Grassley Was It Worth It

Dear Senator Grassley:

It was impossible to not see the events of Jan. 6 as inevitable.;Some in your Republican Party are assigning blame to the president, acknowledging the role he played. ;

The blame for the;insurrection, loss of life, and the tenuous state of our democracy lies elsewhere.;Truth be known, anyone paying attention knew who Mr. Donald Trump was, and remains: a lawless, narcissistic, racist, immoral, and corrupt human being.;More could be said. ;

Perhaps it is time for you to accept responsibility for the indisputable role you played in empowering this despot.;The examples of his malfeasance in office are legion. ;

You had a chance to put an end to;Trump’s tyranny when you cast your senatorial vote after House impeachment.;The evidence of his offense could not have been clearer,;ignored by you and everyone in your party,;save for Sen. Mitt Romney, your own former presidential nominee. ;

Repercussions of your cowardice, including the treatment of Lt. Col. Alexander Vindman, a whistle-blower, which you made a career off pretending to protect, are too numerous to count.;Your tepid statements supporting other whistle-blowers who were also subjected to vicious attacks, and the rarity of public admonitions of these and other wrongdoings, are a disgrace to your office. ;;

Nevertheless, you certainly have achieved what must have been foremost in your agenda.;You personally helped to pack the Supreme Court, and countless other lifetime appointments have been confirmed. ;

Republicans Claim That Raising The Minimum Wage Would Kill Jobs And Hurt The Economy

Why are Shame & Trauma so Connected?

There is far more evidence to the contrary. Cities and states that have higher minimum wages tend to have better rates of job creation and economic growth.

Detailed analyses show that job losses due to increases in the minimum wage are almost negligible compared to the economic benefits of higher wages. Previous increases in the minimum wage have never resulted in the dire consequences that Republicans have predicted.

Republicans have accused President Obama of “cutting defense spending to the bone”. This chart of 2014 discretionary spending firmly disproves that argument.

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