#i can literally see your hand

[plu-mo]

peakoh update doots yayge

i made a self indulgent character out of Elosie hoo hoo ha haacringe cringe cringe someone beat me to death cringe-

the concept is that she’s nene’s boring boring roommate. buuut she covers the rent when nene falls short- so nene really cant boot her. (especially when certain missions take longer than expected to complete)

i will probably never draw this eloise alt again- but the doodle sheet was fun lol

[pines4thetwin]

As promised, here's that fusion post for the three people that asked for it (drops it and runs).

Ford thinks of himself and Stan as one, an extension of each other, and lowkey hates that its not true nor possible.

And Mabel really shouldn't have shown him Steven Universe because now he's obsessing over the concept of fusions and his desire to be one with stan.

Now lets say this is Pre-Weird and everything is still tense between them and they aren't exactly talking but despite that ford still wants to be close and he knows stan does too.

He can see it in the broken resigned looks Stan keeps throwing his way. And listen, Ford isn't the best at communication but he can fix this. He may still be angry and self righteous and an asshole but he can fix them.

So now he spends an even more absurd amount of time in the lab trying to making it his reality and entirely disregards his base needs to the point even dipper is concerned.

He has a journal dedicated to this idea where he keeps all his notes and theories on how to make it possible. Would he have to alter their DNA for it to work or could it be possible for them as they are?

While doing the tests and research for his fixation he remembers a dimension he briefly travelled to back when he was younger and fresh through the portal. One where this concept, his desire, his fantasy, his wish was real. A dimension where it was was their culture, their way of life. And while he did think it was interesting then, he was young and angry and raw with unrestrained hurt. Too emotional to stop and study the practice the way he should have.

He beats himself up over it now. If only he had been thinking more logically him and stan could be one already. They wouldn't have to be so... apart.

He doesn't have time to dwell on his shortcomings though. He has to figure this out. He doesn't know exactly why but he feels like he's running out of time. Like he has to do this now or he'll never have the chance again.

Eventually he has his prototype and it functions well... enough. He just has one more trial to run. Except Stan comes down to check on him. 'Worried ford isn't taking care of himself properly.' or something like that.

And honestly, Stan in his space is the last thing he expects because they have an unspoken agreement. Stan roams above and Ford stays down here. And when they cross paths they both look the other way.

But stan is here and yes Ford is annoyed at first but this also means he doesn't have to go seek stan out.

"I told you to stay- wait actually this is perfect. We'll do it now," Ford fiddles with his device, turning it on and he really isn't thinking right anymore. He know the device works and that's all that matters.

"Do what now? Stanford, what is that," And Stan is kinda terrified because Ford looks... well he looks kinda like how he did decades ago when he had sent that postcard and Stan had come running because well, its Ford.

Ford looks insane, primal and unhinged, like he hasn't seen the light of day in weeks. And Dipper had told Stan, had been worried but Stan brushed it off because Ford locking himself in the lab and avoiding everybody, avoiding him wasn't a new development.

But now Stan’s worried because that wild-eyed look is directed at him again and the cowardly little animal in him is screaming at him to run.

It’s like Ford knows what he's thinking because before Stan has a chance to decide if he's going to shut down or entertain that scared little animal, Ford is grasping at him and pulling him deeper into the dingy little basement.

Stan trips and he fully expects his back to hit the floor but fords got and arm wrapped low on his back that keeps him from falling fully. And stan's hand is also tangled in fords sweater so even if Ford had let him fall, well they would have gone down together.

But then he catches sight of that thing again and it looks vaguely like a gun and why did he have to get saddled with the insane twin? He doesn't even have time to flinch because a bright light floods his vision and he blanks.

For a second, Stan's mind goes black and there's a strange humming in his ears. But then he hears a laugh he hasn't heard in forever. Soft and joyous and for a moment stan smiles. It's Ford's laugh.

Because he and Stan become one. And everything is warm and bright and as it should be. For a moment everything is right. It feels like coming home.

His-Their eyes open and Ford's confused? No, Stans confused.

"Sixer? Lee?" Their voice says, soft and bewildered. They look around, searching for each other. Stan? Ford? Where did they go? They look down and their vision swims. Four hands, five fingers? Six? It all blurs together.

Is this me, they think as one. Finally as one. Four hands run up the sides of their one body then stretch out for their wide eyes to view. Ford can feel his giddiness rising unbidden. And a whisper from Stan, rising to meet Ford. Uncertain but matching nonetheless.

Finally

Finally together... Finally fixed... Finally right.

They spin slowly, as if that will give them a better view of what they are now, and they catch their reflection in some dim glass. Ford wants to smile but their face drops, eyes horrified.

"What did you do," Stan says, voice a cutting accusation. Nausea erupts in their stomach. And that isn't right. Why isn't it right?

Something is wrong. Everything is so very wrong. Ford's head hurts. Or is it Stans. He doesn't know. They can't tell.

"I fixed it. I fixed us," Ford says and it isn't right either. Why is it still so wrong? Stan is angry. But why is he angry? Why aren't they happy? They're together. After all this time they're finally together again.

Ford can feel Stan pulling away. It's like their mind is splitting in two. Hot searing pain shoots through their head, four eyes closing when the world starts to spin.

Ford grasps ahold of stan and refuses to let go. He can't let Stan ruin this, ruin them. He will not let Stan destroy everything he's worked towards again. They've been apart for so long- too long but not anymore. Besides, this is for them. Stan will just have to understand. They are one now. Broken and wrong but one nonetheless.

"Let me go," They yell, tugging apart furiously. Their shape shifts and distorts but doesn't split. Ford won't let them. They snap back together painfully, stumbling on two bulky legs, one that branches into two feet. Wrong.

"No! This is what we wanted right," their voice bellows, loud and angry and wrong. So very wrong. "For us to be together. Always together."

They grip at their hair as if trying to pull themselves back apart. Stan.

"Not like this. I never asked for this." they shout back, voice sharp and hurt and why aren't they happy now. They should be happy. This is right. This is how they are meant to be.

Even as the anger and hurt courses through their entire being, Ford knows he wouldn't want to be any other way. Stan's angry and scared but at least they're one. They're shattered and hurting but even then some small part burns in them, it's a tiny little ember but it's both of them and it says yes.

Another set of hands reach for the ones in their hair, pulling them out and restraining them. Betrayal spikes, scorching and increasing rapidly even after years of dormancy. Ford.

"Stop being so ungrateful! You're always so-." angry tears spill from their eyes. Decades of hurt and anger and resentment spill forth to mix into a sense numbing cocktail but most of all they feel alone. So very alone. Them.

They grapple and struggle and Ford's device glints from the corner of their eyes. Ford can feel Stan's intent before their body even moves. Being one now, it's like their minds have melded which means Stan knows the device's purpose. And he intends to separate them.

"NO!" Ford bellows, voice priggish and angry, hurt tinting the singular word so strongly that their body stalls. Why would stan- Why doesn't he want them to be together?

"Grunkle Stan?" Their head whips to the left, eyes locking with a confused and tired Mabel’s. Their focus splits, body jerking in an awkward aborted movement as Stan tries to move forward and Ford holds him back.

“Pumpkin grab that- Mabel don't-” And why can they never agree on anything. When did everything go so wrong? 

Flashes of being in this very lab, so long ago- but no, it was before that even.

Mabel stares at them, scared and confused and stan has never wanted her to look at him like that ever. But Ford doesn't register it because for a moment, one split second, Stan stops fighting him. 

They don't hesitate to rush forward, very much intent on destroying their creation before it has a chance to be used against them. To hurt them.

Two small hands wrap around it before they can get ahold of it. Mabel clutches it to her chest, watching them with something too close to fear. They freeze in place, hands raising in surrender.

"Sweetie," Falls from their lips, pleading. For what though, they aren't quite sure. Because their mind, it should be one yet it isn't. It's at odds, fragmented by a fear and necessity that clash so strongly it could tear universes apart.

“Press the green- Don't you dare-” They speak at once, words and thoughts overlapping. Large hands cover their mouth, two others gripping uselessly at wrist that refuse to budge, because regardless of whatever insanity that has plagued Fords mind to make them act this way, Stan will not let their voice- their words even hint at a threat towards Mabel.

Mabel's head bobs, looking from them down to the thing in her hands, unsure of what to do. Stan nods, eyes pleading.

Ford lashes out, angry and hurt and thrashing like a wild dog. 'Stanley please no. Why don't you want us to be-' Stan is retreating, silent and distant. 'Lee. LEE!'

Everything goes dark.

Ford rises slowly, head spinning and ears ringing. He has the worst headache he has ever experienced. He stares at his hands, splayed on the floor. Two hands, six fingers. Wrong.

His head whips up and his gaze finds Stan's crumpled form across from him on the floor. Stan's glaring at him, thick angry tears spilling down red cheeks.

No. No!

His head turns slowly and his eyes fall on Mabel. Mabel who is standing with his prototype in shaky hands looking between a separated Ford and Stan. He... failed. And now they're...

Apart.

Broken.

Wrong.

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming

[silmarillisms]

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[sidesteppostinghours]

How much longer 'til the snake breaks free? How much longer 'til your great days cease? How much longer 'til your strength takes leave? You rely on wit, and people die on it, whoa

[formereldestdaughter]

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[scorpiusmalfoylovesoscarwilde]

headcanon that scorpius was a sick child and was in and out of hospital constantly, perhaps related to astoria's blood curse but not directly. his immune system isnt very strong, and everytime he gets sick they're terrified that it's the blood curse but also whatever else it could be, because it's always so sudden and so intense and they call healers over to the house who recommend this delirious feverish 4 year old is hospitalised immediately, and you'd think it'd get easier to some extent because they'd be used to it, but everytime they feel like this is it, this is the time he'll walk in to the hospital and not walk out again

[septembersghost]

taylor like: i know you know, you know i know you know, so i might as well play the songs about that fateful night, you know?

[lupins-hehim-pussy]

Neuvillette's body language in my mind ranges from curious feline, to Long Cryptid that lingers just outside the door when you're falling asleep

[assmaster-8000]

OKAY NOW THAT IM FINALLY FREE PREPARE FOR MY ASKS TO STEADILY FLOW IN BECAUSE YOU GET ME™️ was having thoughts about waking up to cécile thanks to your artwork (other things were going on that didn’t involve sleeping anndkss) but idk something about the softness of that vs him is just…it does something to me okay

also having thoughts about him fighting the urge to look at you in a certain way while you interact with gael

also having thoughts about taking advantage of him being off duty

and your tags on my fic meant sooo much to me, thank you again I’m so happy you liked it, talking to you about him made me think how important picking up on his body language would be for your mental sanity, and you’d have to be damn good at it too

no literally!!!! waking to cécile KILLS ME BECAUSE OF THAT ONE ASKKKK 😭😭😭👊👊👊👊

nsfw mention in the last paragraph

WHAT DO YOU MEAN CÉCILE DOESN'T SLEEP THE WHOLE NIGHT BECAUSE HE'S TOO ENAMOURED BY THE VULNERABILITY YOU'VE SHOWN HIM BY FALLING ASLEEP IN HIS BED AND THE VULNERABILITY YOU'VE PRIED OUT OF HIM FOR EVEN LETTING YOU BETWEEN THE SHEETS?????? OR MAYBE HE'S SCARED AS IN SO VERY SCARED OF THE WAY YOU'VE DESTROYED HIM BEYOND REPAIR BECAUSE NOW THAT HE'S HAD YOU HE'S GONNA KEEP WANTING YOU TILL HE HAS ALL OF YOU AND THAT THOUGHT IS MORTIFYING TO THE CLOSED, HOLLOW HEART OF HIS??? OR MAYBE HE HASN'T SLEPT NEXT TO SOMEONE IN SO LONG THAT THE FEELING OF YOUR BODY IS TRULY FOREIGN TO HIM AND HE CAN'T HELP BUT LEARN ALL OF YOU EVEN WHEN, OR ESPECIALLY WHEN YOU'RE ASLEEP????????????? WHAT THA FARRKKKKK i think the first night with cécile is gonna be 𝓯𝓻𝓮𝓪𝓴𝔂 because he's denied you for so long that he just... snaps. he snaps and he'll have you no natter what. but after the sex, after the passion? he's angry, shocked— scared. what have you done to him? and he has to get up early in the morning because he can't stand the thought of you seeing him like this past the lust BUT HE STAYS ANYWAYS UNTIL YOU WAKE UP. IM SICK. IM FUCKING SICK. RAVENSTAR DEVS ARE YOU HAPPY TO SEE ME CRY?? CÉCILE IS ALL DRESSED AND CLEANED UNTIL YOU WAKE UP AND KNOWING ACTS OF SERVICE IS SEWN INTO HIM, HE MIGHT HELP YOU FRESHEN UP BEFORE HE GOES OFF TO WORK. HE'LL SAY IT'S BECAUSE HE DOESN'T WANT ANYONE TO KNOW WHAT HAPPENED BETWEEN YOU TWO WITH YOUR ' GRAVE INABILITY FOR DECORUM' AND MAYBE SO BUT CÉCILE, FOR ALL HIS CUTTING FORTHRIGHTNESS, HAS THINGS HE CAN NEVER ADMIT. SO HE'LL ALLOW HIS GAZE TO LINGER ON YOU BEFORE HE GOES BACK TO FIGHTING OFF AN UNBIDDEN DESIRE (DESIRE? LUST? NEED? HE DAREN'T THINK OF THE OTHER DIRTIER WORD BEGINNING WITH 'L')

ahem. pardon my french i got a little carried away! also a certain way goes so many ways here LOL i think for the most part he'd just be looking at you like you're a roach buzzing around gael. his master is a respectable and noble man and you're... you 🤨🤨🤨 unfortunately he can't let his face do all the talking because believe it or not, gael doesn't want his bodyguard to stare murderously at his guest.

the other way is the one that screams with conflict. again i really have to know what cécile thinks of his love for mc in relation to his love for gael because i have no doubt that even when you reach the end goal and become cécile's world, gael is still gonna mean so so much to him. at that point, would he sacrifice everything else for you? yes. but he knows the world includes gael too and it's a part of him nothing, and i mean nothing can heal. what im trying to say is; does cécile feel even more pained, looking at you when you're standing right next to his master only in name, now? can he stand to look honestly at gael when the bane of existence and the recipient of all his need makes things so fucking difficult? he has never been on gael's level, and for good reason.

he has no right to ask for gael's forgiveness nor understanding - even though gael would forgive him in every life time like jesus willingly kissed judas - but he can't help but... need to know. just this once, the loyal hound strays and he's sorry. he's so, so sorry. please know (yes, i know) that he did not go willingly (of course you did, and it's okay), that he will always love gael (i have no doubts about that, but it's about time you have a love to call your own, now - a master and a pet only for you).

and he can't help it, the smaller feeling crawling underneath his skin. that the exact same master he loves so dearly could treat you better than cécile could by miles— gael could sweep you off your feet, and cécile wouldn't even be angry.

also sorry but 'taking advantage of him' while he's off duty snapped me out of my angsty mindset and immediately got me huffing like a dog. heartbreak time over, we're pulling cécile into a bathroom stall to suck that dick till it's blue and black before sending him off again 🤷

[snobgoblin]

my sculpture professor is so emotionally intelligent in a way I don't see many people. ugh. it's so good. it makes a shitty class tolerable bc I hate everything we're doing in here but she's so nice I don't entirely dread coming here

[nyupuun]

Satellite's Shooting Star (Dragon)

continuation of this (technically)

[unriding]

EVIE !!!!!

I SAW U USE MY ART AS UR THEME SO I WANNA DO A REMAKE !!! mostly cause the other one was full of mistaks hurrrrr orz

keeping the color palette the same so itd still fit + use softer shading so convey how soft u are + moze is now IN UR HAND !!!! >:3

oh nick :’)

[brofightiscancelled]

ok kind of an insane ask so feel free to ignore but would you be able to translate "友達バリア" by deco*27? i can't find any translations online and i wanna see if i'm right about the song kind of fitting the matsus... it's also a banger imo

- vocamatsu anon

omg.... tbh i have a feeling deco will make a video for this one which means we'll get an official english translation of it, rendering this completely redundant, but i'm really cheesed to have been asked, so i gave it a shot for you anyways <3

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown I'm outmatched- but it's not over yet! I won't let this end! With a dazzling, never-give-up attitude, I'll break through your defenses!

The despair of never getting anything more of this Your behavior, nor what's going on in your head- I can't read it at all! I can't help but envy the kindness you radiate Omnidirectional compatibility- it's just not for me

Carefully-picked down-played words The outcome: A bloody heart True feelings double-crossed by embarrassment; how frustrating, I'm changing sides But that won't fill up my heart What I want is nothing more than to be by your side If you've got something to say, then say it- 'til I defeat you, that is! 3, 2, 1!

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown I'm outmatched- but it's not over yet! I won't let this end! With a dazzling, never-give-up attitude, I'll break through your defenses!

I want you to like me! I want you to like me! Friend-zoned, love fire, hey, say "I give up"! With a dazzling, never-give-up attitude, I'll break through your defenses!

Fun things, good feelings- without you, they have no taste at all Sadness, jealousy- if they're cuz of you, then I don't mind them Let's throw down, bro! Better to regret doing it, than not doing it at all! A feeling like I won't need any special moves, YEAH I'm sure everything will be OKAY With an endless supply of love, you're undefeated, AYE Play dead, BYE BYE I'll be the one to throw the first punch

Friend-zoned, love fire, sparks flying HIBANA We're ready, set to lock horns, love's ultimate showdown The lonely and timid me is already no more! With a dazzling, blazing flair, I'll burn through your defenses!

Do you like me yet? Do you like me yet? Friend-zoned, love fire, now, let's immerse ourselves in love! With a dazzling, blazing flair, a never-ending HAO sweetener battle!

Do you like me yet? Do you like me yet? Friend-zoned, love fire, now, let's immerse ourselves in love! With a dazzling, blazing flair, a never-ending HAO sweetener battle!

------

my notes:

my overall interpretation of this song is "I'm trying to break through the friend zone (friendship barrier) so that you like me instead of thinking of me as a friend", so any vagueness in translation went in that direction

The use of "lock horns" in the official translation snippet + the HAO motifs give me the mental image of like, a hand-to-hand kung fu battle, so I leaned towards that imagery whenever there was vagueness (as opposed to like, a military campaign, for example)

deco's official english translations tend to be very liberal, so i tried to keep my translation a little more literal

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.