#i can fix him (lie)

[twinstxrs]

there’s something so personal about the scene in fantasy high s1e7 where gorgug calls himself stupid & fabian, who up to that point had basically entirely been acting like the bad kids (especially gorgug) were beneath him & had also been the one calling ragh stupid two lines ago, instantly says “okay, do not put yourself down like that. don’t you dare do that to yourself.” like it was obvious he liked the bad kids at that point but the instinct to protect his friends manifesting as an immediate strong refusal of gorgug’s self-deprecating talk kills me. that boy loves his friends so bad oh my god i feel sick.

[anyoldfandom]

I am actually. I am so emotional over the Salazar parents and I need to share this to tumblr too.

A lot of stories where the MC is adopted I feel. Either dismiss the biological parents and the impact they have on the kid's life, or makes them evil and abusive, framing the loss of the bio parents as a good thing, or at least something we shouldn't think about just look at this new family.

But Genrex doesn't do that. From the start, Rex wanted to find out more about his parents - it's one of his primary character motivations, next to helping people. He loves them, even though he doesn't know them.

And the more he finds out about them, the more he realizes they loved him. Rylander is consumed by guilt but as Rex's first connection to his pre-Event life, the first thing he does is hug him. And when he tells Rex about his parents, the two things Rex knows is that 1) they were scientists, and 2) that when he was in danger, they were desperate enough to use their secret, experimental technology to save him. Technology built from their desire to help the world, to save countless lives and end countless suffering.

And then. When he finds out that they were dead, he doesn't stop caring. It'd be so easy, too, to tie it up there - his parents were good people, he got his answer about them, the end. But they don't. He doesn't. Because the show is saying once again that they are his parents. He still calls them mom and dad, even as the show makes it clear Holiday and Six adopted Rex as their son. Even as the show even parallels Six and One with Rex and Six (and I will talk about that more later if I don't forget, trust me), to really drive home how much they're family. Rex even says he considers the two of them family, and later that he considers Noah, Claire and Annie family.

He has new family, the show tells us, but his old family still matters to him. He's upset that he never has the chance to meet his parents, that everything he hears about them, about his time with them, is secondhand knowledge. It tells us clearly that not only does Rex still love them, but that he still wants to know them. And everything we find out about them reinforces the love that they had for each other.

We see Abuela and the family in Mexico, who connect him to his birth family and tell him that he was so loved back then, and still is now. We see their office in Abysus through Rex's eyes. The picture of him and his dad on his desk. The drawing Rex drew, proudly pinned to the wall.

We see it in the familiarity of the drawing. That that robot, that build, was what Rex created when he was lost and scared and alone - that it was made to keep him safe. That it first appeared in his mind in a place he felt safe.

The show says, tenderly and softly, that the love is still there. That the fact these people died was nothing but a tragedy, that their love is a big part of what made Rex who he is today - that every molecule in his body is filled with their final gift to him. That every time he cures someone, every time he uses a build, every time he makes a machine - we see the love that they had for him.

And the way he quietly absorbs his father's face. The way he freezes and whispers "Mamá?" when he finds out Zag-Rs has their mother's voice. The fact that she even has her voice as a testament to Caesar's love, too - that it was meant to bring comfort and safety. The way Rex yells at Caesar when he finds out they have a family property, a connection to their past, the way he fights to protect it.

And, none of this takes away still from Six and Holiday being Rex's family too. None of this removes the work either set of parents did for him, the love either set has - the show says that it was unfair that the Salazar parents were lost. That Six and Holiday are not replacements, that they still love him as parents but play different roles in his life. They can not, and have no desire to, replace the Salazars. But Rex needs parents, he needs protectors, and so they will do what they can for him - at first out of necessity, to keep this kid they barely know safe, but then out of love. They aren't replacing what was lost, but are doing their best to do what Rex's bio parents would do. And they do mess up in it - they mess up in ways Rex's bio parents might not have. Six is clearly bad with showing affection, affection we saw the Salazars give Rex so easily, and Holiday is overworked and stressed constantly, sometimes breaking under the pressure and snapping at Rex and Six, things we never saw the Salazars do.

It's just. It's about how sometimes things will not be the same. They will be different. That doesn't mean the people you lost aren't still with you.

[shalpilot]

late night train of thought comic abt the point in heavensward where kiril makes a decision that would later be described as “very bad”

[n0bluev]

@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔

[gabotactyl]

need that radioactive cowboy so bad you just don’t understand

[genderqueerpond]

pretty funny how every time someone tries to give Tegan a male love interest in an audio drama it somehow turns into a story about how much Tegan isn't interested at all

--- it's a curse why don't they stop trying ----

it's actually great. do the writers even know they're doing this??? my theory is that they're actually earnestly trying to write it at face value…. and then Janet Fielding delivers it ….like that….

and. well.

[koifsssh]

LISTEN. LISTEN TO ME. I WATCHED THE AMAZING DIGITAL CIRCUS AND I HAD A VISION.

npc rainy...

he is supposed to be friend shaped, acts as a sort of friendly face to make the place less empty and lonely! someone you can talk to whenever you want!

of course such ai has to come from somewhere! let's just say he's "recycled"!

err... don't let him learn that though!

[boyfridged]

Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?

tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 

let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 

imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 

(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 

another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.

so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?

if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?

i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)

these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 

moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 

and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.

so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)

[asmidge]

Thinking about Randal Graves ouggh I’m sick. screaming crying etc etc I’m going to put my head through a wall thinking about him

[south-sea]

shadow might have a good poker face but the trade off is he can’t control his ear movements worth a damn even if it’s to his own detriment. dude could be getting interrogated and his ears are waving around like he’s flagging down a plane

[crepus]

Me and my mentaly stable besties (Qin Xian and Wang Yi)

[acourtofquestions]

Dont be angry, Finnula said. Be smart.

[triglycercule]

i want to headcanon the mtt having absolutely terrible hygiene and struggling to keep themselves clean (this MAY... just QUITE POSSIBLY.... only in the SLIGHTEST bit be projection) but i think it would be too gross and man EVEN I dont wanna think about that

also killer canonically smells good and i actually really LIKE that idea so oh shit there goes that idea out the window. horror and dust youre my only hope please let me make you smell bad for reasons you won't understand

[padfootastic]

This sainthood of Lily is a bit funny, because Lily was out here making excuses for her best friend’s blood purity for legit years, she had to repeatedly make excuses for him to her other friends and she admits this in DH. It’s actually more interesting to think about that side of her, the side that refuses to let go of a loved one and won’t accept what they’ve become until she quite literally has no choice but to do so.

no but this is what im saying!!! saint lily, mix of hermione and molly weasley, is so funny but also so boring to me like,,,

i dont think lily was ever opposed to james in swm because of the macro 'bullying innocents' aspect. i think it was a problem only bc he targeted snape (and thats an imp distinction for me) bc we know, from her later conversations, that she was friends with snape knowing his friends (and him, presumably) tortured/bothered innocent muggleborns and didn't really do anything until it came to her. she gives off more of the ~privileged minority vibes than ~social justice warrior to me, tbh. and it's interesting--because not making her a paragon of morality is so much more fascinating to me.

like, lily as a cutthroat, slytherin-adjacent muggleborn who's doing all she can to not just survive, but thrive.

[catta1ll]

hi selfship community. so about wallter

[nomairuins]

i need to be back on t brother i donttttt want to be having periods again.