#i can absolutely not

[jinx-on-mars-19xx]

@ yungblud: Hello.

[overcaffeinated-aro]

ok not to be that guy but like. labor rights and working class rights can coexist with 24h services and late amenities. its certainly hard to do so without worker exploitation in this political and social environment, it’s not a conflict likely to resolve overnight. but 24h services are important and especially valuable to those of us that are disabled or are on a different circadian rhythm. in fact more professional, health, and government services should be available or at least possible to work on asynchronously (if applicable) during late or odd hours, while workers also get sufficient pay for their labor and proper consistent scheduling. this would be much easier on the workers with night schedules if the entire professional world didn’t grind to a halt at 5pmEST

[akaanmo]

thought about what a robin to the absolute!batman would look like. conclusion: small

[anarchopuppy]

I, a hearing person who likes subtitles just as a preference, shouldn't have to read a subtitle that's obvious nonsense, go back a couple seconds, and listen again in order to figure out what's going on. An accessibility feature should not be the most half-assed part of a professionally made production. Scripted media has absolutely no excuse for not having subtitles or having subtitles that aren't perfectly verbatim. Professional captioning services should be ashamed of the shoddy work that they put out. Captions should be treated as a part of the production, just like filming, editing, audio balancing, etc - and anything that releases with missing or bad captions should be seen as unfinished

[asha-mage]

Broke: Merlin is a royalist because he is a class traitor boot licker

Woke: Merlin is a royalist because he was raised a peasant in the sixth century and he has the perspective and values typical of that time period on top of his personal experiences with Arthur to give him faith in the enlightened despotism favored by Catherine the Great and Frederick of Prussia.

Bespoke: Merlin is a royalist because anyone who had to live through both the English Civil War and Voltaire's exile to Britain would come out the other side thinking democracy is stupid.

Transcendent: Merlin is not a royalist. He is the divine right of kings in human form. The avatar of Albion and its magic. He does not believe in kings because of Arthur. He believes in Arthur so Arthur gets to be king.

[missroserose]

Currently taking odds on this guy showing up as Sam Reich’s evil twin in the next season of Game Changer

[sinkfood]

did you know there aren't any god-like powers of indigestion

[slothmonth]

I agree that "in Germany your boss legally has to provide you with work while you're at your job" is a bit funny considering the German stereotype. But I am really annoyed at people who act like this is some horrible hypercapitalist thing on that post about pushing people out of their jobs by just not giving them anything to do. When really it's very basic worker protection (within the context of German emplyment law.) Because under most circumstances you can't just be fired from your job. Your employer has to provide a reason for firing you if they want to get rid of you. You also have a right to specifially the work you were hired to do.

So your boss having to give you appropriate work makes illegal any of the following:

a) Making you clean toilets instead of (or in addition to) the clearly defined office job you agreed to do

b) Not giving you work and then firing you for not doing your work

c) Waiting for you to crack under the intense boredom of having to stay on one place with absolutely nothing to do for eight hours a day while your coworkers are roped into it to shun you (or hate you because for some reason you're the only one who doesn't have to do any work) until you quit "voluntarily"

or d) waiting for you to crack under the aformentioned pressure until you do what the people in the notes said they'd do, like watching movies or doing a second job instead which is something you then can be reprimanded and fired for

[idontmindifuforgetme]

It’s important to go through the vetted fundraisers list regularly & see what families have little to no funds. This could be for any number of reasons, like language barriers or maybe not being familiar w Tumblr. Either way we shouldn’t expect families to know how to market themselves in order to platform. This shouldn’t rely on networking & connections. As many fundraisers as possible should get their turn in being promoted and circulated. Appealing to you first should not be a prerequisite

[corkinavoid]

DPxDC Alt Rock to the Rescue

[Inspired by this art]

"...Alright, I might have an idea," John Constantine, who was seemingly busy texting someone for the past ten - or twenty, no one really counted - minutes, puts his phone away and snaps his head up.

The room falls silent. Superman blinks in surprise, Diana frowns slightly, and Batman's mouth is pressed into a thin, stubborn line. Flash recovers first.

"You have an idea?" He huffs a short, disbelieving laugh, "No offense, but I'm not sure a magic trick can help us against, you know, an alien fleet." He gestures to one of the screens on the wall, where said fleet is approaching Earth on live.

The rest of the Leaguers present don't exactly agree with him, at least not verbally, but the mood in the room shifts from tense, anxious alarm to an almost palpable annoyance. To be honest, no one was even sure why or how John Constantine of all people ended up in the meeting. It's not like JLD could actually help with an ongoing, massive invasion that was about to happen in less than three- Correction, less than two and a half hours. Besides, it's John Constantine. The man that never shows up unless outright bullied into submission.

The magician winces briefly and starts rummaging through his pockets under the weight of everyone's attention.

"I said I might," he amends gruffly, getting a cigarette out of one of his pockets and sticking it in his mouth but not lighting it. Seems like it wasn't what he was looking for, though, because after that, the man keeps going through the various places on his coat, patting himself down. "I know someone who can deal with it. Granted, I already owe him a great deal, but he won't say no," he pauses and grimaces, "At least I hope he won't."

"I do not think it would be wise to call upon gods in our situation," Diana tries carefully, but John pays her little mind.

"Or demons," Green Arrow adds, crossing his arms on his chest, "I'm not selling my soul to get rid of some rocket ships or whatever they are."

Now, that makes the magician bark a laugh. Or, maybe it's the piece of lime green paper - a sticky note, actually - that he finally finds in the depths of his pockets.

"Oh, your soul's gonna stay where it is."

"Constantine-" Batman starts, but John cuts him off instantly.

"Mine will stay wherever it is as well," he reassures the man, "It's not that kind of entity." And with that, he promptly sets the green note on fire - green fire - and uses it as a lighter for his cigarette.

The next moment after the note is reduced to ash, there's a shift in the air in front of him, and, before any of the heroes have a split second to react, there are two people floating in the middle of the room, backs pressed to each other.

Two teenagers, to be exact. A girl and a boy, both of them so pale that their skin looks gray, and both dressed in grunge, like they just came from a rock concert. Yet, that's where the 'normal' parts of their looks end - the boy's hair is so white it looks blinding, and moves in the air slowly, undeterred by gravity, and the girl's hair is neon blue, her ponytail flickering up like a flaming torch.

The boy nearly topples over as the girl leans her back on him harder and kicks her feet up slightly. The movement is awkward, like both of them were taken by surprise by the sudden relocation, and maybe the guess about the rock concert was not so far from reality; there are drumsticks in the boy's hands, and the girl is holding an electric guitar in her hands.

"The fuck?.." The boy asks no one in particular, as the girl makes an annoyed groan and straightens up, still floating in the air. Her guitar makes an aborted sound. Meanwhile, the boy's eyes land on Constantine, and his whole face scrunches in disgust, "John, for the love of Ancients, I was in the middle of something."

The girl takes a look around while her friend is busy expressing his annoyance and elbows him in the side, "Oi, look, it's the whole Comic Con in the flesh here."

Green Arrow sputters. Flash makes a wordless but very offended sound. The floating boy looks around, taking stock of faces in the room, and the disgust on his face morphs into exasperation.

He turns back to Constantine, "Really? I thought I told you I want no part in your furry parade."

"Alien invasion," the magician decidedly doesn't address any of that, instead pointing his finger to the screen behind him. "Thought you ought to know," he adds, a bit of sarcasm bleeding into his tone.

"Ooh, is it my turn to be your world saving buddy, Phantom?" The girl perks up, turning around and draping herself over the boy's shoulders with a giddy laugh. Her guitar shifts to hang in the air on her side all by itself.

The boy - Phantom - rolls his eyes. Bright green, glowing eyes that definitely don't belong to a human being.

"If I had a nickel every time I had to save the world, I'd probably be able to buy myself my own guitar," he grumbles and looks back to Constantine. "Do I, like, have to? Right now? You know, I don't get paid for this bullshit, and the studio we rented for rehearsal has an hourly rate, so if we can postpone this for about an hour and a half, that'd be real nice."

"The fleet is only two hours away from Earth," Batman supplies suddenly, and, when both floating kids turn to look at him, adds, "I can pay for your next rehearsal. Or a few of them." Evidently, Phantom's comment about nickels struck a nerve. Or, maybe, the man just likes throwing money at any teenager he encounters. Who knows.

The boy blinks, taken aback by the proposition. But the girl grins, sharp and wicked, and shoves her drummer - if the drumsticks are to tell - in the side again.

"Hey, free studio. Better than the last time."

That snaps Phantom out of his stupor, and he groans, "Don't remind me." With a weary sigh, he runs a hand through his hair and leans back in the air, almost like reclining on it. "Okay, fine, sure. Do you want them, like, away from Earth- um, this is Earth, right?" He turns to Superman, surprisingly, looking for confirmation, and the man nods, thrown off guard. The boy nods back and continues, "Or you want them blasted into oblivion, or what?"

"Whatever suits your mood, kid," John waves his hand at the screen as if making a welcoming gesture, "But all the aliens gotta go."

Unexpectedly, that makes the girl's grin even wider, and she reaches for her guitar, floating around Phantom and looking him in the face. The look she gives him speaks of mischief, and the boy seems to understand what she's implying before she as much as opens her mouth.

"Ember, no," he pounts a drumstick at her.

"Ember, yes," she wiggles her eyebrows, "Come on, your wail is boring as fuck as it is, why not spice it up?"

"I'm not wailing," Phantom scrunches his nose, "My throat will hurt for weeks."

Ember runs her fingers over the strings of her guitar, and it makes a comparatively quiet, vibrating sound. A few cords shoot out of the bottom of her instrument, like ones used to plug an electric guitar to an amp. She raises her eyebrows, still looking at Phantom, a silent conversation between them.

Then, the boy huffs and rolls his eyes, twirling a drumstick in his fingers.

"Fine."

The cords fly at him like snakes, aiming at his neck. None of the Leaguers watching the encounter get to say even a word as the metal pins insert themselves into the boy's neck, acting like some twisted kind of collar. Phantom doesn't even flinch.

Ember's guitar, on the other hand, reacts to the connection quite violently: it makes a high-pitched sound all on its own and then changes color from black and blue to white and green, with lightning bolts instead of flames for design. The girl's ponytail flares up higher as she softly murmurs in delight.

Then, she turns to the people around them and smirks, "Which way is the evil alien fleet?"

Flash wordlessly points his finger to the right and up. The girl nods in satisfaction, turning in the air so her guitar is facing that way.

"You might want to cover your ears," Phantom advises, a sly smile on his face and a glimmer of anticipation to his eyes. John Constantine follows that direction immediately, and, taking his move as the best course of action, the other heroes follow as well. Except Batman, who only narrows his eyes and looks at both teens in the air apprehensively. Phantom shrugs, "Or don't, I don't hold any responsibility for your shattered eardrums."

"Pick up where we left off, then," Ember tells him, and the boy blinks:

"Wait, I thought you'd just-"

[For some wholesome experience, put your headphones in and listen to 'KULT' by Jisaiah, grandson, and Steve Aoki]

But the girl has already started a tune, nodding her head to the rhythm of it and slowly picking up the pace. Phantom huffs, but doesn't protest any further, floating up as much as the cords allow him and spinning a drumstick in his hand.

"Maybe I should join a cult

At least they'll tell me it's not my fault

That the world's a fucking circus

That my life feels fucking worthless," he spits the words out with a sneer, slowly rotating in the air until he is hanging upside down. His eyes are closed, and his voice becomes more and more staticky with every new sound. The volume of Ember's guitar gets up, higher and higher, until the walls and the floor of the room around them start to vibrate.

Then, Ember's voice joins Phantom's, and the boy brings his drumsticks down on thin air, mimicking the moves. Only, even with the actual drums not there, the air around him ripples like they are, and they all can hear the beat.

"Maybe I should join a cult

At least they'll tell me it's not my fault

When it all comes crashing down

We'll see who's laughing," both kids pause, just for a beat, and Ember uses that split second to spin the volume knob to the max before strumming her guitar in one wide, sharp move.

"NOW!"

The sound wave is not only palpable, it's visible. A wave of toxic green ripples through the air, knocking everyone present - sans the two kids in the air - to the ground, and goes beyond. The screens on the walls flicker and turn off, sending sparks in the air, and the comms give off loud, screeching noises, and-

The following silence feels almost deafening.

Batman, unsurprisingly, is the first one to stand back on his feet and see a few of the screens come back online.

Just in time to see that same green wave of... sound? energy? power?.. decimate the entire fleet like a wet cloth over a chalkboard. One moment, the spaceships were there, and the next they are gone, wiped out of existence.

Ember laughs, leaning back and almost doing a backflip in the air.

"That was nice, dipshit!" She shoves Phantom in the shoulder, and the boy snorts, plucking the cords out of his skin and grinning.

"Yeah," he agrees with a smile, not even looking at the screens around, "Maybe we should try rehearsing in space next time. Sing to the stars and all that crap."

"Sing to the stars?" Ember raises her eyebrows mockingly as the rest of the heroes scramble to their feet, bemoaning their ringing ears. "Na-ah," she clicks her tongue and turns to Batman, "You still up for paying for our studio?"

The man just grunts in a semblance of affirmation.

"Sweet," the girl grins and offers Phantom a hand for a high five, which he returns instantly. "Cheers to the world being saved once again!"

The boy just rolls his eyes and turns to Constantine, "Next time, be a dear and text me before summoning, or I'm going to sell your soul to Morpheus, and who knows what he'll do with you."

John Constantine grimaces. "I did," he offers grudgingly.

But both unearthly teenagers are already gone without a trace.

[Edit: I want everyone to know there's ART now!!!]

[Edit 2: There's more art!!!]

[gremnda]

I CAN'T STOP WINNING! aw dang it. aw dang it. aw dang i-

hey gang i am back with another pearl animatic. she lives in my brain and my drawing tablet rent free

here's the individual frames!

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[o0kawaii0o]

"Oh farmer! Good morning!"

[fan-a-tink]

Today's edition of "Merthur interactions I think about daily"

[egophiliac]

GET LOVED, IDIOT

GET LOVED SO HARD YOUR KIDS HOLD HANDS AND POWER-OF-LOVE YOU BACK TO LIFE

sorry guys, this is just my brain now. this is going to be the only thing I think about for the next week at least.

oh and also this

FIVE YEARS IN AND IT'S FINALLY CANON 🎉🎉🎉

WE DID IT

[bananonbinary]

theres a certain youtuber that i like and every once in a while i see some bullshit drama starting video about them and i'll start it like "oh no did they do something really bad" and every time its always "idk they just strike me as really creepy" about extremely normal social anxiety/awkward behaviors.

anyway some of yall are extremely not okay about very minor "not fitting in" behavior and it's really really cruel. stop being fucking mean girls.