#i believe this season had intense pacing issues

[daily-linkclick]

so many thoughts about the new season..

[ccl-c]

some things i wanted to draw a while ago but never had the time because work has been so intense. now that s2 ended this way …

long rambling below:

i had been having a very bad feeling about the “devastating loss” and fuck it really happened (it being foreshadowed from ep1 is kind of funny but fuck).

i did enjoy the episode, and if this is the end of the show i'm good with that. ep8 isn't just about izzy's death obviously, nor is the season or the show about izzy, and i know it's a bridge season where problems are not solved, but i need a way to get over this, so.

within the episode i think the death is beautiful, but within his whole arc, for me it's the timing and david's explanations that i found kind of awkward and disappointing. it might be because the budget got cut but i think also because izzy's arc was a bit too prioritised especially if david wanted to stick to the mentor-death-in-act-two trope (izzy is my favourite character but i have been feeling the unbalance since ep3).

izzy's last speech sounded almost too early for ed's arc. letting a repressed traumatised amputated (also talented and romantic and sometimes humourous) elder apologise for what he believed half of his lifetime and die voluntarily (to some extent; i think he said “i wanna go” mostly because he knew the wound was fatal, but then why must it be fatal it was on the left side?) when he was just physically and mentally getting better is tragic but it also could have been a more satisfying death. i am very biased and very bad at literature, but i think if izzy and ed got to earnestly communicate about their relationship and past issues, if ed had more interactions with the crew to (re)build the mutual love, and maybe if besides telling ed to “just be ed” izzy really got to see it (when he's not dying), his story would be more complete and he would really be leaving at his happiest.

of course death is inevitable in life and unpredictable in piracy, of course there are tropes in tv shows, and of course it's part of the journey for the audience to feel devastated. but i read multiple interviews and the central idea just seems to be “the mentor often dies in the second act” which is valid in itself, but then s2 becomes “how can we make the most out of his last moments” (after posting this i heard that “funerals strengthen families” dropped; i'm just so disappointed i don't know what to say). honestly i was confused about how david said “let's give con all the toys he could play with” (yes if i had con in my show for one last season i'd want to let him do everything possible as well and i am grateful david did, but after all con played a side character; also it's cruel to “give him everything” while hiding the ending from him until halfway through the shooting); it's supposed to be a story and not a talent show (um). if time is too short for his ideal arc then maybe he should do fewer things but each better paced, or maybe the mentor-death-in-act-two trope needed to be adjusted, or maybe it wasn't the right trope at all.

i might be dumb but i didn't see the mentor-hero relationship before stede said blackbeard said izzy made him the captain he was, and even then i honestly thought it was mostly stede talking for ed. when david put it like that i can see little traits of it in s1, but i find the jesus-judas (jcs) dynamic much more obvious. let alone the father figure thing; didn't see it at all.

there are many ways to mark an end and for a recurring character to leave (buttons turning into a seagull was beautiful; the swede temporarily leaving to become jackie's husband was also lovely; but ivan's death mentioned by fang just looked like they had to get rid of him); ultimately what frustrates me is that it's unclear what the concept of death itself brings to izzy's arc at this point. major character “deaths” in this show is often associated with change or rebirth, and i'd expect a realistic humanly death from severe wound to also open up something new in his story or in general, even if his life ends here. maybe that's for s3. but for now he died just because their power-thirsty enemy hated him and his gorgeous speech and piracy; ed did not seem to consider the crew his family, nor did the crew seem to bother. piracy did become more about belonging though but that's not his legacy.

on a side note, letting a disabled elder (who was previously seen seriously irritating ricky) escort ricky and no one noticing ricky hid a gun? izzy was playing with fire (ha) to talk to ricky like that but at least ed and zheng and jim and jackie could have been more alert. then roach was asked to look for bandages and nothing happened afterwards? that was the guy who replanted his own arm back and who was ready to chop off lucius's finger. if he just came up to izzy's side and tried to take care of him and then izzy said “no it's too late i want to go painlessly”, or if someone said “let izzy and ed have their moment”, then okay, but having roach try to save izzy with no follow up is kind of disrespectful to roach's character.

with how much david loves izzy and con there probably was a better version of this story that didn't fully make it into the show. that said, i do work in a creative industry with various constraints in many directions; it happens that creators have intentions and priorities that the audience does not understand and vice versa, it happens that budgets got cut and what you deliver is not what you would have made in better circumstances, but when a mainstream tv show got such polarised reactions about one specific part of the story, there might be a real problem and the budget or the creative direction won't be enough to justify it.

then if all this is for izzy to be brought back in s3 i'm curious to see how it will be played out. his death was shown in such an explicit way and he even got buried on land (honestly the burial was weird and a bit creepy for me but well) it doesn't seem likely he survives again; it might be fun if he reincarnates as a creature or appears in new flashbacks, or in the gravey basket.

(also, now that izzy's dead, i hope con can share his version of the backstory of izzy's ring.)

my point is, maybe, that i think izzy's arc in s2 was so saturated and glamorous and full of potential that it felt too important to end, while the main romance and the crew's arc could have used some more time to address more context or some issues underlying since s1 for example. also lots of things weren't consistent and many interesting points were never addressed again, but i hope it's left open for s3.

but it doesn't undo what has been great about this show. the death scene itself was beautiful too, and the whole cast and crew deserve an hour-long standing ovation.

i guess it's just a bit like you went on a really fun roadtrip with a beloved friend but had an unexpected misunderstanding leading to conflict with said friend at the end of the last day. eventually you probably stay friends because you always had a good time, but you will be thinking about the conflict.

[unitedbydevils]

Match Review: Manchester United 2-0 PAOK

It wasn't a vintage United display, but it was our first win in Europe in over a year. We'll take it.

First of all, we must address the creativity and dynamism offered by this lad. I've pinched the photo from the United socials, but my god did Amad grab the game by the scruff of its neck.

Beyond that though, things were quite lacklustre and quite worrying. This is why ETH got sacked and why we haven't scored many, but here's just a few of the things going wrong:

People weren't really trying to feed Hojlund.

Players dithered on the ball and slowed the tempo down severely, killing any chance of exploiting mistakes in PAOK's positioning.

Players misunderstood each other's intentions - see Bruno & Amad repeatedly. This is fixed by more gametime together, however.

Some decision making is dogshit. Garnacho shoots when he shouldn't and doesn't when he should. He needs benching and using as a super sub more.

The press is decent but player intelligence is lacking. PAOK's no8 ran a curved route through our front 5-6 players and everyone was like ??? whose man is this? That's shite at any pro level, let alone in a European cup game.

Not everyone was bad. Jonny Evans and Noussair Mazraoui continue to be mercurial and ooze composure. One was a Fergie player, the other would have been. Of all the players in our squad currently that didn't play under the Boss, Mazraoui is the one that you go "yeah, he'd make the cut". Shades of Denis Irwin in how reliable and consistent he is, which I love.

Ruud Van Nistelrooy said it himself when talking to TNT Sports post-match that the first half was bad and the second half was more like it. And that's fair; the intensity increased, the tenacity increased. Maybe it is just a confidence thing, but there's a huge absence of desire, and that lack of wanting the win is a cancer. Maybe some players being tuned out is making others like Bruno play like shit, because for all our captain is Mr Chance Creation, he still lacks in the passing department versus Odegaard and KDB. He still has a random scuffed pass in a match that will open us up to a counter and get us panicked.

It's not all a Bruno issue though. Along with Mazraoui they were actively encouraging Amad to join in the overlap game to break into the box, rather than cut in to the crowded edge where Bruno, Casemiro, Hojlund and Garnacho were all sitting. This will be the area of challenge for new manager Ruben Amorim this season: how do you fix United's attack and get them harmonised on what the best offence is? We know they like to counter and use pace on the break, and we know they can be patient and recycle possession when facing a low block, but United's issue really does seem to be intelligence related. We don't like to flit between strategies. People can call out Erik Ten Hag for tactical stubbornness but maybe he was so rigid on Plan A because players hadn't the IQ to handle a Plan B or a Plan C?

2-0 was a fair result but we should have had a penalty for the foul on Amad in the 17th minute and PAOK should have scored from point-blank range in the 64th. I was sat in the Stretford End under the scoreboard and could not believe that they hit such a tame shot. Madness.

2 wins and a draw for interim boss Ruud then, with a repeat match (this time in the league) versus Leicester at home, 2pm on Sunday to round out his spell in charge before the international break and the arrival of our new handsome Portuguese bastard.

[lesbianpegbar]

IS LINK CLICK GOOD AGAIN WAS RHE FINAL GOOD

okay god so. this is complicated. i'm keeping this spoiler free lol, but i wrote an essay so if you dont wanna read that tldr this season wasn't good and this episode retains those overall issues but left me with enough intrique that im still invested if incredibly cautious and heavily jaded

i have suchhhh mixed feelings on this final episode and on season 2 as a whole. having slept on it and letting the euphoria wear off a bit, the episode as a whole was like. fine. it was emblematic of a lot of the issues ive had with the whole season so far. i think the pacing wasnt great, i think we spent way too long on flashbacks, and oh my god the fight scenes were far far too long (looking at one in particular like i did not care about those characters or their relationship). but the ending of the episode, at least in the moment, made me forget all about that and all about the problems with the whole season. it focused back on the main trio, and we saw interactions between them that made me remember why i love these characters and why i loved season 1. and there was a reveal at the end that, when watching, made me quite frankly go absolutely ape shit insane and feel like i was dying so. lol

but again, sleeping on it, while the end of the episode was a reminder of what i loved, it feels a bit hollow when placed in the context of the rest of the season. i think of how crazy the reveal was last night for me, but then i wonder how much more intense and meaningful it wouldve been had we actually spent the last 12 episodes exploring these characters instead of speedrunning a plot that nobody really cared about. in that way, it almost feels a bit insulting? that's kind of harsh, but idk how else to put it lol. like they had this great idea and strung us along with the bare minimum while making some of the worst writing decisions ive ever seen, and then finally at the end are like "hey! remember this thing! remember! arent we smart and clever and good writers!" and its just. sigh.

i think about what we couldve had had we spent this season with lu guang and cheng xiaoshi. if we had been shown them interacting more than maybe two times this season. if we had spent less time on fight scenes and cops and murder drama and actually spent time on the characters that i watched season 1 for. this season feels like something that shouldve been a film or half a season, if it even really needed to exist at all. it feels like they were twiddling their thumbs for twelve episodes because they just wanted to set up li tianchen and the big reveal at the end. and in that way its a huge disappointment, and a bit of an insult. they made me watch twelve episodes of something that feels like they barely thought about just so they could move on to their greater plot in the last five minutes of the season. this whole season feels like it was a stepping stone, a minor or transitory plot point in a greater story, which is a little iffy considering we all waited for two years just for something that felt like it barely mattered.

all in all, this season in general has just left a bad taste in my mouth. the conflict arises bc what they do get right makes me want to keep watching. i care about lu guang and cheng xiaoshi and qiao ling, like a lot. and with the reveal they did last night i want to see what's happening and there's a part of me that feels vindicated for being right about certain plot elements. am i falling for a shitty carrot on a stick? yeah, kinda, and that feels a little gross. i'll watch season 3 when it comes out and we'll see from there. i want to believe they'll turn it around and maybe now that they've gotten all this plot bullshit out of the way they'll refocus on cheng xiaoshi and lu guang, and maybe then we can all look back on this season and laugh and say "oh yeah that season sucks lol but the rest of it is so good so we just ignore it." at this point that's kind of best case scenario. which isn't a glowing review but play stupid games win stupid prizes i guess

[hardtchill]

Can you breakdown for me what exactly Tobin’s problem is with playing 90 minutes? Does she just run out of breath or does she basically cramp up? I remember she started against Wolfsburg but came out at half time I believe. Then Tim Stillman said he believed it to be a fitness issue. Tobin looks so in shape so I just don’t get how she can’t play for full 90s. Or at least 70s. Christen, Alex, and Pinoe can all do it so I don’t get why she can’t. I get why it makes more sense to not have her play 90s so that her chances of injury are decreased a bit but why can’t she physically do it is what I’m asking

It's hard to break this down without knowing all the details of her medical situation, but i am willing to try.

I think for Tobin it's more about the lack of consistency and build up than her overall health. Think of it as running a marathon. Even a really fit person would still need to train and build slowly. They won't run the best time in their first race, they would need to train and slowly they get better and better.

For Tobin that build up happens in practices and games. In a perfect world she would build slowly towards being a player who can handle 70-90 minutes. The problem is that the past 2 or so years she keeps getting injured before she gets there. She will be able to play 50 or so minutes and then boom, injury and she is dropped way back down again and has to start over.

The game against Wolfsburg wasn't typical tbh. It was extremely high paced and intense which caused Tobin to burn up quickly. I'm pretty sure they had planned 60 minutes for her that game but after 45 she was empty. That wasn't her not being able to play 60 minutes in a normal game, it was simply an abnormal game.

If Tobin can stay healthy and actually build up to 70-90 minutes i think she can stay there. It's just that getting her there has been proven very difficult. That's where the medical part kicks in because her constantly getting injured isn't a product of overplaying (obviously) it's old injuries constantly recurring. The knee surgery she had should help her, but there's no saying if she will actually be able to ward off injuries this season and become a 70-90 minute player again.

[shakapuffin]

Alert episode 2 promo!

Alert 1x01 Review

So what did everyone think of the first episode?

Here’s my honest and unbias thoughts as a playwriting and screenwriting as well as a television studies student currently in college:

- i thought scott was great, as was dania! I also really loved ryan broussard and adeola role! i’m a bit confused on “C” and what his purpose is besides photoshopping a cat onto jason (I know it was supposed to be comedic but they were in the middle of a serious kidnapping)

- the pacing was just off to me for some reason, i was hoping for a more joyous and drawn out reunion with keith but i personally just thought it was too quick with no questions asked. i thought the beginning was fine (absolutely loved the opener with jason in afghanistan) but then it kinda flew for no reason, they could’ve drawn out finding keith at least through the next episode (dare i say they could’ve drawn it out even through most of the season but i get it now with the twist at the end)

- as i’m sure many of you are reading, yeah, believability is a bit off, especially when dealing with a serious police unit like that but i can get over that quick enough, i care more about story. sometimes dynamics in a team are just unconventional and that’s how it is but that might not go over well with other viewers.

- i think there needs to be a better balance of solving the case of the week and then dealing with their personal case/issues. just because it was kinda crazy how Jay and Nikki literally flew to Las Vegas in the middle of a case. like I get it, it’s your son but you also have a really important job too. It would’ve been better if just jason went and not Nikki, since she’s the head of the missing persons unit.

- i think they added too much at the end, either they shouldn’t have added the second kidnapping of chloe or the reunion with keith. having those intense emotional moments are what brings the audience in and keeps them engaged (especially if it’s acted well, which i thought scott, dania and even graham (keith) acted out beautifully, if only they were given more time)

- i liked the twist at the end with keith and i understand that they can’t just do a dna test, keith and sidney are adopted. but the dog always knows!!! i think this mystery and the character’s relationships with one another is what really drives the show and hopefully they can stick to that without ruining the week to week case.

- overall, i thought the pilot was a bit wonky, just story wise though (i thought it was acted beautifully, shot nice and directed well), hopefully they find a new perspective and a solid ground in the writers room just because i’m worried that the show may not be picked up after this year if they keep going like this with every episode.

again i just looked at it with a critical eye because my major in college is literally screenwriting lol! but i’m excited for tonight’s episode, i will definitely still keep watching.

i think a lot of people, at least from what i’ve read in reviews and tweets, had some problems with the pilot but they will be back tonight for the next episode. writing a pilot is very difficult (i’ve written a few myself and it’s really really hard), and most tv pilot and finales are not good at all! except for Lost (best tv pilot i’ve ever seen) and even H50 (that was very well written pilot) but usually the show picks up steam and engages the audience more!

let me know what you all think, again this is just my opinion. also i’m curious to see how it did with viewers and it’s rotten tomatoes! 💛

[letters-to-rosie]

lol I've been summoned hi 💗 (I should reblog that Hexgates neoliberalism post I made)

but yeah, pretty much lol like I think there are very legitimate grounds upon which to criticize Silco and his handling of the situation, but a lot of the critiques that do get made are less fun (to me anyway) because it's just rehashing the same things over and over again

when I finally finish my essay (I will probably say this for several more months lmao my schedule's a bit brutal at the moment), I can show my full critique of how I think Silco's main issue is not at all behavior on the oppressor's terms (he doesn't believe in that; good on him) but never letting go of the oppressor's terms of what success looks like and what that means. the show's so fast-paced that it's hard to tell, but I do feel like the neoliberalization of the Piltover economy, which sees it relying less on producing goods (via labor of the Zaun folks) and more on shipping, which is less labor intensive. that would greatly increase the reserve army of labor, and that's historically connected to global flows of drug trafficking as well, but like the short of it is lots of people in Zaun would in theory lose their jobs and Silco could have directed that energy through some sort of mass mobilization precisely because he kept the Enforcers out, taking away the power they have to really surveil a movement like that. like he made the perfect opportunity to really fuck some shit up, and I wish he had lol. maybe he wanted to, idk, but that sort of thing takes time to build, and I feel like if he had we would've seen some sort of mass movement energy

i'm just really tired of capitalism bruh

but yeah I do feel bad for Vander becasue he's really so beaten down he doesn't see any alternatives to the current situation. Arcane is so weird because you can pull a lot of messages out of it and I'm like hey is this going to be a reading validated by future seasons or are the revolutionary vibes just seeping through the cracks, who knows haha

edit: and to respond to the point about Ekko, I guess you could use that analysis as a lens to read what he's doing, like he gets with a bunch of other people who are disenfranchised and tries to build something (since no one has jobs anymore lol) but he IS facing direct violent oppression not only from Enforcers but also Silco's people, so it's almost like you can see how Silco's project would have had so much more trouble if he hadn't been able to negotiate the use of state violence on his operations through his connection with Marcus

On Silco and Molatovs

I still think about how the creators of Arcane wanted the opening scene to be a young Silco throwing a molotov cocktail during the Day of Ash on the bridge. It's supposed to be implied that Silco's actions were the trigger for why that day escalated to such violence and death. But honestly, all it does is vindicate the success of Silco's leadership in Zaun.

Most of the problems Silco faces in Act 2 & 3 are practically the same challenges Vander faced, but worse. His kid blew up a building and intentionally murdered people while doing it. The operation he had his kid go on got interrupted by a rival gang of young people with the objective literally up in flames. Piltover's putting (economic) pressure on Zaun to find the culprit on the Progress Day attack. Silco also has to put up with upstarts attempting to undermine his leadership position as tensions starts to mount. In spite of all the pressures Silco faced, he was able to manuever around them all a lot better than Vander did.

Let's take Jinx's hexgem heist for the first example. One building robbed and vandalized, another building set on fire and bombed, and six enforcers killed. Yet the only enforcer that was in Zaun for that escapade was Marcus, because Marcus couldn't treat Silco like Grayson treated Vander.

When the kids accidentally blew up the Kiramman building during their heist, no one died, but enforcers were flooded into Zaun, because Grayson saw it in her capacity to do that. Even when Grayson goes to calmly speak with Vander, she's still flanked by aggressive underlings who consistently escalate tensions. Grayson, as the Sheriff Vander trusts, either can't control the enforcers in her charge or is incredibly lax with how they operate, and that's because Grayson had no incentive to be genuinely effective.

Grayson and Vander operated on knowledge where both assumed Piltover's forces had the upperhand on Zaun and could demolish them. No matter how cordial Vander and Grayson were to eachother, Grayson held the cards in that dynamic. There was nothing Vander could do if Grayson just changed her mind about keeping enforcers out of Zaun. Grayson just believed it was for the good of both cities to avoid further bloodshed (that Zaun risked) by delegating responsibility of Zaun to Vander. They manage to work together essentially through Grayson's grace, rather than Vander's own legitimacy as a leader.

Marcus however, must actually attempt restraint because both he and Silco have actual stakes in their relationship. So Marcus enters Zaun ALONE to figure out a solution with it's defacto leader, Marcus is just upset about it the whole time. Frankly that's why I think Jinx intentionally caused as much loud and obvious damage because she KNEW she would get away with it, she still kind of has (she isn't in Stillwater). Jinx has been with Silco for at least seven years, she knows he's got Marcus in bind that's only getting tighter, and knows Silco won't hesitate to throw someone (the Firelights) under the bus for it, unlike Vander.

And even when passage through the bridge is shut down and Zaunites are out in anger protesting, no one dies. Some Zaunite there literally threw a molotov cocktail at the enforcer line and yet violence on the scale of the Day of Ash didn't transpire, because Silco put them, specifically Marcus, in a position where the had to be restraint. In every aspect of Vander's leadership that's about real material gain, Silco has managed to succeed where he failed. Practically every act of aggression at Piltover under Silco's regime never saw the same level of retribution that Vander's did. Sevika chose Silco over Vander because she believed he truly was a more effective leader, and she was right! In the end, she didn't betray Silco because he easily outpaced all the other contenders.

Tldr: Whenever the writers bring up Silco's faults, sometimes it just makes him look better than his counterparts in terms of skill and effectiveness. Silco managed to get Zaun treated like a separate nation faster than Vander could have dreamed.

[allstrangerthings]

Vol. 2 was….something. In my opinion, S4 started out strong and was obliterated by Vol. 2 — and I could go on and on and on about the bones I have to pick with it, but everybody else seems to have covered it. I have one main issue with this season, and it pretty much is the root of everybody’s complaints.

The writing has gotten careless.

The main part of Vol. 2 that bugged me so badly is how rushed it was. I get that the episodes were longer, meaning more time for action - but now we’re being catapulted into season 5 and the feeling is less than satisfactory.

Stranger Things as a whole was never intended to be a super long series with 10+ seasons and 15+ episodes per season. We knew this from at least season 2, and honestly I’m glad that hasn’t been designed to be dragged out until it’s sucked of all life. However, it feels like the Duffer bros are in such a rush to wrap the story up that the intensity and anticipation of the plot is suffering.

I found Vol. 2 (and honestly season 4 in general) to be so rushed and careless. There’s a difference between a fast paced plot because the story calls for it and a fast paced plot because the writers have gotten sloppy.

Eddie’s death was beyond disappointing. We all knew it was coming, and even as predictable as it was — it deserved better. Eddie deserved better, even as a minor/temporary character. The moment he shared with Dustin before his demise was sweet and heart tugging, but in no way was it was impactful as it should’ve been.

(Edit because I completely can’t believe I forgot to add this) I also found that Hopper and El’s reunion was completely anticlimactic. Yes, El never stopped believing that Hop was still out there somewhere — but after 8 months of grieving and POTENTIALLY dealing with the fact that he COULD’VE been dead just for them to have a half-assed reunion?

Honestly, Hopper and Joyce were the only fully enjoyable part of this season for me. The reunion was perfect and well-timed. The brief moment of passion was understandable and made sense. It wasn’t rushed, and it was long awaited.

A big thing that everyone is talking about is the whole “they forgot Will’s birthday” incident. The Duffer Bros have confirmed that was a mistake, and honestly I think that’s a mistake that’s understandable. Will’s birthday is mentioned once, and it was in a minor moment in an early season. If I were a screenwriter, I probably would’ve forgotten that detail too. In my opinion, that wasn’t laziness. That was just a detail that they had forgotten was mentioned and then flubbed it.

HOWEVER

Season 4 had plot holes and information/details that weren’t double checked (ex. Eddie’s age on his missing poster in the last episode is different than the age he’s confirmed to be in the first episode). Now THIS is a mistake that I DON’T think should be overlooked. It’s one thing to mess up a detail from seasons before, but it’s another to mess it up in the same season (and just because you’re too careless to go back and check).

These critiques are off the top of my head, and probably even a little nit-picky. These are personal opinions, so don’t take them too seriously!

[dr-drea]

My two cents on Robin's LI and Ronance in vol. 2

I'm sure a lot of people have written this somewhere before, but I have a lot of issues with how Robin's 'finding love' storyline was handled in Stranger Things vol.2. and as a talkative lesbian I feel morally obligated to defend this fictional talkative lesbian.

To start with the obvious. Robin's and Steves 'theme' this season was 'finding love' (by that I mean that every character gets a 'theme', an obstacle, to work on in the beginning of the season, which is usually unrelated to the Down Under, but more about their personal relationships with each other; the very first dialogues between Steve and Robin revolve around that). Steve's 'finding love' storyline was well developed during the season, due to his many interactions with Nancy, even though there was no real resolution; Robin's crush however was introduced, then COMPLETELY FORGOTTEN about for like 6 episodes, and then in a very rushed manner brought up again before the season ended.

Now, you might say, while Steve and Nancy are main characters, Vickie is not, so it makes sense that she is such a background character. First of all, Stranger Things introduces new characters all the time (even though they have a tendency to not last very long). And despite of having little screentime, they are usually really 'fleshed out'. Think about Chrissy for example. Vickie was not developed in a good way, which is partly due to the very little moments when she actually gets to talk. She had a 'talking' moment, but at the very end. And when I say it felt rushed, I mean it. She literally blurted out everything at once (yes, they created a cute parallel to Robin here, but still, it is and felt like a technique to speed things up). In comparison to other characters in the series, Vickie just felt so underdeveloped. Like the writers did not really care much about her. Even Suzie had more character-depth to me, which is ridiculous, given the very little amount of screen-time she had. But the scenes she had were meaningful and very much characterizing of Suzie, Dustin and their relationship. So far, Robin and Vickie seem to have the worst-developed relationship in the Stranger Things series. And that is not fair, given that Robin is the only openly queer person so far, which means (especially in the historical context) that she has extra challenges to face when it comes to finding love (e.g. recognizing another person as queer, coming out vs keeping your relationship a secret, homophobia etc.). Instead of giving her considerably less development than other character's relationships, she would even need some more.

You might also argue that Robin's relationship to Vickie is paced rather slowly on purpose, and that there is maybe the plan of developing them further in season 5. But then is my question why Robin's and Steve's topic this season was finding love, when they could have given Robin another one? And why weren't they developed with consistent pacing, so that Vickie would maybe have been brought up in dialogues more? Why was she abandoned for the whole 'middle part' of the season?

And that brings me to the next aspect. In that whole middle part, the Ronance shippers really thought they were winning. Nancy and Robin had the most intense chemistry in vol. 1, but then their interactions in vol. 2 were reduced to very little. I mean, of course we had too much hope for Ronance maybe, but for me personally it was the storyline of 'finding love' that made me believe that Robin was falling for Nancy and therefore forgetting her crush on Vickie. It would have made so much sense, and even 'fixed' the issue of abandoning Vickie. And I WOULD HAVE LOVED IT, because their chemistry is unbeatable. WASTED POTENTIAL right here. Anyway. As they barely interacted in vol. 2 anymore, it felt like they were 'exchanging' Robin's female partner and crush again, without ever building it up or properly explaining it (Idk if that makes sense but it felt like: RobinxVickie is introduced -> actually, nevermind: Ronance, Ronance, Ronance -> oh, you know what, we are going to bring back RobinxVickie for no apparent reason at all for the last ep and forget about Ronance's very existence).

And one last aspect I need to complain about. The Duffer brothers might not know so much about queer media and queer media tropes, but it takes little effort and research to find out that they went for the most basic trope when it comes to telling wlw stories. A girl crushing on another girl who is in love with a boy, result: gay heartbreak. We have seen that so many times before. And (i don't know how to put it otherwise) that's a very 'straight' setup for queer relationships. I still have hope to be happily surprised if they introduce Vicky as bisexual/pansexual, because they are usually erased from media produced for a mainly straight audience, but I don't want to get my hopes up either.

In conclusion, the Duffer brothers really need to learn how to write queer characters and their relationships. And they need to learn to care about them. Because right now it feels like Robin is just thrown in there for reasons of diversity and nothing else. And I hope and believe, that they can do better with writing these characters, looking at how nuanced the other characters are.

[miraculouscontent]

*rubs hands together*

The first thing to talk about with this episode is the pacing, and I think this might contribute to why people think it’s the best/least bad of Season 4 (personally, I’d rather watch “Furious Fu” but that’s just me; also, this isn’t the only contributing factor as to why I think people might feel this way, but I’ll get there later).

The episode has a very serious pacing issue, particularly with its more intense scenes. There’s only one minute of time dedicated to Ladybug landing on her bed, de-transforming, and her snapping at her friends plus them leaving. More time was spent on Chat Noir and Ladybug in the movie theater and Ladybug storming out.

I particularly remember watching the episode and getting eighteen minutes in, at which point I had the realization of, “It feels like nothing’s happened?”

This episode is supposed to be a big gut punch, but the season has been going by at the speed of sound, like they’re trying desperately to play all their cards at once (Lukanette break-up, Adrimi break-up, then Alya is told Marinette’s secret identity). Instead of letting things build and play out for a while in the interest of suspense, the show just throws whatever will get a big reaction out of the fandom (whether positive or negative) and it doesn’t care how shoddily put together everything is. The first two episodes feel like hastily put together drafts, and while this one is technically more put together, it still feels like a draft.

Let’s just start with Chat Noir, who feels completely out of place in the episode. Not only does he imply that he intentionally calls Ladybug “Bugaboo” (which she has told him to stop doing) in order to get a reaction out of her, but when Ladybug insists that she doesn’t want to talk, he tricks her into thinking that he has a good location to do so (and my heart breaks a little at how readily she trusts him) only to then take her to a romantic movie, then shush her when she calls him out for it because she “said she didn’t want to talk.”

Gee, and people wonder why she didn’t tell him her secret (even outside of “Chat Blanc” existing)?

And... look, I know it’s a joke, but I do not find it funny. The “joke” is basically that Chat Noir is taking advantage of the situation to flirt with Ladybug, and though I find it at least mildly cathartic that Ladybug is unaffected by all the people staring at them while Chat Noir is embarrassed, this episode is coming right after the one where Kagami broke up with Adrien, and here Chat Noir is getting his flirt game on. I already talked about all my problems with “Lies” so I won’t do it again, but I’ll just say that it’s not a mystery why Ladybug doesn’t want to talk to him and would rather avoid her problems.

(Not to mention that Ladybug knows that Chat Noir likes her, so talking about her romantic problems with him is awkward to say the least and would come off as insensitive.)

Honestly, at this point I feel like they must be building to something with Chat, like Ladybug finally going off of him with no mercy and that forces him to give up/fall out of love for her because reverse love square, but if that’s what they intend to go for, then that means Marinette is going to fall for this guy who’s repeatedly disrespected her feelings for multiple seasons, almost abandoned her and let Paris drown because she wouldn’t tell him a secret that wasn’t hers to tell, and just generally all the other things he did????

Ugh, I don’t wanna think about it. Let’s just move on.

Talking about Ladybug and her rant next, it basically summarizes the whole show in a nutshell, but simultaneously casts a shadow of sorts over “Truth” for people who maybe missed the episode entirely (which is also sort of the show in a nutshell). I mean, Ladybug confirming to the audience that she was genuinely in love and happy with Luka (you can’t watch how depressed she was over the break-up and not think that) was great, but Ladybug’s dialog implies that Luka “hated secrets” and that’s why they broke up, when Luka was more just... hurt that she couldn’t be honest with him, and he didn’t actively hate secrets. Marinette broke up with him because she felt like she had to; because she had to keep ditching and lie to him.

In addition, what she says also hints to the audience that they’ve both held and kissed each other, which not only indicates cowardice on the part of the staff (”yeah this happened but--um--off-screen; we’d still like credit tho plz”), but may perhaps go back to the theory I had about how Adrimi and Lukanette were supposed to last longer in Season 4 but their arcs got cut (based on the Adrimi kiss having supposed to have gone off). This could mean that Ladybug’s statement was originally accurate to canon but the scenes got cut and the scriptwriters just awkwardly left it in, which is made more awkward by the cinema scene in “Truth” that felt like Luka and Marinette were kissing for the first time (again, alluding to the whole, “this entire season has been a draft” thing).

Also, if you think about what that actually means - that Luka and Marinette did have successful dates and kisses but they were off-screen - then all it adds up to is that showing Marinette happy and comfortable was something that the series didn’t deem as “interesting/fun enough” to show, because Marinette being happy isn’t something they want to see; only watching her be miserable, which is exactly what Ladybug says, along with how everything was “almost too simple, too easy,” because Marinette isn’t allowed to have nice things without being jammed through the wringer first.

And... sure, let’s say that Chat Noir thought the movie was genuinely a good idea; let’s assume that it could be a joke, him wanting to flirt, and him believing that it’d make her feel better somehow.

If that’s the case, then where’s the apology when it fails miserably? Ladybug goes from her semi-anxious state at the start of the episode (a little scatterbrained but ultimately just looking for a distraction), to outright enraged by the movie, and then to this upon leaving the cinema.

She just got her heart broken from being forced to break up with a boy she genuinely wanted to be with and there’s not a single, “Okay, maybe coming here was a bad idea, I’m sorry,” (which could’ve been seen as another joke with the audience like “lol no duh Chat Noir” so there’s no excuse not to have it) or, “My bad, that was insensitive of me. I really thought this would’ve helped but I wasn’t thinking about what you would’ve wanted.”

No. The only people Chat apologizes to are the other people at the theater because he’s embarrassed by Ladybug’s reactions, yet he himself feels no remorse for taking her there and has the gall to go on now about how he’s “there for her if she wants to talk.”

Again, it’s no wonder Ladybug doesn’t want to open up to him.

And I’m sorry, I just don’t buy that Marinette suddenly has all this free time. It’s one thing for her to have a little more time now that she’s broken up with her boyfriend (likely avoiding spending time with him altogether now), but “Truth” went out of its way to talk about all of the emergencies she had to deal with and how she doesn’t have any spare time. which is causing her to become forgetful and lose track of certain events (patrols with Chat, dates with Luka, etcetera), yet Marinette spends most of “Gang of Secrets” simply sulking on her bed. It’s so jarring to go from “Truth” where she was doing “too much” (which I called them out on for not describing what the “too much” she was doing was) and now “Gang of Secrets” where she’s not doing anything.

It’s almost like they invented that plot point to break Lukanette up and it served no purpose outside of it.

Furthermore, the scenes of her finally talking to Tikki and then deciding to live as Ladybug does nothing outside of making the plot more predictable, the latter because of the “Alya almost sees Ladybug” moment (an obvious indicator that Marinette is losing control and is struggling to maintain her secret identity due to her emotionally breaking down) and the former because of Tikki herself and what she doesn’t say.

Because, really, think about what actually goes on in the scene. Marinette (eyes rimmed red and filled with unshed tears, as she is for a good chunk of the episode) is venting to Tikki about - yes - her love life, but also that she has to lie to everyone in order to keep her identity a secret. The fact that Tikki focuses solely on the note of Marinette’s love life and not say a word about the identity/lying issue or even consider telling Marinette, “hey, this is clearly too much for you, you should tell someone, I think the benefits outweigh the risks right now,” really proves that the episode tried to avoid the topic altogether to try and make the ending more shocking (which ironically made it more predictable).

So yeah, not only does Tikki’s dialog with Marinette provide nothing except for a line about how she can’t help Marinette with love issues due to kwami not falling in love (alright, I guess aros can’t give good love advice then or have any input whatsoever), but Marinette’s line about lying to everyone being why she can’t pursue Adrien nor Luka is repeated in the very last scene of the episode. The only reason that scene and the scene after exist is because the writers needed Marinette to be emotionally devastated enough to leave for her balcony as Ladybug for the almost-reveal to Alya and so Rose would get close enough to the dollhouse to have an almost-reveal with the Miracle Box, making the scene feel further contrived because the emotional punch of Marinette wanting to live as Ladybug lasts for barely any time at all.

And it could’ve served a purpose, like if Ladybug had genuinely left and Alya finds her goggles and towel, recognizing them from a news story about how Ladybug had gone to the swimming pool after losing her temper at the cinema, which could’ve led to Shadow Moth making the girls believe that Ladybug was no longer heroic and had kidnapped Marinette, or... heck, Ladybug coming back inside would’ve been so much less jarring if she came back because she heard the girls’ voices talking about the dollhouse and had to hurry (but of course, then they’d have to point out the ridiculousness of Ladybug not hearing Alya calling her and the girls not hearing Ladybug literally shouting for Shadow Moth to come fight her, even though the kwami heard the girls calling for Marinette from the balcony).

But instead, the entire scene feels off and unnatural, forcing every part of it in order to get to where Marinette has to snap at the girls to make them leave.

(Oh, by the way, just a little detail to add to the annoyance: they bothered putting Tom and Sabine in the episode when the girls are leaving, clearly saddened by something that happened, and neither parent even bothers to go and check on Marinette to see if she’s upset or just to see what might’ve happened. They’re such a “blink-and-you’ll-miss it” moment in the episode and it’s not like I’m surprised because they’ve done this multiple times by now but really?)

As for the girls themselves... oof, where do I even begin?

Alright, first off is the annoyance that they assume Marinette’s problems relate only to lovesickness. Marinette has been an anxiety-prone mess throughout the entire series, and suddenly now the girls care about Marinette’s love problems on an emotional level rather than “we’ll meddle sometimes unless we don’t feel like it and be wholly inconsistent on how much we push for it.”? It’s not that I don’t see how they came to the conclusion (hearing that Luka and Marinette broke up and now seeing Marinette is depressed, it checks out), but considering they bothered noting that Marinette hadn’t told them anything, one would think they’d come to the conclusion of, “okay, we haven’t talked to her, we have no idea of what’s going on, maybe we don’t know her as well as we thought then and shouldn’t make guesses.”

Secondly is the “eternal friendship bracelet,” which comes off as a copy of the “Secrets” game from “Syren” extremely manipulative. Mylene goes on to explain that one is supposed to give a secret to the pearl “mentally,” yet when the girls actually show up to see Marinette, they expect to be told the secret directly. I’ve already talked at length about peer pressure and the mental stress Marinette goes through when they mock her and/or meddle for her, but this idea of, “well we all used this friendship bracelet after we mutually agreed to it so now it’s your turn because we said so!” just comes off really bad. I know the episode is going for this idea that their hearts are in the right place, but they’re really not. It feels like they’re the ones in denial and are trying to compensate by forcing Marinette to prove that they’re friends, unable to handle the idea that they might not be as close to her as they thought.

Thirdly, the show acts as if the girl squad are her only friends when we know that’s not true because we’ve seen episodes like “Befana” (the guys in the class), “Reverser” (Marc), “Ikari Gozen” (Kagami), and “Silencer” (Ivan) that all established Marinette having more friends than just them, but for the sake of “drama” and the depressing line of, “at least I don’t have any more friends to lie to,” the episode just pretends like Marinette’s friends are limited to Luka (who she had to break up with) and the girl squad (who she forced to leave and refuse the friendship of).

Fourthly is the actual set-up and the sheer grossness of it all. The girls call Marinette and leave a message about how they much they love her and how she can talk to them “where and when” she wants, and then - immediately afterwards - decide that they’re going to go straight to Marinette’s house completely unannounced, go into her room completely unannounced (not even knocking, by the way), and when Marinette begs them to leave, Alya basically tells her that she’s overreacting. When Marinette demands that they leave, Alya refuses and makes demands right back that they won’t leave until she tells them what’s wrong.

So much for “where and when” she wanted, right? It’s already one thing for the girls to invade Marinette’s privacy and demand/guilt-trip answers out of her, but it’s another thing to give the illusion of respecting her feelings and personal space only to actively plan to go back on it. I can’t tell if it’s a bad draft that they didn’t catch in quality check (you know, the quality check that they definitely don’t have) or just an intentional way to make them seem more sympathetic so Marinette looks worse for driving them out, but either way, it’s awful and I hate it. I would’ve rather had them be all in on invading Marinette’s privacy and learn a lesson in the end than outright contradict themselves.

There are also little nitpicks I could make (like Juleka’s constant mumbling despite Luka’s crush on Marinette playing a role in the episode, Horrificator getting sidelined due to being mute, and the girls’ akumatization ultimately being for spectacle and nothing else, serving no purpose to the plot and being furthered by the fact that Timebreaker goes after Marinette despite it being a bad idea and Reflekta’s power clearly not lining up with any sort of plan), but the real issue issue here comes down to the fact that these are Marinette’s so-called “friends” and the episode refuses to address their actual issues.

Alix, who is known for making rude comments at Marinette (”Gigantitan,” “Chat Blanc,” “Miraculous New York”) and then gives mixed messages by going along with meddling anyway.

Mylene, who is the closest thing to a background character in the girl squad but nevertheless finds her way into being definite voice against Marinette in “Chameleon.”

Juleka, who blamed Marinette for things she didn’t do in “Reflekdoll” and got huffy with her until Marinette apologized for said things.

Rose, who outright screamed at Marinette in “Chat Blanc” over a freaking stuffed animal, which pressured Marinette enough that she snuck into Adrien’s room to deliver her gift which nearly led to the end of the world.

And, of course, Alya; freaking Alya. I don’t even have to go into every single thing she’s ever done because I have a history of giving her absolutely no mercy.

...But let’s go through some anyway because I want to.

“Copycat” - Alya gives Marinette a script and tells her to memorize it, then immediately pushes the “call” button when Marinette hesitates after Marinette had just told Alya that she’s awful at improv.

“Darkblade” - Alya takes a jab at Marinette when Marinette says that she’s too busy to be class representative, implying that Alya thinks that Marinette does absolutely nothing with her time.

“Gamer” - Alya is busy recording the gaming competition when she and Marinette were supposed to be researching for a term paper. Alya then scolds Marinette for wanting to use the competition to get close to Adrien only to do a 180 and put up a fight about it when Marinette decides to quit.

“Animan” and how “The Puppeteer 2″ follows up on it - oh, I’m not going to touch that particular point right now, but keep those in the back of your mind, because I am going to absolutely go off later

“Simon Says” - Similarly to Marinette’s parents, Alya gives zero damns about whatever might be going on in Marinette’s life that's causing her to miss classes.

"Despair Bear” - Alya laughs at Marinette being forced to kiss Chloe’s cheek and then outright compares Marinette to Chloe after knocking Chloe multiple times during the episode (sure, just compare your “best friend” to her multi-year bully, how "hilarious” of you).

“Gigantitan” - Alya has no qualms about mocking Marinette’s over her failures, even if it embarrasses her and she’s been through enough already.

“Frozer” - Alya tries to find ways for Marinette to prevent herself from third-wheeling for Adrien, but when Marinette tries to show character growth by wanting to go, Alya gets into a shouting match with the other girls over how Marinette has “liked Adrien forever and isn’t going to give up now”.

“Catalyst” - Alya claims that Marinette is only salty over Lila out of jealousy when “Frozer” exists and literally is the prime evidence of Adrien liking another girl and Marinette telling Alya outright and very genuinely that she’s not jealous.

“Chameleon” - Alya doesn’t care about her best friend sitting in the back by herself while Alya herself get to sit next to her boyfriend and everyone else in general gets to sit where they want (Alya even acting confused at the mere suggestion that she’d tried to engineer things to let Marinette sit next to Adrien), then not only believes Lila over Marinette but contradicts herself twice (asking Marinette for proof when she has none herself, then claiming that she wouldn’t let her best friend sit by herself).

“Christmaster” - Alya leaves Marinette to babysit so she and Nino can go out on a date.

“Desperada” - Alya suddenly is for Lukanette for literally one episode and doesn’t know how/doesn’t even try to cover for Marinette’s Adrien blindness despite mocking her for multiple seasons over it.

“Reflekdoll” - Alya invites Adrien to something that’s crucial for Marinette to focus on after Marinette has already told her not to and continues meddling to the point where it gets Juleka akumatized (she also doesn’t get punished for it and the blame gets thrown onto Marinette).

“The Puppeteer 2″ - Alya pushes her luck with Nathalie to try and get Marinette to come with her, Nino, Adrien, and Manon to the museum, then traps Marinette in a room with Adrien to force her to spent alone time with him, even abandoning and forgetting about the child that she offered to watch for Marinette so she and her boyfriend can go off alone.

“Miraculous New York” - Alya is told directly by Marinette that she needs help seeing Adrien as a friend, which leads Alya to do the exact opposite throughout the entire special, at one point shouting at Marinette and pressuring her to chase after a car, in the rain, while there’s a supervillain rampaging through Paris, and all of this right after the scheme that Alya had set up caused both Marinette and Adrien to go missing.

And just saying, as Marinette’s supposed “best friend,” Alya sure doesn’t know how to handle her. It was acceptable back in “The Bubbler” when she asked Marinette about signing the gift too late and the same goes for “Dark Cupid,” but by the time we get to late Season 2/3 and Alya refuses to learn Marinette’s weak spots (unless it’s to mock her) and adjust accordingly (like if she’d already made sure the gift was signed in “Chat Blanc,” which would’ve prevented Adrien seeing Ladybug at all due to the time difference), it starts getting infuriating.

A best friend is supposed to cover for their friend’s weaknesses. Alya doesn’t do that; she meddles and often drives Marinette’s anxiety even further up a wall with absolutely no consideration for Marinette’s feelings (”Dark Cupid,” “The Puppeteer 2,” “Reflekdoll,” “Miraculous New York”).

And here, she and the other girls are rewarded for it. Luka actively resisted his akumatization whereas the girls gave in immediately, yet Marinette still opens up to them in the end, likely because they had pressured her and made her feel bad for the secrets she was keeping while Luka was willing to actually wait for her to be ready to talk to him. I can’t put into words how frustrating it is watching these girls trample all over Marinette’s feelings, not have their worst actions called out, and then jump cut post-deakumatization to Marinette telling them exactly what they wanted to know about her love life.

You know what this entire episode is really missing, outside of a coherent plot, properly-paced development, and a basic understanding of rewarding a character for things they’ve held firmly to?

It’s missing the apology. Chat Noir apologizes to a bunch of moviegoers and Rose apologizes for the broken dollhouse, but no one apologizes to Marinette for how they treated her, especially not the “friends” who got rewarded in the end.

“Sorry, we shouldn’t have told you that we’d respect your feelings and then showed up unannounced to make you talk about them.”

“We’re sorry we came into your room and invaded your privacy. You were right to be mad at us.”

“Oh my gosh, Marinette, we got akumatized and we’re so sorry for literally all five of us going after you and probably scaring the living daylights out of you.”

And as if that wasn’t enough, guess what else this is missing? It’s kind of important and brought up directly in the episode, yet the episode simultaneously goes out of its way not to bring it up again.

It’s the reason why Marinette didn’t tell the girls about her relationship with Luka. It’s not there - it’s missing - and the girls never try to pursue the subject. They talk about how Marinette didn’t tell them but don’t think for a second that maybe it’s them who have failed as friends. Instead, they don’t guess anything about why Marinette wouldn’t tell them (which is already strange considering how much they already assume about her) and jump straight to, “well clearly we just need to push for her to talk to us.”

Gonna just go out on a limb here and say that maybe - just maybe - Marinette didn’t tell them because they are habitually pushy in everything they do.

Because they would’ve teased her relentlessly about, “ohhhh you’ve got eyes for Luka? what about Aaaaaadrien~? aren’t you sooo tooorn between both of these cute guys?”

Because they would’ve meddled to force her and Luka together and gotten on her case when/if she ever had to bail on him.

Because their intrusion on her feelings for Adrien had caused her nothing but problems and she just wanted to be with Luka in peace without them forcing their way into things.

Because--hey, wild thought--maybe they’re not really friends???

But the episode completely avoids it, because that would’ve meant addressing it; it would’ve meant acknowledging that they messed up, which - fun fact - they actually don’t do in the episode.

They invaded Marinette’s privacy, insisted that she tell them how she feels (not about them of course because that would imply that they felt like they screwed up), and in the end it’s Marinette who gives them exactly what they asked of her, and the closest thing we get to acknowledging anything is Alix telling her/joking with her that they’ll help her confess to whoever she likes as soon as she tells them she’s ready.

That’s not an apology. That’s not an acknowledgment of wrongdoing. Even when the five of them are about to get akumatized, it’s not a circle of them saying, “here’s how I screwed up, I could’ve done better but I didn’t and I lost Marinette because of it.”

No. It’s just them talking about how sad the situation is. Mylene has the closest thing to remorse in saying, “I hoped it would work,” but where does it go? A grand total of nowhere, especially because Marinette still takes the bracelet in the end instead of the girls mutually deciding, “okay, maybe the bracelet was a bad idea; how about we all agree on making something together instead, no requirements attached?”

And then the episode has the gall to act as if Alya has gone through character growth when all they did was put Alya through the same thing that Chloe did. I’ll explain that last bit momentarily, but first let’s talk about the whole “growth” thing.

Because there’s no apology or acknowledgement of wrongdoing, all Alya does when she’s finally alone with Marinette is do a 180 from where she was at the start of the episode, going from, “friends have to tell each other everything,” to, “hey, if you don’t want to tell me, then that’s your right.”

The crucial part that’s supposed to go in the middle is missing. Instead of acknowledging her failures, Alya just cuts straight to “””being a better friend,”““ but storytelling doesn’t work that way.

It literally would have taken zero effort to fit an acknowledgement into that scene. “You don’t have to tell me everything, I get that now. All my meddling’s done is hurt you and I’m so sorry. I wouldn’t blame you if you didn’t trust me.”

In a world where Marinette has to apologize for everything, has to learn lessons and suffer because the narrative says so, I will not accept anything less from other characters who are trying to develop and improve. That’s not fair to Marinette, nor has it ever been.

Instead of properly developing Alya, the show does whatever it can to get its audience to root for her as Marinette’s “best friend” (ugh) without having to put in the effort of admitting that Alya hasn’t been Marinette’s “best” friend.

Remember when I brought up Chloe? Yeah, “Malediktator” did a similar thing, showing Chloe doing something awful, then being sad (while not actually acknowledging the thing she did wrong), and in the end she was rewarded with a miraculous prematurely.

One show of character from Chloe and Marinette gave her a miraculous. One show of character from Alya and Marinette told her that she was Ladybug.

(Also, for the record, I think Chloe is far worse than Alya character-wise and I’m not comparing their characters; this is just the simplest comparison I can draw here from a narrative standpoint.)

“Miraculer” is another apt comparison, perhaps even more so. Chloe got Hawk Moth in her head after an akuma landed in her photo of her and Ladybug, but Chloe resisted and fought back, ultimately forcing the akuma out of her and freeing herself from Hawk Moth’s control.

But it wasn’t to develop her character; no, it was to convince the audience of Chloe and Sabrina’s friendship so they’d feel something during Sabrina’s happy flashbacks, then lay the foundation of tricking viewers into believing that Chloe might not go to Hawk Moth’s side.

At the end of the day, it was doing something that’s “never been done before” in order for the character to earn brownie points for something that the writers can just have them do because willpower is an easy thing to just write in. “Gang of Secrets” does the exact same thing when Lady Wifi breaks free from Shadow Moth, with Ladybug even hammering it home by talking about how no one’s ever done it before.

And the pacing is - again - awful. Not only is Ladybug banking on this working when she herself says that it’s never been done, but the conversation between her and Lady Wifi where Ladybug tries to convince her doesn’t even take a minute.

It also has nothing to do with Marinette herself; Ladybug relies on Alya’s adoration/friendship with her as Ladybug (you know, after Alya took a photo of LadyNoir kissing and posted it online without Ladybug’s consent, betrayed her by putting information on the LadyBlog that Hawk Moth was able to take advantage of, and is the only hero outside of Chloe to resist returning a miraculous) in order to break from Hawk Moth’s control, because talking about Marinette with Lady Wifi didn’t even work.

(Ladybug also uses her yoyo as a portal to the Miracle Box when this has never been pre-established to be a thing despite Ladybug acting as if she knew it was; further proof that this episode was rushed.)

And of course talking about Marinette didn’t work, because that would’ve meant convincing Alya that her reason for getting akumatized was “wrong” and the episode didn’t want to do that. It didn’t want someone else actually learning something and feeling bad; surely, this is just Alya being manipulated by Shadow Moth and having the power to break free because Ladybug “needs Rena Rouge” and not because Lady Wifi and her friends are chasing after their supposed best friend and that’s--you know--wrong???

Rena Rouge’s reappearance is also yet another thing the episode refuses to address because it avoids the topic of “but my identity--”. At least “Heart Hunter” had the tact to have Kagami question why Ladybug was giving her the dragon again, but “Gang of Secrets” treads as lightly as possible on any discussion of identities outside of Marinette saying that she can’t, as if it were Marinette who made the choice of concealing her identity and not the basic idea of heroing that has been stressed over and over for the whole show.

Even Plagg of all kwami stated back in “Origins” that no one is supposed to know about secret identities, a rule that continues becoming flaky and muddled with each passing season, almost like they kept attempting to retcon and make the audience dulled to the idea so that the reveal in “Gang of Secrets” would be more acceptable.

But now, with the way they did it and how they don’t even have Tikki comment on the matter, it once again has it look like they’re making it - say it with me, everyone - Marinette’s fault.

Alya says that Marinette has a choice in telling her secret, Marinette insists that she doesn’t and goes on and on about how it’ll change everything, and then just... tells Alya her secret in the end.

And remember all the way back in Season 2? “Sapotis”?

Alya: What were you saying about her secret identity?

Marinette: Ladybug needs it to protect her family and friends. Otherwise the villains could use them to get to her.

Alya: Well, if I knew who Ladybug really was, I'd keep it a secret. I would even help her! Like say, if you were Ladybug, I'd cover for you — when you needed to transform in school, go fight the "baddies", you know?

Marinette: Oh yeah? Well, if I was Ladybug I wouldn't even tell you, to protect you from the "baddies", you know?

Alya: You serious? If I was Ladybug, I'd totally tell you! Because I tell my best friend everything.

And now here we are in “Gang of Secrets,” as if the narrative is saying, “See, Marinette? Alya was right all along, you were just being ridiculous and making yourself suffer for no reason!”

Yet Marinette had a right to keep her secrets. When Alya and Nino learned each other’s identities, Alya took a hit for Nino in “Catalyst” and both of them fell to Scarlet Moth’s akumas. Chloe was a mess and a half because of Hawk Moth knowing her identity. Fu had told Marinette that her miraculous would get taken if she and Chat Noir learned each other’s identities.

The only ones who received no consequences due to someone knowing their identity were Pegase (who Chat Noir and Markov knew), Ryuko (who Chat Noir, Ikari Gozen, and Hawk Moth knew), and Viperion (who Adrien knew). “Chat Blanc” also exists where Marinette got the impression that people discovering her identity would be a disaster, and even all the way back in “Lady Wifi” insisted that not telling anyone her identity was “listening to her head and not her heart,” and the narrative has relentlessly humiliated her for going with her heart, so yeah, probably for the best.

I hate that the episode avoids talking about anything identity-related outside of what comes out of Marinette’s mouth to make it appear like it was her choice all along. I hate that they had Tikki fixate on Marinette’s love problems instead of having her actually support Marinette and admit that Marinette should tell someone before she has a mental breakdown. I hate that the episode inserts Rena Rouge into the plot as if to brush all identity issues away so as to make Marinette’s identity reveal seem less jarring.

Now, of course I’m glad Marinette told someone. Of course I want her to get love and support from someone. Of course I think the benefits outweigh the risks, or I wouldn’t have written multiple fix-its where her identity gets revealed in some way or someone already knows.

But I didn’t want it to be Alya, because I knew how they’d do it. I knew they’d do it wrong and I knew that they wouldn’t have the courage to address Alya’s issues properly.

Those familiar with my blog will know that I’d been taking negative predictions for future seasons for a while and adding them to cards whenever they were proven right. Does anyone remember the Season 4 predictions that were proven correct for “Gang of Secrets,” specifically these ones?

- “Alya will suddenly be portrayed as a good/worthy friend to Marinette in/if there's an episode where Marinette tells her that she's Ladybug”

- “Alya resisting Shadow Moth/fighting back against him will be used to excuse telling Alya Marinette's secret identity“

- “Alya will know that Marinette is Ladybug first because "BFFs" despite being one of the worst candidates for it“

- “The secret that broke Lukanette up will be resolved in episode 3 when Marinette tells Alya“

Each and every one of those were mine, because I knew that whether Season 4 had a proper chronological order or not, the writers would not have the guts to develop Alya first and then have Marinette tell her in a future episode after Alya has properly earned it.

I knew that they wouldn’t take time to develop Alya. I knew that they would have Alya resist Shadow Moth to make Alya look “worthy” of the secret. I knew that Alya would swoop in during the last minute and a half of an episode, insisting that Marinette “didn’t have to tell her anything” when Alya had been pushy and insistent for the entire rest of the episode and the whole series in general, and would ultimately be rewarded with the big secret simply because she’s “the best friend” and that’s it.

The Alya at the end of the episode isn’t the Alya I’ve known for the entire rest of the series before this, or at the very least they turned her into an Alya I don’t recognize.

Alya claims during the ending scene that she knows that Marinette is hiding something beyond her love problems because she - as a reporter and “her best friend” - can sense such things, and all I’m left wondering is

w h e r e ?

Where and when has Alya been suspicious or worried about Marinette keeping a secret from her? What, back in “The Pharoah” where she didn’t immediately disregard Marinette for the role of Ladybug, or “Simon Says” where she vaguely teased Marinette about having a double life, both Season 1 episodes?

Where was Alya in “Truth” saying that she didn’t know Marinette’s secret but knew that she was keeping one? Where was Alya anywhere in Season 3 being concerned that Marinette hasn’t told her something? Where was this “supposedly very observant” Alya when Marinette needed her to out Lila because Lila got her expelled--oh wait, Alya “observed” that Lila did nothing and Marinette was just jealous.

What, is it only now that Alya suddenly “knows” that Marinette is hiding something else? Now, after Alya has already not known that Marinette was literally dating someone, even when Alya had multiples pictures of Marinette and said someone giving each other heart eyes and saw Marinette leaving school with said someone riding on the same bike together, you know, like normal, typical, average friends would?

Where’s the line where Alya acknowledges the problem? Where’s Alya sitting down with Marinette and admitting, “hey, I’m sorry I haven’t noticed this stuff, but I promise I’ll do better starting right now, and that’s how I know now that you’re hiding something else, and I’m sorry it took me so long to realize that it’s been hurting you”?

I can’t tell you where it is, but I can say that it’s certainly not in this episode. 60% of the episode features the Alya we knew from the rest of the series and then switches her out the second she’s de-akumatized for another Alya who hasn’t done anything that the old one has because she pretends like it didn’t happen.

You know how I know? Because of this absolute gut punch of a line that showed that the series wanted to handwave everything away.

“I know how to keep a secret.”

...Really? Does she now? Well, I hope everyone remembered my point about “Animan” and “The Puppeteer 2,” because I’m bringing it right back.

Considering that “Truth” has been burned into all of our memories, we all definitely remember when Truth shoots Alya and questions her on Marinette’s secret, to which Alya states that Marinette’s secret is, “She’s in love with Adrien Agreste.” Now, at the time of Season 4′s airing, this is very much not a secret, as most characters already knew about Marinette’s crush, to the point where it’d been broadcast on television during Season 2.

But do you know when it was actually a secret? Back in Season 1, specifically in the episode “Animan” where Alya told Nino.

And not only did she tell Nino, but she lied to Marinette by claiming that she didn’t, acting as if Nino knew that Marinette had a crush but didn’t know who she was crushing on, which is then directly proven false as Nino accidentally implies that he does know who it is. This is also after Alya had gotten on Marinette’s case for trying to set her up with Nino, and then she had the gall to say that she wouldn’t spill Marinette’s secret because she, and I quote, “doesn't go around making decisions for other people,“ a statement that is directly contradicted by this little thing known as everything Alya has ever said and done in the entire series.

And while Marinette meddling in Alya’s love life actually ended up working out for Alya, Alya meddling in Marinette’s by telling Nino who Marinette is crushing on comes back to bite Marinette - not Alya (because of course) - in the infamous episode of “The Puppeteer 2,” where Marinette realizes that Alya really did tell Nino that she was crushing on Adrien.

Marinette: You told me you wouldn't tell Nino!

Alya: I haven't told him. Right, Nino? I didn't tell you anything. (elbows him)

Nino: She didn't tell me. And besides, I told her I wouldn't tell.

Then, when she’s called out on it, Alya lies again, and shamelessly so.

Marinette: Why did you tell Nino everything? You promised you wouldn't!

Alya: I didn't, I swear! Besides, even if I had told him everything, he would still be clueless. Ugh, who cares anyway? I've set everything up with Nino, who doesn't know a thing, so you can finally pour your heart out to Adrien, girl!

And now, here we are one season later - and not even half of a season if you go by production code order - and Alya claims that she knows how to keep a secret.

No. No, she does not. In fact, she does even worse because she won’t even admit when she’s spilled said secret. I absolutely refuse to accept that Alya is “worthy” or “deserving” of learning that Marinette is Ladybug when she couldn’t even keep a basic secret like who her friend was crushing on.

And no, it didn’t matter that Nino was her boyfriend, or that maybe she thought it would work out because Nino was friends with Adrien. By that logic, Alya would tell Adrien that Marinette is Ladybug if she heard that Ladybug is who Adrien was crushing on and we all know how that would’ve gone.

Marinette has a right to tell her secret to whoever she wants and I’m glad that a burden has been lifted from her, but that doesn’t mean I have to be happy that it’s Alya. That doesn’t mean I have to be happy that, after so many moments of Alya disrespecting Marinette’s feelings, she is the one who gets to hear the big secret that the fandom has been waiting for someone to find out about since the very start of the series.

Luka said it best in “Truth” that the truth is meant to be shared, not taken by force, but Marinette was forced to tell Alya by the narrative because Alya is her supposed “best friend.” It pushed Marinette to her breaking point, forced her to break up with the guy who has respected her agency and feelings since the day they met, and gave her a version of her “best friend” with the same name and face but with none of the responsibility from previous events so that said version was there at the right time and the right place to hear what had to be heard.

And in the end, I end up feeling nothing. Marinette doesn’t even have a “Marinette” reaction to saying it as one would expect; for her to blurt it out and then immediately start panicking until Alya hugs her to calm her down. Instead, Marinette just says it and stares silently at Alya - after blabbing this huge, very big deal of a secret - until Alya goes in for a hug (the “happy/hopeful” ending of which is why I feel like this episode also gets less flak, as the previous two ended off rather depressing/upsetting).

It’s off. Everything is off. The pacing, the delivery, and the logic that the episode uses. The emotion in Marinette’s voice when she’s rambling about how hard it is to keep her secret is so powerful, but then the ending hits and she just says it, breaking the momentum they had going. They pulled the card of Alya walking away too soon when they could’ve saved it, having Marinette go quiet and letting Alya take a few steps away in order to let the moment build before Marinette finally blurts out the secret she’s been painfully holding in.

But they didn’t, and I’m so many levels of dissatisfied. I wasn’t against the idea of Alya learning Marinette’s secret at some point (though honestly, Alix would’ve been a better pick considering that Bunnyx will know eventually anyway, and I say that not even liking Alix!), but not now; not when Alya had so much to work towards.

And now what? What happens now? Now Alya will turn against Lila, not because she learned to have faith and believe in Marinette, but because Marinette is Ladybug, which disproves Lila’s ultimate lie that got Alya’s attention in the first place? Now Alya will be supportive and less teasing/mocking whenever Marinette will be late, not because she understands that Marinette isn’t perfect and has so many other things on her mind, but because she’s Ladybug and has “hero stuff” to take care of? Now Alya will be careful about what she puts on the LadyBlog, not because she respected Ladybug and what Ladybug would want, but because Ladybug is now her best friend and that changes everything?

Because now, Alya has a free pass to all of that, the show making her spontaneously “developed” now so they won’t have to develop her later, and disappointing doesn’t even begin to describe it.

[aeolian-mode]

my grievances with BNHA

(Spoilers below) I’m long-winded today cos I had some Thoughts to get off my chest in regards of how I feel about the storytelling of BNHA.

TL;DR: I don’t think Horikoshi understands the value of ma. Maybe he believes that his target audience would grow impatient, and I have to remind myself that BNHA is a shonen and is made for young people and my storytelling tastes probably aren’t what he’s marketing towards- but I still think there is a lot that could be improved about BNHA if Horikoshi spent a little bit more time in the slow moments, and valuing the emotions and relationships of the characters instead of rushing to the next plot point. He also made way too many characters, which is typical of shonen, but the more characters he has to cover, the harder it is for him to provide content for all the people who have picked a favorite character out of the sprawling cast. Everyone is forced to find satisfaction in table scraps, but if he stuck to a strong core cast, there would be plenty to go around. Long version:

"Ma” is an extremely important storytelling concept. Ma is the Japanese word for 'negative space.' In visual art, negative space is the empty places on the canvas where there's nothing important to look at. After all, if every single square inch of your canvas was filled with something exciting to look at, like character faces or action scenes, your illustration would be very hard to take in at a glance, there'd be no distinction of character silhouettes and nothing would be readable. The same concept applies to storytelling. You need ma to achieve a greater emotional impact when the heavy, loud moments occur.  Let's take a look at how Hayao Miyazaki of Studio Ghibli writes ma. In My Neighbor Totoro, 80% of the film is slow-paced slice of life moments where two sisters explore their new house, and discover supernatural creatures living peacefully beside them. Then, at the end of the movie, something distressing and horrible happens to the two sisters' mother, who has been hospitalized since the beginning of the film. The film's final 20 minutes or so are about them discovering this distressing event, and the emotional climax of the film feels extremely powerful because we were given time to live with these sisters, observe their peaceful daily life, and grow attached to them. Suddenly, something important to them became jeopardized, and we care. 

Miyazaki often uses ma with food. Characters cook for each other, or eat together. The detail of the food in the animation is often exquisite. Miyazaki and the Ghibli animators want us to notice the way light refracts through the glossy surface of an egg on toast, or the lines of fat on bacon sizzling in a pan. He wants us to exist in these quiet moments of daily life.

I can't tell you the last time My Hero Academia actually had an extended scene of ma. Maybe it was the bench scene, where Eraserhead and All Might share a moment. It was a powerful scene in the manga, and it was powerful because it wasn’t about the plot at all. It was about the intimacy between two characters who have grown close over shared adversity, and All Might struggling to find purpose in his hard life. After this scene, however, the story has been one distressing event after another without any breaks to breathe. And, since it has so many characters, it has failed to prioritize the emotions of significant characters. How did Eri feel when Aizawa was maimed? Who is watching her? How did Inko feel when she saw her son mangled, even after All Might promised to protect and raise him? How much raising has All Might actually done in Midoriya’s life? It seems every time the two of them have a conversation, it’s about One for All, not about Midoriya’s growth into manhood or his emotional development as a suffering teen who’s picked the world’s worst profession. Will we get assurance on the safety and wellbeing of favorite heroes like Fatgum and the Big 3?  Will Mic and Aizawa properly grieve Midnight? What about the rest of the UA staff? How does Nezu feel when UA was turned into a safe haven for civilians? How have the parents of all these students processed all this grief? How has Class 1-A handled their painful struggle? The story has been, instead: >heavy, distressing, lengthy action sequences where everyone is hurt >immediately following that, a prison breakout >immediately following that, scattered moments of characters in a hospital with dramatic flashbacks of their lives and burdens, yet none of them fleshed out to their fullest potential because there’s too many injured characters >immediately following that, heavy and intense emotions all focused on the plot of One for All, yet All Might is a mute ghost and has no actual bonding with Midoriya since they don’t even speak to each other >immediately following that, more heavy and intense emotions as Horikoshi rushes to show that Izuku is gone and has slapped together letters about his departure >immediately following that, more villains attacking heroes and civilians because of the prison break. There has been no ma. We haven't had a single quiet moment that isn’t focused on bulldozing into the next plot point or action sequence. What about a scene like Eraserhead sharing a meal with Eri, or talking to her calmly about life? How about the neglected characters like Fatgum and the Big 3 recovering in their own way? How about the moms of all these hurt children actually coming in and getting involved in their lives? How about the students of class 1-A trying to do something fun to diffuse the tension and show how they have grown close as friends or a found family? Sometimes Horikoshi tries to show ma in tiny snapshots rather than entire scenes; for example, there's a snapshot in one of the earlier chapters of Aizawa putting Eri's hair in a hair tie. This is a single panel. It's not enough to have a single panel. What we needed was an entire scene or chapter dedicated to Aizawa and Eri and Friends. Show her with her found family, show her going out in town or playing with a cat or talking to Mirio or Aizawa for an extended period of time. Show us scenes about nothing particularly important. 

When your story is plot, plot, plot, you're deciding that human moments and human interactions aren't important. And at the end of the day, no one watches a show for the plot. They come to be validated as a person, and relate to the characters. I came to MHA because I relate to All Might, his disability, and his desire to be strong and fight through his suffering so he can selflessly help other people. That character resonated with me. I saw myself on the screen. Unfortunately MHA stopped being what I came to see a long time ago. I’m here because I like drawing my favorite characters, and the fandom has introduced me to a lot of wonderful friends, I’m not ready to give it up. But I wish it had more of what I was hoping to get out of it.  I understand that making a manga is extremely difficult. And I understand tons of people enjoy it and have no issues with it whatsoever- all power to you! I just haven’t gotten what I was personally hoping to get, and this is why. :( ANNNND SEASON 5 JUST STARTED AND IT’S AN ENTIRE SEASON OF CHARACTERS I DOOOOON’T CARE ABOUT AT ALLLLL! HEY WE REALLY NEEDED AN ENTIRE SEASON DEDICATED TO CLASS 1-B CHARACTERS THAT ARE COMPLETELY AND UTTERLY IRRELEVANT AFTERWARDS, THEREFORE WASTING SCREEN TIME ON FORGETTABLE UNIMPORTANT SIDE CHARACTERS INSTEAD OF THE CORE CAST THAT WE DESPERATELY NEED CONTENT ABOUT ALSO THANKS FOR FORGETTING ABOUT DADMIGHT HORIKOSHI  

[jeanvanjer]

The think I find funny about the reviews on s2 is that they all seem to describe s1 as perfect when if you go read the same newspaper’s review about s1 is kinda the same. S1 had a lot of issues and it seems to that a lot of people don’t remember it. Being disappointed is super valid (I was disappointed too), but always to a certain extent. I’ve seen A LOT of horrible tweets directed Chris and Shondaland and the actors and to people who read the book and thought the series was better. That is so gross, and they didn’t even watched the series.

I think comparing seasons in general is a bit silly. It only makes sense to do that when you're trying to see if the overall arc of a reoccurring character has made a complete and believable end.

The main difference is that S1 may have started off as an adaptation of a romance novel, the series going forward is obviously presenting itself as an ensemble with a "focus" on romance. The vision is different for the people producing the show. They make more money this way.

I understand why people are upset. If they can take a mediocre book from the series and make it great why not this, arguably the best book of the series? And I think, ignoring the wedding(its an acquired taste 😂) , if the pacing at the end was worked on better I doubt many people that have a problem now would still have one. And yeah I don't understand sending hate in general. That and the intensity of parasocial relationships are one thing that confounds me about Social Media culture at large.

[the-evil-authoress]

GX Month Day 14: “Clock Tower Prison”

A man imprisoned by his destiny and hellbent on revenge. Seek justice today with the pro duelist vigilante Edo/Aster Phoenix!

I cycled through three different ideas before finally landing on this. Season three is what I know best.

Victoryshipping ahoy!

In which Zane is lonely and bad at coping, and Aster is very gay.

No seriously, this ain’t like Chazz day. This is 500 words of make out.

A part of Aster still thinks he should have expected this - been more careful, something - because he already knows Jaden never looks before he leaps and all his friends will chase after him. The rest of Aster is more concerned with surviving this nightmare until he can find a way home. Sartorius must be panicking by now.

Learning that duels aren’t just duels anymore had been the first challenge. ‘Sacred battles’ the monsters of this realm called them, where the rules of the game meant jack shit and participants fought for their very lives. Aster rubs his arm where he’d - thankfully - caught the broadside of a sword. It could have been a lot worse.

His nose slams into a broad back as Zane jerks to a halt in front of him. “Break lights would be nice,” Aster mumbles, rubbing his face as he peers around his travel companion - Zane is definitely not the first person Aster would have chosen to go on an interdimensional field trip with. A few meters ahead of them, some paces outside the gate to the fortress they’d been aiming to check out, sit for mounds of freshly turned dirt. A Duel Academy issue duel disk stands lodged into each one.

Oh.

Aster’s arm throbs, a very real reminder of his own mortality, as he and Zane wander closer. “These look like grave markers.” The calm of his voice surprises even himself as he bends down to inspect one of the disks. Perhaps he’s come face to face with death one too many times to get worked up over it.

Zane inhales sharply and Aster glances up in time to see the horror flash in his eyes before the man turns briskly away. “It doesn’t concern us. Let’s go.”

Yeah, Aster doesn’t believe that for a second. Zane sounded harsh, too harsh for someone who didn’t care. Anger always precedes another deeper emotion. Looking across the other three duel disks, Aster spies the blocky “10join!” sharpied between the dome and the back row activation buttons. He wonders which sibling was so unfortunate, or if they both were.

*

Aster notices things. He likes watching and analyzing and figuring out what makes people tick. It’s a great way to get under his opponent’s skin and throw them off balance; it’s a useful skill for interrogation. This is neither, but Aster still notices things. In fact, Zane makes it very hard not to notice things. The gap between them lessens with each passing day; Zane gradually sits closer and closer when the two of them make camp, until they eventually end up hip-to-hip and shoulder-to-shoulder. Aster doesn’t mind the closeness - he and Sartorius have had a skinskip going for years - but Hell freaking Kaiser is quite possibly the last person he ever thought he would participate in such intimacy with. Case in point, right now, in the dead of night, laying next to their campfire, Zane has his head on Aster’s chest.

Real talk, Zane isn’t unattractive and Aster is very, very gay. And getting frustrated. And he’s never really been the ‘wait around see’ type; he is very much the ‘act upon given information’ type, and Zane has given him plenty in actions alone over the past few weeks.

“Oi, Zane.” Aster taps the other duelist’s shoulder and waits for Zane to lift his head and look him in the eye. What happens next is pure impulse. Aster intends to question Zane about their current relationship, but somehow that signal gets scrambled on its way from his brain to his mouth, all he can think about is how much Zane’s eyes’s look like the ocean, and he ends up kissing Zane instead.

Sweet Destiny Heros, why?

Zane goes rigid against him, expression stiff with shock. Aster bites back a grimace. “Did I misread the room?”

Zane’s expression shifts minutely as emotions play across his face like some kind of internal debate between them. Whatever conclusion they come to, Zane relaxes against Aster once more. “No,” he says at length and kisses Aster back.

Zane is...rough, to put it mildly. This is by no means Aster’s first kiss - he did some experimenting during his time of self discovery - but this...this is intense. Zane brings the same ferocity from his duels, and Aster can’t even tell what their lips are even doing anymore; can’t even tell if he wants to know the details beyond the fact it makes his head feel fuzzy and light and tingly. His hands bury themselves in Zane’s hair - thick and coarse - as Zane shifts to kiss down Aster’s jaw and neck. Except it’s not really kissing anymore, there’s too much teeth.

“Ow! Stop biting!” Flinching, Aster tugs on Zane’s hair. With a small grunt, Zane smoothes the flat of his tongue over the offended skin and begins trailing soft, butterfly light kisses across Aster’s neck. Oh, that does funny things to Aster’s insides. Neck tingling, he arches and writhes, unsure if he wants to get away or get closer. Both? Ah, fuck-

With a tiny whine, he pulls Zane away from his neck to crush their lips together again in the confusing, intoxicating dance. Zane’s hands stroke down Aster’s sides and tease his hips through the fabric. Aster jerks, horrified by the tiny noise that gets muffled against Zane’s mouth.

“Stop pulling,” Zane murmurs, voice rough, and yet Aster recognizes it as a request rather than a demand. Still, he releases Zane’s hair to grab a fist full of black fabric, shaking with the electrifying feeling Zane’s touch sends across his skin.

And hand tugs his shirt from his waistband and Aster’s hand snaps down to grab Zane’s wrist. “Keep your pants on, Marufuji, I’m not legal yet.”

Zane snorts - Aster’s far too fried and tingly and wired to begin comprehending what the sounds means - but smooths his hand up Aster’s chest over the fabric regardless. Aster lets his hand drop to the ground as Zane fits his face snug against Aster’s neck and lies there, while Aster tries to regain control of his breathing. There is something insanely hot about having Zane’s full weight pressing Aster against the ground, but he wouldn’t be able to breathe like this for long.

“Hey.” He pushes Zane’s shoulder. “I need to breathe.”

Zane’s eyebrows furrow before he makes a soft sound and shifts his weight to the side, allowing Aster his first full breath since this...whatever this was began. One arm rests around Aster’s waist with Zane’s face still snug against Aster’s neck.

Idly tracing his fingers up and down Zane’s arm, Aster stares at a starless sky. His heart rate slows, his breath returns to normal, his skin stops tingling save for the ghost of Zane’s breath on his neck. Maybe one good thing came out of this crazy fieldtrip.

[the-paris-of-people]

Hi. This is really not a question but more of a rant. A really really long one. I apologize in advance. I honestly care waaaaayyyy too much about this show than I should. Clearly too bored🙈.

After reading people's comments on this show and the ships, there are so many things that irk me and I thought I'd share even if I might get crap for it. So here goes:

1. "Ben only wants Devi when she is with Paxton." I.e. it's about Paxton. Lol people are funny. As though Ben thinks he can compete with Paxton on a social level. He's not stupid, he knows full well he can't. It's about Devi and in part her obsession with Paxton. People don't like thinking about things from Ben's perspective because they just don't like him. He's the one that finds out Devi is cheating, she runs after Paxton at the party ( now granted before she runs out, she's intensely staring at Ben and then realises Paxton is leaving but Ben's not gonna remember that) and she was busy chumming it up with Paxton in episode 3 in front of Ben with absolute disregard for him. So his natural defence is to guard himself and have his walls go up. It is a valid response. He burries his pain (exactly what Samberg said). And does not let his guard down around her romantically until episode 10 when Paxton literally rejects her at school. At the school dance, sparks are flying between those 2. Is Paxton around at the time...Uhm no (I'll get into the whole Aneesa thing). In his mind Paxton is out of the picture and it's like he can almost trust her again. And then when Paxton shows up with Devi, he basically feels like a fool for ever thinking that he was ever something more than 2nd best or sometimes anything at all ( especially considering Devi still wants Paxton after Devi and Paxton's last public interaction that Ben witnessed- I mean he does not get to see the shit behind closed doors). But then when Eleanor spills the tea, that look on his face is disbelief, yes a little bit of jealousy but overwhelmingly heartbreak. He is essentially watching the chance he never knew he had go away. Now you could argue that he should have known that she wanted him back but she broke his trust and does not explicitly say, " I want you back". Ben's not trying to get burnt again based on some assumption/hunch. He has been wrong before.

2. "How dare Ben be upset that Devi is with Paxton when he is with Aneesa". Fair point. Just like how dare Devi be upset and lose her shit over Ben and Aneesa. But yet it still happend. Devi gets 5 episodes allowing her to be upset and Ben can't even have one moment when a firkken bomb gets dropped on him.

Aneesa and Ben should have never date. Everyone knows that. He was never over Devi. He just pushed those feelings down to make him believe he was over her. I obviously don't agree with this. Aneesa doesn't deserve that. Ben needs to go to therapy. He needs an outlet. He is similar to Devi in that he doesn't want to process what happened and would rather move on and react. However, his reactions are far less impulsive/severe as Devi's. Him dating Aneesa is unfortunately a reaction. He didn't give himself time to really process how he feels. People say he dated Aneesa solely to spite Devi which is not true. Is there an element of " you never wanted me but someone else does"... absolutely but Aneesa is also very kind to Ben, they get along really well and she puts him first. Technically what's not to like. I mean if it was just to spite Devi, could he have not tried to hustle his way back in with Shira?? Problem is that dumb dumb didn't work through his Devi feelings and let's just be honest, the same spark and chemistry he has with Devi, is missing with Aneesa. It often feels forced, especially in regards to the pace of the relationship. I so wished Aneesa remained friends with Ben. That's what he needed...not another relationship.

3. "Aneesa is so amazing, she doesn't deserve to get hurt." I agree. She absolutely doesn't deserve to get hurt just like Ben and Paxton didn't deserve that crap Devi pulled. I think Aneesa is a great addition and I like that Devi has someone within her community to connect to. I'm South Asian myself and I genuinely value this aspect of my own life. I mean she is pretty great, kind and the anorexia rumour Devi unintentionally started was pretty heartbreaking. That scene where she talks to Devi at the relay about it, is so sad (especially coz we as viewers know Devi messed up). Now that being said is Aneesa also low key shady? YES. And it's not because she dated her friend's ex. It's because she started dating him knowing that Devi started the rumour about her because she was jealous about Ben and her. How does she think Devi would go from being so jealous that she starts a rumour, to the next week becoming their biggest "Stan". Come on girl. But there was no way Devi could say no after the crap she pulled with Aneesa. Ben did ask her out so if there is blame, he absolutely gets it too but he didn't know why Devi started that rumour (based on his surprised AF face when Eleanor spills the tea). Which leads me to my next question. Why didn't Aneesa tell him? Aneesa said Ben was supporting her through the rumour. She probably told him Devi started the rumour but didn't tell him why? That is odd? Clearly if Ben had known, he may changed his perspective on Devi actually wanting him instead of ignoring his feelings.

Lastly Aneesa knows there are unresolved feelings between Devi and Ben. This is evident from that dance scene. She literally runs to cut in their pretty intense conversation. Like why you running girl? I didn't think much of it at first but coupled with another moment, it makes a lot of sense. When Ben agrees to dance with Aneesa, he looks back at Devi and lingers and Aneesa picks up on this and pulls him away. It's a blink and you will miss it moment but it is there.

Now all of this doesn't mean she needs to get hurt but they probably need to break up. Ben needs to be single for a while and work through how he feels about Devi, Aneesa and most importantly himself. Whilst I don't particularly enjoy their relationship, you never get to see it from either of their perspectives. Maybe that could change things but honestly I just prefer Ben and Devi.

Also can everyone stop acting like Ben is dating Devi's best friend. Being brown doesn't make you automatically best friends and Ben and Devi met Aneesa the same week. People are acting like he is dating Eleanor.

4. "Devi chose Paxton". Please! The only thought through decision that girl made in regards to these 2 boys is when she chose herself and decided not to be Paxton's little secret. I mean in episode 1 and 2 she can't decide so she dates both. In episode 3, she interacts with Paxton because of the whole tutoring thing. He says they don't makes sense. While she seems a bit sad she doesn't seem too upset like she is season 1 and she isn't looking for any opportunity to spend time with him (unlike season 1). Episode 4,5,6,7 and 8 she is losing her mind over Ben. Half way through 8 she knows she has no choice but to let him go. But even after that she doesn't pursue Paxton. He does that at the end of episode 9 when in all honesty she hasn't really thought about him in a while. Then of course Paxton does what he does and she finally choose herself, issuing an ultimatum essentially. Paxton does eventually show up...but it's a choice by default. She just yo-yo's between them. She also needs to be single, deal with her loss, love herself and think about what she wants.

5. "Devi loves Paxton". Sure bud. Does have Devi have feeling for Paxton? Duh! But is it love. Nope. People like to confuse infatuation for love. She has been infatuated with this boy this the 3rd (she knew squat about him). When her dad died, she turns that infatuation into an obsession. It like becomes a full time hobby in season 1. She ruins relationships over it. In season 2 you can argue there is more depth to it and Paxton does grow in Season 2. But somehow she is still fixated on the fact that it's Paxton Hall-Yoshida. I mean she smells him (totally normal), Mc Enroe's comment at the relay was, "did this hunk of beef just say he likes spending time with her", when she breaks up him she says , "you are very good at kissing" not possibly any of his other good qualities. And at the end she says , "I guess I'm Paxton Hall Yoshida's girlfriend now". This boy is so far up a pedestal that if he fell of it, he'd break something. Now granted if he fell of it in Season 1, he'd be dead. So progress I guess...

Maybe the relationship will change in Season 3 and she genuinely falls in love with him. I mean Id be sad but obviously a real possibility. But also that relationship needs to move on from being just the "Paxton project" which it was basically all of season 2. Maybe actually talk about her every once in a while.

Also people who find the ending so amazing because he shows up...bare minimum bro. I understand his perspective, how does it look to go back with someone who cheated on you. Fair point 💯. However she didn't start this shit up again. He did. He liked her so much that he had to make out with her In the middle of the night out of the blue but not enough to respect her publically. That's some BS right there. If he started it, he should have thought it through instead of guilt tripping her. But he is a teenager and ALL of them make incredibly stupid decisions (we all have). Devi messed up big time too and she apologized. The same compassion must extend to him but in no way is it a grand gesture, it's the bare minimum...like her apologies

6. "Paxton forgave Devi forgave Devi so quickly whilst Ben didn't and was so mean". He did forgive her pretty quickly. Good for him. However let's not act like circumstance didn't carve the way for that. They were pushed together because of the whole tutoring thing and he knows that they have to see each other all the time. So logically just makes sense to keep the peace. But still mature oh his part. Also he wasn't as emotionally invested as Ben. Did he have feelings? Yes. However, based on his inner monologue (Gigi Hadid) his ego took more of a hit because how could Devi, the "weirdest girl" he ever liked two time him with Ben Gross. Did his feelings deepen by the end? Yes. But at the start...it isn't that deep.

Also it's great and all that he "forgave" her so quickly but he sure did like bringing it up a lot. Like at the relay guilting her, upset at the end of 6 because he failed...I mean wtf girl you owe me- I don't really care what else is going on in your life, again in episode 8 in the car and finally we all know the mess that is episode 10.

In regards to Ben. His anger is justified for reasons stated in point 1. In fact his reaction seems more real because he is deeply hurt by Devi. Do I like some of his reaction (i.e. nose piercing-will discuss this further) ...nope but she only sincerely apologises to him in episode 8 vs 3 for Paxton. He accepts it. People acting like they would be so calm and chill about being cheated on. And yes he did cheat on Shira. He tries to kiss Devi at party twice but apologises that day and the following week. He doesn't try anything with Devi the whole of episode 10 until she kisses him. He acknowledges that it was wrong and immediately breaks up with Shira. Although cheating is not something we should condone can we actually acknowledge that Shira was the worst and doesn't even remember Ben's name. Compare that to Devi's premeditated cheating. Her Eleanor are literally laughing at how amazing they are for pulling it off and Devi didn't care about either of their feelings cause she was going to be India. Sorry but that is far worse. She also thinks she can bullshit her apology with Ben. He isn't here for that...which is fine! He kept trying his level best to avoid her but even that she wouldn't let him do.

7. "Ben is Horrible". Has Ben done some shitty things. Absolutely. People complain that he has never apologised for anything. Fair enough. He needs to apologize for the UN comment and the psychosomatic comment. It was incredibly hurtful. However, no one does call him out of it. Now you could argue he should just do it. Please... have you watched these particular set of teenagers? None of them apologise without being called out on it first(except maybe Fabiola). And you only get called out my your support system ... which Ben does not have. He practically looks like he raised himself. He doesn't have parents to put him back in line or a sister to call him out on his shit. Devi has her mom, cousin, grandmum , Elanor, Fabiola and her therapist. Does she ever listen to them the first time? Nope. And her first time apologies are such messes. She only gets it right the 2nd or 3rd time. All of them have some form of support but not really him. And it is heartbreaking. It's why I genuinely believe he needs to go to therapy. He needs an outlet to express everything he feels. He also needs to be held accountable for those comments and understand the root of it (ok let's be honest Devi even in their rivalry was probably the most constant person in his life, and fighting with her meant she stayed close by- it's a subconscious thing). He should apologize to her and also find better ways to communicate what he is feeling. The nose ring thing was manipulative. I agree. He should apologize. But I'm not gonna lie, it doesn't piss me off as much because I think it's pretty messed that it took that for her to realise how much she hurt him. Also tbh if you were willing to alter your body on a 2 minute thought out dare, you wanted to do it anyway. But again not a healthy way to emote on Ben's part. The David thing doesn't upset me because he knows how to pronounce her actual name. It's not like he doesn't know how and doesn't bother to try. It was part of their rivalry to irritate her. I honestly find it quite endearing as part of their friendship and think Devi does. I may be wrong and she may not like it and in that case he needs to stop and apologize.

I am not upset by him coming over to her house and calling her out about Aneesa. She deserved it. Also if she was that uncomfortable she could have taken him outside to talk like she did with Paxton. She is clearly comfortable enough to have him in the house. And her therapist agrees with Ben. If he hadn't, she wouldnt have known that Aneesa was leaving. Her mom took away her phone. And even then her first attempt at an apology was soooooo bad. And I don't think Ben did it solely to get Aneesa to stay so he could date her. This is Ben, he was willing to do long distance with Devi from India, I think he could have done the same with Aneesa from like the same town 🙄

I genuinely like Ben because he is a good kid. He makes mistakes like they all do. His personality is hilarious to watch but also his and Devi's relationship is so special. Me liking Ben and Devi has nothing to do with what Paxton has or has not done. I just like the dynamic between the two. They obviously care deeply for each other. Their conversations are hilarious. I love their banter. I love how comfortable they are with each and am sometimes surprised by the depth of their conversations. But also they have amazing chemistry. All the jealous looks and angst are between these two idiots pining for each other. I think she does have chemistry with Paxton but it's more because he is PHY, school Adonis. I mean let's be honest, he'd probably have chemistry with Fabiola solely cause he is PHY. The two nerds just match each other and it's so funny how often they are in sync. It's honestly adorable. They just get each other. That bathroom scene was the sweetest thing and also proves he's not this terrible person. She only comes out of the stall because of his support. He is genuinely hurt for her when technically it should have been a great moment for him.

I do believe the two have to be single for a bit before admitting their feelings for one another and moving forward. That's why my main thing for season 3 is that he absolutely cannot interfere in her relationship with Paxton. He needs to give her the space to figure that. Do I think there will be moments between them... absolutely but no cheating please. Everyone needs to move on from that. If they do it...I honestly think il be done with the show.

Anyways sorry for the really long ramble. If you made it to the end thanks for your patience 😌

Thank you for this beautiful masterpiece, I pretty much agree with everything and need to put it out there for the world to see

[wonda-cat]

You mentioned rewriting that one analysis post on Tommy’s revival stream and I’d really look forward to it! I never got to read the full og post and that’s the only place I saw these takes. Especially the one about the afterlife being too depressing. It’s not even just about Tommy, the implication that even if every character is safe and happy by the end, this is their inevitable fate is messed up. It’s not “a neat subversion” it’s just depressing and doesn’t add anything.

Hey, anon!

I sorta decided to not rewrite it? I feel a bit differently about the essay in the end, although I still believe in most of my points. I’m also just not nearly as passionate about it as I was when I wrote it (I finished it in a single sitting, which was... interesting.) However, yes, the afterlife stuff still bothers me just the same, as well as the odd changes to Wilbur’s characterization... post mortem.

But—just for you, anon—here’s the entire meta-analysis essay anyway, with some minor edits to the stuff I don’t agree with anymore!

My Many Narrative Issues with Tommyinnit’s Revival Stream

I want to preface this by saying that I dearly love the Dream SMP and understand it isn’t exactly comparable to other mediums like TV and film. With this being the case, most criticism against it is generally in bad faith or strange in foundation. Complaining about streamers for bad acting is the best example that comes to mind. 

These aren’t professional actors. Most have never acted in this sort of setting, or even at all. Quite a few have admitted to never roleplaying before. Which is why it’s warranted to praise Tommy, Dream, Wilbur, Ranboo, and others when they deliver stellar performances. The same applies to criticism of music choice, dialogue delivery, focus, tone, etc. 

However, one such category I cannot overlook is in regards to its writing. The writing of a story is its entire foundation. It encompasses many things—conflict choice, character development, themes, and morals. The author creates the blueprints for the architect, who then expresses the story with light, sound, color, pacing, and music. It is in its execution that we see if this connection is made or broken. 

The reason I find poor writing mostly inexcusable is because it is one of the most available skills to practice and perfect. I don’t mean to say that it’s easy, I mean to say it is something anyone can attempt to cultivate. Whether they do it well or not depends on their methods and experience. If anyone can self-publish a novel and be criticized online for its quality—and even compared to the works of Mark Twain—then I find critiquing the writing of the Dream SMP to be perfectly reasonable. 

However, since the Dream SMP script is a set of loose bullet points, tearing apart dialogue and scene continuity—which is nearly all improv—is rather useless. It doesn’t exactly have a clear focus as the plot plays out. The characters talk in circles until they hit the story beat required, and then they move onto the next. Thus, when criticizing it, one should generally critique grand events and narrative-specific shifts, more so than small-scale character interactions. 

Which brings me to my main point: The broad narrative choices taken in Tommyinnit’s most recent livestream, ‘Am I dead?’ may lead to disastrous writing pitfalls in the future. 

I’ll be outlining each of my issues below, in hopes of creating a better understanding as to why I feel this way. 

This might become quite lengthy, so please bear with me for a bit.

Tommy’s relationship to Wilbur has flipped. This change is jarring and seems out of character.

Tommy and Wilbur’s friendship is rather complicated. While Wilbur does care for Tommy immensely, especially during the L’Manburg Revolution and the Election Arc, his mental spiral during exile put a massive strain on their relationship as a whole. Wilbur brushed off Tommy’s feelings and wants, while clinging to him and pushing everyone else away. He was simultaneously distant and suffocating. 

Tommy, on the other hand, has an unclear view of his mentor. Since the beginning, and even long after Wilbur’s death, Tommy held him in especially high regard. He saw him as a brother-figure and a wise leader. He followed what he said and did everything he could to impress him. Yet, Wilbur still hurt him while the two were together in exile. 

When speaking of him, Tommy tends to flip infrequently between remembering Wilbur the way he was before his mental decline and thinking of him as a monster. Both of these images conflict with each other, but they weren’t nearly as extreme as what Tommy described Wilbur as when he was revived from death. The fear Tommy displays to Wilbur is beyond intense—it feels as if the audience may have missed a month’s worth of character development. 

This can make sense, especially since it was stated that he’d spent what felt like two months in the void. However, this shift is still deeply at odds with Tommy’s previous impressions of Wilbur, which is both disheartening and confusing. The fact that Tommy would agree to stay with Dream—his abuser and murderer—over his past mentor is simply head-reeling. It paints a very different picture of Wilbur’s character, somewhat conforming to the fandom’s ableist impression of him—the idea that Wilbur is insane and irredeemable, and always will be. 

It also ignores Dream being the driving factor in Wilbur’s downfall, as well as the double-bind deal with Dream which required him to push the button, no matter the outcome. Others have pointed out that Tommy may be lying to get Dream to bring Wilbur back, and there’s compelling evidence for that. For one, Tommy and Wilbur’s conversation seemed uncomfortable, but it was certainly nothing like Tommy implied. (Unless this fear comes from something Wilbur said off-screen.) 

Tommy also begged Dream to not bring him back multiple times over, which he should know would make Dream even more tempted to, simply because he likes seeing Tommy in pain. Tommy is also a known unreliable narrator. He may be making Wilbur out to be worse than he is by accident (even still, I’d argue this is a bit of a stretch.) 

However, there are some issues with this theory. Tommy offered himself as payment to Dream if he chose to let Wilbur rest. This is a deal Tommy knows Dream is extremely unlikely to refuse. Tommy is what Dream has coveted all this time. If Tommy genuinely wanted Wilbur back, he would not offer this. This sort of compromise is Tommy’s greatest nightmare—something he would only do in response to his friends being threatened or his home being destroyed. 

To add, Tommy is not great at lying. Unless he was taught by Wilbur for those two months* in the afterlife, there’s no chance Tommy would be this good at it. Thirdly, Tommy is terrible under pressure. He uses humor to cope. When he can’t, he cries and shouts and spills his heart out. While cornered, Tommy will tell the truth about anything, especially if Dream casually debates killing him again, just for fun. 

For now, it’s too early to tell how the relationship shift will play out. In the grand scheme of things, this issue is rather minor.

Season three’s writing is needlessly bleak. The portrayal of the afterlife is a nightmare. There is no rest, not even in death.

I adore the Dream SMP storyline in its entirety. I believe the first season is fantastic, and while the second season has some narrative clarity issues, I enjoyed it just as much. Although, I would argue season one had a more concrete understanding of its Hope-Conflict balance. 

To briefly explain, the Hope in stories are its ‘highs’ and good moments. These appear when a character the audience is rooting for is narratively rewarded. They happen during character building in the text—it’s the downtime and peace that allows for connection and relatability. It’s a moment for the viewer to breathe easy. 

The other half is Conflict, an obstacle in the story that gets in the way of the main characters’ goals, beliefs, and motives. These are the ‘lows.’ They give the narrative focus and weight. They make the highs feel even higher. They establish consequences and force the characters in the story to change in order to adapt and overcome them. 

I bring up the Hope-Conflict balance because a traditional hero’s journey would have an appropriate amount of both. Their highs and lows are generally equalized, as the name suggests. However, this balance has been awkwardly skewed in the latter half of season two and in the current plot of season three. To clarify, it is perfectly reasonable, and even common, for some stories to tip the scale more to one side. 

But a common mistake for amateur writers is to create their stories as either hopelessly dark to cause the audience continuous distress for the sake of distress, or to keep everything entirely conflict-free for most of the plot. What do these both have in common? They each make the story boring and predictable. 

Season three has taken this concept and thrown a monstrously heavy weight onto the Conflict side and flipped the scale so hard it has crashed through the ceiling. The viewers are hardly given time to find any joy in Tommy’s character, as he’s thrown into yet another abusive situation, just barely after his first narrative reward. The world is painted as relentlessly violent and traumatic. 

Every person Tommy meets is morally grey, unhinged, or out to hurt him. Everything most of the characters love is taken from them by those in positions of power. Ranboo cannot even grieve properly because it scars his face. Puffy, Sam, Ranboo, and Tubbo all blame themselves for what happened to Tommy. 

The audience watches lore stream after lore stream with the same depressing tone (with the exception of Tubbo’s, but I assume that’s unintentional.) Tommy is revived after being brutally beaten to death by his abuser, surrounded by all of his greatest fears. The afterlife is revealed to be akin to inescapable torture. It’s a colorless void that wraps the individual like fabric. 

Time moves thirty times slower within. There’s nothing—nothing but the voices of others who’ve passed on before him. Dying in a world already devoid of happiness takes the characters to a place worse than hell. When a narrative delivers unfair suffering to the entire cast without a moment of joy to speak of, the story will feel simultaneously overwhelming and pointless. 

Why watch characters suffer when there’s no light at the end of the tunnel? What happiness could they strive for when we know they’ll never get to keep it? How can I be satisfied with a good ending, if I know that an afterlife too terrible to name is what awaits them, truly, at the end of their story? Death isn’t even a white void that offers rest—it is eternal torment. 

Obviously, it isn’t a good message to send by making the afterlife seem like a quiet, perfect place or an escape from pain. But making it an unspeakable anguish which awaits, assumedly, every character who will die in the future? I deeply hope Tommy was only being an extremely unreliable narrator. 

More likely, I hope the place Tommy was taken to was a Limbo of sorts, not an end-all-be-all destination for everyone.

The degree of Tommy’s narrative punishment continues to escalate, to an almost absurd degree.

Tommy is one of the most tragic characters to exist in the storyline. He was sent into war at a young age and experienced two traumatic events during it. He was exiled by the newly elected leader and witnessed his mentor Wilbur spiral and break down with paranoia. Tubbo is executed publicly in front of him. When expressing rightful anger at the person who murdered him, he’s beaten nearly to death and never receives an apology. 

Schlatt dies right in front of Tommy, after his initial refusal to hurt the ex-president. His brother-figure and mentor is killed in assisted suicide on the same day his nation is blown up. His best friend exiles him from his home for the second time. He routinely self-sacrifices to protect his country and those who live there. His most treasured possessions were taken from him and he was called selfish for trying to retrieve them (although his methods were self-destructive and volatile.) 

He was pushed to the brink of suicide after being relentlessly abused and isolated in his exile. He was horrified when he thought he was responsible for drowning Fundy. After making an objectively good decision to stand by his old friends and change for the better, his country was obliterated by the man he once idolized, his father-figure, and his abuser. 

He was left scattered and without purpose for many days. Then he fights against Dream and loses, while also reliving his trauma. He watches Tubbo almost die at the hands of someone he once thought was his friend. He doesn’t tell a single person about what happened to him in exile. The day he tries to sever his connection to Dream and heal, he’s trapped with him for a week, surrounded by everything that terrifies him. 

He threatens to kill himself, speaking about his own life as if it were an object—something to hold over Dream’s head. He blames himself for everything bad that’s ever happened to L’Manburg and his friends—internalizing a mentality as a scapegoat for everyone around him. He is forced into the role of ‘hero’ despite the title being unfair and distressing to him.

As if that weren’t enough, he’s then beaten to death by his abuser and spends what feels like two months in an afterlife that is worse than hell. When he returns, his senses are excessively heightened. Dream can cause him excruciating pain, just by pinching him. He can send Tommy into an instant panic attack, just by raising his voice. 

The punishment Tommy’s character receives is a thousand times worse than everyone he has ever met, or ever will meet. And it shows no signs of stopping, as Dream now has control over Tommy’s very mortality. Tommy now fears the slightest damage and feels as if he’s losing his best friend all over again. He is also forced into a position where he has to kill Dream out of necessity, to protect everyone he cares about.

Characters need fitting punishments in relation to their actions. Not always, but in order to be satisfying? Yes, they do. It is preferred that a main character deal with unfair situations and difficult conflicts, but this is borderline torture p*rn. Putting Tommy in these distressing and abusive situations on repeat and punishing him for doing objectively moral or healthy things is exhausting to watch. 

To quickly add, I find the general insinuation of Tommy going to hell distasteful, especially considering the contents of his storyline. I know this may be hard to believe, but Tommy is one of the most moral characters in the plot, besides Puffy and Ghostbur. He’s also the only character, followed by Ranboo, to recognize that they can be wrong and make mistakes. He changed himself in order to heal and be a better person. He was in the process of paying people back for the things he’d stolen. 

He’s learned to be hard-working and less violent through the guidance of Sam. He has apologized to everyone he’s ever hurt (with the exception of Jack Manifold, because that man is allergic to communication.) He puts himself in harm's way to protect others. He doesn’t set out to purposely hurt anyone. He goes out of his way to make connections with people and maintain them, even if others don’t reciprocate. 

He’s hopelessly optimistic, despite his outwardly bitter façade. He loved so much and put meaning into the smallest things. The thought that a person like him—a suicide and abuse survivor—would go to hell after being beaten to death by the man who took everything from him; it makes me sick to my stomach. 

The only thing more morbid than Tommy’s afterlife being different than everyone else’s, is the concept that everyone will end up in this same eternal torture, no matter what they do. Take your pick: Tommy is sentenced to anguish until the end of time for no reason, or everyone will receive the same disturbing ending, regardless of their actions.

The narrative weight of Ranboo’s character is potentially out the window.

For the past few months, I’ve watched all of Ranboo’s lore streams faithfully, curious to see what role he would play in the future. His ‘hallucinations’ of Dream seemed to be sowing the seeds for a plot that has Ranboo taking the fall for every single insidious thing Dream has done. It would also be a tragic parallel to Tommy’s trial. 

Ranboo being convinced he was the one who blew up the community house, when Dream himself admitted to doing it, was one of the bigger indicators for me. This is just one of many other unexplained occurrences. Dream seemed to be making an effort to trigger and control Ranboo, especially after Sapnap’s prison visit. It appeared, from the way he went about this, that Dream had some grand use for Ranboo as part of his plan to be freed from Pandora’s Vault. 

However, after Tommy’s stream, the way Dream explains himself makes it seem like there was no plan besides seeing if the book worked on people. And if he didn’t after all, then what was Ranboo for? Was Ranboo unimportant? Was Ranboo just some weirdo who happened to phase out when seeing smiley faces and imagined conversations that may or may not have happened? 

I bring this up more as a worry, and much less so as an active problem in the narrative. They haven’t actually thrown Ranboo to the way-side or written themselves into a corner yet. In future streams, this could very easily be explained away or developed as more information is revealed. 

Only time will tell.

The potential for Wilbur’s future development and importance to the plot is unfeasible.

I feel as if I am the only person on earth who doesn’t want Wilbur Soot or Schlatt revived. There are many reasons for this, but one of them is not a dislike for these characters. I especially adore Wilbur, as he’s one of my all-time favorites. I don’t want either of them resurrected because their stories have already been told. They each had a fitting conclusion that ended their involvement perfectly. 

Bringing Wilbur back would especially cheapen the impact of the War of the 16th. It’s the end of a man who was brought to the absolute edge and out of desperation, shame, and self-hatred, he destroyed himself alongside his creation. Bringing him back would leave the climax of the previous story hollow. My biggest issue, however, is that a lack of story importance would likely follow his return. 

The only real impact I’d like to see is through a healing arc with Tommy, an apology to Fundy, or a confrontation with Phil/Niki. But that’s really all the potential I can realistically see. While I don’t doubt Wilbur as an agent of chaos, able to create plot out of thin air; what is he going to do now? His country is gone, his friends and family are scattered about, and his mission from the 16th is already accomplished. 

What is a well-educated, charismatic politician supposed to do in a world already broken and without nations? Read poetry to himself and cry evilly? However, this is working off the assumption that Wilbur would be returning as his old self. 

If Wilbur is resurrected as a ‘villain’ of sorts, then what? He’s not good at fighting in the slightest. He would have no materials. There are no real allies he can make, other than the arctic group. On top of that, there are already more than enough villains to last a lifetime. 

We don’t need any more, I promise. Quackity seems to already be shaping up as another antagonist, alongside Sam’s slip into darker and darker shades of moral ambiguity. We also have Philza and Techno, which are already overkill. But then we have Dream who, despite being in a prison, has the ability of selective revival. This is mercilessly overpowered, especially if he makes many allies. The dude could just bring his dead friends back so they can keep fighting forever. 

Then there’s Jack Manifold and the Crimson followers; Antfrost, Bad, and Punz. That’s not even including characters who are refusing to get involved. How are Tommy, Tubbo, and Puffy expected to do literally anything to fight back?

Dream’s experiment on Tommy implies he had no backup plan to begin with. This makes his character seem both short-sighted and foolish.

When Tommy woke up after being brought back to life, Dream sounded surprised that the revival worked at all. This instantly shatters the perception that Dream was highly intelligent and thought ahead. With just a few lines of dialogue, it’s implied that Dream killed Tommy, unsure of if the resurrection would even be possible on humans. 

Which, to risk something that important, seems unbelievably stupid. Dream needs Tommy, from his perspective. Tommy is his ‘toy,’ the one who makes everything fun. If he lost him and couldn’t get him back, what then? Oh well, everything Dream was doing was all for nothing, I guess. 

Why not attempt this experiment on literally anyone else first? Like Sapnap or Bad or, hell, even Ranboo. I suppose it could be that, as soon as Dream got the book, he experimented with it after the 16th. This appears to be insinuated with Friend and Hendry’s revival, although this is uncertain. But even then, he was still unsure of the book’s effect on a human being.

Also, this means, hypothetically, Dream’s entire plan of escape hinged on the experiment working, to begin with, and also on bringing back Wilbur if it somehow did. I find this even more ridiculous. Why Wilbur? That man couldn’t find his way out of a paper bag, let alone get through the traps in Pandora’s Vault. Even if he is intelligent after years* in the afterlife, that’s also a strange assumption. 

How do people learn things in the void? Where do they even get this knowledge? I’d honestly argue Techno is a far more competent choice than Wilbur. And even if Dream did bring him back and tell him he owed him his life, what’s to stop Wilbur from just killing him permanently? Or killing himself, continuously? 

No way would Wilbur want to be controlled by anyone, ever. The dude would sooner fuck off into the mountains and become a nomad than help a neon green bodysuit cosplay as Light Yagami.

Dream’s discussion about Sam implies that he wasn't playing any part in Dream’s plan, making Sam appear entirely incompetent and neglectful of Tommy.

Dream talked about Sam in a way that seems detached and unaffiliated. He also mentioned him being broken up about Tommy’s fate and not being aware he’s still alive. Dream not being partnered with, or not using Sam in his plan leaves many plot holes. I’ll go through each one. The initial incident was an explosion, coming from the roof of Pandora’s Vault. This did not affect the Redstone mechanism for the doors or dispensers. 

Meaning, Sam could’ve had Tommy leave the way that was expected for visitors after he investigated and found no issues. This likely couldn’t have been done in less than a day, but it would be better than an entire week. If Tommy was required to stay for longer, due to protocol, he could’ve gotten Tommy out and then placed him in one of the minor cells for the remainder of the time. 

Also, no one else lost a canon life for leaving via the splash potion of harming and returning outside the maximum-security cell; why would Tommy? To add, Sam being uninvolved means that the explosion could have only been caused by Ranboo or Foolish. That, or it was placed long before and timed for the moment Tommy entered the main cell. (I’m going to ignore how ludicrous it is that someone would know the exact time Tommy would’ve entered the room with Dream.) 

If Ranboo was the person behind the detonation, this implies he was necessary for Dream to kill Tommy to test the book. But that makes it even stranger. If this was Dream’s goal all along, why not kill Tommy the instant he was trapped with him? It makes no sense for him to wait so long. 

Sam is also directly at fault for not letting Tommy out, even after the week was up. There was no reason not to. He already knew there were no issues with the prison at that point. Although, to be fair to Sam, his character may have been paranoid and checking everything more than necessary, just in case. But this still isn’t a good excuse for him ignoring protocol in this one instance, and yet, not in any of the others. 

All of these plot holes or inconsistencies would be removed if it was revealed that Dream was blackmailing Sam in some way, or Sam had been working with him since the get-go. That Sam was the person who set off the explosion in the first place to trap Tommy inside. It would also explain Sam’s refusal to let Tommy out and by keeping him in there for longer than necessary. 

This can also coexist with Sam’s attachment and care for Tommy. He probably wasn’t told about Dream’s plan to test the book and genuinely believed Dream wouldn’t hurt him. On top of that, Dream is known to be a pathological liar, so his statements about Ranboo and Sam could be entire fabrications. 

Who knows?

The Book of Revival invalidates death entirely. The narrative now lacks both tension and consequence.

Another way the Dream SMP differs from other storytelling media is in the way it goes about its character deaths. In a TV show, for example, there will be characters who die just because, or when it’s important to the plot. However, it seems as if the Dream SMP is hesitant to commit to killing its characters. And there are many reasons for that. 

The most important one being, killing someone’s character excludes them from the story and some of their livelihoods depend on them regularly streaming on the server. There is also the issue of the cast becoming extremely sparse if characters keep dying. Typically, in stories, when you kill a character, you should introduce another. 

This keeps the cast from dwindling as the storyline goes on. This means the writers would have to find new streamers to join, who will develop their own characters and relationships with the plot’s continued momentum. This can be stressful and daunting to those who may be newly added in the future. 

Keeping this in mind, the Book of Revival is annoying from a writer’s perspective. When death is no longer an issue for a story hinged on its characters’ mortality, then what do you have as a consequence anymore? We’ve explored every kind under the sun; from abuse, to betrayal, to loss, to destruction. 

In stories, traditionally, death is a finality. It’s a conclusion. Whether it’s good or not depends on the character’s actions, its build-up, and the event’s execution. Without this lingering sense of danger, tension evaporates from the story. 

Why should I care if Tommy loses in a fight to someone, if he’ll just come back a day later? Why should I care about what happened to Wilbur, if he just returns as if nothing happened? The answer is simple: I won’t. I will no longer care if Tubbo or Ranboo or Sam die in the story, because the idea of revival even being a possible outcome leaves me unenthused and uncaring. 

The Dream SMP likes to flirt with death. It teases the demise of its main characters many, many times. More so Tommy’s than anyone else’s. Wilbur’s failed resurrection, which had unforeseen and unfortunate outcomes, is now strange in comparison to Tommy’s, which happened without a hitch. 

To be fair, we actually don’t see how many attempts it took. But here’s the problem; Dream could do it without the book being physically present. He’s trapped in a prison with nothing on him, meaning he doesn’t need any materials either. It’s also implied he could do this as many times as he feels, for anyone he wants. This would be exceedingly overpowered, if not for one thing—Dream himself is mortal (at least, I fucking hope he’s mortal.) 

If someone kills him one last time, that knowledge is gone forever. And I’m glad they’ve established at least some way for Tommy to win. Because at this point, I was losing faith. 

There is also the bare minimum establishment that Dream can refuse to bring back those he doesn’t care for. He can also use it as a shield, holding this power over other people. If Dream is gone, death is permanent. But isn’t that how death is supposed to be, anyway? 

What a bleak premise—the afterlife is pure eternal torture while life is cheapened by a lack of consequences.

Conclusion

All this to say, I am cautiously optimistic for the future. I hope dearly that every single one of these can be disproven or developed in the coming livestreams. Obviously, there’s not enough information to really determine what the end result will be, or how everything will fall into place. 

Every time I have theorized about the story, it has done something completely different and pleasantly surprised me. I want this trend to continue. 

Surprise me again—I’ll be here to see where it goes.

[beybladefanboy]

Beyblade Seasons Ranked

Here is my personal ranking, from worst to best, of the seasons of Beyblade Metal Fight: Metal Fusion, Metal Masters, Metal Fury, and the awkward spin-off Shogun Steel. Yeah, let’s get into that:

4 Shogun Steel

Honestly even if I did like Shogun Steel for what it is, it would still be at the bottom just by default. It can barely be considered part of the Metal Saga. The main characters in the last three seasons are either absent or reduced to supporting roles in favour of new characters who aren’t nearly as interesting or likeable. It is by definition a spin off. It feels very disjointed from the rest of the series because of these factors along with the lighter tone, the changes to the Beyblade system, and even some continuity errors particularly with Fury. Bringing back Doji again was also the biggest leap in logic this whole series made and feels downright lazy. The whole story just feels like a watered down Fusion with many of the story beats being similar and some characters never growing past mere echoes of the old characters. Some of the bey battles are fun and Ren and Takanosuke are decent characters but there’s a reason this show doesn’t get much attention. It falls into the Star Wars Sequel Trilogy trap of being overly dependent on original series sucker punches for its appeal and not putting as much effort into the new stuff. So as a result, the new stuff, some of which has potential, isn’t as fleshed out as it should be. This show is honestly fine on its own but awful when compared to the Metal Saga and it is comparing itself to the Metal Saga. This show intentionally put itself in the Metal Saga’s shadow and seemed content with being just that: a shadow of greatness.

3 Metal Masters

Okay, this is where I’m gonna start pissing people off. Don’t get me wrong, Masters is great and I don’t think it’s clearly worse than the other two seasons or anything. I think the main three seasons are very close in quality and putting them in any kind of order was incredibly difficult. However, I do think Masters is slightly weaker than Fusion and Fury. First off, it introduces Masamune. I don’t like Masamune. I find his whole “I’m the number 1 blader” shtick incredibly obnoxious and he’s everything I don’t like in real Americans: self absorbed, disloyal, big mouthed, entitled, and just annoying in general. He did have good character development over the course of the season but I personally can’t stand him. The pacing of this season also isn’t the best. With the exception of the Dark Tsubasa arc (which I’ll get to!), the season is just a normal world tournament until they get to America, which I don’t find very interesting. Kenta is also criminally underused. In Fusion he was basically a second main character and there are some episodes specifically following him. Then in Masters, he’s pushed aside in favour of side characters. People say Fury underused characters, and I’ll get to that, but holy crap, Masters gave Kenta no room to grow. Aside from him though, the other characters are used really well. I particularly like how Kyoya and Ryuga are incorporated. This is actually the season where I grew attached to Ryuga during my viewing in December. I was starting to like him in Fusion but this season cemented my newfound attachment. This season also gave us the dark Tsubasa arc, which is one of my favourite plot points from the show overall. It’s a fascinating look into the mind of a character I already really liked and it allowed Tsubasa to develop a lot. I love the conclusion that you cannot drive out the darkness in yourself, you have to accept it as part of who you are in order to properly control it. It’s brilliant, and I can personally relate this message to my own life. The dark Tsubasa arc is probably the strongest part of the season overall as the rest of it until we get to the HD Academy conflict kind of drags for me. However, when we do finally get to the HD Academy conflict, it is very fun. The whole “spiral energy” thing was actually pretty creative and while brainwashing isn’t a new concept for this show, I think they went more in depth with it in this season and it was pretty interesting. So yeah, still a really good season.

2 Metal Fusion

If I was ranking based on nostalgia, this would be number one. In fact, it probably deserves to be number one. However, I do have a few problems with this season that hold it back and it’s not the pacing. Actually, out of all the seasons, Fusion probably has the best pacing. The main villains, Doji and Ryuga, are introduced early in the season and all the characters are developed throughout the season, building up to the final tournament: Battle Bladers, which is also set up fairly early. The story is predictable but very well-structured. My biggest problem with this season is the plot twist with Gingka’s dad. Not only is it painfully obvious, but the reveal of the twist drags the plot to a screeching halt for nearly an entire episode, hurting the pacing and making an entire episode an exposition dump. It also made Gingka’s dad a terrible character. You can argue that him abandoning his teenage son and making him believe he was dead was for the greater good, although I personally still think it’s messed up, but breaking Gingka’s point counter like that was a step way too far. That moment serves to further the story by forcing Gingka to work harder to get into Battle Bladers. But did it have to be his dad who broke the point counter? I argue it didn’t. Gingka’s dad was flat out abusive to his son on that occasion and was pretty cold to him in general as Phoenix and yet the plot and even some of the characters praise Ryo for doing this. Why?! The way the story is structured puts Ryo in the right for abusing his son which disgusts me. That is my biggest problem with this season and possibly the whole series to be honest. I hate it that much. However, apart from that and those random filler episodes with Sora that in my opinion were boring, this season was really solid. Like I said, the story is told well and the characters are all introduced and developed well. Battle Bladers is definitely the highlight of this season, having the most intense battles and hardest hitting moments. Those episodes are exhausting to watch, because of Reiji and Ryuga. Reiji was randomly introduced in Battle Bladers and decided to try and rival Ryuga in how much he could traumatize the characters (and younger me). I have no idea why they decided to do that, but it worked. Ryuga in this season is the best villain in the whole series. He has such a presence to him: his (dubbed) voice, his sadistic expressions, his abilities, the music that plays when he’s onescreen. He’s over the top but in my opinion, Ryuga is the perfect balance between entertaining and intimidating. He’s even slightly sympathetic by the end of the season when he gets taken over by dark power and is seen trying to fight its control. They managed to both make Ryuga an irredeemable psychopath and found a believable way to redeem him. I love that in the end, Gingka isn’t fighting to defeat Ryuga, he’s fighting to defeat the dark power, which came from the greed and hatred of humans. Basically, the problem isn’t humanity, it’s humanity’s greed/hatred and being consumed by these feelings lead to evil. That is genius. This season also had two of my favourite battles in the entire series: Kyoya vs Ryuga, and Gingka vs Ryuga.

1 Metal Fury

Yeah, I said it. Fury is my personal favourite season. It probably has more wrong with it than Masters and Fusion but honestly, Fury’s strengths more than make up for its weaker parts for me. The only problem I have with Fury that actively hinders my enjoyment is Kyoya’s poorly handled arc, which I’ve been over multiple times and wrote a whole fanfiction rectifying. To sum it up briefly: it was rushed and weakened Kyoya’s character when it had the chance to develop him. I will admit this season also had too few episodes. I don’t think it was rushed per say, it just feels like parts are missing. There should’ve been more leading up to Nemesis’ revival and an actual epilogue episode because as it stands now, Fury ends really suddenly without much actual confirmation of where the characters we know and love ended up. It’s kind of jarring. Overall however, I really love Fury. I love the adventure style story and there's so much variety to the bey battles this time around, both in terms of the beys themselves and the stadiums. It’s just more interesting to watch. It also did a great job giving all the major characters victories, not just Gingka. This is something Masters also did well and a gripe I have with Fusion: Gingka gets all the major victories in Metal Fusion and pushes the other characters to the wayside. Well, Masters and Fury fixed this issue in my opinion. The very final fight of Fury against the shadow Nemesis could’ve been executed better in my opinion. However, it hits all the right emotional beats for a final battle and still grabs my attention rewatching it, so I can put aside my criticisms of it while watching it. Also, I like that “destiny” is something these characters are controlling themselves and can go either way rather than being some unstoppable force that they will all give in to eventually otherwise they’re villains. Because that’s how Yugioh does it and it’s probably my biggest problem with that show. In that series, it feels like the characters are all just blindly accepting “destiny” and those that don’t, Kaiba and Marik most notably, are deemed villains for wanting to take control over their lives and not be governed by some invisible force. Yes, I know Marik went to some horrible extremes using this logic but it still bothers me that the only characters in that show that don’t throw their lives away blindly following someone else’s whims are deemed villains. It’s just kind of messed up. Fury thankfully subverts this. “Destiny” is not an unstoppable force in Beyblade, it’s the will of the characters and those characters are allowed to make their own choices. It makes the story more interesting and the characters more likeable because the characters are the ones driving the story, which feels so much more natural. Yeah, I really like the characters in Fury. Honestly, I’m more attached to Yuki, King, and Chris than anyone introduced in Masters and the other legendary blader characters all bring something different and interesting to the table that I don’t think older characters could have. I also like how the old characters are used. Sure, Tsubasa and Yu are underused this season. But guess who also got a lot of focus last season? Tsubasa and Yu. And some of the characters who were underused in Masters, Kyoya and Kenta, get more focus in this season. They did mess up Kyoya’s arc in my opinion but the effort is there and I appreciate his presence before and after that. Kenta especially was severely underused in Masters so this season decided to make him relevant again and they did it in such an endearing way. You all know how much I love Ryuga and Kenta’s friendship. It’s one of the things that should have gotten more focus but what we do get is good enough build up. This season was the one that drew the most emotion out of me during my most recent viewing and that was because of Ryuga and Kenta. I was devastated by Ryuga’s death (even if he may not actually be dead, that’s certainly what it felt like in the moment) and the scene where he gives Kenta his power was the most touching moment in the entire show for me.

Well, that ranking probably pissed some people off. Again, I love the classic three seasons. (I’m not a fan of Shogun Steel but it has its moments.) Choosing between the three of them like that was incredibly difficult, especially Fusion and Fury. In the end, I just had to go with my gut.