#i am so so so sorry this is technically late

[gibsongirlsundaymorning]

noise complaints (part 2)

A/N: Fine you gay people win. Here’s part two… sorry if it’s horrible, I am NOT a writer and I did NOT spellcheck this. Also I now realize she was technically going by Agnes at the time bc she was still under the spell when she was in her cop era… too lazy late to fix it ❤️

Summary: After Agatha finds you and Rio outside of the party she busted surrounded by two guys from your high school, she feels she has a few lessons to teach you two. (Reading part one is highly suggested!)

Warnings: smut, strap-on use, degradation and praise, vouyerism, impact play, fingering, oral, punishment, mean!Agatha, gunplay if you squint and spin three times, orgasm denial, bondage, masturbation, Rio being too bratty for her own good, use of “Y/N”, I don’t know if I can be more specific than this, it’s filth!

Pairing: Older!Cop!Dom!Agatha x Younger!Sub!R x Brat!Sub!Rio

NSFW below the cut MDNI!

After the cruel scolding that was sure to be only the beginning of the harsh words you and Rio would face that night, Agatha drags the two of you back to her patrol car by your wrists. You stumbled over your feet, trying your hardest to keep up with your furious girlfriend; Meanwhile Rio dragged her feet along reluctantly, trying desperately to keep up her careless, tough exterior and get a rise out of the cop.

Rio is thrown into the passenger side of the car, her hair nearly caught in the door as Agatha slams it, leading you towards the back door.

“At least one of my sluts is eager to please… Keep it up and maybe you can get what you want tonight.” She shouts the last part, addressing you, but directing the comment towards your brattier counterpart, who was now fidgeting in the front seat.

Agatha gets in the car, starting it up and taking off on the short ride back to your shared home. Rio’s placement in the front of the car was meant to keep her in check, keep her in Agatha’s direct line of vision and in close reach for reprimand. Rio had different ideas of how to use her forced proximity.

Your older girlfriend’s breathing had just reached some sort of equilibrium, no longer audibly seething through her breaths alone, when Rio reached over the console and slid her hand into Agatha’s lap. Much to your horror, Agatha just laughs.

“You have no idea what you’re getting yourself into, doll. You have five seconds to take your hand and keep it to yourself before I decide you’ll be sleeping in the guest room for the next week.” Rio, of course, waits until the very end of those five seconds before dragging her hand back across Agatha’s lap, making sure to brush her covered core ever-so-slightly before bringing it back to her side of the console to pout. You shudder under the reflection of Agatha’s hooded gaze in the rear view mirror as she grinds her teeth down against each other in a fiery frustration.

The silence and tension grows more and more palpable as the drive comes to an end when Agatha throws the cruiser into park at the top of your driveway, right next to Rio’s precious bike. She wasn’t exactly being careful to swerve away from it.

Before you could even think of reaching for your door handle, it was thrown open and you and Rio were being forced into the home. You were at the front, being pushed into the house by Agatha’s right hand, which was tangled in your hair and gripping it into a ponytail. Rio was being dragged in the back by Agatha’s tight grip on her ear. If you didn’t know better, you’d be giggling at the way the slightly taller girl resembled a misbehaving child being scolded by her upset mother. If Rio knew better, she wouldn’t have acted like a misbehaving child.

It was clearly too late for this when Agatha practically tossed you two into the house, all in the same manner as you’d seen her do with her bags after a long day at work. She ran her tongue between her top teeth and her top lip as she looked you and your girlfriend up and down, almost as if deciding between a library of options for how to deal with the two of you.

“Both of you, go to my room now and be ready for me in the next minute… Y/N, pick something pretty out from my drawer, would you, hun?” With that, she had decided.

As you and Rio made your way into your bedroom and Rio made her way to the edge of the bed, you slid the drawer open and instinctively grabbed your favorite from the assortment, a small and quiet but powerful bullet that Agatha could control from her phone. You were hoping she’d use it on you again, but there was no point in asking once she walked in, because it would almost surely earn you the exact opposite.

She walks in to find you sitting on your heels at the same spot at the edge of the bed where Rio sat, manspreading and fidgeting with the seam on her shirt. She takes the small purple toy from your hands and kisses the top of your head, a chillingly gentle gesture in contrast with her bubbling anger that night. Her hand slips from the side of your jaw to the underside of your chin, tilting your head up just a bit so that you were looking up and meeting her eyes with your own. “Such a good choice, sweet girl.”

She then turns to Rio, who hasn’t yet given up her false tough demeanor. “Kiss her. How you were before I walked in early tonight. Pretend I’m not even here, and God help you if you hold back even the slightest bit.” With that, she sat down in the large armchair directly in the eye line from where you sat.

Rio smiles slyly and slides her hands into the back of your head, tangling her digits in your hair as she meets your lips with her own. Your own hands, shaking, find her hips as she deepens the kiss and straddles you as you’re still sitting on your knees with rigid posture that reflects your nervousness outwardly. When you finally melt into her touch the slightest bit, losing yourself in her confident dominance, you hear Agatha stand and are suddenly enveloped in her shadow as Rio is yanking away from you.

Or rather, being yanked away. You note Agatha’s grip around Rio’s waves as she speaks in an even more gravely voice than usual, “That was your final chance to prove yourself as something more than a greedy bitch. Get in the chair.”

She swallows, devoid of any of the dominance from seconds prior, and climbs into the chair Agatha had just risen from. The latter takes Rio’s seat next to you, but lifts you onto her lap with your right leg slotted between her own, your center falling onto the top of her right thigh. Once you could see clearly again as the rush of her rough fingers around your waist simmered the smallest bit, you realized you were sitting on something… hard? and let out an involuntary whisper.

Agatha looks down at where your legs meet and then back at you, grinning like the devil, as Rio writhes in her seat. Agatha immediately clocks the movement from over your shoulder. “If you ever want me to make you come again, you’ll sit still and enjoy the show I’m so generously giving you after your disgusting displays tonight.” Rio reluctantly complies. She returns her attention to you, now digging her fingers into your hips with bruising force, and guides you ever-so-slightly back and forth against the pressure below you. “Agatha?” you breathe out.

“Yeah, angel?” The title almost makes you forget what was supposed to follow your initial words. The hardness below you reminds you quickly. “Are you… did you wear the strap to work?” you nearly whisper, the question barely audible to your other girlfriend, who sat still now and held onto every word from you and the woman below you uttered. “No, baby, try again.”

It seems as if all the blood in your body rushes to your face as you realize that what you were grinding down onto wasn’t the strap you’d been mercilessly filled with time after time, but her patrol weapon. It was mind-blowingly filthy and embarrassing to you, which brought both Agatha and Rio more pleasure than any other act the three of you had carried out together could. “Keep moving those pretty hips, hun. Don’t shy away from being a slut now, it’s a little too late for that.” You bit your lip hard enough to taste the same metallic tang from before you left the same room earlier that night as you hid your blushing face in the crook of the cop’s neck.

“Hey, come back, angel, I’ve got a question for you.” You look up reluctantly, dreading the eye contact you knew she would demand as you spoke. “Yes ma’am.” She chuckled lowly at this, “Oh, what, now you wanna be good for me? Nice try. What I was wondering…. was if you think our greedy girl over there should get to join us.” You look over your shoulder at the desperate woman, your eyes glossing over at the sight of her thighs pressed together so tightly they could surely suffocate you if your head found its way between them as it so often did. You turn back to Agatha and offer only a nod, not trusting your breath to stay loyal to you.

Agatha curled a finger, beckoning your girlfriend over and watching as she scrambled to the bed. “Now, Y/N, do you think I should use this” she held up the toy you’d previously picked out from her collection “on Rio here? Think it’d be fun to see her crumble under the stimulation and forget all about her little stone-cold act?” You nodded quicker than you knew possible. “No, I need words.” You swallow and breathe in shakily, hips still moving on their own accord. “Yes. Please, wanna see.” She just smiles and lifts you off of her leg as she readies her attention on the other girl.

“I think she has to earn it.”

Ok guys this was like… part 1.5, the first half of part 2 of the OG post. The rest of the warnings will apply to the next part if they weren’t in this one, and I’m hoping to have that one out like the middle of next week! LMK what yall wanna see in the next part beside what I have planned :)

Also for those who wanted to be tagged: @sunshine-makes-flowers-grow @wandaslittlelove @babybeeelle @believe-in-magic13 @reeselov3salexvause @ahintofchaos @girlwithissuesworld @lovelyy-moonlight @teenybean @jorddddddddd

[bearcubblues]

do you make requests for gravity falls if so could you make hcs about little Stanford and CG Stanley?

YEAH i can do that!!! gravity falls is one of my oldest interests :3 and the stans are probably my fav characters... so ya!

unsure at what point in their life you're after here so i'll just do a little bit of everything !

1.) as kids

-i think ford's regression would start to present itself in late middle school. for me, that's when school started to get to where i needed to actually try, and i think ford would experience something similar - i think stress would lead to him wanting to enjoy the things he did when he was a kid again

-neither of them would know this behavior had a name - stan was just excited that his brother wanted to play again

2.) high school

-by high school ford would know with certainty what was happening - it would never be something he did often, because he would be incredibly embarrassed

-he never fully explained it to stan, but stan knew when ford would act different, and would always make him snacks and make sure filbrick never saw ford acting different

3.) adulthood

-after meeting bill, regression became something different for ford - obviously bill was aware of it and liked it when ford did it around him. but it wasn't ever the same without stan

-stan pretty much forgot about all of it. he had always just brushed it off as ford being kind of weird so it wasn't really something memorable. of course ford was weird

4.) current day/events of the show

-by now ford felt like he could actually explain the concept to stan - who will nod and say yes he totally gets it. no need to explain further. then that night go and read 4,652 articles about it

-next day he asks ford if he still does it and if he even wants him to take care of him anymore. because he would love to

-which was very difficult for him to say and very difficult for ford to hear because he can't fathom someone actually wanting to care for him

-they spend a lot of time reading and drawing and exploring. ford mostly takes the reins and stan just makes sure he doesn't get hurt. ford's motor control is bad when he's regressed (he just like me for real) so there's a lot of stan helping him step over logs or climb big rocks

-the kids don't technically know about it but mabel knows what agere is and found some of ford's drawings once and has a sneaking suspicion. but she won't bring it up because she doesn't want to embarrass anyone

these were fun sorry it took me 3000 years to write them. i am so busy all the time

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[isjasz]

[Day 364]

O7 For day 364 I decided to throw in a bit more food into the wild as a treat /SILLY

Designs by @gingermaple once again :D

[puppyeared]

my stardew farmer ^_^ he doesnt have a green thumb for shit so he keeps animals and does mining

some tidbits i came up with while playing hehe

reclusive and doesnt really go out of his way to talk or visit people unless its an errand. but he also doesnt try to befriend others to get something out of it, so he has a very easygoing approach to making friends. on good terms with linus and sebastian since he runs into them most often.

if he respects or takes a liking to someone, he'll greet them with miss/mister (name). if you get close to him he starts using first name basis. if he doesn't like you, he'll refer to you by your title without using your name. only a few people have caught on to this.

the farm he inherited, Milky Way Farm, was the site of a meteorite crash and sometimes you can find shards of meteor debris littered around the farm (i picked the hilltop farm bc of this lol)

lost his sweater and pants a long ass time ago and doesnt have the time to look for them, so hes been working in his sleep clothes ever since

isnt actually grandpa's real heir to the farm... ;)

[sopuu]

trick or treat!

(feel free to ignore this if you aren't doing trick or treating :])

treat for you!!

but i don’t have candy, here’s a photo of my chinchilla instead

[than487]

(sighs dramatically and throws this at you. also open it cause Tumblr quality. sighs again.)

oh he the painter

[courfeyracs-swordcane]

[pointing towards you emoji] favorite blaseball team. go

(if you want to practice drawing in another style, then draw yourself as a transformer OR as a human character)

WE ARE FROM CHICAGO

[superlarva]

"You've got a mustache."

Hey guys! Sorry, my art style is like the least consistent thing on this planet... I just like trying new things out :)

Anyways, continuing on our Rex parenting journey we have Chapter 4 - Pancakes and Apologies.

Prologue: 00 Previous chapter: 03 Next chapter: 05

Summary: Rex gets some news on Echo, pancakes are made, tantrums are thrown.

CW: Implied/referenced child abuse, talk about injuries from landmines (nothing too in depth)

Chapter 4 – Pancakes and Apologies

Rex sunk down into his couch with a sigh, leaning his head against the armrest. Fives had been tucked in and the hallway light was left on. One kid taken care of, one to go.

Rex pulled out his phone and opened a text from Cody: I have some more info. Call me when you’re ready.

The phone only rang once before it was picked up.

“Cody, is he okay?” Rex tried to keep his voice down so he would not wake the boy sleeping in the next room.

“He’s…” Cody trailed off and Rex could feel his heart pounding in his chest.

“What? He’s what?” Don’t say dead. Please, don’t say dead.

“He just got out of surgery. They had to amputate both legs and an arm,” Cody was trying to keep if voice calm and leveled, but the words came out a little choked. “I’m so sorry.”

Rex stared across the living room and into the kitchen, he’d know the boy’s injuries would be bad if he had landed himself in the ICU, but the loss of three limbs? That was too much.

Cody continued, “Echo’s okay for now. He hasn’t woken up yet, so there could still be some complications, but they are optimistic about how the surgery went.”

“Both legs and an arm?” Rex asked, still processing his brother’s statement.

“Yes,” Rex heard Cody take a deep breath on the other side of the line, “He stepped on a landmine.”

“Wh- How?”

“I don’t know. No one told the hospital how it happened either.”

Rex was silent, but his mind screamed.

Screamed in anger.

In sadness.

In pain.

In guilt.

It was his fault. His.

“Rex? You still there?” Cody’s voice cut through the phone.

“Yeah,” Rex said a little absently. “Yeah, I’m still here.”

“Alright,” Cody said, tone laced with worry. “You should get some rest. I’ll text you any developments, but don’t stay up for them.”

“Thank you.”

“Are you going to be able to sleep tonight?”

“I- I’m not sure.”

“Try, okay?”

“I will.”

“I love you, Rex’ika.”

“Love you too, Codes,” Rex dropped the phone from his ear as he disconnected the call.

He rolled onto his side and curled up on the couch, pulling his knees up to his chest and letting the world melt around him as tears spilled down his cheeks.

Rex woke, panicked from a dream he couldn’t remember and drenched in a cold sweat. From what he could tell it was early morning, the living room was washed in a dim warm light. He was not sure when he had fallen asleep, but he could not have gotten more than four hours.

He reached for his phone on the coffee table and found it, bringing the screen close to his bleary eyes. He had some texts from Cody from around 3 am:

Just found out Kix is Echo’s doctor!

He came into the waiting room to tell me that Echo seems to be responding well to the surgeries.

He’s sleeping now, but he woke up for a bit while I was in there and asked for Fives.

Kix said he thinks you guys should be able to visit today.

Rex felt a surge of relief, Echo was going to be okay. He was going to be alright. Not only that, but Rex had known Kix since he’d been in a group home with him and he knew the boy was in capable hands.

Rex swung his legs over the edge of the bed, sitting up to type out a reply, thanking his brother profusely.

“M-mister police officer, sir?”

A small voice cut through Rex’s thoughts, and he jerked his head up. Fives stood stiffly on the other side of the coffee table. Rex was taken aback, when had the boy slipped into the room? At least the kid looked like he had slept well, “Yes? And Rex is fine.”

“Would you like me to make you breakfast?”

Rex was initially going to deny the request and insist that he make breakfast for Fives instead, but realized he could not assume Fives was only offering because it was something required of him previously. Perhaps the boy really enjoyed cooking. Rex wouldn’t know so instead he put down his phone and smiled, “Why don’t we make ourselves some breakfast together?”

Fives’s eyes widened a bit before he nodded consent.

Rex stood and stretched, “What should we have? I’ve got eggs, pancakes, oatmeal, cereal, or bread for toast.”

Fives seemed to debate something before looking up at Rex, “What are pancakes?”

“Pancakes?” Rex parroted, a little shocked.

Fives blushed and turned away, muttering a quiet apology.

“No, it’s okay, it’s good to ask questions,” Rex tried to amend quickly. He hurried over to his pantry and grabbed his box of pancake mix, showing the box to the boy, “This is what they look like. They’re really good and you get to put maple syrup on them.”

Fives whipped his head around to Rex at the mention of maple syrup, an excited grin plastered onto his face, “Maple syrup is from Canada.”

“Uh, yeah?” Rex said taken aback by the random fact.

Fives turned back to the pancake box, “Echo had a book about flags. Canada’s is a maple leaf because of all the maple trees there and maple syrup comes from the maple trees.”

“Do you and Echo like to read a lot?” Rex asked.

“Echo does,” Fives said, shoulder’s tensing. “He tried to teach me, but I’m no good.”

Rex didn’t like the boy’s defeated tone, “You know, I didn’t learn how to read until I was a little older than you.”

“Really?” Fives asked. “Because Echo learned when we were little.”

Rex wondered what “little” meant to the boy because in his eyes the twins were still very much just little boys. “Different people learn different things at different times, it’s not a contest.” Rex shrugged, taking the pancake mix from Fives, “Do pancakes sound yummy? They’re one of my favorites.”

Fives nodded, then shrugged, “But I don’t know how to make them.”

“That’s okay,” Rex said grinning. “I can teach you.”

Fives had been a surprisingly competent chef for a seven-year-old boy. He knew how to measure ingredients and pour things without spilling, and, once Rex had helped him up onto the counter, had proved that he could work a stovetop. Rex made sure the boy was aware he was not to be climbing on things or using the stove without permission first.

Rex watched as Fives took his first bite of pancake. The boy chewed slowly and then grinned up at Rex.

“Good?” Rex asked, taking his first bite as well.

Fives nodded enthusiastically and began shoving the rest of the plate into his mouth as fast as he could. He was finished before Rex had swallowed his third bite.

Rex pushed the glass of milk he’d poured the boy closer to him, “milk first, and then you can have more.”

Fives eyed the glass suspiciously before carefully taking it in both hands and downing it, seemingly without stopping for breath. When he put the glass down, he had a little milk mustache. Rex couldn’t stop himself from laughing.

“What?” Fives asked, looking down at his plate, searching for whatever was so funny.

“You-” Rex broke out into another chuckle, “You’ve got a mustache.”

“No, I don’t,” Fives said, folding his arms.

“Yes, you do. Go look in the mirror.”

Fives gave Rex a confused look before heading off to the bathroom.

Rex shook his head and finished up his breakfast, smiling to himself.

Fives emerged from the bathroom a minute later with a clean, smiling face.

“It was from the milk,” the boy explained, as if Rex didn’t already know.

Rex nodded as Fives joined him in the kitchen, “Do you want some more pancakes?”

Fives shook his head as he sat back down in his chair, then he looked up a Rex, “Could we bring them for Echo?”

Rex shook his head, giving himself a few seconds to figure out the best way to explain to Fives, “Right now Echo’s in the ICU. Do you know what the ICU is?”

“Like the hospital?”

“Yeah, it’s a part of the hospital where they put the people who need a little extra help to get better. It stands for intensive care unit.”

“Is he going to die?” Fives had clearly picked up on the fact that someone already in the hospital needing extra help was bad. His voice was so small.

“We think he got through the worst part. He woke up last night and asked for you, which is a really good sign, but we can’t bring him anything from outside the hospital because he had to have some really big surgeries and we don’t want him to get infected.”

“Oh,” Fives’s eyes darted back and forth before they made their way back to Rex’s. “Can- can we still-? Are we allowed to see him?”

Rex nodded, “We can head on over after we get dressed and brush our teeth.”

Fives jumped up out of his chair in excitement and made a beeline for Rex’s bedroom. Rex marveled in the boy’s ability to switch his emotions so quickly, and his inability to hide any of them.

As Fives got dressed, Rex washed all the dishes as quickly as he could so he wouldn’t have to keep the boy waiting for long. Not surprisingly, Fives finished getting ready before Rex put the last dish on the drying rack. The boy bounded into the kitchen, bouncing on his toes and grinning.

Rex couldn’t help but match his grin, “Alright, get your shoes and coat on while I get dressed.”

Fives nodded and hopped over to the entry way where his tiny set of shoes sat next to Rex’s boots.

Rex threw on his clothes and swished some mouthwash around in his mouth (brushing took too long) before joining Fives in the entry way. The boy was practically exploding with energy and Rex had to tell him multiple times that his shoes were on the wrong feet before he stopped jumping up and down and sat so Rex could fix them.

As soon as they got onto the road Fives asked how long it would take to get to Echo, and not wanting the entire 45 minute car ride to consist of 45 “are we there yet?”s, Rex made Fives his navigator. He knew the way to Kamino General well enough that he would tell Fives to remind him to turn right when they got to the next intersection or get off the highway when he saw a green sign with the number 79 on it. It kept the boy surprisingly occupied as he seemed to take his role very seriously.

As they neared the hospital and sat waiting in city traffic, Rex glanced at Fives in the mirror, “Fives, there’s something I need to tell you about Echo before we see him.”

Fives twisted forward to look at Rex from his position analyzing the city outside his window.

“He got really hurt and he- his-” Rex started to explain, struggling to find the right words.

“His legs were gone,” Fives interrupted, eyes wide.

Rex stared at the boy in his mirror, “You saw?”

Fives nodded, “Yes.”

“I’m sorry,” Rex didn’t know what else to say.

Fives shrugged, “Green light.”

“Huh?” Rex gaped before he realized what Fives was referring to as the car behind him honked, “Shi-oot!”

Rex slammed on the gas and turned into the hospital’s visitor parking lot, “Sorry about that.”

“S’okay,” Fives mumbled. Then his head shot up with excitement, “Are we here?”

“Yep,” Rex said, pulling into a spot.

Before Rex came to a complete stop, Fives unbuckled his seatbelt and opened the car door, ready to leap out. Rex stomped on the breaks and lunged back to grab the boy’s wrist, lest he fall out of the car, “Fives!”

The boy yelped as Rex dragged him back away from the door.

“No!” Rex yanked the boy towards his face, “No. You do not get out of the car until it’s stopped moving! Do you understand?”

“I’m s-sorry,” Fives stared at Rex, face going pale.

“Do you understand?”

Fives tried to yank his arm away, but Rex had him in an iron grip.

“Do. You. Understand?”

Fives’s tiny fist came up from where it was clenched at his side and struck Rex on the cheek. Rex was so surprised he almost let go of the boy as Fives began screaming “sorry” repeatedly, flailed his captive wrist around, trying to bash Rex’s hand down into the console, and used his free hand to hit Rex’s arm with as much force as he was capable of.

Rex caught Fives’s other arm to prevent any further damage to either of them and held him still while he struggled. Even though Fives’s eyes were screwed shut, Rex tried to soften his expression from the angry one he was sure it held a few moments earlier to one as neutral as possible.

Eventually Fives’s struggles grew weaker, and his apologies died down to a faint whisper. Rex realized the boy was crying, tears leaking out the corners of his shut lids.

“Fives?” Rex said softly, loosening his grip on the boy so if he wanted to remove his arms he could.

Fives opened his eyes and tears gushed down his cheeks, “’m ssssorry.”

“It’s okay. I’m not mad, see?” Rex held up his hands.

Fives stared up at Rex with big watery eyes before slowly reaching out one of his own hands and placing it against Rex’s opposing palm.

Rex curled down his fingers so his hand enveloped Fives’s, “Are you okay?”

In response Fives pulled his and Rex’s hand towards his chest.

“Hug?” Rex asked, remembering last night.

“Please?”

“Alright, come here,” Rex said, hoisting the boy up over the console and into his lap.

Fives held Rex’s hand to his chest as Rex held him to his and they sat just breathing in silence together until Fives shifted to look up at Rex, “Are- are you very mad at me?”

Rex squeezed Fives a little tighter and smiled sadly, “I’m not very mad at you.”

They sat together for a few more moments and this time it was Rex who broke the silence, “Can I explain why I got upset?”

Rex felt Fives nod against his chest.

“Cars can be very dangerous if we aren’t careful in them or around them,” He felt Fives nod in understanding and continued, “One of the rules when you’re in the car is that you always keep your seatbelt on and you never open the door unless we are parked in a driveway or in a parking lot, does that make sense?”

Again, Rex felt Fives nod against him.

He continued, “When you opened the door, I was scared that you might get hurt, so I got upset. But I was more upset that you might get hurt than I was upset at you.” Rex rubbed Fives’s arm, “I’m sorry for yelling at you and for grabbing you.”

“I’m sorry, too. For- for breaking the rules.”

“It’s alright. You were excited, I get it. But next time we don’t jump out of moving cars.”

Fives nodded, sniffling.

Rex grabbed a tissue and handed it to the boy, “Ready to go see Echo?”

Fives smiled, blowing into the tissue, “Ready.”

@marierg @stressed-cherry @ffdemon @renton6echo @bambambunny @tearfulsolace @rndmpeep @brokenphoenix99 @xylionet @tazmbc1

[plan-3-tmars]

My Theory on Kazui's Parent's.

Q: Is there a meaning behind your name?

A: It's cause I'm the eldest son. It seems like my father was also wishing I'd be "a strong man."

The wording of Kazui's answer here really makes me think. We know that Kazui is strong. He defended Fuuta against Kotoko and even talks about having "never gone up against a woman [like her]" in his VD, implying that he has gotten into fights before (most likely at work - either in the field or in training.)

It seems like, to me, Kazui has parents with very traditional views. Kazui's father wishing that he would turn out to be "a strong man" could imply that he places value on the old-style gender roles in family or society in general. Yes he most likely thinks that being strong physically is important, but also being strong mentally. A 'normal' man who doesn't cry, doesn't show emotain. A man who provides for his family and sticks to tradition, simple as. A son who does what's expected of him - that kind of strong.

~~~

I also think the way Kazui talks is linked to his family's old-school beliefs. Despite only being 39, Kazui always refers to himself as an "old man" and says things like "when your mature/older like me," etc. It's a bit odd, though it might be a cultural thing. Kazui does call himself immature though, so for a man who believes he has only grown up in terms of his age and not his mind, he puts an awful lot of weight on what it means to be an adult. Can you see where I'm going with this? Yup it's back to his strong man comment baby!!!

In that previous qoute Kazui says how his father was also wishing he'd be a strong man. I think the other person Kazui is referencing might very well be himself. I think if Kazui has been taught these old school gender-roles since he was a child, then he might hold alot of weight to them. He wouldn't know any different if that was all he heard about what it meant to be a man as a kid, and therefore wants to live up to that expectation his parents hold of him. He, however, quickly learns that he is not this way and internalises it as something being wrong with him, something that isn't normal that he must fix. Which brings me to my next point...

~~~

I think that Kazui's family are more important to understanding his crime then we may think based on what's been shown to us so far, and I'd even go so far as to say that their beliefs might've been a very big reason/the reason on why Kazui felt the need to lie and marry Hinako.

If we take a situation where Kazui has very traditional parents who want him to grow up quickly, get a nice job and settle down young, it might make sense on why he felt obligated to marry Hinako. In Half he talks about how he's confused on why he doesn't feel happiness in their relationship, as "isn't this what happiness is?" I believe these ideas came from Kazui's parent's. That perhaps they unknowingly (or full knowingly) drilled the idea into his head that a perfect looking couple such as he and Hinako is the ultimate true love, the true happiness, and that he should follow in those steps if he wants to be happy and successful as it in turn will also make them happy and proud of him.

[outlying-hyppocrate]

well. did you fucking miss me.

[capn-twitchery]

alex doodles for a totally not two day late happy birthday to @thedeafprophet 😌

[mellotronmkll]

Wverytime I sit down at a computer to make music I get so scared

[qiekzart]

Kaiba in casual clothing or school uniform

its october the 12th you know what that means (day 12 of drawing kaiba every day of october) 12/10/2023

this gave me an idea. so have kaiba in oversized hoodie!!!!!! :333 .. skrunkly...

[plz reblog]

[brown-little-robin]

hi robin :] very random but im watching craft videos while i eat dinner and it got me thinking about ur ceramics. giving u permission to ramble about the ceramics process (or literally anything abt ceramics), if you want to <3 idk anything abt ceramics like not a clue but im very curious and every time u talk abt them i stare at u w sparkly eyes (also i've recently developed a HUGE respect for all 3d arts bc holy shit making it look right at all angles ?????literally how)

👀✨‼️

Hi thank you so much!! staring at you with the same sparkly eyes,,, watching craft videos while you eat that's so cool,,, Also, weirdly enough, I have the same "how???" thoughts about doing 2d art. I have trouble conceptualizing making something look right from only 1 angle; that seems like a lot of pressure. with a sculpture, if something doesn't look right from one angle, I know there's probably some structural problem, and I turn the sculpture around a little bit and usually figure out that the problem is deeper than what I thought. I'm thinking of ears, specifically—how, often, my problem with the outlines of my ears (seen from the front) is that the back of the ear isn't full enough, I need to add clay, and just nudging the clay to fix the outline wouldn't Work. and I wouldn't have known if I couldn't turn the sculpture around. the respect and awe goes both ways

longgg ramble about the ceramics process below the cut :]

okay SO. the ceramics process, huh? Well, I mean, I'm really in love with the sculpting part, where you take wet clay and make it into an Animal with Bones And Muscles. I just love the animal form—I think in a similar way to how you love the human form and the way clothing folds. I do wheel-throwing too (I make cups, bowls, that sort of thing), but I've been sculpting since I was like 8 years old and I'm way better at sculpture. it's one of a few things in my life that I take genuine pride in. I love teaching people about sculpting, too!! nothing better than seeing someone instantly grasp the insight I spent years developing <333 ANYWAY

one thing that often surprises people about clay is that it's very... flexible, water-content-wise. clay is basically made of a bunch of small "plates" of dry material with water in between. the water makes the entire structure flexible, which is why clay shrinks and goes brittle when it dries. and clay is always drying out. small sculptures like the ones I make, especially ones with thin limbs (more surface area for the air to leech moisture out of) dry out within half an hour. I have to add water to the thin parts every so often the whole time I'm sculpting. but of course the clay has to be firm enough to hold the creature's overall shape, so it's a balance. it's always a race against time. it's super exciting. To Me, anyway

it takes a day or two for a sculpture to dry. After the sculpture dries out, that's when I paint it with my special pigments. (pigments that survive 2,000+ degrees of heat!!) Like this:

these are the same sculpture. the first picture was from right after I sculpted the wet clay; the second picture is after it got painted.

Then once a sculpture is made, it sits and dries, right? the water leaves the clay. but not ALL the water. that's why you "fire" the sculpture: you put it in a kiln and heat it up to ~1800°F. EIGHTEEN HUNDRED DEGREES. at that point, all the water boils out and the clay CHEMICALLY CHANGES. the "plates" begin to bond to each other. But they don't bond all the way in the first firing, because you want the clay to still be porous / hydrophilic. you want it to SUCK IN WATER. this is because you want GLAZE to attach to the clay.

Glaze—at least the kind of glaze that I use—is basically DIY glass. It's a lot of very fine silica (sand) with other stuff (like powdered metals) in it to give color. The sand-metal-powder is suspended in water to make it usable, and I stir up the glaze in its liquid form and dip my sculpture in it, and the super dry clay goes YAY WATERRR I'M SO THIRSTY and GRABS the glaze, and the powdery part is left on the surface of the sculpture while the water goes into the clay. it feels funny on your skin when you hold a sculpture in the glaze; you can actually feel the dry clay accepting the water. it feels like... have you ever dropped water on a bone-dry wooden board and seen the water spread out in the direction of the wood's grain? it feels like that.

the sculpture is left looking white and powdery and generally not very attractive. unfired glaze is just... thick white chalk.

THEN I fire the clay a SECOND time. The heat varies, but I always fire to at least 2,244° F. >:D >:D >:D and the sandy glaze actually MELTS INTO GLASS. and I open the kiln, which has the products of about a year or two of work in it, and I WEEP IN JOY because everything has COMPLETELY TRANSFORMED. firing is always risky. some of the sculptures always fail somehow—they break in firing for various reasons, or the glaze runs onto the shelf, or the glaze color turns out different than I thought. but some of them always come out BETTER than I imagined. and it's always a process of discovery, slowly unloading the kiln, layer by layer... the objects still warm from the heat of their firey transformation... hot enough to burn, if you're unloading before they've cooled enough, which I usually do because it's just so exciting...

and my glaze shrinks slightly more than the clay does. imagine that: a thin layer of glass shrinking more than it can take. you can actually hear it breaking. little quiet "plink! plink! plink!" as the glass shatters just a little under the stress. we call it "crazing" and it leaves little cracks in the glaze, like so:

you can also see tiny bubbles in the glaze on the rabbit's inner ear!

I just. (physically shaking) I just love ceramics so much. The sculpting part feels almost like meditation. it's almost a form of worship, for me, it's religious, it's a little version of creation, a way to look at bodies and try to express how they work. For the simple sculpture, I just make them from memory, but I work from references for my difficult sculptures—for instance, here's the little pile of images I collected to make my recent tiger:

the painting part is just plain fun, putting cool designs and stuff on a 3-d object in a low-pressure way. and then the two firings are pure magic. pure delayed gratification. it's incredible. you're telling me this thing I shaped with my mortal human fingers survives TWO THOUSAND DEGREES OF HEAT? you're telling me I get to MAKE COLORED GLASS? out of SAND and METAL? you're telling me after all that, I get to open up the kiln which has put these things through immense heat and see these beautiful objects and go I made those?????

YEAH. SCREAMS.

thanks for reading, I hope you had fun <333

[justarandomlambblog]

Haha sequel to this :) wip nowhere near finished but eyy. how do you tell your siblings who you've only over the last decade or two begun mending your relationship with that you and y'all's baby brother are hearing the song that means you have to leave forever haha

They might not know what's going on but the other three know something is up.... also yes in this story I'm creating here the Bishops all live together (Narinder accidentally started living with them a while after they began to repair their relationship)

Au info under the cut

In this au Lamb is distant with the Bishops (Bishops includes Narinder ftr), as they haven't let go of the "murdered my entire species and me, used me and betrayed me" thing, but they still favor the Bishops bc they're the only people in the entire world who understand the position they're in now (aka godhood). They are cordial towards the Bishops but don't spend much personal time with them, but they show their favor in having a pretty large house (compared to other families in the cult) with its own kitchen and everything, a luxury most in the cult don't have, and individual bedrooms built for them.

The Bishops spend most of their freetime together, though Narinder (and Leshy, to a lesser degree) do try to engage with the Lamb after coming to terms with their new lives but before realizing the Lamb isn't ready to socialize with them. They know they will one day, when they grow tired of being an immortal among mortals (in this world all the Bishops are immortal, not just Narinder). Unfortunately that day doesn't get a chance to come.

After Narinder explains to Leshy just what the song is, and what it means, it only takes a few days for them to realize it won't be ignored, and after a talk with their siblings who, for some reason, are still unable to hear it, they decide to take their final pilgrimage.

Lamb comes back from a crusade to find two of the Bishops gone, and when the Yellow Cat confesses that Leshy told them that he and Narinder had to leave... well. This does not please them. They and the Bishops (and the Yellow Cat) have quite an adventure ahead of them... seeing as none of them know where this glass shore the song speaks of is.

How tragic, getting to know people only when it's too late...