#i am so dumb <3< /div> Explore tagged Tumblr posts

[hinamie]

itakugi sillies fr the soul

[lovemebitxh]

Guys... i am not doing well.

[moron-rights]

-1 bloodless

+1 happy

[atlas-the-bastard]

some other benefits to awakening the nika fruit

[diamondsheep]

HAPPY BIRTHDAY BELOVED MARIMO 💚💚💚!!!

[lunabug2004]

The fact that Dustin saying "and yet you still have a C in Spanish" is followed pretty closely by the counselor saying "[you have] a C in English and a C- in Spanish" to Max, referring to her depression causing her grades to slip...

I feel like more people should have picked up on Mike's mental health issues (as in, y'know, his depression).

Just saying.

[crystalvfae]

My friend who does my printing sent me these photos of our NYCC sticker packs, plus my new spicy Gale!

[thranduel]

astarion, the man who was dying and offered eternal life, but had no idea that it meant becoming a slave to a sadistic master.

astarion, the man who had his freedom and bodily autonomy ripped away from him.

astarion, the man who was forced to befriend, seduce and sleep with people to lure them back to his master, resulting in severe sexual trauma and the struggle to form any sort of intimate relationship.

astarion, the man who was horribly punished whenever he refused his master’s orders (one punishment being sealed away in a dusty tomb, starving, for an entire year. he scratched his hands raw trying to carve his way out).

astarion, the man who was forced to eat rats.

astarion, the man who hasn’t even been able to see his own face since he turned.

astarion, the man who had his body mutilated as cazador carved scars onto his back, which he later found out was to bind him to a ritual.

astarion, the man who is so severely traumatised that he admitted he doesn’t know how to say “no” or ask for help (and he feels guilty when he does).

astarion, the man who waited two centuries to be helped and freed from torture, but no one came.

astarion, the man who was always treated like a monster when all he wanted was to be treated like a person.

astarion, the man who came up to you in the middle of the night just to thank you for defending him and allowing him to make his own decisions.

astarion, the man who said that no one ever looked out for him or showed him kindness, and that you’re the only one. “other people don’t have a heart like you. you’re you. no one is like that.”

astarion, the man who broke the cycle of power and terror that started centuries ago thanks to the love, care and compassion that you showed him when no one else did.

astarion, the man who confessed that he loves you and feels safe with you; something he has never felt with anyone before.

[miusato]

Have y'all heard of this really cool and obscure cartoon aired on MTV called Wokesona that got cancelled in the early 00s because of that one episode where everyone summons demon using guns and the satanic panic crowd finds out about it?? Good times

Anyway other versions undercut :3

Anyway hhh I've been overwhelmed by nostalgia lately (i just watched mtv downtown and oh god poetic cinema) and I just want to make them look grungy here and also I want them to wear silly and fire outfit hhh shoutout to @gaki-jakku for the road dog tshirt lol 😆

[queenerdloser]

i just finished dark heir

[hnnn-fable]

Oh shoot, big poofy wedding dress alert

[levemetal]

Nine of swords

Will I make a full watercolor tarot set for svsss on a whim? Who knows. Tune in next time for random experimental mediocre art.

[jack-ackles]

i don't want to be the person who says this but did luke newton just washed all his own and nicola's hard work and efforts down the drain? like,, seriously man? couldn't have waited atleast ONE more week?

also, i am not the person to ship celebs in real life but if they kept up this whole pr since all these months.. couldn't he have waited one more week? the reason that this whole pr was done.. wasted!!

[riddlerosehearts]

thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.

so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.

riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.

riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.

riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.

riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.

riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.

by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[ithinkthiswasabadidea]

Tav and the Tadfools are definitely the most insane friends Dammon has ever made

rebranding myself as an artist who draws hot video game characters in slutty little crop tops 🫡

first drawing of three that I'll be doing of my favourite bg3 tieflings in the silliest tshirt quotes I could find on pinterest 🤭 Rolan and Zevlor pieces coming next!!