#i am so SORRY for this length

[behyunki]

hyunki auditions for next gen season two (3:35-4:52)

hyunki had found himself sitting in a similar position a year ago. when one of his best friends, the eventual winner of the season, told him about next gen. he contemplated sending in his audition off and on for weeks before, ultimately, he watched the deadline pass without a peep from him. now, here he was once again. was he idol material? really, he wasn't sure. however, he didn't allow himself to dwell this year the way he had the previous. if he sent in the form and his headshot and they turned him away, no one had to know. so he did it.

when the email came through saying he was being brought in for the in-person second portion of the auditions, he was shocked. part of him swore they would see his headshot and throw his entirely form in the garbage, while the other had no doubts. a 60 second audition, he could do that, no problem. hyunki had been dancing since he three, auditioning and performing for critique was second nature at this point. did he dare get his hopes up enough to even consider the idea that he could make it onto the show?

he did.

while auditioning wasn't new, everything being filmed was. hyunki surveyed his surroundings as he entered the gymnasium, getting checked in and receiving his number. he would mostly ignore them, he decided, unless directly confronted. for now at least.

he startled slightly hearing the sudden theme blaring through the speakers, but his attention soon focused directly on the video playing now, nerves swirling around as he saw the faces of some of the individuals who had a say in where he ended up after this. being an idol had crossed hyunki's mind once or twice before, as a teenager, when he had decided he wanted to continue to dance professionally. however, the idea of singing or rapping wasn't his forte, nor did he really want to attempt either of those skills. yet, this had been his first shot at it all, and he wanted to try.

the addition of the three parts of this already split audition was very new. hyunki had been very present and aware as he watched sarang audition and get on the show, and compete of course. all of this had changed. the 60 second audition, the lime entertainment piece, wasn't news. he came in with that prepared. however, he was not expecting the sudden questions that he would have to answer, quickly, or the talent he was being asked to show.

hyunki could talk, no problem. the time limit was interesting, and sometimes he struggles to talk about himself, but he would have to find a way to make it work. but what talents did he have besides dancing? his talent was his dancing and how he couldn't rely on that as he always had. as individuals swiftly began being called to the private rooms in groups, hyunki contemplated this question.

when he was summoned, he followed immediately, shoving whatever nerves were fighting to rise inside of him. he was jang hyunki, dammit, and he would nail this. or he wouldn't and he'd go home and cry, but he was choosing confidence. there was no time to second guess himself or his skills when he had come to this far.

when his number was called, hyunki didn't move immediately, instead taking a moment to slip his shoes and socks off, setting them neatly to the side (he probably looked interesting in his bare feet, black sweatpants, and cropped long sleeve shirt) before he was in the middle of the space he was given to audition. "hi, my name is jang hyunki, i'm 20 years old, and i will be performing an original choregraphy for you today."

no sooner than he sat down on the ground and took a deep breath was the music beginning. he had struggled settling on a dance, both in style and if he should choregraph it or not. ultimately hyunki decided that he wanted to show off a range of his abilities, and performing wasn't the only one, so he chose to choregraph his own dance in the contemporary styles rather than hiphop. it was his first love, and not everyone could do it. he hoped the floor work, the controlled and sharp but elegant movements, his flexibility, and his ability to tell a story with only his body and ranging facial expressions impressed them.

the song was one he related to in a lot of ways, when he was struggling with his own anxieties and insecurities. hyunki knew this understanding of the lyrics added to how his body told the story, a portion of his own story, and the way his face demonstrated a range of emotions only added to it as he moved around the space given.

once his 60 clip of music and choreography is done, hyunki is standing up, audition only the third of a way over, and no moment to contemplate how he did with his dance. question time.

"what's your favorite useless fact?"

hyunki could help but crack a smile, not an ounce of hesitation as he provided an answer, "humans spend roughly two weeks of their entire lifetimes kissing." it was something he learned in sex education that he swore he would never use, but here he was, possibly going to be on national television sharing this fact.

"what would you do if you won ₩1,000,000,000 (~$750,00) in the lotto?"

"i would buy my hedgehog wallace a really nice enclosure," hyunki answered first, then adding, "and my parents a home in my hometown so they can visit more often. they deserve it." he was careful with is choice of wording, resisting the initial urge to say mothers.

"what can you bring to the table that we won't see in any other contestant?"

what did hyunki bring? there was no time to think when given five seconds. "no one else here can dance the way i do, and execute all the styles i can with the same, or even close to similar, charisma and talent."

"what was your favorite thing about the last season of next gen?"

this one was easy. "one of my very good friends competed last season and ranked well, so it was fun to get to watch him improve and compete. i am very proud of him!"

it was relieving to hear that the next question was the last question. he prepared himself internally for something difficult. he wasn't expecting, "what is the most interesting place that you have been to wearing the shoes that you're wearing now?"

hyunki audibly chuckled for a moment, his smile still on his face as he glanced at his shows, sparling white still with little use. "i just got these for christmas from my twin brother, and this is the first time i've worn them really. so here."

one last bit then he was free of auditioning. his talent. he had to think long and hard about this as he watched people complete their auditions in front of him. it had been a long time since hyunki had done this, but it was the simplest thing to do while having nothing on hand.

"i learned i could do this on accident while watching a comedy special with friends," hyunki prefaced. then his lips were sealed shut, only his bright eyes and smile aiding him as he demonstrated his ventriloquism abilities. "i can just rattle on and on all day long without moving my lips," he showed, face not moving, lips together, holding those qualities as he continued on, "my favorite way to use this skill is to mess with my friends and make them think that their moms are suddenly around and yelling for them, or making them think animals are around where they shouldn't be." hyunki briefly demonstrated his ability to realistically meow like a cat as well, lips still sealed.

finally, he was done. hyunki smiled appreciatively, bowing his head slightly before he was making his way back to his shoes at the sidelines.

[keirahknightley]

Costume appreciation series: Barbie (2023) dir Greta Gerwig

Costume Design by Jacqueline Durran

[bookshopbentley]

i have the angel and demon on my shoulders except it’s aziraphale and crowley and instead of one telling me to do something good and the other telling me to do something bad theyre both telling me to do something gay

[a-scary-lack-of-common-sense]

HI i’m personally a crutch user and i love scout with crutches but consider

pyro or engie crutch user(s)

im a big enjoyer of my comfort characters being just like me i hope this is ok 👍

Pyro or Engie crutch users? ❌️

Pyro AND Engie crutch users ✅️

Hopefully these cane personalisations don't look too weird?? I have no idea where I was going with Pyro tbh, I think I was trying to make it a mini lighter but kinda failed miserably :')

Edit: FUCK, YOU SAID CRUTCH NOT CANE I'M SO SORRY I GOT IT MIXED UP

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[campbyler]

A CRUEL SUMMER WITH YOU ☼ CH10 (PART I)

“It’s not a big deal,” Mike says, a sentence that is entirely antithetical to everything he has said or done or felt or thought in the last forty eight hours. He doesn’t even have to look at Lucas’s face to know there is a very unimpressed expression plastered there — but he does, and there is — and then, steeling his courage and shuffling some detritus around with his shoe, adds, “It’s just— me and Will have been hanging out more?”

[certifiedlibraryposts]

Any of you who feel bad about having overdue materials, just know that I, Library Enthusiast Nerdass Blog Runner, just realized i have accidentally kept the first two Dungeon Meshi books hostage for a week.

[x-noirangel-x]

I made a collage of my favourite person and I! ( ^ _ ^ )

[rings-of-power-realm]

Thank you Robert Aramayo for being a better person than the entire internet. It was a beautiful scene and you and Morfydd handled it perfectly 💚

[beanghostprincess]

Finding hilariously ironic how most of Sanji's perv jokes end up being extremely trans-coded to some extent only because the joke is longer than it should be.

The "guy with a woman's body" joke has been a thing for ages now, but it usually ends after the "haha I have booobs" joke. Sanji extends it to "I want to stay in this body forever. It feels right. I don't want to give it back". Which could still be read as some perverted stuff, but I don't think any man would agree with that. No matter how much of a pervert he is. Because usually being perceived as a woman is something they refuse to go through although they like being in possession sexually of a woman's body (a type of excitement Sanji actually shows, not by being that much aroused by it but being comfortable with it? Which is... A different approach to the joke).

Sanji has made the typical "going into the girl's changing room/bathroom" joke a couple of times, but in Egghead he goes all the way to be extremely frustrated about not being able to do so? And it is obviously different than wanting to keep Nami's body forever. It can still be seen as frustration for not being able to see girls naked. But. But. The fact that the length of the joke increases? The fact that it's way longer than it should be for an average "haha boobs" joke? You know what I mean.

Not to mention his whole arc during the time-skip and how a simple (both transphobic and misogynistic, by the way) joke, goes all the way to show us that Sanji is indeed comfortable in more feminine clothes and environment, until he's pretty much forced to snap out of his fantasy to go back to the crew. But he wasn't having a bad time at all. And it is intended to be a joke, but it's... Longer than it should be to be considered only a joke and to not pay attention to it.

This isn't meant to be an analysis of any kind because if it were I would've worded it differently and would've mentioned how his childhood is also extremely trans-coded, but we all already know that. I just find it extremely funny how all of these jokes that intend to be directed at straight perv men are actually too long to not be taken into consideration as something deeper than a joke. But, aha, yeah, these are just jokes and definitely not proof of Sanji's perception of gender and his issues with it.

[drawnfamiliarfaces]

If Chase Yuong and the First Ninja start a fight, who will win in your opinion? Either way, it's going to be epic.

anon ANON thank you. I've been dying to think more about those two in the same context, ever since i realized the similarities of these two idiots i like (greenish hair? martial artist? magical? kinda lived long???) But i've shoved those crossover-ish ideas away since i am busy with other stuff lol. but this gives me an excuse >;)

Ok, if we do NOT take canons in consideration (because lets be truthful, cartoons rarely can give a full scope of a character to our satisfactions lol) so I have 2-3 vague scenarios in which they clash (IMO either of them can win??? (because i like them both, even if i am more of First fan, so I cant decide who of them winning would be more entertaining lol)):

If First Ninja in his prime (sometime after imprisoning Sorcerer but before the Ultimate Lesson) clashed with 700 yo Chase Young (since this fucker is canonically 1500 yo) who would probably try to defeat First in order to make him part of his Jungle Cats harem:

Chase is ridiculously, stupidly overpowered but one could argue that at 700 he hasn't yet reached the height of all his powers, so First would certainly have a fighting chance. First is supposedly uniquely trained since (probably) his birth by his Ninja Clan and continuous battles with the Sorcerer (and most likely other creatures, like Sorceress and Tengu and etc.) throughout his teenage-young adult life to take on enemies like Chase - overpowered magical beings/soulless monsters - with the help of Ninja Mask and all its powers.

Admittingly, in this case the win will most likely go to Chase, if only because of his experience and overwhelming array of powers at his disposal. Though considering we do not know the full scope of Ninja Mask's powers, First has like maybe 15-25% chance to win (and at least 30-45% in my mind if i consider my own hc about the mask lol), but not 0%.

If First Ninja's 800 yo. spirit somehow was released from/embodied by Ninjanomicon to clash with 1500 yo Chase Young in the Modern Present:

Here a lot of my hc come in play. I fully believe that if First - with all the developed abilities, experiences, memories, power (and possibly spirits) acquired during his stay/merge within the Ninjanomicon and from over like 200 people who ever used the mask over 800 years - fought 1500 yo Chase - who spent at least a century or 2 or 3?? hidden away in his Fortress, growing just a bit complacent, since he clearly became too strong and thus bored of the world when it couldn't offer him decent opponents anymore, at least not until current Monks - the fight could go either way.

Chase is still stupidly OP, but its clear that he was deprived of good opponents for a loooooong time, since he resorted to fight against/taunt teenagers and Omi, who is basically a kid still. And they frequently managed to outmanoeuvre him in their confrontations, if not in an actual hand-to-hand fight then at least in common sense lol.

Meanwhile First trained and learned with his each of his successors years in and out, and while we dont know exactly what sort of things happened, we can say for sure that the fighting was continuous. Ninja barely had any rest, for the Sorcerer probably attracted chaos inclined allies and minions and thus a never ending stream of enemies for Ninja to battle.

If basic bitches clash aka OG Good Chase and First Ninja before he was First Ninja:

This is just for fun and because I fully believe that pre-Ninja Mask First will trounce Good Chase. xD

We do not know Chase's past, and there are various headcanons on how he came to be a Xiaolin Monk, but let's just say that judging by his apperance and XS voice, he is probably a very young adult-ish before he drunk his Soup, so he most likely was a Monk since at least his pre-teen/teen years. He appears to be insecure in his Monk-ness and in his abilities to become the greatest warrior despite his competence, since he was swayed/manipulated/convinced? to sell his soul to a demon for more power and freedom from Monk values.

If we judge First's appearance and voice, he would be perhaps a slight bit older than Chase when he became The Ninja, and not to mention since he was born into the Ninja Clan, he was likely trained since he was very young. His personality appears to be very studious and there is certainly a great deal of strength in his character since he not only managed to continue on with his duty even after loosing his brothers but also not succumbing to the overwhelming Power of the Mask that can corrupt those of weak belief and hold the title of the Ninja longer than anyone else.

(Not to mention I am of very biased opinion that Ninjas are cooler than Monks. lol. Also we can assume they all have magic of some sort. Like think Naruto like Ninjas and Xiaolin Elemental Dragons/Monks.)

ALSO in case 1, obviously if they fought with the agreement that if Chase wins he would ABSOLUTELY add First into his Jungle Cat harem. First will most likely add/request a stipulation that Ninja Mask was not taken with First and I can see Chase honoring that agreement, so the Ninja legacy will continue on and Chase still gets an incredible warrior to his ranks, and perhaps more warriors if the future ex-Ninjas would decide to try and fight him later on. ;)

(first's animal form would be either a leopard or iriomote cat (both native to Japan) or a crow because tengu connection/associations ;D )

And if First wins, he certainly would figure out how to contain Chase, (perhaps even in the Ninjanomicon itself hohoho) since he somehow managed to contain a sorcerer that controls chaos with some binding, magic from a mythical beast and in a deep hole that perhaps connected to some dark realm, like??

;)

[skrunksthatwunk]

leaving home

[amvro]

pairing: amuro tooru x reader

summary: he is home late (again) but you love to stay up for him

cw: i would not say suggestive but a lot of kissing implied ? IDK IM SORRY, it’s very short

It wasn’t rare for you to be staying up waiting for him to come home, but tonight he was especially late coming home and he truly did not expect you to still be up. The clock almost ticked 3:30am and he truly wished he didn’t have to stay out so late if he knew you would still be up. He was going to ask why you were still up and tell you about how you should’ve just slept without him, but he knew you would tell him you would be too worried to fall asleep regardless. 

“I’m so sorry I was so late,” he said, apologetically. “But really, next time you shouldn’t mind me. It’s far too late.”

“And it’s far too late for you to be out with no one to greet you when you come home,” you replied with a soft smile. Gosh he was in love with you. “Waiting for you to come home is one of my happiest times, at least let me do this much. Besides, it’s a Friday we get to sleep in tomorrow.”

And you were absolutely correct. Although he’d tell you every single time to go ahead and sleep, it still warmed his heart when he saw you reading a book or scrolling through your phone with a warm tea, waiting for him to come home. The way your face would brighten up when he came home was truly the only thing that could heal him from a long day at work.

“I’ll hop in the shower real quick, so go to sleep okay? It’s still not good to be up this late,” he said as he took off his coat and put his stuff down, getting ready to step into the bathroom.

“Wait,” you said, almost subconsciously.

“What is it, love?”

“Oh, um,” you said, you hadn’t meant to say it out loud. You looked up at him slightly embarrassed. “....kiss?”

A faint blush covered his face as his eyes narrowed and lips pursed. He did not understand how you managed to make his heart flutter from such simple words after all this time, but he did understand that this wasn’t going to go away. He walked right back to you and pressed a kiss on your lips. He was going to kiss you again when he resisted the temptation and kissed you on your forehead instead. 

“Why not?” you asked quietly. You were going to kill him if you kept this up.

“Because I’m not going to be able to stop at this rate,” he said, but you went and kissed him instead.

“But I don’t want you to...” you said. That was it, he was giving in. Saving the country was a whole lot easier of a challenge than the ones you gave him it seemed.

“Okay, now you’ve done it,” he said, kissing you again. 

The shower will have to wait a little. 

[bestanimal]

Round 1 - Phylum Nemertea

(Sources - 1, 2, 3, 4)

Animals in the Phylum Nemertea, commonly known as “Ribbon Worms” or “Proboscis Worms,” are small and mostly slim with a venomous proboscis that everts just above to mouth to capture prey.

There are about 1,300 known species of nermertean. Most nemerteans are carnivores, feeding on annelids, clams, and crustaceans. Some species are scarvengers. Some species are filter feeders that utilize a sucker at the front and back ends of their bodies to attach to a host. Most nemerteans detect the world through the use of chemoreceptors, but some species have simple eyes that allow them to distinguish light from dark. They move slowly, using cilia to walk on a trail of slime. Some larger species can “slither.” Many are brightly colored and patterned. Most nemerteans are marine, living in either the open ocean or on the sea floor, but some species are freshwater, and some are even terrestrial.

Propaganda under the cut:

Previously, nemerteans were split into two groups by whether they had a “little dagger” on their proboscis or not. (This classification no longer applies as one of the “unarmed” orders was closer related to the “armed” group than the rest of the “unarmed” group. It’s still fun to imagine worms with little daggers tho.)

The Bootlace Worm (Lineus longissimus) (seen in the first image) is one of the longest known animals, with specimens up to 55 m (180 ft) long being reported. This is longer than the Lion’s Mane Jellyfish, the sauropod dinosaurs Argentinosaurus and Patagotitan, and the record-holding longest Blue Whale. Like other nemerteans, the Bootlace Worm can also stretch up to 10 times its resting length. They’re not considered the largest animals though, because they’re only 5 to 10 mm (0.20 to 0.39 in) wide!

As a defense against predators, the Bootlace Worm produces a toxic mucus which contains a strong neurotoxin and smells faintly of “iron or sewage.” The mucus has been shown to kill arthropods, and is being studied for its use as a natural pesticide.

Some larger species can regenerate, breaking into pieces when disturbed, after which the fragments can grow into full individuals!

Some nemerteans have a branched proboscis that comes out as a “mass of sticky spaghetti” that can then be used to pull prey into its mouth. If you love horror movies, this is the animal for you! I’m not easily grossed out, but I genuinely can’t stomach this video, so viewer discretion is advised! (Thankfully, this one didn’t have a “little dagger.”

[nomazee]

haii :3

could you write how shinsou would take care of a reader when they are sick :0

i’ve been a little sick this week so this would really cheer me up :D

<3

pairing: shinsou hitoshi x reader

word count: ~800

content: sickfic AGUGHHH, friends-to-lovers slash unspecified relationship could be established could be not, cutesy, literally just fluff, vague mentions of puking etc typical sickness stuff

this was such a cute request omg thank you for sending it in! i hope u feel better much love! i decided to do this in bullet point format!

ALSO IM SO SORRY GUYSSS IM GETTING THROUGH REQUESTS SO SLOWLY <//3 i promise i will try to get as many of them done as i can but many of them are like long-fic format so they will take me a bit FEEL FREE TO SEND REQUESTS IF U STILL WANT TO!!! rules are linked here!

OK SO

you're both in the gen ed department + living in the dorms

it's the middle of the week and you've been feeling ROUGH for the entire week but just haven't had the time to focus on yourself between studies and everything

shinsou and you are in your math class sitting together at a two-person desk while your teacher lectures

you're super dizzy even while sitting down, there's a sheen of sweat on your forehead and you feel way too hot overall, you're holding back a coughing fit because you know if you let it happen you're gonna end up puking everywhere

the bell finally rings signaling the end of class and the start of lunch and you can't bring yourself to stand up at all

shinsou is packing up next to you and doesn't really notice your unmoving form until he's slinging his backpack over his shoulder and looking down at you, expecting to see you packed and ready to go but you.... look like you're dying

"you good, man?"

"ghf.......gh...m......"

"alright"

he packs up your stuff for you because he's secretly a SWEETHEART and carries your bag and pulls you up by your elbow with a big sigh

"guess i gotta take you to recovery girl now"

"do NOT take me to recovery girl..."

it's not like you have anything against recovery girl but it's not like she would be able to help you with a sickness and she'd end up giving you a bed to sleep on or just send you to your dorm to rest anyways

you just want to sleep in the comfort of YOUR bed already

you tell that to shinsou and urge him to just walk you to your dorm before you throw up on his shoes

he tells you that the teachers will think you're skipping class but you flutter your lashes at him (it probably looks more like you're seizing with how sick you are) and say something like "you'll cover for me, right?"

he rolls his eyes but. yes. he will cover for you. (he's whipped)

walks you to your dorm with an arm around your shoulders and you try not to collapse from both ur fever and the feeling of him walking so close

your delusions are running rampant in this HEAT

walks you alllll the way to your room and helps you lay back in your bed, pulls the covers over you and everything and your hands are TWITCHING because you wanna kiss him so bad but you'd end up puking all over him in this state

leaves your room for a bit and comes back with an ice pack wrapped in a towel to put on ur forehead and hot tea mixed w honey for when you're ready to drink something

puts the ice pack over ur forehead with a gentleness you've never seen from him before and you're like dying and clawing at the sheets trying not to scream with how in love u are with this guy

"you should go back to lunch man you're not gonna have enough time to eat"

"you're on the verge of death and that's what you're worried about"

"I'M NOT DYING"

stays with you until there's like 5 minutes left in the lunch period and he (unfortunately) HAS to leave

you're holding back a whine because yeah you feel guilty that he wasted his lunch time taking care of you but also... stay here forever?!?! duh?!?!

he notices the hesitant look in ur eyes while he stands up and takes his bag with him and sighs and rolls his eyes all fake-annoyed before leaning down and kissing your cheek and you hold back the urge to swing and punch him because he CAN'T JUST DO THAT AND THEN LEAVE???

"i know you can't stand a minute without me but i promise i'll be back the minute classes are over"

"i'm gonna set an alarm to make sure you're telling the truth about that"

"you can count on me"

you sleep for like the rest of the day and only wake up when you hear your door opening and smell soup and there's totally no way shinsou made that for you except he definitely did because when you ask about the soup his ears are flushed and you're literally gonna kiss him if he doesn't stop being so hot

overall shinsou would be so soft with you in his stupid sarcastic way and tease you about getting sick because he's a JERK but also a cutie so you let him get away with it

would definitely spend the rest of the day sleeping in your bed with you and then also get sick and force you to make him homemade soup (it's only fair, he argues)