#i am motivated to write lately

[a-mint-bear]

Heya, I was the one who asked you in September about the wolf in sheep’s clothing, and I was wondering what you’d think of the superfan with a darling who also has a crush on her and doesn’t mind the obsession and they’ve basically been dating for a while? Also, what do you think about a part 2 of those female Yandere types?

god, that was in september, wasn't it? my bad lol, thats the downside with bein' employed, ain't it?

but yeah, that idea sounds like it could be cute, i like it

i could add a part 2 to that post to my list of fics to write. it took a while to come up with those but i can take a crack at that

[witheredgardenparty]

Drowning myself a bit in the concept of a yandere who prides himself on being the boogeyman of underground circles but as soon as he is face-to-face with his darling, dissolves into a bumbling mess of graceless stammering and cumbersome limbs. A tripping-over-air, tongue-tied loser who has lost all sense of cool.

In the witching hours, he is a deadly force with unyielding claws and nimble words. The daylight finds him kneeling at the alter of your every spoken phrase.

What a blessing that darling is gracious to this poor helpless sap. Such a "harmless", if occasionally clumsy fellow. And -- oh! You dropped all of your papers! Here, let me help! No, really, it's no problem. (Did he just sniff my hair? No, I must have imagined that... right?)

To the other monsters that roam the shadows, he is a heartless, shapeless void of terror. To speak the dread name is to summon him and whatever fate the wheel so spins that day.

To you, he is a perfect gentleman. A, perhaps slightly, awkward acquaintance who could never hurt a fly. Literally. You think he might be a little afraid of bugs?

You cannot help but notice things have been changing since your new friend has shown up, though. New movements in the neighborhood. Not bad necessarily, but different.

That asshole next door has definitely been treating you nicer. Suspiciously nicer. And these numbers on your bills... have they gone down? You will have to call the bank to ask about it. You are pretty sure you owe more than this.

As soon as you figure out what happened to your favorite sweater...

[f1-stuff]

You mentioned omegaverse in the surreal DC reblog where he’s commenting far too much on Charles’s smell lol and it made me wonder if you’ve ever considered writing omegaverse Charlos? Do you have any interest or not so much your thing?

Love your work <33333

Hello! ❤️ I didn't used to be into omegaverse very much tbh, but something clicked in the last couple years and I started to vibe with it a lot more. I actually did start to write an abo charlos fic, that's also a Victorian-era royalty arranged marriage situation (woo that's a mouthful 😂), but I haven't added much to it in a while...

The funny thing is that I find myself forgetting it's abo while writing bc there's so much else going on, and then I have to throw in a line about someone's scent asghfjlslsdk. But anyway, I'm gonna share a little more of it now just because I feel like it's been a while since I posted a fic or a snippet...

“Charles.”

Impatience has crept into his mother’s voice by the second utterance of his name, and yet Charles still takes the time to finish the page he’s reading before clapping the (dreadfully boring) book shut and looking up at her expectantly. As usual, she doesn’t look particularly amused by his stubbornness.

“Charles, I was thinking that perhaps you and I should stay away from the palace for an additional month or so.”

“What?” he frowns. “Why?”

“To rest,” she suggests. “It’s been a very tough week, and you still don’t look well-”

“Maman,” he sighs, rubbing his temple where a headache is starting to form. Of course, he won’t tell her that. “I feel fine. And I’m ready to go home. We already missed Uncle’s birthday. We are not missing Papa’s.”

His mother doesn’t reply. It’s not the first time she’s brought it up, and it won’t be the last, but Charles isn’t losing this particular argument. Not even if he has to escape back to the palace himself. A week away from his father in his poor condition is already too much to bear, let alone the prospect of more time apart.

Charles and his mother’s retreat to their country residence had been unavoidable. The ‘very tough week’ in question is Charles’ heat, which had been brought on early due to the stress he's been under, caused by his numerous advisors' renewed efforts as of late to convince him to sign the regency order. No doubt they’ll be hoping that now, weakened by five days of fever and delirium, he’ll feel further compelled to relinquish his power to a regent in the event of his father’s death before he’s come of age.

It’s never going to happen, and his mother doesn’t need to try to protect him by hiding him away for a month either. She, along with everyone in that damned palace, treats him delicately enough as it is. Ever since he’d presented around eleven years old, he’s been wrapped in cotton wool. But just because he’s an omega doesn’t mean he isn’t perfectly capable of standing up for himself. In fact, he can’t wait to be free of the silly protective measures that were put in place almost seven years ago. The moment he’s crowned, he’s doing away with all of it.

“Really, Charles. I hope you’re not upset we had to come here. You know that it’s for your own safety-”

“Yes, maman, I know,” he interrupts, then sighs and aims a small smile her way to soften his exasperated tone. “I’m not arguing that. But I don’t need any more time to recover. It isn’t as though I do much more than this in the palace, anyway.”

Reading books, painting, playing piano and chess - there isn’t much more that he’s allowed to do. The other activities that his brothers partake in, like horse riding and archery, aren’t permitted for him, nevermind that he performed them just fine before he’d presented. That argument has never worked to convince anyone to grant him allowances because it’s not really about whether he’s capable.

“Well...if you’re certain.”

“I am,” he says, firmly. His mother nods.

Good. That’s settled, then. She speaks again before he has a chance to reopen his book.

“The other thing I’ve been meaning to discuss with you - your uncle has invited the Sainz siblings to come and stay at the palace. You met their two eldest when you were very young, but I’m sure you don’t remember.”

“No,” Charles confirms, intrigued. “Who are they?”

“Their father is a Spanish duke, and his son, Prince Carlos, is just a few years older than you. Unlikely that he will ever inherit the throne, but it is a distant possibility.”

Ah. So a marriage prospect, then. Charles bites back a sigh. From one prison to another.

“You should get to know him better,” his mother says, reading his expression.

“Why?” he asks, just to be difficult. He knows very well why.

“Because. Your Uncle Thierry thinks it’s a good idea.”

Well, if his uncle thinks it, then so it shall be.

Charles sinks further into his chair, grabbing the book he’d set aside and reopening it pointedly. His mother takes the hint. (The book may be a dull one, but at least it serves its purpose as a conversation ender superbly.)

****

“Monaco could be a very important chess piece in future conflicts,” Caco explains, leaning against the table to address his young cousin. “It is under the military protection of France, and having the force of France at our disposal could be instrumental in quelling potential unrest.”

Carlos Junior looks up at him from his seat at the desk, notes of skepticism in his expression. He doesn’t make an objection just yet - his cousin would not be telling him this unless it had come from his father directly.

Caco sets down a piece of paper in front of him. It’s a drawing of a young man who can’t be more than eighteen, his boyish features evident even in sketch form. The other thing that is undeniable is his beauty, a sense of mischief and innocence dancing in his eyes that has Carlos wondering if it’s a faithful representation.

“Is he this pretty in person?”

Caco simply gives him a look, not dignifying that with a response. “That is Prince Charles, heir apparent to the Monegasco throne, seventeen years old. In the next few weeks, you will study everything there is to know about him - his favorite novels, plays, composers. You will brush up on your French-”

“Wait, wait, cousin,” Carlos interjects, blinking in confusion. “What does a prince have to do with me?”

“That omega...” Carlos’ gaze shoots up to his cousin, brows raising. “...has everything to do with you.”

Ah. That changes things, indeed.

“As I was saying,” Caco continues, sighing. “In order to keep the prince safe, he’s been kept sheltered from his father’s court for years, ever since he was a boy. Thus, when he does make a rare public appearance, such as at the opera or ballet, his mere presence causes quite a stir.”

Carlos’ eyes return to the paper in front of him, his gaze tracing a path over the prince’s nose and settling at the elegant curve of his lips.

“You must win his favor before anyone else has the chance,” his cousin says. “The first visit in a few weeks’ time will be vital. We can afford no mistakes. But always remember, you are first and foremost a Sainz. Do not forget the reason behind all of this, no matter how ‘pretty’ his face.”

Carlos tries to bite back his smirk, but likely fails from the look his cousin sends him.

“Charm him, Carlos. Make him smile. God knows you are good at that. The rest will be up to fate.”

[bipanicoverthegravessiblings]

How about Ashley x Emo Fem Reader? Like gothic with uhh emotic? Or something like that. Like they meet when they been in high school. And they live in Y/N's house that she get from her parents when they passed

If you had any questions, ask me

Oooohhhh- okay okay!

Ashley Graves x Emo Fem!Reader

Social outcast, you generally considered yourself

Not just you, your peers as well had called you that- or…crude variations of it

Point is, no one in school really liked you

You’ve overheard their gossip- all the same shit really

“I bet she lights cats on fire!” “Look at her sleeves, I bet she cuts herself.” “She’s gonna blow up the school I swear”

They couldn’t even bother to be creative with their assumptions about you- a lot of the same depressed demon stuff

….and you are depressed- but that’s besides the point!

You never really connected with any of your peers..

…well- except one..

Lunchtime was quite possibly the worst part of your day. It was a war zone. In the classrooms you had teachers to lessen the blows your classmates would throw at you, both metaphorically and physically, here the only solace of a savior were the underpaid lunch ladies who were occupied handing out food to students.

You hugged the wall as you carefully watched your peers, they all seemed fairly occupied in their own conversations- not even noticing you. You liked it when they forgot your existence. Loneliness beat cruelty.

There was a table you always sat at, tucked into the corner of the lunchroom- and for good reasons. The surface was littered with graffiti of swears, slurs, those cool S’s, and various crude doodles left by your peers. Not only that, but the table was very wobbly, so badly you usually have to use two textbooks to prop it up. The bottom was covered in dried out, chewed gum- the entire thing was just a sitting “DO NOT COME HERE” sign.

And it was perfect!

No one ever sat there due to how shitty it was, you think the students and faculty didn’t even bother to go near it. They either think it’s cursed, or forgot about it. Or both. Maybe both. But today someone had actually got there before you did.

A disgruntled girl with messy black hair poked at the mystery meat on her lunch tray. Poked isn’t the right word- more like viciously stabbed it repeatedly. Her nose scrunched in frustration, likely not directed towards the so-called food, but it was the only thing she had to vent her frustrations on to. She hadn’t noticed you.

You stood there a little awkwardly, not wanting to startle her on accident, so instead you spoke up meekly.

“Uhm…hi.” You smiled a little, trying to harmless. She didn’t look like your average bullies, but you can never be too careful.

She looked up at you with her pink eyes- her gaze was sharp, and you instinctively tensed in preparation for some insult to be thrown. She gave you a once over before returning to her tray, “…hey.”

“Can I…sit here?” It was a dumb question. Technically this table had been your seat, and this girl just showed up out of nowhere- but, oh well.

She gave a frustrated sigh, “God- did Andy put you up to this?” She asked rather accusatory, pointing her fork at you.

You opened your mouth to reply before she interrupted you, “Look how many times do I have to tell you hussies, you’re just wasting your time! He’s not going to fuck you if you’re nice to me so just—“

“Who’s Andy?”

The question you asked sounded genuine….cause it was. Really, you had no idea who this ‘Andy’ guy was. The girl lowered her fork, eyeing you wearily before she decided that you weren’t lying. She turned her head and muttered,

“….you can sit.”

And so you did. The two of you ate in relative silence. Well- you ate. Your new lunch friend more-so stabbed at her food then ate it. You swallowed down the lump of unidentifiable cafeteria meat and gave her a friendly smile. The silence was deafening and you’d never had anyone to eat with so maybe…maybe this could be nice for a change..

“I’m Y/N.” You introduced yourself.

The girl glanced up at you before returning to her tray, “…Ashley..”

“I’ve never seen you at this table much.” your hands patted the surface nervously.

“Normally I sit with my brother and so-called friend,” her words dripped with malice, “But my stupid brother had to go study for some history test! And my ‘friend’ conveniently didn’t save me a seat…” she stuck her fork into the biggest chunk of her food and muttered, “Fucking bitch…”

“That’s a bit harsh..” you mumbled, causing Ashley to perk up and glare at you.

She practically climbed over the table and held her fork out towards you, making your hands instinctively raise in surrender, “She is a bitch! A doe-eyed hussie who thinks she’s soooooo innocent when she sucks just as much as everyone else!”

“I meant it was harsh that she wouldn’t let you sit with her,” your eyes were fixated on the fork, kind of worried Ashley would drive it into your neck, “I…should’ve been more specific. Sorry.”

Ashley’s pink eyes widened a little, she almost seemed- shocked someone took her side. Slowly, she clambered back to her seat and went quiet. You lowered your hands back into your lap and stared at her. Ashley pushed her tray and folded her arms overtop the table.

“….thanks.” She mumbled.

After that, you saw Ashley a lot more

It wasn’t every day, maybe once a week or two she would show up at your hidden table to eat

Slowly, she came out of that shell and actually initiated conversations

Well- conversations were a stretch. It was more like her venting about her frustrating day while you nodded along and ate.

Eventually, she liked you enough to stop you in the halls and walk with you

Usually her brother, Andrew you had come to learn his actual name, walked with her and she made a show to cling on to your arm

It never failed to make the heat rush to your face

Ashley was cute. Very cute. And had a general unhinged vibe that just made her all the more alluring

So it didn’t surprise you that you’d catch feelings for your new friend

No- what surprised you was when Ashley actually liked you back

You paused, silence hanging in the air as Ashley stared at you expectingly. Her foot tapped with impatience as she awaited what you were going to say.

“Well?”

You didn’t know what to say, the only time anyone has asked you out was as a prank. This was different. The question wasn’t coming from some bully barely able to keep their giggles in, this was coming from your friend. Someone you trusted. Someone who wouldn’t hurt you…..at least you think. She did threaten you with a fork.

Ashley’s growing impatience let you know just how slack jawed you were, “Look- if you’re going to be weird about this then just…forget I said anything.” She crossed her arms, turning away from you in a huff.

That was when you came out of your stupor, trying to salvage this, “No! No! It’s okay- really! I’m just….shocked that you asked me out.” You stammered with your explanation, “I didn’t even think you liked girls..”

“Me neither.” She mumbled, the faintest starts of a blush painting her cheeks. It was cute. She was cute.

Your face softened as you placed a hand on her shoulder, “….I’d love to.”

From there you two were dating

Had it only put more unwanted attention on you? Yes, but you wouldn’t have it any other way

You were happy, so fuck what those jerks had to say

Things were good, and after high school the both of you fucked off to another town

With Andrew in college, it’s not like Ashley wanted to stick around her shitty homelife

And you- honestly had no connections aside from your parents, and moving out was expected

So, it was you and Ashley. Outcast for outcast

[aureatchi]

in another world, i’m on fyodor’s lap abt finished deciphering his 3pg’d interpretation in russian annotated on his copy of metamorphoses: orpheus & eurydice. in reality, i js finished writing three essays. no fedya btw. 😔

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[angeart]

i just wanted to ask if you’re still working on hmtb or it’s kinda in the past ? (no pressure whatsoever to write ofc and it’s absolutely fine if you’re done with it but i was just curious) (i gotta get into some of your others aus too :p)

hi! you know what, this kind of question was inevitable and it's very valid, dw! but hmtb definitely isn't abandoned!

i kinda hit a block with writing and i've been struggling to move past ever since. (the other day i wrote 100 words for hmtb and it felt like an achievement 😭)

the sleepover is my curse. but i'll get through it! it'll just... be very slow.

i appreciate all the patience and love u guys still have for the story, please bear with me <3 there's still LOTS of content to come for hmtb in the future (and by content i mean angst. hehe 🥰)

[quietlyblooms]

don’t look at me if you see me pick up m.irio in the near future… that’s best boy right there 😭

[caenith]

Maeglin was no weakling or craven, but the torment wherewith he was threatened cowed his spirit, and he purchased his life and freedom by revealing to Morgoth the very place of Gondolin and the ways whereby it might be found and assailed. Great indeed was the joy of Morgoth, and to Maeglin he promised the lordship of Gondolin as his vassal, and the possession of Idril Celebrindal, when the city should be taken; and indeed desire for Idril and hatred for Tuor led Maeglin the easier to his treachery, most infamous in all the histories of the Elder Days.

Ok, so which one was it?

Because the reason why exactly Maeglin decided to reveal Gondolin's secrets to Morgoth is crucial to how the readers perceive this character.

Was his betrayal caused by the torment and fear for his life? Because c'mon, this can be excused both by the readers and also by other characters appearing in the story (the question of 'would Turgon - either reborn or still stuck in the Halls - be ever able to forgive his nephew?').

Or maybe was it what the second part of the paragraph suggest? The promise of getting the girl and a job as Morgoth's vassal? This one straight-up makes Maeglin a first class villain tbh.

Would Maeglin betray the city if he wasn't tortured and/or afraid of losing his life?

Yeah, his later actions during the attack on the city don't really show him as a poor little guy who was forced to betray Gondolin but that's not the point here.

[edwinisms]

literally I have not written this much in the span of a couple weeks since like. mid high school. so around 7-8 years ago. what has this show done to me

[persimminwrites]

timeloop post got me thinking about some of the story ideas i have so here's little dump of ideas i want to work on (probably post borrowing of bones bc i don't like to split my attention apart from the shorter warm ups im currently doing)

fives x assassin!reader - i wrote a little blurb for a warm up for this and i'm honestly obsessed with this concept. the will they won't they, snarky banter while trying to kill each other vibe fits so well with fives imo so i think it would be fun to actually expand that into a longer stor

time loop - no real thoughts here other than i thought it would be fun to be mean to either fives or wolffe and put them in a time loop :D

train to busan au - i want to write a zombie au so bad its crazy and train to busan is one of my favorite pieces of zombie media its just *chefs kiss* originally i had planned for this to be a wolfpack fic but i want to do more writing for fives and i thought it would make even more since to write him for this au (bc hes an arc i guess and that made more sense in my mind because ... idk)

soul eater au - this is just For Me. no one else. no real plans for this either just vibes. and the vibes are good

pacific rim au - this is from forever ago but still lives in my head. what if.... i made the wolfpack fight in giant jaegers... what then?

"i know you’re poison when I sink my teeth into you" - lyric from a bad suns song that is just begging for me to write something about it

no concise summary for this one. wolffe dechips himself, hijacks your ship with you on it and then *checks notes* "shenanigans ensue"

wolffe x alliance operative - many years after o66. i think i was planning on setting it around 10 bby??? this would be more of a spy, undercover in the empire story. would probably be very angsty and would probably have to make an oc for this story if i ever write it just because of the complexity

O66 never happened au - wolffe x archivist!reader. themes: politics, PTSD, post-war recovery, light angst, mainly fluff, Wolffe learning how to be something other than a soldier. have some really fun ideas about HOW i would write this one

rawl???? actually write about my ocs???? maybe?????

[microwave-core]

local farm witch who just wants to live a peaceful life with her wife while obliterating local monster populations to fuel her crippling iridium addiction

[yyawnjun]

guys, I just want to let yall know that I haven't forgotten about my hoshis smau and my piwon serieeee. I'm gonna focus on these two now (+ on the niki's fic) ଘ(੭*ˊᵕˋ)੭* ̀ˋ

(PIWON ASKS I DIDN'T FORGET ABOUT YOU EITHER🤭)

[dionysus-complex]

it turns out that in order to have a dissertation you do indeed have to actually write the thing

[viktheviking1]

Writers always exist on the spectrum of thinking their stories are the best thing ever and everyone needs to see it and we can proudly show it off

To truly believing it is the worst thing ever written and to ask someone to read it is to ask them to pull their eyeballs out.

If you work hard, you can get to a place where most of the time you think it's pretty decent. But from my experience, you never fully escape the occasional swings up and down.

[scribbling-dragon]

You say “Lizzie in the Void” and I raise you “Lizzie and Martyn in the Void having tea” /j

martyn: ...soooo, how are you doing?

lizzie: oh, i don't know martyn. how am i doing? you know, it's jsut wonderful in this place. the void over there and the void over here just adds so much to the atmosphere

martyn: you could've just said not well [sips tea]