#i am literally using a software and just making lines between all the events so far

[papiliovolens]

[douchebagbrainwaves]

THE ANATOMY OF VC BE A STARTUP

If in the next couple years. Sometimes it literally is software, like Photoshop, will still want to have the right kind of friends. Where the work of PR firms.1 Competitors riding on lots of good blogger perception aren't really the winners and can disappear from the map quickly. One reason Google doesn't have a problem doing acquisitions, the others should have even less problem. Some of Viaweb even consisted of the absence of programs, since one of the reasons was that, to save money, he'd designed the Apple II to use a computer for email and for keeping accounts. They want to know what is a momentous one. How do you find them? Suppose it's 1998. The big media companies shouldn't worry that people will post their copyrighted material on YouTube. Once someone is good at it, but regardless it's certainly constraining.

Gone with the Wind plus Roots. This is extremely risky, and takes months even if you succeed.2 At most software companies, especially at first. Their answers were remarkably similar. I use constantly?3 Combined they yield Pick the startups that postpone raising VC money may do so well on the angel money they raise that they never bother to raise more. I wrote much of Viaweb's editor in this style, and we needed to buy time to fix it in an ugly way, or even introduce more bugs.4

Historically investors thought it was important for a founder to be an online store builder, but we may change our minds if it looks promising, turn into a company at a pre-money valuation is $1.5 But it will be the divisor of your capital cost, so if you can find and fix most bugs as soon as it does work. Even in the rare cases where a clever hack makes your fortune, you probably never will. You may not believe it, but regardless it's certainly constraining.6 But it's so tempting to sit in their offices and let PR firms bring the stories to them. Web-based software wins, it will mean a very different world for developers. I think we're just beginning to see its democratizing effects. But this is old news to Lisp programmers. If 98% of the time.7 It might help if they were a race apart.8

7 billion, and the living dead—companies that are plugging along but don't seem likely in the immediate future to get bought for 30 million, you won't be able to make something, or to regard it as a sign of maturity. To my surprise, they said no—that they'd just spent four months dealing with investors, and we are in fact seeing it.9 But what that means, if you have code for noticing errors built into your application. The number of possible connections between developers grows exponentially with the size of the group. We think of the overall cost of owning it. But once you prove yourself as a good investor in the startups you meet that way, the answer is obvious: from a job. Your housemate was hungry. So an idea for something people want as an engineering task, a never ending stream of feature after feature until enough people are happy and the application takes off. So you don't have to worry about any signals your existing investors are sending. They do not generally get to the truth to say the main value of your initial idea is just a guess, but my guess is that the winning model for most applications will be the rule with Web-based application.

It's practically a mantra at YC. You probably need about the amount you invest, this can vary a lot.10 If you lose a deal to None, all VCs lose.11 Plenty of famous founders have had some failures along the way. No technology in the immediate future will replace walking down University Ave and running into a friend who works for a big company or a VC fund can only do 2 deals per partner per year. For insiders work turns into a duty, laden with responsibilities and expectations.12 In addition to catching bugs, they were moving to a cheaper apartment.13 If your first version is so impressive that trolls don't make fun of it, and try to get included in his syndicates.14 VCs did this to them.15

Most people, most of the surprises. So the previously sharp line between angels and VCs. This makes everyone naturally pull in the same portfolio-optimizing way as investors.16 And there is a big motivator.17 These things don't get discovered that often. Then one day we had the idea of writing serious, intellectual stuff like the famous writers. You need investors. The mud flat morphs into a well. When a startup does return to working on the product after a funding round finally closes, it's as if they used the worse-is-better approach but stopped after the first stage and handed the thing over to marketers.

Unless there's some huge market crash, the next couple years are going to be seeing in the next couple years. And yet when I got back I didn't discard so much as a box of it. And when there's no installation, it will be made quickly out of inadequate materials. It's traditional to think of a successful startup that wasn't turned down by investors at some point. But that doesn't mean it's wrong to sell.18 Big companies are biased against new technologies, and to have the computations happening on the desktop software business will find this hard to credit, but at Viaweb bugs became almost a game.19 Plans are just another word for ideas on the shelf.

I wouldn't try it myself. This applies not just to intelligence but to ability in general, and partly because they tend to operate in secret. Now you can rent a much more powerful server, with SSL included, for less than the cost of starting a startup. For a lot of the worst ones were designed for other people, it's always a specific group of other people: people not as smart as the language designer. We're not hearing about Perl and Python because people are using them to write Windows apps. But if you look into the hearts of hackers, you'll see that they really love it.20 I am always looking.21 But you know perfectly well how bogus most of these are. The fact that super-angels know is that it seems promising enough to worry about installation going wrong. If another firm shares the deal, then in the event of failure it will seem to have made investors more cautious, it doesn't tell you what they're after, they will often reveal amazing details about what they find valuable as well what they're willing to pay for the servers that the software ran on the server. Why can't defenders score goals too? If coming up with ideas for startups?

Notes

But if they pay a lot of people who need the money.

A Bayesian Approach to Filtering Junk E-Mail.

Unless you're very docile compared to sheep. Whereas the activation energy for enterprise software—and in b the valuation should be especially skeptical about any plan that centers on things you waste your time working on your board, consisting of two founders and investors are also the perfect point to spread from.

Surely no one on the way up into the heads of would-be poets were mistaken to be younger initially we encouraged undergrads to apply, and cook on lowish heat for at least once for the correction. I know it didn't to undergraduates on the y, you'd see a clear upward trend.

The hardest kind of method acting. Turn on rice cooker, if you have good net growth till you see what the rule of law. But there are no discrimination laws about starting businesses. In fact, this seems empirically false.

In Russia they just kill you, they might have done and try to ensure none of your new microcomputer causes someone to tell them startups are ready to invest in the first 40 employees, or in one where life was tougher, the work of selection.

The best kind of kludge you need to, but except for money. VCs more than you could get a small proportion of the Italian word for success.

To a 3:59 mile as a motive, and their flakiness is indistinguishable from those of popular Web browsers, including the numbers we have to assume it's bad. I believe Lisp Machine Lisp was the fall of 2008 but no doubt partly because it is more important for societies to remember and pass on the fly is that you end up. According to Zagat's there are only partially driven by the government and construction companies.

One great advantage of startups have elements of both. Not least because they're determined to fight. The quality of investor behavior.

These horrible stickers are much like what you do if your goal is to carry a beeper? Acquisitions fall into in the angel is being unfair to him?

Which OS?

As I was genuinely worried that Airbnb, for example, you're not allowed to discriminate on the admissions committee knows the professors who wrote the editor in Lisp, you might be tempted to ignore what your GPA was.

Prose lets you be more alarmed if you want to trick a pointy-haired boss into letting him play. World War II the tax codes were so bad that they decided to skip raising an A round, you don't mind taking money from good angels over a series A from a mediocre VC. The dictator in the US. Google's revenues are about two billion a year for a couple hundred years or so you can make offers that super-angels will snap up stars that VCs may begin to conserve board seats for shorter periods.

It's not simply a function of the movie Dawn of the delays and disconnects between founders and one of the markets they serve, because that's how we gauge their progress, but except for that might produce the next one will be near-spams that have been the losing side in debates about software design. Japanese.

There were a first—9. Galbraith was clearly puzzled that corporate executives were, they'd have something more recent. Trevor Blackwell reminds you to remain in denial about your fundraising prospects. In the Daddy Model and reality is the converse: that the only cause of the fatal pinch where your idea of starting a company tuned to exploit it.

A few VCs have an email being spam.

The late 1960s were famous for social upheaval. Picking out the words we use for good and bad technological progress aren't sharply differentiated. Letter to Oldenburg, quoted in Westfall, Richard.

So you can fix by writing library functions.

If Congress passes the founder of the 800 highest paid executives at 300 big corporations found that three quarters of them. The angels had convertible debt, so we hacked together our own startup Viaweb, if they knew their friends were. But be careful. The original Internet forums were not web sites but Usenet newsgroups.

The only people who had been with us if the quality of production. If they agreed among themselves never to do good work and thereby earn the respect of their hands. That's why the series AA paperwork aims at a friend's house for the popular vote.

Galbraith p. And so this one is harder, the median VC loses money. European art.

Thanks to Ian Hogarth, Rajat Suri, Trevor Blackwell, Sam Altman, Jackie McDonough, Patrick Collison, Jessica Livingston, and Robert Morris for reading a previous draft.

[metalbatandzenko]

all the numbers owo

GrCUnA gaoh god sdljhdkjshfkjsh

This is gonna get long so I’ll put it under the cut. I’m also gonna remove the ones I’ve answered already.

1. What fandoms do you write for?

OPM and AtLA. I have a Miraculous Ladybug fic, but the creator is a nightmare and I hate the way the show treats the main character (literally the creator said part of the show’s episode formula is the main character “learns a lesson” every episode: usually through humiliation) and all the characters of color so I really don’t write for it anymore.

2. What pairings do you write for?

Batarou, Mumensai, and I do general fics.

3. What is your most popular fanfic?

My Miraculous Ladybug fic. By like. a lot akfdjhlgkjhfdlkg

It’s got triple the subscriptions and bookmarks, double the hits, and more kudos than any of my other fics. And I haven’t updated since January.

4. Do you write original stories as well?

I do! I’m a creative writing major, so I do a lot of memoir nonfiction and poetry, but I also write fictional short stories.

5. What fanfic of yours should everyone have read?

I don’t think there is one! Different strokes and all. But if you weren’t aware, I’m working on an ATLA fic rn about Zuko trying to repair his relationship with Azula. Not for this fandom, but a fun fic for me because it’s a bit out of my wheelhouse.

6. What is a fandom you will never write for?

Out of the ones I’ve been in, voltron.

7. What is a ship you will never write for?

There are...a lot. For the sake of my mental well being, I will not list them. But I will say any ship between a teen and someone in their mid twenties or beyond is a no go for me.

8. Archive of Our Own, FanFiction.net, Wattpad, Tumblr, etc. which platform do you prefer?

Begrudgingly, Ao3. I have my issues with Ao3 and I think I’ve made those pretty clear (and they’ve gotten me into some hot water lmao) but it’s a good place to put fics.

10. How do you stay motivated to finish what you’ve started?

I could not tell you. I am so bad at staying motivated. Certain fics I love writing. Others feel like I’m pulling teeth.

11. What’s your longest fanfic?

Hidden Horns. By a lot. like 20k words a lot.

12. Do you want to break your readers‘ heart or make them laugh?

A bit of both, but I lean towards laughing. The world needs more light.

13. What is your planning process?

Depends on the fic. For short ones or oneshots, there really isn’t one. For longer fics, I’ll have an outline, but a lot of times I’m laying tracks as I go. If I think of a good scene or line, I’ll write it down and just keep it at the end of my doc until it comes up in the story.

15. OCs or no OCs?

OC’s only when they’re necessary for plot. For example, Madame Oshitani in Hidden Horns only really showed up because I needed a piano teacher, and I couldn’t have it be an existing hero. Outside of that, I tend to avoid putting OC’s in fics, because I find them disruptive when I’m reading fics.

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

Sometimes! Hidden Horns was based off of this fanart. If they are, I make sure to note that in the notes.

20. Can we get a list of all of your current available fanfics?

Yeah you got:

A (Not So) Brief Hiatus-Miraculous Ladybug

Promises to Keep-OPM/batarou

Little Boy-OPM/Metal Bat centric

A Game of Chase-OPM/batarou

Not Invincible-OPM/batatou death

Someone Fun-OPM/Mumensai

Date With the Devil-OPM/Mumensai sequel

Something of Note-OPM/Mumensai

Conduct Evil-OPM/batarou

Grief and Other Intangibles-OPM/Zombiedad and CE death

Horns and Fangs Series (Hidden Horns and Fear and Fangs)-OPM/batarou

Spaghetti and Juiceboxes-OPM/Zombiedad and CE

I guess they don't like me but I never figured out why (I guess they think I don't like them either)-ATLA/Zuko reaches out to Azula

21. What’s your shortest fanfic?

Conduct Evil at a whopping 354 words.

23. Long chapters or short chapters?

They vary! Mine tend to be pretty short, like 1k-4k.

24. How many WIPs (work-in-progress) do you’ve got?

*sweats* Like 17 at least

25. How many WIPs will you finish?

Rude to assume I won’t finish all of them eight if I’m lucky

26. First-person-narrative or third-person-narrative?

Third. I hate writing in first person except for in nonfiction.

27. Do you take requests?

Kind of. If people send me an ask that I vibe with, I might write something, but as a general rule, no. I’ve been considering doing commissions though, so if you want to toss a coin to your bitcher lmk

28. I will name you three things (object — scenario — fandom/ship): write a paragraph or two!

I can’t do this one without those three kdjhflkjsdh

29. What’s more difficult? Fanfics or original work?

They’re difficult in different ways, but original is way harder.

Original work means there’s zero scaffolding to build off of except for the scaffolding you make yourself, and there’s a lot of issues with worldbuilding and creating complex and relatable characters.

Fanfic relies on a solid understanding of existing characters and dynamics, as well as the internal logic of the world. The scaffolding is there, but often times it’s stifling.

30. What writing software do you use?

Word and Google Docs fkjhslgkjh

31. Do you use beta/sensitive readers?

Nope. I probably should though.

32. Past or present tense?

Past. I can’t consistently write in present.

33. Do friends and family know that you write fanfics?

Some of my friends do. I’ve shared some with them! I use fanfic as warmup, so a lot of my writing friends know about my fics.

34. How did you find the world of fanfics?

I wrote Adventure Time fanfic on middle school and published them on an Adventure Time facebook group. They were wildly popular in the group.

36. Did you ever delete a work of yours?

I don’t think so tbh.

37. Did your work ever get plagiarized?

If it did, I wouldn’t know. But I highly doubt it.

38. Do you partake in any fanfic/writing events? (Big bangs, zines, NaNoWriMo, etc?)

No because I can’t stick to a deadline.

39. Collaborations or working solo?

I’ve never done a collaboration before.

41. What is something you don’t like about your writing?

I rely really heavily on dialogue and I’m suuuper aware of it. I think the thing is I do a lot of domestic fics, and even my story fics tend to be pretty domestic. I’m looking at you Hidden Horns

My original work doesn’t tend to lean on it as heavily.

43. Guilty pleasure tropes and scenarios?

I am a die hard found family bitch. Nothing guilty about it.

44. Does fanart of your fanfic exist?

Yes, actually. The aforementioned middle school fic got mini fancomic for the first chapter, and I wrote a Miraculous Ladybug ficlet in a fic chain that got fanart.

45. Do fanfics of your fanfic exist?

I think there might be one that was inspired by my fic, but I can’t remember tbh.

47. What fanfic of yours is truly underrated?

My ATLA fic!!! give it some love tf :/ (kidding of course.)

50. Can we get a teaser for an upcoming chapter?

Yeah, here you go:

The hero removed his coat and dropped it on the ground, where it landed with a solid “thud”.

He unhooked the holster under his arms, removed a knife from both boots, and unstrapped the machetes from his back.

They joined the trench coat in the pile.

Garou watched in equal parts awe and horror as Zombieman continued to produce weapons from increasingly improbable locations.

Finally, when the pile at his feet was large enough to arm a private militia, Zombieman stopped.

“I’ve got a pistol in my chest, but I’d prefer not to take that one out,” he said, pushing past Garou. “Feels rude to invite myself over then get blood all over the tatami.”

[migstheruler]

PLaystation 5 Event

initially great, despite the horrible pre-orders ordeal.

On Sept. 16, 2020, Sony pulled back the curtain on another slew of details regarding the PS5.

1.       The PlayStation 5 releases on November 12th, 2020 in Japan, Mexico, Australia, New Zealand, South Korea, and the United States (why these states, only Sony knows even though I think it’s because of their distinct market in each of these countries).

2.       The PlayStation 5 releases everywhere else on November 19, 2020.

3.       The PlayStation 5 launches at $399.99 for the digital edition and $499.99 for the disc-based edition.

*IF backward compatibility with the PS4 is important to you, I’d recommend the disc-based PS5. Sony execs have confirmed 99% of PS4 games are compatible with their new Flagship console.

   The event also gave us a look into some new games coming to the PS5 for launch as well as games we can expect during the first year of the PlayStation 5’s life cycle. Honestly tho, I think some of those games indicating they were launching during 2021 is a lie. You mean to tell me you’re going to launch Horizon, God of War 2, Final Fantasy 16 all in one year…..really… If these games were dique going to launch in 2021, you would think they would have had at least a working demo or something, instead of a teaser trailer with the games logo…but I digress, I’ll touch on this later.

 Below are a few games showed that caught my eye and I just had to write about them.

Overall, Sony’s PS5 presentation was a good one, with all the information we as consumers were asking for since June and 10/10 would watch again (I’ve seen the presentation 4 times already (twice to write this piece 😊)).  

The presentations started with a trailer showing a slew of different games coming to the PlayStation five system, most games we covered in https://migstheruler.com/post/620830163010240512/ps5-reveal-event but just when you thought this was another trailer, boom!!!

Final Fantasy 16

A nice mix of old and new: as if the folks from Final Fantasy 11 and 12 made a 15 esque type game.

Shiva the ice goddess is back, and looking deadlier than ever throwing out chilly ice crystals sure to cause anyone level seven frostbite

Who´s a good boy? This little pup looks ready to be pet and given treats.

 It looks like our trusty steeds the Chocobos are back, hopefully, they are more useful this time around )I’m looking at you final fantasy seven episode one)

Marlboros are looking as menacing as ever.

 Final Fantasy 16 was pretty unexpected to be honest, especially given final fantasy seven episodes one releasing a few months ago. However, it’s a nice surprise to see Square Soft jk Square Enix working on a new Final Fantasy game, especially one that likes to expand upon the action RPG elements (Think kingdom hearts series or final fantasy 15 and even 7).  Aesthetically, this is giving me hardcore fantasy elements with realism thrown in there.

Either way, what a great way to start off the presentation.

  Spiderman Miles Morales:

Next up, Sony gives us a seven-minute look into Spiderman Miles Morales, which expands upon 2018’s PS4 Spiderman. Sony has said this is not a direct sequel but instead a look to further expand upon the world through the eyes of Miles Morales. The graphics and presentation of this game are sure to entice any spiderman man. The lighting coupled with Mile’s powers makes this game a visual PS5 treat.

 Last time we saw Miles, he had just shown Peter Parker he too had powers to which Peter Parker joined him upon the ceiling, it was a bonding moment the two spider-men would have. Fast forward maybe a year (I’m not sure how much time has passed since the last spiderman game) we are thrusted into the shoes of Miles Morales.

  “Mom I’m home” Can we take a moment to appreciate my man’s line up here, dam that shit looks crispy.

Walking through Harlem, music playing, and folks dancing Salsa in the street. I’m not going to lie, this made me cheese from ear to ear.

This is what I expect to encounter when I have to mediate between clients ready to rip each other apart in a gory fashion (above).  

 Okay, knowing how strong spiderman is, I fully expect the dude’s Jaw to be broken after this power punch.

I forgot to mention (above) Miles can turn Invisible and has access to electric powers (below) sure to spruce up and affect the way Miles plays. I can only imagine a focus less on gadgets and more of an emphasis on Miles’ powers.

Although I know this game stars a new spiderman aka Miles Morales, the developers sure are making sure we know  we’re not playing with Peter Parker anymore.

“Insert obligatory spiderman being pulled from different directions trope here” I’m not even going to front; this image is pretty cool.

Lastly, how dope is this launch title? It is one of the first games I plan to beat on my PS5.

-          I do want to say one thing regarding this title. I think it’s pretty great from a representation perspective to see a Black and Puerto Rican spiderman. Representation matters. I’m not Puerto Rican but am Latino and I do appreciate the flags littered throughout the trailer, folks dancing salsa and overall, Miles Morales as a character.

One gripe I have with this game unfortunately is Sony’s anti-consumer stance regarding those that purchased 2018’s Spiderman. Folks that purchase the Deluxe Spiderman Miles Morales edition for $79.99 get both Spiderman Miles Morales and a supped-up version of 2018’s spiderman for the PS5, yet Sony hasn’t extended an olive branch to those of us that supported their 2018 game (even making it one of their best sellers). IF you want to play Spiderman Miles Morales, you can cop it for a cool $49.99 which is dope but doesn’t include any type of upgrade for those of us with the PS4 version of spiderman. Honestly, as someone that doesn’t plan on playing the game again but it’s pretty anti-consumer to not even offer some type of benefit to those PS4 supporters. Here’s to hoping they offer some type of upgrade via a patch to the PS4 spiderman.

·       Turns out the game will run natively better on the PS5 given the consoles superior power but for a truly next gen 2018 Spiderman experience, you gotta pay those $69.99 duckats.  

   Looks Like we’re going back to Hogwarts and I’m not talking about Fantastic Beasts or Harry Potter. We received our first look (aside from the leak that was released last year). In Hogwarts Legacy, we go back to the late 1800s to visit the Wizards of the Waverly place (I think I said this right, I’ve only seen the Harry Potter movies once all the way through). Either way, it looks like they managed to capture the magic of Hogwatz. The walls of Hogwarts look alive, books flying all over the place and magic spewing from cauldrons of unknown potions.

 Our journey begins going back to Hogwarts with a cool looking Owl to boot.    

 The sorting hat is back babi, it seems like this is a create your own character adventure, where we as the player will get to customize our very own character, sure to get into whatever wizardly fun is to be found.  Team Slytherin all day!! JK, I’m team Gryffindor babi. But really tho, I have no idea what school I’d be assigned too.

  In both of these pictures, its quite remarkable the little details you see; the more you look, the more you see. Did you see the candles above, or the candlelight below

Looks like our boys are cooking up work in the kitchen aka cauldron. I’d also like to bring attention to the lighting, truly impressive.  Time to eat some delicious grub with my fellow wizards!! (Below)

 Looks like we’ll be facing a litany of different monsters and foes. I know with my Avada Kedavra, I’ll be blasting fools like the one below away.

 Dam son, we fighting Dragons out here too, sheesh.

Looks like combat will be a big portion of gameplay as the video showed of a created character fighting some pretty large beasts.

Looks like we’ll be playing quidditch in this game, and I honestly can’t wait.

I sure do hope we’re able to feed these little cuties and pet them.

Looks like this game is open world, as the characters are seen flying on Griffins across the vista. They draw distances in this game are spectacular.

Hogwarts Legacy launches in 2021.

 *JK Rowling has no involvement with this game and that’s a good thing given her recent problematic statements.

  Demon Souls

Full disclosure, I bought demon souls for the PS3 back in the day but unfortunately, did not stick with the game. It was fun and I would proceed to play other From Software and souls genre games in the future such as Sekiro, Bloodborne and Nioh to name a few. But here we have Bluepoint games remaking the PS3 Cult Classic and precursor to the Souls Genre. I for one am super excited to jump back in and try my hand again at Demon Souls.

 This place here is the game’s main hub that allows you to access other portions of the world map. IT’s nice to see it in all it’s HD Glory.

Our Player is borne anew: Rise from your grave!!! JK, this isn’t a Sega title.

The environments look super luscious and literal indistinguishable from concept art. The leaves, lighting, and armor are truly a beautiful sight to see.  (Below) 

Nothing like chilling by a bonfire, although if you’re new to the genre, every time you heal at these bon fires, all the enemies you spent tirelessly fighting repopulate.

Call me crazy but in the original, players from other games could leave each other messages written in blood, as a way to help each other out. It looks like this concept is making a comeback this time around.  

 Dragons are so hot right now…. (insert Zoolander Gif here)

If you have ever played a souls game, you know this is something you can expect to see even in your dreams. I remember going to bed thinking how an enemy boss had beaten me 13-times in a row, only to go to bed thinking and imaging different strategies on how I could kill the foe standing between me and the game's progress.

The gameplay looks faster than the original but the difficult elements remain prevalent. The player is seen mowing down enemies which seems a bit off given the extreme difficulty of the PS3 game. But this could be Bluepoint addressing the sometimes-outrageous difficulty by making it more appealing to casuals.

Launch Title!!!!

 God of War Ragnarök:

Last time we saw our heroes, Kratos and Atreus were shacked up in their home when they receive a visit from a mysterious visitor brandishing what looks like Mjolnir on his waist.  The game ended in a great cliff hanger and is sure to improve on the many aspects the PS4 game

Get the fuck out of here. Sony decided to drop a nuclear ton warhead on us with the teaser trailer of God of War Ragnarok, a sequel to the PS4’s God of War.  Although they did not show any game play, they did manage to build the hype with the screen below:  

And then to top off the trailer the list the following with a supposed 2021 release date which I think is highly unlikely but, we will see. Either way, “we must prepare”.

   Sadly, when the presentation ended, pre-orders went live . We were told by Sony that we would have ample time to prepare to pre-order, nothing but the contrary occured. I was one of the unlucky folks who failed to obtain his PS5 preorder despite having the funds to do so. Here’s to hoping I’m able to secure a pre-order prior to the Nov 12 launch. I did manage to get a PS5 camera which is a must for me since I like to stream games online, it’s really quite addicting. Check out my channel at: https://www.youtube.com/channel/UCiazQqSufhmIGo2a7odLOpQ?view_as=subscriber.

I do want to say one thing, I am very fortunate to have the things i’ve accumulated over the years. I know there are people in the world that lack even basic necessities. If you’re reading this, please donate to  cause/fund or organization you beleive in. I know my life’s work is to improve the living conditions of everyone regardless of their creed and that keeps me plenty busy.  

  All images used in this piece were obtained from the source below: 

https://www.youtube.com/watch?v=iG0G44G6RI8

Credit: IGN 

[funkymbtifiction]

Seeing as people are still mistaking Ne for non stop brainstorming i.e. recent ask: what is the equivalent for the other functions? Like Se being constantly physically active etc. I'm thinking this probably stand in the way of accurate self typung a lot.

Let me clarify Ne for a moment. It does not work, without something activating it. How mine works is, I will think I have no ideas. Nothing on my mind. Let’s watch something new. I pick an old Film Noir thriller, and various things that happen on-screen trigger “ideas” in my head. “I could write a story similar to this, but running with this idea instead.” The idea floats away. Two minutes later, another idea comes to me. “What if instead of this, that happened?” I keep watching. “Hey, I could use this old movie to talk about ____ in a blog post.” And so on, the bottom line being I can have various ideas related to the subject at hand in a couple of hours of watching a movie, but my brain lets most of them go. It’s like my Ne is entertaining me just as much as the movie, because part of the enjoyment of the movie is being “stimulated” in a Ne way. It stops just watching the movie and starts playing with Ne thoughts instead.

Let me give you an example. A family member died last week, who had been estranged from various other family members. My Ne-dom idealism thought, “Maybe this will show the family how precious and short life is, and get them to reconcile,” while my more literal, realistic Ne interpretation was, “I doubt it, in fact I doubt these people are invited to the funeral.” They were excluded, and that came as no shock to me – just a disappointment, because I hoped for better even though I was realistic about the situation and the people involved. That’s how my Ne works – a realistic big picture focus that went from news of a death to the potential in the situation (reconciliation <- an abstract concept) followed by the bigger picture (these people all hate each other, and this will not change that, so proceed with caution <- an accurate interpretation of what ‘is going on between the lines / behind the scenes’ / prediction of an outcome).

Make sense? That’s how intuition works. It’s big picture focus, it assumes it knows the motives of what is going on “behind” things (and is often right, if it has the right information), and it moves away from a sensory event (in this case, a person’s death) into an abstract realm (potential outcome) instantly.

So, when you reduce Ne to stuff like “brainstorming, scatterbrained, etc,” you are missing the point, because that isn’t what Ne is. What Ne is, is what I just described to you – abstract big picture thinking the minute things happen. Instant revision of expectations based on new information. My perspective shifted about four times with additional information as the events unfolded but it only “proved me right.” And because it’s Ne, I was right “faster” (like, instantly) in predicting what would happen next than the NJ in my life.

Now, Ne is the function I most “understand,” since I’m using it all the time and aware of doing so – but I can only conclude that if descriptions of Ne that much miss the mark, the descriptions of the rest of the functions (including my own) are shallow interpretations. So, when considering functions, you have to look at the descriptions as a baseline and consider them “a fictional equivalent,” with you potentially being the “real” thing – like reading about a toy bike and you recognize it as a bike, but then you put your hands on a REAL bike.

Various stereotypes:

Se always being active (someone who goes skydiving and shark diving and is always courting danger) – no, a Se can lay on the couch and daydream or play video games or do nothing all day long, and still be a Se, because Se is about sensory awareness and a focus on hands-on experience and learning. I read in one book that Se believes experts learn through hands-on experience, and are ten times more likely to listen to someone who “has done it, and knows what it’s like” than someone who is just lecturing about it. Why? Because THEY learn by DOING IT. Getting hands involved. Feeling it in the moment. Being present.

Si being about the past and memories – no, it’s about learning systematically and through experiences, by stockpiling information and sensory experiences. It’s almost instant in its form of comparisons – like facial recognition software but for everything it encounters on a daily basis. Si can be eccentric in its interests and a lot of Si’s become “experts” in whatever draws their fascination, from costuming (inaccurate or accurate?) to stamp collecting. It’s not about wanting to do the same things all the time, or family, or anything like that, it’s about accuracy of sensory recognition.

Ni being psychic or knowing everything instantly – no, it’s an internal filtering process a lot like Ne, only it happens inside the head and with a delayed reaction to external information, since it’s filtering it against what it has already predicted as forthcoming. Just like Ne, it operates on the assumption that it knows what is “really going on here” and it can be incredibly accurate, but it’s often more specifically accurate in its predictions and slower to change them. (Ne’s process of “This is what I think is going on, but this information contradicts it, so I’m going to re-calibrate a bit…” vs Ni’s “I think this is going on, and am going to wait and see, since I suspect the evidence will bear me out”).

Ti being about analyzing all the time – no, it’s about creating an internal and consistent logical framework by which you compare the outside world and use to determine what is, to you, rational or not rational. It’s about the desire to understand something (people, computers, clocks, systems) from the inside out so that you can hack them and create solutions to any problem.

Te being only about the end result or making money – no, it’s about objective factual knowledge and the resolution of problems using baseline approaches. It’s about streamlining and seeing the quickest way to reach the end. It’s about tangible goals and measuring yourself through external means. It is literally the “DUH” logic. I do not mean it is stupid, it isn’t, but that if it sees a problem with an obvious instant rational solution, it looks at you like, “DUH, SHUT IT OFF.” There’s no ifs, ands, or buts, dude… facts are facts, and the facts are these.

Fi being about selfishness and not thinking about others – no, Fi is often kind, compassionate, and empathetic, but it is all about defense of the self / remaining true to the self, even if it means defying others’ expectations. It has an inconsistent internal process of some things upsetting them and other things not, which makes no sense to an outsider. Fi knows it cannot compromise on certain things, and that those things set off a NOPE reaction, but it rarely knows these things in advance, because it must encounter them to recognize them as a “no crossing zone.”

Fe being about unselfishness and morals contingent on the situation, rather than having things they will or will not do – no, Fe can be just as selfish as Fi, but it manifests in another way, and they also have lines they will not cross, like a Fi, but they are more willing to discuss these lines. Fe is about seeing yourself as responsible for the feelings of someone else or as inseparable from others. The focus lies “outside self” on the emotional dynamics of the situation, in an impartial manner. Fe’s often appear to others to be “speaking for others and not on their own behalf,” but in reality, they are speaking on their own behalf, because emotional harmony matters to them.

- ENFP Mod

[crackinglamb]

7,15, 18, 28, 37 for fic writer questions! Thank you!

@natsora out here makin’ me think this early in the day....

Thank you, though, truly.  I love doing these.  I’m going to put this under a cut, because it came out really long.

7: Share a snippet from one of your favorite pieces of prose you’ve written and explain why you’re proud of it.

From Junkyard Dogs:

“Hancock?” she asked after a while.

“Hmm?”

“How am I going to do this?” He was silent for a moment as he framed his thoughts, enjoying the silk of her hair running through his fingers, clinging to him with static. She was relaxed, almost boneless, as the heat of the water worked a magic on her tense muscles no amount of chems could do.

“You’ll do what you gotta. You and me, we’re like junkyard dogs. We find a scrap of something and call it ours. We defend it, fight off anything that comes our way and take no prisoners. We fight with anything that comes to hand, even our teeth and nails. Everything becomes a tool in our hands. The Institute will be no different.”

Obviously, this is from whence the fic gets its title.  This was my very first published piece of fanfiction.  The lines Hancock says describe the entire tone of the story in just a few words.  Sometimes I surprise myself with that sort of thing.  This is also my most popular and ‘successful’ work, although Flash In the Pan is catching up.  I’m proud of it still, even though I don’t write for the Fallout 4 fandom anymore, simply because it was first, it was proof I could still write (it had been a long time), and that people liked what I created.  Personal and public validation in one.

15: If you could choose one of your fics to be filmed, which would you choose? 

...I have no idea.  I just sat here for a solid five minutes thinking about it and not a one came to mind that couldn’t already be done with the right mods and editing software, since all of my work comes from video games.

Not to mention, considering my penchant for writing explicit content, the rating on that would be...prohibitive.

18: Do you use any tools, like worksheets or outlines? 

Not especially.  I’ll make notes for myself at the end of a document to keep myself on track or jot down ideas to be fleshed out later.  That’s about as far as I go with outlining.

28: Share three of your favorite fic writers and why you like them so much. 

(For all my other lovelies out there, please don’t feel snubbed.  I love you all, but this ask is just for 3 faves, so I will go with the ones that I read over and over.)

words-writ-in-starlight, because OMFG the levels of emotional intensity make me feel incredible, indescribable things.

MizDirected, because the sheer intricacy of the butterfly effect combined with the truly stellar psychological horrors therein is what inspired me to write my very own canon divergent ME fic.  I cannot compare to that, nor do I try to, but I enjoy every moment of reading their epic Future Imperfect.  The volume alone was at first intimidating, but then I literally couldn’t walk away, couldn’t stop, even when my heart was breaking and I was ugly crying at my computer at 3 in the morning.  I have read all 988K words four times.  In a year.

And finally, Azellma.  I will read anything by this author, anything.  I have devoured each and every one of their works, regardless of fandom.  Again, levels of talent and thought that I simply don’t have in me, but that’s okay.  Cuz I can enjoy theirs and get lost in the word sauce happily.  Seeing an update email fills me with squee.

37: Talk about your current wips.

This is a list, you realize.  I have like...five.  No, I don’t have a life, why do you ask?

Racing Down the Barrel: a sequel and part two of my series Soldier, Spectre, Savior.  Mass Effect trilogy retelling with canon divergence, namely that Garrus and Shepard were already a couple before the events of ME1.  Headcannons galore, thought out reasoning behind paragon choices, true love.

Maker Damned Fools - Fluffy Version: my first attempt to write Dragon Age.  Again with some divergence because canon does not spark joy.  Varric/Female Hawke pairing.  I will go down with that ship.  Part of the Fluff-uary 2020 series, a prompt challenge that I am co-creator of with @ir0n-angel.  The basic premise of this will eventually be expanded into a longfic.

Cross-Species Liaisons: the other part of the Fluff-uary 2020 series, this being all Mass Effect.  Shakarian and Shryik.  Post canon ficlets for Jayne and Garrus, interspersed ficlets for Henna and Nihlus, with some Henna and Garrus thrown in soon.

Accidental Synchronicity: the aforementioned headcannons?  Yeah, one of those became this.  Jack/Thane.  Short, not so sweet although it has its moments, almost finished.  One of two works of mine that actually needs the archive warning ‘Major Character Death’, which I usually don’t write and don’t tend to read, honestly.  But you can’t save them all, and it’s already established in my timeline that Thane will remain true to his canon arc.  Uh...spoilers.

Some Kind of Resolution: a Nihlus fix-it.  Turned poly on me, which shouldn’t be a surprise to anyone who knows me.  Don’t make me choose between turians; I have an alternate solution.  It was initially only going to be the first game.  Then of course Garrus popped up his head and said ‘what about me?’  And...yeah... now it will span the entirety of the trilogy.  Gonna be long, this one is, I foresee it being a second fic of mine that breaks 100K words.  Currently on hiatus while I work on Fluff-uary stuff, since it’s the only WIP without a backlog of already completed chapters.

[goodvibesatpeace]

Spirituality: Synchronicity: The Universe's Software Programs

Considered to be an a-causal connection of two or more psycho-social phenomena, modern interpretations of synchronicity could be seen as the person who checks their phone for a call, only to receive the call immediately upon checking, a Deja-vu including but not limited to information from dreams occurring in waking life, or a seemingly random string of events leading the subject to a specific goal that could not have been achieved had their original plans gone accordingly—and of course any number of other events.

In order to understand these events, it is imperative to understand the postulates of precognitive ability, telepathy, and other forms of extra-sensory perception, as scientists have realistically been trying to make the Mainstream Media aware of ESP’s existence since the early 20th century with minimal success.

Unfortunately the only attention that any scientific studies receive from the press in the fields of parapsychology are the ones that get a good laugh, and the serious scientific analysis is engulfed in the tidal wave of sensory data that creates today’s age of social technology.

However, once people begin to understand the collective unconsciousness as the earth’s magnetic field, and the archetypes as specific primordial frequencies that the mechanics of everyone’s brains are apt to tune into, et cetera, it will be clear to see that ESP is not a matter of “having special powers” but simply more a matter of two human brains communicating with each other in the same way two neurons communicate through synapses.

Moving forward (or backwards), it is important to point out, as always, that humans’ ancient ancestors were well aware of all of these concepts well before Modern Man; which is not very coincidental since Jung was inspired largely in part by eastern mysticism with his psychotherapy.

However, “synchronicity” philosophy can be found in both eastern and western schools of spirituality.

Generally speaking, the eastern synchronicity was considered Taoism, which is a metaphysical school of philosophy that involves asceticism and meditation in order to further understand and perceive the Tao, which is the “universal flowing one-ness” of everything.

In modern terminology, the idea of the Tao can very much be considered a software engine, computing an existence through pre-existing algorithms that can be diligently studied and eventually interpreted.

The interpretation part was much more emphasized in the west, as eastern mysticism tends to shun “conceptualizing”, “assuming”, or “expecting”, but even Taoists attempted to interpret the language of physical phenomena, the definitive collection of their work titled the I Ching in the West, one of the things that Jung was quite fond of in his psychotherapy.

Divination was the ideology of synchronicity in the ancient west, and was not so much secular like a religion or Taoism, but rather was an umbrella category of crude “ancient-science”, like numerology, astrology and other traditional occult practices.

Specifically, divination’s primary postulation was that every personal interaction with the exterior physical world (each physical “effect”, basically) could be considered something similar to a “word” or “phrase” that had latent information within it, whether the subject interpreted it or not.

This same general process is also used in numerology, when the numerical value of alphabetical digits is determined and reduced down to its core value through specific calculation.

In this sense, it could be considered that divination is the acknowledgement of the synonymous nature of waking life and dreaming; meaning that both are perceived as linear experience of the self, and in both, the “outside” world can be considered an effect of a person’s unconscious projection.

In dreams this is obviously a bit more evident, but even in reality a person creates not the physical phenomena itself, but the entire categorical basis of it within their brain, which is clearly unique as a fingerprint compared to anyone else’s interpretation of the phenomena, and thus completely different and unique to the person’s own unconscious.

The Dalai Lama was quoted on the subject saying, “I am open to the guidance of synchronicity, and do not let expectations hinder my path,” and Terence McKenna referred to the quantum frequency spectrum in which synchronicities occur as the “Cosmic Giggle”.

Researcher David Wilcock wrote a book on the subject titled, The Synchronicity Key, and David Icke, Michael Talbot, and Graham Hancock have discussed the subject, among others.

Dr. Michael Persinger and his colleague Todd Murphy have, although not using the term “synchronicity” or any spiritual terminology, released an incredible amount of scientific data revealing the mechanisms that could quite literally describe the realities of Synchronicity and other Jungian concepts.

Even the Police released their album Synchronicity in 1983, which was openly inspired by the Jungian concept, and John Constantine of Vertigo Comics is often seen riding the metaphysical “Synchronicity Highway” (McKenna’s Cosmic Giggle) in order to get a leg up on many of his adventures.

In general the pervasive and unavoidable presence of synchronicity becomes reportedly much more evident under the influence of natural psychedelic drugs, which goes hand in hand with the ancient shamanic traditions surrounding the philosophy.

Setting aside all the esoteric philosophy and ancient tradition, synchronicity is indeed dealing with a frequency spectrum just like everything else, and the main broadcasters into this spectrum within the human body are the brain and the heart.

Ultimately the real tool to this spectrum can be considered a “self-aware consciousness” in general. This however can be quite difficult due to the multiplicity of layers within the brain acknowledged by just about every psychiatrist and psychologist in history, although the definitions vary substantially at times.

The reason for this is the reality that the different sections of the brain can be considered different organs in terms of goals and use, and because of this, humans are bombarded with a woven web of information that is basically a bunch of simple organs communicating biological responses to each other.

This is not to say that human consciousness is just the projection of a bunch of organs—but more to illustrate that the brain is not the pinnacle of intelligence that most people think it to be, and is instead just another organ looking to perform functions.

However, underneath all these functions is an intangible but undeniable core self; whether it be considered a “soul” an “intuition, a “higher self” or simply “enlightenment.”

There are four universal layers of the brain’s projection: We have the Self, the Anima/Animus, the Persona, and the Shadow.

When a person is born, they are physically one sex, so conceptually their consciousness becomes inverted at its root so as to allow the person a piece of the full spectrum; meaning that a woman has the male aspect of the Animus embodying her reason and spirit, and a man has the female aspect of the Anima embodying his sensuality and intimacy.

Some even spiritually characterizing this as a man’s link to his beloved throughout time. The persona is the literal cognitive mask a person paints of themselves for the rest of the world, the Self is the full fractal collection of all within the brain (often represented by a mandala).

The self is also often considered to be the positive spectrum of the whole—the yin, so to speak—which brings us to the fourth layer: the counter-mimicry of the self, the inversion, the Shadow—the yang.

The synthesis of these layers of perception, thoroughly described by Jung in his work and expanded upon by many others, is what a Taoist would call honing his mind to the flow of the Tao, or even what Thoreau emphasized when he spoke of sucking the raw marrow from the bones of life—it is learning to navigate the waves of one’s own mind, because only then will one truly be able to accurately navigate the waves of the world around them.

Of course, the simple definition to all this would be following one’s “intuition”, but unfortunately this is easier said than done.

Most people believe in themselves to such a little extent that making personal decisions is difficult enough, let alone making decisions on the present environment in order to accurately gauge the conditions of the future—in the present.

The only conclusions that can and should be drawn from this are that synchronicity events are a recurring and intimate piece of the human experience. The modern era is so unbelievably chaotic that it’s difficult to tune into anything these days, let alone the programming of the universe.

The translation of the programs of the universe is one’s own intuition; everyone experiences these synchronicities whether they are aware of it or not, similarly to the way that everyone dreams whether they recall or not; and finally, that the existence of synchronicity events further demonstrates the very fine line between waking life and dreaming.

No-Nonsense Naysayers will be inclined like always to chalk these things up to impractical reasoning and gullibility, but those who have experienced these intimate moments with the world around them cannot be swayed, especially since once a synchronicity has been experienced, they usually continue and often even the frequency increases.

Those who have not yet experienced this should take note to study the work of Carl Jung, and the ancient metaphysic philosophy of Taoism—and to a lesser extent the ideology of divination as well.

Although it should again be noted that this was not a brotherhood of diligent thinkers, but rather a definition of something that was emerging in the culture in general, and as a result is a bit more convoluted.

If a person wishes to unveil the programming of the universe, it is not particularly difficult, nor is it unnatural, but it requires a mindset without mental friction.

Although still largely misunderstood/unknown by modern science, Synchronicity Events cannot be denied their existence or their pertinence, and those who continue to remain blind to the universal coding will simply be left behind by the others, as they continue to ride the wave and explore their own nature through the interactive and multi-layered existence around them.

[douxreviews]

Legends of Tomorrow: Luchas de Apuestas

"You were right. There’s no such thing as happily ever after."

Legends of Tomorrow is back with its first episode in nearly four months, and it comes out swinging.

The second half of season four just got real, y'all.

Wow. That is a lot to process. Just... wow.

The most admirable thing about this episode is how much every additional tragedy felt like a natural consequence of the events that led up to it. So often when a show wants to create big, dramatic rifts between its characters it ends up coming across as incredibly contrived. The writing staff wants A and B to have a falling out for whatever reason, and so they find some way of starting a fight between them that usually comes wrapped in a big sign that says 'this is an excuse for A and B to fight.'

That's not the case here at all. What we have here is a bunch of characters that we know quite well by this point, responding to events in ways that feel perfectly true to who they are. And the actions that they take cause other characters to react in ways that are true to who they are, and soon the reverberations of all of those in character actions are careening off in tragic but understandable ways. It's like watching a meticulously arranged domino pattern but with crying.

Obviously, I'm girding myself to discuss Sara and Ava.

OK, right now I'm rocking gently and repeating to myself, 'It's not permanent. They'll work it out' over and over again. But as much as I hate that Sara and Ava have broken up, I can't help but watch all the little steps that led up to it and think, 'Yes. That is exactly how Sara would respond to that' and 'Yep, that's exactly how I would expect Ava to react to that situation.' Of course Sara would choose to give Mona and the Kaupe the benefit of the doubt and try to shield them from the Bureau. Of course Ava would feel betrayed by that and respond by attempting to take more control over Sara and the Waverider in order to protect time. Or course Ava would ultimately try to prevent Sara's team from doing something she sees as reckless by sending in troops, and of course Sara is going to respond badly to that. Just to make it more heartbreaking, they both genuinely tried several times to talk the situation through like adults so that they could head the whole thing off, but failed.

Ava needed Sara to be on her side, and Sara couldn't be because that would mean abandoning Mona and the Kaupe, both of whom are basically innocent, to punishment and torture. She feels like Sara let her down, because Sara did actually let her down, even if it was for the best of reasons. Sara needed Ava to back her up against Hank and the government forces that are torturing their prisoners, and Ava couldn't do that because without Hank and his funding the Time Bureau ceases to exist, which would leave time unprotected just as it's being overrun with magical monsters. She feels like Ava is compromising herself ethically by ignoring the torture because Ava is, in fact, compromising herself ethically by ignoring the torture, even if she is doing it with the greater good in mind.

Which was a great final twist of the knife, by the way. A lot of Sara's dilemma in this episode was not knowing if Ava was part of the corrupt system, or in danger from the corrupt system. And because Sara is an emotionally healthy adult her default position was to have faith in Ava. Which made that final conversation all the more painful when Ava not only revealed that she didn't have a problem with the torturing of prisoners, she also pointed out that the Legends were sending those same prisoners to literal Hell only a few months ago. Ouch. I had forgotten that. Hell, they were ready to send Charlie to Hell now that I think about it. Goodbye moral high ground.

Meanwhile, in the rest of the episode, wow we have a lot of characters now, don't we. So, Charlie and Ray hang out back at the Waverider, while Mick, John, and Sara go to check out the Lucha Libre to which they've tracked the Kaupe. Zari, meanwhile, heads to Time Bureau HQ to dig into their security software and find out if Mona is telling the truth about not having released the Kaupe herself. She pairs up with Nate, and of course uncovers that Hank doctored the footage and is behind the whole 'creature torture' thing. Nate shows that he's undergone some character growth and doesn't fly off the handle at Hank, but instead pretends to be cool with it so that he can go all monster hunter Donnie Brasco. I like that new direction for Nate a lot. Having him investigation the TB from within is a lot more interesting than him slowly turning to the dark side and siding with Hank during the inevitable upcoming civil war, which is where I thought he was going.

Mick, John, Charlie and Ray don't get a ton to do this week, but Mick does get a couple of solid bonding scenes with Mona, over his Buck and Garima books, of which there are now apparently many. I guess that's what Mick was doing over the winter break. John, similarly, doesn't get a lot, but had a couple very nice moments with a Luchador who is supposed to be a big hero, but who's been supplanted by the time displaced Kaupe who's now wrestling under the name El Lobo. The detail that John is apparently a big fan of that particular wrestler and his later monster movies is perhaps a tad too convenient, but it was earnestly endearing, and earnest helps to excuse a lot in my book.

So, after all that uplifting triumph over adversity, Mona has the opportunity to run away with the Kaupe, but makes the emotionally correct choice to not run away from her problems, and everything is warm and fuzzy and deeply moving. But then the Kaupe is abruptly shot and killed and Mona is apparently a werewolf (were-Kaupe?) now, and all you can think as a viewer is, 'Oh, that's why they reminded us about her Kaupe-injury and why we had all the wolfman references made to the Kaupe. They were setting up that moment really well as the natural consequence of this sequence of events and I didn't even notice.'

If only every hour of broadcast television understood and used cause and effect as a result of character choices this well. What a world that would be.

So what have we learned today?

That the show isn't even remotely concerned about what the knock on effects of changes to the timeline might be anymore. That was actually the one big flaw this week. If the presence of the Kaupe in 1961 was changing the timeline in a way that the Bureau could see, then it would have eliminated a lot of the underlying problem. Specifically, if Ava could have seen that having the Kaupe fight the Lucha de Apuestas fight was the only way to get history back on the correct course, then the whole final fight could have been avoided.

Of course, the whole final fight was much more about Sara and Ava and their relationship, so it doesn't detract that much from the episode. But it would be nice if they'd addressed it at all.

Everybody remember where we parked:

This week the Waverider went to Mexico City, 1961, to catch a little Lucha Libre. And Zari somehow flitted back and forth between the Waverider in 1961 and the Time Bureau in the present day.

Present day, interestingly enough, is still stated here as 2018, probably unavoidably, as the action picks up right where "Legends of To-Meow-Meow" left off.

Quotes:

Gary: "Aw, what an adorable little puppet." Puppet: "Eat my fuzzy dung, ya dick!"

Ava: "Gary. Close that hospital gown or I will report you to HR."

Gary: "I don’t know who I am. I don’t know why anything is things. I don’t know where my nipple went. Where’s my nipple? Where’s my nipple?!?"

Constantine: "Oh, come on Raymondo."

Nate’s mom: "Zari? What a beautiful name for a beautiful woman with excellent childbearing hips."

Ava: "Sara, my ass is already on the line. Feeling me up in front of my boss is not a good idea right now."

Constantine: "Trust me, there’s nothing people like more than a good comeback."

Bits and pieces:

-- Please don't let them be hinting that Zari and Nate are going to be a couple. I'm just not down for it.

-- Zari and Sara again looked absolutely amazing in their party dresses.

-- On the one hand, I like the implication that the show has finally remembered Nate's hemophilia, since it's implied that that's why his parents host an annual fundraiser for it. On the other hand, it's weird that that never came up once from anyone.

-- Seriously, powers that be, if you're going to take a four month mid-season break, for the love of god make the first half's episodes available on-demand so that we can get back up to speed. I spent most of this episode thinking, 'Oh yeah, I forgot that that happened,' which really killed several of the reveals for me.

-- I really, really wish that there'd been a luchador with the number 5 on his mask, somewhere in the background.

-- Luchas de Apuestas means a fight with a wager on it. Usually either the opposing wrestler's mask or hair.

-- Was the Kaupe a demi-god before? Because I think that was a bit of a ret-con.

-- Apparently the heavily hinted Gary/Mona/Kaupe love triangle is not going to be a thing. I hope they find a way to fix Gary and that he forgives Mona.

-- I did not see Mona's monster transformation coming. Can't wait to see where that goes.

-- When exactly did Sara and Ava learn that Tango? Not that I'm complaining, it looked amazing.

-- I would totally play Ray's 'Cards to Save the Timeline' game.

An episode that was both a lot of fun, and a lot of heartbreaking. Welcome back, Legends. You were gone too long.

Three and a half out of four missing nipples.

Mikey Heinrich is, among other things, a freelance writer, volunteer firefighter, and roughly 78% water.

[teacherkmd]

Struggles of teaching in China

If you’re in a TESOL prep program, you’ve likely run across articles that talk about the challenges of teaching in China. Well, at the special request of a previous professor of mine, here’s my version.

There are some very good things about teaching in China. For example, it is literally culturally ingrained in the fabric of society that teachers will be and are respected. It means my word will not be questioned (even though sometimes maybe it should be?). What I say goes. Classroom management issues (at least at the collegiate level) do not exist. My students are highly motivated and disciplined. I do not have to worry about attendance; they will not skip. This being said, here are 10 very real struggles I’ve had to face in the classrooms here.

1. The classrooms do not belong to the teacher.

One of the biggest differences between China (and Taiwan) and the United States is that the classrooms do not belong to the teacher. In the US, we often think of the teacher as getting to design their own classrooms and buying materials and decorating it and being the perfect “pinterest” teacher. The students tend to rotate and switch classrooms when the bell rings. Here, that is literally impossible (which might actually be good since I’m poor, not artistic, and don’t have much free time). Teachers are the ones who rotate and the students stay in their classrooms. This set-up means I would have to buy or create duplicates of anything I wanted to hang on the walls. It is good in some ways (gives students ownership of their space, they have a space to study after school hours, they’re responsible for cleaning and maintaining it, etc) but it is also bad because I can’t take up all the wall space. I am sharing with all the other teachers in the department. If I want a vocabulary word wall, or want to put giant “I am thankful for...” turkey’s on the wall or display student work... I’d need to make sure it didn’t bother the other teachers first. If my vocabulary word list would be seen as cheating or distracting for another English class... well it can’t be there. It also means that if teacher’s aren’t cleaning up after themselves a lot of crap ends up laying around the podium. I remember walking in and being annoyed at all the random textbooks, pens, pencils, paper clips, scraps of paper, tea, and other junk in my teaching space. Oh, and don’t think about rearranging the desks... that doesn’t go over well. Not ideal at all. I’ve never taught in a place where I have gotten my own classroom to decorate and create the environment I want, so I guess I don’t really know what I’m missing. I can imagine all the cool things I could do if I did though. 

2. Poor study skills for Western educational expectations

Another issue I’ve come across is what I consider “lack of common sense” when it comes to studying and taking notes. I have to be VERY explicit about literally everything. Do my students need to bring paper to class? Then I better tell them ahead of time. Do I think they should have a place to take notes? Then I better tell them to buy a journal for my class. Do I think they should have a place to put handout? Then I better tell them to buy a folder. Do I think something is important and they should write it down? Better tell them to write it down. I’ve had to give pop quizzes on things I’ve said in class multiple times to prove to the students that they should be taking notes in class. I’ve had to tell them that maybe that random page in their textbook isn’t a good place to put notes. I’ve had to say so many things where I know in America students would be like “duh”. But, that's now how teaching and learning work here. They take notes by taking pictures of my PPT and that is about it.

3. Poor communication styles for Western educational systems

China kind of skipped over e-mail. They went straight from fax to WeChat (a social media platform this is kind of like What’s app and instagram all rolled into one). Therefore, when I tell my students they need to turn in their homework via email, a whole truck full of problems crash into my inbox. No subject line. No names. No attachments. No message. I have had to show them exactly what I want them to write in the email so I know who they are, what class they’re in, and how to formally address a teacher. I haven’t let them vary their emails yet, but if any of them plan to study abroad in America or to teach students who wish to go to the US for schooling, they really need to learn how to write emails. I just wish I had time to cover everything. 

4. Fear of speaking up

“My students are smart. They understand what I am saying. It isn’t my fault they aren’t answering.” -- I constantly have to remind myself of this. I can put them in groups and have them discuss a topic. If I walk around and listen, I hear them all on task, on topic, and answering and sharing opinions correctly in English. Then if I bring them back together as a whole class and ask what they talked about or for examples of what they discussed: dead silence, heads bowed, avoiding eye-contact. It is the most frustrating thing. I know they know the answers, I heard them talking about it, and I literally went around the room telling them good job while I was listening. The cultural expectation that the group is more important than the individual causes a standstill. Almost no students will volunteer an answer freely. They don’t want to be seen as immodest or like a know-it-all. They would lose face if they did so. But, if I call on them, it isn’t them choosing to answer, they will answer correctly and accurately. They’d lose face if they didn't answer a direct question. They can’t be the peg that needs to be struck back down. My classes are slowly getting better.. they know I will hold them over the end of class time if they aren’t responding to me. I’ve reminded them that there are no right or wrong answers. I’ve told them if they don’t know the answer then I need to know they don’t know. I can get group responses quite easily, but class discussions that include the teacher just aren’t happening. I’ve gotten them to speak up by asking them things and saying “I don’t know the answer, so I can’t tell you if you’re wrong. I just want to know what you think”. We had a pretty good discussion on cultural appropriation and halloween costumes. 

5. No concept of plagiarism 

“The right answer is the only answer” and “Imitation is the best way to learn” are common beliefs of my students. If you don’t know how to write or say something, say or write the exact same thing as someone else. Shared knowledge is better than individual knowledge. Nevertheless, 0s have been given out already this semester along with in-depth discussions about how I don’t want perfect work turned into me. If it is all perfect, I could go back home. 

6. Fear of failure to the point of not following instructions

The all important grade. It doesn’t matter if they feel more confident, or if I tell them I see significant improvement. They are only focused on one thing: their grade. They focus on it so much, that if I give them instructions like “don’t write down your conversation and read it for your homework recording”, they will completely ignore the instructions if they think their grade will be better. They were shocked when the recording that was perfect with good intonation, proper grammar, native like pronunciation, etc got a 0. When they asked why, I said they didn’t follow instructions. They wrote down their conversation. How could I tell? Not once did they hesitate, not once did they act interested or surprised by what their fellow classmates had said. It was all scripted. And they can’t understand me if I ask a question, so how would they understand their classmate without having to pause and think about it? hmm? I will say this issue has been very quickly solved. They’ve come to realize in my class that I want them at the level they’re at not at some superficial level they want me to think they’re at. 

7. Highly stressed students

My students have absolutely no free time. They take 18 hours of class a week. Some of them are in military training still. Some have other clubs. Every weekend there are at least 6 or 7 competitions for them to compete in. I assigned a speaking homework and all the responses were about how tired they are and how they can't sleep because they’re so stressed. It broke my heart. The following week, I asked them to take 30 minutes to draw minions in halloween costumes for homework to make relaxation mandatory. I sat outside with a group of them after an English Corner event for 3 hours and talked with them about their lives. They feel so much pressure to conform and meet expectations. Their other teachers yell at them and shame them for being wrong. The foreign teachers are the only ones who encourage them or try to get to know them. I recently boycotted the crappy computer labs they had me teaching in on the 6th floor. I taught in their classrooms on the third floor instead.  The other foreign teacher came in during break and said how nice it was to have me teaching across the hall from her because she could hear them laughing and sounding like they enjoyed learning. I hope my small amounts of encouragement help them. 

8. Poor teaching materials and environment

I know no textbook is perfect... but these are exceptionally bad. All the foreign teachers are from the United States, but the textbooks all teach British English which means there are lots of things in there that I disagree with. The topics aren’t interesting. They’re the same thing they’ve been learning since 3rd grade but with more complex, technical vocabulary that native speakers wouldn’t casually drop into a normal conversation anyway. It just bad. Trust me. The building is also falling apart. The computers don’t work half the time. The software isn’t up to date. The chalk boards are so old you can’t see what you write on them anymore. Just not good for learning. 

9. Poor teaching pedagogy

Another reason my students are stressed is because my teaching style is completely unknown to them. They’ve never been asked to analyze or explain how they know something. The other professors mainly expect them to memorize a passage and spit it out verbatim. They don’t have to understand what they’re reading or saying. They just have to be able to do it. There is an old quad on campus and in the courtyard, we call it the hive. Every student is out there whispering and reciting passages to themselves. The drone of their voices sounds exactly like bees. In my class, they can’t get by on memorization. I make it almost impossible to prepare for class. They have to be ready to use what they’ve learned and apply it in practical situations and discussions. This is naturally very stressful for them. They would do much better if I taught in an audio lingual style or grammar translation style like the other teachers. But, if the school wanted that they would have hired a Chinese national and asked for a foreign teacher. 

10. Class schedules that focus on quantity not quality  

I see my students once a week for 2 hours for 14 weeks. Think back to college.. you had class three times a week for 50 minutes, or twice a week for 75 minutes. Or grad school, I had class twice a week for 2 hours each time. The contact hours I have with my students are very limited. They want to get as many students in there taking as many classes as they can. They all get exposed to the foreign teachers and they cycle them in and out. There is no buy-in, no investment, and no way for me to get to know all of my students. I feel a lot of pressure to cram in as much as I can in the 28 hours of class time they get with me. It is hard to remember that they have 16 other hours of class a week, and that I’m not solely responsible for them learning English. It is just hard for me to imagine that they’re taking away anything from my class. If I didn't have these textbooks dictating the topics we could cover, I would cover much less and slow down and make sure each lesson was in-depth. Instead, I have to make judgement calls about how much time we can spend on each thing before  moving on. 

I don’t want you to see this list and think I am complaining. I am not. I enjoy my work greatly, and I feel very lucky to be working here at QuFu Normal University. My students are brilliant, and I appreciate them daily. However, these are the things I have to keep in mind when I am making lesson plans, working on curriculum, and deciding what to include in teacher training workshops. A lot of these difficulties stem from cultural differences and require me to adapt and change just as much as I am pushing my students to bend. I am becoming a more flexible, more capable, and more opinionated educator. I just hope my students are learning as much from me as I am learning from them and this teaching context. 

[cicadacreativemag]

Proctoring software is a nightmare for students. It doesn’t have to be this way.

Jay Serrano, Editorial Director

As you all know: COVID. In response to the lack of in-person interaction, many colleges and universities have begun to use proprietary software to ensure students do not cheat during exams, most often ProctorU, Proctorio, and ExamSoft. I take 3 issues with this development:

1.) This is spyware.

When you require students to install software that quite literally watches them, that is spyware.

“Spyware describes software with malicious behavior that aims to gather information about a person or organization and send such information to another entity in a way that harms the user; for example by violating their privacy or endangering their device's security.” (Wikipedia)

Modern tech’s propensity for obsessive surveillance has become increasingly difficult to combat and virtually impossible to avoid. However, one would hope higher institutions would advocate for things like data privacy and personal agency. Instead, the director of academic testing services at Utah State University lightheartedly described Proctorio as “sort of like spyware that we just legitimize.” (Washington Post) The University of Arizona’s assistant director of technology  insisted students don’t mind because “they know this is an expectation because their professors put it out there.” Perhaps unsurprisingly, the student body says otherwise. (The Verge)  Additionally, the chief executive of Proctorio reflected on the situation with a dystopian, “we’re the police.” (Washington Post)

I could spiral into a separate tangent about how the US obsession with policing and instinct to punish accelerates the meritocratic rot of late stage capitalism under collaborative neoliberal and fascist rule, but suffice to say that no academic software should ever be comparing itself to law enforcement. That’s how dystopian horror movies start. Putting aside this horrendously inappropriate take, violating student privacy is a pattern—schools force us to engage with abusive proprietary software every day. Whether it’s opting us into a relationship with Google via school Gmail accounts, forcing students to have accounts with Adobe Creative Cloud as a requisite for even being able to engage with a course, or holding office hours via Microsoft Teams, there is an insidious drip of our data that is all being funneled through people who want to profit from it. All of these companies have been revealed to be astonishingly abusive with data. Google alone would take an entire new post to cover (4 lawsuits and counting).

I don’t expect universities to be a beacon of free and open-source software, especially given how frankly inconvenient most FOSS is. But I also don’t expect them to gleefully make it worse. Proctor software requires a webcam to view (and, usually, tour) a student’s living space and often uses biometrics to track their physical motion; it often features facial recognition and eye tracking. It also records the event and human proctors may be able to remotely control the student’s machine. (Washington Post) It seems almost absurd to have to explain the Orwellian nature of this type of surveillance, but in case this wasn’t clear: allowing for-profit companies to record and monitor students in their private living spaces because they might look up a Calculus formula is absolutely unhinged.

2.) It isn’t an effective measure for cheating and does not account for students with disabilities or, really, the majority of people.

One of the most infamous features of this type of software is that it tracks eye movement and physical motion. These are, perhaps, pretty easy behaviors to latch onto as signs of academic dishonesty. But, as is often the case, the easiest path is also the laziest and least thoughtful. The assumption that darting eyes and excessive motion are indicators of dishonesty is a lazy one that perpetuates ableist beliefs and assumptions.  Students with ADHD may have a difficult time sitting still or staring directly at the monitor. Students with anxiety may need periods of time to readjust, perhaps closing their eyes to re-center. A student on the autism spectrum may need to stim during an exam. Students with chronic pain and/or fatigue may need to take breaks to stretch or struggle with uncomfortable seating (hi, that’s me.) As one student reported, she struggles with tics, particularly in stressful situations (such as exams), which puts her in a situation where she is being recorded in a vulnerable moment as she struggles with her disability, which she describes as embarrassing.

Even neurotypical students often fidget (clicking a pen, shaking a leg, etc.) It’s a very normal response to stress and hyper-concentration. Several peer-reviewed studies indicate that motion can be an effective tool to aid memory retrieval and clearer cognition. There is no reason to flag this as a suspicious or negative behavior, either in person or virtually. The only reason to discourage this behavior is for their benefit--it is much easier to identify any behavior other than the strictly prescribed one than it is to actually prioritize all students’ learning. Conventional academic settings are notoriously unfriendly to neurodivergent students and are often directly detrimental to the professed goals of teaching and learning. This is very much an institutional problem. It is just even more glaring and naked when distilled in this way--when given the choice between letting students learn comfortably (requiring some recalibration of course material) and forcing disabled students to be recorded by a software that is trained to view them as inherently suspicious, universities chose the latter.

To refocus and summarize: This software strips students of effective coping tools to take a test and hinders their academic performance.

So far, we’ve identified two ways this software works to the detriment of students and have identified zero ways it works to our benefit. At this point, we must ask: “Who does this serve?”

3.) This is a byproduct of institutional laziness that does not value its undergraduate students.

We have access to all the information we could ever need to perform our tasks competently, rendering many old testing styles archaic and impractical. Of course, we should have some working knowledge, but most of us will not be in situations where we have 2 minutes to recall the types of fault lines of the North American plate.

It demonstrates a broader issue: universities take their undergraduate students for granted; they fleece us for money we don’t have under the pretense that good education costs good money, then refuse to intervene when they do not deliver on that promise. We’re forced to spend inordinate amounts of money on textbooks—an 88% increase between 2006 and 2016 (Vox)—and additional equipment like clickers (which are usually just used to take attendance). We have little recourse when our professors (especially tenured professors) implement abusive practices. But we make these institutions run. Without undergraduate students, every single one of these universities would go under. The institutional arrogance and entitlement seems to grow every day, becoming harder and harder to ignore. But we--and more importantly, they--know college is the single most important tool for upward class mobility. As the casualties of late stage capitalism’s death rattle, we have no choice. It’s why they do it--they know they’ll get away with it. They know we have nowhere else to go.

In this specific context, I understand the burden of reconfiguring a course is not an easy one to shoulder and I do not expect professors to suddenly have all the answers. However, by introducing this software, the professor shifts this burden to this student--again. It is not our burden to bear--again. We’re struggling as well—there is no need to make it worse.

Where do we go from here?

Some of my fellow Cicadas pointed out I left this on a fairly depressing note. Although I am determinedly cynical, I don’t think there’s any harm in sharing some ideas.

Proctoring software is generally used for summative assessments, which evaluates student learning at a given benchmark, like a midterm or a final exam. These are high stakes, which means there is a high incentive to cheat, hence the proctors. Formative assessments are lower stakes, things like a quick summary of a lecture or a mini-quiz. Formative assessments aid learning and summative assessments measure learning. Conventional wisdom says both are necessary. A trickle of research has indicated that this may not be the case and this teacher makes a very compelling case as for why summative assessments might not even be necessary anymore.

That in mind, the most logical way to resolve this proctoring issue would be to eliminate time-based, closed note summative tests. There are many ways to achieve this

Solution #1: More (formative) testing.

I think almost everyone can identify with the “cramming for a test” experience. You sit down at 11:00 PM to engage with the material for the first time before your 8:00 AM exam. If you’re like me, maybe you’re only just now reading the textbook (oops). You open Quizlet and stare at the screen till your eyes hurt. Is it too late to email the professor a clarification question? You sleep for 3 hours, remorsefully wobbling your way through the test as you desperately chug the dregs of your coffee. You leave the room and feel overwhelming relief. You pass the test and learn almost nothing.

Henry L. Roediger III, a famous cognitive psychologist known for his research on memory, asserts the following: fast learning leads to fast forgetting. Cramming is popular because it works. At least, long enough to get through the test. His study reveals that self-testing is an incredibly effective tool for learning, but that it is not leveraged in a productive way. He elaborates on a concept known as the “testing effect” and studies better testing practices, all of which you can find here.

Basically, he asserts that one day of intense formative assessments was so effective for learning that it enabled the student to survive a summative assessment. In other words, many times, a cramming situation occurs because the formative assessments either did not happen or they were not effective,

How to implement/Examples:

Quizzes can be embedded into lecture videos using Canvas. Every lecture could be split into multiple videos, each one with graded, embedded quizzes.

This could be a weekly quiz that goes over lecture material. Maybe this quiz has 2-3 attempts and records the highest score.

Solution #2: No memory-based testing.

If summative exams are really necessary, there are other ways to measure mastery of the material. One could argue that assessments such as recitals and other performances require a component of memory, but generally, performance-based summative assessments are an accumulation of all you’ve learned and retain the pressure of a traditional exam without requiring a proctor.

Have you ever taken notes so desperately you didn’t actually absorb what was said? Have you ever just listened to a lecture and been surprised at how much you absorbed? Our fear of not remembering something we’ll need on an exam can be extremely distracting. However, if you can focus on the lecture completely without being distracted, you can have a more meaningful recollection of the material. Maybe you don’t remember Crime and Punishment was published in 1866, but you do remember that it was published in a serialization for 12 months in the 1800s.

How to implement/Examples:

Essays take the place of traditional exams. Instead of a time-based hunt through the treasure trove of young adult memory, a student can take their time to sort through the information they’ve been presented and create a unique response. This does, of course, have its own host of challenges and should be treated carefully, but essays could just as easily measure mastery.

Perhaps a class could be conducted almost entirely through discussions and direct engagement. After every single lecture, you post a summary of what you learned with 3 questions. This is a type of formative testing that could replace mini-quizzes and other memory based assessments.

[pengiesama]

GLENWOOD RUSTLEMANIA CHAMPIONSHIPS

and now i’m at the final dungeon in Berseria, ready to kneecap anyone who stands between me and my true goal of launching a spinning heel-kick at Innominat’s skull

as always, BIG TIME SPOILER EXTRAVAGANZA UNDER THE CUT, as i am at the endgame at this point

for the curious, per Eizen, a scarlet night happens when the moon and the earth line up such that the earthpulse gets drawn into the moon by gravity

"i'm a wicked little boy, doing this for my own selfish needs!" SWEET BABY!!!! SWEET BABY!!!!!!

it's such an understated character quirk but i love how huge of an appetite Laphi has and how much he zeros in on delicious things. in like two thousand years once your and Sorey's sleepover is concluded i'm sure Mikleo will make ice cream for the both of you

every time Eizen says shitty things about women or is creepy at Velvet, Edna adds another notch to the tally of times she needs to powerbomb him into the mountain. the tally is frustratingly high

bye shigure you're far more appealing than your brother and are one of like, four decent NPCs in the game *plays Taps on kazoo*

bye old fat man you sure were old and fat *plays Mambo No. 5 on kazoo*

"WHEN THE ELEMENTAL EMPYREANS AWAKEN THE VERY FOUNDATIONS OF THE EARTH WILL SHAKE AND HORRIBLE DISASTERS WILL RAIN UPON--" you are trying to reason with the wrong ass crew, man. get slormped

Velvet projectile vomits the souls of the abbey bosses she ate into the volcano earthpulse, causing the elemental empyreans to awaken and literally dropkick Innominat into outer space. it is now up to us to get some golf clubs and finish the job of caving his skull in. and somehow steal a rocket ship to get up there; no one's really addressed that part yet

the best part of the empyreans awakening? because Innominat is now so weakened, his suppression on the malakhim/seraphim's free will is gone, meaning we got to see a bunch of malakhim ripping off their masks and loudly tell the abbey to fuck themselves sideways before poofing away.

so now i guess is the point where i would normally fuck around with so many endgame sidequests that i'd never wind up getting around to fighting the final boss, but i wanna break Innominat's kneecaps so bad that that's not gonna happen. the true Sweet Baby must take the throne

that's not to say i'll be skipping endgame sidequests entirely, such as the sidequest where i just fought the main guy from Xillia (?) who got turned into a penguin (???)

normin island is super cute and packed with Zestiria references, including but not limited to: 1) normins daydreaming about finding a nice master to serve, like "a pretty girl who makes terrible puns" 2) Zaveid arriving with little Dezel in tow, who he let wear his coat after saving him from daemons. i believe in Zestiria Dezel is said to be a fairly young seraph by seraphic standards, and Berseria takes place 1000 years in Zestiria's past -- if 1000 is "young" for a seraph, like, Mikleo must be considered a zygote

Zaveid loves kids so much that he and his now-dragonified girlfriend collect orphans and then kidnap random humans to help raise them. specifically he kidnapped some cooks bc he doesn't know how to

anyway we killed the dragonified girlfriend and now Zaveid and Eizen are friends and Zaveid promises to make Eizen's death wish a reality someday. once Eizen goes dragon Zaveid will run down the two-person list of people interested in having sex with him so i'm sure it'll be painful on his part as well *plays Single Ladies on kazoo*

and then we killed dragon-Silva again and confirmed he's the dragon skeleton on Hexen Isle. sometimes i feel Berseria tries a little too hard to shove LORE!!! LORE!!!! in our faces but i think that's just because i want it to focus entirely on lore that canonizes sormik more than it already is

hi other person from Xillia. is the penguin thing an in-joke i don't understand because i don't play Tales games that aren't gay

welcome to Katz Korner and here is where i remind you that Katz Korner explicitly has a sex club that you have to be 2000 years or older to enter and in Zestiria they state Zenrus was their most frequent guest

Laphi wants to enter the Katz wrestling championship where you make biscuits on your opponent and the first person who purrs loses. SWEET BABY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

the final component of that legendary medicine we were gathering to save Laphi's Little Pal proves to be malakhim tears. can confirm that if Mikleo cried, i would gain the power to rend the earth in twain to annihilate the cause of his woes

Phoenix is here to fight again (pre-again? whatever prequels), and despite him putting forth the challenge only because he stalks Edna enough to know Eizen is deliberately avoiding her, he actually puts forth a remarkably coherent and comprehensive argument on how immature and horrible Eizen is being for keeping what he's truly doing a secret -- so much so that Eizen is basically sputtering red in the face in furious embarrassment towards the end and is all but screaming "FIGHT ME THO" to put a stop to it

that's all the compliments i'll give to Phoenix though because his fight makes me realize how much i HATE THE FUCKING STUN MECHANIC IN THIS GODDAMN GAME JESUS CHRIST. DO YOU LIKE GETTING STOPPED DEAD IN YOUR TRACKS EVERY TWO SECONDS IN BATTLE, FOR ABOUT FIVE SECONDS APIECE, GETTING YOUR MAX ABILITY POINTS REDUCED EACH TIME, UNTIL YOU CAN LITERALLY DO NOTHING AT ALL? WELL YOU FUCKING BETTER BECAUSE THERE'S NO WAY TO AVOID IT LOLOLOLOL FUK U

anyway after all that Eizen sends Phoenix to watch over her and is convinced to come clean to Edna about being a pirate. you then receive a letter from her, in which she casually accepts the news in the traditional Edna Way ("well that was obvious. the new doll you sent isn't cute but i'll keep it since you sent it.") then Eizen starts crying and it made my dick stiff

i think the Seres = Lailah theory is dumb and very well-debunked at this point (considering Seres is like. very dead) but Velvet does state in an event skit that Celica loved to make puns so maybe Lailah helps carry on her purpose into the future

i poked my head into the Empyrean/Artorius' Throne area to clean up a hunt but i found a pair of freed malakhim there who stole the Water Divine Artifact (aka Mikleo's bow) from the Abbey and are planning on smoothing out the armatus arte to make it less dangerous and more of an even exchange of power than it is at that point -- as it is it's just exorcists flat out stealing malakhim power with zero consent and then melting from the strain. 

yet another chapter in the Who Fucking Edited This Game's Localization saga; localizing Glenwood as "Greenwood" because who cares about consistency in a pair of linked games. that might sound minor but, seriously, there are skits and dialogue that have complete gibberish as the subtitles/on-screen text. for example: Magilou has a line of dialogue: "That's a little goose I'm even by my standards." I was straight-up staring at my screen and eventually pieced together that they were going for "gruesome". i had a suspicion on how it happened, and checked out videos of the dub to confirm -- sure enough, Magilou's EN VA (who still sounds obnoxious lol i am so glad i changed to the sub so early) says the line, and if you were in fact a poor innocent speech-to-text converter software, used by a bunch of lazy localizers who decided to use a speech-to-text converter to automatically transcribe dialogue so you could whack off in the bathroom instead of doing work, it's very clear how you could parse the line reading as "goose I'm" instead of "gruesome". 

okay i think that metaphor might have gotten lost there. what i am saying is the lazy ass localization team clearly used speech-to-text converters to transcribe dialogue for subtitles, and couldn't be arsed to proofread the result. this happens CONSTANTLY in Berseria's subs/on-screen text. christ, what happened here? Zestiria didn't have this problem...

[mcollawn]

Galaxy Con 2020 Convention Review

Galaxy Con 2020 was a smashing hit from last year, 2019. Richmond, VA was the first Galaxy Con of the year and as such will carry lots of for the rest of Galaxy Cons. Galaxy Con’s trademark came from SuperCon before their events were sold to ReedPOP and GalaxyCon was born. It is just a change in ownership and the only SuperCon left is the original in Florida. I came to the friends the Reynolds Anime Club and treated volunteering as the community service project for the club. I would have come even without the community service aspect. I was assigned to the Audio and Visual department for Galaxy Con. I went on Saturday, February 209th, 2020 and had two shifts of ten hours with a break in between.

I arrived at the event around 8:45 A.M. and was waiting to enter with staff personnel for my shift. Apparently, the Greater Richmond Convention Center Security was very picky who came on the restricted areas before 10 A.M. I had to go with a staff member even though I had the volunteer shirt for my shift from 9 am to 2 pm. This reassured that the event would be safe and there would be no external threats for the remainder of my time there. I went to the second floor and it felt deserted with all the guests downstairs. Luckily, the volunteer coordinator put a list of numbers for the supervisors of each department and I called mine. The only sense of direction for finding everyone was what I thought was the Viewing rooms. However, AV’s home base was on the other side of the building which was interesting for walking back and forth from. I met Anthony and he directed to headquarters (HQ) and that is where I began my wait for something to do.

It took about 10:30 where the waiting around was followed by briefly moving the equipment around and such. Though during this time, it was quiet because most of the preparations were done beforehand. Basically, it was fine-tuning and watching AV staff getting the transcribing software eady on TVs and connected to tablets. The transcribing software was to help those with hearing impairments a chance to understand what was said in the Main, Super, and Hero Stages. After some time, I had a chance to do the main activities for AV which was checking on panelists and seeing their requirements for the panels.

Since I was new to AV, I had someone named Tim, who every chance he got to help AV at Galaxy Con. He showed them things to ask and look out for like projectors, microphones, audio from an external device to speaker, and other important factors for the panel sections. My favorite part was meeting the panelists and asking the same questions to make it easier for them. A majority of the time, the panels did not need the project much and mainly used the microphones in the rooms. While I was making my strolls to the panels, I ran into a panelist that I met last year who hosted Who wants to be a Nerd? (geek trivia) and Conversation Menu (a list of ice breakers for talking).

Though my first shift was busy, I still managed to enjoy the AV segment so far and it provided a groundwork for other conventions to come. The last activity that I was assigned was to help a special guest who had a signing and Q&A activity which had a lot of preparation for it. We had to organize the room where people would line up in the hallway and slowly present their ticket for the autographs. There were two tables lined up on the autographs and the Galaxy Con banner had to be moved in front of the platforms so no one would step on those platforms. The people attending the panel were ecstatic at them getting a small picture and a large poster as a gift. This was the last task I did before going on my hour hiatus and then have to go back.

During the two hour break, I met up with a member of the club whose shift ended on the same shift. Actually, I ended up a couple of minutes early and decided to go to the Anime Viewing Room to wait on Reggie. He could not leave the pile of DVDs, so I waited with him for confirmation when Anthony would be able to open the storage room. We went to AV HQ and sat in the room for about 20 minutes. Reggie did not eat for a while so pizza was his option in the office and waiting around was pretty relaxing. The shift prior to this was taxing and my feet were aching for walking the 3 blocks of a convention center. Reggie and I went downstairs to meet up with the former club president and his brother. Apparently, there was confusion about which cafe he was and it ended up being Concessions B in Exhibit Hall B. I thought the Food Court and Cyber Cafe were the only places but I was severely wrong when I found out about the concessions in the vendor's area.

When I met Irvin, the plans that I discussed with Reggie were changed. Originally, Irvin decided to go to the Video Games room for the Dragon Ball Z Fighters Tournament but soon joined me in watching the Super Smash Bros. Tournament. I liked the Smash Bros. and my favorite was discussing with guests about Melee versus Ultimate. Melee is the second generation of Smash Bros. on the GameCube while Super Smash Ultimate is the new version on the Nintendo Switch. I was trying to see people’s opinions on HungryBox (who is the top champion in Melee) and if Ultimate was better than Melee. However, my two hours of rest would have come to an end and so my second shift began 4 to 9.

My second shift was literally doing Reggie’s shift which was the Anime Viewing Room and later the Nostalgia Viewing Room. I checked with Brian after the break and found there was not much to do at the moment. I proposed to assist in the viewing room and Brian suggested to go check. I arrived at the viewing room and found out that people were anxious for My Hero Academia that should have started at 4 pm. I went back for a second time to retrieve the DVDs that were scheduled and put on MHA: Tale of Two Heroes. I am telling you MHA was too crazy for their respective panels and their photoshoot. I was really excited after I put Sailor Moon Crystal at 6 pm since it was my first time watching any Sailor Moon.

I met really cool fans of the anime and had many conversations with them. The one conservation that stood apart was a Queen Ramonda cosplayer from Black Panther and how she made the costume. The Nostalgia room started at 7 pm with Batman: The Animated Series and at first had a small screen since the cord was really short on the projector. I played Space Dandy at 8 pm and the first episode that was on was “I Can't Be the Only One, Baby” which introduced the multiverse concept in the episode. The most exciting thing I watched was The Transformers: The Movie which started at 8:30. This movie is an American icon and should be watched at all costs!

In conclusion, I learned a lot in AV operations, the importance of permission to screen media in public, and how to go through crowds effectively. The AV was like a second choice for me since Video Production was not available for volunteers. I understand the process of sound and technology crew at an event more clearly now. I also stumbled across why you need to ask permission from licensing companies for public screening. The viewing rooms were screening events in public and you need to get permission and possibly pay the creators prior to showing the DVDs for the particular copyrighted franchise. Finally, I learned how to not be people’s ways while waiting in between panels. Going to crowds is essential as well for you are considerate for the guests walking by you just like not being in the middle of the path for walking. I hope to volunteer again for AV in the near future and possibly be better at it. According to their description, “GalaxyCon Richmond is More Than a Comic-Con! It’s a 3-Day FESTIVAL OF FANDOM…” and as a result, I hope to see you there.

[elizabethcariasa]

Reporting gambling winnings & other income on Schedule 1

Thanks to a 2018 Supreme Court ruling, many other states have joined Nevada in accepting bets on sporting events. But casino operations like this one in Las Vegas still get plenty of action on days like Super Bowl Sunday.

Happy Tuesday to everyone who skipped work yesterday. I hope you've fully recovered from your Super Bowl hangover.

I also hope that at least some of your prop bets on the NFL championship game also paid off. So does the Internal Revenue Service.

All your Super Bowl LIV winnings, as well as any other gambling proceeds are taxable income. Yes, even the winning bets placed illegally. Just look at what happened to Al Capone he didn't tell Uncle Sam's tax collector about his nefarious earnings.

And all your gambling proceeds, as well as all the other income you made last year, is detailed on the top half of Schedule 1 (pictured below), with the total amount transferred to your Form 1040.

Here's what you need to know on this Tax Form Tuesday about where on Schedule 1 to report your good luck and other types of income.

Accounting for cryptocurrency: Long-time readers of the ol' blog know that I'm pretty traditional when it comes to making money.

My personal personal-finance motto is, "Say it with cash." And while I do have some investments, they tend to stay within the usual asset parameters.

Other folks, however, are more adventurous when it comes to making money. The IRS knows this. That's why it added a new line to kick off its income collection data effort on Schedule 1.

The very firth thing the IRS asks on the recently-revised Schedule 1 is, "At any time during 2019, did you receive, sell, send, exchange or otherwise acquire any financial interest in any virtual currency?"

Cryptocurrency for tax purposes is considered, for the most part, as a type of investment. The agency has been struggling for years on how to get a handle on how much virtual money folks hold. Last year, the IRS conducted a widespread outreach to — OK, correspondence audits of — owners of this asset.

This Schedule 1 virtual currency question is a logical next step in the IRS' efforts to gather additional info from taxpayers on crypto holdings. It's a not-so-subtle reminder that, regardless of whether you did or didn't get a letter about your virtual currency holdings, the IRS still has its literal eyes peeled for virtual money.

Various crypto transactions: If your cryptocurrency answer is yes, check the box here. That will alert the IRS to look for other reports from you of taxable bitcoin et al transactions.

The actions that could prompt a "yes" response include, according to the Form 1040 Schedule 1 instructions, with my comments in italics:

The receipt or transfer of virtual currency for free (without providing any consideration), including from an airdrop or following a hard fork. I am not even going here or there as to what a hard fork is, since, as noted earlier, I am a cash devotee!

An exchange of virtual currency for goods or services. In cases where an employer pays in cryptocurrency, that amount is subject to federal income tax and other withholdings, just like with regular dollar wages, and this all should show up on your W-2.

A sale of virtual currency. Here is where the capital gains reporting and taxation comes into play. If you disposed of any virtual currency that was held as a capital asset, follow the usual reporting route to let the IRS know of your capital gains or losses. That's Form 8949 to figure your capital gain or loss and report it on Form 1040's Schedule D. (Spoiler alert: possible Tax Form Tuesday topics!)

An exchange of virtual currency for other property, including for another virtual currency. See capital gains comments above.

If you did any of the above, check the "Yes" box.

However, if you didn't have any transactions involving virtual currency last year and you don't otherwise have to file Schedule 1, you don't have to do anything further.

But if you do have other non-cryptocurrency income, like your profitable bets, then check the "No" box and move on to Part 1 of Schedule 1.

Part I Additional Income 1: Now that you've 'fessed up about your bitcoin el al holdings, it's time to let the IRS know about your other earnings on in the first section of Schedule 1.

Additional income is, for the most part, money you got that wasn't covered by a W-2.

If comes not just as contract earnings reported on a 1099 form, but many other ways. Those are listed in this section's lines.

Taxable refunds, credits, or offsets of state and local income taxes (line 1) Remember how thrilled you were when you got back a couple thousand as a state income tax refund? You might not be so happy now.

Generally, whenever you use some taxes to reduce other taxes, you could be liable for taxes on the refund of the taxes you claimed. Is that roundabout enough for you? Here's an example:

You itemized your federal tax deductions last year and claimed your state tax income tax payments. Any refund of those income taxes must be included as income on your federal tax return in the year you receive it, i.e., the year after you claimed it.

You also are likely to get a Form 1099-G from the payer reporting the tax refund amount just in case you have to claim it.

The IRS instructions for Form 1040 Schedule 1 provide more details on possible taxation of these state and local refunds and offsets. Tax software and, of course, your tax adviser also can help you determine what, if any, you might owe.

Also note that your refund is NOT taxed if, in the year you paid the tax, you either (a) didn't claim the income taxes as a federal itemized deduction or (b) chose to deduct state and local sales taxes instead of income taxes.

Alimony received (lines 2a and 2b) The Tax Cuts and Jobs Act (TCJA) changed the tax treatment of alimony, both paid and received. But it did so based on the date of the legal marital split, specifically such a decree on or before Dec. 31, 2018.

That's why here the IRS asks you enter on line 2a the amount of alimony you received.

Then on line 2b the date of your original divorce or separation agreement.

Alimony isn't taxable if your divorce or separation agreement was entered into on Jan. 1, 2019 or later. If, however, you must count spousal support as in your income, let your ex who's making the payments know your Social Security number. Your former partner needs that for his or her reporting purposes, i.e., deducting the payments.

Business income or (loss) (line 3) If you worked as a freelancer or contractor, either full-time or various gig jobs, you'll report that income here. The amount will come from what you enter on your Schedule C. (Spoiler alert redux: Look for a future closer look at this form for sole proprietors.)

Other gains or (losses). (line 4) This is a specific "other" category. It applies to assets used in a trade or business and which you sold or exchanged. Details on this activity can be found in the instructions for Form 4797, which you'll need to file in conjunction with your 1040/Schedule 1.

Rental real estate, royalties, partnerships, S corporations, trusts, etc. (line 5) If you made (or lost) money in connection with rental real estate, royalties, partnerships, S corporations, estates, trusts and residual interests in real estate mortgage investment conduits (REMICs), you'll put that amount here. The details of this income (or loss) will be entered on Schedule E, which you'll attach with your tax return filing.

Farm income or (loss). (line 6) Are you a get-your-hands-dirty or gentleman/woman farmer? Either way, the IRS wants to know. Basically, the IRS considers you as being in the farming business if you cultivate, operate or manage a farm for profit, either as owner or tenant. A farm includes livestock, dairy, poultry, fish, fruit and truck farms, as well as plantations — really, IRS? Let me check my century calendar — ranches, ranges and orchards and groves.

You'll have to fill out and file Schedule F if you have farming income. That form's instructions has more details on your filing requirements. You also can get more on applicable taxes in IRS Publication 225, Farmer's Tax Guide.

Unemployment compensation (line 7) It was really tough when you lost your job. Now that it's tax filing time, things aren't getting any better. That financial assistance you got to tide you over between jobs is taxable income.

You should receive a Form 1099-G that shows in box 1 the total unemployment compensation you received. That amount goes on this line.

Other income (line 8) Ah, the wonderful "other" catch-all. Line 8 is where you report any taxable income that's not entered elsewhere on your tax return or other schedules.

This is where your gambling winnings go.

Also reportable here are as other income are:

Most prizes and awards, unless you're an Olympic or Paralympic medal winner and recipient of U.S. Olympic & Paralympic Committee prize money. Those amounts are now tax-free.

Jury duty pay.

Alaska Permanent Fund dividends.

Reimbursements or other amounts received for items deducted in an earlier year, such as medical expenses, real estate taxes, general sales taxes, or home mortgage interest.

Income from the rental of personal property if you engaged in the rental for profit, but were not in the business of renting such property.

Income from an activity not engaged in for profit. We're talking money you made on your hobby here.

The Form 1040 instructions' section on Schedule 1 has the full list of the sometimes esoteric types of income that go on this line.

Also on this line, list the type of other income and amount. If you have several such entries here, put their total in the dollar amount block of this line. If necessary, include a statement showing the various earnings.

Totaling all your earnings: Line 9 is where you add up all the amounts from the previous 8 lines. This number also goes on line 7a of your Form 1040 or, if you're an older taxpayer, Form 1040-SR.

Reducing your gambling income: If you're a very successful and/or lucky bettor, I can't let you leave without noting that you can reduce your taxable gambling earnings.

One itemized deduction that survived tax reform was the ability to deduct your gambling losses. You can tally your losses on the "Other Miscellaneous Deductions" section of Form 1040 Schedule A.

Note, however, that your bad betting luck only goes so far. You can only use your gambling losses to offset, perhaps zero out, your winnings.

You cannot use them to produce an income loss on your return.

And if you don't itemize, which you might not especially now that the standard deductions are so much larger under the new tax law, then you can't reduce your gambling winnings at all.

You must simply report all the money you made on winning wagers on Schedule 1.

Deductions, too: As you've already noticed, this is just the first part of Schedule 1.

Part II of this TCJA addendum to Form 1040 covers a lot of deductions that don't need to be itemized. They were discussed in the Jan. 28 Tax Forms Tuesday post.

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[sheminecrafts]

Facebook launches Portal TV, a $149 video chat set-top box

Facebook wants to take over your television with a clip-on camera for video calling, AR gaming, and content co-watching. If you can get past the creepiness, the new Portal TV lets you hang out with friends on your home’s biggest screen. It’s a fresh product category that could give the social network a unique foothold in the living room where unlike on phones where it’s beholden to Apple and Google, Facebook owns the hardware and operating system.

Today Facebook unveiled a new line of Portal devices that bring its auto-zooming AI camera, in-house voice assistant speaker, Alexa, apps like Spotify and newly added  Amazon Prime Video, Messenger video chat, and now end-to-end encrypted WhatsApp video calls to smaller smart screen form factors.

The $149 Portal TV is the star of the show, turning most televisions with an HDMI connection into a video chat device. And if you video call between two Portal TVs, you can use the new Watch Together feature to co-view Facebook Watch videos simultaneously while chilling together over picture-in-picture. The Portal TV is genius way for Facebook to make its hardware both cheaper yet more immersive by co-opting a screen you already own and have given a space in your life, thereby leapfrogging smart speakers like Amazon Echo and Google Home.

There’s also the new pint-size 8-inch Portal Mini for just $129, which makes counter-top video chat exceedingly cheap. The 10-inch Portal that launched a year ago now has a sleeker, minimal bezel look with a price drop for $199 to $179. Both look more like digital picture frames, which they are, and can be stood on their side or end for optimal full-screen chatting. Lastly, the giant 15.6-inch Portal+ swivel screen falls to $279 instead of $349, and you still get $50 off if you buy any two Portal devices.

“The TV has been a staple of living rooms around the world, but to date it’s been primarily about people who are physically interacting with the device” Facebook’s VP of consumer hardware Andrew ‘Boz’ Bosworth tells me at a press event inside a San Francisco victorian house. “We see the opportunity for people to use their TVs not just to do that but also to interact with other people.”

The new Portals all go on pre-sale today from Portal.facebook.com, Amazon, and Best Buy in the US and Canada plus new markets like the UK, Australia, New Zealand, Spain, Italy, and France (though the Hey Portal assistant only works in English). Portal and Portal Mini ship October 15th and Portal TV ships November 5th.

The whole Portal gang lack essential video apps like Netflix and HBO, and Boz claims he’s not trying to compete directly with Roku, Fire TV etc. Instead, Facebook is trying to win where it’s strongest, on communication and video chat where rivals lack a scaled social network.

“You’re kind of more hanging out. It isn’t as transactional. It’s not as urgent as when you sacrifice your left arm to the cause” explains Boz. Like how Fortnite created a way for people to just chill together while gaming remotely, Portal TV could do the same for watching television together, apart.

  Battling The Creepiness

The original Portal launched a year ago to favorable reviews except for one sticking point: journalists all thought it was too sketchy to bring Facebook surveillance tech inside their homes. Whether the mainstream consumer feels the same way is still a mystery as the company has refused to share sales numbers. Though Boz told me “The engagement, the retention numbers are all really positive”, we haven’t seen developers like Netflix rush to bring their apps to the Portal platform.

To that end, privacy on Portal no longer feels clipped on like the old plastic removable camera covers. “We have to always do more work to grow the number of people who have that level of comfort, and bring that technology into their home” says Boz. “We’ve done what we can in this latest generation of products, now with integrated camera covers that are hardware, indicator lights when the microphone is off, and form factors that are less obtrusive and blend more into the background of the home.”

One major change stems from a scandal that spread across the tech sector, with Apple, Google, Amazon, and Facebook all being criticized for quietly sending voice clips to human reviewers to improve speech recognition in what felt like a privacy violation. “Part of the Portal out-of-box experience is going to be a splash screen on data storage and it will literally walk through how . . . when we hear ‘Hey Portal’ a voice recording and transcription is sent, it may be reviewed by humans, and people have the ability to opt out.”

Facebook will let users disable storage of Portal voice snippets

But if Portal is battling the perception of creepiness, why make human reviews the default? Boz defended the move from the perspective of accessibility. “We say ‘oh they’re good enough’ but for a lot of people that might have a mild speech impediment, a subtle accent, who might use different words because they’re from a different region, these assistants aren’t inclusive.” He claims more voice data reviewed by humans means better products for everyone, though I bet better sales for Facebook wouldn’t hurt.

Instead, Facebook is leaning on the evolution of the smart screen market in general to help its camera blend in. “The more value we can create, not just any one player but as an entire industry, that allows consumers to feel – ‘yeah, I both am comfortable with how the data is being used and why’.”

One reason Facebook is forging forward despite all the criticism about launching a “surveillance” device amidst its scandals: this is its shot to control its destiny, unlike on phones. Facebook has always been vulnerable to Apple and Google since its app lives in their app stores on their devices. “You don’t have a huge amount of influence over what the phone itself is or what the operating system provides. You’re kind of at the mercy of what those manufactures or developers provide you” Boz notes. With Portal, Facebook can ensure communication tech like cameras stay part of the smart home, even if they’re creepy now.

Hands-On With The New Portals

If you can get past Facebook’s toxic brand, the new Portals are quite pleasing. They’re remarkably polished products for a company just a year into selling consumer hardware. They all feel sturdy and elegant enough to place in your kitchen or living room.

The Portal and Portal Mini work just like last year’s models, but without the big speaker bezel, they can be flipped on their side and look much more like picture frames while running Portal’s Smart Frame showing your Facebook, Instagram, or camera roll photos.

Portal TV’s flexible form factor is a clever innovation, first spotted as “Codename: Ripley” by Jane Manchun Wong and reported by Alex Heath for Cheddar a year ago. It has an integrated stand for placing the gadget on your TV console, but that stand also squeezes onto a front wing to let it clip onto both wide and extremely thin new flatscreen televisions. With just an HDMI connection it brings a 12.5 megapixel, 120-degree camera and 8 mic array to any tube. It also ships with a stubby remote control for basic browsing without having to shout across the room.

Portal TV includes an integrated smart speaker that can be used even when the TV is off or on a different input, and offers HDMI CEC for control through other remotes. The built-in camera cover gives users peace of mind and a switch conjures a red light to signal that all sensors are disabled. Overall, control responsiveness felt a tad sluggish but passable.

Portal’s software is largely the same as before with a few key improvements, the addition of WhatsApp, and one big bonus feature for Portal TVs. The AI Smart Camera is the best part, automatically tracking multiple people to keep everyone in frame as zoomed-in as possible. Improved adaptive background modeling and human pose estimation lets it keep faces in view without facial recognition, and all video processing is done locally on the device. A sharper Spotlight feature lets you select one person, like a child running around the room, so you don’t miss the gymnastics routines.

The Portal app platform that features Spotify and Pandora is gaining Amazon’s suite of apps, starting with Prime Video while Ring doorbell and smart home controls are on the way. Beyond Messenger calls and AR Storytime where you don characters’ AR masks as you read aloud a children’s book, there are new AR games like Cats Catching Donuts With Their Mouths. Designed for kids and casual players, the games had some trouble with motion tracking and felt too thin for more than a few seconds of play. But if Facebook gave Portal TV a real controller or bought a better AR games studio, it could dive deeper into gaming as a selling point.

WhatsApp is the top new feature for all the Portals. Though you can’t use the voice assistant to call people, you can now WhatsApp video chat friends with end-to-end encryption rather than just Messenger’s encryption in transit. The two messaging apps combined give Portal a big advantage over Google and Amazon’s devices since their parents have screwed up or ignored chat over the years. Still, there’s no way to send text messages which would be exceedingly helpful.

Reserved for Portal TV-to-Portal TV Messenger chats is the new Watch Together feature we broke the news of a year ago after Ananay Arora spotted it in Messenger’s code. This lets you do a picture-in-picture video chat with friends while you simultaneously view a Facebook Watch video. It even smartly ducks down the video’s audio while friends are talking so you can share reactions. While it doesn’t work with other content apps like Prime Video, Watch Together shows the potential of Portal: passive hang out time.

“Have you ever thought about how weird bowling is, Josh? Bowling is a weird thing to go do. I enjoy bowling. I don’t enjoy bowling by myself that much. I enjoy going with other people” Boz tells me. “It’s just a pretext, it’s some  reason for us to get together and have some beers and to have time and have conversation. Whether it’s video calling or the AR games . . . those are a pre-text, to have an excuse to go be together.”

This is Portal’s true purpose. Facebook has always been about time spent, getting deeper into your life, and learning more about you. While other companies’ products might feel less creepy or be more entertaining, none have the ubiquitous social connection of Facebook and Portal. When your friends are on screen too, a mediocre game or silly video is elevated into a memorable experience. You can burn hours simply co-chilling. With Portal TV, Facebook finally has something unique enough to possibly offset its brand tax and earn it a place in your home.

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[michaelfallcon]

In The Netherlands, Touring The Giesen Roasters Factory

Last fall, I finally got the chance to visit Giesen Coffee Roasters. Almost two years of intermittent emails, calls, texts, and mild-mannered coffee festival doorstepping had transpired between my first interview request and the morning I found myself journeying from home in Amsterdam to Giesen headquarters in Ulft. A bike, three trains, and a bus got me to the town, located in the province of Gelderland and, more precisely, within what is known as the Achterhoek, the country’s “back corner;” Germany is just a half-hour walk east.

That Monday was so chilling that most horses in fields along the way were draped with blankets and the still-erect sunflowers were suddenly shriveled. But as I would learn while sitting comfortably in the Giesen showroom that overlooks their production line, the visit’s timing was favorable. Many of their buyers want new roasters before Christmas or year-end, so I was seeing the factory in full flourish. What’s more, there was news for the new year.

In early 2019, Giesen unveiled its largest industrial-scale roaster: the W140A, which has been in development since 2017 and is named for its 140-kilo batch capacity and its automatic controls. Also due to debut is Giesen’s new roast profile software, promising to be more advanced, user-friendly, and remotely monitorable than its original version.

The Giesen W140A

Giesen is officially 12 years old, though it emerged from another entity that, in more ways than one, was its parent company. De Eik, as it was called, was a metalware factory that made parts and products for businesses in the area. One notable customer was Probat, the century-and-a-half old roaster manufacturer in Emmerich am Rhein, Germany, for whom De Eik made complete machines. De Eik was founded in 1988 by the father of Karin Bussink, who married Wilfred Giesen. When Bussink’s father died at age 50, about 25 years ago, Karin and Wilfred took over. They carried on with the metalsmithing, but in 2006, Wilfred decided to make his own fully realized roaster.

“We thought we could make a better roaster because we had the knowledge of how to build it, and we saw potential for a lot of improvements,” says Davey Giesen, Karin and Wilfred’s eldest child. “That was the point that my father designed the first roaster, the W6, and also put it on the market.”

He was just about a year old back then, but now, at age 26, is Giesen’s COO. Davey has been with the company for six years and has clearly been keeping notes.

“I think I was number 18,” he specifies, referring to where in the sequence of staff hires he falls. “So I saw the company grow.”

Studying IT and, on nights and weekends, pursuing a bachelor’s degree in management have helped prepare him for daily company duties, though his coffee education began much earlier. He got hands-on training working full-time for a year at the micro-roastery and shop that his parents ran in the nearby town of Doetinchem. They opened Koffiebranderij Venetië in 2008 “because they wanted to show how it should be done in the field,” says Davey. Besides providing a setting to test out Wilfred’s earliest products, the venue gave Giesen customers real-life, real-time lessons in running a roastery.

“But after some time,” Davey explains, “we didn’t have any time to run a roastery because of course we were getting better and better at building roasters. And we want to put the energy more into the factory than the roastery.”

Though they sold the shop about eight years ago, it still exists, and the current owners continue using the original W6A that Wilfred installed there. A souvenir from that chapter in the family’s entrepreneurial history appears in the form of the Koffiebranderij Venetië-logoed cup in which I am served coffee shortly after arriving at Giesen headquarters. Ebullient sales representative Miguel de Boer has prepared the drinks, and I talk with him before heading into the factory itself.

“We started 10 years ago with 10 people, and up until two years ago, in 2016, we had 50. In the last two years, we really expanded a lot,” he says.

Like the majority of Giesen’s staff, De Boer is a relatively recent hire. He appreciates the sales culture at Giesen after spending years as an account manager for PepsiCo, overseeing the Benelux sales of Tropicana, Gatorade, among other Big Bev and snack brands.

“In the fast-moving consumer goods, it’s hurry, hurry, hurry and small margins,” De Boer says. “Here, it’s: take it easy, big margins, no discussion about one- or two-dollar discounts. No. People might want to have a discount, but it’s not the most important thing when they want to buy quality.”

On that note, I follow De Boer on a tour. He begins in the electrical department.

“We make everything wire by wire,” he says. Here each order gets assigned a serial number and each machine-in-the-making is placed on a cart. As parts are amassed, they get checked off on a list. A photo documents the list and gets archived; this process is repeated elsewhere along the production line to ensure completeness and to keep record of what has been done when.

To expedite repairs, the warehouse shelves stay neatly stacked with piles of spare parts. In a fluorescent-lit office, a 24-hour service support staff sits, ready to field calls, emails, or Skypes from six continents. Visitors to the Giesen stand at World of Coffee 2018 may have noticed on hand some VR goggles and screens; a sales tool, they encourage prospective buyers to cozy up, virtually, to the various machines and envision how they might fit in their own workspaces.

The next department through which we wend is welding. Bodies of the roasters—as well as Giesen’s destoners, green bean conveyors, cyclones, filters, afterburners, presentation tables, and coffee bins—are made of steel. I see huge sheet metal rectangles resting on sawhorse tables, as casually available seeming as reams of paper might be in photocopy shop. Most materials are sourced from within Europe, and some come from very nearby. Ulft is situated in a region known as the Oude IJsselstreek, where the soil contains high amounts of iron, leading to a locally quite prolific industry; the earliest blast furnace is recorded as first appearing in 1689.

After assemblage, attention turns to surfaces. In the degreasing and painting department, a chemical scent hangs in the air, fittingly. Roasters come in standard black or customers can request a special paint job in up to three tones with a glossy or a matte finish. Lately, there has been demand for the unpainted raw look, which results in a griege coat that shows all the welding marks. Roofs come in stainless steel or hammered gold, and handles are made of olive, bubinga, or zebrano wood. Logos are not the only way to customize. De Boer is not being hyperbolic when he tells me anything is possible.

“You can have sparkles on it; you can even have Swarovski diamonds,” he says.

At the end of the production line, it is time for testing. This final step is usually executed by Wilfred, Davey, or Marc Weber, Giesen’s global sales manager. After three successful roasting sessions, a roaster is deemed ready to leave the factory.

A wall-mounted map in the front office is marked up with red and green radii showing the varying costs of delivery according to distance. The machines have all been assembled by hand in the Netherlands, and a bucolic Dutch touch travels with outgoing W1, W6, and W15 roasters. They reach their destinations by horse trailer, pulled by cars driven by the very mechanics who handle the installation. Larger machines go by truck while their mechanics catch a flight. Roasters bound for destinations that fall off the map are flown or sent by sea container. The company relies on 35 trained agents around the world who assist with sales, installation, and repairs. Where there are none regionally (for example, in Argentina and Maldives), Giesen headquarters deploys its own mechanics. These days, their market is wider than ever. I’m told that South Korea, China, and Germany are among the top purchasing countries. Roasters are still being shipped to Iran and Syria. And as of March 2018, Giesen appointed Pennsylvania-based agent David Sutfin for the US and plans to expand the Stateside team with three more agents.

The W6A remains the most popular model. Next is the W15A sold with an external cyclone (which permits less interrupted roasting because it does not require a user to stop mid-session to remove bean chaffs from inside the machine). The smallest-capacity model is the WP1, intended for sample roasting. What must be the very smallest Giesen ever made, however, stands on a table in the showroom where I begin and end my visit. Built in honor of Wilfred’s 50th birthday, in 2016, the delightful little dummy is, literally, fit for a Barbie Dreamhouse.

Human-size Giesen equipment is also exhibited in the showroom, as is a vintage sample roaster. Between that set-up and the espresso bar, featuring a two-group Synesso MVP, the back wall displays a collection of T-shirts lately being promoted by the new marketing department employees. A recent addition is a black fitted V-neck with the company name in swash-heavy font scripted over the fuchsia outline of a W6. It makes me think of the hot pink one- and six-kilo Giesen roasters once famously purchased by Kaffismiðja Islands coffee roasters in Reykjavik. It also reflects how this once mom-and-pop heavy-metal factory is changing with the times and appealing to a broader-hued spectrum of clients.

“They sell like crazy—people just want a T-shirt with ‘Giesen’ on it,” says De Boer.

“Even when we are at events, when we close down for the day, we have to take away these items,” he shares as he points to roaster handles, the likes of which expo attendees have apparently pilfered in the past. Still, De Boer sounds more flattered than flummoxed.

On a daily basis, Karin and Wilfred handle general management. Davey’s younger brother, Dani Giesen, oversees facilities and building management. The youngest Giesen sibling is still in secondary school, so it is premature to say if her future is at the factory. Regardless, the family is well positioned to communicate with a major rising segment of the coffee industry: younger people and their globally, millennially minded counterparts. I ask Davey what he has observed of his peers, particularly in comparison to his parents’ coffee industry cohorts.

“They do a lot of things differently,” he replies. “The older generation still want to have manual controls and want to see everything analog, and the generation after that is more about automatization, running a better business. They really use the profile system to control the roaster and all that kind of thing, so it’s more about the digital world.”

Davey Giesen

When I inquire about gender balance among clients, Davey acknowledges that “the market is more men than women.” He adds, “But we find it really good that more women are building roasteries. We also see a lot of couples doing this together, husbands and wives.”

The life-partners-as-corporate-partners format has certainly yielded much for the Giesens. In giving a new, more narrowly defined purpose to an old factory, Wilfred and Karin have enriched the specialty coffee industry with their products and their progeny. Both contributions are relatively young, but their potential to keep upping the quality of roasting and its accessibility for everyone is profound.

Karina Hof is a Sprudge staff writer based in Amsterdam. Read more Karina Hof on Sprudge. 

The post In The Netherlands, Touring The Giesen Roasters Factory appeared first on Sprudge.

In The Netherlands, Touring The Giesen Roasters Factory published first on https://medium.com/@LinLinCoffee

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In The Netherlands, Touring The Giesen Roasters Factory

Last fall, I finally got the chance to visit Giesen Coffee Roasters. Almost two years of intermittent emails, calls, texts, and mild-mannered coffee festival doorstepping had transpired between my first interview request and the morning I found myself journeying from home in Amsterdam to Giesen headquarters in Ulft. A bike, three trains, and a bus got me to the town, located in the province of Gelderland and, more precisely, within what is known as the Achterhoek, the country’s “back corner;” Germany is just a half-hour walk east.

That Monday was so chilling that most horses in fields along the way were draped with blankets and the still-erect sunflowers were suddenly shriveled. But as I would learn while sitting comfortably in the Giesen showroom that overlooks their production line, the visit’s timing was favorable. Many of their buyers want new roasters before Christmas or year-end, so I was seeing the factory in full flourish. What’s more, there was news for the new year.

In early 2019, Giesen unveiled its largest industrial-scale roaster: the W140A, which has been in development since 2017 and is named for its 140-kilo batch capacity and its automatic controls. Also due to debut is Giesen’s new roast profile software, promising to be more advanced, user-friendly, and remotely monitorable than its original version.

The Giesen W140A

Giesen is officially 12 years old, though it emerged from another entity that, in more ways than one, was its parent company. De Eik, as it was called, was a metalware factory that made parts and products for businesses in the area. One notable customer was Probat, the century-and-a-half old roaster manufacturer in Emmerich am Rhein, Germany, for whom De Eik made complete machines. De Eik was founded in 1988 by the father of Karin Bussink, who married Wilfred Giesen. When Bussink’s father died at age 50, about 25 years ago, Karin and Wilfred took over. They carried on with the metalsmithing, but in 2006, Wilfred decided to make his own fully realized roaster.

“We thought we could make a better roaster because we had the knowledge of how to build it, and we saw potential for a lot of improvements,” says Davey Giesen, Karin and Wilfred’s eldest child. “That was the point that my father designed the first roaster, the W6, and also put it on the market.”

He was just about a year old back then, but now, at age 26, is Giesen’s COO. Davey has been with the company for six years and has clearly been keeping notes.

“I think I was number 18,” he specifies, referring to where in the sequence of staff hires he falls. “So I saw the company grow.”

Studying IT and, on nights and weekends, pursuing a bachelor’s degree in management have helped prepare him for daily company duties, though his coffee education began much earlier. He got hands-on training working full-time for a year at the micro-roastery and shop that his parents ran in the nearby town of Doetinchem. They opened Koffiebranderij Venetië in 2008 “because they wanted to show how it should be done in the field,” says Davey. Besides providing a setting to test out Wilfred’s earliest products, the venue gave Giesen customers real-life, real-time lessons in running a roastery.

“But after some time,” Davey explains, “we didn’t have any time to run a roastery because of course we were getting better and better at building roasters. And we want to put the energy more into the factory than the roastery.”

Though they sold the shop about eight years ago, it still exists, and the current owners continue using the original W6A that Wilfred installed there. A souvenir from that chapter in the family’s entrepreneurial history appears in the form of the Koffiebranderij Venetië-logoed cup in which I am served coffee shortly after arriving at Giesen headquarters. Ebullient sales representative Miguel de Boer has prepared the drinks, and I talk with him before heading into the factory itself.

“We started 10 years ago with 10 people, and up until two years ago, in 2016, we had 50. In the last two years, we really expanded a lot,” he says.

Like the majority of Giesen’s staff, De Boer is a relatively recent hire. He appreciates the sales culture at Giesen after spending years as an account manager for PepsiCo, overseeing the Benelux sales of Tropicana, Gatorade, among other Big Bev and snack brands.

“In the fast-moving consumer goods, it’s hurry, hurry, hurry and small margins,” De Boer says. “Here, it’s: take it easy, big margins, no discussion about one- or two-dollar discounts. No. People might want to have a discount, but it’s not the most important thing when they want to buy quality.”

On that note, I follow De Boer on a tour. He begins in the electrical department.

“We make everything wire by wire,” he says. Here each order gets assigned a serial number and each machine-in-the-making is placed on a cart. As parts are amassed, they get checked off on a list. A photo documents the list and gets archived; this process is repeated elsewhere along the production line to ensure completeness and to keep record of what has been done when.

To expedite repairs, the warehouse shelves stay neatly stacked with piles of spare parts. In a fluorescent-lit office, a 24-hour service support staff sits, ready to field calls, emails, or Skypes from six continents. Visitors to the Giesen stand at World of Coffee 2018 may have noticed on hand some VR goggles and screens; a sales tool, they encourage prospective buyers to cozy up, virtually, to the various machines and envision how they might fit in their own workspaces.

The next department through which we wend is welding. Bodies of the roasters—as well as Giesen’s destoners, green bean conveyors, cyclones, filters, afterburners, presentation tables, and coffee bins—are made of steel. I see huge sheet metal rectangles resting on sawhorse tables, as casually available seeming as reams of paper might be in photocopy shop. Most materials are sourced from within Europe, and some come from very nearby. Ulft is situated in a region known as the Oude IJsselstreek, where the soil contains high amounts of iron, leading to a locally quite prolific industry; the earliest blast furnace is recorded as first appearing in 1689.

After assemblage, attention turns to surfaces. In the degreasing and painting department, a chemical scent hangs in the air, fittingly. Roasters come in standard black or customers can request a special paint job in up to three tones with a glossy or a matte finish. Lately, there has been demand for the unpainted raw look, which results in a griege coat that shows all the welding marks. Roofs come in stainless steel or hammered gold, and handles are made of olive, bubinga, or zebrano wood. Logos are not the only way to customize. De Boer is not being hyperbolic when he tells me anything is possible.

“You can have sparkles on it; you can even have Swarovski diamonds,” he says.

At the end of the production line, it is time for testing. This final step is usually executed by Wilfred, Davey, or Marc Weber, Giesen’s global sales manager. After three successful roasting sessions, a roaster is deemed ready to leave the factory.

A wall-mounted map in the front office is marked up with red and green radii showing the varying costs of delivery according to distance. The machines have all been assembled by hand in the Netherlands, and a bucolic Dutch touch travels with outgoing W1, W6, and W15 roasters. They reach their destinations by horse trailer, pulled by cars driven by the very mechanics who handle the installation. Larger machines go by truck while their mechanics catch a flight. Roasters bound for destinations that fall off the map are flown or sent by sea container. The company relies on 35 trained agents around the world who assist with sales, installation, and repairs. Where there are none regionally (for example, in Argentina and Maldives), Giesen headquarters deploys its own mechanics. These days, their market is wider than ever. I’m told that South Korea, China, and Germany are among the top purchasing countries. Roasters are still being shipped to Iran and Syria. And as of March 2018, Giesen appointed Pennsylvania-based agent David Sutfin for the US and plans to expand the Stateside team with three more agents.

The W6A remains the most popular model. Next is the W15A sold with an external cyclone (which permits less interrupted roasting because it does not require a user to stop mid-session to remove bean chaffs from inside the machine). The smallest-capacity model is the WP1, intended for sample roasting. What must be the very smallest Giesen ever made, however, stands on a table in the showroom where I begin and end my visit. Built in honor of Wilfred’s 50th birthday, in 2016, the delightful little dummy is, literally, fit for a Barbie Dreamhouse.

Human-size Giesen equipment is also exhibited in the showroom, as is a vintage sample roaster. Between that set-up and the espresso bar, featuring a two-group Synesso MVP, the back wall displays a collection of T-shirts lately being promoted by the new marketing department employees. A recent addition is a black fitted V-neck with the company name in swash-heavy font scripted over the fuchsia outline of a W6. It makes me think of the hot pink one- and six-kilo Giesen roasters once famously purchased by Kaffismiðja Islands coffee roasters in Reykjavik. It also reflects how this once mom-and-pop heavy-metal factory is changing with the times and appealing to a broader-hued spectrum of clients.

“They sell like crazy—people just want a T-shirt with ‘Giesen’ on it,” says De Boer.

“Even when we are at events, when we close down for the day, we have to take away these items,” he shares as he points to roaster handles, the likes of which expo attendees have apparently pilfered in the past. Still, De Boer sounds more flattered than flummoxed.

On a daily basis, Karin and Wilfred handle general management. Davey’s younger brother, Dani Giesen, oversees facilities and building management. The youngest Giesen sibling is still in secondary school, so it is premature to say if her future is at the factory. Regardless, the family is well positioned to communicate with a major rising segment of the coffee industry: younger people and their globally, millennially minded counterparts. I ask Davey what he has observed of his peers, particularly in comparison to his parents’ coffee industry cohorts.

“They do a lot of things differently,” he replies. “The older generation still want to have manual controls and want to see everything analog, and the generation after that is more about automatization, running a better business. They really use the profile system to control the roaster and all that kind of thing, so it’s more about the digital world.”

Davey Giesen

When I inquire about gender balance among clients, Davey acknowledges that “the market is more men than women.” He adds, “But we find it really good that more women are building roasteries. We also see a lot of couples doing this together, husbands and wives.”

The life-partners-as-corporate-partners format has certainly yielded much for the Giesens. In giving a new, more narrowly defined purpose to an old factory, Wilfred and Karin have enriched the specialty coffee industry with their products and their progeny. Both contributions are relatively young, but their potential to keep upping the quality of roasting and its accessibility for everyone is profound.

Karina Hof is a Sprudge staff writer based in Amsterdam. Read more Karina Hof on Sprudge. 

The post In The Netherlands, Touring The Giesen Roasters Factory appeared first on Sprudge.

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