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sangreprince · 2 months ago

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I wanna keep this brief (graphic design is my passion level effort but also it kinda works in a really funny way) !!! I wanna let you all know I appreciate the love you've given Zagreus and I'm so so happy to be here. You're all great and wonderful and I could say so many good things to say about each and every one of my mutuals. So fuck it, that's what I'mma do. Because you all truly deserve it. I'm super happy with Zagreus and being able to share my portrayal and have it be well received means so much !!! It's easy to say 'thank you all so much' but I want to acknowledge that I truly do appreciate and care about each and every one of my mutuals, even if my time / availability makes it tough at times. PART 1/4

@withinchains / @hercarnality : Elle you already know how much ily so I'm gonna keep this short. You're such an amazing friend and writer and you already have the screenshot about me gushing pinned so eat my shorts and play arams with me. Your Morgana is to die for and you write every character to a fucking T because of how you just interpret all their personalities and put them into words SO effortlessly.

@lasraichean : NEMO U SMELL LIKE BEEF and I think you're fantastic. You pour so much effort into all your OCs and that passion does you so much credit. You absolutely shower Annie with love in such a way that I shower everyone else with unrequested amounts of fromsoft lore so MWAH.

@blackrosesmatron : Lucy your LB is fantastic and you're so easy to talk to and communicate with. Genuinely every time we sit down and plot I find myself getting so enthralled in her antics and character. You do her so much justice

@avernusfuries : HAN You single handedly made me like Karlach and that isn't even a joke. Before we met and started writing I always thought her story was one of the weaker ones and you somehow managed to turn her into one of the more realized characters in the game. HATS OFF TO YOU and every day I beg for more of this big doofus.

@feuerwizard : Crys I know I need to get back to you for plotting things, I've just been so busy but I want to say: You and some of the other CR writers you write with are so talented and I adore reading your posts. Were it not for you guys I still probably wouldn't have any interest in CR and I'm so so excited to get started with more stuff and actually get threads going!

@soulcluster : Lilah I think all your portrayals are excellent. Your MM deserves all the attention it gets and I honestly couldn't pick a favorite muse if gave me truth serum. Plotting with you is a blast and I'm so thankful for all the ideas we pass between eachother!

@pitgritted : Your Sett, Taric, and Mutli are all so well done Jojo. I can tell you really care about all the people you write and it shines so brightly, right down the amount of detail you place into every reply and how you format things. Passion shows in the end and this is no exception!!

@palespawn : This sassy motherfucker. We've only just started writing and I still need to get to replies but you've showed interest since almost day one and I cant say how much I appreciate that. Courtney you do such a beautiful job with the twink, I almost dont wanna stab him. Almost~

@infinitysagas : I first of all wanna say thank you for writing such underappreciated characters. To see Damon get love brings me so much joy, I always take a second to read his posts when I see them come up. I know we haven't done a ton but please know that I see your writing and totally wanna do stuff, I'm just very busy skdjhf.

@deathdxnces : Irelia was a character I never cared about too much, but how you humanize her so much and have expanded on her character beyond what Riot's given us does SO much for me. I actually adore how you portray her, Mel, and I wish to get writing at some point soon!! I know you liked a starter a bit ago and I do plan to get to that, but please do not hesitate to hit me up for plotting in the meantime. It really does help and I promise I don't bite!!

@tealbeats : I know you're not super active on Ez (and I still owe you a lot of stuff actually) but I wanna say I love the amount of his personality you're able to paint into every interaction. You have such a way of making him the perfect amount of insufferable (in the best way) while still twisting it in SUCH an endearing light. I love that annoying little bug and I'm so glad you do too, because it really shows.

@agonizedembrace : Han it's been really nice to reach out and get into contact again. You're genuinely a really funny, interesting, and thoughtful person who cares about Evelynn in such a way that brings out every aspect of her character. The agony, the sex appeal, the sass, the confidence, you just nail all of it and I'm really hoping we can get stuff going soon!

@bendwill : Elder scrolls blogs are few and far between, but Miraak is absolutely one of those characters that deserves to be more written out. We haven't gotten to do a ton but please don't hesitate to hit me up and scream ideas at me, the idea of Tamrielic Zagreus is very fascinating to me. (And also I need somebody to ramble about my Oblivion D&D Campaign ideas with skdfjh)

@ofweave : First of all, trans gale is based as fuck and you have a vision. Second of all, I know you're on hiatus but once you come back I'd be so happy to get the ball rolling with this stinky wizard man!!

@kismetwilled : I'm not gonna lie, seeing how you pour effort into your headcanons and thoughtful replies kind of inspired me to do similar with my own. I also want to say that I'd love to plot more and yell ideas all day with you, your style is gorgeous and I find myself appreciating characters on your blog I've never even heard of or are barely familiar with. Seriously Dani, it's top tier and I'm so happy to be mutuals.

@enrogued : We haven't gotten anything started with but I'm so hyped. Rogue as a character has such fascinating potential with her powers, and that's not to mention her attitude towards others in general. Once stuff gets started I'm probably never gonna shut up in your DMs but like that's a constant sdfjkh STILL!!

@lunarrepel : Shadowheart my beloved. The aesthetics, writing, dialog, everything you do with her is SO on point and I can't get over it. I was already biased and liked her after Larian adjusted her a bit during the beta phase of BG3 but still. Man you just nail her and I'm so excited to develop these two out. They give wine aunt energy and THAT alone gives me so much life.

@dreadgloom / @cinderschild : I wont lie to you I was GIDDY when I found out you wrote a WoTR character. I honestly expected that fandom to have more of a presence on tumblr but I'll take what small fanclub we can get right?? And also can I comment on the takes you have from Salvatore are absolutely genius and play really well into WoTC's drow?? Genuinely fantastic worldbuilding and it's always a pleasure to see you crop up on the dash.

@nightsbloom : Your headcanons and replies have been gorgeus and I just want to say despite me being really busy and not getting around to approaching yet, I'm so excited??? Also a while back you reblogged a Qimir gifset and it's still living rent free in my head so thank you for the food chef--- Please though, if you have any thoughts or even just dynamic ideas - toss them at me at mach 5 and I will run with them because I'm HYPE.

@spiderwarden : I think you officially win the title of Minthara's #1 fan. Her performance (as I've mentioned) is absolutely captivating, as is your writing. I'm very excited to see where her interactions with Zagreus go and writing with you (or even just seeing your random hc posts and comments) is such a blast. I will always sit down and listen to you ramble about her, I think she's so fascinating and that's in no small part to how you manage to inject so much life and love into her despite all the cut content.

#| mun. |#I LOVE Y'ALL SM #I wasnt sure how to thank you all in the right way so I just #thanked you all #KJFHDKJFDHKDF #IT MEANS THE WORLD TO ME AND TO THOSE WHO I HAVENT INTERACTED WITH?? Please #Please send me stuff bc I see you and I want to do things!!

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its-all-papaya · 29 days ago

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Cat for the prompt game

this one was almost an hour and a half but in my defense my brain is a little fried. forgive.

Lando's looped the video probably about a hundred times already, but it still tickles the back of his brain the same way when he watches Oscar's face light up for the one-hundred-and-first time.

"I'm meeting some fans today, apparently."

Lando's seen it so many times he could mouth the words along with Oscar if he wanted. His expression is one Lando'd already had memorized even before, the bemused little smirk he pulls out whenever McLaren throws him in front of a camera alone. Put-upon, like he wants the whole audience to know he's just humoring them.

"Here they are," says the voice off camera that Lando could place if he thought about it long enough.

He hasn't thought about it at all, though, because it comes just before Oscar's face goes surprised, then melts into something soft and happy. Bit distracting, that part. Because Lando knows that expression, too, and it's only the fact that he's got it in high-def now that keeps him from being jealous that the video has gone and shared it with the whole world.

There are three of them, all orange.

"Hello there," Oscar says. It's in his normal voice, like he's talking genuinely to fans and not to the three itty bitty kittens tumbling around his legs.

The bravest of the bunch noses suspiciously at the top of his sock where it meets his shin as soon as it gets close enough. It shrinks back when Oscar smooths two fingers down the back of its neck.

"I reckon they were born to be fans," Oscar's eyes shoot quickly up to the camera and then back down as the second kitten props both tiny paws on his knee, "they're already in the right color."

It goes on like that. Oscar's smile never fully leaves his face and it never makes Lando's chest feel any less warm, no matter how many times he watches it repeat on his phone screen. The marketing team will probably be in fits over the numbers the post is doing, and all the while it'll be just Lando, curled up in his sweats in bed listening to Oscar say "I've seen that people compare me to one" over and over and over again.

Lando's seen, too. That people compare Oscar to a cat. He thinks that's probably where the whole thing came from, actually, the social team cashing out with a partner and tapping in on the fans' fancies at the same time.

He's not quite sure what they mean, but privately, Lando agrees. Carlos and Daniel had been all dog, bouncing into his life and wagging their proverbial tails at him until he keyed himself up to match. All play-fighting and sloppy, open affection; crowding his personal space and shedding everywhere until he had no choice but to love them back just as loudly, just as whole-heartedly.

Oscar had been different from the get-go. He was wary like a cat, circling quietly closer, sneaking in at the edges when he thought Lando might not notice. Shrinking away when he got too much affection too quickly. Slinking back to his own side of the garage when he'd had whatever he decided was enough, always resetting on his own terms.

"Bit scared, I reckon," Oscar says at the fifty-seven second mark. His gaze is off-screen, watching as the kittens are herded carefully back towards him. "New place, and all."

He chats on about the shelter they're promoting, hands busy corralling the kittens when they try to wander again. It takes until nearly a minute and a half in for him to successfully get a hand under one of them. His cheeks go a bit pink as he draws it up towards his chin, and Lando's always go a bit pink as he watches Oscar smile, listens to him say, "See? It's alright."

The next part is Lando's favorite. Sometimes he's been stopping to loop just the same fifteen seconds over, watching again and again as Oscar tucks the kitten against his chest, one hand cradling its back while the other nudges up under its furry white chin. Lando gets a bit hung up on the curve of Oscar's finger there, and he understands it, the way the kitten's eyes close into two pleased little arches on its face.

"Now you're happy, huh?" Oscar asks. His grin suddenly brightens into a soft laugh, and he looks directly at the camera to say, "I don't know if you can hear the purring."

They can hear it. Lando'd had to pull out his headphones a few loops in to catch it the first time, but he can pick it out through just the phone speaker now that he knows what to listen for.

Oscar finishes the video with the sponsored read at two-minutes-and-fifty-five seconds. The kitten is nearly asleep in his palm. Oscar's just sort of knuckling along its stomach gently as they close out, but he slips the pad of one finger under the kitten's paw just before the fade-out, and the cat's little toes flex out, like he's petting Oscar right back.

"What are you watching?"

Lando's eyes snap up from his phone screen, where the McLaren logo is frozen under the repeat icon. Next to him, Oscar rolls closer with a yawn so wide Lando can hear his jaw click. His voice is groggy, still half-asleep.

"Nothing," Lando whispers back.

Oscar slides an arm around his waist and Lando gets distracted enough by the feel of it that he doesn't notice Oscar's fingers closing around the phone, tilting it up so he can see what's woken him just after he'd drifted off.

He breathes out an exhale sharp enough to be a laugh and drops both the phone - onto the bed - and his head - onto Lando's chest.

"Interested in adopting one?" he asks, too cheeky for how awake he can possibly be. His fingers curl around Lando's bare side and Lando can feel his lips move vaguely against his collarbone.

"Maybe," Lando says back.

Oscar gives another of the breathy laughs, "You don't even like cats."

Lando locks his phone and finally sets it on the nightstand to charge. The stretch jostles Oscar enough that he huffs, but Lando soothes him easily with a palm up his spine. When he reaches the top, he threads fingers through the hair at Oscar's nape and presses a kiss to his forehead at the contented hum it draws out of him. A bit like a purr.

Lando smiles.

"That's not true."

#answered #ask game #soph writes #drabble #my landoscar #landoscar #landoscar fanfic #landoscar fic #in which i bravely ask the question: what if instead of lando with puppies we got oscar with kittens?#(and also they were boyfriends in love)#hope this is coherent and reads well i rlly can't tell bc it's 1am !

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welcometothejianghu · 11 days ago

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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 致命游戏 / The Spirealm.

The Spirealm is a 2024 drama about two young men who fall in love while basically playing a whole bunch of horror-themed escape rooms that can for-real kill you.

This show/book combo has gripped my entire ass. The second I knew I wanted to watch this, almost immediately after it started airing, I muted the tag. I was so right to do this, because this is worth not spoiling yourself about. If you are a Guardian fan in particular, you owe it to yourself to watch this for reasons I think will become clear as you go about watching it.

So! If all you need to know is that I think you need this show in your life, great! You don't even need to scroll down to the end of the post for the links; go to Viki and press play. In case you need more convincing than that, though, I'm going to give you here five reasons to watch it that are as spoilerless as I can make them.

Before we start, though, I'm going to take a moment to note that I had to torrent the video files so I could make screenshots of my own, and if I hadn't, this would have been a much uglier rec post than the others I've done. Not only were there not many promotional materials or official stills released, the show itself barely stayed up two hours on iQiyi, and that's because this drama is a...

1. (Barely) Censored Adaptation Of Same-sex Original Work

Ah, you know that MyDramaList tag well, don't you? Yeah, the original novel, Kaleidoscope of Death (which has a rec post of its own!), is supernatural story about grief and loss built on the love story between the two male leads. Now of course you know already that a mainstream Chinese television adaptation of something like that is going to straighten up everything and turn the horror romance into the sci-fi platonic love of besties.

...But damn, folks, it's still real gay.

Ling Jiushi, the sweet-faced newbie, is a canonical virgin and loving cat dad who plays the mysterious video game once, then finds himself suddenly able to enter the game worlds bodily -- and of course, if you die in the game, you die in real life. He's pretty much doomed, until he meets...

Ruan Lanzhu, the cool-as-a-cucumber veteran of the door worlds, who falls pretty much immediately for the completely oblivious Ling Jiushi, then has to spend the rest of the series consumed with lust while trying to keep him and a couple other dipshits alive.

The show preserves so many overtly gay beats and declarations of affection from the novel, to the point where it's just this side of suggesting that the romance is actually, textually happening just offscreen, every time the camera cuts away. I am forever grateful that working with Zhu Yilong on Reunion seems to have perfected sweet baby Junjie's ability to look at a man with nothing but love in his eyes.

I adore so much the dynamic they have, one where a man who has never told the truth a day in his life encounters a man so sincere and naive that you cannot seduce him with anything but absolute honesty or he's never going to get it.

There are three (3) separate door worlds where they share a bed, and in every one of them, they both sleep with their shoes on. Like the absolute freaks they both are.

2. It's puzzle solvin' time!

So if you've read some of my rec posts before, you know that I am critical of stories that center around cases that are unfollowable, uninteresting, or both (e.g., Mysterious Lotus Casebook and White Cat Legend). I am therefore thrilled to tell you that the door worlds are actually (largely) thoughtful mysteries with reasonable solutions, where you care about what's happening and why.

The way each door world is set up is that you have to solve the puzzle to find a key and unlock the door that will let you leave. One of the challenges is each world's door ghost, who has the key and does not want to give it up. The other challenge is the world-specific set of taboo conditions, where violating them means the door ghost can kill you -- and you are not always told what those taboo conditions are. That means that solving a door involves 1) figuring out what will insta-kill you, 2) not doing that, 3) finding where the hell the exit door is, 4) placating and/or scamming the door ghost long enough to snatch the key from them, and 5) running like hell to the exit door with that key before the door ghost fucks you up about it.

As the show goes on, you get introduced to the concept of door-passing shepherds, which are experienced door-finishers who take through lower-level players, building them up in the process. A lot of these shepherds work for organizations, such as the one Ruan Lanzhu runs. And a lot of them are ready to reach the exit by climbing over everyone else's corpses.

That's part of the fun of the setup: You're not just thrown in alone. You show up with a random number of other players, some with very different levels of experience. At least one of you will make it out; not everyone will. So you can add a step 6) to the list above, which is: surviving all the other players who will gleefully stab you in the back in order to be the first player out the door.

The door worlds are also lovely. They all feel like sets -- and I know that's a weird thing to say about places that are literal sets, but they manage it feel it even on film. In fact, even the show's uses of clunky-ass greenscreen feel appropriate, because of how unreal everything is supposed to be. Everything looks like a dream, which is only amplified by how beautifully everything's shot.

(What's that you say? You say the guy who directed this was the editor on Infernal Affairs? No kidding.)

From a fandom perspective, what's great here is that even though there are technically just twelve doors, there are canonically way more than twelve door worlds out there. That means that whatever worlds you want to create are valid. The best pieces of fanfic I've read are the ones that dream up their own door worlds, complete with taboo conditions, key puzzles, and world-specific perks that lead to gay sex, because come on.

3. A good middle ground of horror

So at this point you are perhaps wondering: How scary is it?

And the answer is, kind of as scary as you're willing to let your mind go with it. Everything has been science-fictioned real hard, including the video game premise that "explains" what's happening with these doors. It relies on dread way more than jumpscares. The blood/gore/gross content is extremely low, again on account of Chinese content censorship. Most icky things are done with offscreen sounds and shadows. I'm pretty squeamish about pain and injury, and I can't recall a time I had to look too long away from the screen.

However, that means the show works some real conceptual horror. That picture up there is of a man forcing three young girls to hold raw eggs unbroken in their mouths. There's nothing about that image that's not technically G-rated, and it's awful in context.

The best bits are when the monsters don't need a lick of CG to become horrors. They cast a contortionist in the Waverly Hills door world, and she absolutely earned her keep.

I have a lot of critiques about how the show handles things, especially in terms of defanging the horror elements (which it does), but one thing I think it absolutely gets right is that it understands that ghost stories are first and foremost tragedies. That's a thing I've always liked about Asian horror in particular, how often you wind up siding with the ghost. Yes, sure, she tried to strangle you with her hair, but have you ever considered she's the real victim here? There's always a bit of a calculus: Can you negotiate with the door ghost, or do you just need to stab them and run? The Spirealm prefers negotiation, and frankly, so do I.

So yeah, it's about as scary as you let it be. If your horror tolerance is low, watch it in a well-lit room and focus on the unreality of it, and you'll be okay. If you're looking for something genuinely spooky, spend some time thinking about the existential dread of the entire situation, and that'll be good for a couple good spine tingles.

4. The Obsidian Family (& Friends!)

In a show where death is always an option, you have to have characters where you actually care if they live or die. Fortunately, all your allies are charming and loveable enough that you are going to be real upset every time they get put in danger!

Obsidian is one of the organizations I mentioned earlier. It's run by Ruan Lanzhu, and it includes a cool and collected doctor, a mom friend who cooks for everybody, a guy who's maybe not having the best mental health day of his life, and two identical twins who could not be more different if they tried. They all live in the same amazing big fancy house, which is where Ling Jiushi too goes to live when he joins the group. They have big family meals, they look after one another, they hang out together -- I mean, if this is the kind of setup you love, then you will love this setup.

There are also plenty of allies who aren't technically part of Obsidian, but who are our friends nonetheless, and who come over to hang out in the Obsidian house from time to time. Some of them are rivals turned friends, some of them are clients turned friends, and some of them were just friends all along! Surely nothing bad will happen to any of them, and they'll all live happily ever after, right? ...Right?

5. Toast and Chestnut!

Of course, the true heroes of the show are Toast the Corgi and Chestnut the Kitty.

Animals are so good.

Truly, I love that one of Ling Jiushi's defining characteristics is that he is a Cat Dad. He is a simple man with simple needs, and one of those needs is to pet his kitty or he'll explode.

caveat: Some thoroughly bad adaptation choices

Yeah, so I keep talking about the novel (and talk even more about the novel in its own rec post), but I assure you, you don't need to have read the novel to feel the degree to which this is an adaptation -- and one that's had its rough, nasty, spooky, gay edges all sanded off in the desperate hope of ever seeing daylight.

Now, sometimes I consider batshit nonsense janky creative decisions to be a selling point for a show (see: Mysterious Lotus Casebook, Legend of Fei, Sand Sea)! In this case, however, I'm going to have to take points off for how incoherently bad they are here. We're talking Psych-Hunter levels of Why Would You Do That-- and the answer, as always, comes down to how you write around what censorship won't allow on television.

The novel says the doors are supernatural. The show says they're a virtual-reality computer game. Now, on the surface, this move sort of makes sense -- you can't have ghosts, but you can have computer games that make digital ghosts, which, sure, okay. But then the problem quickly becomes that the plot of the novel is not remotely built to support a sci-fi premise, so a lot of things have to be grafted awkwardly on. Like, say, a bad guy who stole his corporate logo from Even Worse Twitter. Or a game-designing bestie whose face is never seen. Or [late-stage spoilers about a major character].

The eventual explanation is that this whole setup is a righteous and good game that has somehow been corrupted by evil game-designing capitalists from the West, and that's why it can abduct you in broad daylight and kill you if you fail it. There are good people who want to purify (???) the game, and evil people who want to make money off the game. And I don't mind spoiling you for that part, because it's garbage nonsense. You will be deeply unsatisfied with the show's half-assed attempt at resolving it all. (You may, however, have that disappointment tempered with the amazing concurrent display of heterosexuality that is apologizing to your best bro by coding his perfect man for him. The Spirealm is a land of contrasts.)

Look, I consider myself a mild to moderate socialist, and even I was yawning and making jerk-off motions every time someone started to wax halfheartedly poetic about how evil American capitalism is. Like, yeah, but not because some college student made a vile and wretched video game that eats people! This show is a critique of capitalism like a five-year-old crying because he doesn't get ice cream before bed is a critique of authoritarianism.

And even this, I can't be too mad at it about, you know? I just assume that this was some absolute Hail Mary attempt at getting past censorship -- you know, maybe if we make all the right "grr, USA bad!" noises, they'll let our gay ghost story slip by? And it worked! I mean, just barely, but it did.

So yeah, fair warning that the Spirealm is a show that, if you love it (and I do), you will have to love despite some glaring flaws that haunt it all the way through and hit especially hard during what should otherwise have been an amazing endgame. But hey, we're c-drama fans! We're good at loving janky things, right?

Want to enter the World of Doors?

As I said at the start of the post, Viki's got it -- and only Viki. I'm not sure what circumstances got it up on Viki after iQiyi pulled it, but I'm glad. Watch it quick, before Viki changes its mind!

Hug him! Hug that boy!

#the spirealm #致命游戏 #kaleidoscope of death #rec post #i made this

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sugar-grigri · 10 months ago

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I think I remember you making references to Fire Punch in a few analysis post so I assume you've read that one, but have you read Goodbye Eri, and if so do you have any particular thoughts you want to share on it? It might be my favorite, although it's hard to rank Fujimoto's works because there's something different I like about all of them.

Hi Yuta! or is it Fujimoto?

2022, Goodbye Eri is released and I'm in for a huge slap in the face! I've finally got the chance to talk about it, so thank you!

It's hard to come after the war after this one-shot has been the subject of so much analysis, interpretation and criticism. But I think it's a work that's deliberately designed to be a trap, and the first mistake would be to try absolutely hard to determine whether Goodbye Eri is true or false.

Trying to detect the true and the false is futile, not that it's really impossible, but arguments could be several pages long and the theories put forward would remain mere hypotheses because no explicit confirmation is given. Quite simply because this is not the aim of the work, nor a satisfactory way of reading it.

For example, when Yuta's father seems to be getting angry with Eri, we understand from Eri's "And Cut!!!" that it was all a set-up. So, as a good reader, we can only assume that what follows is pure reality. However, the father, now an actor, if he should play his line differently.

As another illustration, when Eri is close to death and Yuta are talking, there are a few hints that they might have a relationship, but this is denied by Yuta himself, in a discussion with Eri's friend.

The film plays with this to such an extent that all sorts of theories are possible. It could just as easily be interpreted as there being only two films (on Yuta's mother and then on Eri's death), two films but in different ways: one about Yuta's mother and a second film about Eri, as a vampire, with the end scene played by Yuta's father and by Eri before her death.

This explains why, even after Eri's death, Yuta continues to film because the film isn't actually finished yet, the editing being there to reverse the scenes played chronologically, to make it look as if Eri was still alive, and so on. ..

As you can see, it all makes sense, and our preference is purely personal because they all work. But I'm not going to play that game, because it only shows me one thing, and that's that the plot surrounding Eri is deliberately obscure.

I've seen a lot of people describe Goodbye Eri as a work about dealing with death - the way we want to remember those we've lost, etc... It's about mourning, symbolically saying goodbye, hence the title. Which is true! But it goes further than that.

Eri's plot is deliberately obscure because the right way to appropriate the work is not through her. She's the character we know least about. Physically alone, we learn that she wore glasses and braces. Mentally, she was more annoying than she seemed in the movie. Eri is a mirage in which we won't find answers, so we have to learn to say goodbye.

The only reliable information given in this OS is that everything is filmed by Yuta's phone. And in reality, you know Yuta better than Eri, so it's him you should turn to...

Hi Yuta!

Yuta is almost never shown in this OS, as he is always filming. And when he is shown accurately, it's when he's inspired by other films by watching them with Eri, in other words, he's continuing to work on his own film by watching others.

Yuta's first film began as a result of his mother's narcissistic desire, as he was celebrating his birthday, discovering his gift, a smartphone, all of which was directly taken over by his mother, who asked him to film her until she died.

By keeping only the good sides of his mother, ignoring all the abusive parts of her, Yuta does not follow his parent's wishes, he does it for himself, showing what he himself wants to retain from his childhood, his story, in order to move forward properly.

But as everything is filmed, it gives the impression that the videos have been passively lined up without any sorting, without any choice. Yuta takes his revenge because he refuses to film his mother until the day she dies, stopping before then, preferring an explosion to conclude his film. It's brutal because it's as if Yuta's tastes, his little touch of fantasy, are suddenly surfacing, while the rest of the film is just as personal, just as him. So when his film is mocked, it's a work so personal that Yuta wants to die.

It's not insignificant that it's Eri who intervenes, whose only certainty was that she loved not only the films but also Yuta's, simply because she saw not only Yuta's mother in this film but also him, whom she considered to be the best character. She wasn't revolted by the ending, because she was aware of Yuta's touch throughout the film. The same ambiguity then resurfaces, we don't know if Eri is in love with Yuta, she corrects him to say that it's these films, the two are so linked, that liking Yuta's films is tantamount to liking the teenager.

Yuta follows Eri's desire to produce a film that is above all personal to him, to the point that when Eri sees her last moments narrated by him, she sees Yuta more than herself, because she is seen through someone else's eyes.

For me, there aren't two or three films, but just one from start to finish. Because you see, we've said goodbye to Eri, we've got out of her tricky story to reflect on Yuta, but we still haven't stepped back enough. Because you know who made the film, and it's not Yuta, it's Fujimoto. So, third stage :

let's salute Fujimoto.

The film we've just seen in this OS deals with a number of overlapping themes, the way in which a loved one is portrayed, the relationship with others, death, creation, but above all, the extent to which a work is personal. Goodbye Eri is a pretext for Fujimoto to show us the extent to which even the cutting is the fruit of reflection, is already a message.

In this OS, all the boxes are in the video format of a smartphone, each moving, static shot depends on Yuta, just as each shot is in the third row, drawn by someone.

People make the mistake, like the first audience of Yuta's film about his mother, of relating to works as linear stories to be trusted, even if they film his mother every day, Yuta's editing is his way of counting a story, it is certainly not the truth in all its neutrality. It's only at the moment of the explosion, which expresses the most of Yuta's personality, that people get upset.

This offbeat, absurd explosion is something that Fujimoto punctuates in his works, yet they are both thought out and personal to him. But they are often mocked as a way of poking fun at his work. What Fujimoto is saying is that the work doesn't become brutally personal for the controversial, offbeat moments, just the way he depicts a scene from life is personal.

People believed this version of the author's mother, otherwise they wouldn't be outraged by this disgraceful way of portraying this nice woman at the end, so in itself, Yuta's film worked. But all this is just a pretext for Fujimoto to point out that he is the author of all his other works, CSM, Fire Punch, Look Back, Just Listen to the Song... They are just like another film made in response to the positive or negative reactions of the others.

Fujimoto likes to trace the common ground between these works, which respond to each other. Each one, placed side by side, is an attempt by Fujimoto to upset his audience a little more, a second or third try.

The mistake is to separate the author's touch from his work, just as we are tempted to focus more on Eri than Yuta. Just as Fujimoto reminds us through this OS, who writes, draws Goodbye Eri. The first part of CSM was turned upside down by the fact that Makima was a demon from the start, abusive to the point of being the antagonist.

A violent and abusive maternal relationship. The design of the mother is also a bit similar. Mentions of the breasts, something that also went down quite a bit and left its mark on a lot of readers because it was so out of sync. The emphasis on cats... A rejected boy. A work focused on female characters.

Goodbye Eri is a work in which Fujimoto makes fun of himself, his works and the things that bring them together. Yes, there will be an explosion if the author so decides. Yes, Eri can live again, be a vampire, if the author so decides, but what's to stop him making his characters die, and then bringing them back to life a few pages later?

The characters' plots are the authors' playgrounds, whether you like it or not. You can't detach works from their authors, or read works as unrelated things because they were written by the same person. Talking about death, life, mourning, love, with a touch of fantasy is what Fujimoto does in each of them.

So if you're lost, remember that what you're reading isn't in the title but in the author.

#goodbye eri #sayonara eri #fujimoto tatsuki #eri #yuta #makima #csm #chainsaw man #fire punch #look back #one shot #analysis #my thoughts #credit to Reddit for the last image @/blackfish171

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thewertsearch · 3 months ago

Text

Ask Comp 12/8

@williamjakespeare asked: One of the recent posts concludes that the circumstances around Vriska's god tiering were "so much worse than anything I thought was going to happen" and I'm curious. What exactly did you think was going to happen?

Back before I knew how God Tier ascension worked, my theory was that Vriska's Quest Bed might grant her access to a special dream moon, and that Tavros's presence there might throw some sort of spanner into the works. I wasn't sure what kind of spanner, and my theories were very vague.

Vriska's a huge taskmaster, and I thought she might have given him an instruction that he was unwilling or unable to carry out. Like, maybe she told him to leave her God Tier Moon, and he was unwilling to abandon her to a fate he didn't understand.

I guess I was right. In the end, she did give him an instruction he couldn't carry out.

Anonymous asked: For the kid who was the most vocal about her 'distaste' for their guardian, having Mom be the reason that Rose snaps is actually very sweet, in a sad way. ~DJ

The above line from Rose implies that she had a lot more affection for her mother than she was letting on.

Their relationship was complicated, but if Rose viewed her as a sister, I think there had to have been some camaraderie between the two. We just never saw it on-panel, because the narrative began on the most stressful day of Mom Lalonde's life.

@elkian asked: So, fun fact about that time John joked about rescuing Rose from the Broodfesther Throes and you were going "yes it's a joke BUT IT'S ALSO SERIOUS JOHN!!!": Hussie's author note for that page is almost verbatim your reaction. Homestuck is as serious as it is silly and typically both at once.

Every time Hussie and I share the same thought, a subtle chill runs down my spine.

@gl1tchypyr0 asked: In regards to the thing about LOWAA potentially corrupting Eridan, itd be a little smart to remember what Sollux said in his conversation with Terezi about a prophet has to go blind to earn their stripes or how an angel earns its wings, Sollux states that 'angels are terrible feathery demons that paradox space uses to usher in the end' and Eridan was actually killing them even if he wasn't Supposed to. If you really think about it I actually kinda find it sad? If he was already a troubled individual Before Sgrub and then was on a planet of 'terrible feathery demons' that whisper prophecies in his earfins for an entire month that he was made to feel he Had to kill, honestly it makes me nervous imagining just how many doomed timelines there are where Eridan snapped far earlier. Not to mention the fact he's also on the Blue Team ie Derse players ie most susceptible to waking up in his sleep and seeing tentacles and eyeballs staring back at him (not that he wouldn't be /used to that/ back on alternia with his job of feeding glybgolyb so Feferi wouldn't have to). Not really defending eridan but just, food for thought kinda? About how LOWAA might have affected him enough for Doc Scratch to bring up such a hypothetical. The idea that Eridan was already pretty bad before the inevitable Sgrub trauma and then LOWAA made thinks /worse/.

Oh, don't get it twisted - Eridan's just as much of tragedy as any of the other trolls. He's certainly written to be less sympathetic, but he didn't deserve to be raised in the Alternian Empire. Just like Vriska and Equius, he could have been a much better person, if only he was raised in a less violent and oppressive culture.

Of course, he could still be an asshole if he was born on Earth - but at least he'd have a chance to be better. Alternia stacks the deck against you in ways that simply aren't fair.

@galaxa-13 asked: It is very satisfying watching you pick apart everything Doc Scratch says without playing his game. Rose wishes she could, but unfortunately she is a child and not as smart as she pretends to be. Usually it's fun to watch people theorize because of what they don't know, so it's extra fun when someone as smart as you doesn't have the pieces I already do. Just chortling to myself, "Oh ho ho, just you wait!" @elkian asked: I may have sent this before but I ADORE your Doc Scratch dissertations. What few liveblogs (and fandom during/after the run) I've followed have other strengths and focuses, so these moments where you stop everything to shred his dialogue to see if fhere's even a GRAIN of truth are novel and absolutely fascinating. I think you've done the most thorough analyses of any 1 of his convos let alone all of them and I'm here for it. Rip that shady motherfucker apart! :D

Despite myself, I am enjoying puzzling out the true meaning of what he says. I've just got to remember that he is fully capable of lying.

I do think, on balance, that there is some hidden meaning to his words - it's just hard to find. His '50% chance of ascending' statement is definitely foreshadowing something, I just can't figure out what. I think it has something to do with the reboot session, but I'm waiting to learn more about the reboot before I really start theorizing about it.

Anonymous asked: In case the 7 Gates haven’t been fully explained yet — the Gates over a player’s house are all either entry (transport to somewhere on their planet) or exit (destination of a gate on the planet of the previous player in the chain). Using John as example: Build to gate 1, which takes him somewhere on LOWAS. Find gate 2 elsewhere on LOWAS, this will take him to the matching gate over Rose’s house — build up to her gate 3, which will lead to somewhere on LOLAR, then find the planet’s gate 4, etc.

Here's my old interpretation of the Gate system, from way back in Act 4. I'm fully in agreement with you about John's path here - the problem is that when you use it to extrapolate Rose's path, things start to fall apart.

See, this ordering method implies that in a four-player chain, your own Seventh Gate is located on the Land preceding yours, rather than your own. This means that Rose's Seventh Gate is the one that got John killed on LOWAS - the one which leads to his Denizen. It additionally implies that John's Seventh Gate should have been on Jade's Land instead. It's all very confusing.

Anonymous asked: Something I love about how this god-tier immortality system is described, however it works, is that "remaining neutral" will PROBABLY keep you alive… but when you think about it, remaining neutral means not making a REAL DIFFERENCE. As a God, if you want to make a difference in the world around you -- good or bad -- you have to be willing to stake your life on it.

True! It's an interesting balancing mechanism, where each God Tier has to decide whether their life is more valuable than their personal agency. Gods who avoid Heroic and Just situations are almost invincible, but they're also completely ineffectual.

I'd obviously try to game the system somehow, but the vague, subjective definitions of Heroic and Just make this a difficult system to game.

@spyril4132 asked: with the reveal of the heroic-just system, there's now a reason you might not want to god tier immediately: sacrificing one of your selves for a heroic cause and then doing what aradia did (but intentionally)

Good point. Although, I'm not sure I'd want to rely on the Quest Slab for my resurrection - at least, not yet. We don't really know the rules are, and how they differ from normal Quest Bed rules.

Anonymous asked: "I don't really care if Paradox Space sanctions his actions - he needs to be taken down, and if that upsets the natural order, then it's time for a new natural order." i think you for sure lean more lifeways on the life/doom player axis lol. oh, the laws of the multiverse say death is inevitable? well, that fucking sucks and i hate it, so i'm gonna wedge myself into the cracks and loopholes and *make* it evitable one day at a goddamn time, life finds a way motherfucker.

Life finds a way, motherfucker!

I actually find both Life and Doom fairly interesting, as Aspects go. I think, at this point, I'm committed to giving one to my kidsona, and the other to my trollsona.

If another Aspect ends up catching my eye, we'll have to start workshopping a Carapaciansona!

Anonymous asked: I think you got it kinda twisted what's going on with Rose. Yes she is slightly corrupted by the Horrorterrors powers/boons and Scratch's… Sheer Existence. But in her mind, she's doing this to Save her session, so if she does go God Tier and gets killed, her death wouldn't be Just, it would probably be Heroic. As she probably would've died tryong to save her session, which would cancel out the corruption from Scratch and Horrorterrors. Either way she still dies, but it's the difference in Why she dies that's important. […]

See, this is the whole problem, isn't it? These terms are incredibly subjective.

I personally think Rose's attempt to save her session is extremely Heroic - but Skaia couldn't possibly approve of her assault on the game, so I don't think it would cancel out her Horrorterror corruption. Sburb itself is probably the last word on what qualifies as a Just death, so I think that's what she'd get tagged as, if she died as a God Tier in the Green Sun's explosion.

I'm also not sure if getting tagged as Heroic would cancel out a Just tag. They're not necessarily opposites - Vriska, for example, is designed to have a controversial alignment, and could easily die in a way that counts as both.

@ben-guy asked: Small correction, you referred to the Alternian empire as "intergalactic" when it only exists within one galaxy as far as I'm aware. Yes, kind of a silly nitpick, and one that I could be wrong about, but I happen to enjoy thinking about the comparative scale of space faring societies lol. If there is a quote contradicting that, I'd like to see it! Pretty sure it's merely a galactic empire tho :)

Nah, that's fair - that's the kind of nitpick I'd point out, too.

Galaxy, singular. I think I parsed the Empire as intergalactic because massively faster-than-light travel is clearly possible in this setting, via time manipulation. We don't actually know if Alternia had access to time manipulation before Sgrub - but Earth seemingly did, so who knows?

@abacusdictator asked: Found your liveblog a few days ago and furiously binged it. Happy to find another Homestuck liveblog! Especially one I can see happen in-progress! I hope you enjoy the rest of the story!

Thanks - and you're certainly coming in at an interesting time!

Anonymous asked: Scratch "chooses not to lie," but he also has the privileged position of knowing in advance that Rose will misunderstand what the Scratch is, leading to her doing what he wants. If he knew that not lying wouldn't get him what he wants, or even if he didn't know for certain that it would, would he lie? If so, that basically means it's pointless to try to figure out his true meanings, because if you succeed, he'll have retroactively lied about it anyway.

Yeah, this is pretty much my take.

Does it really matter if he 'doesn't lie' if he can foresee all the truths that will mislead you? When you're playing at his level, the actual truth of your statements barely matters.

@skelekingfeddy asked: to my knowledge this has never been commented on by hussie, but i feel like doc scratch doesnt lie in part because he was made from the cueball. its a fortune telling device that predicts the future with remarkable precision and accuracy. you wouldnt expect it to lie, would you? its just that the difference between scratch and the cueball is that he can pick and choose WHICH truths to reveal at which moments. (his penchant for jokes thus probably comes from cal (‘haa haa hee hee hoo hoo’) i feel like him never lying is also a way to feed his own ego. its a self-imposed(!!!!) restriction, and yet despite it he effortlessly plays everyone like fiddles. and he KNOWS it. he CHOOSES never to lie. he VOLUNTARILY hands the people he manipulates an advantage on a goddamn silver platter, and he STILL wins. ‘Isn't it funny how during our various matches, I can tell you what my moves will be in advance, and still win?’ hes so fucking smug. what a pompous dipshit. i love him Anonymous asked: I think that when Scratch say he don't lie, he mean it, and not because of some vilainous valor but out of sheer ego. Scratch is prideful, he love beating other by "playing with cards face up" and tricking them with exact word, he doesn't tell the truth because it's "honorable", he tell the truth because he doesn't need to lie to win.

Also, this. He's just a smug fuck.

Do we know for sure if the cueball is always truthful, actually? Scratch heavily implies it here, but he's only stating it as a hypothetical.

Anonymous asked: Scratch is like a fae, he doesn't lie but you better watch out how he word what he say.

I'd be so screwed against the fae. Not because I couldn't parse their statements, but because I'm only halfway competent with human social customs, let alone weird alien ones.

@manorinthewoods asked: Honestly, I think it's great for his character if Scratch is actually completely dead of emotion inside, possibly even thoughts, and is just near-mindlessly carrying out the necessary parts of his role in the story so that his desired outcome is achieved. He's omniscient, he doesn't need to think. On the other hand, he does seem to have experienced genuine emotion, on occasions… ~LOSS (24/7/24)

A pseudo-omniscient character, mindlessly following the optimal path to their ultimate goal? This smells suspiciously like a Certified Contessa Moment...

Anonymous asked: In the trolls game all the trolls got to see and speak to their lusi after they died because they put them in the sprites. Meaning Gamzees dad coming back wouldn’t get him sober. Ideally Gamzee would be able to interact with his dad way more then he ever had in the past because his dad now had to guid him as his sprite.

Fair point. Although, we know that prototyping tends to affect your personality, and shifts your priorities towards guiding your Player through the game.

Goatsprite's sprite knowledge might have informed him that Gamzee needed to be on Sopor Slime, or game would become unwinnable.

@heliotropopause asked: "Well, no! That’s the problem! The cueball’s omniscience is completely redundant, because the MEOW code already contains an omniscience gene! According to the Scratch loredump, any ‘intelligent’ host for the MEOW code will be granted near-omniscience. Scratch didn’t need the cueball," I think it's worth considering the what exactly he meant with that- it seems perfectly plausible that the teleportation-based powerset established for bequerel would make an intelligent agent very good at observation, either by physically hopping around, or by teleporting light around to see distant places, or by sending out telekinetic "feelers"; we know bec has the capability to separately manipulate individual objects in physical contact from afar. None of this would give him knowledge of the future, or of physically disjoint spaces like the human session, so the cueball is not at all redundant.

It's possible. See, this is another situation where we're really being hampered by our small sample size. We've only seen two First Guardians, and only one of them has been a 'standard' First Guardian, unaltered by HONK. As such, we don't really know how First Guardian clairvoyance is supposed to function.

Another Guardian with human-level intelligence is desperately needed, for science. It's almost enough to make me want the Scratched Guardian of Earth to be made from a human...

@manorinthewoods asked: As an alternative explanation for the double-omniscience problem, one could say that the cueball, in being used to create Scratch, retroactively and conceptually gained his omniscience - so effectively, any use of a cueball allows you to attune to Scratch's awareness (as long as he's alive, perhaps?). This would subsequently imply that First Guardians are all linked to their components - for instance, there would be some link between Bec and all dogs, or specifically Halley. ~LOSS (23/7/24)

As this ask points out, I might just be drawing the causal arrows in the wrong direction. If the cueball is omniscient because of Scratch, rather than the other way round, then there's really only one root cause for his clairvoyance.

I'm not sure why it would work like that, but I do like the idea of Colonel Sassacre running around the early 1900s with a suspiciously powerful dog.

@manorinthewoods asked: The link between 'Skaia's final gate of defense' and 'first to find Alternia' is something I just didn't notice (because I didn't really pay attention to the words and botched my experience by not watching the Flashes), but it would imply, to me, that the gates run in reverse order, Skaia to World - first meteor in, last meteor out. This would mean that the moon which dropped on Jade was the last meteor to hit […]Skaia. ~LOSS (23/7/24)

Hey, good catch!

Jade's meteor was the last to arrive on Earth. By this logic, wouldn't it have been the first thing to leave the session, rather than the last?

That makes a sort of sense, actually. A meteor this enormous would dwarf the entire Incipisphere, so the game would probably want it out of the picture as soon as possible.

@manorinthewoods asked: You seem to have run with the interpretation that all First Guardians run on the same fundamental genetic code, identical to MEOW but using different letters. Not really how I thought of it - I interpret that every FG's code is different, although I also didn't think too hard about the FGs. No reason that they'd necessarily all have to have the same genetic code - after all, Bec's a dog and Scratch's a Scratch. You'd only really need a single gene to code for Green Sun powers… ~LOSS (23/7/24)

It does say they share a genetic sequence, rather than an entire genome. Becquerel presumably contains some dog DNA - the 'host' - which is absent in Scratch, so their genome can't be identical.

Unlike Becquerel, Scratch's hosts were entirely synthetic. They didn't have DNA - which, to me, implies that his entire genome is just an amalgamation of the BR8K H34DS T1CK T0CK HONK sequences. His DNA is just the First Guardian sequence, plus whatever is in HONK.

...what the hell is in HONK, then? If it's DNA, it has to come from some living thing, and I have a horrible feeling that Gamzee spliced his own DNA into the sequence. Why else would he call it HONK?

@skelekingfeddy asked: ‘…the fucking bow-tie! He’s wearing Cal’s Alternian clothes! The proof’s been staring us in the face this entire time, and we were none the wiser!’ look at what regular cal is wearing underneath his blue ‘CAL’ shirt :)

My guy's been pulling the long con.

@morganwick asked: "#but now that i have an antimatter pellet I can feed it to my bees. they can create nuclear waste honey without all the fission rigmarole" Minecraft, Sollux style. (Or maybe Minecraft, Problem Sleuth style?)

Sollux would be a Productive Bees specialist, wouldn't he? That, alongside every computer mod in existence.

@elkian asked: Sorry if I'm the 80th person to mention this but Vriska's 8r8k could also refer to the act of shooting the cue ball at the group of pool balls at the start of a game, known as a "break". @ben-guy asked: Fun fact: In pool terms, the "8r8k" actually refers to the opening shot that sends all the balls flying everywhere. Additional fun fact: The game of pool has a history of being used as a metaphor for causality, which lends some interesting metaphorical weight to Doc Scratch as a cue ball.

Oh, that's true - pool balls are often used as an analogy when talking about causality. Surprising that that's never occurred to me before.

I like to think that when the Felt storm a rival gang's lair as a group, they call their maneuver The Break.

@manorinthewoods asked: Oh my god, Aradia uses Jack to go to the Green Sun. That's such a cool detail. It's so fast, I didn't even see it. To be fair, although the timing is ridiculously impressive, Aradia is both a god and specifically a god of time. Although it's never stated, perfect timing is an obvious power for Time God Tiers to have, which does mean that Aradia would be a half-Flechette. ~LOSS (18/7/24)

And Kanaya's a fashion designer, too. Aradia x Kanaya when?

Anonymous asked: Hey, unfortunately the reqs list link seems to be janked out on my mobile client so I hope this is ok but if you haven't already heard of it I highly highly reccomend Jon Bois' 17776: What Football Will Look Like In the Future It's about football in the same sort of way that homestuck is about video games

Love that story - and I still have to read the sequel, actually!

Anonymous asked: Forwarding another question from the person without a Tumblr account: ~DJ. [I think the change in Equis and Nepeta's behavior is explained by "being together and solving problems together for a long time was great for Equius' and Nepeta's relationship" and "the destruction of Alternia helped Equius realize some facets of Alternian culture he believed where false" (because unlike Eridan he is able to change his mind about stuff like this). - RM]

I really want to see what Equius and Nepeta got up to for a month, as well as all the other trolls. It'd be great to get an 'untold stories of Homestuck' anthology at some point - and hopefully, that's something we'll see in some of Homestuck's tie-in media.

Anonymous asked: I’ve been thinking about Bec prototyping himself and I think I’ve got an answer that works for me - not necessarily the whole answer or the only answer, but I think it’s got something. Basically, Bec knows he can’t / shouldn’t get rid of the meteor entirely (he came down in a meteor that built the frog ruins, so even if we’re just going off what he’s experienced we can say that he probably on some level understands that these meteors landing is important) but he also understands he doesn’t have the type of power or the finesse with that power to only delay it until Jade can take the shot. After all, he could’ve just teleported the living room junk to a different part of the house, but he sent it into deep space because his doggy brain can only deal in absolutes when it comes to perceived danger to his best friend, and the only power we’ve seen First Guardians use (to my recollection) that would in any way help with slowing the meteor is teleportation. He can’t reliably teleport it back only far enough that it will keep falling, but won’t yet land, and he doesn’t have anything else at his disposal - except becoming a sprite, who we’ve seen use beam attacks, which allows Bec to push the meteor back as a delaying measure. Don’t know if he knew it would help so specifically, but even so, I can see Bec understanding it as the only option he has that isn’t either ‘send thing as far away as possible’ or ‘let thing squish most beloved person’. I do think the weakest parts of this theory are What Bec Understands, but puzzling through that devilbeast’s thoughts is hardly a new impossibility. If nothing else, we can all understand that he did this to save Jade, because he loves her, and we love him for that. -Megido (am a new anon, just spent the past couple days catching up and have enjoyed this liveblog immensely)

I think this theory is a good one, and Hussie's comments support it.

The meteor needed to be destroyed in a very specific way for the timeline to retain its integrity, and Bec should instinctively know that, born from Sburb as he is.

Anonymous asked: There are three lenses I think you can view troll romance through: the Xenopsychology lens, the Propaganda lens, and the Parody lens. The Xenopsychology lens is that trolls do in fact experience alien emotions which cannot be felt by humans. It's not just that troll society chooses to categorize the same types of feelings and relationships that humans have differently; these are genuinely unique and original emotions, like a new color that a human couldn't imagine. Describing kismesissitude as hatemance or rivalry or abuse, or moirallegiance as bromance or besties or queer platonic partnership, or auspisticism as third wheeling or mom friending or refereeing are all fundamentally incorrect, because there is no human analogue. You can take this a step further and say that matespritship is also fundamentally different from human romance, even if it appears similar. Therefore all attempts to analyze or write troll romance should be forays into xenofiction, attempting to understand things within a nonhuman framework. The Propaganda lens is that actually troll emotions aren't really any different than human ones, but the quadrant system benefits the hemocasteist militaristic empire by keeping trolls divided enough to become either fucked up killers or submissive victims by the time they reach maturity, but have the minimum support structure needed to actually reach maturity. Kismesissitude is fundamentally unhealthy, auspisticism serves as a counterbalance to keep everyone from killing each other, and moirallegiance serves to prevent trolls from having multiple close friendships or from being fully open with their matesprit by arbitrarily sequestering who it’s appropriate to have certain positive interactions with. None of this is really romance except the one that’s analogous to human romance, but trolls are raised to buy into the system under threat of death. It’s hard to form community and contemplate uprising if everyone confines the meaningful relationships in their life to like 4-5 other people, half of which are based on negative interactions. Also it’s a commentary on how human rules about love and relationships and where the platonic ends and romantic or sexual starts are socially enforced rather than wholly natural and can be arbitrary and unhealthy. Anonymous asked: The Parody lens is that this is all Hussie making fun of fandom shipping tropes. All sufficiently devoted rivalries are actually romantic love. All sufficiently strong friendships are actually romantic love. These two are so hopelessly oblivious to the fact that they actually want to get with the guy they hate, or that the other person they think just wants to be friends actually feels the same way, they need a third party to push them together. (Okay this one doesn’t work because auspisticism seems to basically be the opposite of that? Maybe auspisticism is supposed to be like, contrived elimination of competing romantic options to assure an OTP. Idk if anyone really knows what auspisticism is supposed to be, least of all Hussie.) Also because this was early 2010’s Hussie, there’s maybe a certain level on which trolls being societally obliged to polyamory and bisexuality is also making fun of shippers, although if it was I think Hussie turned around pretty quickly to actually being cool about it. Much like how light is a wave, and a particle, and a ray, all of these are true at different times. This is because the nature of Hussie's writing is that even when things are serious business, they are also jokes. And this is also why the Homestuck fandom will never agree on the correct way to understand and depict the quadrants.

Great breakdown. As you could probably predict, I lean a lot more towards the Propaganda lens, with a healthy dose of Parody mixed in.

The Xenopsychology lens isn't necessarily untrue - it's just that, as I've discussed before, the trolls read as extremely human to me. I honestly believe that if you raised a human on Alternia, they'd probably be compelled to form the same quadrants as everyone else.

I once got an ask stating that, according to Hussie, each of the quadrants are meant to be exaggerated versions of human relationship dynamics. I'd really like to check out that full quote, so if anyone's got a link, send it my way!

#asks #full liveblog #act 5.2

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galaxy-fleur · 2 months ago

Note

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

#resident evil #resident evil 2 remake #resident evil 4 remake #leon s kennedy #leon kennedy #ada wong #aeon #DO I TAG AEON IN THIS BC IT'S NOT REALLY A SHIPPING POST????#i mean i did talk about them smooching so i guess....#for the record #i am fully aware i am adding way more depth than there really is #but hey #it's fun #i spent way too long on this it's embarrassing 💀💀💀

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sweetlikehoneystingslikeabee · 9 months ago

Note

How would Riddler (which one is writers choice) react to a SO who drops those slightly infuriating jokes? (I just saw a post asking how you make an egg roll and the answer was 'push it' and I just think his reaction to those kinds of jokes would be hilarious)

"Groan-worthy" Riddler Party x Reader

Dude I'm such a sucker for Riddler's it's so difficult for me not to wanna go "my choice? all of the above" when it comes to that man. So you're getting all of them short and sweet!

TW: None

60s

Gotham

Takes him a second. Oh, you like puns? He gets that sheepish little smile and compliments how clever you are. It's much harder to come up with those than one would think! You have to have a good sense of word play, formatting of the joke and-

Oh, he's rambling. Yes. It was good! If it's a particularly bad one or he's stressed, he might give you an annoyed look. But normally he'll just smile.

The riddler who appreciates it the most! A lot of his riddles dance along the line of being riddles and those kind of jokes. Part of why he's always laughing! Puns and double entendres are his bread and butter.

The two of you will have each other hyena cackling to the point people can hear you from another room. There's definitely a jealousy amongst others that the two of you can find so much joy in each other over something so goofy.

Capullo

You would think he'd be way too cool for that and genuinely, he will attempt to act like he is. Try to fool you.

Then you tell just the right joke that's incredibly cheesy and he doesn't guess the punchline before you say it. You hear this deep ugly snort and then he's covering his mouth.

His jokes aren't necessarily groan worthy, they're just really fucking nerdy in a way that makes you roll your eyes when you get it.

Telltale games

BTAS

Audibly groans. You think that's cute, don't you? Then you notice he's smiling. He can't help it, you ARE cute. Even when you're being silly he can't help it. It's charming!

He likes to think his jokes are higher end but... they're verbose and require just a tad more thought. Still slightly infuriating.

Just looks at you. You can feel the judgement seeping into your soul.

If you REALLY enjoy them, he'll tell you dad jokes that are just awful. Terrible. But he tells them with a completely deadpan face reminiscent to "and don't call me shirley."

Batman 2022/Nashton

Arkham games

ANNOYED. Particularly if at any point he thought the joke was a real riddle or a genuine question. Yes. Ha ha. Word play. If you excuse him, he has real work to do and you're distracting him.

If he actually hurts your feelings with the attitude... he does an incredibly tired sigh, "I was going to tell you a joke about time travel.... but you didn't like it." Mini jazz hands. There. Did you like that one? What? Was that one not bad enough?

Autism. Look okay, we can say that for almost every riddler to an extent but this is the kind of shit he hyperfixates on. You've seen his cards? "I'm mad about you" "but it might spoil the chemistry" with a mad scientist on the card? UGH. He loves it.

Rhyming, puns... he gets SO excited. You know, he's never had someone to share these with, so once you do with that first joke... you see his eyes practically dilate like a cats. His time has arrived. You're about to get SO mad.

#riddler #edward nygma x reader #gotham riddler #btas riddler #capullo riddler #60s riddler #telltale riddler #arkham riddler #2022 riddler #foxwriting #riddler party

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firefly--bright · 4 months ago

Text

witness marks.

jean kirstein x reader, modern au

summary ; witness marks are usually used for antique clocks, to tell the functioning of the insides so it would be easier for them to be repaired, usually indicated by little scratches or wear-and-tear, and it's clockwork how you love jean. its a choice against your will, but neither of you would have it any other way.

warnings ; reader likes the rain (again), mild depictions of an accident

a/n ; the story for this Actually Happened when I was small btw :') also marco number one grammar police and pushes his glasses up his nose and used to unironically say "I'm actually.." in high school. also the title for this was because of that one scene in haunting of the hill house (new favourite show I love it so much by GOD don't get me to talk about it I won't shut up) uh anyway enjoy!

taglist ; @holding-infinity-and-a-book , @mrsnobodynobody , @hopeless-anti-romantic , @jeanscremebrulee , @berrijam , @happxme , @cherrypieyourface , @imgayandshesanime , @moonmalice , @kivernova , @potaho3frog , @xakilicious , @katestrophes - taglist is open!

✿ masterlist is in pinned post ! ✿ enter my taglist ✿ song recs for this fic (don't mind the name of the playlist pls) ✿

✿

Its raining again.

For the sixth time this week, it’s raining. Perpetual, gloomy shadows with unsparing clouds in the sky, its raining. From your view, the window is littered with usually bright leaves sparkling, almost ironically, under the water that showers them. They dance as happily as you’d want them to, the breeze waving them without synchrony but togetherness still. Whatever thoughts you might’ve had come to a slow stop, and despite being in the common, affectionate company of your friends, you look at the window, reminding yourself to not close it at night even if it may be hazardous.

You don’t care. The starless night could be forgiven under the heaviness of the clouds that disrupted it.

Connie calls your name. “your turn!” he says, slinking an arm around your shoulders. You’re reminded where you are, suddenly, and heat fills up your usually cold body despite the shivers that line your shoulders. Playing a game of two truths and a lie after lazing around all weekend, the Monday afternoon was decided, almost like every other day. Your friends would come over to you and sasha’s shared apartment, and whatever sweets you’d had the time to bake would be hidden in the back corners of the pantry before sasha would wake. She’d ask you what that smell was, and you would shrug, and she would complain about her mouth watering and how it would distract her in class, but you withheld the information well. After your classes; boring and long-drawn and so drowsy, your friends would be back in your apartment before you, seemingly having never left. Connie would be in the middle of “helping” sasha, if you could even call it that, find the treats you had concealed. Marco would be reprimanding them with a soft smile, his back turned to them while making coffee for everyone, and jean would be sorting through the menu of an inexpensive take-out place, asking questions of preferences that would all go ignored.

It was easy. Simple, predictable clockwork that filled up your weeks. Every Monday evenings, despite literally rain or shine, the same scene would greet you, and just like clockwork, your body would chime in the acknowledgment of this routine. with years and years of working with the same gears and metal and pangs and hurts of your unfamiliar body – the Monday evening bell of your being sounds out as you enter the apartment because you know the exact events, the exact tick-tick-tick, and enjoy it all the more. Every week. Every Monday.

And you’d enter, your hands filled with treats from the gas station on your way home, and you’d smile after knowing, for sure, that this is what you would call home. Without so much thinking about any other place to go to, not your childhood walls with demeaning darkness and not your first dorm with its drawn curtains and coldness, none of those. None of the places could call out to you with their monsters and gleaming teeth while you were here.

And then jean would turn to you, like clockwork that’s forgotten that it rings out every hour, every Monday at six p.m., he’d get up and say, “finally!” and take the bags from your hands, peck your mouth before anyone could see and groan for you to get a room. And just like the same clockwork with the same inner workings, you tell him what you think everyone would like to eat. sasha would like the ham and cheese- yes, you know this because she’s been craving intensely savoury things this week – and connie, just to piss her off but also because you’ve learnt how he’s made it a point to force himself to like it, would have the Hawaiian one. And then marco says he’d be okay with anything, and you know that this means he’d love for there to be olives and bell peppers. So that’s what you go with.

And just like clockwork, the same routine plays itself, over and over again, excited to commit something new as if it’s forgotten that it had been doing the same since it was made – you’re courageously but cautiously near him, peering into the same screen as him as he scrolls.

“oh, garlic bread,” you remark, whispering. Jean doesn’t spare you a glance while still scrolling, nodding to your scarce voice. You can see his eyelashes fluttering as you watch him closely, not getting sick of the view even if you had been spun around blindly, dizzily. And then jean puts the phone up to his ear and rattles off the order. At the end, after everyone is done and you’ve moved away from him to rummage through the pantry in search for the goodies you had hidden, jean tells them to add an order of garlic bread with cheese with the sudden ten-fold of affection laced in his tone in your remembrance, that the person on the other line would’ve questioned if it hadn’t been their job not to.

And then, Monday evening at seven p.m., the five of you sit on the floor of your cramped living room, around the old, second-hand coffee table with enough stains for it to never be sold again, with boxes of pizza and some song playing in the background that none of you really knew the name of and didn’t care enough to ask, the music getting lost under the ongoing conversation. Today, this Monday at seven twelve p.m, it seemed to be a game of two truths and a lie that your mind had been immersed into before it had started to rain.

You clear your throat, shifting in your seat, taking another garlic bread in your hand, jean’s eyes trailing the predictable, comforting movements of your eyes as you spoke. “this isn’t fair, you guys know me already-“

“that’s the point!” sasha exclaims.

“is it, really?” jean argues with a roll of his eyes. Connies arms shake your shoulders when you try to take another bite. Marco tells him to not accidentally choke you, but connie’s voice is loud enough to drown him out, “just make shit up!”

“yeah, but its so obvious.” A pause in his movements allows you to think. Think. Think about how all the decisions you’ve made have led you here. the warmth that held you now fully grasps your frame, making you smile widely, swallowing the piece of bread. “okay, so,”

Its obvious. Clockwork, how all of your friends lean in close as if kids around a bonfire. Jean’s eyes – not as if they’d ever left you – now unabashedly stare at you expectantly, sasha leaning in closer while taking a bite, connie’s arm pressed up against yours and marco leaning on the table directly opposite you. “I had a hamster that I accidentally killed that my mom screamed at me for-“ the obvious lie. Jean’s eyebrows lift, a small smile playing at his lips at your attempt. “-I would lie to everyone and tell them I was born out of my country-“ jean nods. “- I slipped off of a bike that my brother was riding and didn’t let go.” Jean tilts his head. This story, he hadn’t heard.

Theres a beat of silence, again, and sasha hums in consideration. Connie immediately has an answer “the second one is the lie!”

Marco scoots closer to the table, “no, wait, that would mean that the first one is the truth.”

“oh my god, you killed a hamster?”

You shrug, a smile spreading your lips. Jean leaned back, having already figured it out. “so you slipped off a bike?” he baits.

You take it unknowingly. “yeah. We were kids-“ with the way you’re describing it, jean thinks, he’s already won. Nobody would decorate a lie like this, and his heart beats into his ears as you continue, his eyes impossibly catch all of your movements. They’re ungraceful, clumsy, there are crumbs of crusty bread on the corner of your mouth and your hair has frizzed up a bit with the weather and jean cant help but to think about you the way he always has. Everything you do is inexplicably you, without any room for anything else – like clockwork. The same excitement that has always been there unknowingly chimes itself in his heart, but it doesn’t feel precise and calculated because it’s always been there, all the ups and downs of your voice have been cultivated through the years of living and jean hates how even that small fact makes him want to spend the rest of his life with your cultivated mannerisms.

“- and he had just learned how to ride a bike without training wheels-“

“wait he’s bigger than you?”

“elder,” marco corrects. Jean groans. Sasha calls him a grammar police. Connie sounds the alarms with his mouth. You continue, the smile on your face unaffected at the intrusion. “yep. He’s elder to me. Five years. Yeah, so, we were at my cousin’s place, right, and he had this old-ass rusty bike and my brother told me to get onto the passenger seat – which, by the way, wasn’t a passenger seat, it was like the end of the cycle where you can pinch your bag onto it and stuff.”

“oh, the rat trap!” connie says. You nod. “yes. Exactly. I was like, five, and I sat on it with my front facing his back-“ you held up your now free hands in front of each other, the palm of your right hand facing the back of your left one. Jean’s heart swells with adoring eyes watching, uncalculating, unaware. “- and obviously, it was uncomfortable. And my brother was laughing and driving really fast, and I was laughing too, and all my cousins were there. Which is six of us. And they were all watching us, him, driving, and then-“ jean thinks he’s in love with you. “-I fucking slip.” You drop the bomb with a laugh that sounds more like a hiccup. Jeans heart flutters, finally able to catch its breath after running after one, trying to catch yours.

“slip?” marco inquires, sasha squeaks, connie gasps. Jean breathes in, you say “yeah, and I was so stupid- “ he breathes out as you continue, his head tilting, listening, controlling, choosing to listen to you. “-because I didn’t let go of the.. mouse trap thingie, and so-“ sasha gasps now, too, “-I was gripping the back of the cycle, and my chest was like, being drilled into by the back wheel. And my brain shuts off and I don’t let go for some fucking reason, and my brother cant hear me because of the wind, and my cousin has to run into him, essentially, to stop him.”

Sashas mouth falls open and marco looks at you wide-eyed, connie grasping his own chest as if the accident had happened to him. Jean mutters, “so that’s one truth.” And all hell breaks loose. Well, almost. Connie crawls towards you, sasha jumps into a million questions and marco turns to jean.

Its like a secret he knows. Leaning in, he says, “youre not being subtle, y’know.”

Jean’s face turns red. “I don’t know what you-“

Marco rolls his eyes with a cheeky smile, “sure. You cant lie for shit,” he says, turning back to you three. Youre telling connie in vivid detail about the injury you took, the smile never leaving your face, and marco calls out to you.

“what happened after?” he asks. you shrug, “I don’t know. I don’t think he got in trouble for it though, it wasn’t his fault. But also because he’s my mom’s favourite.” You say, leaning forward and snatching the last garlic bread, splitting it in a messy half. The lack of a plate under your hands creates more mess on your sweatshirt, but you don’t care. Not when it’s like this, with everyone around you, and you think about how, despite all the truths and stories that you haven’t said out loud but have indignantly shaped you with stubborn hands – all of them led to this. no amount of crumbs or stains would deter you from the affection that blooms in your chest, as sasha and connie judge if the story you just spelled out was a lie or not. Jean argues, adamantly, that it couldn’t have been a lie with your elaborations – that’s the reason he uses. Not because he knows that the first one is obviously false, no, its only because he knows how you get when you’re telling a true story. He knows the exact differences between your demeanour. If it’s a professional setting or if its one of those casual days that jean brings you ice cream and you have no choice but to spill the contents of your life into his mind, unknowing of how it takes root in jeans head, the remnants of it growing into his heart. He knows the difference between how you’d deliver a fact or something your passionate about or the easy lies that you tell as an excuse of your absence because the truth is heavier than you’d like it to be – the difference between the truth and the lie is that the truth wouldn’t make you shudder as much as a lie would.

The truth of being in love with you however, made jean shudder. He was raised on honesty. You were raised on the veils, on the deceit of adults, seeking out the honesty rather than wanting to shy away from him. Jean wanted the opposite. He wanted his feelings to be a lie just so he could look at you, your face, your eyes, and deny all feelings he held towards you.

But he still held them with force. With choice. With deliberation.

You glance back at the window. Marco got up, towering over everyone as he declared, almost comically, pointing at you. “the first one’s a lie.”

Your brows raise up with challenge. You look around, waiting for anyone to argue. You concede with your hands lifted and your head bowed. “you got me.”

Connie scoffed. “I was right.”

“you were literally the furthest away from winning,” jean says. The other, uneaten half of your garlic bread lies still in your fingers, waiting for an opportune moment to strike. Connie rolls his eyes. “you’re afraid of me. Whatever, my turn!”

“im not afraid of you!”

“I once ate ink-“ connie continues. You turn to jean, finding the opportune moment striking as his eyes trail yours, then reach down to your hand that offers him the other half of your bread. You whisper – god, you’re leaning so close, and jean doesn’t glance at you because in truth he didn’t know what would happen if he did, “thanks for the bread.” You tell him and he hears the gentle warmth in your tone. He grasps it from you. it’s a secret. It’s a choice. Its deliberation. Its clockwork.

You turn back. So does jean. He’s scooted close to you now, and marco has to stop himself from rolling his eyes as he sees what transpired before him.

An obvious lie – it wasn’t raining. There weren’t the clouds you so adored lining up the sky, reprimanding humanity for having forgotten their beauty. And then there’s a less obvious but more present truth – you love jean as naturally as clockwork, the rain pelts harder and you observe two raindrops racing each other, your eyes focusing back to the reflection of yourself in the game, pointing out to connie’s obvious lies.

And the other truth – there’s certainty in jean’s voice as he calls connie out on his bullshit, and then he looks at you and he’s swimming in the force of loving you and even if he’s safe inside, he feels rain on him as he sits with the fact that your warmth isn’t going anywhere and that it’s a choice. Deliberation. Its force.

It’s clockwork. He wouldn’t change it for anything.

#jean kirstein x reader #jean kirstein #jean kirschstein x reader #aot #jean kirstein x you #shingeki no kyojin #attack on titan #jean kirschtein #marco bodt #connie springer #sasha braus #fluff #modern au

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lonewolflupe · 1 month ago

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I thought it would be fun to write a little bit about myself, so come over and get to know me! (As far as I know myself because I didn't come with a manual so I'm still figuring myself out..) If you have any more questions, feel absolutely free to ask them!

Expect a karkload of ramblings below the cut, this turned out so much longer than I intended I am so sorry, no one is probably going to read this but I'm just leaving this here anyway because I don't really have people to share my ramblings with

PERSONAL

My name's Julie (she/her)

Lupe is actually my OCs name, but I adopted it as a nickname here on Tumblr when I first started posting and I kinda stuck with it

Quickly approaching my 30s help

I'm from the Netherlands 🇳🇱 so my first language is Dutch

That obviously means English isn't my first language, so please excuse any errors in my writing

I am Dutch, therefore I love cheese 🧀 (like Gouda, NOT cheddar)

I am an archaeologist! I've been a history nerd all my life

I work in a museum (obviously one with a history collection)

My #1 all-time favourite animals are wolves

In RL, I am super introverted and people scare the kark out of me

I never got any diagnosises, but I'm pretty sure I'm neurodivergent

I prefer the internet over meeting people IRL, because I feel way more comfortable to be myself and ramble about the things I love online than IRL

I tend to switch between my several hyperfixations from time to time, but I really hope to stick around the Star Wars fandom for a long time <3

HOBBIES

Star Wars obviously ahahahaha what are you doing here otherwise?

Drawing, writing, photography, gaming, history, nature, collecting, listening to music

Drawing: has always been one of my favourite pastime activities. I used to draw wolves almost non-stop, until life happened I guess? I only recently picked up drawing again. Drawing humans is a struggle, but it's so much fun practicing with clones <3

Drawing: I'm currently drawing with my ergonomically irresponsible mouse in Photoshop CS6 (I've been using the same software for over 10 years now and I am too afraid to switch to something newer)

Writing: I used to write stories about wolves (shocker) but same as with drawing, life happened. Until I recently picked up writing again! I started writing fanfiction for the first time when I started posting on Tumblr around June 2024

Writing: publishing a book has been on my bucketlist for a long time but I'm not sure that's ever going to happen, so let's keep it with fanfiction for now (which I am REALLY enjoying)

Gaming: I prefer gaming on my PlayStation 3 and 4, but I occasionally play PC and Nintendo Switch games. I mostly play single-player games. Assassin's Creed got me into gaming and is still my favourite series. I also really enjoy The Witcher III, Red Dead Redemption I + II, LA Noire and Far Cry Primal. And others, obviously

Gaming: I play Pokémon GO! If you're a player as well, shoot me your friend code and I'll add you (:

Music: I'm a metalhead; metal is my favourite genre! But I also like (hard) rock and (folk) punk. My favourite metal subgenres are power metal and folk metal. But I can listen to movie/game soundtracks for weeks as well!

Music: Rammstein got me into the heavier stuff and is still an all-time favourite. I was a die-hard Volbeat fan for years, but I haven't felt drawn to their latest releases. My current favourite band is definitely Powerwolf (more wolves lol)! Other favourites are (among many others) Sabaton, Amon Amarth, Slipknot, Nightwish, Within Temptation, Dropkick Murphys, Flogging Molly, The Real McKenzies, Heilung, Wardruna, Eluveitie, and some amazing older stuff like Alice Cooper, Pink Floyd and E.L.O.

STAR WARS

This is where the fun begins

I've been a Star Wars fan for as long as I can remember

My brother and me used to watch the OT and Ep I on VHS when we were kids and were lucky enough to see Ep II and III in cinemas

I missed watching EP I in cinemas this May (due to its 25th anniversary) because I was moving homes during that time and I am still crying about that, see you in 5 years I guess

What I like about the Prequels: everything? Obviously the clones ahahaha. But kinda everything. The setting, the plot, the characters, the tragedy. I know there's a lot of hate on the writing, but I grew up with them and I think they're awesome. Definitely not perfect, but (and please don't hate me) I would choose the Prequels over the OT anytime. Also the meme material coming from this?? Legendary.

What I like about the OT: the story and the characters! It felt less complicated back then, more about good and evil (there's a lot of grey area now, which is obviously more realistic; but as a kid growing up with the movies, good vs evil was less complicated)

What I like about the Sequels: BB-8, porgs, and the Somehow Palpatine Returns-meme, that's it. Maybe Poe Dameron, but that's probably because it's Oscar Isaac.

I also VERY MUCH like Rogue One; what a wonderful and sad story. I won't shut up about how much I love how this story blends into Ep IV/the OT; I think this was so well done, I- aaaaaaah I love it

What I like about the animated shows: CLONES. Clonesclonesclones. And Ahsoka. And a lot more, but at this time, the clone brainrot is real. I actually really like how some things are further explained in the animated shows (I think they're a real addition to the movies/story). And the angst and the tragedy, ugh my heart. Also the animation style of course! And clones, did I mention the clones?

Favourite characters (non-clones): Ahsoka Tano, Darth Vader, Obi-Wan Kenobi (prequel era), Plo Koon, Aayla Secura, probably Darth Maul too, Jyn Erso

Favourite clones: Hunter (he started it), Fives (I cannot put into words how much I love and feel for this man I just need to wrap my arms around him and tell him it's alright and that he and the clones deserve so much better and that I'm there to listen to him and it's going to be okay I'm going to make all his problems go away and also some adult stuff I'm not going to write here), Echo (my beloved), Wolffe (awooooooo), Cody (good man that Cody), Rex (obviously), Fox (you matter but please stop drinking caf and get some sleep), Vaughn (my love, my heart, my soul; I would die for you) (> I get obsessed over a different clone pretty often but it's safe to say I love all clones)

Favourite droids: R2-D2, Chopper, BB-8, Gonky, K-2SO, (also BD-1 is super cute), the droids helping out Ahsoka during Shattered/Victory and Death (R7-A7, CH-33P, RG-G1), mouse droids, (I haven't played Outlaws yet but I have normal feelings about ND-5)

Favourite animals: loth wolf (duh), tooka, massiff, varactyl, acklay

I used to collect Star Wars LEGO and Hasbro and I would love to put those on a shelf/into a cabinet one day

I would love to go to some sort of fan con one day but I'm afraid I won't survive all the stimuli/amount of people there

I did visit the Star Wars Exhibition in Brussels somewhere in the late 2000s/early 2010s; it was kriffing majestic

I used to play Star Wars Battlefront II (2005) with my brother all the time. We played it so much the disc got damaged by the PlayStation 2 itself and obviously we bought it again to keep playing

I played Jedi: Fallen Order (2019) and it was awesome! I really need to replay it so I can play Jedi: Survivor (2023) afterwards (haven't played it yet, I need to get myself a PlayStation 5 first, RIP)

Since we're talking about PlayStation 5, I'm dying to play Outlaws (2024) help (I need to know what is happening between Kay and ND-5??)

I really want to play Republic Commando (2005) (I even have a PS4 copy laying around) but haven't found the time yet

LASTLY

So one of my other hyperfixations is Spirit: Stallion of the Cimarron (2002), the 2D-animated movie by DreamWorks. (I know, I'm super weird; I'm a metalhead switching between Star Wars and an animated movie about horses (and some other hyperfixations but let's not go there).) I even created a fansite, if anyone's interested (which has still lots of WIP-pages I'm sorry I'm into Star Wars at the moment)

Alright that was a lot of super random information no one asked about. If you've come this far, holy kark my utmost respect to you, please leave a comment so I can send over some cookies because you kriffing deserved them?? I might consider writing a ficlet for you.

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#lonewolflupe #lonewolflupe rambles

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avaantares · 1 year ago

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Wait, Zhao Yunlan's gun is actually a...?!

(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)

SO. GUYS.

Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.

I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.

Y'know, this disaster:

I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.

Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.

Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.

That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.

Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:

So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:

It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.

Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?

This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:

Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...

Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.

Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?

(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)

#guardian #zhen hun #c-drama #guardian bingo #assassin's creed #tv props #it's always fun when my various hats end up stacked on top of one another

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rottenpumpkin13 · 4 months ago

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Responding to the Zack/Seph friendship thing as an ask because I have no idea how shares work and the comment space isn’t long enough :P

But as fun as that idea is- that Sephiroth didn’t do it because Zack reminded him of his dead friends- I honestly think it’s because he just couldn’t relate/was too distressed from everything else happening. I know CC happened within the span of like… five years? Maybe? And I’m not sure how all those events line up in the timeline but regardless, I think it’s mostly because Zack was young, a couple years younger than Sephiroth, and Sephiroth mostly became friends with Angeal and Sephiroth because he felt they could understand him, since they were also part of a similar “project” like he was and- I believe this played a HUGE part- he thought them to be the closest to his strength level. I think him being so far superior to everyone else in every way was what caused him to be separate and that was something he was very aware of, and now there are these two people who are almost as good as he is and so he knows they’ll treat him as an equal rather than as a hero, idol, or something surpassing a human.

While Zack was also undoubtedly strong, I don’t think Sephiroth ever viewed him as a friend, he just viewed him as Angeal’s student and probably didn’t feel like they could ever be equals. Because as much as I don’t think Sephiroth ever wanted to be different, I think he still had a good degree of arrogance nonetheless. Deep down he knew he was better, and he knew what that entailed, including always being set apart from others unless they were in the same league he was. There’s an argument to be made that Zack DID at least reach the same level as Genesis and Angeal did by the end of CC, but Sephiroth probably already had a notion of what Zack was like and his perception of him never changed even as Zack progressed.

Of course the events happening in the game probably didn’t help, so to that agree I do also agree with your assessment of why Seph and Zack never got closer. I mean his best friends basically both died and now he’s left alone again, and prior to that it doesn’t seem like Seph really knew Zack beyond just as Angeal’s student so they never had time to bond when things were alright, and afterwards Sephiroth didn’t have the will to befriend someone else- who he never saw as an equal, who he always thought was weaker- who would also likely die. If these two people who he thought to be on par with himself died, why would this weaker person serve as a decent replacement?

I have my own qualms with Angeal and Genesis- particularly Genesis- and how they treated Sephiroth, but in Sephiroth’s mind it was enough that they were willing to spend time with him and treat him like a human, regardless of the fact that they were closer to each other than they’d ever be to him. Great and now I’m sad about Sephiroth all over again 🥲 the poor guy really had nobody. It’s no wonder he went crazy. Actually it’s a wonder he was a good person for 25 years before he snapped, most people would’ve gone full Homelander a lot earlier.

Sorry for the rant, it seems like the question riled me up a bit 😅

I'm going to put myself in Sephiroth's shoes and say the emotional and mental exhaustion he endured from everything that happened in Crisis Core—from the training room, degradation, desertion, the Genesis War, Angeal's death, and then Nibelheim—would be overwhelming. If it were me I wouldn't have the energy to relate or form friendships with anyone after that and wouldn't want to, and things like that would be the last thing on my mind. That last post was just a depressing thought I had at *checks watch* wow it's late. I think it was the trauma and exhaustion from everything rolled into one blunt that finally got smoked at Nibelheim.

Though I do think Sephiroth cared for Zack in some way, part of that definitely had to do with seeing a bit of Angeal in him since Zack inherited his sword and all. I can't say it better than @altocat did in this post, but the signs were there.

And I'm going to politely disagree with Sephiroth being arrogant. I don't see him as someone who cares about status and being equals with someone or not. He was thrust into a position at a young age and grew up naturally isolated at the metaphorical top, but I don't think that made him arrogant at all, and if anything this isolation fueled the loyalty and devotion he had towards the few friends he did make. I also see Sephiroth as someone who doesn't open up to people easily. We know he knew Angeal for years before Crisis Core when they were young teens—and if you want to add context from Ever Crisis, this would be right after the Rhadore mission where all that happened, so Angeal's (and Genesis's) friendship came at the right time.

I would say Zack's did too, but again, plot context is key, and Sephiroth was already going through so much in CC. Also, kind of like you said, there's the relatability aspect and the age gap, but I personally don't think it was because Sephiroth saw Zack as inferior to him in any way.

#ff7 #ffvii #sephiroth #discussion

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riddlerosehearts · 9 months ago

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okay, i've got some things i wanna say about twst EN's translation of scarabia's story that i was originally typing out as part of a response to an ask, but then i realized i was going off on a bit of a tangent and was like "this could basically be its own post"--so now it's going to be its own post!

i'm a twst EN player, and for the most part, i do really like the localization. i don't speak japanese but i love learning about language and the process of translation and localization, so at one point after finishing books 1-5 i went and reread them all (and 6 as well, once it was fully released on EN) with a fan translation and the localization side by side to compare them. and from what i could tell as someone who isn't a japanese speaker, i honestly thought it seemed like they usually did pretty well? sure, there were a few mistakes like cater claiming to be an only child (this one, i think, has actually been fixed recently), or how in book 2 they removed a small mention of falena making it seem like he's never mentioned at all until leona's flashback and they also removed the numerous times that he said "be prepared" (at least they finally properly translated it in book 6, though!!). but i thought most of these mistakes were somewhat minor and could be forgiven... until book 4 (well, and book 5, mostly in regards to vil and epel's conflict and i'm not talking about them here, so).

see, i actually realized that something was off about the localization when i first played through book 4, because i have a weird memory and have picked up a bunch of random words and phrases from being into japanese media and reading so much about the localization process. and i also play twst with the sound on because i love to hear the voice acting. so sometimes i would hear jamil speak, i'd pick out the words "shujin" and "juusha" for "master" and "servant", and then the subtitles wouldn't include them at all. so i'd guess certain things about the actual intent behind the story based on that. take this message i sent to my friend when i was sharing my blind reactions to the game:

and she ended up telling me that apparently, what i thought he should say essentially IS what he originally said!! according to the fan translation on wiki.gg he said this instead:

i had wondered if maybe i was reading into things and assuming too much, but it turned out i was completely spot on! but most people who play EN would not be able to pick up on this and realize that jamil was born into servitude to kalim and has no escape, because as i later discovered almost every single mention of him being a servant at all was removed, in events and vignettes as well. which is actually really weird to me because they don't remove it entirely, they do in fact bring up the fact that jamil has to test all of kalim's food for poison during book 4 and they also left in a line where he says he "works as kalim's servant". but they only really mention these things once or twice and then they try to sort of play it off as jamil being a paid employee or something most of the time... seriously, during beanfest there's dialogue where jamil says it would be rude to refuse an order from his boss but i've read that that line was originally him saying a servant couldn't disobey his master. and in the scalding sands event he calls himself "a dedicated employee" of kalim's... what, am i supposed to assume he works as a butler by choice or something? yeah, no. also, one of his birthday vignettes, which are fully voiced so i could TELL he said, with a devious smirk on his face, that if he had a parrot the first word he would teach it would be "shujin-sama". "master". what did EN change this into?

the person i was originally writing all of this in response to said that sometimes people's takes on jamil make them wonder if people are reading a completely different story but also that part of that can probably be blamed on the way EN completely changed the context of his situation with these translation choices. and yeah, i fully agree with that assessment: more casual fans or people who just aren't that interested in the scarabia duo could be said to be reading a different story with this whole "boss" and "employee" thing that has jamil make it sound like the worst that could ever happen to him if he got in trouble would be getting a really stern lecture from his parents.

and it makes me sad because i really do love both jamil and kalim so much and i think their dynamic is so tragic and complicated and interesting to think about. i think they're both really complex characters who are trapped in an awful situation. kalim is so kind and loving and would never wanna hurt anyone but he hurts jamil just by existing as part of the fucked up society they live in. kalim thought he and jamil were best friends, he had no idea of the toxicity of their dynamic and the pain jamil was in, and people say jamil should've just talked to him about it earlier... but jamil's first memory as a child is of seeing his parents bow to the asim family. being a servant is practically all he's ever known and he's had it drilled into his head since they were both small children that he can never be himself around kalim, can never just treat him like a normal person because he's a servant and kalim is his master. and even if he did accept kalim's offer to start over as equals and be friends, what would happen when they had to go home to their families? they won't be at school forever.

and i just. augh. i hate what the localization does with them. if you try to water them down to just an employee who's super mad at his obliviously crappy boss, or just two childhood friends who needed to communicate better or something like that, then you take away from the complexity of both characters. you also lose extremely cool writing choices like how jamil is a character who was born into servitude but has the power to make himself the master with his unique magic. i see so many takes about how jamil is just a jerk who betrayed his best friend and how kalim never did anything wrong in his entire life and i hate it but i'm sure the localization's choices are in fact to blame for a lot of this.

so anyway jamil and kalim's actual dynamic is fascinating and lives rent-free in my head, no thanks to how the EN version gutted it.

#twisted wonderland #jamil viper #kalim al asim #going to also add a small thing here in my tags: i personally don't ship jamil and kalim lol #i just love their dynamic... platonically?? feels like the wrong word because they're not really friends LOL #not in love. not even friends. but tied together in a secret third really fucked up and tragic way.#and the secret third thing is NOT 'annoying boss' and 'minimum wage customer service employee'#this also isn't meant to be discourse about like #'if you interpret their dynamic Wrong then you're stupid and i hate you' or whatever #because i'm mainly just complaining about what the translators did 😭#scarabia boys

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findafight · 2 years ago

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I’m a sucker for Steve learning about the party’s interests, do you have any thoughts about the kinds of things he’d do for each party member? (E.g. he has the ability to recognize tony hawk, despite his inconspicuousness, because of max’s skateboarding)

Actually now I'm obsessed with the idea that Steve is one of the few people who are not personal friends with him who is able to identify Tony Hawk without a skateboard. Like. Steve is an athlete and respects athleticism, and gives credit where it is due. (He does NOT allow making fun of Olympic athletes, even the weird sports, just because some people don't appreciate how hard you work for it.) So he's like "wow that Tony guy sure is talented. He is so high in the air. Good for him." And never forgets his face. At some point someone shares one of those "didn't recognize actual skate legend Tony Hawk " stories except it ends with "and then the guy in pastels standing beside Eddie Munson slapped his (Eddie's) chest and went "hey!! That's Tony Hawk!! Let's see if we can get an autograph for Max!" And I realized I had been making awkward small talk about cocktail weenies with sports legend Tony Hawk while working up the courage to ask Eddie Munson for an autograph."

He also tries to learn how to Ollie but he's actually really nervous and wears all the protective gear possible and is only able to go forward. (This is from my personal experience being post concussive and not a good skater. It's scary! My brain meat is delicate!) But Max tells him it's okay and talks about the skatepark in California and some of her old friends from there, and he tries to teach her how to make fried rice.(one of the only actual meals that isn't breakfast food he can cook really well completely from scratch) She gets him to do her hair with El because Steve is the only other person who understands that for El hair is a means of control, and that taking care of it is something important to that feeling.

He and El do jigsaw puzzles together and listen to folk music I think. El would appreciate having the option to talk or not, and likes listening to Steve talk too. Also I like jock El so he gets her overly invested in the Cubs like tells her all the lore and she's obsessed with the goat and she joins a softball team. When she first yells at an umpire for a bad call Steve almost cries of pride. Like. Finally. He's not the only one who Gets It.

Lucas and him bond over basketball yes. But Lucas doesn't yell at refs, and Steve gets why but thinks it's very fun when people yell at officials. Also I think they watch clouds together after practicing. Just nice peaceful, laying on warm blacktop and staring at the sky. Maybe El joins them and Lucas and El can bond this way too. Steve and his little jock siblings. (Why does no one consider max a jock for skateboarding? I guess it wasn't really seen as a sport for a long time...hm..)

Steve also bought a flat of new coke before they stopped selling it and keeps it for Lucas on movie nights or whatever and everybody always yells and groans because where is getting that!! It was discontinued!! Also they watch anime together. Erica and Robin join.

I can see him getting into some video games with Dustin and Mike and Lucas. Only the two or more player ones though he doesn't like playing alone. Like. Okay this whole post has anachronisms but please imagine him playing Lego Star Wars (complete saga) with Dustin. The chaos. The yelling.

He's absolutely a pinball guy. They go to the arcade and everyone does their thing but then end up cheering Steve on as he goes for idk star trek pinball glory. Without even tilting it! Idk what to tell you but Steve def loves pinball.

Also before his dad cut him off or after he gets some kind of inheritance he does a very financially secure impulse buy: he purchases an arcade game. Full size. I am partial to Asteroids because that's what my dad impulse bought in the 80's and had it in our basement growing up but let's keep this going he has a themed pinball machine. Icon.

He 100% reaches Dustin to drive. Mrs. Henderson asked him because Steve just looked sad when she mentioned teaching him and she was like well...we could BOTH teach him :) (because she has mentally adopted him. She told him to call her Ma and he does and Robin is like Steve. That's your mum now. And Steve's like no... Everybody calls her that. And she saysnSteve. Only Dustin. Her actual literal son. Calls her that. Guess what that makes YOU.)

Steve and whole party Lego Building Buddies? Mayhaps?

I wish tamagotchis were out in the 80's because Steve would be so diligent a Tama babysitter Erica would sell his services to her friends if they needed it lmao. He'd get all squinty and concentrated you know he'd highscore jump rope but not get the shapes game (me too buddy). Alas. Not to be.

Instead he listens to her talk about her elementary and middle school drama while looking for four leaf clovers. He also has watched MLP with her and may have teared up a little. Also, of course, she is his one true Game Master. Sorry Eddie

Mike is harder...maybe they bond over making snarky comments about people in movies, and then talk about how actually is car racing a sport? And it'd be sort of awkward because Mike has Nancy as an older sibling (even if they don't get along) and he's holding on to animosity that's pointless now. Plus Dustin and Lucas both seem to see Steve as a big brother and friend figure, but like. It's a bit weird for Mike. But still, Mike knows if he bikes to Steve's at two am he'll be hauled in and forced to sit down and asked if he wants a hug and hot chocolate.

Same with will, except Will has Jonathan (El does to but it's different) so at first they're sorta🧍🧍 staring at each other. Steve has to be like sooooo wanna. Tell me about Wizards? Or something? Cool...rocks? And Will would realize that this guy's just, y'know. A guy. Probably similar to Mike except he's not begrudging about it.

I guess a lot of Steve and the party is him listening to them and letting them actually be silly and kids, making snarky comments about the highschool dramas happening, and encouraging them to try different things (he did!) And figure out what they like outside of what they think the rest of the party likes.

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