#i almost feel as though its better to go OVA first with this series and then the manga

[youreaclownnow]

And so with that, I've completed my rewatch of the earthian OVAs. I loved them, as always.

I still have to wonder though. why they decided to go with a whole new anime only arc for the last 2, it's always confused me a tad. OVA 1 and 2 def feel far more in line with the manga than 3 and 4. It's a good thing I like messiah so much otherwise I'd probably hold a different opinion here, mostly over the wing ripping scene (the OVA it's just kinda hot, not a lot more. and in the manga? Well let's just say I cry everytime I read it. Due to the context in which it happens, and yes that entire manga arc gets skipped over in the OVA and not addressed. Because they were COWARDS [actually it was probably just time contraints tbh]). I also feel like some of The House drama isn't as.... impactful in the OVA, at least as far as how it ends. The themes and such are overall a lot weaker in the anime, but honestly? I don't think it's a bad thing necessarily. What the show does wrong is easily forgivable, and what it does right is simply fantastic.

I gotta say, my main draw for the anime rendition of earthian, is the gorgeous art and absolutely awesome soundtrack. Plot holes and wacky choices aside, it's fun to watch and i believe that's very important in an anime, and is something a lot of shows lack.

While the manga is certainly better than the OVAs, I feel the best way to experience the series is in fact, to consume both.

[liugeaux]

A Definitive Ranking Of Every Incarnation Of The Teenage Mutant Ninja Turtles

Seven years ago I was so butt-hurt by an Uproxx article that I wrote a response with my own TMNT incarnation ranking. Was I right to do it? Absolutely. Do I regret it? Not at all. I stand by that ranking and where the TMNT property was in 2017. Read it here.

What HAS happened though is multiple versions (incarnations) of our beloved turtles have been rolled out in the past 7 years and I think it's time to re-rank them. This will be similar to the reposts common in this blog, as it will have a lot of old content, but it will be a full-on refresher with a brand-new definitive ranking. Here we go!

17. Saban’s Ninja Turtles: The Next Mutation

The Next Mutation is the worst. While technically a hit TV show, TNM is a reimagining of the Turtles in a similar style to the hyper-popular Power Rangers of the time; and created by that same production house. It was too goofy, too Japanese, and pandered to a completely different audience. Any charm or goodwill the original show still had was flushed right down the drain after the launch of The Next Mutation; not to mention the introduction of the cringe-worthy Venus, the fifth Turtle. The Next Mutation is best forgotten, but sadly never will be. 

16. Japanese OVA - Mutant Turtles: Superman Legend

Not included in the original list because I didn't think it was a substantial enough incarnation to include, Superman Legend is a gem if you like weird 90s anime. If you don't, skip it. When I say skip it, I mean it. It doesn't feel like a Ninja Turtles story and while styled after the Fred Wolf TV show, it drips of cheesy anime tropes and is, at times, hard to watch. I include it here as almost a warning against possibly watching it.

15. Konami’s Video Games 

At the time, Konami’s video games seemed awesome. The arcade games and the classic NES games gave children exactly what they wanted, a way to control their favorite turtles and fight the foot. In actuality, the original arcade games were built as quarter-eating button mashers. There was little nuance to the games themselves and the home console releases were either bad (that first NES) or were trying to recreate a game on a platform for which it wasn't designed (TMNT II, Manhattan Project, Turtles in Time, etc.). If you wipe off the thick film of nostalgia, it's easy to see these games really aren’t that good.  

14. Platinum Dunes’ Movie (Series) 

The two Platinum Dunes movies have a style to them, and it's best we leave that style in the 2010s. Everything from the Incredible Hulk looking over-design of the characters, to the disasters of plots, there is very little to like about what Michael Bay’s production company did to our beloved Turtles. The films have some decent action and comedy, but a lot of the creative directions taken leave the heart of the Turtles unrecognizable. Out of the Shadows was better than the first film and did a good job capturing the feel of the original cartoon, but it still committed a lot of the same sins, despite being the "right kind of dumb".  

13. Fred Wolf’s Original 1987 Animated Show

It’s funny how the most popular of all the incarnations is also one of the worst. The original cartoon is a victim of its era. The animation is bad, the plots are silly and sometimes nonsensical, and many episodes are just thinly veiled advertisements for the mega-successful accompanying toy line. Still, there’s a charm to that old show that made it popular for a reason. Presented as the figurehead of late 80s cartoons that it is, it might be a masterpiece. Presented in a vacuum, apart from the craze, that old show can be unwatchable. This incarnation is another victim of nostalgia and is probably best experienced through t-shirts and merchandise, not through actual experience. 

12. Image’s Vol. 3 Comics

Die-hard Turtles fans love to point at Image’s short-lived run of comics after Mirage’s first hiatus as being “Amazing”. “Volume 3″ to which it is referred, was planned as a continuation of Mirage’s colorized Vol. 2. Sadly, it followed many of the tropes of late 90s comic books. It was more violent than its predecessors and even went as far as having two of the TMNT get deformed. Donny becomes a cyborg and Raph’s face gets disfigured. At the time it was a fresh take on the characters and seen as bold and unpredictable. Because of this, it should hold a legit chunk of respect, but in practicality, it wasn’t great. 

11. Batman Vs. TMNT Crossover Comics and Movie

This is, by far, the hardest incarnation to rank. It's not bad, and in most ways it's great. However, taking a generic version of the TMNT and planting them in a story beside The Dark Knight creates an un-winnable situation. Character development must be spread across two universes and cannot be too in-depth, because you can't stray too far from the core essence of either property. Fans love this version of the Turtles and I don't blame them. It boils the 4 brothers down to their core traits and, through solid writing, creates an entertaining romp that plays into both properties' tropes. Where the Batman/TMNT crossover succeeds in entertainment value, it completely fails in compelling story-telling.

10. Archie’s TMNT: Adventures Comics

More comics from the 90s! Archie’s TMNT Adventures was less an Archie production and more a shadow Mirage title that was created mostly in-house under the eyes of Eastman and Laird. Its origin as a spin-off of the TV show made for a unique niche. Many of the stories and characters resonate to this day and If I were listing my favorite TMNT comic artists, Chris Allen would be in my top three. One of the title’s strengths was the secondary characters. Verminator-X, Armaggon, Ninjara, the Mighty Mutanimals, and Cuddly the Cowlick, are all great additions to the greater mythology of the series and many of them have returned in other media. As much fun as these were to read 30 years ago, a distinct lack of character development in the TMNT, and a heavy handed environmental agenda being pushed make these hard to read today. Those Future Turtles are the bomb though…

9. TMNT: Mutant Mayhem

I have thought long and hard about where Seth Rogan's take on the TMNT belongs in the pantheon of turtle stories. From an entertainment standpoint, it's fantastic. The film is incredibly funny and breathes fresh energy into tried and true character archetypes. Does it represent the legacy of TMNT as a franchise? I don't know. We've been promised a lot more of this incarnation, so our questions will likely get answered as series staples like Shredder and The Foot get introduced, but as it stands, Mutant Meyham is a fantastic anomaly ripe for exploration.

8. New Line’s Original Movie Trilogy

America’s love for the original movie trilogy is justified. They captured a moment in American Pop Culture that was unique and somewhat bizarre. On the surface, a lot of the dialog can be cheesy and eye-roll-inducing, but that’s what the 90′s were. Looking back at them, the only one that holds up as a GREAT movie is the first one. The effort put into bringing the comics to life, while dabbling in the silliness of the cartoon, is visible. There’s more emotion in that first movie than most would care to admit. I’m not going to call it a masterpiece or anything, Actually, I am gonna call TMNT 1990 a masterpiece. The second two movies are what keep this incarnation from being higher on the list. The Secret of the Ooze is embarrassing and TMNT III is boring at best. The care that went into the first film just wasn’t there the second and third times around. 

7. “TMNT” Animated Movie

The Turtle’s franchise timeline can be divided into 3 phases; Phase 1: Eastman and Laird, Phase 2: Laird only, and Phase 3: Nickelodeon. The “TMNT” animated movie was released during Phase 2, and because of that, it has Peter Laird’s influence all over it. During his solo time with the Turtles, Laird had very specific ideas about what he wanted to do with the characters and what stories he wanted to be told. Not goofy, not over-the-top, not too dark, and maintaining the series’ comedic overtones, TMNT is a weird movie that feels like a release that fell out of another dimension. Despite its plot being the most non-TMNT-ish story ever told, there is still a handful of scenes that are quite wonderful. The epic fight scene between Leo and Raph at the close of Act 2 is worth the price of admission. TMNT is a beautiful film that has a charm unique unto itself and it’s really a shame a sequel was never made.   

6. Rise of the TMNT

I'm sure putting Rise in the #6 spot can be seen as a bold move, but I stand behind it completely. Rise is possibly the most controversial version of the Turtles to date. Odd, and unnecessary changes to the lore and characters turned a lot of fans off of the project before it even launched. Taking a more comedic and short-attention-spaned approach to TMNT storytelling alienated many viewers, which means Rise lives on its own little island. Fans of Rise, LOVE IT, with good reason. It's hilarious, irreverent, sharp and stunning. By taking enough influence from anime to make the show look great, but not enough to make the show look ridiculous, Rise succeeds at looking better than ALL of its predecessors. Narratively, it takes some time to get to the significant story beats, but considering most TMNT stories aren't interested in telling a long-form story, Rise's approach to slow-drip-plot, is masterful. The Rise movie is a fantastic exclamation point on a series the creators knew was already dead. I almost understand why someone wouldn't like Rise of the TMNT, but it's hard for me to think someone gave it a fair shake and still didn't see the brilliance of its bizarre take on the TMNT.

5. Nickelodeon’s 2012 Animated Show 

After the Viacom acquisition, the impending TMNT cartoon show was an uncomfortable unknown. How closely would it stick to the lore? Would it go off the rails and break the series? Would it be too kiddy for a classic fan to enjoy? All worries were washed away when the show debuted in the Fall of 2012. Featuring the most fully realized version of the 4 turtles to date, Nick’s show was a breath of fresh air. There’s a spark to its dialog and it’s obvious the creators were proud to be working on TMNT. It's hard not to chuckle at least once or twice during every episode and unlike most kid shows, it's easy to care about the over-arching story. The changes made to the base origin and characters can be confusing, but each one has been interesting in its own way. As my good buddy Jeff often says about, it's a beautiful melting pot of everything TMNT. If you haven’t checked it out yet, Nick’s TMNT reboot is more than worth a watch.  

4. IDW’s TMNT Comics

The first real content to come from the post-Nickelodeon buyout was the IDW-licensed comic line. Not only did they immediately start frantically reprinting the old Mirage books, but they also launched a new ongoing title set in its own TMNT continuity. Without a doubt, this run has been the most exciting thing to happen to TMNT comics since…let’s say Mirage’s Vol.1. By taking a brand new origin and mixing old characters with new characters, Eastman and Waltz have found a way to re-tell a lot of TMNT history without telling any of the exact same stories we already know. My only real complaint about the book is that its a little too obvious that Nickelodeon has placed certain story restrictions on them. I.E. The Turtles don’t ever kill anyone, and death as a whole is kept to a minimum. Consequently, the book sometimes lacks the teeth of the original Mirage book.

3. The Last Ronin

After 9 years of a fantastic ongoing TMNT comic, IDW decided to stretch its legs and pull an idea out of the Eastman and Laird idea archive. The Last Ronin, is a stand-alone TMNT tale originally outlined by both co-creators Eastman and Laird. It's dark, violent, somber and bold. TLR is easily the best TMNT comic to hit the market since 1992's City at War, and it deserves the same reverence. Truth be told, outside of the original conception of the series, Peter Laird had little to do with its story. The volume was such a success, a teaser was written into the last book that introduced a new generation of Turtles into the fold. This birthed the Ronin-verse. As silly as that may sound, the transition to a new quartet of Turtles has been healthy and fun. The Last Ronin 2 starts later this year and I have no worries that the new TMNT will be built with respect to the originals. That's a feat in and of itself.

2. 4Kids’ 2003 Animated Show

The 4Kids Animated show was produced during the Peter Laird years and with a few exceptions it’s a love letter to fans of the Mirage comics. Unlike the original show, which took the loose concept of Ninja Turtles and built its own little silly world, the 4Kids show took many of its stories directly from the comics and carried a tone closer to that comic's run. Sure some things had to be changed because it was still a kid’s show, but the entire run feels like it's what Laird wanted to do the first time around, but not having complete control got in the way. The best part is that it has aged remarkably well. Despite all episodes being 4:3 SD, the characters and stories still pop to this day. Which, in the end, is just a reflection of how good the source material is.

1. Mirage’s Original Comic Series 

Of course, #1 had to go to the Mirage run. Sure, a lot of things can be said about how disjointed the entire experience is, and how bad some of the guest contributors were during the height of the TMNT fad in the early 90′s, but at its core, the Mirage run represented so many different things. It was the start of what would become one of the most successful creator-owned franchises in American history. Mirage was built from nothing (hence the name), and ended up taking over the world on the strength of the characters they created. Vol. 1 of the comics was an instrumental piece of content in the indy comic boom of the 80s and was a flagship, “creators have rights” book. The canonical stories from Vols 1, 2 and 4 are the turtles at their most honest and raw. Eastman and more-so Laird weren’t afraid of taking chances and even the stories that didn’t pan-out HAD to be respected. So, what incarnation is the absolute best? It's the Mirage comics, without a doubt, by a wide margin. Say all the good things you can imagine about the other incarnations on this list, but none of them are "Capital I" Important. Sure, they were great, charming and even dabbled in amazing, but Mirage rewrote the rulebook, and that’s something that will never be usurped. 

Cheers!

Addendum: The following incarnations were omitted because they didn’t make a significant contribution to the greater TMNT story.  

All TMNT Manga, The TMNT Comic Strip, The Action Figures (they aren’t being included because they are just an extension of the shows and movies, but they kinda had a life of their own), Coming Out of Our Shells Live Tour, Teenage Mutant Hero Turtles, The 4kids Based Dreamwave Comics, Later TMNT Video Games (Konami, Ubisoft, and Activision Published), The many other crossover comic book series out there.

[merry-kuroo]

Top 10 2020 Anime

Hello everyone! Its the last day of 2020, and like with every year, here is my top 10 anime list. This list covers anime that aired this year only :) Hopefully you can use this list as a recommendation for something to watch. But tbh this list is for me to remember which wonderful anime made my year a little brighter :D I apologize for any typos lol.

1.) Tower of God

AHHH! I love Tower of God so much!! So, I almost dropped it at episode 1 because I was really confused. But I stuck with it and I’m glad I did. Tower of God gave me HxH vibes, but it was still different enough where I didn’t need to compare the two. The opening and ending by Stray Kids was amazing too.

Because I loved Tower of God so much, I made a Webtoon account and ever since then I’ve been hooked on Webtoons. I’m really glad they partnered with Crunchyroll to bring us this anime!

I read the TOG Webtoon and it explained things a lot better. I highly recommend going to read it after watching the anime!

I hope there is a season 2, but I won’t get my hopes up :( I’m sure this anime was just advertisement for the comic.

So, yeah, go check out Tower of God <3

2.) Great Pretender

WIT Studio has done it again. First with Attack on Titan, then Seraph of the End. They keep bringing me my favorite animes.

I love animes that feature a found family, and cons. Great Pretender brought all of that and more. Great characters, jokes, missions, and music. The music in Great Pretender is fantastic (I mean the ending song is a Queen song!)

I still stand by my opinion that Part 1 was better. I wasn’t a huge fan of season 2 and the ending as well. I think they dropped the ball. But I still won’t let that stop me from recommending it to you! It was still fun to watch :D

I’m going to miss Team Confidence <3

3.) Weathering With You

So, I have been a fan of Makoto Shinkai’s movies for a long time (5 Centimeters Per Second will always have a special place in my heart). So, when I saw that Weathering With You was coming to the movie theater, I immediately purchased a ticket. It was such a surreal experience watching in the theaters.

This was the last movie I saw in theaters before...you know >.> I’m glad this movie was my last too. It makes it even more special.

Everyone, please go see this movie. It’s beautiful. It will make you laugh and cry. I left the theater with tears in my eyes. It was such a amazing experience. I’m patiently waiting for his next movie!

4.) Kaguya Sama: Love is War Season 2

My favorite rom-com returned with a season 2. The opening is still stuck in my head. It always will be lol.

Anyway, this season was not only hilarious, but there was development between Kaguya and Miyuki <3

Miko IIno was also a interesting character. She is so different from everyone else, so I’m excited to see how being on the student council will change her. Maybe she and Ishigami will start to get long lol.

Another thing that made this season special was Ishigami’s backstory, and how Miyuki saved him. I just really love their bromance, okay?

Please go check out Kaguya Sama: Love is War if you haven’t! It’s funny and heart warming <3

5.) Jujutsu Kaisen

I’ve been hyped for this anime for like a year! When it was announced last November, I was like AFJAIOFJAOGLJMAPOGJ

I love the manga, and the adaption is doing a fantastic job so far. I definitely ended up loving Sukuna more due to the anime adaption though lmaooo.

Not a lot to say here except, go watch Jujutsu Kaisen <3 and read the manga!

6.) Moriarty the Patriot

I wasn’t sure if I was going to like this anime or not. I only started watching it because people said Sebastian Moran was Daddy! Kuroo lmaooo

But I have to say...I do like that Albert was like “Oh yes lets bring William and Albert into our home” then William was like “Haha hey Albert do you hate the upper class and nobility too? You wanna murder your brother and parents, burn down the house, and reform society?” And Albert is like “DON’T MIND IF I DO!” (The Moriarty brothers are wild af, my God.)

I liked each individual case, and it got even more intense when Sherlock and John were introduced. Super excited for season 2!

The opening and ending songs are also fantastic. Go give them a listen!

7.) Digimon Adventure 2020/Digimon Adventure Tri/Last Evolution Kizuna

Tfw you go to buy tickets Digimon Last Evolution Kizuna, but all the movie theaters shut down :(

ANYWAY

I was super hyped when Last Evolution Kizuna was announced, and then the reboot of the 1999 anime. I finished up Digimon Adventure Tri...which could’ve been better tbh. I only liked the first three movies, so at least I got some good content out of them lol.

I like the new spin on the new Digimon anime, and I’m excited to see what they’ll do next. I kinda want a reboot of 02 Digimon...and Digimon Tamers and Frontier, but that may be pushing it lmao.

Last Evolution Kizuna was absolutely phenomenal. It was the perfect 20th anniversary movie :)

8.) Jibaku Shounen Hanako-kun

Another show I started at the beginning of the year! I read the manga in 2019, and I was happy to hear it was getting a anime adaption! I enjoyed this series a lot, and I really want there to be a second season. I feel like some stuff was left out. But the anime might have been created just to promote the manga.

The opening song, the different wonders of the school, and the art style quickly made this one of my favorites!

9.) Idolish7 Second Beat

Idolish7 is vastly underrated. It’s more than just pretty guys singing and dancing. Every character in the show has gone through their own hardships, and all the characters are fleshed out well.

The second season did not disappoint. It still served me with a good dose of angst, drama, and comedy.

And season 3 was announced!!! I wasn’t expecting that, so that surprise made me really happy <3.

I was really sad when Idolish7 stopped airing back in the spring, but I’m glad they were able to finish up the season this year :D

10.) Haikyuu!! To the Top

Alright, so my excitement deflated when Part 1 aired back in January. I hated the new art style and while Part 1 did have some good character development moments, I was really bored :/

The OVAs were really good though >.> I love Nekoma and Fukrodani so those were fun to watch.

Part 2 was a 100 times better. I accepted the fact that the art style wasn’t going to change and we wouldn’t have those cute breaks where the volleyball players would serve the ball and hit the water bottle. Once I got over that, I found myself enjoying part 2.

The two Nekoma episodes,the episodes focusing on the Miya Twins and Kita were my personal favorites. But overall, Karasuno vs. Inarizaki was fantastic and I enjoyed it a lot!

I need season 5 to be announced already!!!!!!! PLEASE!!!

[natsubeatsrock]

Fairy Tail Opening Tier List

In addition to talking about Fairy Tail for seven years, I have two music degrees. I know what I'm talking about. Worst to best.

Bottom Tier

OVA Opening 3

Give me five? Sure. You get the fifth-lowest tier. Somehow might be one of the worst things about some of the worst episodes in the series.

Opening 2

Can you imagine going from Snow Fairy... to this? The shots of the Strongest Team throughout the OP are the only reason this isn't rock bottom.

Opening 13

Thank GOODNESS there was another opening before the first season ended. Could you imagine ending the season with this as your last OP?

Low Tier

Opening 17

This would have been higher if it didn't feel like a filler opening. Like, this could have been the OP for the rest of the season, except Zero, and no one would have figured anything was wrong.

Opening 11

I like the song just a bit more than the ones before it, but I'm not going out of my way to listen to this. At least it ties in with the arc it's part of?

Opening 12

Same as before, but a slightly better song.

Opening 25

This is the worst opening in the last season. A bit too much Gruvia/Nalu for my interpretation of the events. Nice touch adding the seeds, though.

Opening 19

When I first saw this, I thought this was a great OP. Then I saw Haikyuu and realized this song is a better opening for that show. We went from Break Out to this...

Opening 15

Well, there are worse ways to start a new season. The song is catchy, and the symbolism could be worse. I'll never understand why they added a connection to Future Natsu fighting dragons by himself in the anime and this opening.

Mid Tier

Opening 14

This might be a lower ranking than it deserves. If only we got more episodes of this opening. 

Opening 23

This would be higher if I didn't like another sync song better. I also don't love the part where characters are showing their skills off. Or that weird moment where the sign is clear.

Opening 5

Yeah, I almost forgot to add this one. We got introduced to Wendy a few episodes early. It does a good job of introducing the people who were part of the Nirvana mission. That's all I got, honestly.

Opening 1

Don't get me wrong. This is definitely a good song. It absolutely brings on the nostalgia. I just don't get the hype surrounding it. I was hyped when it came back during the last episode.

Opening 20

Another one that's soured on me. It's not bad, but there's definitely better from the same arc. Really wanted to like this one more.

Opening 26

I have a soft spot for Bish as a band. They make good songs and this isn't an exception. More than fitting for a send-off for this show. If only it had better visuals.

Opening 24

Sadly, this is the highest-ranked opening from the last season. I don't know if it's nostalgia or something else, but this crop of songs wasn't particularly pleasing to me. Way too many spoilers.

Opening 10

This is what Opening 15 wishes it was. A catchy song with cool visuals. If only it was as good as its corresponding ending.

Opening 6

This might have been higher if I cared more about this particular arc.

OVA Opening 1 

Natsu's VA singing a song gets extra points for me. That is all there is to this ranking.

High Tier

Opening 18

This is an amazing opening. Many people would definitely put it higher. Unfortunately, it's wasted on the mess that was the last few episodes of the anime before Sun Village. Really good for what it is.

Opening 21

This is almost the best Natsu & Gray opening in the series. I've fallen out of love with this one. It would be higher if I liked the full song, which is the case of all openings after this point.

Opening 8

This is my favorite song in this tier. I don't love the visuals of this opening as much as its counterpart. This song is part of the reason I got back into the anime after reading the manga.

Top Tier

Opening 4

This just misses the top 5 of my ranking. Easily has one of my favorite opening images in Mira's transformation. Almost the best early opening. This loses some points for spoiling events for the Fantasia arc during the Tower of Heaven episodes.

Opening 3

Do you know how fans are all nostalgic over the first opening? This is where I transfer those feelings. This is actually the best early opening. It also loses points for spoiling the events of an arc it's not supposed to be about.

Opening 7

A Nali shipper ranking this among their favorites? Shocking. This was the opening I first saw when I got back into the anime. If you look far back enough, you'll see my attempt to translate this opening and a visual edit of this opening with another song higher up.

OVA Opening 2

Gratsu fans, rejoice! THIS is the best Natsu & Gray opening. Not just because their VA's sing the opening. If you actually look at the lyrics, they're singing the song in character. If the visuals were better... I'd still feel weird putting an OVA opening as my favorite.

Opening 22

I'm ignoring the second version of this in my analysis. I know this might shock long-time followers. This is the only opening I've warmed up to over the years. I was always a fan of the instrumentals for this. The visuals for this contain many clever references to the ZERO manga.

Opening 16

The best blend of visuals and music in the series anime. This starts with my favorite visual in an FT opening: the clock hand twitching for Last Ages. I say that even though I don't like Last Ages at all. I could knock this OP for carrying over to episodes after the Grand Magic Games, but they're the fallout of that arc.

See you in about half in an hour!

[natsspammityspamspamham]

Anime That Deserve Another Season

Category One: Anime That Supposedly Deserve Another Season Even though the title says “deserve”,  I will be listing some anime that I do not think deserve another season. They’re just here because people are loud about not getting another season. These are mostly series I just didn’t enjoy watching. 

Category Two: Anime That Can Get Another Season They’re fine without another season as there are no cliffhangers to close and no questions that are really unanswered. These anime will not keep you up at night asking for an answer. 

Category Three: Anime That Need Another Season While it’s not mandatory that these anime have another season to be enjoyed, they’d sure benefit immensely with it. Whether it’s because there’s too many cliffhangers, things end abruptly, or there is just too much good source material that was left untouched, they’ll end up here. Even if I didn’t really enjoy the anime, some anime may end up here anyway.

Bonus Category: Anime Need a Reboot Not all adaptations are created equal, and even if the anime can be enjoyed on its own, sometimes it’d benefit from actually looking at the source material and going, “Oh, it was written that way for a reason!” Some anime just need the Brotherhood treatment. From pacing to anime-exclusive storylines, anime in this category stray so much that you might as well just start from the ground up.

*Please note that if an anime isn’t here, it might be because I haven’t watched it (or I bypassed it in my listing journey)

*Categories Two and One are listed from “Bottom Tier” to “Top Tier” in terms of how much I think it needs a sequel/continuation

*I almost never read the manga. These are mostly speculations/me spoiling the series for myself by reading the last chapter of the manga after finishing the anime.

*The bottom half of category three really rips my soul out when people say that there’s no chance of another season.

Category One: Anime That Supposedly Deserve Another Season

Aoharu x Machinegun

The manga is still on-going, but I wasn’t interested enough to really pay any mind. It would benefit from another season due to it ending on a point that made sense, but you could tell there was way more behind the curtain.

Btooom

Remember when they joked about this gross anime getting another season? Hahaha! There’s a story behind it, apparently. Anyway, it leaves off unfinished, but I don’t need any more of whatever this show was. This show is garbage, questionable garbage at that.

Ao Haru Ride

This anime made me kinda bored. The characters were kind of bland. The world was kind of bland. This anime left as much of an impression on me as white-coloured pencils did in grade school. I’m sure it’d benefit from another season, but whether that’d actually make me like the series is another question.

Code: Breaker

This series was pretty bad. I enjoyed it at the time, but it was pretty bad. I don’t recommend this show to anyone. It technically has a ton of manga material left (I think it was a 100+ chapters?)

Classroom of the Elite

I actually strongly disliked this show and wanted it to be over, but people said it got good. I stuck it out. I didn’t like any of the characters. I couldn’t find a reason to enjoy this show, and maybe it’d benefit by having some more story content to it, but if you can’t make me enjoy any of the cast after 12 episodes, you’re not getting any more of my time.

No Game No Life

Admit it, 90% of the people who want another season of this just want to see more fanservice.

Category Two: Anime That Can Get Another Season

Kyoukai no Rinne

This series is very repetitive. I’m surprised it survived three seasons. I still really liked it, but it is counted as one of Takahashi’s weakest works (not sure why though). I would mind seeing it receiving the rest of its adaptation.

Hai to Gensou no Grimgar

While it ended well, it probably has a lot more story to tell. This is an earlier isekai, and it’s hard to say whether it’d do better in today’s isekai market. This anime is what Sword Art Online should’ve been. This show takes it slow. Its action isn’t as over-the-top, and while it has fanservice, the show still feels far more real than SAO markets itself to be (but it does it on purpose)

Hinamatsuri

This anime made me laugh too hard for me not to want a continuation. They also had a character they didn’t have time to touch base on.

Runway de Waratte

There’s quite a lot of manga material to go on. I feel like we haven’t seen the characters develop to their max, and the protagonist hasn’t even gotten his full shot yet. This anime is an underdog, no matter how you look at it, it’s a shounen series about runway fashion, but I’m rooting for it!

Yamada-kun to 7-nin no Majo

I hear the manga goes downhill, and honestly, you could’ve just let it end right where season one ended, and I would’ve gone, “Wow, that was pretty good!” It did come back and “overstay its welcome” according to manga readers, but those final chapters make up for that.

Gakkougurashi

I respect the way that this anime decided to end, but there’s a lot of potential to take it elsewhere. It has a lot of material too. I feel like not a lot of the backstories of even the main cast were revealed.

Category Three: Anime That Need Another Season

Kimi to Boku

I had a hard time determining which category this anime should go under, but I think this category fits it best. The manga does pause sometimes. There are a lot of loose ends romance-wise, but it could’ve easily gone into the previous category.

D-Frag

This is a romance anime that didn’t really get to any of its romance. It hinted, it tried, but it stuck to the comedy route (which I respect). However, there is a lot of potential if this anime ever did want to return.

Hataraku Maou-Sama

This series really needs a season two. It was an isekai before its time, and it has a lot of comedy that made me laugh. There are romance ends that are left up, and the underlying background plot went virtually nowhere. It ended, and it makes the audience go, “That was good and enjoyable”, but it leaves nothing else.

Mob Psycho 100

I’m pretty sure this anime will get another season, but it will take some time. This series does have the popularity, and since it was quite recent, I think it’s just a matter of time. Studio Bones is far too thirsty to leave their man alone. Let’s be real.

Ranma ½

I think what bothers me the most about this one is the fact that they had the right number of episodes to finish the series, but because the manga was still publishing at the time, they had to use a lot of filler which ultimately took away from a lot of the series. The Ranma manga ending had about as closed of an ending that you can have for a series like Ranma. There are some arcs in there that I think would boost the story after a lot of those OVAs left an unsatisfied taste in people’s mouths. I didn’t even bother watching those.

Nisekoi

I’m not sure if I would want an adaptation if it were to happen because I don’t like the ending anyway. There is material there though if they wanted to, and I do think it’s a bit annoying if you focus so heavily on romance and harem then just don’t end it conclusively.

Grand Blue

According to someone I know, the manga gets good. This anime was really funny during some of the parts, so I really wouldn’t mind a continuation.

Tonari no Kaibutsu-kun

This manga actually did end, and I feel like it’s really missing out by not finishing itself. Shoujo manga and other romance manga do rely on having the characters graduate, get together, etc. Tonari no Kaibutsu-kun didn’t get that chance, and since the manga has a more conclusive ending, I think the anime should too.

Tsurezure Children

This anime focuses on everything so ends up with little progression in the long run. A lot of this is puppy love, but we never really move beyond that stage with the countless couples. I think this anime would greatly benefit with a continuation because it got so little done than series that focused on one couple. Focusing on multiple couples is part of this series’ charms though.

Yuri on Ice

I personally don’t feel a strong need for a season two, but I’m sure a lot of people would enjoy it because it has a large audience that are attached to these characters. They weren’t at their final stage yet.

Edit: They just announced a continuation called “Yuri!!! on Ice The Movie: Ice Adolescence”

Jibaku Shounen Hanako-kun

The manga just hit a really pivotal point at the time that I’m writing this post, but the manga usually publishes monthly leaving it little room for successive seasons. Regardless, I feel that the series has more than enough popularity to carry it, and despite some of the real big corners that were cut during the making of the first season, people are still invested. I actually read the manga and can say that it has enough material for a second season.

Wotakoi

I actually read the manga for this series sometimes, and let me tell you, this series REALLY SHOULD GET a continuation. Sure, it’s sweet that you know who ends up with who, but this series is about “mature romance” (i.e. beyond high school). 12 episodes isn’t enough for this series. There’s so much awesome stuff that’s happened and is happening in the manga. 

Deadman Wonderland

This anime isn’t great by any means. It’s a gore fest. However, a lot of its plot holes and questions could’ve been answered if it went further in its source material. I’m not sure how much it would’ve made it make sense, but this anime is one of the ones here that really suffered from their lack of time to adapt the manga. Without some of the explanations, this series may little sense. I don’t really want another season simply because I didn’t really enjoy this anime, but I think I put it up here just because of how much it would benefit from a continuation. 

Ouran High School Host Club

Legend has it that every April Fool’s Day, someone goes on Twitter and announces season two. As much as we’d want that, Studio Bones is busy doing something to do with Bungou Stray Dogs or My Hero Academia. I already had to debunk a fake Ouran Season Two post for someone on Discord. I didn’t really enjoy the romance in Ouran (stayed for the comedy), so it would probably benefit from a continuation, even if it is a reboot. I mostly put this one here because of how much fans want it. Personally, I’d still be able to rest in peace either way. Regardless, it woudl still benefit immensely if they were to continue what they started.

Kekkaishi

This anime actually left 200+ chapters of manga untouched when it was adapting. I’m not sure of timelines and whether it was because of the manga publishing at the time that the anime was airing. Now that it’s a finished series in terms of manga, it can always get a reboot. It’s definitely worth it since it just finished on one arc.

Akatsuki no Yona

To me, Akatsuki no Yona was okay, but it could’ve been great... if they didn’t end on literally what the entire series was building up to. As a result of that, the anime really feels like a long manga advertisement going, “Wow, you sure are stupid for not reading the manga like the rest of us nerds!” The only reason why this series isn’t even higher on the list is because the other series did a better job cementing itself into a place in my heart. Akatsuki no Yona could’ve done that if they were given enough time, but alas, this series really suffers from a lack of anime adaptation.

Gekkan Shoujo Nozaki-kun

It is such a shame that this anime doesn’t have another season. The OVAs are great, but if this had another season or two, they would be legendary. The voice actors really added to the comedy (the manga is still funny, but it’s didn’t make me laugh as much as the anime). The quirky soundtrack really adds to the atmosphere, and there’s so much development that’s gone down since its first season run. I really, really, really want another season. But this anime can be enjoyed even if it doesn’t.

Gin no Saji

This anime is incredibly enjoyable even if it doesn’t have a third season, but with the manga tying up all the loose ends with Hiromu Arakawa’s incredible storytelling, I find it really disappointing that they couldn’t get another season for this. Its characters were so likeable. I watched this anime with my mom who keeps nattering about a season three. If only such a thing were to exist.

Magi: The Labyrinth of Magic

As with a lot of shounen anime, this ended on one arc. However, this still had well over 100+ chapters that could’ve been adapted in series to come. The seiyuu events were hilarious, and this anime really hit its stride, but it left us all hanging. Now that the manga’s finished, I feel that it would be really great if we were to get another season. There were some arcs that I read that were so good. This was the first anime I watched, and it always holds a special place in my soul. I do hear the manga goes downhill majorly towards the end, but I’m sure that even that stuff would still be watched by people like me (heck, people waited for Black Clover to get good, come on!)

This also includes the Sinbad spinoff that felt more like a trailer rather than a full series. It wasn’t given nearly enough time.

Noragami

Noragami is extremely popular, and I think one of the reasons that it didn’t get the rest adapted is because the manga went on hiatus for about a year. However, I feel that it still had more than enough material to make some more way. Studio Bones is still busy with Bungou Stray Dogs and My Hero Academia, but Noragami would benefit by cleaning up some of the cliffhangers left behind. The future arcs are also really good, so the source material at least maintains some quality.

SKET Dance

I finished this series (both anime and manga) a couple of days ago, and I want to write a post about it. It was so good. It made me read 100 chapters in two days or something. But if this were to get adapted, this would give the series a MAJOR CHANCE to fix up the ending. Unfortunately, the manga ending disappointed a lot of people (including me), so being able to maybe just give the people what they want (I don’t care if it’s cheesy). They left a good chunk of great, hilarious, and touching arcs that would be able to keep toe-to-toe with the fantastic series they’ve done up to this point. I think it might’ve stopped due to the anime catching up, but come on, I just want this anime to get equal treatment to Gintama!!! It gets compared so often anyway!!! Series like these make me think, “If I was Jeff Bezos, I would just throw my money into making another season of this.” The seiyuu of this anime made the lines so funny too. I will be thinking and talking about this series for a while. 

Anime that Deserve a Reboot

Soul Eater

They really just dropped the source material in the last half. 

No. 6

The pacing kind of sucked in comparison to other materials, apparently.

Kids on the Slope

The pacing for this also really sucked and didn’t give a conclusive ending either way.

[karmotrinedreams91]

Nine Legacies: The Balefire Rekindled Masterpost

Prelude:  Magic’s resurgence has changed almost every aspect of life. The “mundane” world cannot deny magic’s existence, and is both fearful and all too curious about its capabilities. Despite public and private pushback against the forces of Olde and Arcane, society must come to accept the presence of Fae and other magical phenomena as something “normal,” just as it did during the golden age of magic. But with the benefits of magic’s return comes the many horrors fueled by it: Vengeful dead have begun to rise, monsters stalk the lands, and legends of old reveal their long denied truths to the “modern” world. Luna Nova itself faces one these emboldened threats now, as a shadowy coven that has plagued the legacies left behind by The Nine Old Witches for centuries plots their destruction yet again. The New Nine and their companions stand firm against the darkness, but it will be the dare-devil firebrand Amanda O'Neill, and the reserved and calculating Constanze Amalie Von Braunschbank-Albrechtsberger who must first answer the call of Olde Legacies. When fate calls them to action, they waste no time in taking up the torch, and light Luna Nova’s way to a brighter tomorrow.

https://archiveofourown.org/works/22429150/chapters/62068246

Author’s Note:  Hello, and thank you, first off, for reading this post! I hope that I’ve piqued interest! To explain further though, Nine Legacies: The Balefire Rekindled, is the first installment in a series of fanfiction I plan to write, titled under the series name Nine Legacies, as one might expect. This fic, and all of the fics that follow it in the series, are/will be a deep expansion and exploration of the Little Witch Academia world. The main focus of the OG series/ovas was never world building. It was focused on Akko and her journey, and that’s amazing. The original series is possibly one of my favorite and most beloved pieces of media. But it leaves much for the viewer to ponder on, doesn’t it? Who were the Nine Olde Witches? As in, who were they as people? What were they like? What was life really like during the golden age of magic? Where do the Fae come from? How did magical societies organize themselves? How will they do so again now that magic is returned, and how will non-magical, or “mundane” society, as I call it, react to such a sudden paradigm shift?  These questions and more are what drove me to write this fic/series. It’s not just an exercise in world building, of course. While that may be one of my great loves when it comes to writing, Nine Legacies is primarily a story about Found Families, love (for the self and others), and how those two things are tested by a world around us that, at times, feels wholly uncaring and apathetic to your very existence. It deals in the above themes as well as in political struggle, fighting for the right to live as you are, with trauma and how to overcome/live with trauma, and especially with the first installment, Balefire, with Vengeance.

It features some horror elements, lots of action, and cosmic horror elements (IE Lovecraftian horror elements; think Cthuluhu, if you’re not aware). 

(Credit for above image goes to Alexis Kennedy, and all of the artists who worked on the Weather Factory game named: Cultist Simulator)

It’s not all gloom and doom though; I’m not here to write an unsatisfying story. It may be gritty and grim at times, but I try to balance that out with humor and fluff, both dark humor, and much more light hearted fair that you’d expect from LWA. And yes, it is VERY gay (I’m a trans lesbian woman, if this wasn’t extremely gay then I would have failed myself). This might sound like quite the departure from what you usually read for LWA, and it probably is, but I hope that this is an enjoying and stimulating experience! While it is very much my own canon, I’ve based just about everything I’ve done with the setting on the original series’ material, as well as materials adjacent to the canon, such as mangas, light novels, and the OVAS. 

This series will be a four-five part installment of novel length fics. Nine Legacies: The Balefire rekindled, is currently, as of August second 8/2/2020, unfinished, as I write chapter 20 of what will like be 27-28 chapters in total, and it is already the third longest LWA fic on AO3 (archive of our own) at 442,068 words. I began properly writing this fic in full in January, for reference, and started planning out the whole story/what I wanted out of it in november of 2019. I try to update every other week, or every week if possible, and do weekly/two weekly updates on my progress, all posted to this tumblr. 

Lastly, and most importantly, there are two things to note about Balefire, and about Nine Legacies as a whole: I give antagonists their own scenes and perspectives quite a bit. I feel it is imperative to my story that the antagonists all get screen time to help better flesh them out. And secondly, each installment in the series will focus on 2-3 of the “New Nine” witches (The New Nine in this case being Red, Green, and Blue teams. Chariot and Croix are NOT New Nine in this, but will play important roles for various characters throughout. Think of them more as mentors for the New Nine). Balefire specifically focuses on Constanze and Amanda, but it also sets up the plots and development for just about every other New Nine witch, and you can expect to see other OC characters in important side roles that will develop and enhance the story, as well as lesser used characters from LWA, such as Wangari making appearances as important side characters. I can’t say much more on the specifics, but I’ll leave this section off with something to entice you: ALL of the Nine Olde Witches (as written by my own canon, essentially) will be fleshed out in full. Their origin, who they were, why they were important, all of that is crucial to the story, hence the series title, Nine Legacies. 

“Perhaps they, the new blood.... Perhaps they hold the strength to rekindle our flame.” 

I hope all of this has you interested and ready to read! ITS FINISHED NOW! All the main chapters are done, but I intend to go back and do a FULL re-edit, with criticisms, suggestions, and corrections in mind from YOU GUYS, the readers. PLEASE: Never hesitate to send me asks, comment, leave kudos, etc. ALL of that stuff shows me whether or not I’ve done good work, and even if I haven't, telling me HOW I may have failed will always be helpful. I want to make this the best fic it possibly can be, but I can’t do that without reader participation. 

Without further adieu: Nine Legacies: The Balefire Rekindled

https://archiveofourown.org/works/22429150/chapters/53589904

[yurimother]

Top Yuri Anime Poll Results

Whether it is subtext or explicit, cute or sexy, school love or gay action thrillers I love yuri anime. These series either focus on or contain elements of female same-sex relationships. Pride month is the perfect time to look back and reflect on the best of this genre. I teamed up with OG Man of The Yuri Nation (yurination[dot] wordpress[dot] com/) and together we put out a poll asking what you thought the top yuri anime series were and over 1000 of you responded submitting almost 5000 different entries. We spent hours combing through the data, analyzing and commenting on the results and we would like to share our thoughts with all of you. Enjoy the reflections of me the yuri critic and OG the dedicated yuri fan!

These are the Top 20 Yuri Anime as voted by you

1. Bloom Into You - 692 Votes

OG: Be it East or West the YagaKimi took the world by storm. Citrus and BiY once again taking the top two spots remains unsurprising.There is something undeniably fascinating about our leading ladies consisting of an asexual slowly coming to love her senpai back but restraining herself for various reasons. The biggest one being said senpai having a deep case of self-loathing and a fear of romantic reciprocation, also for various reasons. She is like “I love you but please do not love me back”. Then there is one of the most popular “cursed” lesbians of all time in Sayaka, the fantastic adult side-couple (The world needs an anime starring lesbian adults/mothers) and the various other characters who have their own interesting tales to tell. The series absolutely deserves a spot in the Top 10 though it would not be in my personal Top 3. Oh and as Yurimother said the presentation was fantastic.Visually stunning from start to finish in my opinion. Special mention goes to the criminally underused first-person “camera”. So cool.

YuriMother: I agree with this series deserving a spot in the top ten even if not the number one slot. For me, it was good but not great. Moments such as the aforementioned adult couple as well as stellar art and a phenomenal score made this series enjoyable but they were not enough to overshine the problems of the narrative. For the love of the Yuri Goddess, this series is crying out for asexual representation but insists on carrying on with its confused romance. Enough complaining though, many people love Bloom Into You despite its faults and I agree. The characters are interesting and lovable and it manages to tell a yuri story more real and complex than the typical fluffy girl meets girl narratives.

2. Citrus - 452 Votes

YuriMother: The presence of Citrus and Bloom Into You prove two things to me, the importance of recency, as both anime aired only last year, and the sheer popularity of these series. Both had established and extremely successful manga runs which were adapted into English by the publishing masters of yuri, Seven Seas. Citrus is a contentious series, to say the least, as it includes elements of (non-blood related) incest and non-consensual actions as part of Mei and Yuzu’s “relationship.” However, if you possess the magical power to turn off the part of your brain screaming at you that those aspects are deeply problematic or if you seek a different interpretation then Citrus can be downright WONDERFUL. I actually loved this anime series for its characters, amazing animation, and salaciousness. As OG said, it is an operatic concussion of emotion (seriously everyone in the series needs therapy) but my is it fun to watch. The Citrus anime also holds a special place in my heart, as the first serious piece I ever wrote was a review for it over on Okazu (nice plug)! Citrus is certainly not for everyone but those that stuck with it and overlooked some of the problems ended up loving it.

OG: Here we are again with Citrus at #2. My thoughts on the series remains the same as in the previous two lists I discussed (the Akiba Research and goo Ranking Japan lists), overrated. Good soap opera/telenovela-esque series but my feelings on the cast are mixed (which I imagine was the writer’s intent). My main issue has always been the obstacles repeatedly challenging Yuzu and Mei’s feelings for each other instead of it focusing on “Hey. We like each other but our parents got married. What do we do? Can we keep our desires for each other in check?”. Instead it is one newcomer after another who want to eat either Yuzu or Mei and Yuzu repeatedly asking herself if she really wants robo-stepsister patties? I will give the anime adaptation credit. The story was easier to enjoy animated than drawn. It also helped that I grew up in a telenovela loving family. The characters’ actions, reactions and emotions were depicted better in the anime. I still consider the show’s greatest accomplishment being the humanization of Mei-Tron. In the manga it took a post-epilogue continuation to show readers “Hey everyone. Mei-Tron was human all along.” whereas in the anime I sensed the small bit of humanity quicker than in the manga where I continued seeing her as a block of wood with a brain up to the point where I dropped it. Harumin though is the greatest regardless of anime or manga adaptation. Bless her. Regardless of how I feel about the series I get its massive popularity. After all, were the rest of the story to get an animated continuation I would gladly pick it up...Not the manga though.

3. Sakura Trick - 342 Votes

OG: There are fans who understandably would disagree with Sakura Trick’s praise but I will always defend it and the anime as one of the very best in the genre. First off it aired at a time where animated on-screen close up kisses (specifically consensual ones) between ladies were rare. Haruka X Yuu’s relationship was believable for the most part. Even their season finale resolution, them not getting what being “in love” meant at the time, made sense though I get why it left some scratching their heads. Probably not the best “manga lure/bait” end I suppose. On the bright side Kotone X Shizuku’s story definitely did not have the two doubting their true feelings for each other. I do hope Kaede X Yuzu eventually hooked up in the manga as they too had potential to be a lovely couple.

YuriMother: Sakura Trick has no real narrative, no great insight, and offers little intellectually. As a teacher, it makes me furious, as a fan of yuri, elated. The anime is beloved for its plentiful soft service, presenting a plethora of kisses, cuddles, and awkward thigh shots (ew). However, it was one of the first anime to include this much explicit yuri service without being pornographic. All the characters were cute and fun, even if there was little in the way of development or complexity, it worked for the series. If you want something to make you think or to learn about yuri, pass over this one. But, if you want a cute and meaningless anime definitely watch it.

4. Yuru Yuri - 337 Votes

YuriMother: OG may not be a fan of Yuru Yuri but I certainly am, which is fairly obvious to anyone who observes that a solid 20% of my communications occur in the form of gifs from this series. It is hilarious, cute, and playful. Just like Sakura Trick, this anime is an easy watch with ultimately little substance. However, the part of me that is not rolling of the floor laughing every time I watch Yuru Yuri lives in a state of pained existence with the knowledge that this work of all things ended up being so popular when people are telling interesting stories about queer women and people in actual relationship that manage to still be funny and adorable while having something to say.

OG: The undisputed most mainstream friendly yuri series there is. It is also one of the funniest. My one gripe is that excluding a select few the main draw of the show besides the comedy and yuri is the ship wars, meaning (almost any girl can be shipped with each other). Not a fan of that but hey, it brought Namori the big bucks so who am I to judge? In any case not much else to add. It deserves all the adulation it gets but the free for all shipping irks me. Reminds me of how they botched Chika X Riko in the Love Live! Sunshine!! Anime. If you were going down the Riko X Yohane route from the start then why give us Chika X Riko in the first half? Ship wars yo. Tch. Hopefully I properly explained myself..

5. Kase-san and Morning Glories (Asagao to Kase-san) - 289 Votes

OG: Still wish this got a 12-13 episode anime. The glorious movie showed how much it deserves one. Whether it will happen or not remains to be seen. In any case the beauty of Kase-san X Yamada is how simple their romance is. No strings attached whatsoever. It is as straightforward as a self-proclaimed “ordinary” cutie, Yamada, having a crush on the super cool school beauty Kase-san. Said beauty is revealed to be just as “adorkable” as Yamada. The other highlight is their story not ending once they officially started dating (as is the case with many romance stories) but that being only the beginning, like real life. From then on, side-stories aside, the two biggest challenges for the two is Yamada accepting that it is okay for someone as “ordinary” as her to be the “cool babe”s girlfriend and Kase-san finding different ways to express her love/hunger for the cutie. As for the OVA, cramming the second part of the first series in an hour definitely had the downside of excluding some important moments, yes, but it at least covered some of the best moments in the manga. The first half of the story was summarized in a five-minute music video. One last thing. The animation, though a bit too brought for some, was glorious. It also had some long pauses which were effective (The bus stop scene being the most infamous) but while I did not mind them at all even I will admit some pauses went a bit too long. A small nitpick all things considered. Fingers crossed one day we either get that 12-13 episode anime for the first series, the sequel or both. That is one of my dreams.

YuriMother: At last, an anime that I do not have to react cynically to! Kase-san is one of the single greatest works of yuri animation to ever to be created and its glory is rivaled only by the manga from which it originated. Despite being only a one hour long OVA this adaption told such an engaging and realistic (finally) story of romance and personal growth. We get to skip the meatless girl meets girls arcs and get into the depth and complexity as Yamada and Kase work to further their relationship. They struggle with the fact that they are two different people who want different things out of life and love and have to actually work on their partnership. Kase-san also includes signs of physical affection and love that are never lewd, immature, or gross, I do not even think I could refer to them as “service”. However, for me, Kase-san’s greatest victory (both the anime and manga) is in its escape from school romance, which in this genre is often a shelter from reality, allowing for women to be in relationships without actually being queer. Kase and Yamada instead make an effort to continue their romance and build a life that includes their relationship once they graduate in a triumphant final act. This anime is a slap in the face to the class S stories and sloppily sexualized works which proliferate the yuri genre. Asagao to Kase-san shines as a holy beacon for the greatness that this genre can achieve.

6. Puella Magi Madoka Magica - 286 Votes

YuriMother: Hurray!! For two entries in a row, I get to talk about series that I wholeheartedly adore without having to constantly attach caveats. Puella Magi Madoka Magica is not considered by all to be yuri, and that is certainly not what it is best known for. PMMM is however famous for twisting the tropes of the magical girl genre and creating one of the most cohesive and thoughtful narratives ever put to screen. This series summoned a new era for the magical girl genre (what OG humorously referred to as the “Moepocalypse”) but no other title managed to top Madoka Magica’s runaway success. Every aspect of this work is highly polished including character designs, a phenomenal soundtrack, and superb writing. This is not only the definitive work of its genre but of all postmodern anime. Whether or not one is a fan of yuri every anime fan should give Madoka Magica a watch.

OG: Meduka Meguca. Its impact in the “Moepocalypse” (Shows where cute and sexy girls consistently suffering physically and emotionally. These are usually dark magical girl shows.) genre and legacy are undeniable. It deserves all the praise it gets. It scarred many unfortunate souls, Homura is a legend in yuridom, Kyouko X Sayaka are glorious (Especially in Rebellion), Meduka’s Mom Junko is a Top Tier Sexy Mama, Charlotte the Witch is a very strange girlfriend and of course Hitomi is a walking anti-fun meme. The animation, especially the creepy doodle like monsters known as Witches are memorable. However, it is not my favorite Moepocalypse show. That honor goes to Yuki Yuna is a Hero.

7. Strawberry Panic - 224 Votes

OG: Like it or not Strawberry Panic is a yuri classic. I have a strong feeling that like many readers around my age (31 during this writing) this was their first 100% yuri anime. The cheese is real but it is the yummy kind of cheese and I loved almost every minute of it, except Amane X Hikari. That was the weakest of the love stories going on. Poor Yaya trying too hard (Not saying this in condescending way. She literally tried too hard). It is like a young adult lesbian novel but more fun. I mean Nagisa X Shizuma might as well be “Lesbian Twilight but not crappy”. Let us be honest, Shizuma is a vampire. Chikaru is an undisputed goddess and Kagome is the cutest.

Oh and I will repeat this statement till my last breath…

#TamaoWasRobbed.

YuriMother: I may be almost a decade younger than OG but even for me Strawberry Panic was my first yuri and it more than earns its nickname as the “gateway yuri,” although last year’s Citrus and Bloom Into You may be presenting serious contenders for this title. If for no other reason than nostalgia, Strawberry Panic remains my favorite yuri works but this ridiculous soap-opera of an anime does deserve a fair amount of recognition. I see Strawberry Panic as the culmination of the S subgenre revived by Maria Watches Over Us. However, this work succeeds at both parodying many of the tropes of S and yuri while breaking a few. However, its greatest accomplishment is introducing many of the young western fans of yuri to the genre. Strawberry Panic, you are an overly dramatic mess but thank you for all you have done.

8. Revolutionary Girl Utena - 176 Votes

YuriMother: Another gem of the yuri genre, actually scratch that, if works like Kase-san are gems then Utena is the minerals from which gems form. I think that is how it works, I am not a geologist. My poor analogies and subtle nods to Steven Universe aside, Revolutionary Girl Utena is one of the single most important works of yuri anime, possibly even more so than Sailor Moon. These two works were the dawn of the current age of yuri, an era spurn on by social progress and the internet into a place where more yuri works featuring honest depictions of homosexuality are flourishing. Utena laid the groundwork for queer representation in anime and for that I remain forever grateful to this masterpiece.

OG: I must confess. While I saw the movie long ago and thought it was cool I have yet to sit down and finish watching the main series. I cannot say much about this show other than it is another yuri classic. Possibly one of the biggest. I think I will leave this to Her Holiness because even if I had seen it I do not consider myself someone who possesses the sufficient intellect to properly explain why this is a legendary show.

9. Flip Flappers - 132 Votes

OG: I would need an essay to explain why this show is legendary. Let me see. It is a story of a girl who discovered her gayness thanks to her growing attraction to a lovable idiot/genki. There are references to Western media, dimension hopping (including Class S Hell), self-discovery, a sexual orientation journey, a tree, armored wedding gowns, crazy third wheels, Ku Klux Klan stand-ins…You know what? Just watch Flip Flappers. It is a hot mess of random, crazy, creative and thought provoking awesomeness with a wonderful dose of gayness. Glory be to PapiCoco. However, as Her Holiness mentioned this is essentially Ikuhara-san levels of weirdness (though not as complicated I feel) but as the plot thickens it all (sort of) starts making sense...eventually. That tree yo.

YuriMother: Flip Flappers was almost too strange and abstract even for me, and that is saying something. However, upon further examination, one of the most interesting works of yuri is revealed. This heavily stylized anime delves deep into the sexual maturation of its protagonist while examining the yuri genre and representation in media. Flip Flappers is the perfect marriage of heavy visual style and intellectual substance. Definitely give them one a.. err better make that three watches, as you will want to be sure to get everything out of this beautiful series as possible.

10. Miss Kobayashi’s Dragon Maid - 131 Votes

YuriMother: This series is the closest anime fans have to a lesbian couple having a family that we have, and that is a shame. I LOVE family narratives, outside of the yuri genre Usagi Drop is my favorite anime. To me, seeing women balance life, a relationship, and children is some of the best queer representation there is. However, for every point in Kobayashi’s favor, there is also a glaring fault. Kobayashi is a modern woman in the workforce providing for herself and her “family,” but is borderline abusive to Tohru. Kanna is an inquisitive child being raising by two women, but there are weirdly sexual scenes featuring her. As previously mentioned on this list, if one can silence the reasonable part of the brain this work becomes enjoyable, hilarious, and adorable. Unfortunately, its faults prevent it from being more than an amusement and I seriously doubt that they will fade in the second season. But hey, it sells a ton of figures so… YAY!

OG: This series is one of the closest yuri fans have to a series starring a lesbian couple with a daughter and it is wonderful. Is the tale of an eternally grateful dragon who wanted to repay the human who saved her life, albeit drunk, by becoming her live-in maid. Tohru being a dragon girl had incredible power and could easily crush everyone in sight but preferred to try and understand humanity so she could live in peace with the woman she loved. It of course was hard at times but thanks to Miss Kobayashi slowly growing to accept her back (romantically she had a ways to go) and the two raising the adorable bundle of mighty puff known as Kanna they became a happy family. How long this relationship will last and whether Miss Kobayashi would come to fully love Tohru back romantically remains to be seen. I have high hopes it can and will happen. Kanna X Riko is precious (Yes. Even that scene). We even have a potential BL couple, which is nice. Not a fan of Lucoa X Shouta the shota. Not because of the age gap but it not being my kind of romantic comedy. It is the same reason I have a hard time buying Tsubame X Misha from UzaMaid. Mya-Nee X Hana from Wataten...maybe. At least Mya-Nee showed she is patient. Back to Dragon Maid. Great series. Naughty of course but great.

11. Sweet Blue Flowers (Aoi Hana) - 119 Votes

OG: Megane girl falls for a cutie but has a hard time confessing to her to the point she gives a relationship with another girl a try. Said other girl has troubles of her own courtesy of her own views on what love. Do not get me started on the OTHER girl who likes megane’s girlfriend. I did not even mention megane girl’s first love interest who she herself eventually begins questioning her feelings for the glasses wearing maiden. While this is well known throughout the history of yuri anime Aoi Hana made it clearer than ever that Yuri + Classical Music go hand in hand. Plus the show is quite pretty. Ultimately enjoyment of this series depends heavily on viewers’ patience.

YuriMother: Aoi Hana was ahead of its time in many regards. Most yuri during the early twenty-first century was unrealistic and melodramatic, especially with the revival of S stories. Aoi Hana instead presents a calm and realistic story that we still rarely see in yuri anime today. Instead of relying on tricks like service or comedy Aoi Hana presents a serene and character-driven story which is matched by equally calming scenery. It is certainly not the most thrilling watch, but a slow and beautiful slice of real life that remains one of the all-time strongest yuri works.

12. Yurikuma Arashi - 99 Votes

YuriMother: Yurikuma Arashi is strange, to say the least, but this is not out of the ordinary for legendary director Ikuhara, who also directed Utena. Parallels are easily drawn between this work and Flip Flappers, as they are both complex and encoded with enough symbolism to drown a bear. Yurikuma is one of my favorite works in the yuri genre and I have had more than a few heated discussions about interpretations of the work, including one memorable occasion when I was visiting a college professor and we ended up in a shouting match in the middle of the hall. However, while Flip Flappers holds a high degree of polish the same can, unfortunately, not be said here. Yurikuma Arashi has more than a few scenes of fanservice many of which overly fetishize the characters and relationship and some of the symbols, particularly lily flowers and the word “yuri” are practically beaten to death with an object I refuse to come up with because I am starting to have my fill of symbolism. However, despite some of its sloppiness, Yurikuma is one of the single most interesting and well-formed anime out there and analyzing it is practically a right of passage for seasoned yuri fans.

OG: Yurikuma Arashi is my favorite of Ikuhara-san’s series. To me it was the least complicated of his works but even so I needed help to understand the show. Luckily I had plenty of assistance. The meat of the story is more complicated but put simply it is about a war between a group of bear girls (and some human girls) who want to freely express their love and/or desire/hunger for each other and another group that amounts to Right to Censor from WWF. Like I said it is far more complex than that but that is the gist. The anime is quite ecchi and it has good reason for it. Again the gay bears are the more liberated of the groups and them getting more sexy scenes is meant to showcase that. Our heroine has good reason to be grumpy and a divine entity was introduced alongside a certain someone from a certain dark anime we already discussed.

In the end it is a show starring lesbian bear girls. I love love stories between women and i love bears. It was obvious I would end up enjoying this one. Like other complex stories it is not for everyone. Shows like Flip Flappers, Utena and Yurikuma have something of a learning people will have to get accustomed to in order to enjoy them.

13. Whispered Words (Sasameki Koto) - 88 Votes

OG: To me Aoi Hana and Sasameki Koto were always connected despite the former being a drama and the latter a comedy. Both star a female protagonist struggling with how to best tell the girl she likes her true feelings whereas their love interest for one reason or another makes it all the more challenging to get their feelings across. Both shows aired during a time yuri was not as popular of a genre as it would become over time. Perhaps if they had come out a little later when yuri was becoming more popular in the mainstream they would have fared better…Then again they may have helped set the groundwork for future yuri shows so it’s just as well they came out when they did. In any case both good shows worthy of “best of yuri” lists. SK has the dynamic of the megane in love and her somewhat airheaded love interest who specifically likes “cute girls”. Poor megane has a hard time figuring out what the airhead defines as “cute”. The show also features an amusing side-couple of an ojou-sama and her tsundere girlfriend. Not to mention the somewhat controversial side-girl who plays a more prominent role in the 2nd half of the anime. Heck, even Mr Crossdresser himself is cool. Let us not forget Miss “Ha Ha Ha!” Another really good show that I would love to see the rest of the manga get animated someday but considering most anime are essentially manga commercials and the SK manga ended the odds of a 2nd season are close to 0.

YuriMother: 2009 was a great year for yuri anime, with both Sasameki Koto and Aoi Hana, among other works, airing. But while Aoi Hana sought to resist many of the common tropes of the genre and tell a simple grounded story Sasameki Koto appears to have looked a the list of every convention possible and say “yeah I can do that.” It has melodrama, comedy, one-sided love, friend love stories, I worship this genre but even I think there is a limit. However, Sasameki Koto is one of the most competent yuri anime works of the current era. While all the tropes are present most of the problematic aspects of the genre are not. The story is well written, characters enjoyable, and art that is really well done for the time. I enjoy every watch and if I ever want to quickly download the genre’s tropes into another person's head I need only duct tape them to a chair and throw on Sasameki Koto.

14. Riddle Story of Devil (Akuma no Riddle) - 77 Votes

YuriMother: Akuma no Riddle was highly anticipated back in 2014, sporting a premise of student assassins that, while certainly not unique, was outside the norms for the yuri genre. It promised a dark and thrilling take on the yuri genre that would not become popular until the yuri horror trend a few years later. At first, it looked like this would be successful with an excellent setup and some pretty compelling characters but ultimately Akuma no Riddle fell flat and became more derailed as it continued. The monster of the week style of episodes left little room for complex plots and plans or proper character development, which is a shame because of how engaging so many of the assassins were upon original presentation. However, this show still has some of the best action in the yuri genre, placing it alongside series like Cannan and Utena despite its flawed storytelling. If nothing else, the anime may compel one to read the manga, which expands the story and characters more than the show was given time to.

OG: Professional assassins secretly gathered at an academy in an attempt to take the life of a seemingly innocent cutie to win the ultimate prize, one of whom wishes to protect the adorable redhead. Yes the manga, which is pretty much a Director’s Cut, is better and the anime would have benefited from having 20+ episodes instead of 12 and a delightful beach OVA but the show did a good job of showing viewers what each assassin was like, their motivations (though many of their origin stories were summarized in written biographies during commercial breaks viewers needed to pause to read) were clear enough and the duels, as brief as some of them were, had enough spicy goodness in them to be memorable, especially the ones in the latter half of the show. Oh, and although the manga wrapped up after the anime it had a very similar ending.

15. Revue Starlight - 72 Votes

OG: Gay theater girls who strive to become the top star, meaning the best actress or lead actor of the cast. How do they do it? By working hard and overcoming their personal hardships? Yes. That. What makes this show so wonderful despite being almost a year old as of this writing is not only do the ladies all have interesting stories to tell but so does the stage. Every song, prop, movement, dance, gesture etc. It is like the performers and performances are united. It is like in Spongebob where not only does the person in the boots tell a story but the boots as well.

Oh yes. I almost forgot to mention the mysterious underground theater and talking giraffe. Never forget the talking giraffe from Hell. #Wakarimasu.

Super cool and super gay.

YuriMother: Bushiroad continuously gets better at what they do, creating media franchises of cute girls filled with music and making mountains of cash from smartphone games. Inspired by the likes of Love Live, they created BanG Dream and last year Revue Starlight. However, where these franchises fell short Revue Starlight success. It never twists its characters to tell a story but rather creates compelling arcs around them. I thoroughly enjoyed and agree with its place on this list.

16. Konohana Kitan - 68 Votes

YuriMother: I know of Konohana Kitan for its constant presence at yuri events more so than the anime or even the manga. It is adorable, relaxing, simple, and fun. While it does not add anything super substantial to the genre it does not take anything either or present any objectionable material. The “plot” is nonexistent but that does not matter, as it is not trying to tell a story or make commentary, just be fluffy and simple.

OG: Konohana Kitan to me is a Girls Club (Cute girls doing cute things) and iyashikei hybrid anime. It is visually stunning as it is relaxing with Yuzu pretty much one of the cutest demigoddesses in existence. She of course is a chick magnet but her heart will forever belong to Satsuki.

17. Destiny of the Shrine Maiden (Kannazuki no Miko) - 65 Votes

OG: The other stuff on the show is still not that great but ChiMeko will forever stand the test of time as far as I’m concerned. Top 10 for their love story alone. Yes. I know THAT ONE SCENE continues being controversial and talked about every time curious new yuri fans witness greatness…but I will forever defend Chikane because I get where she was coming from. Would I have done something different? Yes. The thing is you need to put yourself in her shoes and understand what she wanted to accomplish and how far she would go to get it done. Kotoha is best side-character and Souma Ogami is real man’s man who does not deserve the hate. He was an honorable warrior to the end. He fought well and accepted defeat like a man. Plus his yell is inspirational.

YuriMother: My feelings on Kannazuki no Miko are incredibly mixed. It has many of the worst facets of early current era yuri anime, tropes include S, rape and… am I reading this correctly, demon mechs? Worst of all it presents a cycle, a never-ending loop that haunts the characters in the overarching plot and it does not resolve it. If a work ever presents such an element, like Puella Magi did, it must be overcome or confronted at least. Its presence makes the already cringy story feels cheap and lazy. However, I love the two female leads and their difficult relationship. I love the music, especially the hauntingly beautiful ending theme, and the final moments of episode 11 are some of the greatest seconds I have ever seen in an anime. I cannot wrap my mind around my view of this series but at the end of the day, I understand it. I do not believe that work like it would ever be warmly accepted today but for its time it does stand as a breakout piece of yuri anime.

18. Princess Principal - 61 Votes

YuriMother: Princess Principal is one of the best anime of the past few years. It had everything, an interesting premise, great characters, an incredible soundtrack. Alongside all this is the sharp writing and thrilling story. Princess Principal did everything Akuma no Riddle wanted to with an intriguing and action-packed story featuring strong characters. On top of all this, the animation is top notch. A six-part movie sequel is planned which has me somewhat concerned, but I am glad to see that it is being continued as the ending to the series was one of its weakest aspects. Now if you will excuse me, I need to listen to some jazz.

OG: Cute and sexy gay spies in a dramatic British Steampunk setting. What more do readers need? Allow Her Holiness to elaborate a bit further. Currently waiting for the multi-part cinematic continuation.

19. Izetta: The Last Witch - 60 Votes

OG: I am known for loving shows people do not think as highly of. Izetta: The Last Witch is no different. I love this show so much. Besides how certain events transpired some complained about the depiction of WW2. Basically think about people ranting about storylines and content featured in certain Call of Duty and Battlefield games. Here however, it is clearly a fictional great war inspired by WW2. I was invested in the following:

-The cute and sexy ladies.

-Seeing two badass lesbians lead an army against an evil empire.

-FiZetta’s romance. This of course being the major highlight. I love FiZetta so much. My sexy lesbian babies and Anne X Grea’s mentors. They taught them everything they know after all.

It is similar to how I felt watching Kannazuki no Miko where my focus was primarily on the leading ladies’ developing romance. The difference is that unlike Kannazuki I was also somewhat entertained by our heroines’ enemies along with their allies. Basically viewers’ enjoyment of the show depends on how seriously they take their history and are willing to overlook the liberties this story takes with its depictions of the weapons, military and the familiar evil empire. FiZetta are one of my favorite lesbian couples of all time.

By the way, in that famous scene, yes they did. Viewers just have to squint their eyes to see “it”.

YuriMother: Another show that I consider to have squandered its potential. I know that lots of people enjoyed this one, including OG but I could not bring myself to finish this constantly mediocre series. Perhaps I am tired of alternative light-fantasy European-war inspired plots. Trying to stand out in this bloated genre is difficult and Izetta fails. Izetta started strong and hooked many viewers with its amazing visual and auditory polish but this was quickly lost in the plot which, while set up well, struggle to gain any ground of pay off what had been established. On the yuri side, it did not really do anything interesting or satisfying, with plenty of scenes feature the character’s standing next to each other looking cute and one or two moments of actual yuri. I am glad that some of you were able to enjoy this one more than me at least.

20. Maria Watches Over Us (Maria-sama ga Miteru) - 57 Votes

OG: Like Strawberry Panic this is a “Like it or not” classic. Despite being a Class S show it did its own thing and became a pioneer for . It’s also responsible for the many yuri jokes related to all-girl schools in anime.Shimako X Noriko best Grande and Petite Souer! Yumiko X Sachiko were great too as the two grew to better understand each other. Most memorable scene for me was the panda costume. Even Sei is a sleeper icon in all yuridom. Yoshino X Rei had a very interesting dynamic. I actually think they are the real pioneers of relationships between cousins. Thank you YoshiRei. HaruKana, Kaede X Sara and several others owe you two much appreciation.

YuriMother: Another great and significant series, Maria Watches Over Us, took the tropes of early yuri works, Catholic schools, a lack of men, piano scenes, and emotional relationship rather than physical ones and turned the dial up to 11. For better or worse, it single-handedly revived the Class S genre and was copied (and parodied) endlessly for over a decade. However much I complain about S I actually do not think that we would have the current age of yuri without its popularity and proliferation at the beginning of the century so I owe a big thank you to Maria Watches Over Us for that. Ignoring its historical importance and literary significance the anime still presents an engaging plot with wonderful characters and more butchered French than my last trip to Europe. It is certainly worth a watch and worthy of a place on this list.

What do you think should be on this list?:

YuriMother: As I previously said, this is a pretty perfect list. As far as missing titles I can think of the following.

Simoun - not the greatest in terms of plot or animation but it had cute service and a fun action-packed plot.

Kashimashi: Girl Meets Girl - This series may be strange and present the dreaded love triangle but it did its best to tell a transgender narrative in 2006, naturally this involved aliens, and I applaud it for its attempts.

Cannan - This series is light on the yuri but heavy on the suspense, action, and amazing character designs. The terrorist plot is exciting and the final train fight featured in the series is one of the greatest action spectacles in anime that somehow manages to remain grounded.

OG:

-Harukana Receive: Best all-female sports anime ever made. Plus the gayness is not subtle at all.

-Mikagura Gakuen Kumikyoku: Eruna Ichinomiya is an underrated yuri icon. While not the first of her kind (That honor, I think, goes to Galaxy Fraulein Yuna) she set the standard of cool and inspirational badass lesbian protagonists who are proud of who they are and...also happen to be super perverts. Eruna made it cool to be such a protagonist. It is nice seeing a lesbian lead who does not care what anyone else thinks. She is hungry for cute girl booties. While she often loses her control in the presence of pure beauty she, as an inspiration for others like her, has enough self-control to not go overboard (most of the time).

-Symphogear: Symphogear is love, Symphogear is life. Hopefully Season 5 will keep up the good work.

-Rinne no Lagrange: My favorite mecha anime and the reason I embrace OT3s when the signs are there. Not the greatest but man was it fun. Plus Madoka Kyouno is still sexy.

-Yuki Yuna wa Yuusha de Aru: My favorite Moepocalypse anime of all time. Yuna X Togo taught me to love and trust some people outside my closest family again.

-Mouretsu Pirates: If someone were to ask me “Hey OG. What to you is the perfect anime?”. I would tell them Mouretsu/Bodacious Space Pirates.

-Kashimashi: Girl Meets Girl. Thanks to the first fan commenting and reminding me of it. Definitely worthy of a spot. #HazumuWasAlwaysFemale

Final Thoughts:

OG: Pretty good list and close to what mine would look like were I to make one. Reason I have yet to do so is because I do not feel confident enough to pick a favorite yuri anime of all time. Favorite yuri manga and couples? That I can do, but anime always seems to give me a hard time choosing my absolute favorites. Like I said though, a potential yuri list of mine would look something like this. I also found it interesting how similar the Top 10 are among both our respective fanbases and visitors to the poll conducted by the Akiba Research Institute.

YuriMother: I may have done most the complaining and left the praise to OG but I actually and really happy with this list. I think that every title presented is a worthy addition and while I would certainly move some higher or lower than their current placing I do not believe that these are too far off from my own opinions, which is surprising for a popularity poll. More than anything I am thrilled to see that works I dislike that I thought to be popular did not make this list. Perhaps I should have more faith in people and their opinions. Everyone did such a wonderful job voting and I am so grateful!

Thank you so much everyone for reading and for voting in the top yuri anime poll. To see the full results of the poll and to support yuri news, reviews, and content, check out the YuriMother Patreon. Happy Pride Month

[bulgariansumo]

The Messy Relationship Between Sonic and Localization

Ask any Sonic fan and they’ll tell you that the fandom is one of the most fractured things to ever exist. It’s a miracle whenever we can all agree, and that usually comes from us collectively hating something (Sonic Movie’s original design, Ken Penders, etc.)--and even then, there’s a dedicated few who disagree. Many of us have such differing opinions on what the series “should” be, that satisfying all--or even a majority--of Sonic fans is next to impossible. How did it get this way? I think it has a lot to do with localization.

Classic Era

The 1990’s wasn’t the best decade when it came to localizing anything, especially not video games. Often, some creative liberties would be taken when adapting a source from Japanese to English.  The Sonic franchise was no exception to this. The first split comes from the game manuals. Me and @rontufox​ already made a post discussing this, but the Japanese manuals gave a little background info on the series’ lore and worldbuilding. The English versions gave a bare-bones description of the premise of each game, but that’s about it. There were no mentions of an apocalypse caused by people misusing the Chaos Emeralds, of Sonic finding the ring that would foreshadow Knuckles Chaotix, or of Knuckles thinking the Death Egg was a ‘Dragon’s Egg’ described in ancient legends. Sonic went to a bunch of colorful zones, beat up Dr. Robotnik, collected some magic stones, and maybe a new character or two would tag along, but there was nothing else to it. There was no dialogue and few cutscenes in the games at this time, so the English localizers could get away with this.

Since there wasn’t much to go on games-wise, English fans at the time got their perception of Sonic and his world from various comic and cartoon adaptations. The American-produced ones portrayed Sonic as an in-your-face smart aleck who was almost completely full of himself. The UK-produced Sonic the Comic starred Sonic as a self-described “cool guy” who cared little about the people around him, including friends. Whatever worldbuilding these adaptations had either didn’t exist or diverged completely from the games, because the writers, even if they did care, didn’t have much to go on. There also weren’t a lot of Japanese Sonic adaptations at the time, and the only one that got localized was Sonic the Hedgehog: The Movie (aka Sonic OVA). To English-speaking fans, Sonic was an arrogant but funny hedgehog who despite everything, got the job done. Aside from Dr. Robotnik, other characters were an afterthought and could be replaced as needed.  

Adventure Era

Sonic Adventure released in 1998 with fully voice-acted cutscenes, and localization differences started catching up. Some things were easy to fix, such as Dr. Eggman (Robotnik’s name in Japanese) being a nickname for Dr. Robotnik. Other things weren’t that simple. For instance, some of those little things mentioned in the Japanese manuals started showing up again, specifically the apocalypse caused by people misusing the Chaos Emeralds. Sonic Adventure was a soft-reboot, where most previous characters and worldbuilding are still there, but some details are left behind so that newcomers have an easier time entering the series. There also might be changes in the series’ tone. For example, Sonic Adventure was somewhat more serious than previous games could be, but still overall lighthearted. This was also the first of many mainline games during this time to have an ensemble cast. Instead of just playing as Sonic, or maybe Tails and Knuckles, you were required to play all three of them plus other characters, with different stories and gameplay styles. This was a tall task, but these games pulled it off well enough to be very popular at the time. Themes of friendship became very prominent in the games around this time, and to further cement it, Sonic X, a Japanese-produced anime came out and got localized in the United States. Sonic was still a little cocky in English dubs of the games and anime, but he was also free-spirited and very supportive of his friends instead of being preoccupied with being the coolest person in the group. For the most part, his English and Japanese portrayals were nearly indistinguishable. Other characters also got more screentime and focus on their personalities, and popular new characters like Shadow and Rouge were introduced to the cast. All was going great.

Then 2006 came around. Shadow the Hedgehog and Sonic the Hedgehog (aka Sonic 06) came out, ushering in a period of very poorly received Sonic games, the latter being seen as a contender for the worst game of all time. Shadow the Hedgehog was an attempt at explaining why the titular character was alive after apparently being killed off Sonic Adventure 2, but the gritty and somewhat melodramatic tone was seen as ill-fitting for the Sonic franchise. The gameplay was also lacking, in part due to other characters tagging along with Shadow and repeatedly telling him hints and mission objectives. The problem of characters talking a lot mid-gameplay was present in Sonic Heroes, but the gameplay itself was passable enough that the game didn’t completely suffer for it. Shadow the Hedgehog tied up the last plot threads the Sonic Adventure series left behind, so the series had to go somewhere different. Sonic 06 was another soft-reboot, so that newcomers wouldn’t have to study up on the games from Sonic Adventure to Shadow the Hedgehog. Because the game was rushed for the holiday season, it was glitchy, didn’t feel good to play, and the writing was… very flawed. The game’s tone was slightly lighter than Shadow the Hedgehog, but still a little too melodramatic for most fans.

With all of these changes in mind, further splits in the English-speaking fandom occurred. Many vocal Classic fans were thrown off by the series being heavier on plot, worldbuilding, and Sonic’s friends. They wanted to go back to a time when none of that existed, and when Sonic was just an arrogant jokester--a time that only existed in 90’s US and UK. Newer, Adventure-era fans grew up with these new changes and loved them, though many of them were also not happy with Shadow the Hedgehog and subsequent games’s handling of these things. Because of Shadow the Hedgehog and Sonic 06’s spectacular failure in handling different characters’ gameplay, one sentiment was repeatedly echoed--that only Sonic should be playable. Since then, with very few exceptions, only Sonic has been playable in mainline Sonic games. This still wasn’t enough to save the games. Games after Sonic 06 often had a core gimmick to them, many of which weren’t received well, and the ones that were got replaced by the next game. The writing had the same feeling to it, though. It shied away from the melodrama of the most hated entries, but still retained the sincerity of entries like Sonic Adventure.

Modern Era

That changed in 2011 with Sonic Colors. Instead of Sonic Team writing the games, they hired Ken Pontac and Warren Graff, two American writers known for working on Happy Tree Friends. Neither had much knowledge of the previous games’ characters, worldbuilding, or stories, but this was intentional. Sonic games sell less in Japan, so Sega probably wanted to put more focus into pleasing audiences in America and Europe. The two went off some basics about the characters and setting, and what little they knew previously. There is some supervision by Takeshi Iizuka, a longtime Sonic Team member who is currently the head of the series after creator Yuji Naka left in the mid-2000’s, but he is interested in the series going in a new direction. Sonic Colors was another soft reboot of the series, but because of the writer’s lack of knowledge about the series a lot more details were lost and changes made than in any of the previous ones. The writing is lighthearted, but most of the sincerity has been traded for attempts at comedy, which tend to be hit and miss. Sonic as a character retains his free spirit and some kindness towards his friends, but some of the self-importance of his English interpretation is making a comeback. Many of the characters from previous games make returns, but they’re written oddly (“Y’got this, Sssonic!” - Shadow, Sonic Generations (2011)) and the writers don’t quite know how to integrate them. Sonic Colors was well-received for its gameplay, and even the writing was praised at the time, but most subsequent games have middling reception. None are considered outright bad (except Sonic Boom, but that was a spinoff that Sega contracted a different company to do) or outright good (except Sonic Mania, which Sega contracted a team of fans to do.)

Conclusion

As it stands now, the Sonic franchise is a strange hybrid of the Japanese and English interpretations of Sonic. A lot of the Adventure Era fans are old enough to start noticing the changes in the writing in the Modern Era, and some aren’t big fans. Some are, though. Some of the Classic fans are satisfied with these changes, others aren’t impressed either preferring the Classic or even Adventure Era. Some people like the Classic Era, but not the English interpretations of the series. There are likely Modern fans who grew up with this version of the Sonic franchise and love it, but there may be ones that have seen previous iterations and prefer those better. There are many differing opinions and few can agree on what would be good for Sonic. Would things have been different if localization had been handled differently in the 90’s? Who can say? All we have to go by are ripples from the errors of the past.

[makeste]

MAKESTE! HAVE YOU WATCHED THE NEW OVA/??/ bkdk nation is blew up within the first hr of its release brrrrrrrr

I DID WATCH IT but tbh I did not like it at all sob. no offense to those that did! y’all are valid and I respect that! but I just could not get into it at all, not even a little bit. 

anyway so I apologize but the rest of this post is just going to be me bitching unpleasantly about it not meeting my exacting standards lmao. I’m sorry guys. please feel free to skip the rest of this post, because if anything I’m underselling how much I’m about to complain about it. it’s just nonstop unappreciative whining.

first of all, the anime writer team’s insistence on only sticking with the same 4-5 pre-set character combinations is really starting to get old. not that I didn’t see this coming; it’s pretty hard not to get an inkling of what we’re in for when they just casually write out half of the class in the very first scene on account of them not being deemed interesting enough lmao. there was some poor sap in the Crunchyroll comment section asking if there was going to be another OVA featuring the other 10 kids. no, my sweet child. no there is not. that’s not how this works.

and then afterwards of course they went and paired Bakugou with Kami and Kiri, and Deku with Tsuyu and Ochako, and so on and so forth. and I mean it’s not like there’s anything wrong with these combos. but I would have loved to see Bakugou with Momo, or Kirishima with Ochako, or Deku with Kaminari. just, you know, something fresh. Todoroki and Tokoyami were the only really interesting combo and I did enjoy their interactions.

and it didn’t help matters any that they insisted on setting this way back in mid-season 3 for absolutely no reason. because honestly they didn’t need to use the provisional license exam as a justification for them doing rescue training, and in fact I’m pretty sure it’s canon that they didn’t do any real rescue training leading up to the exam, so if anything that just made it harder to suspend disbelief. I have a sneaking suspicion that they chose this setting specifically because it allowed for the laziest writing without them having to work out how to incorporate the character development that happens at the end of season 3. are they just scared they’ll screw it up or something? because at this point I’d honestly almost rather see them swing and miss if it meant they were at least trying to do something new with the characterization. basically I felt like everyone was just the blandest, hollowest, most predictable versions of themselves in this, and it was genuinely grating to watch, because these are such great characters but I felt like all the life was drained out of them. they didn’t have those sparks of intelligence and creativity and spontaneous growth that define them in the series.

absolutely nothing about this fucking underground labyrinth that U.A. built for the express purposes of collapsing and flooding makes any kind of sense whatsoever and I just need to say that. at one point they reach the fucking elevator and I was like “that was actually pretty easy” but then they’re all “too bad it doesn’t go all the way up” and it was like. ??!?! WHY would it not go all the way up. why would an underground elevator shaft only go up PARTWAY to the surface. like I’m not an engineer or something but still, I’m not crazy, right? that makes absolutely zero sense, right??

at one point Deku is with the three girls and he’s all “okay all you girls, please go and bring Iida to safety; I’m staying here, thanks.” like, there was literally a scene where the protagonist character dismisses all of the girls from the rest of the plot so he could go hang out with the other two pseudo-protagonists. fucking rude, Deku.

lastly (actually not lastly but I don’t think anyone really enjoys bitchy posts nitpicking something that was supposed to just be a bit of harmless fun, so I’m gonna wrap it up), the entire premise of this OVA hinged on the idea that Aizawa Shouta, yes that Aizawa Shouta, would approve of a training exercise in which his kids were purposely trapped in a cave-in underground. Aizawa fucking Shouta, who knows better than anyone how easy it is for someone to die in a freak accident when falling rocks are involved. and Shirakumo was a second year at that point, with a good amount of internship experience already under his belt! compared to these students, who have only one semester’s worth of training, and zero internship experience! and on top of that you added in the bullshit element of making them wonder whether it was part of the training or an actual disaster. which was kind of important so far as enabling them to make good decisions on how to make it out of there alive! literally what was the point of not telling them ahead of time. you compounded the risk for no fucking reason because they’d never face a scenario in real life where they were standing around wondering “is this really happening or is our teacher just fucking with us.”

and Aizawa is just fine with it!! just standing around all “oh I’m sure they’ll be fine.” oh look at that, Iida’s lying motionless on a stretcher. but it’s okay, we’re anime characters so I’m sure it’s nothing serious at all. we won’t even bother treating him even though Recovery Girl is standing right here. we’ll get around to it later. at one point he says U.A. has made “arrangements” in case the worst happens, and based on everything we’ve seen up until that point, I can only assume he meant funeral arrangements.

like, y’all. I get that U.A. is batshit insane. I know this is the same Aizawa that was all “heh I wonder if Todoroki is really going to broil Tetsutetsu alive. [eats popcorn]” but this was just too much. imagine Mic asking Aizawa how his classes went that day and Aizawa being all “oh, yeah, I trapped them all in a cave-in.” “you... what...?” “I sent them all underground and caved the roof on them with absolutely no warning. flooded the whole thing after a bit, too. you know. plus ultra.” trauma?? what trauma?? he’s over it. he fucking loves cave-ins now.

so yeah. what even was up with that entire thing. there was one bright spot however, and that was the reveal that Todoroki is apparently on a first name basis with Kaminari. out of absolutely nowhere lmao. anyways so that part did delight me and is absolutely canon now. but the rest of it... .... ehhrm.

[mesaprotector]

I finally finished the Higurashi no Naku Koro Ni VN today after three-plus months of inching through it!

I'd already watched the 2006 anime (as well as every OVA I could find - yes, including Kira). I've also been intermittently watching the new anime, Gou, but with close to no knowledge of Umineko or any other related series.

My thoughts under the cut.

In short, the VN was absolutely worth playing even having seen the anime. While I still do love it, the shorter time it has to spend on comfy slice-of-life scenes and character backstories mean it does suffer a little bit, in particular:

Keiichi is so much better in the VN. In the anime he had his moments, but I almost felt like he was mostly there to make the cast into a pseudo-harem. In the VN, he's just great, right up there with all of the other kids (well, except Rena, but more on that later).

Meakashi was already my favorite arc in the anime, but in the VN the tragedy hits so much harder, especially with Shion's final line, "I wish I hadn't been born".

The Keichii/Rena fight in Tsumihoroboshi felt weirdly offputting in the anime, and I felt the VN did a much better job of slowly shifting from the dark mood of most of the arc to its almost-happy ending as Rena relearns how much she loves having fun with her club.

Irie's behavior is pretty concerning in the anime, but in the VN he feels a lot more like a genuine good person who just jokes around a bit too much.

I remember already feeling that Miyo was a kinda compelling villain, but the part in the VN where she just grabs all of her pain and hurt and channels it into an incredible drive to excel and succeed (Matsuribayashi, Chapter 4) is freaking amazing, and thanks to that I'm always going to associate its BGM with Miyo, even though it's also played when Akasaka rescues Rika.

There were a few pretty small things I felt the anime improved on:

The anime-original "Reunion" episode and the Yakusamashi-hen arc were really good, and in particular the latter has my favorite Ooishi scene when he just freaks out in frustration over how powerless he was to stop the disaster. I really like Detective Delicious in general, but that one scene, even more so than any of Rika's, was really the moment I felt most "God, please help these kids".

Some of the perviness is slightly toned down in the anime, or rather, confined to the fanservice OVAs. (The exception is Irie, as mentioned above.) I did start to tolerate the story's humor a little better as time went on, but it's still a little much on occasion. 

The VN getting more in-depth was generally good, but there were certain parts where I felt it could have been condensed. Like, instead of cutting repeatedly to Akasaka during Matsuribayashi, just have him show up and rescue Rika (it's set up well enough with the fragments mini-game).

Speaking of the pacing, I initially played the Steam version but at a friend's recommendation installed the "07th Mod" with full voice acting and updated graphics for Himatsubushi and Meakashi. But I switched back to unmodded afterwards, since while the voice actors do a really good job, it slows the story even more, which is generally fine during dramatic scenes but causes the comedic ones to be something of an ordeal (the mahjong chapter of Himatsubushi, not least since I have no freaking clue how to play, was slightly torture).

I also feel that having voice acting changes the atmosphere to something much closer to that of an anime. If you're planning on only playing the VN, I'd recommend doing it all with the VAs, but as I'd already heard Rika say "Nipah" about a million times I was looking for a bit of a different experience.

===Some Thoughts on the Whole Story===

Higurashi's overarching message - that all that's needed for a happy ending is for everyone to come together - is something I often disagree with, and a lot of my other favorite stories take almost the opposite perspective. One anime whose ending I absolutely adore has the main character go off by herself and talk the main villain into a puddle of tears, winning the "final battle" of the entire series thanks to character development gained mostly from introspection.

But in Higurashi, for all that, it really, really works. Ryuikishi07 absolutely goes the extra mile, and as idealistic as it often feels, you can't help but come out of the story feeling that just about everyone deserves more trust, compassion, and understanding. One of my favorite quotations, from a book I read in middle school about a rabbit, is "things only seem impossible before they happen". Maybe it feels like two people, or a village, or a nation couldn't possibly meet in the middle, but they actually can, and they can accomplish things nobody would dream of with their shared will.

(I guess you could nitpick and ask "hey, when does Teppei show up to help defeat the Yamainu"? - lol - but I think the story does a really good job nevertheless.)

One other thing I just have to praise Higurashi for is that it actually resolves nearly all of its mysteries with a minimum of hand-waving, which is pretty uncommon for a mystery story, and I know that at least when I first watched the anime I was sure it would kind of invent an ending out of nowhere. There are magical elements, but they're pretty well set-up, and the one "miracle" that occurs feels very natural.

Rena is still my favorite character, even though Tsumihoroboshi was middling as an arc (meaning still amazing). When she’s sane, she’s the best friend anyone could ever have - Mion and Keiichi try, but their specific flaws mean that they’re dumbasses sometimes when they just want to help. It takes a lot of skill to write a believable, super emotionally intelligent character, which is what Rena is. That - and the scene where she hides in her happy place in the car during the rain was atmospheric as all heck. Being all by myself somewhere out on a rainy night is my comfort and my healing. Fortunately my own problems are more manageable than what she had to deal with in Ibaraki.

Overall: 9.5/10, whatever you might imagine that number means to me. The anime gets one point less, but it's still really good.

[syncogon]

[QZGS meta] what’s in an OP? dawning glory (pt 1)

or, why TKA S2′s OP is actually really good

{The King’s Avatar season 2 premieres in less than 24 hours!}

(part 2) (part 3)

Ever since I got into The King’s Avatar, I’ve always wondered what a “classic-anime-style” TKA opening would look like. OPs are something I pay a lot of attention to, both for the sheer enjoyment and hype as well as the deeper story and symbolism they may allude to. And although I enjoy the S1 and OVA OPs for what they are, I always wanted an OP that really followed the tried-and-true formulas, an OP that gave a proper look at what the series was really about, an OP that had a lot to dig into and analyze. 

S2 brought us this kind of OP, finally, and I’m very excited to see it. Heavily inspired by the “What’s in an OP?” youtube series by Mother’s Basement, I really wanted to try and break down this OP. Because things got very long, this is only part 1; the other 2 parts are linked above and below.

Some of the points I bring up may be reading too deeply, but whether some of these details were intentional or not, their meanings and effects are still worth analyzing. Also as a warning, there will probably be novel spoilers. 

For reference, watch and read the lyric translation here.

With all that said, let’s jump right in.

We open with some very nice shots of the morning light streaming in, shining on the gamers’ tools of the trade. Right away, the new animation studio promises us a visual treat - the lighting and colors are excellent. Although the props are unmoving and there are no living beings in these shots, the changing angle of the light adds motion to the scene, giving the impression of a sped-up sunrise. This accompanies the music well, which starts out muffled and distant, and gradually comes into clarity. From the very beginning, the OP grabs our attention and holds it, building our anticipation for what’s to come.

Now we cut to outside, atop a roof, and we get a proper look at the sunrise - only for a brief moment, though, as Ye Xiu’s hand quickly comes up to block the blinding light. “Anime protagonist staring at sunrise” is a pretty common trope, but I think it’s used to nice effect here - we’re introduced immediately to the “dawn” motif that underlies this entire OP (it’s even in the title). It’s a suitable motif for this arc of the story, because this is where Ye Xiu finally has the concrete goal of building up his own team - this is truly the dawn of Team Happy.

I like how it’s Ye Xiu’s hand that’s the first thing we see of him, or of anyone. As a pro, his hands are the most important part of himself; his hands are also one of the first things that Chen Guo notices about him when she first meets him. 

Furthermore, this view provides a nice natural transition to the next shot, in which we finally get to see him properly.

Look at how pretty the sky looks! Look at how pretty his smile looks! 

After the first few seconds of pure buildup in the music, the beat kicks in at the exact same time as his hair begins to blow in the wind. I think it’s very important for the visuals and the music to sync together in an OP, simply because of the raw impact this has on the viewer - they reinforce each other’s effects. Both components of an OP need to work well together in order to create something greater than the sum of the parts. It’s just very exciting, when you can sit back and think “oh yeah, it’s all coming together.” 

Ye Xiu stares thoughtfully at the sunrise for a few moments, before breaking into a soft, relaxed smile (right on the second four-count after the beat starts). It’s not one of his mocking smiles, or his shamelessly confident smiles - here he’s just genuinely happy and hopeful at what the future has in store. 

We see him lower his arm, and then the camera pans upward to a shot of the new series logo for Season 2. This pan-up to title card is also a fairly standard technique, but hey, it’s effective and efficient at getting us ready. 

Speaking of the new logo: it’s basically the same as the old, but I was shocked to see just how prominent the English title “The King’s Avatar” is now. Honestly, it’s really exciting to see - feels like it adds some legitimacy to our small English fandom, and it’s also so cool, knowing how the title “The King’s Avatar” became the official English name almost by accident - we could have easily ended up with something much less interesting. However I do think they could have positioned the text a little better, because I and others keep reading “The King’s Iavatar” haha

As the dawn shifts more into morning, we refocus on Happy Internet Cafe, the origin of it all. Notice the new green leaves on the tree: our story began on a snowy winter, but we’re now firmly in spring, a time of new beginnings. 

The music excitement level settles down a little as we enter the first verse, and here we get a montage of many of the to-be Team Happy members. Although each shot is fairly short, each manages to tell a story, conveying a good amount of information about the character in question. One of TKA’s strengths is its large cast of well-developed characters, and I’m really glad to see that they’re not completely flattened out in this opening montage.

Here we see Chen Guo, presumably opening up the cafe for the day. However, by the time she comes down here to do this, it seems that Tang Rou has already been awake and training for a while.

Like Ye Xiu, the first thing we see of Tang Rou is her hand, a parallel that perhaps emphasizes how deep Ye Xiu’s influence on her is and how she wishes to learn from and surpass him. The nimbleness of her fingers on the keyboard definitely evokes the image of a pianist - a subtle clue for the future.

Look at her straightened back and serious eyes - her posture and expression say it all. Awake, alert, steady, calm, as she continues to strive for improvement. 

The lyric for this part is roughly, “the bugle call to split open the dawn is sounding right here and now.” As mentioned, it’s here at Happy Internet Cafe that it all begins.

From one internet cafe to another, it’s Wei Chen and his bros! Notice how he’s at the center of their little group, in both position and attention - we immediately get the sense that he’s their leader. Slouched against the couch (which seems to be built more for comfortable lounging than proper gaming), hands behind his head, glancing between his friends, an easy smile, it all gives off a relaxed, casual air of confidence. 

Still, in contrast to the seemingly light-hearted mood of this scene here, the accompanying lyric is somewhat melancholy: “were those daydreams or the past?” 

When Wei Chen’s character design came out, a lot of people were surprised at how young he seemed to look, and he has barely any stubble. But with this close-up of his face (which is specifically timed to “or the past”), the lines under his eyes are clear to see. Combined with the lyric, there’s suddenly something sad beneath his smile here. He’s not young anymore. 

Notice the one screen that’s turned on behind him - clearly an image of Glory. Despite everything, he couldn’t bring himself to leave this world entirely.

Where the hell is Steamed Bun? Why does he have a bat? We just don’t know. We don’t even have any lyrics to give us a hint. He’s a real-life Brawler, totally incomprehensible. Even the camera shakes a bit erratically as it tries to follow his movement. Honestly, isn’t this just the best way to sum up his character?

Our favorite math nerd Luo Ji, in a library of course. The shot begins with everything blocked off by the books, and it’s only when he pulls out one of the books (the black-to-light is timed with the lyric “I open my eyes”) that we’re able to see him. He’s still framed by the books in this shot, because he’s first and foremost still a student. For now and for a long time to come, his studiousness and mathematical ability will be what defines him and his contributions to Team Happy. 

Still, he looks thoughtfully at the book in his left hand. Maybe his contributions can go farther. Pay attention to his character Concealed Light when we see him later.

I can’t say if there’s a significance to the woman passing by, but it serves its purpose as a transition to the next scene.

Qiao Yifan! From the logo in the back, as well as his uniform and color scheme, you can see he’s still at Tiny Herb here. He looks determined and focused on his screen at first. When he blinks, though, his gaze subtly shifts to the side and down. Something is distracting him; he’s not quite as certain as he might appear at a glance. 

The lyric here is “[I can’t tell] what side of the road I’m running on,” an apt reflection of his current, conflicted and somewhat precarious situation. He’s on a championship team right now, a place that so many would envy. But he feels much more at home with the ragtag crew from Happy. But what prospects do they have? But it’s not like he has much of a place in Tiny Herb right now either…

From Qiao Yifan looking to the side, we cut to An Wenyi looking to the side - our eyes are able to very naturally follow the transition. Although blurry at first, we soon see that he’s looking at a figurine of Immovable Rock - the number one Cleric in Glory, An Wenyi’s idol. He looks at it thoughtfully for a moment, brows furrowed, before turning away and closing his eyes. As though in resignation, knowing he’ll never be able to reach that level.

The lyric is, “do I understand” - a very short line, with the note held out.

An Wenyi is the logical one; he’s the one who understands. He understands his current position, he understands that he has no hope as a pro with his current skill, he understands that the chance Happy is offering him is a once-in-a-lifetime kind of opportunity for someone like him. It’s a decision he considers carefully, he’s unafraid to ask bold questions about the practicality of what Chen Guo and Ye Xiu are trying to do, but in the end he knows this isn’t something that he can pass up.

I like An Wenyi’s character arc a lot. There’s a lot of worry and self-doubt in his expression as he looks at that figurine; there’s a lot of sadness as he turns away. Even through Season 10, this aspect of him doesn’t just magically disappear - he has to deal with this reality of being Happy’s weak point. His logical mind is both his greatest strength and his greatest weakness.

From An Wenyi’s closed eyes, we cut to Su Mucheng’s downcast eyes - another natural eye-focused transition. She looks up as the wind picks up around her, blowing her hair and scattering leaves. 

Notice that she’s not wearing her Excellent Era uniform here. Her dress reminds me of her outfit from the prequel movie, actually - color scheme, sleeves, bow, length, cut, etc. 

It’s a style calling back to younger, simpler times. The light pink color adds to that effect as well. 

As the camera pulls out, we’re able to see just how alone she is, isolated from the cars passing beneath her, not a single other person nearby. And at this point in the story, she really is rather alone; she doesn’t really have any allies on the team, and her only escape is to play in the game with the Happy crew. 

The wind is scattering many leaves, and she blurs into the background as the camera focuses on one drifting red maple leaf in particular. 

Blatant symbolism is blatant (it’s not even fall right now, it should be early spring…). Still, it’s a convenient shorthand to reference many things. One Autumn Leaf, Ye Xiu’s account and identity for a decade, now snatched away. The symbol of Excellent Era and those earliest hopes and dreams, now lost to the wind. It could even reference Su Muqiu himself, the boy with “autumn” in his name, now lying in eternal rest. 

The lyric is, “interwoven in the dawn, those memories and rests.” The past is now past, far out of reach; all we can do is look up and reminisce on what once was. 

Over the course of these shots, you can see the passage of the morning. The earlier characters are illuminated by a golden glow, but by the time we reach Su Mucheng, she’s standing in full daylight. Here we end section 1 (verse 1), and move onto the next part of the song.

Thanks for reading so far!

(part 2) (part 3) 

[natsunoomoi]

Holy crap. So like with the previous post I was thinking about Fushigi Yuugi again and kind of checking up on what was up with Byakko Senki cuz I haven’t checked on it in awhile and it looks like it’s on hiatus right now and she’s working more on Arata Kangatari, which is cool cuz I thought she finished that, but I guess not and she just took a break to like finish Genbu and do Byakko or something.

But also I was scrolling through her Twitter to find that she is really into this Chinese movie “Legend of Luo Xiaohei” and so I was checking that out cuz so ironic that Japanese mangaka that got her big break writing manga about an ancient China setting is interested in a Chinese movie. So just looking through her Twitter thread and apparently she found out about Luo Xiaohei from watching a CM while watching Modao Zushi. LMAO It’s amazing, but this situation just feels like an ouroboros eating itself because I have a high suspicion that her work on Fushigi Yuugi imported into China back in the 90s was probably a huge influence on Chinese creators and artists to write their own stories about their culture and helped to popularize the xianxia and wuxia novel movements in more modern times. On top of that MXTX said she was inspired by a D. Gray-man fanfic and while she mentioned that title specifically, I think in the periphery Fushigi Yuugi itself and more recently Arata were probably an influence too. Growing up a number of my Chinese friends also said they got into anime overall because of Fushigi Yuugi because it was an anime and work from Japan about their culture and arguably done pretty damn well. 

In terms of the danmei movement as well, I’m pretty sure Fushigi Yuugi was included in what started the movement as the movement was influenced by Japanese BL that came in via Taiwan, and the beginning of Fushigi Yuugi had the whole thing between Nuriko and Hotohori even though that kind of went nowhere, Nuriko dies to everyone’s depression (I have several friends who refuse to watch the rest of the series after Nuriko dies because it’s not the same), and that whole ship goes off a weird deep end with Hotohori marrying a woman that looks like Nuriko. Also, the exact reasons for Nuriko being in the harem and all that. There was a whole lot of shipping in the 90s from Fushigi Yuugi and it was one of the first series that had a male cast that was almost entirely ikemen and I think the actual first reverse harem. A number of shows probably simultaneously popularized the female gaze in mainstream anime, but Fushigi Yuugi was definitely one of them. Like literally one or two years before there was a lot of manly men and guy’s guys kind of anime characters, but beautiful ikemen, no, not really. In 2021, there are some things about the series that are a bit problematic, but it’s influence on the world is pretty significant. It was one of the first shows I’d seen that had any kind of reference to homosexuality or transgender in it and although it’s not necessarily portrayed well, the fact that it was there and that Nuriko was such a beloved character it started a conversation and helped us to get to a time where the topics she represents can be more discussed. I’m actually not even sure what pronouns would be appropriate for Nuriko because of her reasons for what she did and in Japanese the pronoun problem is actually really easy to get around because you just don’t have a subject or speaking in 3rd person is totally normal. But still, without her the minds of thousands or even millions of fans around the world would not have been opened as early to LGBT topics. Her existence, even problematic as it might be, allowed people to consider and love a character of a different sexual orientation or gender identity than their own and just open their minds to just not being a homophobic, biphobic (cuz relationship with Miaka?), or transphobic piece of shit.

Then also Genbu Kaiden and Uruki’s powers. Yeah.... I mean, also kind of with the earlier discussion, the idea of dual cultivation I don’t recall even being brought up much before in most media, but such ideas were also banned and repressed in China at a certain point. Documentation shows it was more of an ancient practice that suddenly became known about again. The book I was talking about that has it more explicitly written is banned in China has its only original surviving copy in the Japanese National Library as it was one of the books brought to Japan by scholars escaping persecution in China and bringing with them books to escape one of the many episodes of mass book burning. According to my Chinese lit professor who had us read an English translation of that book as a part of our curriculum anyway. Supposedly the translator of said book had to go to Japan to read the original in order to write the translation. There’s apparently a number of ancient Chinese texts like that because book burnings were a thing at different points in Chinese history, so if you are a scholar of Chinese lit if you want a complete picture of your field for some texts you do actually have to come to Japan to do your research. But yeah, that power mentioned in that very book Watase-sensei gave to Soi, and also the story of Fushigi Yuugi takes place in that very library that contains that ancient copy of a banned and would have been lost to the world book. If you’re asking why a “dirty” book would be something a scholar would grab to save, ancient lit scholars do regard it as a rather well-written piece of literature even though the content of it is basically taboo.

But also the Fushigi Yuugi Suzaku Ibun game is a hot mess when it comes to this same issue because if you romance Nuriko you can save her from death and my friend Hikari said she wasn’t sure if she was happy about fucking with the universe like that. (I’m not either.) Nuriko’s death was such a huge impact on the story and everything. Also, notably, most of the Suzaku Shichiseishi died, but Nuriko had the LONGEST tribute. Like Chiriko and Mitsukake’s was like a tag on of a few minutes. Hotohori’s was too even, but it was addressed more in the later manga chapters the publisher pressured her to write and in the OVA series afterward.

Also, like Fushigi Yuugi other than the Neverending Story was one of the original sucked into a book holy shit how do I survive stories. Idk if SVSSS is influenced by it in that way, but it’s fair to draw the parallels because of the similar theme. It’s just canonically Taiitsu Shinjin is not behind the the system in the book and in a number of ways Shen Yuan is more competent than Miaka. Miaka gets a lot of shit though and when I re-watched FY a second time I actually found the gripes people generally have about it make up only a small part of the series. People just talk it up so much that it seems like a huge thing when it’s not. Plus the technical canon is only the original TV series because that’s where Watase wanted to end the story and that is an emotional rollercoaster that makes you cry so good. But like there’s some other kinds of parallels as well like how toward the end and like the last two episodes you hate Nakago up until the exact moment you find out why he’s an absolute asshole, and characters straight up criticizing him about how he’s an asshole the whole damn series just gives the same kind of feels that SY gave criticizing the original throughout SVSSS. Can’t say for sure, but Fushigi Yuugi has a lot of clout in a general sense.

But yeah, Watase-sensei said that she was really surprised by the animation quality of Chinese animation these days and she thought Japanese anime was going down in comparison. Same, yo. Same. But still, her work was probably a huge contributor to the movement that allowed MDZS to exist because her art is damn beautiful, Chinese influenced, and she had one of the first works in Asia to like bring the subject of LGBT issues into the mainstream after years of oppression from mostly Western influence because in pre-modern Asia no one gave a shit before and there’s a significant amount of classical novels that address some form of LGBT issues at least in Japanese lit and like even academic documentation that notes Confucius saying that doing it with a guy was better than with a woman. And the author of the work that probably was very influential to BL back in the 90s watches MDZS. She noted that there wasn’t any in the actual anime, which is true, but I think she helped that series to exist and she watches the anime so it’s kind of exciting.

I hope it influences her to go finish Byakko, but OMG I want her to finish Arata too because I like Arata. I should try to find time to read more of it because the anime is too short and the wiki descriptions of what’s happening are so damn confusing and incomplete.

[reversemoon255]

Gundam Build Divers Re:Rise

So, if you’ve been here a while, you’ll know I’m a big fan of the Build Series. I even like Try, which has actually offended people. No joke. And Re:Rise is no exception, having the best story and characters in the lineup, not to mention some of the more innovative Gunpla. It’s pretty obvious it’s the most beloved of the Build Series by the general public as well as hard-core Gundam fans, and I feel that’s because it leaned more heavily into the Gundam side of things than the Build side, for both its ups and downs.

The Good: The story is very strong, and is able to get away with things that hampered GBF slightly and GBD a lot. It presents it mystical elements forefront and prominently.

In almost every collectibles based series, there is almost always some form of mystical element (a trend made prominent by Yu-Gi-Oh!), and both GBF and GBD lean into this to different degrees. (Actually, one of the reasons I like GBFT is because it’s the only series like this I’ve ever seen that doesn’t have a mystical element.) GBF’s was pretty subtle, being presented early on and only really being used as a motivator for the Chairman and a sad goodbye. GBD leans into it a little harder with Sarah being the main focus of the entire final arc.

GBDR is able to get around this by having the entire focus of the show be about the mystical element, so there’s no conflict between the grounded story and the abnormal additions. Also, it was just, like, really good? And I think part of that is the naivety of the characters. I was able to pick up almost immediately that everything was real, but I read a lot of the YouTube comments after each episode, and a lot of people were convinced it was just a story mission at first, with more and more people catching on as the series progressed. (For me what sealed the deal was Maiya being able to describe Kazami’s character. A supposed NPC being able to nail the personality of a player.) Since they thought it was a game, the stakes seemed low even though we as the audience knew otherwise. And when everything came to light, not only did the stakes immediately skyrocket, but they did so believably. And wanting to help people is always a good motivation.

The animation was very good. It dove at a few points, as is not uncommon, but the overall quality stayed high. There was almost no stock footage apart from the Core Changes. And the number of cameos throughout this season, especially in the last three episodes, were staggering, but were just balanced enough to not overshadow the main cast.

Except for Kyoya’s Cardass Finisher. Like, ok, reference, but it was, like, three minutes long.

All the characters were very good, and I feel part of that was both establishing a detailed past for everyone to help with their motivation and character growth as people, rather than fighters, and not having the main character be the newbie. Reiji, Sekai, and Riku were all new players and had to have plenty of things explained to them, whereas here all of BUILD DiVERS were either experienced fighters or builders, and Freddie, the non-combatant would only require an occasional explanation while he, in turn, explained his world to the players (a very important give-and-take). I also liked how they didn’t need to spell out every detail of Par and Kazami’s pasts. Par never has to explain how he became disabled to the rest of the team, and Kazami never vocalizes about the death of his dad. Sometimes that’s the better way to handle things.

And finally, the Gunpla are FANTASTIC! Look, I know I complain, but there’s a reason I’ve bought 12 Core Gundams, and will probably buy more. Each design in this series is so lovingly crafted. There’s a good balance of series, motif, and gimmick. And Re:Rising Gundam is such a cherry on all of it. Like, I pointed out all those oddities in my Wodom Pod review, but never did I even consider it was part of a combination. And it so encapsulates the themes of coming together this series oozes. I love it.

The Bad: But, of course, nothing is perfect. While I do enjoy the story, what sets the Build Series apart from other Gundams is its levity and light-heartedness, and that’s something that was lacking from this season. It’s not absent. The Space-Crossing Festival, for instance, was a great example of this, but those moments were few and far between. I think Jed dying was the moment I realized I’d have to look at this as a Gundam series and not a Build one. Being afraid for the show’s characters isn’t something I’ve had to worry about with Build. Even when Sarah’s life was on the line at the end of GBD, I knew everything was going to turn out alright. Here, though? Up until the training mission I was worried someone was going to sacrifice themselves. And it’s good that didn’t happen, but that one moment put me on edge for the entire rest of the series.

And it’s not necessarily a bad thing, but it’s something I expect from 00 or Thunderbolt. Not Build.

Already mentioned the animation had its dips. I think I watched the entire show in 720p. Would have preferred 1080. Moving on.

While I don’t have any real issues with the main cast of characters, I do have a few issues with Eve. I’m not the biggest fan of how she retcons a lot of the events of the first season, having this apparent noble sacrifice that completely doesn’t affect the story of GBD at all. And while I don’t mind May being constructed from some of Eve’s data, I wish it was built up at least a bit? I can think of some moments in retrospect where I can suss out that maybe that’s what they were going for, but it still felt very sudden. That could have been handled better.

And while I love this season’s Gunpla, there are simultaneously a lot and not a lot compared to other seasons. Like there’s a lot of releases, but a ton of them are remolds. Twelve Cores, remember? Almost every suit got a remold. The Justice Knight and Infinite Justice, all the Eldoran and non-Eldoran counterpart units, the Valkylander and Ex are the same mold, and all the Core Armors. That’s probably because they used a lot of suits that are more original and are just homages rather than straight remolds, like the Build Strike or 00 Diver, but it’s definitely noticeable.

Where do we go from here: We have an official announcement of a Divers Battlogue, just like with Fighters, and we may get OVAs like the previous seasons did, too, eventually, but I’m talking about beyond that.

After Fighters Battlogue ended, Fighters did, too. We moved on to Build Divers, and from what I can tell it’s been successful, especially this season. My worry is that with the announcement of a Battlogue, we’re also announcing the end of Divers.

Now, I don’t think Build is going away, because it has its own fanbase, and it’s just good from a marketing perspective. Take some old kits, make a few new parts for them, and resell them. What I’m worried is we’re heading to a new subtitle and a new continuity, which would be our FIFTH (Builders, Fighters, Divers, and GBGW). It made sense to end Fighters because they created a seven year time skip to explain how we got to the point of using original Gunpla, they didn’t go over well, and from a writing perspective it put them in a corner. Divers was a good reboot, returning to modified kits, and giving us a protagonist who actually pilots a Gunpla he built himself (three season in). Divers also has a very large mythos at this point, with AIs, and multiple confirmed species of aliens. If you jumped ahead just one more year, you could write a great story where it’s just exploring this inter-species cultural hub that is GBN. That’s what I’d like to see, anyway. If you skipped ahead just a little farther, you could have Asha, Towana, or Hulun return as our Yuma or Par for that season to connect it to the past one. There’s a lot of potential still there. Like, even the ending suggests they might have some more ideas for Eldora yet (whether that will be tackled in a new season, the Battlogue, or an OVA, I don’t know).

You could also return to Build Fighters. Make it take place in that seven-year gap, which would allow you to have Gunpla more on the level of what we saw in GBD (more advanced than GBF, but not at original yet). Or show us the pro circuit at the same time as GBFT and how insane that’s become. (What we see in GBFT is just the Japan’s U-19, and they apparently can’t hold a candle to actual pro players. Can you imagine what Worlds would be like O_O)

There’s just so many new stories they could tell with what already exists. I don’t want them to reboot the series again needlessly.

Also, we’re running out of headliner Gundams. The only obvious choices I don’t think we’ve touched yet are Barbatos, Unicorn, Victory, and Zeta.

As for my hopes for the Battlogue, I’d like to see Maiya and Kazami go on a date, because that would be adorable. I’d like to see Freddie pilot his first Gunpla, because that would be adorable. And I’d like to see the gang teach the village kids how to build Gunpla, because that would be adorable. What can I say? This series got kinda dark; I’d like some cute to balance it out.

Overall, this series was great. Favorite of the Build Series, even if it is a little more Gundam than Build. There’s a lot of potential still left in this universe, so I hope they’ll continue to explore it, rather than reboot the series again.

[x0401x]

Hey miss wonderful taste in everything, can you recommend us some of your favorite KyoAni productions?

Sure! I love doing recs and I’m literally taking any sort of positive content related to KyoAni lately because we truly need it at the moment. Long post alert, though. Here goes my top 10:

1. Hyouka

This one will probably be my first choice forever. It’s KyoAni’s most brilliant work so far and easily one of the best animes I’ve ever watched, hands down. It’s also their finest novel-to-anime adaptation in my opinion, and one of the very few animation series that actually turned out better than their source material.

The books are extremely interesting, but they’re also bland. The alterations made to the anime added visual value to it in order to make it more alluring and appealing, turning ordinary situations into rather unique and thought-provoking settings, while managing to never deviate from its novel counterpart. The changes on the characters’ designs were also a very good choice in my opinion, as they fit more into the character archetypes and the impressions they give off.

This one is honestly an example for the whole anime industry and a timeless gem. I’m pretty certain that it was one of the studio’s turning points in terms of animation style. Surely will become a classic in the future.

2. Koe no Katachi

KyoAni’s most well-done movie, as far as I can tell. I’m specially fond of the symbolism of every scene and the effort put on the scenery, which gave an effect of depth to the frames. The studio managed to portray the mangaka’s art style while staying true to its own trademark traits as well.

Animation quality and sound design aside, it’s also loyal enough to the manga. There were cuts in order to fit the story into the time limit, but KyoAni made up for the gaps with later released specials. The movie is also considerably less dramatic than the original, yet I’m certain that the alterations in that regard were made so that the transition between the phases of the story wouldn’t feel rushed. Albeit in a much more uplifting way, it nevertheless managed to transmit the characters’ essence and emotions.

What caught my attention the most in this movie was the soundtrack, though. There was a lot of care in its production, and it was clearly made to be gentle and almost imperceptible, with glitch-like repetitions here and there, as if it means to put the viewers in the shoes of the deaf heroine. It certainly did its job well.

3. Full Metal Panic? Fumoffu!

First anime from KyoAni I’ve ever watched, aside from the Inuyasha movies. Easily one of their funniest series, if not the actual funniest. It has a very special place in my heart. I dropped Amagi Brilliant Park on the first episode, but I’d cry internally every time I saw Bonta-kun in it. The nostalgia is strong, kids.

It’s got excellent animation for the year it was made, and I dare say it’s more decently animated than many current animes. The pacing is dynamic and the jokes vary from over-the-top to smart and witty in a smooth way. I also give this one kudos for not relying nearly as much on fanservice as more recent titles.

For the people who didn’t watch the first Full Metal Panic, I suggest doing so before trying this one out. Anyone who enjoys the two should also watch the second season, Full Metal Panic: The Second Raid, which comes right after Fumoffu and was also animated by KyoAni.

4. Clannad

This one I deem as the best out of KyoAni’s most notorious classics. I also recommend the other titles related to this one, such as Clannad: Another Story.

Much like Hyouka, it’s a masterpiece in every aspect. It has a very non-cliché and unconveninent plot that deals with delicate themes in a sensible way and tears your heart apart at the same time. Frankly exemplary to the drama genre and exceptional as a visual novel adaptation.

5. Free!

The franchise became lackluster after the first director left, but the first two seasons were fun enough in their own right. Unlike most novel-to-anime adaptations, Free! started with original content through creating a future for the main story, which was turned into the not-so-distant past in the anime. This is unusual enough, but it worked out well as the anime maintained itself as loyal as possible to the first book and never went off the rails with the plot. The main characters’ personalities did suffer many alterations, yet it’s obvious that they meant to make the two more charismatic and likeable. As far as fan responses went, it worked.

I find very interesting that the creators were aware the story took itself too seriously at times, and they made this clear by compensating the heavy melancholy with heavy comedy. They also compensated the overdramatic atmosphere of the first season by picking up the pace and getting a little more serious in the second season. Everything was intentional and designed to be a hit amongst women, which I think had served the purpose until the first movie came out.

To be honest, I’m not fond of the exaggerated fanservice, but it gets easy to ignore it after a while if you only pay attention to the storyline. I don’t consider myself a fan of Free!, and I actually took very long to start liking it. I only did get into it at the last scene of episode 8, back when the first season was still airing. It was only by this time that I could see the true value of the series, so I recommend anyone who tries it out to go at least that far with it. I know it might be a lot of work, but in my honest opinion, it’s worth the trouble.

I deem the High Speed! novel awe-inspiring because of its nostalgic tone and the awfully realistic depiction of childhood crises. The most serious situations of it are a little out of reality, but the rest is absurdly relatable in levels that I myself don’t know how to put into words. Yet I also appreciate Free! for its strong tone of encouragement. It feels like the creators are trying to cheer up the viewers.

6. Kyoukai no Kanata

It starts becoming a mess from episode 4 onward, yet the beginning was quite promising. This one relies heavily on fanservice, often makes use of nonsensical tropes for the sake of comedy and sometimes goes overboard with the jokes. However, it doesn’t fail to deliver emotional value and the action is pretty neat. Anyone who hasn’t read the novel will definitely be able to enjoy it as a standalone.

I don’t think I need to mention it, but the animation is stellar. I in particular love the blurry movement effects of when the characters draw their weapons and the geometrical spectrums in the colorful power barriers. I also recommend the OVA, as well as the second movie I’ll be Here, although the latter is 100% original content. It was actually cute and fun to watch. The first movie is merely one huge recap.

7. Hibike! Euphonium

Truly dazzling take on slice-of-life. It’s healing and heartrending at the same time. The way that characters are portrayed allows the viewers to feel their passion and dedication without it occasionally feeling unrealistic. Everyone has their own problems, but none of them are taken out of proportion. Miscommunication happens, just not in a frustrating shoujo manga way.

The soundtrack and scenery are breathtaking, yet the forte of the animation in this one was the huge amount of detail put into the eyes and hair. Everyone’s hairdos are remarkably glossy without ever looking weird, and I especially like how their eyes all glinter in different colors.

The author published another volume of the novel after the anime, saying it had inspired her to write more, and it’s no wonder. I also recommend season two and the OVA. The first two movies are just recaps and the third was to me a disappointment, so I leave those to people’s own discretion.

8. Tamako Market

Rather odd but nice story. It blends iyashikei elements with a peculiar plot and actually manages to do that in a cute way. All of the characters are likeable and the visuals do a good job in transmitting what they have to transmit in a very relaxing manner.

This show caught me off-guard by how unproblematic it was. It has trans, gay and dark-skinned characters, but none of them is ever used for fanservice or jokes and their respective circumstances are portrayed as 100% normal, which is sadly still rare in anime even nowadays. The romance is pretty not-dramatic and filled to the brim with fluff, and I very much like that the main guy treats his female love rival as a serious threat.

I recommend the specials and the movie as well. Especially the movie, which is basically the same as direct sugar injestion and gave me diabetes.

9. Munto

Also has a special place in my heart. Cheesy but good, actually. I’d be lying if I said there aren’t some surprises in it, though, but I’ll refrain from giving too much info on the story itself.

It was firstly an OVA, but then got adapted into three movies. The animation was done finely enough, but there’s a drastic change in style from the first to the second half, though I myself didn’t really mind it. The characters are all well-stablished and the plot is consistent. There’s a present quality of feminist shades in it and the relationships are very endearing.

10. Nichijou

Not really one of my favorites but certainly one that I recommend for people who are in need of a laugh. It’s got some pretty creative and iconic humor. Its imaginative retakes on routinely affairs manage to transform the most trivial real-life situations into Oscar-worthy wit. It also gets nonsensical every so often, but this fits within the show’s own narrative.

It has a very unique animation that sometimes mixes different styles of art, which only makes every scene a hundred times funnier for being so soft and adorable. It varies from hyperrealistic to surrealistic at the speed of light and sometimes even becomes abstract as hell. It’s full of notes on Japanese culture, not only about daily life but also about media, which adds up to the fun.

[blackbutler-readerinsertsandjunk]

Thomas as in Thomas Wallis from the OVA? Holy shit. Yes, please! Sorry for being greedy and asking so much but your askbox is open so I am taking this opportunity to ask for my favourites hehehe ^_^' Pretty cliché but could you write something about him finishing his damn book and publishing it? I'm still pissed about the end of the OVA. He deserved better...everyone in the series deserved better.

THOMAS WALLIS INDEED!!! I love him so much and I’ve only written about him a handful of times so like, please send all the requests for him that you want! it’s not greedy, I love writing him so much he’s my good boy

also cliche is my middle name, sO,

man, almost everyone in Black Butler deserved so much better than they got

When THOMAS comes into the house at the end of his day, you’re in the middle of doing some cleaning. Because he’s usually home later than this, you weren’t expecting the door to open. That he’s home now makes you think something is wrong.

The look on his face as he hangs up his hat doesn’t help. He just looks so drawn, as if he’s just heard something that he’s not sure what to make of. It looks to you as if your poor fiancé is ready to cry. That is something clear in your mind; his latest book’s been rejected, hasn’t it? Oh, how much more of this can his heart bear?

“Thomas,” you call softly as you set your things down. “You’re early. Is everything alright?”

He runs his fingers through his hair with a sigh. “Do you want the bad news first, or the really bad news?”

Oh, God. There’s more than just the publisher rejecting his book? Maybe you ought to hear the worst thing before anything else. “I… I suppose… the really bad news…?”

“Well, I… was nearly hit by a carriage on the way to the publisher’s.”

“You what?!” Your eyes feel like they’re nearly bugging out of your head. In an instant you’re by his side, giving him the kind of kiss you would give if he were about to go off to war. Your hands pat carefully at every inch of him, looking for wounds. “Oh, my good Lord, Thomas!! You poor thing! Are you hurt?!”

He laughs at you, though he’s clearly all too happy to kiss you back. In fact, if it isn’t your imagination, he’s slightly more passionate than usual. His hand presses gently against the small of your back as if to pull you in as close as he can. “Oh, no, no, I’m fine, my love. Sorry to give you a fright… I’m a bit shaken up, but I only got a scratch at most. Everything’s fine.”

Of course, that doesn’t stop you fussing over him. You’re happy to hold him as close as possible. To think that you could have lost him in an afternoon is terrifying. He’s the kindest person you’ve ever met, and you love him so much, and although you could face life without him, you don’t want to. “A-alright, well… if… if that’s the really bad news, then… what’s the bad news?” Surely anything bad is going to come second to nearly dying, but Thomas being Thomas, you might have anticipated him to put being rejected by the publisher ahead of even that.

He gives you that sheepish smile of his. “Well, the bad news is… we’re going to have to move house.”

“… Move house? Why?” Fear seizes you as you contemplate why that could possibly be. “Oh, my God. Are we being evicted? I-I told her we would have the money next week! W-what are we going t―”

Before you can think about anything else, Thomas laughs again, giving you a sweet kiss like only he can. “Shhh, darling! Oh, no, I’m so sorry. I was trying to play a trick on you, but I just can’t. The bad news is, yes, we’ll have to move… but do you know why?”

Oh, you can’t take much more of this. When you answer, you can’t hide the exasperation in your voice. “Why, Thomas?”

“Because… because―!” That grin is going to split his face clean in two, you think. You hardly have the time to process what’s happening as he spins you around. “They said yes, sweetheart!! They loved The Tale of Will the Reaper! They want to publish it! Our luck’s finally changing, and… and we’re going to be able to get out of here! To a safer area, and we won’t have to worry about making ends meet… we can finally have everything we’ve ever dreamed of!”

“Thomas!!” You can’t help but squeal as he hugs you tight once he’s finished spinning you. “Oh! They… they said… they said yes! Oh, my God, this is amazing!”

Thomas lets himself fall against the door, then slides down to sit with you on the ground. It’s undignified and not where you thought you would be today, but you don’t really care. He just looks so happy. All he ever wanted was to know that he could make it as an author, that someone believed in him enough to publish his works, to be able to help build a life for the two of you.

“We can finally get married,” he breathes. His fingers intertwine with yours, his other hand resting against your waist. “As soon as I get paid from the first batch of books, I’m going to buy you a ring. And I’m going to take you into the town square and stand there and kiss you with everyone watching.”

It’s your turn to laugh, your face turning bright red. “Oh, no, you’re horrible! We can’t do that!” Could you have predicted such a modest man like Thomas suggesting something so inappropriate?

He tilts his head from one side to the other, then offers you an exaggeratedly resigned sigh. “Well, we shall see what happens regarding that idea. However, I am definitely going to marry you. The very second we can afford it, I am going to marry you. I shall get paid, come pick you up, then we shall go to the church…”

A snort comes out in addition to your giggles. “Thomas Wallis!!”

His grin comes back in full force. He looks so tired, yet the weight of the world has lifted off his shoulders at last. “I can’t believe this,” he murmurs. A few tears slide down his cheeks, quickly kissed away as you wrap your arms round his neck. “This is it. This is what I’ve been working toward my entire life. And now, I… I’ve done it. And it’s…” He chuckles wearily, nudging his forehead against yours. “― It’s only the beginning.”

You kiss his lips again, slow and deep as you press yourself against him in an attempt to make him feel your love. Though he already knows how much you adore him. “I’m so proud of you,” you whisper. “Thomas Wallis, the famous author, is going to be my husband.”

“Goodness.” His lips linger at the edge of yours. “I bet you’re happy I can finally give you as much as you deserve, aren’t you?”

“Well… that’s nice, I’ll admit. Because it’s what you deserve as well.” You run a hand through his hair, pulling it out of its ponytail to fall in curly waves around his shoulders. “But do you know what, love? No matter what happened, I would still be happy, because I have you. I would still love you even if we stayed in this cramped little place for the rest of our lives.”

He gives you a smile that could light up the whole world. “Even if we had to eat nothing but potato soup and bread for the rest of our lives?”

You match his smile and improve on it by pressing a tender kiss to his forehead. “All I need is you. So, yes, even then.”

“There’s the difference between us.” His shoulders shake with laughter. “If this book sells well, and if my next one sells well, and the next one ― I’m never touching potato soup again!”

You join him in his laughter, and when you both calm down, you let out a breath. “… I knew you could do it, Thomas.”

[lemoncakepanda]

Top 50 NaLu Anime Moments {Pt 1}

And thus we get back to me fangirling over my favorite NaLu moments once again, only this time we do it based on the anime-only moments, which covers: canon, filler, movies and ovas. 100 year quest is not included bc it hasn’t been animated (yet) and it’s still fairly early in the story to start listing my fave moments, so we’ll just cover these I mentioned. If you’re not up to date with the anime, I recommend you skip this list.

Originally, I was just going to do 30 moments, but the list kept getting bigger and so on, and here we are. So I’ll post from least favorite to, well, most favorite, and will divide the list in 5 posts. In this first one, I’ll list my fave moments from 50 till 41.

Warning: lots of gushing and fangirling over a beautiful ship. also, a few moments will be differently placed on this list contrary to where they ranked before (some may be higher and some may be lower) and that’s due to the fact that some of them were better in the manga, whereas some were better in the anime, and some of them are lower simply bc dragon cry exists. so, here we go,

50. “Hang out with me a little longer.” (Ep 125).

We starting off with a filler moment, and you may wonder why it’s so low, since it’s such a cute moment. One, it’s filler. Two, it made into the list, which is already saying something. There’s many great NaLu moments, and they have a lot of scenes together, so choosing only 50 moments was hard enough, so no judging the rankings, kay? It’s the only scene ever where Natsu and Lucy are dancing, so I couldn’t leave it out. It’s such a great moment because, especially at first, Lucy hardly initiated the NaLu moments, and this was post Tenrou, which is known for its NaLu amazing-ness and where the ship truly start to develop, so to see Lucy grab Natsu’s hands even though he “ruined” what she thought would be a romantic moment, and just pull him in for dancing, was actually really sweet, especially at the sound of “Glitter” which is a great song. Also, it’s easy to miss, but Natsu is blushing when she pulls him to her so they can dance, which made the scene extra cute. Let’s ignore the fact that he probably puked on her next, lol.

49. Lucy stops Natsu in Edolas. (Ep 82).

Does anyone else find amazing the fact that Lucy can calm down Natsu and talk him out of so many fights? Natsu Dragneel, the guy who storms into fighting without a second thought? Because I do. And this moment here is no different. Back when I was watching this, I had no idea where we were going with NaLu as a ship, esp bc I knew Lisanna was coming back this arc, so it was nice to see them having moments like this, where you can see Lucy’s affect on Natsu, the way she calms him down, even when she’s upset too, like you can see on the photo. Also, a back hug, which is a total NaLu thing, so it’s a must on this list.

48. “That was dangerous. Thanks, Lucy.” (Ep 59).

BLUSHING LUCY IS SO CUTE! Srsly, though, I love seeing her blush over Natsu, especially so early in the series. I headcanon that she had a little crush on him around this time, but didn’t know how to deal with it, so she just buried it, but moments like these would happen, and it would slip out. Also, the matching outfits are a plus! I don’t have much to say about this moment, other than it’s hard to show this photo to someone and have them explain how could this be platonic in any way. I mean, they’re friends, ain’t nobody denying it, but it’s not just that.

47. Original Team Natsu is formed. (Ep 3).

Time to travel a bit back in time, back to when I didn’t even ship NaLu, and they certainly did not have romantic feelings for one another, but it’s still a pretty special moment, and that’s when Original Team Natsu, which consisted of Natsu, Lucy and Happy, was formed. I love how in sync they were with each other since the beginning; they certainly had immediate chemistry with one another, even when they were still getting to know each other. Gotta add this one, bc, where would we be if the Everlue mission never came in about? If they never needed a blonde? I mean, Natsu would probably choose Lucy anyway, but this was very essential to the building of their friendship, as it also opened the door for them to start spending time together.

46. Natsu saves Lucy from Zash. (Fairy Tail: Dragon Cry).

And from one jump in time, to something more recent, and where Natsu and Lucy are 100% the ship we love, which would usually not be so low on the list, but God, there are so many moments that weight more, especially on the emotional side, for me. This moment I feel it’s important to point out bc we all know nothing good was about to happen to Lucy, and Natsu once again comes through to save her, to make up for the fact that he almost hurt her, and he just burts in yelling “Give Lucy back!” and just wrecking in everything and punching that creep in the face. And he still picks Lucy up in his arms and is all flirty with her and starts sniffing her. Also, for someone who complains about Lucy’s weight, he sure doesn’t mind holding her like this, does he?

45. Lucy and Natsu falling from the waterfall. (Ep 59).

For those of you who don’t know, I feel it’s fair to point out Orácion Seis is my least favorite FT arc (yes, I know Alvarez exists, but at least it’s entertaining), and the only thing I really liked about it was Jerza, Wendy’s introduction, and, well, the moments with Natsu and Lucy, individually and together. I wanted to bring this moment in because it’s always nice to see Lucy being the one to save Natsu, but also because it shows how their relationship is slowly but surely progressing; before, every time he got motion sickness, she’d tell him to snap out of it or just call him pathetic. And then, somewhere along the way, she stopped finding it ridiculous. As we can see on this moment, I think for the first time, she’s so worried about him and goes on to save him even when she’s all banged up too, and she risks her life to protect him, even when he’s about to be sick right at her chest. She doesn’t ridiculize him, she doesn’t roll her eyes at him, nor ignores him, she steps in to save him because she already cares about him so much. It was a nice development in their relationship, and I’m very grateful for this moment. It’s always nice to see NaLu being reckless together.

44. End of the Starry Sky arc. (Ep 150).

And whereas in one we had Lucy jumping from a waterfall grabbing onto Natsu for dear life to protect him, here we have Natsu straight up jumping at the sky to save Lucy from falling to her death (again), with a beautiful scenery, with all the stars falling, nice background music, and, after the long roller-coaster arc we had, ending it this way, with Lucy giving Natsu one of her sweetest smiles after he catches her and then throws himself on the ground as they fall so she doesn’t get hurt, gave such a warm feeling to my heart. The nice reminder that although Lucy had lost all of her family (Layla, Jude and Michelle), she still had a family right there in him, in everyone else at Fairy Tail, and they would always be there to catch her. 

43. The “almost kiss”. (Ep 219).

While I’m sure we all knew there was no way Lucy and Natsu would be kissing in the middle of the anime, and certainly not in an omake, it was very entertaning to see how they both would react to the suggestion of doing so, which resulted in: Natsu was all okay going for it, and Lucy became a flustered mess. I like how the anime added her heart speeding up when Natsu came closer, right before she pulled Happy to the middle. And can we talk about how Natsu just went for that kiss, though? He didn’t seem bothered by it in the slightest. Oh, if only Lucy wasn’t so shy! But it’s okay, I’m sure it’ll be even better when it actually happens in the actual story. Also, kudos to little Asuka, the mvp, speaking for us NaLus and trying to make dreams come true right there, lol.

42. “We can’t let it end here.” (Ep 122).

A small addition the anime made for the scene where they’re all getting ready to defend themselves from Acnologia, during Tenrou Island, which was very much appreciated. To see once again how Natsu knows exactly how to comfort Lucy, how he gives her hope, how they become stronger together, and have so much trust between them. Also, holding hands, which is always welcomed. They could have shown Natsu comforting anyone else, literally, it could have been anyone else from the guild who felt hopeless, just like they could have had anyone else comfort Lucy and give her hope. But, for this situation, who better than these two? They do so much for each other. Moments like these, filler or not, showcase how important they are for one another and the affect they have on each other. It could be their very last moments of their lives, and they were spending it with one another. Simply amazing and very touching.

41. Last moments before the war. (Ep 291).

Yup, I love this moment. I love how Natsu knows war’s gonna break out the next day (it happens on the same night but only bc Zeref is extra like that), and he goes to spend his last peaceful night at his favorite place, with his two favorite people, Lucy and Happy. I also like the talk they had and how Natsu explained himself to her, about how he loved fighting, but he didn’t like hurting/killing, and he only wanted to protect his guild. In moments like this, you can see Lucy look at him like that, like she’s thinking, yup, that’s why I love him so much. And when he says stuff like that, I think she can’t help admiring him even more. And this is the moment that opens the “let’s talk of the future” thing between NaLu, which has a nice conclusion by the end of this arc, which I’m sure you all know what is, and I’ll bring this moment back, but we’re still far from it. Anyways, a great moment because, even though it’s little, you can see how close they are with one another, and after spending one year apart, they’re more than happy to stay with each other for their last peaceful night too bad it gets interrupted huh.

Part 2 will be posted tomorrow!