#i actually drew my christmas drawing in advance for once
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redbootsindoriath · 3 days ago
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Happy Christmas!
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(And Yule, winter solstice, lunar new year, etc, there are a lot of holidays at this time of year but it happens to be Christmas today, so there we go.)
Anyway, it always struck me as funny how Beleg showed up with supplies that one winter like Saint Nicholas himself except bringing gifts to the kids on the naughty list. Couldn't believe I hadn't done a comic relating to that yet.
Transcription:
[Santa:] "Ah, well, I got here first. Tough luck, sorry, man. But hey, I do have some job openings for elves!" [Andróg:] "What's this black stuff he gave to all of us?"
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koboldkurios · 2 months ago
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Hey gang!
So due to some unforeseen circumstances with our landlords elderly parents moving back to Australia, my family and I have to move.
Ideally, we would like to find a place by the end of November, to avoid Christmas, however we do have until late Jan to find somewhere.
Not finding somewhere until January however will mean I will need to pull out of tabling at MFC as moving is ✨️expensive✨️
For those who don't know how the Aussie rental scene works.
Many houses here are paid for monthly, but also require a Bond. This bond is generally a month of rent. This means that we essentially need to fork out 2 months rent once somebody accepts our application and that's not even including the actual cost of moving.
So what does this mean?
Most houses to fit our needs and budget fall into the $400-$500 per week range, which means that our month advance plus bond is looking to be around $4000
So I'm going to be REALLY pushing and trying to sell my art over the next couple weeks so we can afford this. Because we also still gotta pay our current rent till we leave as well (currently 410 a week)
This also means that while I will be away for the 9th, 10th and 11th Nov, rather than taking a week off art afterwards, I'll be streaming more commissions.
So
✨️If you have some Christmas art you want to get in on early  COMMISSION ME!
✨️If you want art of your character with one of mine (or drews) COMMISSION ME!
✨️want a pic of your blorbo smooching grimace COMMISSION ME ILL DRAW IT ALL
✨️ IF YOUD JUST LIKE TO DONATE TO MY KOFI well that would be ultra sweet actually, thankyou 👉👈
All this to say
PLEASE COMMISSION ME
I'm gonna put a goal total of 4000, any of that that doesn't get used for bond will go to paying for movers and boxes and food.
Thankyou and please be patient with me if stream times are whack cos I'm having to look at houses
💜✨️
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steve0discusses · 4 years ago
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S4 Ep 39: Pharaoh Can Fly (Selectively)
Guys, they’re back
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Best storyboarder is back, and the visual difference between last episode and this episode is like when your art teacher picks up your charcoal and just fixes everything wrong with your gesture drawings. It’s like...I mean look at this:
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I just really love and appreciate how illustrative this storyboarder is. And I say just storyboarder because this had about the same budget as the last episode--there wasn’t that much actual animation as per usual. But, all of the scenes were drawn so well, like panels out of a good manga. They just...they always nail it when they’re at the helm and I don’t know why they’re on Yugioh, but bless this storyboarder.
Plot wise, everyone got pulled into the dragon by gooey tentacles that came out of it’s stomach, don’t think about it.
Meanwhile, all of the minibosses could communicate with them and beg for help, yes, even the same miniboss who may have dressed up like Pegasus and catfished Seto Kaiba.
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(keep reading under the cut)
The whole process of getting absorbed into the Orichalcos demon was a whole lot of symbolism and it was...kinda gross. Also kinda sketch. Also, for Kaiba it is a neat little nod to S1 when he had a vision that his brother was absorbed into a dragon mass.
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I don’t think that the makers of the show remember S1, but either they just really like goopy dragons, or it’s a coincidence or I dunno, on purpose? Probably a coincidence.
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And like I made this joke and realized...what if they actually meant to make that parallel though? This is the America crossover season, and they have referenced America’s love of trickster rabbits before with Pegasus but do they know about Br’er rabbit in Japan? Do they know? It’s a pretty Americana Deep-cut, and I have no idea how common this folktale is outside of the states.
I see anime busting out absorbing goopy masses all the time so I’m gonna assume that there might be a Japanese folklore I don’t know about which uses a similar structure (although I’m also assuming it has an extremely different history and association ((which I won’t be going into because I don’t feel like putting a trigger warning on this recap)).)
And looking at Wikipedia, there’s people that think the original reference to moist, absorbing creatures could have even come from as far as India. Which is...fascinating to how it also developed in Africa, and then the Cherokee also made the same story independently and then it fused together here in the States to make it what was eventually made into a Disney movie that will never be released again--this is just a really old ass story, all in all, possibly like over a thousand years old.
And a FASCINATING google deep dive I won’t go into for obvious reasons but knock yourself out.
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Also, lets get distracted for a sec and see how well this storyboarder drew a fitted jacket at that angle. Dear Lord, did they get reference for that or did their brain just already know that those folds would be there? You can even tell that Pharaoh has just a little bit of padding at his shoulders. Ugh. Guys this storyboarder is so freakin good at these little fitted jackets.
So, once Yugi and his friends are absorbed into the mass, where they should have died...and maybe some of them did, but I don’t know if I should add that to the Death Count because like...they could have held their breath in the amount of time they were stuck in there...maybe...Anyway, they are saved by being tossed into the figurative briar patch--by the souls all hanging out in the Leviathan’s stomach--which again makes me wonder...did they pull a folklore on us? Again, I have no idea.
Like a lot of the people in this dragon have been thorns in their side this entire season, they’ve all tried to kill them at one point--all the minibosses, Mai, Pegasus--but now they have decided to team up with Pharaoh (along with the rest of the human race) and offer whatever they can to free them from the grip of the gross dragon mass.
And like, the ending of the folk tale is that the thorny ass briar patch is also where the rabbit lives usually. It hurts everyone else, but the rabbit--the rabbit can deal with it. And likewise, Pharaoh is freakin dead. He’s at home here. He’s surrounded by spirit power, his friends and their friendship power, this is like his zone, and now he’s crazy powerful for it and will be for the rest of the episode.
And like Yami is a very trickster God (especially Season Zero Yami) so like...it does make sense that he would mirror a folk tale based on trickster Gods, even if it is by complete accident.
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So Pharaoh imagines everyone’s tears as individual drops in a glass or something--it’s not a literal glass or anything--it’s just there because the only thing actually happening on screen was his hand hanging out of this dragon’s weird puss skin.
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And he’s now a fully charged Sonic the Hedgehog and no longer needs Kaiba or Joey at all. Just gonna grab his God card demons and take charge of everything else from here on out.
By first exploding his buddies right the hell out of this lizard and across hundreds of feet of open ocean.
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Joey decides to remind Kaiba that he lost the Battle City tournament.
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Seto’s roast was actually in the show, PS. He is not super excited to be reminded that Yugi owns every card that he spent 2 seasons failing to get.
And then Pharaoh did something really, really...
...just really really wild.
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OH OK.
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YEAH JUST TAKE OFF.
GO AHEAD THERE’S NO REASON THIS WOULD BOTHER ME.
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I mean he IS super powered right now but like...
Like...WTF?
4 SEASONS. 4 SEASONS I thought this guy was glued to Yugi like Peter Pan’s Shadow and apparently--he can bounce.
Can Pharaoh do this every time Yugi asks Tea out on a date and tries to instead make the ghost in his head do all the work now? Can Pharaoh just be like “NOPE” and then phase out of the house, leaving Yugi to actually do the hard stuff?
It really adds a level of complexity to their relationship if Yugi can get a room.
(If not a room for romance, but at the very least a room to poop in.)
OR has he been able to allow Yugi to wicked poop in peace this whole time, but the show just never felt like telling us because they felt like it wasn’t important (although it is crazy important)?
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Either way I am just...floored at this character development.
Yami just let Yugi out of his sight for like...I want to say 8 full minutes. Just incredible amount of trust on Yami’s part. Incredible. Knowing Yugi’s track record, he should have died in those 8 minutes but...he was being babysat by both Kaiba and Joey.
So Yami summons the Gods and they shoot lasers--you kinda expect this sort of thing.
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And this is...probably...the real reason why Dartz didn’t bother trying to attack Pharaoh 5,000 years ago.
I can still think it’s because of Bakura but like...this is probably the real reason. It felt pretty chump to just shoot a laser at the bastard. Pharaoh just had to be reminded that this is a thing he can just do. If he felt like it.
Which he never feels like doing, because he’s too busy watching Yugi’s every move, and getting distracted by High School shenanigans.
After this happens, the giant snake falls to the ocean, splitting into just sooooooo many ghosts.
Over 7.8 billion ghosts, if we’re to assume that this is most of the population on Earth.
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(thinking the weird-o in the hat is probably a Duel Monsters card? The duel monsters were throwing themselves into the Leviathan at one point so this is probably like a dark magician boy or something...I just don’t get very attached to the monster cards so it was like...whatever. The cards die like constantly so who cares?)
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It is a pretty set dressing. Like Christmas lights but...dead people.
We also find out that the lost family of our minibosses Alister and Raphael, have indeed spent the last many years inside the Leviathan stomach, which is pretty tragic. We get a bitter sweet conclusion to Alister and Raphael’s story--although it’s not a full on ending for either character. Their life still hella sucks, they are in therapy for basically forever.
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Where is Gurimo?
I don’t know what sort of job or life these two are qualified to have now, but youknow...Marik’s boat probably has jobs available.
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Hold up. Can we talk about the windows?
I know absolutely none of you care about this, but I do, not to be picky or condescending to an overworked art team, but because I just want to know what they were trying to aim for.
There’s an iron stained glass style windowpane thing going on and that’s what’s really getting me. Like...I know these guys were technologically advanced, but why did you use this WW2 background? What happened to Ancient Greece that you were doing before?
Like doing a super past with future tech is so cool to me--I love that sort of concept art. That’s going into like Black Panther stuff where you’re referencing the earliest stuff in Africa and then blending it with stuff beyond our science. But Atlantis is a real big shrug and a “listen we ran out of time and had to press print,” and it’s such a shame. It feels less cohesive than even when this show does Egypt.
And yo this show and how it draws ancient Egypt--I feel like I’ve already talked about that. I have a feeling I’m going to talk a lot more about it next season. I’ll get to it when we get to it. I’m hoping that they have more time and budget to actually DO Egypt for once. (I say knowing they won’t)
Like it’s one of those things where this isn’t a history show, like at all, and it’s very much a fantasy. I’m not going to be like those sewing people on youtube that get annoyed because their TV show doesn’t have handsewn stitching in their Victorian bodices they rented from the costume department from an LA discount warehouse. Because, yo, it’s TV, and I can stretch my own imagination because it’s acting. (although I confess, I watch every single one of those videos).
But...the potential, y’all...the potential.
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Anyway, Dartz isn’t dead. He was just taking his toot sweet time getting down the steps of his Gazebo.
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This is where things get very anime. I get this problem a lot with anime, I really do--and maybe it’s just me. But like...sometimes it feels like anime changes the rules during the boss fight.
That happens a lot, right? Where suddenly the final boss reveals something that like...should have been addressed way earlier? And he’s alive but you don’t get why?
Anyway, Pharaoh reacts by getting maybe way too attached to his newfound independence.
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Which like...I can understand Tea forgetting that Yugi is one people that is two people all the time, but the writers as well?
And what’s kind of great about this scene is that Dartz does see Yugi as two people here. He doesn’t look at Yugi, he looks at both. When Pharaoh is like “Leave me, Yugi!” Dartz heard all of that.
Just kind of a neat thing that we finally have a dude that can just...see Pharaoh for what he is, but it probably won’t matter because there’s like only one more episode left of this season.
Anyway, Pharaoh and Dartz have a chat about where evil comes from...and like...it’s some Yugioh lore, all right.
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So before the show decides to give us the Genesis on Yugioh and reveal where the evil of the Orichalcos comes from, or if all evil was created by Orichalcos itself (which is IMPLYING stuff about Orichalcos) the snake shuts him the hell up.
As it should. Leave that Pandora’s box freakin closed. That’s going into extended universe of Star Wars books territory (RIP.)
As an aside--pretty sure that Yugi is standing outside that tornado. Maybe it was just the editing of the episode but like...
Yo I’m pretty sure Yugi is just standing there. For the first time, it’s not his nuts getting roasted. Wow. Tables have turned so much since he was dead.
Anyway, here’s the link for new people so you can read these in order
https://steve0discusses.tumblr.com/tagged/yugioh/chrono
There’s only one left! We can do it! We can finish this season in 2020! And actually get back to recapping Full Metal Alchemist! ~~Woooo~~
Oh man that movie better still be on Netflix or I’ll have to buy it lolol.
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sunflowerhae · 5 years ago
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-> you’re mesmerized ✉
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-> love! triangle (Jeno, Renjun, OC)
-> ♡ ☾ ✓
playlist• heather, conan gray/Something, The Beatles/ flowers in december, Mazzy Star/ A BOY IS A GUN*, Tyler the Creator/ love again, nct dream/ soft universe, AURORA/ butterflies, kacy musgraves•
──────── ❝ 𝐬𝐭𝐚𝐫𝐭 ❞
•December 3rd plays in your mind as u and Jeno stand by his locker on the first day back to school from winter break.
•although it was a month ago, u still remember it like it was yesterday
•u and Jeno had gone to the fair in your town
•the last one of the year. They called it the winter festival
•basic
•but ur friend group had a tradition of going together.
•everything was going fine, until you and Jeno had broken off from the group to look at the phat christmas tree.
•you had forgotten a sweater, and Jeno was more than willing to give u his, along w one of his famous eye smiles
•u swore up and down (In ur own head) that that was the day you knew you liked (loved) him
•Jeno couldn’t stop staring at you in it. And when u turned to him, all he said was
•”it looks even better on you than me.”
•and then he kissed u
•yeah
•so this is love
•you thought something would happen when you went back to school that Monday.
•but nothing came. Just Jeno refusing to meet ur eyes
•or talk to u://
•Jaemin said it was because he was scared and that you just needed to be patient
•u accepted it, and waited for the day he kissed u once more
•by Christmas break, y’all were back to being best buds™️
•and you thought maybe when Y’all returned for school, he would have worked up enough nerve to seal the deal w you
•but on that first day back
•in front of his locker
•Jeno locked eyes on the new girl, heather, for the first time
•the way he looked was absolutely beautiful.
•he had wide, open eyes
•and he couldn’t stop staring at her as she walked by and Laughed at something her tour guide said to her.
•yeah, he looked absolutely mesmerized
•but it wasn’t directed at you
•and you knew you lost him
•by lunch, heather was in your group
•turns out Jeno had history with her. And he wasn’t as “scared” as Jaemin said he was at making moves
•all the boys loved her, and while you really wanted to hate her
•u couldn’t deny that she was an absolute angel
•she had an eye smile, like Jeno
•and dimples
•and long, beautiful eyelashes
•and a beautiful laugh
•and she could keep up w haechans jokes, and chenji so easily called her noona, something they never did w you
•Jaemin tried flirting w her, but Jeno looked so protective over her, that Jaemin turned to you and shrugged while wrapping his arm around u
•u wanted to throw up when heather politely asked u and Jaemin how long u had been together
•and Jaemin threw his arm off u, and made gagging noises while the rest of the table laughed
•heather got red, and mumbled an apology to you while bowing.
•You wanted to hate her, you wanted to yell at her. But then, ppl would know that you liked Jeno. Jeno would know. And that was too embarrassing
•so you smiled at her, laughed, and shook your head while holding up a hand
•”Jaemin and me? Please, I’d rather die a lonely virgin with 50 cats”
•Heather laughed, and scooted closer to you, and said “it’ll be so nice to have a girl friend!”
•yes, u wanted to throw up.
•but u just wrapped your arm around her, like Jaemin did to u
•and reassured her that you two were already getting married, while she laughed
•over the course of the next two weeks, she spent more and more time with ur group
•and in three weeks, it was no longer just you and jeno by his locker every morning, but you, Jeno, and heather
•you and her were talking about how terrible the lunch food was
•when Jeno came up, and wrapped his arm around her shoulder Before giving her a kiss on her forehead, to which she blushed furiously for
•your mind went back to four nights ago, when heather scream texted u (“JSNSISHEVRB”) that Jeno had drove over to her house with milkshakes, took her to a park, and asked her to be his gf
•u cried all night, four nights ago
•after he says hello to u, y’all three talk for a while before the bell rings.
•Jeno and heather start walking towards class, talking about some random thing, while u walk slower in the back, basic third wheel style
•you couldn’t stop staring at their interlocked hands.
•u felt bad. Because heather had easily become ur best girl friend
•but u loved her boyfriend
•and u lowkey wanted her to die
•:/
•u felt like this wasn’t fair.
•u had known Jeno far longer than she did
•why did she get him?
•your thoughts silently went on like this for three more months after this incident.
•May 1st.
•every 1st, your group developed a routine of going to this cafe, just down the street from haechans house
•you would all order milkshakes and fries and sometimes burgers or onion rings
•and you would all just have a good time
•you were feeling a lil down today
•heather had told u that her and Jeno kissed for the first time, and said they loved each other
•to make literally all matters worse, she was wearing the sweater Jeno had let u wear, all those months ago
•the pain in ur heart had numbed. It didn’t hurt so bad anymore everytime you saw them w interlocked hands, or w his arm around her, like now, where they sat across from you in the half circle booth.
•you couldn’t stop looking as ur usual waiter, Jane, came up.
•”hey y’all, I hope you don’t mind, but we have a new worker that needs training, and since y’all are so sweet, I figured he could practice on you? Is that okay?” Her sweet southern bell accent made it hard to say no, not that your group of friends would anyway.
•u actually knew Jane quite well. She was in ur grade, and sat next to you in art.
•u loved her honestly
•u also loved how the blush on Haechan’s face increased, and he couldn’t look up to meet the sweet red heads eyes, which were actively looking at the young boy
•ah, young love
•u made a mental note to talk Haechan up to her tomorrow in art (which you texted Haechan under the table, and he looked up at u in surprise with a smile on his face)
•when u looked away from Haechan, up to the new waiter standing in front of you with a shaky voice and nervous eye
•u felt like the air was sucked out of u
•oh my God that’s the most beautiful boy I’ve ever seen
•you knew u looked mesmerized
•wide eyes, open mouth
•u looked like jeno, three months ago
•jeno saw this
•he didn’t say anything, but he saw it
•tbh, jeno did like u on december 3rd
•and he was going to tell u he liked u on the first day back, after break
•but heather was,,
•amazing
•the one thing he ever needed
•his soulmate, he thinks
•that didn’t mean he still didn’t care for u
•but when u so willingly befriended heather, he thought u were okay
•so he never questioned it
•but the way you looked at the waiter,,
•he thought you looked mesmerizing
•so he was going to help u, bc u deserved it
•when the waiter got around the table and finally turned to you to ask for ur drink, he locked eyes on u and
•my man dropped his pencil pad
•he got so red, and went to pick it up, but halted when you started giggling at him
•he sent a smile ur way, then went to reach to get the pad
•renjun had liked u since freshman year
•he hated biology, but ur beautiful smile and the way you threw your head back when you laughed made it waayyyy more bearable
•he had never talked to you, and barely saw you when sophomore year came around
•but that didn’t mean he didn’t think abt u
•u were literally always on his mind
•he was so excited for Advanced Art 3 this year
•he had heard there was a lot of portrait drawings
•and he had gotten marked down before for drawing you for assignments when he wasn’t supposed to (not by much doe because they were THAT good)
•so he was excited to freely be able to draw u
•but bruh when he walked in and u were
•THERE
•ugh he was sad
•not that sad tho bc
•u were THERE
•he saw u a lot with the only other girl in ur friend group, so he felt too embarrassed to say hi
•but he promises his bsf, mark, that he would have if u were alone,,,
•all the damn time
•(mark don’t believe him doe, i agree)
•he had never looked directly into ur eyes
•which is why everytime he drew u, he felt like the eyes were wrong
•so wrong
•but he couldn’t place what it was
•but having u look into his eyes now
•my god he was so excited to go home and draw u
•but u,,,u were not excited
•bc wtf just happened
•u,,at the time,,didn’t know u had just met the loyl
•bc u had only ever really liked jeno before
•u decided to push that shit D O W N
•but jeno
•he was like “nah”
•he had said that he wanted to pay, and before anyone could argue (k like anyone would argue) he grabbed the bill and shuffled heather out of the seat so he could get out
•he grabbed her hand and walked towards the cash register, where jane was standing
•when u saw them holding hands it,,weirdly didn’t bother u
•all u could think abt was that beautiful waiters smile
•jeno and heather walked up to jane nd were like
•”jane, 🅱️ls get our waiter, we have to play cupid.”
•renjun: comes out from the kitchen
•jeno: “y/n, the girl sitting over there? yeah, this is her number”
•jeno: slides over the bill, w ur # written on it (he put it in the section that said “Tip_______” bc he thought he was funny. like, ur tip is a whole ass gf)
•renjun: blush
•jeno: “just tell her who u are bc she doesn’t know we’re doing this but we can tell y’all like each other uwu”
•renjun: huh *sweat*
•jeno: “mkay byeyeeeee”
•renjun indeed did text u that night
•after texting mark first (“JAJSNSNDBSBDBD BRUH GUESS WHAT JUST HAPPENED” “new phone who dis” “MARK DIS IS SERIOUS DIENDJAJSB”)
•and mark coached him through what to say
•so naturally, renjun looked like a fucking idiot
•but u thought it was cute uwu
•and u were sharpening ur ax to literally murder jeno uwu ❤️✨🌙😌
•when renjun asked u if u wanted to go on a date uwu
•and u were like “ummmm yeth”
•u agreed y’all would over the weekend
•but yet
•when u walked into art the next day and bumped into a rando
•and looked up
•and you and renjun locked eyes
•u had a feeling y’all would be hanging out sooner than the weekend
•the thought had u smiling wide while you said hello
fin.
──────── ❝ end ❞
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jolie-goes-downton · 4 years ago
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The Downton Abbey Oppositions Tag Game
Thank you for tagging me, @naevery !
1. Favourite plotline from your least favourite season?
My least favourite season (so far) is S5 (except its Christmas special, of which I love every single minute). S5 gave way too much screen time to characters that were neither interesting nor likeable to me, such as the Prince Kuragin saga and the Denker/Spratt feud, and intolerably drew out other plotlines that could have advanced a lot faster, such as Edith’s distress at the Marigold situation, Tom’s uncomfortable friendship with Sarah Bunting and Mary getting rid of Gillingham for good. But the two plotlines of S5 that I liked unequivocally were Rose growing up and finding Atticus, and Isobel and Lord Merton’s romance, which I find incredibly touching.
2. Least favourite plotline from your favourite season?
Favourite season is a draw between S2 and S3. In S2, I hated everything about Richard Carlisle, even when it served the plot and ultimately helped to advance Mary x Matthew. That guy made me shudder!
In S3, I hated the very idea of Mrs Patmore marrying the disgusting grocer. And I also disliked the whole continuation of the Ethel storyline, which would have been so much stronger IMHO if it had ended with the heartbreaking farewell when Charlie’s grandparents take him away.
3. What’s a quality that you actually like about (one of) your least favourite main/regular character(s)?
Like everyone else, I loved to hate Sarah O’Brien, but I was really touched by how protective she was towards Mr Lang the poor shell-shocked valet, and how she genuinely regretted having been a witness for the prosecution against Bates. That hidden, caring side of her was a real surprise.
4. What’s your least favourite quality of your favourite character?
My favourite character is Thomas, and while I totally understand where his bitterness and his mistrust of everyone and everything comes from, I’m not sure I can easily forgive his behaviour against Anna. To be scheming to get the same woman into prison who had put her arm around him when he cried about Sybil’s death, and who was the only one to offer him words of comfort when Jimmy had to leave, was just beastly. Ugly as Thomas’ systematic bullying of Miss Baxter was, at least there was a clear (if ignoble) purpose behind that. But Thomas’ cruelty to Anna, who has never done or even wished him anything bad, is just gratuitous. So, gratuitous nastiness to people who haven’t even remotely deserved it probably sums it up.
5. What’s your favourite thing that your least favourite main/regular character has done?
Not to repeat myself about Sarah O‘Brien (see no. 3), I‘ll say that I was also really touched by how grim Lord Sinderby acknowledged that he‘s human and not infallible at the end of the S5 Christmas Special. (I hope he qualifies as a main/regular character.)
6.   What’s your least favourite thing that your favourite character has done?
Probably Thomas‘ wine stealing in S1. Because that was neither understandable, nor clever, nor entertaining from the viewer‘s perspective, but just plain juvenile stupidity. I guess I‘m just miffed that it was nowhere near as clever as his later plots, nor accidentally beneficial, as they usually are.
7. What’s a positive aspect about (one of) your least favourite ship(s)?
I hated the whole Prince Kuragin storyline, that guy was such a creep. The only positive thing about it was how it took Violet down a peg or three!
8. What’s an aspect about your favourite ship that you don’t like?
My favourite ship (keeping in mind that I’m currently at ep. 6.02, so I can’t officially ship Thomas x Richard yet) has to be Mary x Charles Blake. The bit that I hate about it is that it didn’t happen! I was so disappointed that even the possibility just fizzled out and Blake, although he said he’d put up a fight, gave up just like that, even once Mary had rejected Gillingham. They would have been so well suited, and they’d have made such a power couple.
My other favourite ship is Isobel x Lord Merton, and if her (very understandable) “no” at the end of S5 will turn out to be final, I’ll cry. The fact that he turns up again in the hospital subplot at the start of S6 has given me new hope though.
9. What’s your favourite and least favourite styling/outfit of your favourite and/or least favourite character? (feel free to add pics if you want!)
Least favourite outfit is easily Thomas in a bowler hat. The shape just doesn’t suit him at all IMHO. Makes him look like a clown.
I also love his military uniform less than many other people do. It makes him look like such a hulk when he really is no hulk.
And while I love the cricket sequence in S3 for storytelling reasons, I’m not fond of the cricket whites either. (On anyone, TBH.)
Most favourite outfit - so hard! I won’t say no to any of those sharp suits and liveries, the Brancaster livery and the under-butler livery probably being my favourite. They’re his suits of armour, and boy does this poor man need armour. But deep down, my all time favourite outfit is probably when Thomas looks most relaxed and at ease, so I’ll go for the waistcoat & shirtsleeves look of the S3 tug-of-war scene or the S4 CS day by the sea. I also won’t say no to the t-shirt & pyjama pants of the famous “you know why” scene with Jimmy in S3. Maybe it‘s the hair, even more than the clothes.
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OK, who to tag who hasn’t done this yet? @soft-in-my-old-age, @misunderstoodnotevil , @oleander4 , @thedanceronthestreets , @sgt-barrow, @bitletsanddrabbles , if you haven’t already, let us know your thoughts! And of course anyone else who feels like having a go.
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zambie-trashart · 4 years ago
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Flirting With Disaster pt3
Phanfic Masterlist
“Ugh, I’m in last,” Reggie said looking at Alex across the room who was sleeping peacefully again, one would think that he would have learned from last time. Reggie crept up on his friend, if Alex was up when Luke and Willie showed up then that wouldn’t be Reggie’s fault. Reggie grabbed Alex’s sides tickling under his ribs making the blonde scream almost kicking Reggie in the face. That’s three right there.
“Reggie, what the hell man?” Alex asked sitting up.
“It’s eight, you should be up so I figured that I’d wake you up,” Reggie said and Alex tried not to be too upset with him. Reggie could see Alex’s inner struggle and it was hilarious, Alex didn’t think that Reggie could be that smart as to try and rack up points while the others weren’t there.
“Thanks Reg, I’ve got to go talk to Julie,” Alex said and Reggie grabbed his shoulder.
“Julie’s at school, how about we hang out, we never do anything just the two of us anymore,” Reggie said with hurt in his eyes and Alex felt bad, is anything Reggie was probably roped into this.
“Sure, what did you want to do?” Alex asked sitting back down.
“We could watch a movie or something,” Reggie said, hiding his smile. Alex was falling for it.
“A movie sounds fine,” Alex said and Reggie grabbed the t.v. remote and turned on a mindless musical sitting down close to Alex. Alex looked at Reggie who’s thigh was pressed against his own.
The opening number started and Reggie stretched his arm up and over Alex’s shoulders. Alex should have given Reggie more credit but he’s not giving him any more points if anything, he’s going to get the points out of this. Alex put his head on Reggie’s shoulder making the other shift a little coughing into his fist.
“So why did you want to spend time with me today?” Alex asked looking up at Reggie from under his eyelashes making Reggie squeak a little turning red. Did Alex know about the game or did Reggie just never notice how hot Alex is? Alex smiled a little counting that as an embarrassed noise which he heard the boys talking about adding for one point. Reggie didn’t seem to be giving up easily.
“Why wouldn’t I want to spend time with one of my best friends?” Reggie asked hugging Alex closer to him placing his head on top of Alex’s which was still on Reggie’s shoulder. Alex blinked fast face turning pink. Reggie four, Alex two, this wasn’t going as planned. The studio door swung open and Luke stood in the doorway trying not to frown at Reggie cuddling Alex on the couch.
“What’s this little cozy scene here?” Luke asked going to sit on the other side of Alex throwing his other arm around Alex. This really wasn’t going as planned.
“Oh, Reggie and I were just watching a movie together, did you want to join us?” Alex asked shifting so his head was in Reggie’s lap and his legs swung over Luke’s lap, Reggie lit up like a christmas tree moving and poofing out of the room and Luke just stared down at his friend with wide eyes coughing high pitched into his arm before walking out.
“That’s more like it,” Alex said clapping his hands once before getting up to tally his points for the morning. “That’s eight more for me,” Alex said to himself smiling and doing a little happy dance before someone tapped him his shoulder making him jump squeaking and looking at Willie who just laughed a little at Alex’s anguish.
“How’s it going hotdog?” Willie asked and Alex flushed at the nickname.
“Fine, Reggie and Luke were acting weird this morning, Reggie tickled me awake and Luke freaked out when he saw Reggie and I watching a movie together, I think something might be wrong with them,” Alex said with fake concern and Willie laughed.
“You have nothing to worry about Alex, I’m sure they’ll get over whatever this is,” Willie said putting a hand at the nape of Alex’s neck turning his face pink smiling at Willie who just smiled back and the two stood there just looking at each other. Honestly, who cares about a game when Willie could just kiss him right then and Luke and Reggie would never even have to know.
Luke and Reggie watched Willie flirt with Alex from outside the studio. Luke shook his head at Alex who was falling for all of Willie’s advances, he poofed in the room and grabbed Alex from behind picking him up making the blonde scream and poof out of the room.
“That wasn’t fair, I was having a moment with Alex,” Willie said glaring at Luke who just shrugged.
“This is a game, you have to play dirty Willie otherwise you’re not going to get anywhere,” Luke said patting Willie’s shoulder before poofing back out smirking. Luke was starting to realize what was on the line in this competition. If Reggie won, he might have to witness more scenes like this morning, Luke felt his stomach churn it was a new feeling like when Luke thought about Alex spending too much time with Willie. Reggie stomped around the corner.
“Dude, you know that wasn’t fair, I get that we’re trying to beat him but Alex looks like he really likes him and as much as that might hurt it’s Alex’s choice,” Reggie said arms crossed.
“You’re really going to give up that easily?” Luke asked and Reggie sighed.
“No, but no more ruining moments, the one Alex and I had this morning was nice until you plopped in and… you get it,” Reggie said not wanting to talk about what had happened moments prior to Luke ruining Alex and Willie’s moment.
“Yeah, sure man,” Luke said shaking his hand.
Alex marched around Julie’s room angrily. He just gave Luke seven points. Seven points! Alex drew lines next to the proper initials. Julie walked into her room seeing Alex draw a sixth point next to Luke’s name and Flynn and Carrie weren’t that far behind.
“What happened to you today?” Flynn asked and Alex ran a hand through his hair sighing.
“I got tickled awake, flirted with, and picked up from behind, it’s a long story but I’m still winning!” Alex said pointing to the board happy with that at least.
“Yeah, that’s good,” Julie said trying to stay positive, the boys were catching up and that could not happen, they needed a solid combo.
“We need something that will make them all quiver in their horrific 90’s jeans,” Carrie said and Alex raised his hand.
“Um, right here if you’re going to insult my pants at least don’t do it in front of me,” Alex said and Carrie just covered a laugh.
“We need something that will make them blush for days and every time that they think about it they’ll literally die all over again,” Flynn said rubbing her hands together.
“Hey, as much as I hate that they’re having a competition at my expense I really don’t want to kill my friends,” Alex said and the girls just ignored him thinking to themselves. “Yeah, ok.” Alex poofed out of the room and the girls didn’t even notice.
“Your dance, the dance that you did at the cafe!” Julie said snapping her fingers and Carrie looked up curious.
“What about it?”
“You need to teach him the dance and have him do it, the boys will be there I’ll just say that we’re performing there and we won’t actually but once they see him dance like really dance, they’ll lose their minds!” Julie said and Flynn nodded along.
“He does have nice hips but how are you sure this will work?” Carrie asked standing up.
“Cause at the last performance that you did at that cafe Alex danced on stage with you and I swear, they were bright red,” Julie said and Carrie sighed knowing that this was pretty much the only way that they were going to win by a long shot.
“I’ll teach him and we perform tonight, get all three of them there or none at all,” Carrie said strutting out of the room flipping her hair. Alex was downstairs sitting on the kitchen counter and there were voices.
“So then I told Luke that there’s no way that he could possibly beat me in a push ups competition and he said bet and then we both set off doing a bunch of push ups, wanna feel?” Reggie asked holding up his arms moving between Alex’s legs. Carrie crossed her arms, high pitched noise, probably a blush, and there he goes.
“Nice play Reggie,” Carrie said clapping for him before her eyes turned dark and cold toward him. “Now stop messing with him, I need him for something tonight that you better not mess up, Julie said that she needs you and Luke upstairs for a meeting or something,” Carrie said and Reggie backed up hands in the air poofing out. Alex peeked through the window outside.
“How did he get me?” Alex asked as Carrie walked next to him motioning for him to follow.
“You’re not confident enough yet, you also just gave him a leg up in the competition, he’s got six more points out of you just by showing you some muscle and standing between your legs, get a grip Alex,” Carrie said getting into her car patting the seat next to her. “Julie wants you to learn a dance for tonight, we’re performing,” Carrie explained and Alex sat down sighing. “Cheer up Casper, there’s no way we’re going to lose.”
“Yeah, no way.”
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lampmeeting · 4 years ago
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since i can now do this ldsfk 1-Metalocalypse (obvi) and 2 Chickles back at you :3
oh HELL yeah *rubs hands together* okay this’ll be long so i’ll do a cut
Favorite character: PICKLESSSSS
Least Favorite character: everyone says rockso and like I GET IT he’s revolting, but my ultimate least-fave is toki’s dad. fuck that old man.
5 Favorite ships (canon or non-canon): CHICKLES, HAMMERTOOTH, uhhhh (what else is there?? i’m kidding) nathan/abigail, charles/magnus, nathan/toki
Character I find most attractive: oh fuck don’t do this to me. i have too many types!! i can’t pick! fuck. i’m just gonna say charles. even though it’s magnus. wait. no. it’s pickles. charles. toki. fuck. magnus. i can’t do it dfkgjhf
Character I would marry: realistically?? like, i would say charles but unless i’m a member of dethklok i’m gonna be getting like .02% of that man’s time. honestly i would pick toki or nathan. toki would be so sweet and attentive, all the huggings and kissings, awww. nathan i feel would be the same, but only in private. you gotta kinda work on him a lil bit haha.
Character I would be best friends with: my heart says pickles but my soul says murderface. i would FOR SURE laugh at one of his off-hand under-his-breath comments because that’s just what i do, i fucking laugh at everything, and he’d be like OH? someone thinks i’m funny?? and then my life would never know peace (in a good way)
A random thought: i wanna hear all the dethklok albums from before the show started. like that album where their abs were airbrushed, wtf did that sound like?
An unpopular opinion: season 4 was good. :O i feel like i hear the sentiment from quite a few people that season 4 on the whole was bad. i love all the seasons equally actually.
My Canon OTP: CHICKLES. may i present to the court, exhibit A *points to my icon* (shhh no, let me dream)
My Non-canon OTP: toki/magnus :’) i think this is just about as non-canon as you can get, really. but the heart wants what it wants.
Most Badass Character: DEFINITELY charles.
Most Epic Villain: sorry, mags... salacia.
Pairing I am not a fan of: i think i’m willing to at least entertain most any ship. i’ve read some interesting things for sure. i draw the line at seth/pickles though (i’m glad that doesn’t really seem to exist anymore? it was around more back in the day).
Character I feel the writers screwed up (in one way or another): aside from magnus and abigail, who both needed WAY more screen time?? i would say dr rockso in a sense. he was sort of that kooky rascal you wave your finger at when he gets in trouble, and then they had to go and do the whole dory mclean thing. and i get the point of the episode, but after that i wasn’t rooting for rockso anymore and he kinda became more of this sinister kinda figure? i dunno. i think that whole angle could’ve been done away with and it would’ve been a lot better. also him trying to fucking drown toki in the christmas episode. 8( ouch, man.
Favourite Friendship: probably nathan and pickles, since they’re the lynchpin of the whole outfit.
Character I most identify with: pickles with some toki on the side. :’) ahhh.
Character I wish I could be: i wanna be that girl that nathan was dating for a while, the one the boys end up befriending and playing scrabble with. i want to be their friiiiiiiiiend
OKAY CHICKLES TIIIIIIIME
When I started shipping them: WELL....okay so i actually just went back and looked at my old deviantart account and the first drawing i did of them (yes i’m linking to 14-year-old art pls don’t judge me) was on Oct. 18, 2006, so like...the dethfam episode hadn’t even aired yet. god damn. there was someone in the sausage festival livejournal community who had drawn the two of them, and then i fucking went ravenous for it real quick and it became like the only thing i drew for months hahaha. i had been nickles up until then. :O
My thoughts: MY THOUGHTS??? this is so vague. i have many thoughts. uh, for one? they’re perfect together? the straight-laced workaholic and the lazy degenerate? yes please, gimme. they’re like yin and yang, opposites attracting. and yet i feel like, once they get past that, they realize they’re both so similar at their cores. and pickles helps charles loosen up, and charles gives pickles some structure. they both give each other someone to lean on when shit gets bad. pickles can be a surprisingly good caretaker when he wants to be. :’)
What makes me happy about them: everything?? i really don’t know how to adequately describe just how much i love them and just how much that means hahah... you ever ship something for 14 years?? i know some of y’all have. it gets in your blood. that’s like over a third of my life right there. not to be dramatic or anything hahaha but they’re important to me. that ship helped get me through some rough months back when i lived alone in a crappy apartment, and it’s hilarious to me that i’m getting back into it hardcore like i was back then considering everything that’s going on right now, just current events-wise and personal stuff-wise.
What makes me sad about them: god damn, anything about those 9 months charles spent “dead”. anything post-doomstar. anything snakes ‘n barrels where they’re together for a short time and then never see each other until charles becomes dethklok’s manager. pickles pining after him for like a decade after the band forms. or charles pining, having to watch pickles party and do drunks and sleep around. or BOTH of them pining and not realizing it, or REALIZING IT and not acting on it because what if it hurt the band somehow? maybe charles wouldn’t want to jeopardize it but pickles would be okay with it, and charles would have to be the one to say no. ahhhhhhhHHHHHH
Things done in fanfic that annoys me: oof, i agree with you here, Ash. i’ve read a couple fics where, like, the bdsm aspect wasn’t even fun. i probably know the exact fic that left a bad taste in your mouth because there’s one specific one i’m thinking of that left a bad taste in mine (actually two...). like i had to actually get up from the computer and go do dishes hahah... uck. but yeah. don’t like charles being abusive to pickles. i think pickles does like some punishment from time to time, and he definitely has some daddy issues. but i don’t want it to get fucking sinister haha y’know? pickles, at his heart, is a good-times guy. he likes good feelings. he wants to feel nice. and charles, at HIS heart, is all about service.
Things I look for in fanfic: are they in love or just hooking up?? i mean i’ll take either at the end of the day, but i’m a romantic and i need the love, i crave it.
My wishlist: give to me all the fics about snakes n’ barrels chickles. how i haven’t written one baffles me (though i did have that huge plot write-up from months back haha...i should turn that into a real fic sometime). would also love a huge fic about their marriage, complete with canon-typical buffoonery. fics about them retiring together. ;0; fics about them just having nice peaceful moments. literally just.....any fic haha...
Who I’d be comfortable them ending up with, if not each other: my soul literally begins to shatter apart if i consider them ultimately ending up with anyone else hahaha... other relationships can come and go, but at the end of the line i need those boys to be together. <3
My happily ever after for them: after galaktikon II, dethklok has kinda run its course. the band uses their near-infinite resources to help rebuild the earth. shortly after, it’s pickles who proposes in a surprising turn of events. shaken after the battle, he doesn’t wanna waste any more time. they get married barefoot on the beach probably in like fiji or something (pickles’ idea) with friends and family present (the okay ones haha, also magnus is there with toki because this is my dream, damnit). pickles has white flowers in his dreads in lieu of a bouquet. T~T everything goes well, no one crashes the wedding. they have a lovely honeymoon there when everyone else leaves. pickles says he’s decided to retire from music, but it’s not long before he’s working feverishly on new music in the home studio at their new place. some real expansive stuff. he’s kinda doing it as a weird therapy, coming to terms with some stuff. he never gets clean but he’s not using drugs and alcohol as a band-aid for his problems quite so much anymore. charles retires from managing bands (he doesn’t have the heart for it if it’s not dethklok) and ends up doing the adjunct professor thing whenever he gets bored. but he practices guitar a lot, pickles teaching him some advanced stuff, they jam together sometimes. he takes up sailing because it’s something he’s always wanted to do but never had time for. after pickles releases his first solo album, charles takes him on a long, romantic sailing trip. everything is perfect, everything’s gonna be good forever. 8′) forever. the end.
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starberry-cupcake · 5 years ago
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bewareofitalics replied to your post “My mom bought me my first His Dark Materials book in 2001. It was a...”
Oh wow, it never occurred to me that the golden compass referred to anything but the alethiometer, since it looks like one and kind of points to truth like an actual compass points to north. Do you know if there were alternate names for the other books? It sounds like the titles were chosen to match The Golden Compass.
This is going to be a long af answer, I apologize beforehand. 
Curiously, they were not chosen to match it, Pullman wanted to persualde the US publishers to change it, but it didn’t happen and he settled with it. Little did he know that the movie would influence the title in many other countries later on. Here’s a quote from Pullman himself explaining the title thing and how the three being named after objects in the US version was a coincidence: 
The trilogy known as His Dark Materials didn't have that name in my mind from the start. In fact it didn't have a name at all; it was just 'the big book'. When I'd finished the first volume and was talking about it with David Fickling, my British publisher, we tried various names and couldn't find one that worked. I knew that the trilogy needed a name, and that each of the books needed its own separate name too (I don't like numbers in titles: THE GODFATHER PART TWO, and so on. Just a fad. But it's my fad). So: what should they be called?
My first discovery was the phrase The Golden Compasses (plural, note). This comes in Milton's Paradise Lost, a poem which inspired me a great deal. The line refers to the Son of God taking 'the golden compasses, prepared / In God's eternal store, to circumscribe / The universe, and all created things."
In other words, these were compasses to draw a circle with, not a compass to find your way with. I liked the phrase, and the trilogy became temporarily, during the publication process, The Golden Compasses. And we finally settled on Northern Lights for the title of the first book.
Meanwhile, in the US, it was being read by the editors at Alfred A. Knopf. Someone decided (mistakenly, but firmly) that the title referred to Lyra's alethiometer, which could be regarded as a sort of golden compass, but of the direction-finding and not circle-drawing sort. So the same someone or another someone decided to refer to the first book, for their own internal discussing-a-forthcoming-book purposes, as The Golden Compass.
Meanwhile, back in the UK, I had found the much better phrase, His Dark Materials, for the title of the trilogy. I quote the passage from which it comes at the very beginning of the first book. Better, because it's more atmospheric, and there's the uncanny resemblance to 'dark matter', which figures largely in the story. So out went The Golden Compasses, and in came His Dark Materials.
Meanwhile, back in the USA, the publishers had become so attached to The Golden Compass that nothing I could say could persuade them to call the book Northern Lights. Their obduracy in this matter was accompanied by such generosity in the matter of royalty advances, flattery, promises of publicity, etc, that I thought it would be churlish to deny them this small pleasure.
So that's it. The fact that all three titles refer to an artefact is no more than a coincidence, though it does make a nice pattern. Before I'd finished the third one, the artist Eric Rohmann, who drew the wonderful covers the books had in their first Knopf editions, asked what the third book would be called, and before I could tell him, volunteered The Sophisticated Monkey-Wrench.
One tiny final thing: my first suggestion for the third book was The Lacquer Spy-glass. My editor at Knopf, Joan Slattery, pointed out that this might be misheard as LACK OF, and that made sense to me; so it became AMBER instead.
Source: Bridge To The Stars, helping out fans since days of old :’) 
Since Pullman and the UK team never re-named Northern Lights (the closest it’s got was the tie-in edition of the movie having BOTH NAMES in the cover), I’m gonna assume they didn’t prefer it, even if it made the titles “match”. 
With the US market, things were like that since the start and there was no change in the name (there are also some censorship instances in US editions, but that’s beside the point). So, the readership never got an opportunity to get as confused as other markets.
The biggest problem was on how that influenced the non-English speaking markets. 
In Spanish, for example, like I said, the movie was called “La brújula dorada”, a literal translation of The Golden (navigational) Compass (as opposed to compás being a drafting compass), so all further editions of the book post movie changed their title, and considering the series has had SEVERAL publishers through the years, it’s a goddamn mess. 
For example, you have these three pre-movie editions calling it Northern Lights: this is the one I have, this is the next edition from which I have the 3rd book, god knows when this one was released, maybe before mine. The movie tie-in edition was, like the UK version, the one with both titles on at the same time, and sadly, the latest edition made by the publisher who is translating The Book of Dust, went with the US/movie title of navigational compass, but uses the cover design of the UK Northern Lights latest edition. 
As a side note, in Spanish, The Amber Spyglass kept the initial title Pullman wanted for it, it’s called El catalejo lacado, just like he wanted. 
To add to that, they translated His Dark Materials as “La materia oscura”. In-book, Dust is referred to as “Polvo”, which literally means “dust”, but with the translation of His Dark Materials to La materia oscura (which is a literal translation but loses the Paradise Lost reference), the Book of Dust was translated as “El libro de la oscuridad” which literally means “The Book of Darkness”. So, yeah, wow, what a journey. 
Spanish editions are divergent because the books came out at a time in which publishers were being absorbed by larger corporations in many Latin American countries during the early 2000s, so HDM (much like Harry Potter and other late 90s/early 2000s series) went through several publishers. 
In my collection I have the first two books from one edition, the third from another, Lyra’s Oxford in English (it was never translated, or at least not for Latin America), The Collectors in English and digital (ugh), La Belle Sauvage in Spanish and now I will have for Christmas The Secret Commonwelth in English. Once Upon A Time in the North, just like Lyra’s Oxford, was never translated in Spanish, or at least not for Latin America, but differently from Lyra’s Oxford, I could never buy it here, so I’m waiting for the moment when I can finally buy it from abroad, because that’s kind of a mess. 
You might be wondering, why if there’s a publisher doing The Book Of Dust and re-editing the trilogy, they haven’t translated Lyra’s Oxford, Once Upon a Time in the North and maybe The Collectors as a bonus (like other publishers did for soft released companion stories in book series). The answer is  ¯\_(ツ)_/¯¯
This was the longest response ever, I’m so sorry, I just thought it was all interesting information. 
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arazialotis · 6 years ago
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Moto Grand Prix - Part 1
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Pairing: Jensen x Reader
Word Count: Around 3000
Warnings: swearing
Summary: A request from @acortez82 An idea I liked so much I decided to to a little series out of it. Jared invites Jensen to not just any motorcycle race but the biggest one of all. The final race of the grand prix happening in Valencia, Spain. A hot rival between seasoned veteran Suarez and new to circuits Esposio makes the excitement buzz in the air. Although knowing nothing about the sport, Jensen can’t help but root for the rookie. And just perhaps, he will leave Spain with more than just the love of the track. 
Everything I write is beta’d by the wonderful and pristine @misguidedconqueress I couldn’t do it without her!
I intend no hate or ill wishes to him or his family. This is purely just for writing and wasting my time. This is purely for a hobby and my enjoyment. Maybe some of you will enjoy it too. I am by no means a writer so I apologize in advance for any mistakes or grammatical/spelling errors. I appreciate any feedback or suggestions!
Let the race begin! 
----
As soon as the clapperboard snapped down, marking the end of filming and the start of winter break, Jensen raced to his trailer; bags already packed, wanting nothing more to run back home to the warm sunshine in Austin. While the rest of the cast and crew were celebrating with champagne, he was putting together the last bits of his travel details. A knock on the trailer door startled him from his thoughts and he went to answer, dreading anything that could keep him at work longer. Jared appeared on the other side, bundled up from the chill up yet still beaming with delight.
“I was hoping to catch you before you rushed off.” He laughed, his breath fogging in the air. Jensen nodded his head, directing him to come in. The wind slammed the door shut behind them. “Man, I am so sick of this weather.”
“You and me both, brother.” Jensen chuckled. “When I signed up to become an actor, I thought it’d be palm trees and beaches. Had I known they were going to ship us off to Canada, I might have thought twice. So uh, you doing anything fun with your time off?”
“Actually that is what I wanted to talk to you about.” Jared started. “But first let me give you an early Christmas gift.” He said, handing Jensen an envelope.
Jensen eyed him suspiciously before taking it from him. “With it still being over a month away, I’m afraid I can’t yet reciprocate the gesture.”
“Would you shut up and just open it.” Jared playfully ordered.
He ripped open the seal with his thumb and pulled out its contents. His eyes widened with shock as he tried to process what he was seeing. He looked at Jared for clarification but received nothing other than a smile. He held two tickets in his hand, one for an airline and the other for some type of sporting event.
Jared couldn’t contain his excitement any longer. “I scored tickets to the MotoGP!” “The what?” Jensen asked, still confused.
“Dude.” Jared chastised. “Grand Prix motorcycle racing. The last race of the year… In Valencia! To determine the winner. Esposio is so close to taking the lead…”
“Wait. Wait. Hold up. So you are taking me to Spain?” Jensen clarified.
“I’m taking you to Spain!” Jared exclaimed.
“Dude!” Jensen went in for a quick bro hug. “This is going to be awesome. God, how can I repay you?”
***
A few short weeks later, both Jensen and Jared had ventured to Spain. Seeing sights, experiencing local cuisine, and breathing in the glorious ocean air revived their spirits after months in the desolate Canadian winter. But the main event had yet to take place. Jared couldn’t keep his mouth shut the entire time. Naturally it caught Jensen up to speed. Apparently, many people were rooting for the racer named Esposio. It was his first tour and he was neck in neck with a long seasoned veteran of the tracks, Suarez. Esposio needed to place first to take the championship, and on top of that Suarez had the home track advantage.
Jared had made a vast understatement when he said he had scored seats. The VIP Lounge which they had access to was positioned right over the Ducati and Yamaha garages and just past the finish line, allowing them a great view of all the action. Jared was already schmoozing with other high rollers in the lounge but Jensen prefered to keep quiet, leaned up against the railing and watching the commotion in the pits. Part of him even wished he could be down there, working in the trenches, but knew he’d screw something up.
Anxiety and excitement heighted as the time for the race drew nearer and nearer. Jared pointed out Esposio, on a Ducati bike numbered 34, decked out in a grey and red uniform. The rider appeared nervous, looking back and forth between other drivers, checking and rechecking his bike’s mechanics. Jensen could understand why. From what Jared had explained, everything for him counted on this last race.
Before the crowd could even realize it, the race had begun. The bikes whizzed passed the stands; already heading into the first corner. Jensen gulped against a lump in his throat, realizing how close the bikes were to each other and how low they got at each turn, the drivers’ knees literally scraping the edge of the track. He kept a sharp eye on 34, dreadfully anticipating a crash at any moment as the bike weaved in and out, skillfully attempting to move closer to the lead.
The bikes drove out of sight, but the crowd could still make out the whirring of the engines. They grew distant, the seconds drawing out, the roar slowly building up until the bikes were visible again. A few made their way closer to the line and flew by once again. The crowd roared, Suarez already taking a place in the top three. Another large group sped past with Esposio caught in the middle. Finally a few stragglers joined the rest, and just like that the first lap was over.
Jensen felt a slap on his shoulder, which drew him from the trance.
“So first lap over, what do you think?” Jared boomed, energized from the action.
“Man. It is crazy. You think they’d let us test run after they are finished?” He playfully questioned.
Jared chuckled. “Dude, you would die before you even got to the first corner.”
“I know how to ride a bike.” Jensen rolled his eyes.
They watched the group take another corner, darting low to the ground. “Not like that.” Jared remarked.
“Not like that.” Jensen agreed.
The racers took each lap at incredible speed, the entire thing couldn’t last over an hour. He had trouble keeping track of the leaders and laps as most everything was conducted in Spanish. So instead he found himself keeping his eyes fixed on Esposio. He was sure tactics and strategy were involved but to what extent he had no idea. Esposio seemed to keep in third or fourth place a majority of the race, weaving in and out, darting dangerously in between other bikes. Jensen was simply amazed.
When it came down to the final two laps, a hush seemed to come over the crowd as everyone waited with anticipation to see if Esposio would be able to pull ahead. Even Jared’s bubbly expression was replaced by intense concentration. Almost as if Esposio had been holding back on the gas pedal, a burst of speed gave way taking him to second place.
The distance between first and second was noticeable and they were both going full speed, Esposio persistently chasing Suarez. The final lap sounded and Suarez quickly glanced behind. Both took the first curve tightly and little by little Esposio was gaining on him. Jensen was practically holding his breath.
Coming up on the fifth turn of the track, they were neck and neck, fighting for control of the inside corner. Suarez beat him to it, pulling a bit further ahead. Esposio had caught back up by the eigth curve, and again started the dance for control. Jensen watched on the screen as Suarez seemed to jolt his bike towards Esposio, almost as a threat. Esposio backed off, taking the outside of the curve, but then came speeding up on Suarez taking advantage at the ninth and tenth.
With only four more turns left, the crowd began to hold their breath with Jensen. Esposio held the lead but not by much. Both riders were so focused on the track ahead, yearning so badly for the win. With only a few more nail biting minutes left, the gap between Esposio and Suarez began to grow and grow as did the hope for victory. Finally, Esposio crossed the finish line and the crowd erupted with a roar. Esposio continued down the track throwing his hands up in the air. His hands came back down on the bike before popping a wheelie, gaining more cheers from the crowd.
As he made his way around the track once more for the victory lap, celebrating with the crowd, it was clear some Suarez fans were leaving the stands with sour faces. Esposio went to the Ducati pit and joined in dancing with the crew, jumping up into the coach’s arms and being lifted into the air.
During the time between the initial celebration and the podium, Jensen finally was able to part with the track to do a bit of schmoozing and grab some hors d'oeuvres. By the time he made his way back, Mayer had already took his place in third and Suarez on second - sporting a clenched jaw that raged with jealousy. As the announcer continued Jensen could barely translate, something about a new driver making history, Clelia Esposio, and the crowd erupted again as the racer made his way to stage.
The red and gray helmet came off with a flow of long hair shining in the sun and Jensen was struck. Time slowed as she made her way to the middle, accepting a medal and trophy. She kissed the announcer on the cheek and laughed before throwing both her hands up into the air with a yell. Time came back to speed as her team raided the podium with shaken up champagne bottles spraying her. She continued to the laugh and joined in the riot as Suarez grudgingly left the stage.
“So we coming back next year?” Jared asked Jay.
“You never told me Esposio was a girl.” He said breathless.
“Didn’t I?” Jared seemed confused. “I’m pretty sure I did. You interested?” He teased.
“Shut up.” Jensen shoved him with his elbow.
Jared chuckled. “Good, less competition for me.”
Jensen pleaded with any powers-that-be he’d be able to meet her.
***
The following morning, after a brisk morning bike ride, Jensen was heading back to his room for a quick shower before he planned to meet Jared for brunch. The hotel was classical romantic, filled with red stone floors and archways. Yellow lanterns hung from the ceiling and vibrant plants decorated the lobby. Sounds of birds echod along with the chatter of guests. Jensen made his way to the elevator, pushing for the doors to close.
“¡Espera!” A voice called before a hand then, an arm appeared; stopping the doors from closing.
As you made your way into the elevator, Jensen caught his breath. Despite the lack of helmet hair or a uniform, he recognized you immediately.
“Lo siento y gracias.” You spoke in your broken middle school level Spanish.
You pushed your button before looking to meet the stranger; both of you staring at each other, his soft green eyes invited you in. You looked away, blushing for the moment that lasted too long.
“Oh, um… No hablo Espanol.” Jensen stumbled.
“Oh.” You laughed, picking up on his accent. “Me neither, at least not well, but I am picking it back up little by little the more time I spend here.”
Both of you remained silent glancing at your feet, waiting for the elevator moving slowly up.
“So um…” Jensen dared to speak again. “Don’t take this the wrong way, but uh, you look very similar to Clelia Esposio.” He kicked himself for asking a question he often was asked by fans. He knew you could easily blow him off if you weren’t interested.
You smiled and bit your lip, but excitement won over and you widely grinned, the victory of yesterday still resonating with you. “Actually that is because… I am…”
“Wow.” Jensen sighed. “You had an amazing race yesterday. I was there, watching the entire time.” “Hopefully not rooting for Suarez, that pig. Oh, don’t tell anyone I said that. Could cause a huge PR Scandal.” You laughed still getting used to all the publicity.
Jensen clearly understood. “You have my word.” He sincerely promised.
The atmosphere was suddenly interrupted as the elevator unexpectedly jolted down and then up again. You yelped and clung to the sides. The doors partially opened showing a concrete wall and then shut again. The elevator halted, the lights went off with only a dim light flashing. Jensen came from the corner he held steady to, to test the doors but they refused to open.
“Jeez.” He complained, taking a phone corded to the wall. “Hola. Ah yes, um… the elevator.” He looked at you desperate. “I have no idea what he is saying.” He whispered.
You gritted your teeth. “I can try.” You took the phone from him. “Hola Senor. Si, el ascensor no trabajar. Si. Mas despacio, por favor… uh huh. Si. Que?! Tres horas?! No. Senor. Por favor. Si, si… okay. Gracias.” You hung up and looked hopelessly at Jensen. “They are aware of the problem and have already contacted a crew, but it could take up to three hours.” You sat down on the floor defeated.
Jensen’s stomach grumbled and he joined you on the floor. Though he was hungry, he couldn’t help but be excited to steal more of your time. After a few minutes of silence, he dared to start a conversation again.
“Sorry for the, uh.” He peeled the sweaty shirt from his chest. “Smell. Went bike riding this morning, the pedaling kind.”
“Oh no problem, I think you smell good.” A blush hit you after you realized what you said. “Sorry, that was weird. Its fine, it smells fine, I mean not horrible. Um… So, you been a fan of MotoGP long?” You nervously ran your hand through your hair, trying to change the topic.
“Yeah, I mean no. I actually just found out about it. This was my first race and I learned about everything this weekend from my friend Jared who bought the tickets.” He explained. “But I think I will probably be a fan from now on.”
“You from the states?” You asked.
“Yeah Texas originally, then moved to Cali. Now I spend most of my time between Vancouver and Austin.” He rambled.
“Those are like opposites.” You pointed two fingers at an imaginary map to visualize the distance. “Cause of work or family?”
“Work.” He briefly stated. 
“And what do you do?” You asked.
“Uh, me and Jared are actors.” Jensen shook his head, almost embarrassed.
“Wow.” Your eyes lit up. “Anything I would know?”
He laughed. “Mainly a TV show called Supernatural.”
Your brows furrowed as you tried to recall if you had seen it. “So like… monsters, and ghosts?”
“Yeah. It’s about two brothers who save people and hunt things, the family…” He stopped himself. “Yeah, like vampires and werewolves and shit.” You stifled a giggle. “I guess I’ll have to check it out.”
“Oh, you don’t have to say that.” He waved off.
“No, I want to.” You promised. “So Jared and um.. What was your name again?” “Jensen.” He reached out his hand and shook yours. “Jensen Ackles.”
Your tongue peeked out between your teeth. “Is that like a stage name?”
Jensen’s shoulders shook as he silently laughed. “Nope, that’s my real name.”
“You can tell me.” You pushed. “Clelia Esposio is…” You pointed your finger at him very seriously. “But you can’t tell anyone.” Your demeanor eased. “My real name is Y/N Y/L/N. It’s weird, only family and a few friends know.”
“Well Y/N.” Your name sounded enticing rolling off his tongue. “It is very nice to officially meet you. But I promise my only name is Jensen.”
“Fine then.” You pretended to pout. “Keep your secrets.”
He chuckled. Though the minutes dragged on, you and Jensen filled up the time chatting, getting to know each other, talking travel, playing 20 questions and would you rather. And what was three hours, both of you wished was longer. The lights blinked back on and the elevator shook to life. Both you and Jensen stood up, steadying yourselves against the wall. The elevator was heading back down to the lobby.
“I guess this is it.” You stated.
“I can say without a doubt, would recommend 10 out of 10 getting stuck in this elevator.” He joked. “But perhaps it was only the company.”
You bit your lip. “Ah, but if it wasn’t posted to twitter, who's to say it happened at all.” You teased back.
Jensen thought about it, and gave it. “Actually, you’re right.” He took his phone out of his pocket. “Do you mind? To commemorate the moment.”
“Of course not.” You smiled.
You leaned in close to him, grinning widely as his lips held tightly together forming a slight smirk.  
He looked down at it and smiled ear to ear. “Perfect.”
“Find a good filter.” You pleaded. “I don’t want to look ugly.”
Jensen scoffed. “That’s not possible.” You found heat rising to your cheeks yet again. “Say uh, are you and Jared in town tomorrow night still? Perhaps we could go for tapas and dancing.” 
“Yeah.” Jensen agreed. “I’d love that.”
“Wonderful. Meet me tomorrow night at Casa Montana? 11?” You asked.
“That should work.” He believed.
“Let me know officially through your tweet.” You winked. Jensen was about to ask for your number when the doors being pried open silenced you both. When they finally busted open, your freedom in containment was broken by the assault of flashing cameras.
“Ms. Esposio. Ms. Esposio. Clelia!” A crowd of Spanish reporters called.
Hotel security escorted you through the lobby, evading the group to the best of their ability. Jensen was left alone and unnoticed except for a bell clerk suffering through an attempt at an English apology. Before you were brought to a guarded service hall, you turned around to glance at Jensen once more, subtly licking your lips and parting with a wink.
----
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han-made-bookbinding · 6 years ago
Text
Bridges on The Backs
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Not only do you have to be a bookbinder when you are a bookbinder, but also a graphic designer, craftsperson, leatherworker, printmaker, carpenter, jeweller, photographer and of course a miracle-maker!! My latest commission is finished and one more book has left the studio and is now happily with its new owner. Fortunately I didn't have to trust the postal service for this one and was able to hand deliver it.
“Bridges on the Backs” was completed at the end of March. The book was printed in 1961 and formed part of a series of more than 34 books that were published by Brooke Crutchley at The University of Cambridge in between 1930 and 1958 as part of “A Printer's Christmas Books” - the printing of these was the University Printer’s continued custom of giving a book to friends of the press at Christmas. The series was started by Walter Lewis and Stanley Morison in 1930. Brooke Crutchley was the University printer at Cambridge and oversaw the production of the Christmas Book series from its inception 1930 until its discontinuation in 1973. He gave a talk at St. Bride Printing Library in December 1975 at the opening of an exhibition of the Christmas books which ran from 10 December 1975 to 30 January 1976.
The book is a first edition, one of 500 copies printed in Monotype Times Wide on Spicer's cartridge paper. Illustrated with 9 drawings, touched with colour, by David Gentleman, with another on the front endpaper and title-page. The original binding was a green canvas portfolio binding, lettered in gilt.
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In the words of Brooke Crutchley, `”Bridges on the Backs is unique - it opens like a lady's handbag; unique in other ways too and, I think, my favourite of the larger books, perhaps of them all. David Gentleman's drawings are delightfully reminiscent of youthful Cambridge in summertime. Peter Eden in his text and captions carries his erudition with consummate grace, and the overlapping illustrations, a la Humphrey Repton, never fail to surprise.”
The nine illustrated drawings depict all the nine Bridges on The Backs, a picturesque area to the east of Queen's Road in the city of Cambridge, England where several colleges of the University of Cambridge back onto the River Cam. The name "The Backs" refers to the backs of the colleges. Historically, much of the land was used by the colleges for grazing livestock or growing fruit. Cattle can still be found grazing behind King's College. The river was also an important commercial thoroughfare to the mill at Silver Street.
I wanted all of the bridges to appear in the binding and box in some way. I began by looking at images of each of the bridges online (unfortunately time didn’t permit me to visit Cambridge in person as I would have liked to do). The bridges are as follows: 
Great Bridge (now known as “Magdalene Bridge”)
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St Johns New Bridge (otherwise known as The Bridge of Sighs)
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St Johns Old Bridge 
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Trinity College Bridge
The beautiful bridge which crosses the River Cam at Trinity College dates from 1764 and was built by James Essex, a builder and architect who worked at many of the Cambridge colleges. It replaced a stone bridge built in 1651.
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Garret Hostel Bridge
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Clare Bridge
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Kings College Bridge
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Queens Bridge (otherwise known at the “Mathematical Bridge)
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Silver Street Bridge
The Silver Street bridge, designed by Sir Edwin Lutyens in 1932 built in 1958-9, it is an arch bridge that carries both vehicular and pedestrian traffic across the River Cam in Cambridge. It is a site of bridges dating back to the 14th century.
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I had never bound a book in this format before, with the spine edge at the top of the text block - this led to some interesting design challenges. Because the book was an unusual structure, and the illustrated pages had additional flaps revealing how the bridges looked in previous incarnations behind each one, I wanted to make sure that the pages would open well to facilitate the opening of these flaps.  I therefore chose to bind this as a stub binding.
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I chose papers to match the colours and tones of the illustrated drawings: grey and mustard yellow. As there was more bulk at the front edge of the book due to the tipped in flaps I had to compensate for this at the spine. I folded up stubs for each of the sections but also had extras in between these to make up for the difference in thickness. Initially the stubs were sewn to their relevant sections using linen thread.
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These stubs were then sewn together onto four tapes to create the text block. 
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Once the text block was sewn up I started to work on my ideas for the cover design, endpapers and doublures. For each of my bindings I make a small sample board to test out ideas ahead of making the actual binding.
I looked at images of all the bridges, for the endpapers and doublures I wanted to “mirror” two bridges on each, so I paired up the bridges that best matched each other - for example Clare Bridge and St John’s Old Bridge each had three arches, and Silver Street Bridge and Kings College Bridge had one each so they were natural choices to go with one another.
I drew line drawings of these bridges and then cut the silhouette of each out of paper that I had textured using a roller with black ink on top of a textured surface.
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Further detail was added to these papers through the application of suede onlays, black paper cut-outs (for the pillars) and gold leaf that had been adhered to Japanese paper. In the below picture you see part of the doublure for the sample board being made. 
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Lines were also embroidered through the paper. These holes were pre-pricked with a needle pricker through the front and then carefully embroidered using a running stitch. Care must always be taken when embroidering paper as it is prone to tearing. The thread was then whipped around with an additional thread on the front face of the doublure.
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Once I had worked out which bridges to put on the endpapers and doublures I was able to choose which to have on the front and back covers of the binding. This was a binding of two halves, more so than any other I have ever done. The different format of this text block meant that the front and the back cover played different parts in the design, therefore I chose the two most contrasting bridges for on the front and back covers: St John's New Bridge (The Bridge of Sighs) and The Great Bridge.
I thought that the Great Brdge would work well with the gold on black against the more ornate look The Bridge of Sighs. I started by using my light box to help draw the outline of the bridges.
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  I then pieced these together into a full cover design. At the time of drawing this design I wasn’t sure if I might want to join up the front and back covers across the spine in some way. With this in mind I scaled up the front and back images so that the lines of each, if carried across the spine, would meet with each other. 
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For the sample board I chose to trial the Bridge of Sighs part of the design. This particular bridge was built in 1831 and it named after the Bridge of Sighs in Venice. The design was built up using a variety of leather onlays, machine embroidery, hand embroidery and also onlays made by sticking gold leaf to Japanese paper.
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This sample board is number 52 in my series.
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Back to the text block, the endpapers were made up by laminating the illustrated bridge paper sheet to a plain bi-folded sheet, capturing a long, thinly pared, piece of leather (0.4mm) between the sheets at the edge - this would later get stuck down and become the leather joint. 
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A waste sheet and compensation guard were also added this endpaper unit to protect the endpapers during the rest of the forwarding and covering process. This endpaper could then be sewn to the text block.
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The book block was then rounded with a backing hammer. I drew the thickness of the boards onto the outer waste sheet, plus a little extra (as seen below indicated by the thin black pen line). I then placed the book block into my backing boards to this line in order to make sure the shoulders were made at the correct place to allow the boards to sit perfectly within them. 
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The top and bottom text block edges were then sanded flat, and the foredge sanded into a round by wrapping some sandpaper around a piece of dowel of the correct diameter. Double-core end bands were sewn, the boards attached and bevelled at the edges. I was then ready to proceed with the leather work!
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Given my choice of using two contrasting bridges on the cover design, this meant that I needed to scarf-joint two contrasting leathers together: black goat skin for The Great Bridge and fair calf for The Bridge of Sighs.
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Onlays, and plenty of them! I don't like to throw anything away so even the edge parings that come off the back of the leather after running it through my Brockman paring machine get kept. I back them into lens tissue and use them as onlays - it gives a whole new colour palette in addition to conventional onlays.
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This book mainly used greens and greys, I adapted the colours I had used on the sample board (one reason i do the sample boards - to test colours out in advance!). I cut all of the shapes out using a scalpel and fine scissors.
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The onlays were glued down in place using PVA through a tracing paper template, using a ruler for extra accuracy.
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I find my fine-pointed tweezers one of the most useful pieces of kit I own, perfect for picking up small pieces and getting then stuck down exactly where you need them to go!
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After the onlays and backparing came the embroidery, the bit I enjoy the most! For this binding I machine-stitched the multiple linear border lines to speed up the process and then whipped over the top of them with cotton threads.
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Tiny flecks of different green threads were hand-sewn to break up the colour of the green onlays beneath. 
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When embroidering a large piece of leather, it is not possible to use an embroidery hoop as the leather is too thick so I coil up the leather and hold it in place with bulldog clips at the top and bottom. This makes it much easier to handle.
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As well as using cotton threads I also used slightly thicker skeins for the larger patches of detail.
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Plus you can't beat a bit of metallic thread! This was embroidered over the onlays that were made from gold leaf stuck to Japanese paper.
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I always love to capture what the back of the leather looks like post-embroidery, after all this won’t be seen ever again!
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The same process applied to the Great Bridge side of the cover. The onlays were stuck down, back-pared and embroidered. I used a tracing paper template to prick where I needed to sew the metallic thread lines that would lie alongside the gold onlays - I was going to wait to glue these down once the book was covered (I will cover the reason for this later).
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The actual Great Bridge has gold elements on a painted black behind so I naturally chose to depict these gold elements using gold leaf. The gold leaf was stuck to Japanese paper squares using PVA glue. I then cut out the required onlays and put them to one side until the book had been covered.
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Because it is necessary to dampen the leather when covering the book, I decided to stick on the gold onlays after the book had been covered, to avoid damaging the gold.
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So, with all of the embroidery complete it was time for covering!
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The text block had been bevelled and back-cornered in preparation. The text block was capped up with paper and cling film to avoid moisture getting to the text block during the covering process.
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The leather was dampened with a water atomiser ahead of pasting the back out with home made paste. The dampening was done to prevent any marks on the front of the leather due to the paste being drawn through unevenly.
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The book was left to dry between blotters overnight, changing the blotters regularly to draw out the moisture. The following day I was able to open the book up and lay down the leather joints. Once these were down the back of the boards was infilled with watercolour paper, then a layer of Zerkall paper. This was then sanded flush. The surface was then ready to have the decorated paper doublures stuck down onto it. 
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I then added some blind tooling detail in between the sewn lines using a hand-made finishing tools.
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Plus I also added more detail using carbon tooling within the window spaces of The Bridge of Sighs.
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Once the binding was dry it was also time to add the gold detail onto the Great Bridge section of the book. I first gold-tooled some circles directly onto the leather. The decorative gold onlays were then stuck down within the metallic thread lines I had sewn previously before the book was covered.
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Here shows the sample board on top of the covered book - the differences in the colour of the leather onlays and sewing threads are apparent.
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The final part of the tooling process was to tool each of the bridges names on a coloured leather to correspond with the appropriate part of the book or box.
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A title was also carbon tooled to go onto the lid of the oak box the book was to be housed in. This was then embroidered with small flecks of different green threads, like on the book cover.
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It was then time for photography! I take all of my own photos now in the conservatory of our house as the light is by far the best there than anywhere else in the house.
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With a “standard” binding I would take a photo of the book with both covers open, however it doesn’t really work for this book as the orientation is wrong!
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FRONT OF BOOK: St John’s New Bridge
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BACK OF BOOK ALONGSIDE OAK BOX: The railings of the Great Bridge were carried over onto the spine of the book, with the ends feathered out using little carbon-tooled lines. the box was made from oak with the title strip stuck to the front.
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THE HEADBANDS:
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THE BOX: The box was made so that the book could sit open for display within grooves in the box lid. There are six of the nine bridges illustrated on the binding. Images of the three bridges I couldn't fit in sit in the box creating the grooves for the book to stand upright in!
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DETAIL OF THE FRONT ENDPAPERS AND DOUBURES: With rather unexpected luck, this commission was being gifted as a wedding present. The couple met at Cambridge University and so happened to be at Clare College and St John’s College respectively - the two bridges I had mirrored inside the front cover!!
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To see these photos and more please visit my website here.
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foursideharmony · 6 years ago
Text
Changeling AU: The Good Doctor
Word Count: 1,799
Warnings: Therapy visit, sad family story, vomit mention
Pairing: None
Summary: How did Roman survive his time in the special needs school without being Undone? He had help...
A/N: I actually went to a psychiatrist as a child. This was roughly 30 years ago at this point, I remember very little about it, and anyway it didn't actually help me. So apologizing in advance if this doesn't accurately reflect contemporary therapy visits.
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The couch was soft, at least—upholstered with brown faux-leather that had worn a little in spots but was still perfectly serviceable. It reminded Roman of some of the antique furnishings at Caer Flamingo…which would have been more comforting if he had more confidence that he would ever see Caer Flamingo again once St. Dymphna’s was done with him.
“Just wait right here, Roman,” the receptionist said in a sickly-sweet, chirpy tone, “and the counselor will be with you in few minutes. Feel free to play with any of the soft toys or action figures in here, but please don’t touch the figurines on the shelves. Do you want a cup of water before I leave you alone?”
“No thanks,” said Roman, flinching at the slight tremor that came unbidden to his voice.
“All right.”
She left the room and swung the door until it was just ajar, leaving Roman alone with his thoughts and about twenty different stuffed animals and superheroes. He didn’t pick any of them up right away, instead investigating the contents of the room.
The figurines the receptionist had mentioned were clustered along the numerous bookshelves, and like the toys, consisted entirely of cartoon characters. The groupings were more-or-less sensible—three Looney Tunes characters, a couple Disney Princesses, a few others that Roman didn't recognize but that shared an art style. If he wasn't supposed to touch them, did that mean they were there for the counselor's own enjoyment? If so, that was...unexpected.
Directly across from the couch was an armchair upholstered in the same faux-leather. Presumably that was where the counselor would sit while interrogating him, although at the moment it was occupied by an absurdly large plush of Winnie the Pooh. Someone had put a fake lab coat and a pair of spectacles on it. Roman wrinkled his nose at the crude attempt at humor, and decided he'd seen enough. He turned sideways on the couch and drew his knees up to his chest. It wouldn't be long now...the counselor would arrive, barrage him with questions, and pick apart his soul. They would declare that Roman was abnormal and needed to be fixed, and maybe put him on some sort of medication, and just like that, his life as one of the Shining Host would be over when it had barely begun. Lady Valerie had said so.
Roman balled up his fists and pressed them to his forehead, forcing himself not to sink into despair. Lady Valerie had said...but Thomas had said something quite different, something much more hopeful...he had to hold onto that.
He nearly jumped out of his skin when someone abruptly started singing baritone right outside the room. There were no words—just “dum da dum” syllables, but the tune was...a fanfare? Roman was painfully reminded again of Caer Flamingo, with its trumpeters and troubadours...but then the song continued. A hand came through the narrow gap in the doorway, fingers wiggling in time to the music, which sounded more and more awkward the longer it continued. Finally, the singer reached a crescendo and flung the door wide, springing into the room like a jazz dancer closing out Act 1.
The counselor—as Roman assumed this was—wore a tan suit, a grass-green necktie, dark-rimmed eyeglasses, and a goofy grin. “Good afternoon! My name is Dr. Picani, I use he/him pronouns, and I will be your counselor for today and the foreseeable future! You must be Roman...unless you prefer a different name?”
Roman could only blink in confusion. He had never met a regular mortal grown-up who behaved like this. Was it a trick of some kind?
“Um...Roman's fine,” he said.
“Ah!” Dr. Picani continued, shutting the door firmly and crossing to the armchair. “Dr. Pooh Bear! Thank you for keeping my seat warm!” He moved the plush to the floor and settled into the chair, pulling a small notepad and pen out of his jacket pocket. “So then. I'll start with the same question I ask all my new patients: Do you how do, Roman?”
Had he heard that right? “Do I...what?”
“Listen again,” said Dr. Picani, in a tone of hushed excitement. “Do you...how do? Did you hear it that time?”
“'How do you do'...backwards?” Roman guessed.
“Not backwards, exactly. More...turned inside out. Like the Simpsons, in that one Halloween episode! You've seen it, right? No?” He cleared his throat and shifted in the chair, changing the mood of the interview. “Roman, do you know why you're here?”
Roman looked away. “Because my parents think I'm crazy,” he said bitterly. “And my teachers, too. At my real school, I mean.”
“Let me stop you there,” said Dr. Picani. “I don't want you to think St. Dymphna's isn't your real school. It can seem like a different world here, and maybe you've heard it's only for people who are full of delusions, and it's only going to be temporary...but it's still real. As real as the Ghostbusters.”
Roman's gaze snapped back into position. Despite that out-of-the-clear-blue reference to some old movie, that description was almost suspiciously relatable. That first week, after the theme park...
“Let me explain the situation as I understand it,” the counselor continued. “Roman, you're here because you're having trouble living in the world outside your head. My job is to help you figure out how to do that...without necessarily changing who you are as a person. The unique person that you are is a worthwhile one, and you shouldn't have to turn into someone else in order to get by. I want you to know that.”
Roman felt tears pricking the corners of his eyes. This was reminding him so much of what Thomas had said in the junk pile that it was painful. He blinked the moisture down and put on the haughtiest expression in his repertoire. “You're reciting,” he said. “Like a speech. You don't really mean it.”
“It's true, I do practice saying things like that. Using the right words is an important skill in my job here. But I also mean it. My goal is to help you, Roman. But I can't do that unless you cooperate with me.” He turned a page in his notebook. “Why don't I let you do some of the talking for a while? Do you remember how your troubles started?”
Troubles... Roman decided to humor the misconception for the time being, and suddenly the words were spilling out. “Yeah, it was when we went on vacation to Disney over Christmas. Everything there was just so...wonderful. It's like every kind of story come to life, all in the same place. They make it so you can really believe in magic. And so...so...so I did. And I found out that it was real, all of it, even after our vacation was over and we left.” The tears came again, too thick and fast to be stopped. “There really is magic. Why won't anyone believe in it?”
He fully expected Dr. Picani to shoot him down, but to his amazement, the counselor was nodding thoughtfully. “That makes a lot of sense. You're probably not the first.”
“The first...what?”
“The first to enter Chrysalis in a theme park.” Roman's eyes bulged with shock, but Dr. Picani was forging ahead. “After all, don't they call it The Most Magical Place on Earth? Where Dreams Come True? I always found those commercials to be pretty corny, but the place is focused on imagination and art. Why shouldn't it be capable of connecting susceptible individuals to the Dreaming?”
Roman leapt to his feet, hand scrabbling at his hip to draw the sword that he was not presently wearing. “How do you know these things?” he demanded. “You're not Kithain! I'd be able to see it if you were!”
The counselor slowly stood up, walked over to the desk in the corner, and took a framed photograph from it. He handed it to Roman, who examined it. It was an older photo, in color but with that slight smudginess that indicated it was taken using film rather than a digital camera, and depicted a girl in her early teens, and a boy several years younger, posing on monkey bars in a playground. The boy was just recognizable as a young Picani, while the girl...
Roman's eyes widened again. The girl shared a family resemblance with the boy, but...while the camera could only capture the mortal seeming, there were the little tells in her appearance, in the cant of her eyes and the shape of her nose. She was a changeling.
“No, Roman, I am not one of you. But my sister is. Or was, I guess. She's still alive, but we've barely spoken in years. She was...she lost her fae self, you see.”
“She was Undone,” Roman stated, running his fingers over the glass in the photo frame.
“Thank you, that's the word I was looking for. Our parents thought she was crazy. And so did her teachers. They wouldn't believe in magic.” Roman looked up. Dr. Picani was still smiling, but now it was a sad smile. “So Laura was put into psychotherapy in order to 'cure' her of her 'delusions.' The therapists wouldn't believe in magic either, and by the time they were done, Laura was a normal—completely human—girl.”
Roman felt the blood leaving his face and he began to grow dizzy. Autumn People... He let himself fall back onto the couch, setting the photo aside lest he drop it from his trembling hands. The dizziness got worse and he leaned over, letting his head droop between his knees.
“Easy there,” said Dr. Picani's voice, sounding oddly far away. He sat beside Roman—he felt the movement of the cushions—and rubbed his back. “Do you need the nurse? Or something to throw up into?” Roman shook his head as the dizziness subsided. “Roman, I'm not going to let that happen to you. That's the main reason I became a therapist—so that if I met any other young changelings, I could help them come to terms with their place in the world without making them turn out like Laura. And now I've met you. When they gave us your file, I found your story so familiar...I requested to have you as my patient. You can talk to me about your world, and I'll know that it's real. You're going to be all right. You're going to be you. Are you willing to work with me on that?”
Roman carefully sat up, noting with satisfaction that his head no longer spun. He allowed himself a careful smile. “I think so.”
“Then permit me to ask once more—third time's the charm, right?—do you how do?”
“Do...I...pretty good?” Roman guessed.
Dr. Picani beamed.
A/N: As of this writing, there have been two “Cartoon Therapy” episodes, and Dr. Picani's tie is color-coded for each. I chose to continue that theme here. Green is a color often associated with faeries in folklore because of their ties to nature.
Taglist: @k9cat
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gryffindorbraids · 7 years ago
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“A Cursed Holiday” (BatB/The Nutcracker AU)
Chapter 2: La Bataille de Casse-Noisette et du Roi des Souris
Note: All of the chapter titles so far are names (or part of names) of scene titles from the 1892 French production of The Nutcracker. Thanks for reading!
______________________
Belle tiptoed down the deserted hallways. The flickering flame of a candle guided her on the familiar path to the ballroom. The night was silent, and cold, but Belle had forgotten to retrieve her nutcracker once the party had finished. She shivered despite the robe and boots she’d put on. With a soft creak, the doors to the ballroom opened. Belle crept inside, quick and silent as a mouse. She didn’t want to wake anyone.
Where the ballroom had looked beautiful before, nighttime had transformed it into a room of monstrous shadows and sinister reflections cast by the dim light of her candle. Belle’s footsteps echoed ominously. She darted across the dance floor, her only thought being to get out of here and back to her warm, safe bedroom as fast as possible.
DONG!
A gust of wind blew out her candle, plunging her into pitch darkness. Belle fumbled with the matches as the second, third, and fourth strokes of the clock sounded. Finally, the wick took the flame, illuminating her surroundings once more. She counted the chimes as they continued.
Five. She started to walk again.
Six. Seven. Belle held out her candle and searched the ground for traces of her beast of a nutcracker.
Eight. There! She approached it hurriedly.
Nine. Was it her imagination, or was the floor getting closer?
Ten. It wasn’t just in her head. The pine tree, which had been huge to begin with, grew taller and taller with each passing second.
Eleven. Wait. Was the tree growing, or was she shrinking?
Twelve. The last stroke of midnight reverberated through the air. Belle squeezed her eyes closed, wishing that this was all just a dream and she’d wake up any second.
It wasn’t.
The floor didn’t seem quite as polished now that she was close to it; there were small clouds of dust here and there that reached her ankles. Belle tried to focus on that - or anything else, for that matter - that could distract her from her growing panic. Keeping her eyes anywhere but the gargantuan tree, she walked slowly through the room. Belle didn’t want to admit it, even to herself, but she was frightened. She had just shrunk to the size of - of -
Well, she didn’t actually know how small she was.
The pattering of footsteps filled the ballroom suddenly. Belle glanced around desperately for a place to hide (what if someone saw her?), but there were none. She froze, clinging to the holder of her candle for dear life. As the footsteps got closer, however, she heard another sound. Was that…squeaking?
Her breathing was ragged as the first shapes came into view. Their silhouettes were as big as she was, yet easily recognizable: mice. Belle bolted.
She slipped across the dustier patches of the floor, running as fast as she could towards the tree. If she could reach it in time, maybe she could climb its branches and be safe until the mice went away. The pounding of dozens of miniature paws was getting too close, though. She couldn’t outrun them.
Shredded pieces of wrapping paper - left behind by the aristocratic children when they’d opened their gifts - were strewn about the floor around her. Belle stopped running abruptly. The tree was still too far, and the mice too near. She spun around, waving her flickering candle in front of her.
The mice hesitated. The orangey glow of the flame was reflected in their flat, dark eyes. Belle suppressed a shudder. “Don’t come any closer,” she warned, fully aware that they didn’t understand her. She was just hoping that her tone would be firm enough to hold them off. One glacially slow step at a time, she backed toward the tree.
The padding of paws caused the mice to shuffle around awkwardly. From their midst, a figure emerged, larger than any of the others. “’Don’t come any closer,’” he mimicked, leering at her threateningly. “And why not? Pretty girl, what are you doing here? So small, so alone. My soldiers are so hungry. You’d be a nice treat.”
If Belle had been frightened at being shrunk, she was downright terrified now. The mouse in front of her towered above his so-called soldiers, wearing a mock crown atop his furry head. He even wore a suit that was reminiscent of a medieval prince’s, complete with a sword at what she assumed to be his waist. As she looked closer, though, all of the mice had swords. Her grip on the candle holder became deathly tight. The Mouse King was horrifying; she had never been more scared in her life.
“You - you must be the leader, then,” she said, glad that her voice was steady - mostly. “I don’t mean any harm. Let me go.”
The Mouse King roared with laughter. Hardly daring to breathe, Belle took one step backwards, then another. The army of mice didn’t seem to notice.
“At least you’re no coward,” he commented. “Most of our victims beg for mercy.”
Belle lifted her chin defiantly. “You don’t seem the merciful type, so I won’t bother.”
“Clever girl,” the Mouse King breathed, his eyes glittering malevolently as he sized her up. He lowered himself onto all four paws; his army followed his lead as he began to advance toward her. Belle instinctively stumbled a few steps away.
“It’s no use,” he hissed. “We’ll catch you even if you try to run.”
Belle ran.
“Get her!” the Mouse King screeched. Belle ignored him; she focused instead on running faster than she had in her entire life. The mice squeaked frantically behind her. She twisted around, glancing over her shoulder to see how much of a head start she had -
- and slipped on gift wrapping and fell.
Belle scrambled back on her hands and feet, staring in horror at the shadowy mouse in front of her. Her candle had gone out when she’d fallen, leaving her to glance around with wild wide eyes and wonder what was going on.
“You put up a good fight,” whispered the voice of the Mouse King from the darkness. She felt something draw closer to her, heard the ring of steel as the sword was drawn. “It’s almost a shame to have to kill you.”
All of a sudden, the candles on the Christmas tree burst to life. Light flooded the room, throwing the Mouse King into sharp, gruesome relief against the prettiness of the ballroom. His sword was poised above her for the death blow, but he was focused on something by the tree. “Impossible,” he said to himself.
Belle heard the heavy footfalls approaching from behind her. Oh, Dieu, not another mouse, she thought in numb horror. The Mouse King growled angrily, raising his sword. Belle braced herself. Good-bye, Papa. I love you.
As the blade surged toward her, a dark blur flew over her head, knocking the Mouse King and his sword away. Belle pushed herself hastily to her feet. She hadn’t thought the night could get any more impossible. It had.
All around her, tin soldiers - toys that had been gifted to some of the aristocratic children that evening - engaged the mice in battle. Swords flashed and clanged as they made contact. She revolved slowly on the spot, drinking in the light of the enormous tree, the impossibly alive toys, and the mice with military training.
But that wasn’t the strangest part of all. Locked in fierce battle only a few feet (or was it inches?) away from her were the Mouse King…and her nutcracker.
The Mouse King swung furiously at the nutcracker (or, as she supposed he was now, a living Beast) with his sword. The Nutcracker-Beast parried the blows with his claws. He stepped just beyond the reach of the blade, which only served to infuriate the Mouse King further. Belle was frozen in place, watching the scene unfold and clinging to the slim hope that it was all a dream. The Beast glanced back at her once, catching her gaze with a pair of startlingly blue eyes. “Look out!” he called. The moment’s distraction was enough for the Mouse King to finally slash the Beast with his sword.
Belle turned around just in time to find a mouse trying to sneak up on her. She forced her feet to move and kicked something hard and metallic in the process. The mouse drew its own sword; she picked up her extinguished candle and swung it at the mouse with every ounce of strength she had.
In its surprise, the mouse apparently forgot about its sword, which hung uselessly at its side when the metal connected with its head. It fell immediately and a tin soldier ran forward to finish it off. Belle looked over at the Beast and the Mouse King.
The Beast was on the ground, a red stain spreading across his carefully painted coat. The Mouse King paced toward him menacingly. “I should have killed you long ago,” he said.
Without thinking, Belle reached down and tugged the laces of one of her boots undone. She yanked off the shoe, clutching its heel. “Over here, you monster!” she yelled. The Mouse King’s head jerked around to glare at her. Belle threw the boot as hard as she could.
Somehow - by pure luck or by the same magic that had caused all of the night’s events so far - it hit its mark. Her worn out leather boot landed squarely between the Mouse King’s eyes, which rolled back into his head instantly. He slumped to the ground by the Beast. Belle wasn’t sure whether she’d merely knocked him unconscious or actually killed him, and to be honest she didn’t care. Two mice soldiers darted forward, dragging their leader’s limp body into the shadows.
Belle rushed over to the Beast, who was standing up shakily. Belle snatched up her boot and stuffed her foot back into it, watching the Nutcracker-Beast warily. She didn’t bother to tie the laces, instead approaching him cautiously. “Are you alright?” she asked awkwardly. The Beast grimaced slightly.
“I think so,” he said. His voice was gruff, but not unfriendly. “It would take more than a mouse to kill me. Are you?”
Belle nodded mutely. She wondered if it would be a good idea to add I think I’m going insane, though.
“Do you know how to, you know, make me tall again?” she asked.
The Beast glanced away guiltily. “I don’t. But I know of someone who would.”
Belle raised an eyebrow. “Who?”
“Well, she’s not actually here. We’d have to go back to the land I’m from.” He finally met her eyes. “I suppose you could call it magical.”
She laughed, slightly disbelievingly. “Magic? Like in A Midsummer Night’s Dream?”
The Beast rolled his eyes. “Midsummer? Really? There are better things to read than that romantic nonsense.”
“Like what?” she countered, crossing her arms.
He grumbled something under his breath that sounded suspiciously like “anything else.” Belle glared at him out of the corner of her eye.
“Are you coming?” he asked, waving a paw toward the still-lit Christmas tree.
“You live…in my Christmas tree,” she observed. Now she was really starting to think that this was all one complex hallucination.
The Beast groaned in frustration. “I don’t live in a tree. There’s a portal behind it that’ll take us to my world.”
Belle pressed her lips together, considering her options. Magic. Now that the initial shock had worn off (and she was no longer being pursued by murderous mice) the thought of magic being real was thrilling. Belle hesitated for a second, wondering if this was the right thing to do, but then made up her mind. It was the only way to get back to her normal size. “To the tree portal it is, then,” she said. The Beast huffed, leading the way.
It looked like she was going to find an adventure, after all.
______________________
Thanks to @ravenclawicecream for beta-reading again!
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homedevises · 6 years ago
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32 Stereotypes About Interior Design Meaning That Aren’t Always True | interior design meaning
In the active room, the decorating is kept basal with a brace of rose assurance aloft a bed of B.C. cedar and set in alpine vases either ancillary of the fireplace. ‘Roses are elegant; they’re the nicest red you can acquisition in a flower,’ says Jessica Barrett of Mill Street Florist. Errol McGihon / Postmedia
Eclectic Style Defined And How To Get The Look | Décor Aid – interior design meaning | interior design meaning
Much as the carapace of a Rockcliffe Park Colonial created a bare canvas for this absolutely adapted home, the white walls of its new autogenous gave Mill Street Florist the absolute accomplishments for a anxiously curated alternative of florals to appearance it off on the contempo Homes for the Holidays tour.
Drawing afflatus from the owners’ all-embracing art collection, florist Jessica Barrett brought in reds, oranges, dejection and golds to accommodate a admirable accompaniment to the home’s capricious architecture and decor.
“I adore application active colours for Christmas,” she says. “I aloof like the affluence of colourful Christmas arrangements.
“(This) abode was admirable because it was so apple-pie that you could put awe-inspiring and altered pieces in and bodies would notice. And they absolutely batten the way they should; they weren’t angry with anything.”
The all-embracing aftereffect is one of chaste festivity, abacus a mix of breeding and whimsy to this reborn home.
The dining allowance cafe appearance a added acceptable adjustment of amaryllis, Ilex berries and Christmas greenery. Errol McGihon / Postmedia
Built in 1928, the two-storey, four-bedroom home featured a typical-of-its-era centre anteroom plan with the active allowance to one side, the dining allowance to the added and an all-embracing advanced backyard that would be featured in Canadian Homes and Gardens 10 years after for its busy landscaping.
In fact, it was the agriculture added than annihilation that would after advance to the home’s aerial ancestry rating, says artist Bill Ritcey of Hobin Architecture, who was brought on lath by the home’s new owners in the summer of 2017 (along with 2H Autogenous Design) to baby-sit its transformation.
Heritage requirements meant that the home’s façade bare to abide essentially the aforementioned so that it would abide as an banausic accomplishments to the advanced yard, he says.
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That was accomplished with the new owners, who asked not to be identified. Their greater affair was in axis the disconnected autogenous into an open-concept plan with abundant added of a abreast attending while apropos the home’s acceptable roots.
That meant affective the access over to one ancillary at the advanced of the home, alive the active allowance to the rear and aperture it to the kitchen, and creating a two-storey accession forth the aback that additionally accustomed for added all-encompassing ceramics and a bigger affiliation to the backyard.
Upstairs, the four bedrooms were bargain to three, ceremony with its own ensuite, while in the basement the attic was dug bottomward and the foundation underpinned to actualize added accessible active space. In essence, all that remained of the above home was its exoteric and roof structure.
“Literally from the basement up was absolutely redone,” Ritcey says of the year-long project.
As around the alone allowance that’s still in its aboriginal area afterward the renovation, the dining allowance gets the best decorating absorption central the home. Jessica Barrett of Mill Street Florist drew afflatus from the dejected chairs, cartoon the colour up into the chandelier by blind dejected German ornaments and attached it all calm with an busy table centrepiece featuring dejected arrow and amethyst hyacinth. ‘It was an abnormal colour aggregate for Christmas, aloof assuming bodies you don’t accept to do red, white and green.’  Errol McGihon/Postmedia
This home at 336 Minto Place is one of several done up for the Homes for the Holidays tour. November 16, 2018. Potted auto cypress copse allege altogether to the home’s aggregate of abreast and acceptable elements. These tiny trees, which break small, band the top of a chiffonier that acts as a allowance affiliate and headboard as you access the adept bedroom, creating both bare accumulator and a faculty of privacy.  Errol McGihon/Postmedia
Tabletop white copse accomplish a attenuate yet still blithe vignette in the daughter’s ensuite bathroom. The trees, up to 63 centimetres tall, are awash through Mill Street Florist.  Errol McGihon/Postmedia
Meant to be evocative of a timberline by painter Tom Thomson, Jessica Barrett of Mill Street Florist admits the timberline in the two-storey kitchen window looks added like article from Whoville, the fabulous Dr. Seuss town. It’s fabricated application a 11-foot cedar column adorned with B.C. cedar branches and bright German ornaments.  Errol McGihon/Postmedia
The dining allowance cafe appearance a added acceptable adjustment of amaryllis, Ilex berries and Christmas greenery.  Errol McGihon/Postmedia
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In the active room, the decorating is kept basal with a brace of rose assurance aloft a bed of B.C. cedar and set in alpine vases either ancillary of the fireplace. ‘Roses are elegant; they’re the nicest red you can acquisition in a flower,’ says Jessica Barrett of Mill Street Florist.  Errol McGihon/Postmedia
The white cabinets, counters and backsplash acquiesce the aerial adjustment on the kitchen island to angle out. ‘I like demography afflatus from accustomed elements,’ says Jessica Barrett of Mill Street Florist, who placed geodes (round rocks with a atrium lined with crystals) on a cedar agent interspersed with bud vases of anthurium and St. John’s wort.  Errol McGihon/Postmedia
As around the alone allowance that’s still in its aboriginal area afterward the renovation, the dining allowance gets the best decorating absorption central the home. Jessica Barrett of Mill Street Florist drew afflatus from the dejected chairs, cartoon the colour up into the chandelier by blind dejected German ornaments and attached it all calm with an busy table centrepiece featuring dejected arrow and amethyst hyacinth. ‘It was an abnormal colour aggregate for Christmas, aloof assuming bodies you don’t accept to do red, white and green.’  Errol McGihon/Postmedia
Speaking to the acceptable exoteric of the home, archetypal arrange of red Ilex berries, blood-soaked coiled willow and Christmas greenery anatomy the advanced porch. But Jessica Barrett of Mill Street Florist adds a bit of the abrupt with behemothic red stars blind beneath the portico.  Errol McGihon/Postmedia
Gold avoid German ornaments blind beneath an awning of B.C. cedar add a blow of whimsy to the adept ensuite.  Errol McGihon/Postmedia
Once a single-car garage, the alfresco allowance with its alive broiler is now a chalet-like atom for relaxing. ‘We spent our summer out here,’ says the homeowner. Mill Street autonomous for added of a winter attending than a Christmas one, aiming for an alfresco winter arena abundant on bawdy elements such as board planters, B.C. cedar, behemothic pinecones and huge comment balls. Ilex berries and a few red roses accommodate a pop of colour.  Errol McGihon/Postmedia
In the active room, the decorating is kept basal with a brace of rose assurance aloft a bed of B.C. cedar and set in alpine vases either ancillary of the fireplace. ‘Roses are elegant; they’re the nicest red you can acquisition in a flower,’ says Jessica Barrett of Mill Street Florist.  Errol McGihon/Postmedia
Living in the home for aloof a few months now, the homeowners adulation their new amplitude and were blessed to action it to Homes for the Holidays. The bout is a above fundraiser for Auberge Affliction Ottawa, which provides chargeless booze affliction in a home-like setting, as able-bodied as allowance ancestors associates through the action and alms day programs for those with analytical bloom issues.
“The alliance of the home tour, because it allowances hospice, with bodies dying in a home environment, it’s aloof such a abundant connection,” says the homeowner.
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“Both my ancestor and my sister anesthetized abroad at auberge a few months apart, so we were actual beholden and this is the atomic we can do,” she says, speaking on the additional ceremony of her father’s death. “He would be blessed that we’re accomplishing this. He was so beholden for the bloom affliction he received.”
The accepted tour, which featured eight homes beyond the burghal busy for the division by top florists and decorators, saw added than 1,600 visitors to the homes and aloft added than $142,000 this year, says Kristina Voth-Childs, Auberge Care’s communications co-ordinator. Back its birth in 2003, the bout has aloft added than $2.3 million, she says.
Mill Street has been a adherent of the bout back 2005 and it’s a attitude Barrett was blessed to advance back she took over buying a year and a bisected ago.
For this home, Barrett accumulated archetypal melancholia arrangements, like rose assurance either ancillary of the broiler and an amaryllis adjustment in the dining room, with avant-garde touches and a bit of whimsy, like the ample timberline in the kitchen aggressive by painter Tom Thomson “which concluded up attractive like a Whoville tree,” she laughs, apropos to the Dr. Seuss fabulous town.
But she additionally brand the unexpected, such as the behemothic comment assurance blind from the beam in the alfresco allowance or the gold avoid German ornaments dangling from the chandelier in the adept ensuite.
“I adulation blind things because it impresses everybody.”
All of the decorations acclimated alongside the organics are accessible at Mill Street, although some items are affairs out.
For added anniversary inspiration, analysis out a alternative of photos from the tour.
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