#i GET what people mean when they say its so long now

[batboyblog]

Copy Right and Public Domain in 2025!

It's January 1st 2025 which means it's my favorite unsung holiday! Public Domain Day! This is the day once a year when, in the US, copyrights expire and things enter the public domain, meaning they belong to everyone! even you, Steve!

American copyright for books, movies, art work, and musical compositions (but not recordings, more on that later) runs for 95 years (way too long!) so today works published in 1929 join us in the public domain.

So whats free? so glad you asked.

Popeye the Sailor Man

Many people assume Popeye originated as a cartoon character but thats not true, he comes from a comic strip. The strip was called Thimble Theatre and Popeye was something of a late addition. Thimble Theatre was first published in 1919, so Popeye's girlfriend Olive Oyl has been in the public domain since before the big 20 year copyright freeze of 1998-2019. Popeye first appeared as a minor character 10 years into the strip's run but was so popular he soon took over and the strip would be renamed Popeye less than 5 years later. Now as always whats public is only what appears in 1929, later developments, remain copyrighted. Such as, while Popeye always had super strength its not till 1932 his superpowers were tied to eating spinach, and Olive Oyl originally had a different boyfriend named Ham Gravy, who she dumped for Popeye when he became the main character. It looks like Popeye is following tradition for famous now public domain characters and getting a quicky horror movie this year.

Tintin!

This is personally very exciting as someone who grew up with the Belgian boy detective. Like Popeye I expect a lot of people don't know that Tintin started off as a weekly comic strip. Indeed Tintin appeared as a part of a weekly youth supplement in the Catholic newspaper The Twentieth Century. Any ways, Tintin was first published in there in January 1929, and soon would start what would become the first Tintin story, Tintin in the Land of the Soviets. Now only part of Tintin in the Land of the Soviets was published in 1929, the story line wrapped up in May 1930, so only those 1929 stories and what appears in them is free and clear and Tintin was published in black and white not color. Tintin's author Hergé had no idea what he was doing and was really learning on the job so In The Land of the Soviets is generally seen as his weakest outing and the only one he never opted to redraw in later years. Even so it's nice to see the character free in the world. No word on if Tintin will star in a horror movie.

Buck Rogers (but not really)

The original futuristic space man was published, again a comic strip, in 1929 which means he should enter the public domain today, but he won't. That's because he already is public domain! Before the Copyright Act of 1976 copyright was 28 years with the option to renew for another 28 years. The copyright on the original comic strips was not renewed so ran out at the end of 28 years, 1958. So Buck Rogers has been free and clear for close to 70 years now, whatever you hear about him today.

What else?

Famously last year Mickey Mouse entered the public domain, but all the entered public domain was one (maybe two) animated short, Steamboat Willie. Well this year a dozen Mickey Mouse animated shorts enter the public domain, including the first time Mickey has his iconic white gloves, and the first time Mickey speaks (the first thing Mickey Mouse ever says, voiced by Walt Disney himself, is "Hot dogs! Hot dogs!" in case you were wondering) This will give creators much more to work with if they want to use Mickey in their works which is exciting.

Speaking of Walt Disney, The Skeleton Dance is entering public domain, you likely don't know the title but I suspect you've seen at least part of it at some point

so look for this showing up on TVs in the backgrounds of films and TV shows in the next year or so

Books

The iconic novels of World War I, Ernest Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front enter public domain. In fact All Quiet on the Western Front entered public domain last year, but only in the original German, the 1929 translation by Arthur Wesley Wheen is whats entered the public domain now. John Steinbeck's first novel, Cup of Gold, William Faulkner's The Sound and the Fury, Virginia Woolf's A Room of One's Own, and Agatha Christie's Seven Dials Mystery (always get an Agatha Christie novel on this list for the rest of our lives). Dashiell Hammett published both Red Harvest and The Maltese Falcon, later made into one of the greatest films of all time, in 1929. Future children's book author E. B. White (who's go on to write Charlotte's Web and Stuart Little) and future New Yorker cartoonist and humorist James Thurber teamed up to write the delightfully titled Is Sex Necessary? Or, Why You Feel the Way You Do a book of spoof essays making fun of popular books on Freudian sexual theories at the time. The Roman Hat Mystery the first of the long running Ellery Queen mysteries was published, Queen would keep publishing mysteries into the 1970s (and Ellery Queen was a pen name for two people). Richard Hughes' A High Wind in Jamaica and Oliver La Farge's Laughing Boy also came out in 1929 and are in the public domain now. There's much else but those are the highlights sorry if I missed your favorite 1929 novel.

Movies

Alfred Hitchcock and Cecil B. DeMille's first movies with sound, Blackmail and Dynamite respectively, came out in 1929. Marx Brothers' first feature film The Cocoanuts joins the public domain. Other comedy land marks are Harold Lloyd's first sound film, Welcome Danger and Buster Keaton's last silent film, Spite Marriage (which Keaton also directed). John Ford's first sound film, The Black Watch, which also is 21 year old John Wayne's first appearance in a film, as an uncredited extra, he worked in the art department. Hallelujah the first studio film to have an all black cast came out that year. Also worth noting is The Hollywood Revue of 1929 a singing and dancing review, one of the earliest and the movie that popularized the song Singin’ in the Rain, maybe the first time a movie made a song a hit.

Musical compositions

musical compositions, ie the lyrics and musical notations you might see on sheet music are governed by the 1976 Copyright Act, and music written in 1929 is public domain. Music recordings are governed by a whole different law (we'll get there). Songs written in 1929 include Singin’ in the Rain by Arthur Freed & Nacio Herb Brown, Ain’t Misbehavin’ and Black and Blue by the legendary Fats Waller, What Is This Thing Called Love? by Cole Porter, Tiptoe Through the Tulips by Alfred Dubin, You Were Meant for Me by Arthur Freed & Nacio Herb Brown, and also Happy Days Are Here Again by Jack Yellen which would become FDR's campaign theme song in 1932.

Art!

a number of pieces by Salvador Dalí including:

Illumined Pleasures

The Accommodations of Desire

The Great Masturbator

are entering the public domain as is René Magritte’s The Treachery of Images.

Art is hard because while movies and books are clearly "published" and put on sale, what counts as "published" for a piece of art? the law is not totally sure.

Musical Recordings

as I promised, we got here. Till 2017 there were no federal laws governing the copyright of music recordings before the 1970s, it was governed by a confusing patchwork of state laws and it was not totally clear what was or was not free and clear even from the very earliest recordings ever. Now the term of a music recording's copyright is set at 100 years (way too long) so music recorded in 1924 is now public domain such as. Nobody Knows the Trouble I’ve Seen by Marian Anderson, Everybody Loves My Baby (But My Baby Don’t Love Nobody But Me) by Louis Armstrong, California Here I Come by Al Jolson, Rhapsody in Blue by George Gershwin, Shreveport Stomp by Jelly Roll Morton, Mama’s Gone, Good Bye by Ray Miller, and It Had To Be You by Marion Harris. Now many recordings a lot less famous can finally be preserved and digitized to save them for the next 100 years. Many abandoned works are literally rotting away since without the copyright holder's permission digitizing a work isn't legal.

[reignpage]

Frat Boy!Gojo

Cosmopolitan: sober thoughts

Word Count: 6.1k Contents: their first date, cursing, a little angsty, but mostly fluffy, not proofread (barely skimmed this so again, dunno how much sense it makes)

“Before you get any bright ideas, just know I’m sharing my location with at least ten people.”

Whistling, the biggest pain in your ass saunters over to you

The moon is full, a big white orb that would otherwise bring you a lot of peace to look at but right now, only pisses you off for reasons you’d rather not spend too much time pondering. Rarely anyone comes around these parts; it’s at the very edge of the city, a half-hour drive from campus, and surrounded by miles of dull, old suburbia. You’re standing in front of a metal gate, slightly taller than you, with vines wrapping around the pickets. It swings slowly with every gust of wind, creaking before it meets the stone wall with a bang.

Gojo grimaces. 

“Seriously, did you have to choose the scariest place in all of Eden? I mean, I respect the commitment to the aesthetic, but this is just crazy,” he grumbles, eyeing the cathedral from its huge marble pillars to the sharp spires piercing the night sky. 

You roll your eyes. Trust him to leave the date planning to you just to complain every step of the way. You’re already regretting playing along with whatever games he’s conjured up this time, but at least you’ve got home turf advantage; you know this place like the back of your hand. There won’t be any surprises happening tonight. 

Without replying, you walk off, heading straight through the gate. 

“Hey, wait! Don’t leave me here. I don’t want to end up as a statistic.”

Shrugging, you say, “If you’re scared, you can go back home.”

When he doesn’t say a thing and follows you, you smile. You win. But that feeling of victory doesn’t last very long because then he starts muttering about the cobwebs and how they’re everywhere, then about the tombstones, how they’re so messy with moss covering the engravings and that ‘the spirits must definitely be like so mad about all that’, and when you don’t respond to any of his musings, he even complains about the eerie music foreshadowing his pending doom, like in Jaws.

There is no music. 

“Where are we even going?” He pokes your shoulder, snatching his hand back faster than you can swat at it. “I thought we were going to, I don’t know, have a picnic under the stars and cuddle on top of someone’s grave, like Mary Shelley did.”

“How the fuck do you even know about that?” 

Gojo lifts one shoulder. “Must have heard it online or something.”

You roll your eyes again — you have a feeling you’ll be doing a lot of that tonight, maybe even for the rest of your life if things go the way your parents plan. When you had first found out the village idiot is the president of the most sought-after fraternity of the most prestigious university in the country, you thought maybe no one else had stepped up. But then you found out he’s a Legacy --the Gojos have governed that fraternity since its conception -- and well, the pieces fell into place. 

Mischief no doubt sparkling in your eyes, you look at him over your shoulder. His eyes are full of suspicion and when they meet yours, he becomes even more doubtful of your intentions. With a grin, you whisper, “We’re going someplace no one will hear you scream.”

“Kinky.”           

That didn’t have the desired effect. How annoying. Though you don’t fail to notice how he moves in closer to you, his warmth radiating to your body through your black, fur cloak. You don’t shift away. 

Gesturing for him to follow you through a gap in a wooden fence, you squeeze through to avoid splinters, pulling at your dress when a piece of lace catches on a nail. Just as you’re about to offer advice on how to contort his body to get through, he climbs over the fence and lands on his feet without stumbling, all in one quick sweep, like he’s who wanders these hallowed grounds at night and not you. 

“What?” He asks when he spots your glare. 

Not even those stupid sunglasses are out of place. Very annoying, indeed. 

“Come quickly,” you bark, fixing your silk gloves to cover more of your skin as the chill settles in. It’s only six in the evening, and yet there’s no hint of light in the broad expanse above you, just the moon and the stars lighting your way, and occasionally your companion’s phone flashlight when he needs to look at what he’s stepped in. 

He laughs. “No one’s ever said that to me before.”

“Do you make it a habit to talk about your sex life with a girl on a first date?”

“You’re the first, so not a habit. Not yet anyways.” 

Screeching to a halt, your hand clutches his elbow to still him. Your jaw is slack and you’re staring, completely disbelieving. “There’s no way this is your first date. You took that girl to the casino.”

Gojo stares off into the distance as he ponders the notion, fingers tapping his chin. Then, he insists, “No, it really is my first date. And anyways, I don’t consider that night a date; she pretty much invited herself along. It was more like I was just taking her to the casino as her escort. Or maybe that does count as a date. If so, then I’ve been on a lot of dates. But none where I’ve actually used the word date. Does that even matter because —“ 

You wave a hand in front of his face to cut off his rambling; he talks way too much. “So, you’re telling me, I’m the first girl you’ve ever asked out on a date? That’s insane, Gojo. You hate me.”

“I don’t hate you,” he protests with a frown.

“You sure acted like you did for months,” you counter. 

He insists, “I don’t hate you. Never did. I just acted out but yeah, I’m sorry. I was a dick.”

Clearing your throat, you straighten up and continue walking. “It’s fine. Water under the bridge.” 

“You sure? ‘Cause I can get on my knees and beg.”

“Don’t tempt me, Gojo.”

He catches up to you and hums a playful tune, his light mood returning; Serious Gojo is gone like he never existed. “Guess that’s what you’re into, huh?”

“You’ll never know,” you snort, pushing a branch away from your face and letting it snap back into his chest, he yelps.

His hand reaches past you, lifting a thicker branch high above the both of you, before leaning close to your ear and whispering conspiratorially, “We’ll see.”

Disregarding the shiver than runs through you, you push on, moving almost on muscle memory alone. Your mind is attempting to distract itself by scanning the area, being careful not to be caught on church grounds after hours, pushing through the woodland to get to the clearing tucked away at the very back, where you go for peace and quiet. 

Truthfully, you have no idea why you decided to have this date here, of all places. This place is sacred. Literally but also figuratively — this is the place you always ran to when the world got a little too loud, a little too busy and bright for you. No one else knows about this haven as far as you’re aware and you always thought you’d do anything to keep it that way. And yet, you’re showing it to him. Actually, guiding him to the place. 

You should have at least blindfolded him so he couldn’t memorise the way. 

Maybe you wanted to spite him by living up to his expectations and being the gothic monster that he thinks you are -- you want to scare him off before he lets his curiosity take him too close to something that might scald him. He needs to be afraid of you. 

Or maybe you recognised that shadow in his eyes, the ones that suggests he’s lost as much sleep about this whole farce as you and thought he could do with a little silence. 

You both arrive at a thick bush, a massive wall of a shrub towering over even Gojo. Behind you, the cathedral is only a blob, lit up by lanterns, whereas you’re both submerged in darkness; there are no streetlamps here. 

“I’m totally going to be murdered here, aren’t I?” He whistles as if to say, ‘it’s been a good life, and I’ll have to just accept my fate’. 

“Yeah, I was lying when I said it was all water under the bridge. I’ve actually been colluding with the devil to sacrifice your white ass.”

Gojo laughs.

He laughs a lot, but rarely like this, you note. He chuckles when his friends do something stupid like push him into the fountain, and he snorts when he reads the most recent article on The Bulletin. But you’ve never really seen him throw his head back and clutch his stomach, at least not with anyone but you. He does it when you get caught texting him under the dinner table, when you give him the middle finger from across the Quad, and that one time you bumped into him in the hallway and almost apologised before you realised it was him.

It’s the kind of laugh that’s infectious, and you hoped every time he does it that you’re somehow immune. However, when he looks at you with a brightening sparkle in his eyes, you realise you’re very much not. 

You clear your throat again. 

“Through here, is a very special place. You must swear you will not desecrate this place, lest the Mother Crone curse you for your treachery,” you announce, wiggling your fingers at him for extra flair. 

Placing a hand on his heart, he stomps his foot like a soldier and swears, “I would never. I will take this secret to the grave.”

Satisfied, you grab the loose part of the hedge wall and pull it aside to reveal the little doorway to your secret hideout. He throws you a side glance before he ducks down and enters. You follow behind him, tucking the disguised door behind you. 

He doesn’t say a thing as you zoom to the side where you grope for something in the grass, right under part of the hedge. When you feel the smooth, cold plastic, you don’t hesitate to switch it on. 

Long wires of fairy lights light up, bulb by bulb, along the top of the hedge and down, like a really wide Christmas tree circling the hidden clearing. You hear him mutter a ‘woah’ under his breath as he scans the area — there’s only one thing here on the flat ground, it’s also lit up fairy lights along the top pole. It’s your most prized possession.

“You have a swing?” He shouts incredulously. Giggling like a child, he makes a run for it, jumping onto one of the two seats where he rocks back and forth on his feet. Then he’s whooping as he swings higher and higher, hair whooshing back and forth as he grins, taking in the cold autumnal air and the growing warmth of the lights. “This is freaking awesome!”

Sitting on the spare seat, you kick your feet gently so you can swing a little. Deep down there was a worry festering within, anxious that he would find this place boring, that he’d scoff at your idea of fun especially on a first date, but looking up at him, still hollering and grinning, you think, that was such a silly thought. 

Gojo slows to a mild back and forth momentum and wonders, “Are you sure I’m allowed to be here? This place seems pretty private, like your own mancave or something. Do girls have a version of a mancave? ‘Womancave?”

In the corner of your eye, you see him clamber down to sit as you answer his question. “I wouldn’t have taken you here if you weren’t allowed, dumbass.”

“Yeah, well, I’m still not convinced this isn’t an elaborate scheme to murder me and hide my body in a grave.”

“Neither.” You shrug. 

He laughs. 

Eventually, you both swing side by side, alternating up and then down. The wind is howling a little, rustling the trees surrounding you and the moon’s obscured by dark cloud. Neither you nor he say anything to break the silence. You were also worried that you’d come to hate his presence in your safe space, finding his tall, lanky presence an irritation, but surprisingly, you don’t mind it. 

It’s nice to have company. 

Especially when that company is keeping his mouth shut. 

“How often do you come here?”

Or not. 

With a sigh, you reply, “Like twice a week. I can’t come as often as I’d like because of all the classes and stuff, not to mention all the wedding planning we have to do.”

“Guess you have it worse than me since I don’t even need to be fitted for a suit; they already have my measurements,” he muses. 

“For whatever reason, it’s always the women who have to plan these things, even though it’s the men that propose.” You accidentally make eye contact with him. “Or at least, that’s how it usually goes.”

Gojo hums, a little sheepishly, before he changes the subject. “So, how did you find this place?”

“We buried my grandmother in the graveyard when I was fifteen. We were close and I took the loss pretty hard. I couldn’t stand all the people pretending they cared so I ran off, got lost and found this clearing. Well, I actually fell through the hedge, but I found it, nonetheless. And this swing was here already. I don’t know how long it’s been here or why it’s here, but it is.”

“That sounds like a fairytale.” He swivels, swinging a long leg over to straddle the seat, facing you as he leans back against the metal chain. “I’m sorry for your loss, by the way. I lost my grandmother too and it was rough.”

You saw that on the news years ago, it was one of those private family events that make the national headlines by complete virtue of the family name. Your parents grieved in public like it was their own loss and you didn’t understand why. Of course, as you got older, you became more and more acquainted with the idea of ‘reputation’ and ‘public image’, but you still feel that same distance to the concept as you did when you were but a child. 

“I’m sorry for your loss,” you repeat back to him.

He shrugs. “It’s alright. I’ve got my gramps. We’re best buddies.”

“You have a lot of best buds, don’t you?” 

Gojo strikes you as the kind of guy who makes friends easily, thought you question the depth of most of those friendships; sincerity is a rare phenomenon in your world. 

“No,” he huffs, “I have Suguru, the girl that gave you my number, and gramps. I have lots of close friends, though.”

Considering his words, you realise you don’t have any best friends. Sure, you have friends you hang out with often, people that share your interest, that you can party with, but none you feel as strongly about as he does with those three people. You can hear it in his voice, the conviction, the pride, the confidence. And when you glance at him, you know he doesn’t even realise how defensive he sounds about his people.

How nice it must be to have someone like him as a friend.

“We could be friends, if you’d like,” he offers, and when you look at him with confusion, he adds, “You said it out loud, silly. You think I’m a good person to be friends with. Which, of course I am. I’m like super awesome.”

You burst out laughing. What he said isn’t even funny and he certainly doesn’t mean for it to be, but for some reason it is. So, you laugh, throwing your head back and clutching your stomach. He makes noises of complaints, telling you it’s rude to laugh at people. That makes you laugh harder. 

“Gojo, be serious for a second. We can’t be friends, idiot,” you push out between puffs of laughter. 

He frowns, lips twitching to fight back a smile at your flushed face. “Why not? We’re getting along fine right now, aren’t we?”

“Yeah, for now. But we’re going to be married. Or at least, we’re supposed to be. And think of all the complications that brings, it just doesn’t provide the conditions for a healthy friendship, especially considering our beginning. Think of all the people in our circle who had arranged marriages. How many of them get along? Like, really get along. Hell! Think about our parents.”

“Well, we could be different. We don’t have to end up like them. We can break the cycle or something.”

You stop laughing.

Something shifts in the air, like the moon’s reappeared, the wind’s slowed down, and his eyes shine just a little brighter. It’s sudden and you almost don’t notice it, almost shrug it off. But there’s a sincerity lingering between you and it demands your attention.

Fixing him a solemn look, perhaps similar to the one he gave you before, you assert, “That sounds an awful like an admission of surrender, Gojo.”

“Maybe it is.”

The speed at which he concedes, the sheer resolution in his eyes and the way he doesn’t falter when he says it all scream at you something you won’t accept. Can’t.

He grips your elbow, his long fingers wrapping around the limb with ease, demanding your attention. The sombre expression on his ghostly face haunts you. It’s like he’s shifted into a different person, into someone years older, a man burdened with great responsibility. 

“I’m sorry. About how I started this year off. I regretted everything I said as soon as I said them. I can’t even remember why I said and did those things, but I definitely don’t have a good reason,” he rasped, a desperation lacing his words like he needs you to understand, like he tosses and turns over it. “I know you’re just as much a victim of this as I am, but I was facing a problem I didn’t know to solve, and I lashed out. At you. At someone who didn’t deserve it. And I’m sorry.”

You reel back, snatching your arm away. His touch burns the way ice does, and you have to rub warmth back into it, despite the layers between your skin and his. The sincerity in his eyes is alien, revealing far more about the ongoings of reality than you can absorb in one night. Confusingly, your heart is pounding to the beat of a song you’ve never heard before. 

This date thing, taking him to your secret haven, giving him the opportunity to see you not as the enemy but rather as a woman was a mistake. It’s all one big mistake. It would have been fine if he had stayed as the Gojo you knew, the boisterous, obnoxious party animal that cares only about immediate gratification. But the man in front of you is not someone you can marry. He isn’t the type of man you can be around and feel absolutely nothing for. 

“I’m hungry,” you mutter, standing abruptly.

He looks up at you, something passing in his eyes, almost akin to disappointment or sadness, and you can’t bear to think about what that could mean, so you simply gesture for him to follow you. 

In silence, you walk back the way you came, using your phone’s flashlight to navigate through the thick haze of darkness. This was a mistake; you let him in for a second, gave him a glimpse into your life, and you aren’t even sure why. Was it because you could hear your mother’s voice telling you to do whatever it takes to drag the man to the altar or because, despite yourself, you actually wanted to see what going on a date with Gojo means? 

Maybe it was both. 

Or neither. 

You’re losing more and more of yourself these days, doing things you’d never thought you’d do for one reason or another, and you no longer even know what you want. Your pride or your family? A marriage with Gojo or the friendship he’s offering? Is there’s a third option.

“What’d you wanna eat?” He asks, rocking back and forth on his feet as he stares up at a streetlight. 

You’ve both made it back onto the main road, the swings a mile away. He didn’t press the topic more, simply walked beside you and pushed branches away like before. 

It’s nearing eight in the evening and your stomach growls. 

“Who said I’m eating with you?”

Gojo rolls his eyes and pokes your shoulder. With a sulky tone, he groans, “Don’t be mean. You’re hungry, I’m hungry, let’s eat. Simple!”

“Can you cook?” 

He beams, sunglasses sliding down the bridge of his nose as he looks at you over them, bright eyes sparkling with what you can only guess to be mischief. You realise you really should think before you speak. 

—

That’s how you find yourself in his frat house kitchen, cloak discarded, hair up and gloves off. His frat members are out, partying, he claims, so the whole house is free. When he suggested it, you looked at him like he was insane, but he only wiggled his brows.

“You scared?” He cocked his head, grinning at you in a way that made you want to punch his teeth in. 

Narrowing your eyes at him, you responded, “No, of course not.”

Gojo bent his arms and rocked his head, making clucking noises that echoed in the empty street. Every note pierced your body, mocking and goading. You knew exactly what he was doing, and it was fucking working, the stupid bastard. Without responding to his accusation, you stomped over to his car and gave him a glare. He fetched his car keys and spun them on his finger with a victorious whistle.

“Grate this,” he orders. 

His kitchen is huge, which is understandable for the size of the house and how many people live here. Apparently, there’s three more kitchens in the damn place, not that you believe even a quarter of the guys that live here know what a cutting board is. The kitchen is surprisingly clean, however. It’s sparkling clean. 

“We have cleaners that comes in every other day,” he chuckles, noticing your looks of complete judgement whilst he boils some pasta. “But we are pretty strict on cleanliness, regardless. And everyone knows, I’m not afraid to crack the whip to keep everyone in line.”

Scoffing, you clarify, “You? Cracking whips? I find that hard to believe.”

He leans against the island you’re stationed at, the sound of water simmering filling the small space between you. Watching you grate the cheese, he hums, fingers fiddling with the lace of your sleeve. He mutters, “I know how to be serious when I need to be.”

You hum too. 

Still fiddling with the fabric, you ignore his wandering hand, fingers slipping under to roll the soft lace between his fingertips. Goosebumps rise on your skin. His touch is tentative, hesitant and gentle — one would think he’s just afraid to snag the fabric, acknowledging the craftsmanship, but one glance up at him, seeing his gaze fixated on your exposed skin more than your sleeve, you know otherwise. 

“Hands to yourself, Geralt.”

“If I’m Geralt, that must make you Yennefer,” he retorts. With a laugh, he pulls away, returning to the stove to tend to the pasta sauce. You don’t realise how much warmth he generated until you feel a sudden draught. 

The smell of frying onions and garlic is delicious and you’re becoming more and more starved by the second. He’s agile, moving swiftly and on muscle memory as he opens drawers and cabinets to gather the things he needs. 

“How often do you cook?” You ask, arm getting tired from the motion of grating the block of cheese.

Gojo shrugs and admits, “Not as often as I’d like. Weekends are for parties and pizza and all the other days, everyone’s doing their thing, studying or whatever, and eating by myself is kinda sad, so I just eat out usually.”

“How is it possible that you eat out so often but still remain so skinny?”

That was apparently the wrong thing to say because the next thing you know you’re being spun around and pressed into the island with a hard body. His arms are caging you in, keeping you still as he grins at you. 

He had thrown his jacket by the door when you both walked in; his biceps bulge as he flexes. They’re so much bigger now, or maybe they were always like that. And he’s pressed so close his Adam’s apple is right in front of you, bobbing when you tilt your head back so you can meet his eyes. 

“I’m plenty jacked, actually,” he brags and to add salt to the wound, he leans down, cheek brushing against yours to whisper against your ear, “wifey.”

You shove him off, snorting at his lame line. He back away with little protest. Trying to hide the heat in your face, you wash your hands, turning away from him completely. 

The rest of the hour passes by in a blink of an eye, and you finally sit down at the dining table across from each other. He’s a decent cook and you pay him a compliment even though it physically hurt to do so. 

“Do you not cook very often?” 

“I make sandwiches and ramen, that’s as far as I know how to do,” you admit with no shame.

He pours you a cup of water and asks, “Do you not have a chef to pre-make meals for you? My father insisted I have one, but I complained to my gramps about the lack of privacy and independence, and he gave up pretty quickly.”

You pause. It’s a stupid question to ask someone, from anyone else it’d drip in condescension, but you know he’s genuinely asking and it’s a valid question, just not one you’re ready to answer. So, with a careful shrug, you say simply, “I’m fine with the way things are.”

Gojo doesn’t sense the tense quiver of your voice, or if he does, he has enough tact to ignore it, so he continues the conversation. He talks to you about what being a frat president entails, and you tell him your experiences as the Treasurer. 

He also shares stories of his friends: the time ‘the gang’ snuck into the gym to put shaving cream in Toji’s locker after he had his room bubbled wrapped down to every single pair of boxers, each and every one of his friends’ drunk habits, and how he’s actually a lightweight so he sticks to beers most of the time but he hates the taste and actually much prefer cocktails. 

“Wait, wait,” you say between laughs, “you drink cosmos in secret ‘cause you don’t want your frat mates knowing their president actually hates beer?”

“Yeah, yeah, laugh it up. But it isn’t my fault those things taste like wheat piss!”

You laugh harder. “They do! They totally do!”

“Has anyone ever said you have a pretty la—“

“Woah!” A voice yells out. “What’s going on here?”

You both turn to look at the wide-open door. Two men walk in, they’re in gym clothes, wide toothy grins on their faces as they stare between you and their president. You recognise them as second years, often hanging around Gojo in pictures or loitering in the Quad. 

One guy, a fake blond, wolf whistles when he sees you. “Satoru, you didn’t tell us you were having a girl over. It’s been a while; we rarely even see your bestie nowadays.”

“Yeah, this is a sight for sore eyes. This place was getting too much hotdog and not enough buns, if you know what I mean.”

When they both guffaw, you grimace. Their voices are grating, like sharp notes, and despite yourself, you cower in your seat. You hate the way they’re looking at you, in half desire and half repulsion — they’re enjoying the sight of a woman in their space, but they don’t know what to make of your attire. Usually, you don’t let people like them get to you, not their comments and not their stares. But something’s different, you’re more sensitive, less guarded. 

“Isn’t she your fiancé? We’ve heard all about her. The girls from Delta Sigma said she dresses like a witch, and well, they aren’t entirely wrong.”

“Get out.”

Three heads turn. Gojo’s standing; you hadn’t seen him move. He’s leaning on his fingertips, head hanging as he stares at his empty plate. No one says a thing. There’s no air in here anymore. Only silence, a grim, gut-wrenching silence. 

They stammer. “H-hey, man. What’s wrong?”

“Get. Out.”

“Come on, we’re just messing around,” the fake blonde chuckles nervously. 

Gojo looks up, slowly, like a creaking door. When his eyes settle on them, they stagger back with the force of his disappointment, and again with his wrath. Though you feel the tendrils of that infinite space between you, you don’t bear its impossible weight. 

With his body tense, veins bulging along his arms, broad shoulders pushed back ready for something you can’t quite grasp in this moment, you realise he really is jacked. And those muscles aren’t just for show or pressing girls against marble countertops. 

As great as it would be to be his friend, it’s even greater to not be his enemy. You didn’t realise it then, but you do now, if Gojo had ever really wanted to make someone disappear, he probably could have done so. 

“You would do well to remember that I, as descendent of the founder of Alpha Phi Delta, have a right to terminate any fraternity brother’s membership without a need for sufficient cause. Just because I’ve never exploited that clause doesn’t mean I’m above it. So, get out. Now.”

Cheeks red and heads hung low, they walk back out without sparing you another glance. 

Gojo sits back down, shoulders still tense. 

The silence hasn’t disappeared, but it has lightened, much more tolerable now. With an uncertainty in your movements, you push your knife and fork together and pat your lips dry. 

“Well, this has certainly been an eventful night,” you say. “I really ought to go, though.”

Gojo nods and takes your plate, leaving to go to the kitchen whilst you freshen up in the bathroom. 

When you come out, he’s already waiting outside with his hands tucked in his pockets, staring up at puffs of clouds he breathes into the night sky. There’s a sombre air around him, like you’re better off not disturbing him, but when he spots you from the corner of his eye, that air evaporates and he beams, literally brightens, practically shadowing the moon. 

“Hey, come on, I’ll drive you to your dorm,” he asserts with a smile. 

And he does. You get into his car for the second time of the night and watch the campus blur past you. Through the ten-minute car ride, he sings along to the pop songs on the radio, bopping his head to every beat like they’re coursing through his veins. 

“You don’t know these songs? Really?” 

He’s completely incredulous, looking at you as if you’ve grown two heads. You roll your eyes and jokingly explain you’re committed to the aesthetic. He finds that funny. The rest of the ride continues wordlessly.

“Alright, this is me,” you announce when he parks. He climbs out the car with you, leaning against his door as you shuffle awkwardly on your feet. “Despite certain parts of the time being…stiff, should we say, I had a lot of fun. Surprisingly.”

A tinge of red colours the tips of his ears. “Yeah, me too. I expected to lose my life, or at least a few limbs, at that graveyard, so I’m pretty happy with the turnout.”

You roll your eyes. “And I’m very happy I’m not covered in pig’s blood coming out of your frat house.”

“No, closest we had to that was the pasta sauce,” he chuckles. 

“Which was surprisingly delicious, by the way. You should cook more often instead of the junk food you eat.”

“Says you?” He pushes your shoulder lightly. “Miss Cup Noodles.”

“Whatever.”

The conversation dies there, laughter fading as both of you eye the doors of your dorm building. You pull your cloak tighter around you, irritated that, even though he’s just in jeans and a plain graphic tee, he’s seemingly unbothered by the temperature drop. 

“You should go in,” Gojo suggests, voice softer, barely louder than a whisper. 

You nod and make a step to go, but then a warm hand wraps around your wrist, tugging you back. He’s carrying the weight of it in his palm, thumb grazing your wrist. There’s electricity thrumming where he touches and you’re about to snatch your hand away before he tightens his grip. 

“Just a second,” he mutters, before pulling out something from his pockets. Something black. 

Your gloves. 

You forgot to put them on, having left them in the kitchen. 

He’s taking his time, smoothing the material over your knuckles, ensuring your fingers are tucked in properly. His thumb lingers on the curve of each finger, exploring the slopes. Your breath hitches as his hands envelope yours completely, his touch deliberate and light and there’s no other way to describe it: it’s positively reverent. 

The glove slide snugly into place, a second skin but they feel new, as if fresh from the machine, still warm. 

You shouldn’t let him reach for your other hand, shouldn’t just watch as he unfolds the other glove, slipping it on with much more care than you yourself had ever done. His eyes are watching the fabric consume more and more of your skin, until they meet the ends of your sleeve, and no skin remains. 

“Gojo,” you breathe out. 

He shakes his head, brows furrowing. “Satoru. Call me Satoru.”

When he finally looks up, your eyes meet and your pulse quickens, quick and short breaths pulling your chest up and down. You didn’t even realise one hand is clutching his shoulder whilst the other remains in his grip. And you certainly don’t notice that you’re standing much closer than before, only a hair’s breadth from finding out whether his lips are as soft and plush as his touch. 

“You smell really nice,” he whispers, thumb running across your knuckles, like he’s willing warmth into your hand. 

You’re so close it only takes one gust of wind to push you together, to taste what a future with him could mean, to seal the first date with something that’ll keep you up at night. Just one kiss, one bad decision and everything could fade away for a second. You could pretend he’s just a boy and you’re just a girl and this is a normal date, that you have a normal relationship and tomorrow you could go back to being arranged lovers. 

His lashes flutter, so long and wispy and you’re jealous. Flickering between your eyes and your lips, you know he’s searching for any sign that you might want this just as bad as he does. You’re craning your head back, back arched to reach him, and when your chest rubs against his for a millisecond, he shuts his eyes with a groan.  

“Hey! If it isn’t Gojo,” a gruff voice bellows.

You step back, gasping for air and desperately smoothing your skirt down as you give a shaky smile to the newcomer. He’s a tall, buff man wearing shorts and carrying a basketball. He pats Gojo on the back, oblivious to the tension, to the way his friend is pouting, grumbling about how he ‘ruined the moment.’

The man looks at you with a friendly enough smile, eyeing your appearance with nothing more than curiosity before he gives you one of those manly nods. 

“Whatcha doing at my girl’s dorm?” He asks. 

Clearing his throat, Gojo answers, “Just dropping my wi—I mean, my friend off. Yeah, just stopping by.”

The guy doesn’t look ready to stop talking. So you take the initiative to excuse yourself with an awkward kiss on the white-haired boy’s cheek and you whisper, “Goodnight...Satoru.”

You don’t wait for him to reply.

Just as you’re about to enter your dorm building, you hear a distinct, “Dude, I totally cockblocked you, didn’t I? Fuck, put that thing away. You’re gonna poke my fucking eyes out!”

You smile just as your phone pings.

[mossterunderthebed]

oho. ohohoho. now to make it goyuu... i need a knight au

ooh what if they're from different kingdoms. and yuuji is the king's only remaining relative so he is unfortunately the Heir. and was dragged to the palace after his uncle found where his father had taken his grandson away from the palace to live out his days in ignominity because he was once a great general but his son sukuna who was greater even than him instigated a violent takeover and disposed of half the previous nobility

and hes a tyrant but a lot of the commoners love him because to be fair his actual policies arent too bad just bloody as fork and super strict and hes big into conquest which hey makes money and brings their country glory so it works.

enter gojo.

emperor of neighboring empire thats not technically much bigger in terms of land mass but has way more people (this has advantages and disadvantages). and yuuji has risen to the rank of general and is known as the tiger of the west which he thinks is embarrassing. and he hates that that's what the people know about him and what they like about him because he wants to be a good ruler. but he doesnt know how only he doesnt think it should be like sukuna rules

and then gojo who ofc would lead his own armies so he and yuuji end up clashing in an unexpected place. and gojo uses guerilla/ambush tactics they werent expecting bc they thought they had the advantage of numbers and yuuji is captured.

and he expects to be tortured and stuff but this gojo guy is actually... really nice? and insanely smart? and really funny too? and pretty handsome too wow ok. and then they kind of end up becoming friends?? and yuuji confides that he doesnt know how to rule well but he really admires gojo whos so smart and has gathered such good people to him (unlike many people who have critisised him as being honourless because of his tactics but its because he and yuuji both understand the value of a life as opposed to expectations of 'character' which is actually just a load of crap the nobles to make themselves sound/look good)

and yea i dont know things snowball and in the end they have a long-lasting long distance love affair until gojo's heir (yuuta) comes of age. bc surprise surprise gojo never wanted to rule esp not after the betrayal of his closest advisor and best friend in his youth. and finally he goes to live w yuuji who disposed of his own uncle in a very moving morally heart-clenching scene

and they live happily ever after and travel back and forth a lot and every time gojo visits his home he acts outrageously but hes still always just as intimidating as ever and even in his late forties h makes a soldier who spoke out of turn piss himself in a public spar.

and he and yuuji are insufferably chaotic and loving until they die and are buried side by side on the land yuuji rehabilitated (his childhood home w his grandfather that was wrecked by sukuna) and they plant little yellow and blue wildflowers over the graves and years in the future the two crossbreed and spawn a lovely little new breed of flower that symbolizes the powerful kind of love that would wait for years and years. a patient kind of love.

and centuries later records are found of them and the graves are unearthed and little artifacts are found and their letters and etc etc etc and their love story becomes known as one of the greatest of all time and stories and plays and poetry are written about it and their letters are translated and published and are turned into a saying 'i would write you a thousand letters' which basically means 'i would love you with dedication through great obstacles and hardship' or more simply, 'i will love you even when its hard.'

and yeap thats the that.

Bonus: at the very very very end theres a little cutscene of their reincarnations meeting for the first time after accidentally bumping into each other and gojo drops something so yuuji kneels and offers it to him and for a second they both get mad deja vu and just stop and stare at each other like they're the most beaufiful thing the other has seen and for that moment rest of the world doesnt exist

*holds back tears* and then they fall in love and get married and adopt some cats and maybe a kid and live in a cozy apartment and stay together for a whole 'nother lifetime and retire to the Sendai countryside and tend to a garden full of Their Flowers which they find out on the second date are both of their favorites for a reason neither of them can quite describe and ughhhhhhhhhhhh

sorry i got emotional. ok bye.

horniest battle moments:

- taking your ally's weapon out of their scabard to use yourself

- using someone else's shoulder as a rifle stand

- nudging someone's chin up with the tip of your weapon

- freezing with your blades against one another's throats, breathing into each other's mouths

[nonbinoclard]

>>> TUNES TO LOSE YOUR MIND TO <<<

KEEP IN MIND: This is a living playlist! Songs may be added and removed at times to further curate the vibe I'm going for. I'll try to keep this post updated, but you can just check out the link for an up-to-date track list.

(EDIT: Song discussions are not finished! I have a lot more to say. I'll reblog when I've updated.)

This is set in a sort of nebulous time between Harry's life right before Martinaise and the night before he lost his memory. I wanted this playlist to feel erratic-- full of manic energy one second, then slow and bleak the next, dreamy, unreal, then right back to ridiculous.

(In no particular order. Shuffle for full emotional whiplash effect.)

I Don't Like My Mind - Mitski

I don't like my mind, I don't like being left alone in a room [...] And then I get sick and throw up and there's another memory that gets stuck / Inside the walls of my skull waiting for its turn to talk / And it may be a few years, but you can bet it's there, waiting still

The days before cleaning out the rooms... also, eating an entire cake and throwing it all up again feels very harry-esque... Overindulgence

A whole cake, so please don't take / Take this job from me

End Of The World - Hether

I mean, I could just post the entire set of lyrics as evidence, tbh. Struggling to find meaning and purpose in his life in the wake of heartbreak (5 year old heartbreak, but who's counting anyway)

I wake up in the morning and I wonder / Why everything's the same as it was I can't understand / No I can't understand / How life goes on the way it does

Cane Shuga - Glass Animals

Baby, don't go / I'll stop breathing coke / No more bloody nose / No more John Does Burn through my love / Just like your drugs / I've had quite enough / Or lack thereof

This is about the last moments of Harry and Dora's relationship to me. The chorus (a kind of circular, endless, self-aggrandizing internal monologue likely fueled by stimulants, implied in the song) continuing after the second verse kind of reflects the solution for Lonesome Long Way Home.

"11 Voyager Road. You no longer live there. Those times are gone, and so are those people. Why did you come here? Why are you still here? And where’s the dealer? You have to get back to work. That’s all you have now."

Hot Venom - Miniature Tigers

Hot venom is mixing with my blood / I can feel it on my fingers and taste it on her tongue / It feels so good to fall in love with you

I've heard a lot of people say this song is about heroin addiction, which is thematically appropriate for this playlist, but also. Harry's unhealthy obsession with Dora/Dolores Dei. Adoration (and hatred) so strong it's killing him.

Her venom makes me strong / Stronger than I am on my own / Before too long, I'll wake up to it gone / Wondering how I ever was happy [...] You can't go back now; that's not how this works / And as long as she's gone, I can never be happy

Who Is She ? - I Monster

This is just straight up about Harry's recurring dream to me. Just. Gestures at the lyrics.

Oh, who is she? / A misty memory / A haunting face / Is she a lost embrace? Am I in love with just a theme? / Or is Ayesha just a dream?

I feel like it falls in line really well with the idea that Harry's mind has been affected by the Pale-- a lack of memory, or maybe mixed memories, in a misty haze beyond the boundaries of reality. (and maybe Dolores Dei has started haunting him via Pale? Like some theories I've read.)

Somewhere across the sea of time / A love immortal such as mine Will come to me / Eternally

I Don't Miss You at All - FINNEAS

Dummy - Portugal. The Man

F the World - The Northern Boys

You Stupid Bitch - Crazy Ex-Girlfriend (TV Show)

These shards are a metaphor for my soul Won't stop the self-pity 'cause I'm on a roll

This song perfectly captures the inherent melodrama of a mental downward spiral imo. Catastrophic and all-encompassing. This is what I think it sounds like in there (Harry's head).

You ruined everything / You stupid bitch / You ruined everything / You stupid, stupid bitch / You're just a lying little bitch who ruins things / And wants the world to burn / Bitch / You're a stupid bitch / And lose some weight

Oleander - Mother Mother

Intermission - Scissor Sisters

Skit #2 - Kanye West

Self explanatory. He's got no money. He's got no clothes. He has no car and he has no hoes.

We broke, broke broke phi broke We ain't got it Broke, broke, broke phi broke We ain't got it Don't spend no money, ain't got no clothes Ain't got no cars, ain't got no hoes

Nobody - Mitski

My God, I'm so lonely, so I open the window To hear sounds of people, to hear sounds of people

This one is more about the feeling of the song itself rather than the lyrics specifically; I love the upbeat tempo that continues through the song (trying to remain steady, continue working), how the beat is simple at first then builds into a kaleidoscope of sound by the end of the track (overwhelmed by the world), then ending in a distorted loop (trapped in a cycle). This song has always felt really authentic to my own experience with mental spirals. The themes of loneliness tie it all into a nice bow.

I'm A Broken Heart - the bird and the bee

Not Allowed - TV Girl

Party Time - The Northern Boys

Comfortably Numb - Scissor Sisters

(Do The) Act Like You Never Met Me - TV Girl

Novocaine For The Soul - Eels

Basket Case - Green Day

Do you have the time / to listen to me whine About nothing and everything all at once? I am one of those melodramatic fools / Neurotic to the bone, no doubt about it

I just think this one fits him well during Martinaise... just shaken up and unloading trauma onto unsuspecting strangers like a can of soda (bad analogy lol), depending on the dialogue you choose.

I went to a shrink to analyze my dreams She says it's lack of sex that's bringing me down I went to a whore, she said my life's a bore So quit my whining 'cause it's bringing her down

Sometimes, I give myself the creeps / Sometimes, my mind plays tricks on me It all keeps adding up / I think I'm cracking up Am I just paranoid, or am I stoned?

Also it's just a little pathetic, which just... it fits. Sorry Harry.

Labyrinth - Miracle Musical

[tainbocuailnge]

thinking about the terrible victoria arc and how it could be less terrible. taking chapter 14 as premise & reverse engineering how to better get to that emotional payoff (namely the babel squad finally getting closure for theresa's death and babel's downfall & the fate of the sarkaz being severed) without throwing the base concepts of the other chapters out completely i think for starters the entirety of chapter 9 should just be an event instead. so much of the dublinn plotline was in an event already (what the firelight casts) and ever since ch9 most of "the dublinn plotline" has just been eblana ominously hovering in the distance, its just bloating things with no meaningful contributions. that does mean taking horn and bagpipe out too, much as I like them, but I think they can shine better when they're not competing with so many other white women for empty screentime anyway.

then you want the victoria arc proper to have you meet the self salvation corps asap after sneaking into the city and the core tension is going to be between siege and her gang as face of the nobility even if they individually might not agree with that label, the self salvation corps as representative of the common people of londinium who may hate the nobles but still have their own unsustainable british nationalism to work through, and rhodes island as altruistic outsiders whose reasons for getting involved don't actually have to do with victoria itself. clovisia was obviously supposed to be an amiya expy before she got forgotten almost immediately after her debut, but keeping the focus on these three groups would ideally also get some use out of that.

I said in a post i made after i read ch11 that it really isn't hard to see what siege's gang and the steam knight are supposed to represent, the symbol of victoria's honor and glory was betrayed by the greed of its nobles and its rightful heir is running a street gang, if you want to save victoria you have to decide what kind of "victoria" is worth saving to you. so in the victoria arc that doesn't suck these three parties are gonna have to actually talk about and contend with their inevitably clashing images and visions of victoria, and steam knight is gonna have to be a mandatory boss.

I also feel like manfred was fought too early for how much backstory weight he has to the babel gang and how long he sticks around after that. as if in ch10 they straight up didn't know yet that victoria arc was gonna end in being about babel, which might genuinely have been the case. so in the better victoria arc im making up in my head his bossfight is gonna get pushed back a few chapters.

like i'm thinking first victoria chapter you fight steam knight, it starts with meeting the self salvation corps and has you quickly throw everything on that gamble of getting siege the sword because both the glasgow gang and the corps buy enough into the idea of a past glorious victoria that can be brought back to try that only to have to face the decrepit husk of that glorious past in order to get it. siege can be passive in this one still, because her doing basically nothing is going to last only one chapter here instead of two and a half and it's going to serve a point.

so now you have the sword but both the gang and the corps are quite shaken about how they obtained it, and in the second chapter tensions between the three factions begin to rise when the obvious ideological disagreements about where to go next become impossible to postpone. you fight damazti here because the cluster is gonna be an awesome plot device for pushing mutual distrust and paranoia. honestly I don't even remember what the deal with damazti cluster was or what it was supposed to contribute so in the better victoria arc they do something about that too probably. and siege is forced to form actual opinions and say them out loud, and they're going to differ from what the rest of the glasgow gang is saying.

then by the third chapter you're able to sort out that internal conflict enough to finally muster the forces to fight manfred, this is probably where you get siege actually forming the exemplars and stuff, showing leadership and ideals and all that. i think allerdale can eat shit and so can the npc members of siege's gang so I'm cutting them out, we're putting all the focus on forcing these royal fake street punks from siege's posse and plain londinium factory workers from the self salvation corps to find common ideological ground. i like delphine though delphine can stay. there was a scene in one of these chapters with siege and amiya talking about their responsibility as figureheads that i liked (because it almost did something with siege) that i think would fit here, and it's an obvious chance to do something with clovisia too. like this is a good point to talk about more abstract ideas of leadership and turning people into figureheads and the way people will turn to a single person to save them, to start making it a bit more about theresa too. so here you get rhodes trying not to drag their feet because it's the part where it starts actually getting personal for them, materially because several members have a history with manfred but conceptually because there's an incoming shift of focus

defeating manfred marks rhodes island having to admit that they're very much in it for theresa and the sarkaz and their own personal history rather than just altruism towards "victoria", vague as that concept has become these past few chapters, so you get a somewhat more natural shift into the sanguinarch and the feranmut skeleton and finally theresa because we can sensibly compare the ideal and reality of the glorious war-torn homeland between victoria and kazdel, and the more abstract throughline of where the border between honoring the past and being dragged down by it lies. logistically the manfred fight would probably be in order to get out of the city and investigate the vampire shit so he'd serve as a kind of border between this being about victoria/londinium and this being about something beyond that in that way too.

and ch13 and 14 is when things finally started picking up so I don't think they actually need all that much tweaking beyond making it consistent with the things changed in the stuff before it. and probably cutting out some more characters. because the worst part really is that the focus was just all over the fucking place so just keeping the cast more manageable would do a lot. i think that teacher woman was interesting enough to be allowed to stay and that guy who killed himself in front of the sanguinarch was fun he can stay too. but i feel like the nightingale plotline might have to go.

[vamplvs]

TYPES OF KISSES

characters — bruce wayne, dick grayson, jason todd warnings — lots of fluff, a bit of swearing, and it gets a little suggestive in jason's notes — this is my first time back on tumblr in about a year or two so forgive me for any errors/organizational issues. also for the record i absolutely pictured battinson

BRUCE WAYNE. — trailing kisses

after a gala, bruce is always worn out. it's draining being in front of press and high society—if that's what gotham's equivalent of socialite extravagance can really be called—for hours on end. putting on a pretty smile, dancing around questions regarding the dark shadow looming over gotham's underbelly, and shaking hands with people he couldn't care less about. none of it is remotely interesting, and being trapped there for hours lest he face alfred's wrath is all the more frustrating.

"how was the night, b?" you speak softly as he sulks into your bedroom, his suit jacket long abandoned elsewhere in the manor.

he only hums in response.

"that bad, huh?" you put down your book and got up from the bed, smoothly making your way over to him. as you get closer, you catch the furrow of his brow and the dip of his frown. "c'mon, lets get to bed, yeah?"

"please." it's a quiet reply, low in the back of his throat.

you make quick work of his cufflinks and the buttons of his shirt, and in no time at all, he's in nothing more than a pair of briefs.

"why don't i go with you next time?" you pull him towards the bed, "i mean, i don't mind wrangling the public." in a swift motion, you fall onto the bed.

"i won't ask that of you."

"that's why i'm offering, baby," you smile up at him, motioning for him to lay down next to him. "if it'd ease your nerves, i would be happy to go with you." you press one kiss to his shoulder, then another just above that one until you reach the edge of his jaw.

bruce wraps a warm hand around you, pulling you closer to him, and you simply continue trailing kisses across his jaw, his cheeks, until just before you reach his lips.

"i would do just about anything if it meant making you happy."

"i know," he whispers at you, deep blue eyes staring intently into yours. a careful hand works its way to the back of your neck and pulls you into a kiss.

DICK GRAYSON. — silencing kisses

"ugh, he was just so-" you cut yourself off with a groan, scrubbing harder at the dishes in the sink. "i mean, seriously, who on earth does that?"

dick snickers behind you, a bemused smile dancing across his face.

"the nerve of some people! why would that question even cross your-" there's a clattering of dishes as one slipps out of your hand. "god dammit!"

"hey, c'mon," dick's hands are suddenly around your waist, "why don't we take a break?"

you turn to face him now, frustration painted on every plane of your face. "no, i need to finish the dishes, or they'll just sit-"

"we can finish them tomorrow," he says with an easy smile, and it's hard not to listen to his voice of reason when he looks at you that way. it's all soft eyes flitting across your face from your eyes to your lips.

"i know the way we are," you huff, "they'll never get done."

"i promise i'll help you tomorrow." he squeezes your waist reassuringly, pulling you towards him and away from the already doomed dream of finishing the dishes tonight.

"but you said you had to-"

"nope, i'm helping you with dishes now. that's the plan."

"but you're already behind on-"

he cuts you off with a kiss, slow and gentle. "i can worry about that tomorrow."

"you really shouldn't-"

he cuts you off yet again, a cheeky grin spreading on his face. "i can keep doing this all night if you really want me to."

"dick," you groaned, your head falling onto his shoulder. he only wrapped his arms around you tighter.

"i can tell when you're saying my name and when you're not, y'know," mirth lacing his words, and you can't help but crack a smile. "you're always telling me to take care of myself, so let me do that for you just this once, okay?"

JASON TODD. — breathless kisses

the adrenaline of the night is already starting to wear thin as you rounded a corner into a dark alley, jason trailing after you. laughter is in the air, and for the first time in a long time, a patrol feels like something more than a task to complete.

"careful, red, it looks like you're getting slow!" you call back to him, feet pounding across the pavement as you race forward towards the fire escape of the building ahead of you.

"oh, yeah?" he shouts in return, fighting to keep the smile out of his voice—even through the mask. he pushes himself forward, ignoring the burn in his legs from the exertion of the night. within a moment, he's past you, using a grapple to propel himself to the top of the building.

"that's cheating!" you scale the fire escape as quickly as you can, panting by the time you reach the top. jason is already a rooftop over by the time you get there, and it's a good thing you're faster on foot than he is—even if only just.

he simply laughs, continuing his dash to the safe house only a few blocks away. you manage to catch up to him, heart beating out of your chest as you both run in tandem, leaping over gaps between buildings and trying to trip each other up. it's only once you both run down yet another fire escape leading to the window of your shared apartment that jason pulls forward once and for all, a grin under his mask as he hears you groan behind him.

in one swift movement, he slides the window open and slips inside. once you get inside, jason already has his mask off and there's a smug smirk on his face.

"what was that about me getting slow?" his chest is still heaving.

you can't help but laugh. "only because you cheated!"

"no such thing in gotham, baby." he pulls you forward by the arm, pressing a short kiss to your lips.

you smile at him, rolling your eyes and still breathing heavily. jason's eyes flit between yours and your lips for no longer than a moment before he kisses you again.

between light, breathless kisses, his hands find themselves wrapped around your waist, and before you know it he has you both dropping onto the couch. your legs are spread over his lap, and you pull away for just a second, forehead pressed to his.

"as much as i love the whole body armor look, why don't we take all this off, yeah?" you murmur.

"i like the sound of that."

[cakepoppresent]

I'm Actually So Embarrassed for You

We love this energy

Transcript Under The Cut~

Judith: Sweetie how long will you let these horrible rumors continue?

Blair: I'm worried about you Hun, do you want me to handle it?

Judith: It's not good to let this fester! The worse it's going to get. I saw what happened with your brother. What’s your game plan?

Luna: I appreciate the concern but it will be handled in a few days. I’ve been busy with some personal matters

Blair: It seems very calculated do you think someone is behind it?

Luna: Yes. Just a simple minded loser who doesn’t know her place. Nothing serious

Judith: Nothing is ever simple about people in the entertainment industry dear.

Blair: This takes me back! I’ve had a few people try to smear my name all over the tabloids. Brayden handled it very quickly, and never heard from some of them again~

Judith: It’s much more satisfying doing it yourself. Even better when you watch them suffer the backlash and then blacklist them.

Blair: Well doing the dirty work yourself is also a good option. Is that your plan Hun?

Luna: It’s actually happening today. Consider this a small inconvenience during the shoot it won’t take too long

Judith: Oh! It’s been boring for a while so this would be fun to watch

Luna: She should be here soon. You’ll notice her once she walks in

Blair: Oh Dear, I think I see her now...

Judith: Oh wow...who put her in the awful outfit

Luna: I did

Luna: Akira was it?

Akito : Its Akito actually.

Luna: Your outfit is something. I wasn’t aware the theme today was “Little House on the Prairie”

Judith: I guess the poor thing didn't get the memo

Luna: A bitch? Such vulgar words. This isn’t my photoshoot I can’t control what outfit they put you in

Akito: I thought the “Miss Luna Villeral” was supposed to be a beloved sweetheart. I didn’t realize you were actually just a bitch

Akito: You must think I’m stupid

Luna: I think you’re a little slow but that’s okay

Luna: You should be focusing on that outfit you aren’t on theme sweetie. Your personal assistant seems lacking if she can’t handle something like this.

Judith: You know you can get anything if you open your legs and give a bit of money

Blair: I thought this shoot was meant for well-established actors. I’m not sure who you are sweetie

Luna: Oh My... Don’t mind them they have no filter. You won’t take offence, will you?

Akito: I was expecting a bit more from you. Highschool level bullying is below you

Luna: Your expectations mean nothing to me Akira. We have bigger things to focus on like that ugly outfit

Akito: Its Akito

Luna: Whoops

Akito: How I got here isn’t important but I’m here now. It would be wise to treat me with some respect

Luna: Respect? You?

Akito: Doesn’t matter how you treat me Im here to stay Luna

Luna: Is that right?

Luna: *Giggling* I’m so sorry but you make me laugh. Whatever you have against me means nothing. These games are pointless, I’m actually so embarrassed for you

Aikto: You should treat me with some more respect Luna. We’ll be seeing more of each other from now on

Luna: Hmm...I don’t think I will. Actually, your time is over here you should head back to the dressing room

Aikto: What did they say about the outfit

Yuki:...They said you could take it off but...they said we no longer need to stay

Aikto: Is that right?

Akito: This doesn’t matter, how's the opinion of her online?

Yuki: About that...

Akito: What?

Akito: This doesn’t matter, how's the opinion of her online?

Yuki: Chantel made a tweet apologizing about the interview with Luna that really turned people's opinions. The articles on SMZ have already been removed

Akito: Hah!

Yuki: Your father called. We need to head back to Mt. Korembi...he found out what we’ve been doing

Akito: Did he say anything else?

Yuki: We have until the end of the week or else he’s sending someone to get us

Akito:...Lets go

[sufferu]

Two things:

One of my main peeves is that you're accusing Subaru of "abusing" RBD, when in reality he's just using it to save the people he loves. Of course, if he was able to save others without using it, he would. What do you think then, should Subaru do when faced with the death of his loved ones?

That's also one of the reasons I asked you about Shirou Emiya from Fate. His brand of heroism can be summarized in two sentences "I want to save everyone I can see" and "As long as others can be saved, I don't care what happens to me" , both of which is always portrayed as a bad thing. But the idea is that, while the way he views it and applies it is wrong - the idea of saving others is what's beautiful, and that's what counts. How do you think this applies to the lens and themes of Re Zero, since you claim that the idea of self sacrifice is condemned in it?

I really don’t feel like it’s anywhere near a hot take to say that Re:Zero is anti-utilitarian or condemns the idea of self-sacrifice. I mean, so much of the story is about how Subaru relying on Return By Death would be a Very Bad Thing, and how him loving himself just as he loves other people is important. It’s like, the crux of his character arc. Saying “Subaru SHOULD be using RBD to save his loved ones, because the sacrifice of a single person is trumped by the sacrifice of many” is a valid position to take — a very utilitarian one, really — but it is not the position that the story is taking. And I very much like that about Re:Zero because 1) its narrative feels a lot kinder, frankly, and thus I tend to find it more cathartic, and 2) it is a very unique take within this genre of fiction. Most other stories within this genre don’t paint being a hero as a bad thing, or self-sacrifice as much other than noble. That’s the basic status quo here. And I actually don’t think that there’s anything wrong with being generic — those stories can still be fun — but I do appreciate that Re:Zero is taking a more unique angle on the question.

But more than that: different stories have different narrative angles. A lot of the time, you’re not going to get the same themes and messages from every story in a way that allows them to be easily transferred from one to the other. Sometimes they even respond to one another: while I’ve never watched Fate, I do know that Tappei took inspiration from Fate while creating Re:Zero — and because of that, I wouldn’t be shocked if he was making a counterargument to Fate’s idea of heroism through his own work. Anyway, Fate doing one thing doesn’t mean Re:Zero isn’t doing another. And I quite like what Re:Zero is doing here, so I tend to try and adhere to its themes within my own fanfic writing.

(Also, secret third reason: I think the attitude that Re:Zero takes here is a lot more respectful to the reality of suicide and self-harm. Like — those concepts aren’t really all that abstract to some of us, lol, and a huge part of the reason I was drawn to Re:Zero was its handling of that subject matter. Return By Death not only necessarily involves the subjects of both self-harm and suicide: it straight up invites the comparison to the real-life issue on several occasions. This is just a reality of the work. If it were to turn around and turn those very personal topics into a generic fantasy story — if it had done that from the start I might have been able to roll my eyes and take it as a generic edgy power fantasy or w/e, but if it started doing that NOW, after several arcs of treating them with a genuine amount of care, I would very likely throw the book at the wall and storm off to never come back.)

[thelindenpapers]

See, you know it's an OC that will stick with you when they wind up requiring their own AUs to explore options. ^^; ....

To continue on her original track tho:

Ms. Carayiinedahtt Clover Violet Birchthorn, Post-Academy:

∆ Mind 20 (+1), Maneuver 20, Magic 12 (+1), Matter 4 (+3), Magnetism 4, Mettle 4 (+1), Mark 8, Melee 10

∆ Motive: Creation.

[Creating things for herself. Creating things for others. Creating things WITH others.

With the intention to self-express, to help others express, to pursue improvement of skill, and to make life better in general.]

∆ An aside: (You know, it occurs to me that, the way that Evan's roughness and intensity when he is angered doesn't phase Clover, is totally natural, given what her uncle is like. 🤷🏾‍♀️

Her uncle isn't evil.

He wasn't ever cruel to her or to her mother….in fact, most of the time he was ever around, he was boisterous. Enthusiastic. Loud. Even, jolly.

…Yet her uncle was a biker, and simply was NOT one to mince words, or actions. 😅 Ever, At all.

ESPECIALLY if someone pissed him off.

So, it's a habit Clover both recognizes; and, at very rare times, shares… tho her style of that energy is usually in a huffier, more indignant way.

As long as that energy is aimed at the right people (i.e., those trying to do harm), it doesn't bug her….

Guess that's one reason why she would feel kinship with Evan in the first place. )

Anyway...

∆ 🤯 During these past 3 years, Clover has shot UP.

As if, before finding magic and people other than her mother who cared even a little, she stayed small in a bid to hide.

Now, Clover's a foot taller, broad, and round bellied… she's turned into a big, beautiful, bear of a woman….

A poised, well-dressed sort of bear. 😤👏🏾✨

Someone akin to these women:

By which I mean that she wears her big, beautiful, bearness exceedingly well. n_n

∆ Main Outfit these days: a handmade, full-skirted, pale sunshine-yellow vintage fit-and-flare sleeveless dress, with ruching that wraps to one cloth-buttoned side, resulting in a v-neck shape that shows off her cleavage…

And of course it has pockets! :3 With delicate embroidered silver flourishes at the pocket openings.

~ Her cloud of soft, gorgeous black afro has grown out twice its size. 😳✨☁️

She'll do her hair up in a veritable sculpture of braids or twists on special occasions…but daily? She'll usually free-form it with small clusters of flowers at the temples, pull it up into a giant puff to adorn with pretty hairclips, or, sweep it backwards with a width of artfully-arranged headscarves, on most days. All depending on mood, time constraints, and the look she's going for.

~ Clover has hung up her uncle's motorcycle jacket on the living room wall, and gotten her own: cropped and properly hemmed and belted, with a handsewn assortment of patches on the back.

It has a crow-sized, quilt-lined leather pouch sewn onto the upper arm, that her feral crow-familiar, Antares(Ann), can crawl into and ride or nap in.

~ Set of leather rings.

~ Steel-toe construction boots embellished with various strips of leather

~ Not much make-up on (she never did manage to learn the finer points 😅), but her lips are usually painted two different colors.

~ One leaf-y, script "embroidery" tattoo on her right forearm says, 'On the Clock'. The other on her left forearm says, 'Off the Clock'.

~ If she has a big backpack or tote with her these days, it usually has a kind of leather holster or strap sewn onto it for her book. There's entirely too much to do, to constantly have it in her arms anymore!

∆ Clover graduates, but doesn't stick around Gowpenny after all.

The library is still dear to her…but staying would make her feel like she's standing still, now that she's grown.

( I think she would have wanted to ask Evan to come home with her, but she kind of gets the feeling he wouldn't. )

So she returns home with Antares.

∆ Ms. Birchthorn starts a tailoring/clothes-designing business on Etsy. With the help of her magic, it grows and expands into her 'company', "Birchtree Offerings".

(Doesn't matter if the clients are homeless or rich, whatever: Clothing, boxes, accessories, are always presented with an accompanying foil card with the Birchtree logo, saying, "May these garments serve you well. We hope that you remember that you are worth every stitch.")

~ She accepts all kinds of work, but she specializes in clothes for fat folks, and in adaptive clothing. Usually all made-to-measure, even if it's not a one-off piece.

~ She also does pro bono work for people who simply can't afford it.

~ Ms. Birchthorn eventually rents out a workspace with about 20 workers: 2 techies, 2 administrators, 1 people person, 1 receptionist, 2 shipping, 12 seamsters, whom she treats EXTREMELY well.

She designs the bulk of the main, continuing designs, and then does her special one-offs.

The seamsters mainly do cut and pin of the main designs, and then have their own projects.

As far as her own work and her share of main assembly -- with magic acting as her second and third pair of disembodied hands -- the sewing, embroidering, and detailing flies right by!

~ Each seamster is given their own page on the website, and, if there is a design that they exclusively made, it is featured on their page to credit and highlight their work.

Each piece that is their design has an additional little label with their name on it (Birchtree Offerings: Dakari. Birchtree Offerings: Magdalena. Birchtree Offerings: Chanchal. Birchtree Offerings: Layne, Etc.)

~ …. Clover's. Not great. At being around people. ^^;

She's not a coach, like Jammer. Or magnetic and sparkling, like Sam is. Or as responsive as K…

But, they DO all relate unequivocally on things that count for their work: their social/political values, their passion and sense of fun and exploration in clothes making, their dedication to improving service, and their dedication to providing that service to everyone, rather than to a privileged few.

So, while they're not besties with her, they do all get along quite well, get really excited on collabs, and rejoice on their well-earned wins!

A very results-oriented group who can trust in each other and in their intentions, and who believe in each other's own unique sense of presentation and style, who get hyped up over many of the same things….

It seems plenty enough.

∆ Ms. Birchthorn remains aloof to the rest of world.

Still written-word centered, Clover releases statements and blog posts through her website occasionally, but eschews the spotlight: highlighting above all else the designs, the materials, the careful practices and sourcing, the services being offered, and the initiatives to reach more of those in need.

∆ …It goes well and good until magic starts falling apart.

Any new slowness Clover writes off to others as the onset of mild early-onset arthritis…

But she's made a good enough start, and has saved up enough that she's able to more or less sustain current levels of production, without much in the way of excess profits…

She lives frugally, takes it easy on the intake of orders, and doesn't re-hire to replace the three seamsters who start their own businesses or move elsewhere. ^^; .-. (She doesn't have much choice else, if she wants to keep the level of benefits and pay as they are, and yet not cut corners.)

∆ As usual bullying the bullies: Clover does NO work for anyone she thinks doesn't deserve it.

Ms. Birchthorn is (otherwise) insistent that "fashion is for everyone" and that tearing someone down for their personal style is nonsense.

There's room for it all!

Speed-walking by with a basket of pins carrying a GORGEOUS three piece Nigerian-punk-fusion formal suit in colors she absolutely would not have chosen for herself, "I don't go about 'yukking people's yum': I create yum. Now, hold out your arm."

∆ Current priority orders being worked on:

3 IMMACULATE business suits to send to a homeless shelter, pro bono

1 incredible haute couture birthday dress, extremely expensive

10 beautiful bridesmaid's dresses, moderately-priced, going to somewhere in Australia

1 vintage dress with petticoats and custom-decorated shoes for Carolynna, an elderly woman from her writing workshop: a gift

8 identical black stealth outfits w/masks for a black bloc group in Brooklyn, pro bono

1 beautiful, futuristic-looking wedding dress with hidden snaps to help accommodate the (astronomy-fixated) bride's disability, going to somewhere in Montana, pro bono

1 impressive, Victorian-style men's suit with corset, very expensive, to an elderly tailor from her online workshop, named Enzo, somewhere in Brazil: he refused it as a gift, he's paid for it plus a sizeable tip

∆ If called upon by The Misfits, Clover's happy to help.

She arrives at the island on her broom, riding side-saddle: large handmade leather rectangle tote on one shoulder along with Antares; umbrella in hand, keeping off the rain.

∆ *Slogging through physical therapy*

∆ *Figure I'll try Misfits and Magic from the beginning, see what the fuss is all about*

∆ Ohh yay, with Lou Wilsooon!!! 🥳😃

∆ *As usual, an OC shows up* Carayiinedahtt (Ka-rai-EE-neh-daht) Clover Violet Birchthorn: Brains 20, Flight 12, Grit 10, Brawn 8, Charm 6, Fight 4

∆ Just say "Clover". Or "Violet". It hardly matters.

∆ 16. She/Her/Hers. Chubby, short, brown-skinned, big-eyed, perpetually-frowning, victorian-esque aura'ed, mostly silent little freak

∆ Constantly clutching a gigantic hardcover book to her chest and staring over top of it

∆ Big fluffy black Afro kept neatly back with a strip of pale-green brocade fabric.

Wearing vintage-esque, handmade, pale-green fit&flare dress, her missing biker uncle's beat-up black leather retro motorcycle jacket, black steel toe construction boots, and a big emerald green backpack

∆ This is basically that feral AF kid who walks blindingly fast down the hallways, never talks to anyone, and refuses to use her locker ever -- she just carries everything no matter how fucking heavy wtf

∆ *Best friend/Mom took sick with a type of illness-induced dementia when she was 10, and was put in a home....Uncle is nice enough, but he's in and out of the apartment unpredictably, never know when or if he's gonna be around*

∆ *tended only to interact with elderly people on writing workshop or seamstressing/tailoring forums*

∆ *Forged uncle's signature on wizarding school application*

∆ She came for the books.

She really only cares about books, she gave up on people a loooonnnnggggg time ago ...but boy, if the library here is how she dreams it might be?....SHE WILL NEVER LEAVE

∆ ZERO compunction telling the trio, "Go away, you suck. 😬😐" ....impatient because, ultimately, they're wasting her reading time and precious seconds of her attention span on being mean for no reason. Dolts. If you're going to waste time at least be friendly or interesting or helpful or fun or else what's the damned point?

∆ *intense, rude crow familiar with one wandering eye who side-eyes everyone just as much as she does*

∆ *glad about the sorting*

∆ *Does giggle with child-like delight at the sapient cauldron and is in deeply respectful awe of the nature teacher*

∆ Me: "Huh. Okay. ...Well I guess she'll get along with Jammer the most? He's the most encouraging among them....or maybe she'll see Sam Black as a big sister? ....🤔 At any rate, those two will probably be the ones to pry her out of that welded-closed shell...."

∆ NOPE.

∆ *watch her eyes get even bigger and sparkly whenever Evan talks knowledge/trivia*

∆ *watch her face cycle through indignant anger and sadness at Evan's struggles*

∆ *starts shadowing behind him and glaring at anyone who looks at him sideways, FIERCELY protective*

∆ *finally hugs Evan, clingy -- like a little kid with a trusted parent in uncertain company*

∆ *sees Dream get kinda' jealous*

∆ *Shadows and gets really close to Dream and looks up and points and goes, "🤨That's my big brother. He's really tall...Did you want to be his girlfriend?🤔 He knows a LOT of stuff; and he seems like he's at least TRYING, which most people don't even bother to do...I can give you some space.", just staring unblinking with her big victorian-orphan eyes*

∆ *I choke on my coffee 💀💀💀*

<3 frfrfr

[stevethehairington]

MOBY DICK MAY HAVE BEAT THE BOAT BUT I FUCKIN BEAT MOBY DICK JFC LONGEST BOOK EVER

[sonknuxadow]

my honest reaction

[zalder]

Doing the right thing was always harder than doing the easy thing. That was why so many people so many people struggled with it. It was a weakness that even Zarah didn’t know that she was immune from. At the end of end of the day, she was human and even she could have impulses that were less than generous from time to time. “It’s easy to say what you would do when you’re not in the situation to have that choice,” she could admit. “I like to think that I could resist the power and do the right thing. Intellectually, it’s what I’d want to do but then there is this other side of me – a darker side of me that would literally make the worst choices.” That was where she hoped that there would be people in her life who would bring her to her senses and encourage her better angels to win. “What is meant to happen is supposed to happen and maybe it still would but if you could do something to interrupt someone’s worst day, wouldn’t any sane person give it a go?” After all it was all theory based on fictional technology and so none of it really mattered at the end of the day.

Zarah was very much an action sort of person. She could plan when it was necessary, knew how to put things together in a cohesive way. In her day to day, she simply took action when an idea came to her. She didn’t allow herself to get too bogged down with worrying about the aftermath – especially when it came to things that there wasn’t any real chance of long term consequences. It probably helped that in general she wasn’t afraid to do thing on her own. It was great when she could pull someone else in but if they didn’t she wasn’t going to let that stop her if she felt strongly enough about it. That didn’t mean, she believed in inviting herself in on things, even with people she generally thought liked her. “Do random roadside attractions have employees?” she couldn’t help but ask. She assumed if there was a museum or a whole town built around the landmark it seemed likely but if it was more like a random art exhibit on the side of the road it was probably less likely. “It would be pretty disappointing if you ended up somewhere alone and no one to take the photos but exceptionally long arms work as good as a selfie stick.” Honestly, the trips without pictures could be just as much fun if it meant getting to fully immerse in the experience without technology getting in the way. “The savings book idea would fail me. I’d end up borrowing from it every time someone invites me out. I’m much better taking it to a saving account I have to pretty much leave alone.”

There were pros and cons of not immediately heading to college after high school. It had taken her some time to really make that decision to get back into it. She’d never really had that dorm experience and a lot of the people in her classes were younger, not that she was exactly old but she had a few more years of life experience in comparison to some of them. She felt like having her own place, having a full time job and trying to balance the classes at night as an adult was easier than it would have been if she’d pursued it when she was eighteen or nineteen in comparison now. That didn’t mean it didn’t have its complications. For now, she was content to have a bit of a break before the next semester really kicked in. “I’m sure one of them will step up,” she said with a nod. They seemed nice enough and if they didn’t step up, surely someone that he worked with would be willing to help for a good cause. There wasn’t any cause as good as a road trip. “If they don’t, we’ll figure it out. I’m pretty good at rolling with the punches.” She allowed herself another sup of her drink. “Hopefully, he’s not home freaking out about fireworks. Marmalade hates them. I had to dose him a bit before I left the apartment.”

elias smiles, nodding a bit, “you’re not wrong there. it would be so tempting to use that power to visit old memories, or create new ones with your vision versus how they are intended to be created, but the right thing to do would be to use it for some actual good in the world. to make some difference that will affect the lives of millions in a positive way.” he wondered about the possibilities, what he would do. mostly he wondered if he would have the strength to use that power for actual good and not selfish reasons like the ones he stated. he would like to think he would use it for good, but there was no way for him to truly know. “change wouldn’t be too bad in the world. i know they say that people are supposed to die without interruption, but does the same go for blessing the less fortunate? i guess it would, huh?” he tried not to over think it because it’s not like they really had a time turner, tardis, or delorean of any sort of way to go back to the past. but still one did have to wonder.

most of the time when elias was planning future plans, unless they were revolving around someone’s birthday party or something else important, chances were eli was simply just planning. he had wanted to do this type of road trip for some time but had never had anyone who seemed interested in it, and he felt bad asking people to join him. but he was starting to feel like life was passing him by, everyone else seemed to be forming the memories he wished to form too, and he was tired of sitting on the sidelines. at least, in terms of traveling. “i assume they do too. in my head i just picture a very excited employee with a camera hanging around their neck just ready to snap the first picture they can. blinding you with a flash before you even get to step one foot in the actual place. if not, i guess i should invest in a good selfie stick. even if i have a good road trip partner i would feel bad making them my personal photographer, and i would them in the pictures too.” then he could create a nice scrap book of memories, the idea made him smile a bit more. “i will also invest in one of those savings books, you know? the kind that like start at a dollar or something and keep adding on until a certain amount? apparently it’s actually a very helpful tool, if you’re responsible enough. we can definitely make it happen.”

“oh, i bet.” even though he has been out of college for some time he can still remember the mountain of homework and reading he had to do during the semester. and during finals week or midterms? forget about it. he would be buried in a sea of books just reading things ranging from how to properly help a cow give birth all the way to assisting with a delicate surgery. by the end of it all, it was a miracle anything stuck. his smile softens when she says she’s glad for his support, it made him feel good to know he could support the dreams of his friends in one way or another. he grins at her night driving comment, playfully replying, “whaaat. no, of course not.” now summer 2025 had officially gotten exciting and his mind buzzed with all the places they could visit. “i’ll have to check in with my roommates to see if they would mind taking care of mochi while we go off on our adventures. i don’t think mochi would be up for any alien body snatching either, though i have not yet had this type of conversation with him. maybe i should do that tonight and give him the option.” he looks over to her, “just in case he gives me the meow of approval, how do you feel about traveling with a cat? he’s mostly calm, but he does get randomly affectionate and suddenly needs all the head scratches in the world.”

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[hauntingblue]

Stampede aka another episode of luffy turning haters into dick riders just with his kind and big heart

[gwensy]

sorry for reblogging fugly trends from 2012 it's for my enrichment

[widevibratobitch]

omw to play emotional support for my mom disguised as ✨fun family bonding time✨ for the rest of the week <3333 there's something so deeply wrong with me uwu teehee