#hyperfixations: both a blessing and a curse

[dallydaydream]

I've kinda been making eyes at my relatively unplayed copy of Sun Haven, but the thing is I'm closer to perfection in my current Stardew Valley save than I've ever been before and I just know if I switch to a different game now I won't come back to this file and I will start over from the beginning again next time I play.

[vixendoesstuff]

Fuck it, I'm embracing the cringe

Trolls AU where everything is relatively the same except Branch is a Techno Troll, purely for the reason that those guys are my favs out of the tribes and nothing else

Like maybe his egg somehow washed up to the Troll Tree from some event I haven't made up yet, and he's found by maybe John Dory or Grandma Rosiepuff and was brought into the family

Same thing happened after he's hatched, he got into BroZone as the weird looking but funky Troll baby Bitty B, the thing happened, the band broke up, leaving Branch alone with his grandma

Then she got eaten (cue the meme)

Poor Branch then turned grey due to the trauma he went through, like

More or less he looks like this for 20 years, with the addition of his pixel heart being split in two for added angst

Same thing happened as in canon afterwards; Branch is the village grouch and self imposed exile, except maybe his treatment is sort of worse here 'cause he's not like the others. Evidence, he has fins for legs, fins for ears, his hair can't stretch like all Pop Trolls can, and just generally the "don't sing or dance or hug" thing. Hence, he's a bit more bitter and more towards the village and more willing to lash out more than he did in canon (or atleast what we're shown on screen anyway)

I don't think his poor treatment would go too far since I see King Peppy sort of protecting Branch as best he can by redirecting the villagers' anger away from him. Maybe due to him thinking his treatment from the civillians were too cruel, or it's 'cause he knows Branch is a Techno Troll and felt bad for suffering this fate from the other Pop Trolls and being separated from his own people, so he did his best to accomodate Branch (doubtful, but no one is perfect I guess)

(Will Peppy tell Branch the truth about him, though? Lol, hell no, he's too much of a wuss to do that)

So I guess in a way, he's more or less on good terms with King Peppy, but not enough for him to consider him a friend or anything. Branch just trust Peppy's judgement a bit more than in canon (still think he's an idiot, though)

But anyway, same thing happened, Poppy hosts the biggest and loudest party ever and got raided by the Chef Bergen, Poppy and Branch sets out to Bergen Town to rescue the kidnapped Trolls, set Bridget up to a date with the king, Branch explains his sad backstory, Creek betrays them and got the whole village snatched up, they all lost their colours, Poppy and Branch sings True Colours to get their colours back and subsequently got Branch's colours back (which I'll make a drawing referencr later 'cause I'm still debating on what he'll look like), and they sang to the Bergens to make everything sunshine and rainbows, The End

So yeah it's all the same with the added edition of Branch being a Techno Troll. Other than gags and jokes about him being different and a sprinkle of added stuff to his lore on why he's different, nothing really changes

But when World Tour happens

Oh boy

[misc-obeyme]

Well I have something I wanna post, but I can’t. I wrote it on my laptop which currently does not have internet access. Because my internet has been down all day & my internet provider’s app says it’ll be back in “24 hrs” which could be a while lol.

I’m just annoyed because I spent a lot of time on this particular post & now I can’t post it! Hopefully the internet will be back soon or at least tomorrow.

In the meantime my phone data is working but it’s slooooow. So I’m gonna work on more writing probably since I can do that without wifi. I was going to update my pinned post but I guess that’ll have to wait. I did update something in my masterlist before the internet went down but I don’t think anyone has noticed… which was intentional but now I’m exposing myself by mentioning it lol.

Anyway I’m thinking about MCs again so if you’ve been thinking about sharing your MC with me but haven’t yet, here is your sign to do so! (Though if you have already & you want to give me more info I am always down for that too.) (This also goes for OCs of course.)

[ourg0dsal]

PSA DO NOT RUSH THROUGH BALDUR'S GATE 3.

And I say this in a weird in between of feeling like a newcomer to the game (because I am, I've only had the game for like 2 weeks) but also someone who has just got to Act three and has 66hrs in the game. (I hyperfixate HARD)

But my point is, because of said Hyperfixation, I rushed through most of the game so far, especially Act 1. On hopes of getting more of the main story which seemed to be given to me in such little quantities.

Rushing caused me to lose out on starting a romance wirh Karlach (and not realize I'd lost out on her romance until Act 3 and finally looked it up) and I somehow passed right over ever recruiting Lae'zel. And that's only the tip of iceberg of shit I missed/ ruined.

And so now... so deep into the game. I must consider starting over to experience it more fully. Or finish the run I'm on now having really only gotten, maybe half the experience.

[confettiinred]

something about these audric and grim pieces make me feel so ?? at ease ?? I CAN’T FUCKING EXPLAIN IT BUT AUUFJDHFJGJFJ,,, I LITERALLY MADENTHE FIRST ONE MY WALLPAPER AS SOON AS I SAW IT AND IT’S SO . 😢😢😢 do NAWWTTT PERCEIVE ME!!!!!!!

[longstoryshqrt]

how do people do it without hyperfixating over things? how does it feel to be gods favorite

[pixelation-is-real]

Guys my Giratina brainrot is worsening

[diabeticgirl4]

Me when I'm hyperfixated on a fanfic: this has 110% of my focus rn and I can't do anything that's not reading this fic. Time has lost all meaning.

Me when I'm not hyperfixated on a fanfic: I have zero focus on anything and I can't do anything about it. Time has lost all meaning.

[jinxisgaming]

...Help..I fell into the honkai star rail hole..I can't my way out

[starmaker-astral]

I have 100 TBR fic in by reading journal and around 30 on my phone screen

But I don't read that much because cant find the motivation + english isn't my native language

But I still write down any fics I see 💀💀💀

Out of curiosity, how long is your AO3 Marked for later list?

Mine is 481 works (eg 24 pages + 1). 99% of it is GO.

It is not shrinking, and believe me, that us not because of my lack of trying. Im just greedy and need to mark down any potentialy interesting fic I stumble upon.

And Im not slowing down with time... Just sleeping less 😅

[raven-at-the-writing-desk]

Hello! I am SO hyperfixated on the fact that the overblot form CAN be controlled??? That’s the case with Malleus isn’t it? And I guess on one hand I can see how Idia can control it too because of his “curse/blessing” (and sheer will and spite).

Maybe this is foreshadowing that maybe it’s possible for the other OB boys to do so as well???? I don’t know how it’ll work with them but I’m so excited. Overblot cards potential AAAH

I’d love to hear more of your thoughts on this!

[Referencing this post!}

Yeah, I definitely think that OB Idia battle segment opens the floodgates for potential SSR Overblot Troublemaker(s) cards 💀 (RIP to the OB gang fans)

As a refresher for everyone (since it has been a while), alllllll the way back in book 1, Crowley and Cater describe “overblot” as thus: “[… being] overcome by negative energy and[…] losing control of [one’s] magic and emotions,” and “evil berserk mode”.

We’ve seen many examples of these traits in the main story campaign; oftentimes, the OB boy in question is impossible to reason with and has to be subdued via battle. However, it’s important to note that while the OBs may be primarily driven by their emotions, it is not purely rage but rather negative feelings in general. Yes, many OBs (Riddle, Leona, Azul, Vil, etc.) do attack others—but other OBs demonstrate moments of calm (ie when their demands are met). For example, Jamil is tame when he believes he has banished Kalim, secured hypnotized Scarabia mobs, and reigns over the dorm as its new leader. I do believe anger is still a large component of the behavior of one who has overblotted though; that rage most certainly clouds a person’s judgment and compels them to strike out at the slightest thing.

Now, about the idea of “controlling” OBs… I don’t that that can actually be done?? We have to remember that Malleus is a VERY powerful mage—and this alone could give him an “edge” that others don’t when it comes to being fully aware while in OB (though I believe both Malleus and Vil indicate early on they notice their blot building). As Idia’s dad states, Malleus is drawing his magic from nature itself and therefore has a limitless supply it. Secondly, I wouldn’t call Malleus’s OB “controlling” it to begin with. It’s clear that he’s still running high on emotions and is unwilling to hear others out or have them interfere with his plans. These are still traits associated with OB; it’s not as though Malleus is “overriding” the unreasonable thoughts, he is still ruled by them and acts on them. I think what you (maybe?) mean is that Malleus has a much more calculating approach and more precise control over how he wields his power rather than indiscriminately smashing stuff in his path. This, again, could do with his insane power level compared to his peers. Unlike most other OBs, his goal (at least in his own framing) before he overblotted to begin with wasn’t to “take away”, but rather to “gift” happy endings to everyone. This sets him apart just based on interests alone, and that’s perhaps why he acts the most different in the lot.

Now let’s consider the circumstances under which Idia OBs a second time: it’s in a dream, meaning it’s questionable whether or not this would transfer over to real life. Because it’s Idia’s dream, he has more autonomy in it, particularly because he is now “awake”/conscious of the fact that it is a dream. Secondly, Idia bears the Shroud family’s curse/blessing, which allows him to “power up” the more blot is present, as it serves as fuel for his magic. This alone makes him a “special case” which could explain the unusual amount of control he exerts over his OB form. (Again though, I’d wager it’s mostly the dream environment.)

I do see maybe the other OB boys doing a similar “oh, lemme OB to help you guys fight” in a dream situation where there are fewer limits on what they can do, but not in a real world setting. It would put them all at risk anyway, as they lack Idia’s curse/blessing or Malleus’s fae powers. Is that worth the risk, knowing they could all die or potentially turn on their classmates?

I just don’t see OB becoming a “tool” or a magical girl transformation the characters could pull out for combat purposes in the story (though this is possible for like the gameplay outside of the story). I highly doubt OB is like something you could train yourself to control; it’s less like bulking up at the gym and more like pushing yourself to keep exercising while you’re high on adrenaline… Sooner or later, you’d burn out and injure yourself in that overexertion.

If there ever are OB cards, I can easily see them as being the type that don’t come with vignettes because… what reasonable story could you conjure up to explain the OBing again? If there are vignettes, then they most likely won’t fit into the main story canon. You’d have to frame the OB cards as “within the moment” of whatever book they OB’d in, and perhaps go more in-depth about the trauma or something along those lines.

[spicymotte]

How fandom culture killed my creativity

hi. I have some thoughts about my time in a huge fandom and how it changed me:

First of all, I would like to say that these are my personal experiences in a large anime fandom. I have made very good friends with whom I am still in contact today - and I was exposed to a kind of brain rot that has changed the way I deal with art forever. However, this does not apply to every fandom/every person.

this - essay? - is way longer than I thought it would be. More under the cut:

In 2020, after a long break, I was able to get excited about One Piece again. Until then, I had always considered art important to me and I had never been able to do it professionally. (maybe someday...!)

The One Piece fandom is huge. There are now over 1000 manga chapters and anime episodes, which is gigantic; and the fandom itself is just as huge: millions of fans love this manga/anime and exchange ideas about it on the internet. I was previously very limited to tumblr, but then I ventured into OPtwt, the One Piece community on Twitter. There is a lot of fan art, fan fiction and small cliques that like the same character. There is something for everyone. It was great! I had a hyperfixation phase on OP before, in 2017. Now it came back - so violently that I realized very quickly that I could hardly think of anything else but One Piece.

Hyperfixations involve two major factors: an intense obsession with a character (or theme/media/whatever), which often brings with it a bottomless well of inspiration and motivation for artists – and a strange influence on brain chemistry. Neurodivergent people are prone to difficulties with the release of happiness and rewarding hormones anyway, and even though I am in no way qualified to make grand statements, as a person living with AuDHD, hyperfixations are both a blessing and a curse.

Often, the neurodivergent niches in the fandom communities are very lively. On extremely interactive social media like Twitter, TikTok and Instagram, you are flooded with posts of fan art, discussions and also escalation. It quickly becomes stressful for the brain to keep up with it - especially if you manage to accumulate a large number of followers. (also a blessing and a curse!)

I started posting fanart and OC x canon in 2020. I spent most of the last three years on Twitter and I have to say that it set me back in some ways. At first, I was slow to get to know people through fanart, but then I got to know people very quickly: fellow artists that I am still good friends with today and, unfortunately, people who have also succumbed to an incredible, destructive brainrot. I had chosen a character (or rather, my brain did) who plays almost no role in One Piece. All the better, so I pretty much had him to myself and I could do whatever I wanted. The OC x canon community is generally very friendly and respectful, so I found quite a few people who liked what I drew. Cool!

And then it started. With fanart and a small fan club for my OCs, I got more followers and more likes. More retweets and comments, more notifications. The algorithm started to like me and the growth increased steadily. My fandom (OP) account grew, as did my reach.

I checked Twitter more and more. Every free second I took my smartphone in my hand and checked my notifications. I reloaded the page until I had a new notification. I repeated this on Instagram and tumblr. Sometimes I catch myself doing it today, even though I haven't been active in this fandom for over a year!

Likes were good, retweets better. Every notification of an interaction with my art was a push on the feel-good button in my brain. It's very addictive, even if I talked myself out of it at first. The pandemic was at its peak and the internet was the only way to meet friends anyway. All this shit was fast food for my brain.

Then I started drawing fanarts, even though I didn't feel like it. But the likes had to come from somewhere, didn't they? I drew favorites from manga, characters that I didn't even like that much myself. But they were popular, so that promised likes and reach! Every single day, really every day, I drew fanarts. I was disappointed with myself if I didn't.

As of today, my two One Piece art folders have 80GB of data in it! what the fuck!! That's not normal!

I learned a lot during that time and was able to develop my art. I was able to participate in projects, to draw for several zines and also had a lot of fun – but I treated it like a job. Making fan art your job is very difficult – and has a lot of consequences. If you run a merch shop (as I did for a short time), you always have to follow the hype and draw what's in style. You switch fandoms because the hype has just burned out and the next new thing is already in style. If you're one of the first to offer keychains and stickers - or plushies - you make the big money. That brings profit, but in my opinion you can very quickly step on the wrong foot in this jumping around and slip into burnout. (Or stagnate to such an extent that you lose all motivation to refine your artistic skills and become better at your craft.)

I see friends of mine, many of them, who are trying to live off of fandom merch. They all have one thing in common: their skills in art have remained absolutely the same over the past few years or have even declined. If you have to churn out a new batch of merchandise every week, you have to cut corners. There is no time for experiments and crazy studies when you can hardly live and have to produce merch/fan art that sells 100% well.

I don't mean to offend anyone - it's just that I've been thinking a lot about my own setbacks as an artist since I've been dealing with them so intimately. And I've definitely made some setbacks!

In 2021-2023, fandom life continued and got worse and worse. Checking my smartphone, drawing something every day to post it - just so that the algorithm doesn't sort me out. Posting daily is the number one rule on all Social Media, unfortunately. But I did it, no matter how burned out I felt.

And then there were the dramas on Twitter: internet puritans, antis and proshippers were screaming at each other and tearing each other to shreds (a trap I almost fell into myself! anti and pro are the biggest bullshit ever and I'm lucky enough to have reached a point where I can say: I don't give a shit lol). Callout posts, vague tweeting and aggression instead of simply blocking and moving on. Harassment that I myself experienced: I blocked a few people because I found them strange and unpleasant. They posted explicit things that I did not want to see on my timeline. This triggered a wave of harassment that was simply disgusting. These are people who hate their own lives so much that they can't do anything but feel miserable and stalk strangers online. Admittedly, this made me paranoid: a group of people had chosen me as a target. They passed around screenshots of many of my tweets and made fun of me, copying and stealing my art 1:1. They lied and cheated to make me look like an asshole – and this went on for years. It made me paranoid and was the first step away from fandoms, as it escalated more and more.

So, I was successfully bullied out of the fandom and my hyperfixation was over. It left a terrible void that I am still trying to fill today. Neurodivergence sucks, I'll tell you.

That's when I honestly asked myself for the first time: What the fuck am I doing here? When did I become a content machine for strangers on the internet? Why the hell do I feel so bad when I don't draw for a day? And why do I care what strangers think about me?!

Then I realized that I can't draw anymore.

Without references or the 3D models from Clip Studio Paint, I'm lost. When I try to draw something without any help, I sit in front of an empty canvas. My hands don't do what they're supposed to do and my brain blocks the thought of how drawing even works. My eyes only see the mistakes I make. Everything I draw looks bad to me.

I realized I have a problem.

So I try again and learn it all again from scratch: Anatomy, perspective, color theory, everything. But every time I sit down and try to put something on paper, there's nothing there. I've been drawing things every day for the last four years. Now my hyperfixation on this character and this manga is over and there's nothing left. I've been burning the candle at both ends and I've broken something in the process. Art is no longer something I enjoy. I need art to live and breathe, no doubt, but… the barrel now has a bottom again and it's empty to the last drop.

The little motivation I can muster goes into my webcomic, which is my everything. It's just mine, not a fandom. I feel honored that so many people read this comic. At the same time, I'm afraid that it's not enough; in my eyes, my art doesn't look good. Being surrounded by perfect illustrations on social media all day long distorts one's own perception of art, like the beauty industry that gives you body dysmorphia. On top of that, I haven't had any financial success with my comics in recent years, none at all. The dream of being an independent comic artist has receded so far into the distance that I can no longer see it. Bummer.

The constant stream of content that I gave during my fandom days has set me back incredibly. I can no longer enjoy the process of art, but my brain constantly pushes me to finish it, to have a finished product - because then I can post the drawing and get the virtual handshake that my weird brain likes so much.

Social media detox, of course, is the first thing that comes to mind. It's actually bullshit that we're all so addicted to these apps, but here we are. It's uncomfortable for me to admit, but I have hardly any friends in real life. I'm very introverted and many people find my autism very unpleasant (I can't blame them, I often come across as rude), so I only have 1-2 friends. I would like to have more friends, but maintaining social contact is terribly exhausting. It's hard enough to reply to my mutuals in the DMs (sorryyyyy if I forget sometimes………).

And what if I just take a break for a while and don't draw so much? Recharge my batteries? Right now I'm taking a 6-week break, partly because my jaw surgery is coming up soon. I'll be sick anyway, so why not put the webcomic on hiatus and take a break for a while? I don't know if it will work out, but I have a hunch that it won't, because I always have the fast-paced internet in the back of my mind. How can I be a freelancer if I don't do fanart? How can I make money with it to help my partner, who is currently financing our lives, financially? How can I, as a disabled person, find a job that I can do and at the same time build my career as an artist? As an independent comic artist, I have to do the job of so many people (artist, author, manager, taxes, work organization), how am I supposed to do that?

I have no answers to these questions. Original works don't go nearly as well as fanart! So you have to work ten times as hard and play by the vague rules of the algorithms, which is exhausting enough. Nowadays, you can only be lucky and ride the viral wave if it falls into your lap.

But reflecting on my time in a huge fandom has made me realize that I was going down a very wrong path and am now experiencing the consequences. I'm completely burnt out and no longer know why I'm even making art anymore. I don't know if I want to make art much longer. (I think shit-life-syndrome plays a big role here, but not exclusively.)

As I said, I don't have any answers - but I would at least like to warn those who are having difficulties with distancing themselves from the internet and are quickly losing themselves in this maelstrom of social media.

I have since deleted Twitter from my smartphone and, fortunately, have hardly ever used TikTok (dodged a bullet there!). I try to get back into traditional art and get away from my computer. I am all the more grateful to the people, my community, so to speak, who do nonsense with me on tumblr. They read my comics and are extremely nice to me, which I really appreciate. Thank you!

I don't know yet if and how it will continue, but I would like to finish Berserkir in the next few years. I'd love to find a way to finish all the short comics I want to make, even though it's just me and not a whole team. Maybe I'll find a way, maybe I don't. Anyways, thanks for sticking around!

[nobody-nexus]

Having such an overactive imagination is both a blessing AND a curse because I have so many ideas of TADC mixed with shit but I promise it's not really an AU it's more like a way for me to practice creepy character design but it's hard to NOT tag it as an AU cause it technically is one due to the nature of what an AU is, even tho it's more like "I wanna make cool designs via crossovers cause of my current hyperfixation"

AUGH

....Anyway what if the TADC cast were killers from Dead By Daylight-

(Note I've never played the game the chase themes are fire)

[bahgasdump]

My hyperfixation on Storyshift got the better of me, and I made a whole script for a King Asriel... "sequel"

Many years passed since that human has passed through the Underground, slaughtering everyone in their way... except Asriel for some unknown reason. Maybe he struck a cord with them. Who's to say.

Being the son of both the royal scientist and head of the royal guard, many insisted Asriel should lead them, after king Sans disappeared along side the souls. And after much thought, he accepted it.

And his first decree as king? All humans are mortal enemies to monsters, and they should be eliminated at first sight!...

But what about Chara? His sibling. They were human, and everyone in left in the Underground knew as much. So what would happen to them?

Asriel didn't speak of the matter in public. But in private, asked Chara to simply wear a mask in public, and try to not speak much. He didn't want them being used to shatter the barrier, despite his decree.

Chara did as much... but their relationship was never quite the same.

Chara no longer saw him as their brother, he had changed so much, so fast... No. They weren't Asriel. Asriel died alongside their parents when that human fell down so long ago...

How long ago?...

112 years ago...

give or take. Chara stopped counting after that first century...

Yes, they were both still alive after so long. For Asriel it was obvious why, he was a boss monster, and specifically desired to never have children, as to never die of old age, and being able to be there when every soul was collected.

As for Chara... that was when the questioned arised for Asriel. "Humans couldn't live for that long.", "Most barely pass 70.", "So how is Chara, a human, got to be with him for so long?"

"...Is Chara... even human anymore?"

Maybe this is why they never took off that mask and robes. Perhaps even they were scared to what lied underneath.

How was that even possible... it wasn't possible...

Unless...

That strange power Chara was known for. Determination.

The power to keep going after death... could it, perhaps... be able to outright refuse death out together?

For many this could be considered a gift, a blessing from powers above... But both Chara and Asriel knew... it was a curse.

A curse, that they would only both get rid of, once the barrier was destroyed... and they could finally see the sun again.

Perhaps Asriel could even take Chara to see the flowers in their village again...

That would be great.

[r34der]

"I hate having that friend who never listens to my interests and always ignores them-" I'm the friend that once you get interested into that fandom I will not stop with it. I will fucking go all the way in and make it my own I will see all the cursed sides and I will DEFINITELY be telling you all about the things I find while planning to actually interact with the fandom and make an impact.

Do not tell me about your interests cause once you throw me in there I will not be going out.

The evidence? Two of my friends both got obsessed with HH for some time after watching an episode and I literally got curious since I wanted to also join their conversations so I started looking into the fandom. Look at where I am, shipping Appleradio, One sided radiostatic and platonic radiorose. I have seen the toxic side of HH and I have seen all the debates, I have seen Valastor and I have seen Alastor being made into a weak woman with no backbone. Once you get me into something it will become my hyperfixation and you will stop being in that fandom. It is both a curse and blessing.

Sadly they aren't interested in HH anymore so now I'm alone...

[thelovelymachinery]

Intro to my Insanity!

Hello, welcome to my blog, my name is Soleil. I have been writing for at least eight years but have only began writing seriously three years ago. I have only written and finished two books in the past (When I was nine or ten).

This blog is for my work in progresses, specifically "Pull The Trigger", "The Fates Angels", "Victorian Themed Murders", "The Goddesses Descriminated", "A families love", and "The Grim Duo"

I will be mostly speaking on "Pull The Trigger" because it is my current hyperfixation and I adore it.

Go here to find my Masterpost. It's a place where you can find all of my posts in an organized manner from kind of post to which book it's from.

Pull The Trigger

Pull The Trigger is a series of books following characters in the fantasy world of Eozuspea.

There are six confirmed books in the series although they can read separately. The books are: Whitehall School For The Impeccable, The Line Between Life And Death. The Queens Blessed Daughter, The Guards Cursed Children, The Imperfection in Perfection, and End Of The Cycle.

WSFTI: The first book and the book I'm currently working on follows an unreliable narrator through the school as she slowly learns that maybe it isn't as perfect and kind as she thought it was. Throughout the story the narrator is struggling with feelings of inferiority and jealousy for a female classmate named Aurelia. The narrator is number two to her and doesn't feel as though she's memorable or even a person when compared to Aurelia.

TLBLAD The second book follows the narrator Victoria Ceridis throughout her life but specifically the torture and damage that the abusive dictator Tobias Archernar puts her through and the war she leads in order to end his life.

TQBD: The third book follows Victoria's daughter Pandora through her life from finding out the death of her parents and forced into her throne and crown easily. Not only does Pandora have to deal with the grief of losing her parents but she also must deal with betrayal, heartbreak, and confusion throughout her child and teenage years.

TGCC: The fourth book follows Alhena and her brother Adhara as they leave behind their children and families in order to hunt down and kill the God that put a time limit on Alhena's life and killed their older sister. Alhena suffers through unimaginable grief and desperation especially when she finds out who has been leading this god and sitting at his right hand.

TIIP: The fifth book follows Christine Ceridis, the most perfect, kind, and beautiful woman you could imagine throughout her life of pain, sorrow, joy, and heartbreak. You follow her as she goes through the neglect and abuse from her mother, the birth of her younger siblings, the initiation to the cult, and any other important event she may have.

TEOTC: The sixth book follows Devina Draetig as she learns of the cycle after her death and the fact that it was bound to happen and will happen for the rest of eternity. It goes through her and her twins conversations with their lovers as they try to end the cycle and the hundreds of attempts they make.

The Fates Angels

The Fates Angels is a series of Five books taking place in Eozuspea, the world of Pull The Trigger. Both series are connected but can be easily understood without reading the other.

Destiny Is Always Here: This story follows the main character Jainne Whitmire and her sister Jenalyn throughout their lives, mostly following Jainne. Jenalynn and Jainne go throuh struggles as orphans living on the street, being taken into Whitehall and eventually both getting married and finding families of their own.

Their Past Made Our Present: You follow main character Amabella Ivardóttir and her family of three containing her father Ivar and her older brother Elijah. The family lives in the Dictator lead kingdom, Archernar. They work to rise and eventually leave Archernar, only succeeding after loosing those most important to them.

Don't Forget To Live: Paloma and Valéria are a pair of sisters working to find a way out of thier controlling home to finally have a chance to live. Unfortunately their escape puts the girls in a worse situation.

Don't Take Death For Granted: Following Rosemary, a human girl who can not seem to die. She first fails to die during a freak accident that resulted in her families death and her later surviving a massacre and murder attempts leads to her to an attempt to find out why she can't seem to leave this life.

Spin Offs From The World Of Eozuspea

A Taireth's Promise: Following the most important members of the Taireth Family, namely Vienna Taireth, Morissa Taireth, Joelle Taireth, William Taireth, Arisanna Taireth, and Tsunami Ito. You witness as each member goes through their own struggles but in every way they make their family name stronger, bringing more wealth to the family.

The Ariti Sisters: Taking turns following each sister in the Ariti family you get to see the struggles they go through as they try to find their missing coven. From Whitehall to the Creahearth Palace the girls are far from each other. A different girl in each school aside from on, Medusa who was adopted by Queen Helen and King Vincent.

Health's Daughter: Following the life of Genevieve Veronesi-Kardeth through her childhood as a bedridden and sickly child to her rise as the embodiment and Goddess of Health after her Mother, Aurelia Kardeth steps down.

Luck Of A Bastard Queen: You follow Aereth Kaladar through her life. With her parental issues, her rebellious attitude that lands her in Whitehall and her love for a certain auburn haired elf that only grows, even after death claimed her heart. You follow her as she first becomes queen right as a war starts and as she ends her life as queen before the second war she takes part in is ended.

The Goddesses Descriminated

The Goddesses Descriminated is a book that follows: Aloran, the goddess of the Afterlife, and Emeila, the goddess of life and death. They are joined by Emeila's mothers Vale and Asher, the goddesses of Fire and Water, and Alen and Alec, a set of twins created by Aloran.

Aloran is visiting Earth for the first time and finally gets to see how Humans see her and Emeila. Emeila and Aloran both experience the cruelty of humas, it hurts Aloran's feelings and especially hurts her heart to see how her six year old niece is treated.

The Grim Duo

The Grim Duo follows the top Grim Reaper Dea Winslow who is a dark and troubled young woman that forces and scares her souls into the afterlife, causing them more trauma than they originally had. One day Dea is called into her boss's office and is told that she will have to start shadowing Taylor Osiris in order to learn how to be kind and gentle. The girls travel collecting souls and get to know eachother, eventually reaching a soul they can't control.

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