#hurt himself even more in the process

[justice-artblog]

Rekindle anew au and something that struck me a little late-

The difference of Motto bettwen Saiki and Mob's ethical standpoints.

Saiki's "unwilling" standpoint to not help others if it doesnt directly affect him and Mob's want to help other's because they're all the same.

Just the initial argument of "They can handle it themselves," and "They don't have too, we can help." Sort of back and forth

Mob's steady realization that Saiki's "Ironclad" rule isn't so much a rule and more of a Mantra that doesn't work.

Saiki can say that he isn't willing to help others, and then turn around and help in some way anyway. But he's more likely to help for the people he knows than strangers.

I just need that little fight before something dumb happens. Probably with the Telepathy club, it just needs to be something a little more minor and less stress inducing.

Idk it just, Im chewing on this idea of them arguing about it and having Reigen eventually come at Saiki with his speech about everyone being the same, regardless of abilities or not.

Cause Saiki needs to hear it.

[bunnieswithknives]

(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed

Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable

Bonus:

[mephoj]

taco and mephone have fascinating parallels more people could explore if taco haters weren't biased cowards

[owlsie-hoot]

"The holes in him have been filled imperfectly and they're draining away, feel big and yawning sometimes." Sam West about Siegfried in series 4

for @avengersome

[exiledfrommars]

RAS is so cruel for ending Road of the Patriach/the Sellswords trilogy on such an absolutely heart shattering note. Then just continuing back on with Drizzt’s story line. Like wait no, please go back- please- my poor boy, Artemis- YOU’VE LEFT HIM IN SHAMBLES, PLEASE GO BACK—

[deva-arts]

nate being the only doctor makes me wonder what he's had to do for the others before

Nate does a lot for the crew. (Also woo look at his human disguise!)

When he's not actively treating or checking on them, he's constantly working to compare studies and test data to understand how to treat his friends, seeing as they have widely different genetic makeups and could react in ways that are *catastrophically* unexpected.

He can't use human rules when working on them, which greatly complicates things when he's educated in treating humans. Sera and Vince naturally have nucleated blood cells for greater oxygen input since they're always in rigorous activity, but this is a sign of leukemia or other major deficiency in humans. How do drugs interact with their bodies? what reaction will their immune systems have? do they have an intolerance to certain chemical developments?

This is partly why Vincent underwent so much testing and experimentation- to catalogue and document an atlas for the reproduction and understanding of this hybrid Variant species, and how every facet of its anatomy works in that respect. Like a rough draft you don't care about messing up, and use only to learn from.

Sorry Vince.

It's a wonder how Nathaniel was able to successfully recompile enough information to save his friends at all. It's a lot of stress on one guy with no nurses! That goes without saying for Amon (who is a beastshifter) Sonia... (Who is a living chemical synthesis lab) The various other people who end up joining... (Who shall remain incognito)

...Yikes.

He has likely seen all of them naked at least once, due to emergencies. He's extremely professional, so it's like it never happened... But it's still never fun to have to use that kind of ER protocol on your injured friends and associates.

Everyone except for Vincent, since V never lets Nathaniel treat him for anything, even when he needs it.

Instead, everyone caught a harrowing and unwanted glimpse of Vincent when he landed back home after streaking in the rain. He now flies with his pants duct-taped on. And goggles. For the glare and the overwhelming surplus of bugs he slams into at twice the speed of a f1 car.

[turrondeluxe]

Never read the ronin comics, what was Splinter like? You said you're a ronin Splinter hater, why is that?

- He forced his kids into a generational war

- Literally told Mikey that he trained them (mikey and his brothers) all of their life only so they could fight against the foot clan

- Treated them as his own soldiers

- When young ronin Mikey was just exhausted of killing and fighting and basically having a breakdown in the middle of a fight against the foot (surrounded by corpses of people Mikey was forced to kill), splinter basically called him a coward and physically forced him to keep going like his brothers were

- Basically drilled destiny and honor into Mikey's brain instead of living life for more important things like one's happiness (something that would end up making his suicidal tendencies to a max and lead him to his death)

- He (splinter) truly thought that the Orokus were respectfully asking to meet up peacefully (both Donatello and him die ambushed)

- I just hate him :/

[dutybcrne]

Kaeya is learned ambidextrous. He was originally left handed, but when his left hand became injured during his fight with Diluc, he learned to use his right until it healed. He considers it a blessing because now he can switch up which hand he writes with whenever one gets tired.

[sunday-arch]

thinking about sanji, re. romantic relationships right now and of course, gonna preface by saying, we're not acknowledging the gross parts of canon. we're talking about sanji at his essence here --- but, it's easy to say that he's the Perfect Guy. he's doting, loving, respectful, would worship you, kill for you, die for you if that's your thing. he's a True Gentleman. but, the guy has some intense emotional hang-ups and is so marred by trauma that it runs intensely deep as it does with so many in the crew in general.

sanji will be in a relationship, would thrive beneath reciprocated love and affection. the man is on a high just thinking of it, legs trembling, sweat breaking, can't function.

but --- i also think about how there's the possibility of him conjuring up doubts in his mind over whether he's worthy of you at all at the end of the day. he's constantly giving and giving with no expectation of return because all he's concerned with is what can he do to keep you around, to keep you loving him, how does he make himself useful, reliable, etc. the man needs reassurance and validation in possibly excessive amounts because otherwise, he's privately worrying, going crazy thinking about whether he deserves love, deserves anyone's love.

i think that in order for sanji to also be his healthiest self in a relationship, at some point, discovering his self worth is paramount. and actively working on that, and having an understanding partner who isn't going to exploit that aspect about him.

[lustbcrne]

Kaeya most definitely will shy away from gentle affection during sex or just gentle sex period, and deliberately try and goad the other into something rougher because he absolutely CANNOT handle such a thing without falling apart in the process. Unless the other person is someone he really trusts, he will outwardly show frustration or even get angered enough to stop if it's continued as such.

[gayofthefae]

Just dissociated into my GA persona again - one of the better/more accurate feeling times this time - and watched the van scene.

And I think it’s function is supposed to be for Mike to finally start to get it and get what’s going on with Will. It being about getting Will’s feelings across to the audience feels a lot more fourth-wall-break-y. If you’ve been paying attention, you already know based on all the lingering stares and lingering camera shots on them and his reactions even when he’s not doing them. His reactions to Mike have been really emphasized. But even so, it can serve both purposes: putting us and Mike in the same shoes. And there is no/minimal informational purpose of a scene that is just two characters being oblivious to each other when it doesn’t even cause a miscommunication. And within just volume 2, without knowledge of season 5 - which is, of course, how it is meant to be watched: chronologically - the implication is that this scene only exists to reaffirm Will’s feelings to the audience (an insufficient motive if it is has such little affect on the characters if you ask me) and to help give Mike the confidence to tell El he loves her. But if that was the only goal it would have been done without the emphasis on Will’s personal feelings. 

In the past, Mike’s said things and regretted them because he knew they hit on insecurities of Will’s and were just generally not super cool things to say and that’s why he felt bad. But he never knew Will’s specific or personal feelings before. Just inferred that it would hurt based on his knowledge of how Will’s been treated and Will’s immediate facial reaction.

But in this one, the entire scene, Mike is entranced. He’s listening to every word. I’ve said before that he avoids interrupting like he’s scared it’ll ruin it - treating it like new information that is fragilely and vulnerably being delivered to him unlike the claim that Will is just repeating it. The entire scene, Mike is entranced. He’s listening to every word. I’ve said before that he avoids interrupting like he’s scared it’ll ruin it - treating it like new information that is fragilely and vulnerably being delivered to him unlike the claim that Will is just repeating it. He’s gaining new information. And that would also be applicable to just the information about El - if it weren’t for the way he looks at Will. And I don’t just mean in a romantic sense. In fact, I mostly wouldn’t consider it one inherently. It’s more about the up and down looks - examining Will’s face - putting the focus on Will. How Will is saying it; what Will’s micro-expressions mean for the subtext of the information - as if how Will feels about the information has bearing on the information itself. Which wouldn’t be true unless Mike believes that Will is truly the one delivering it. 

He is invested in other conversations with Will. He has been the whole rest of the season. And many of them have been emotionally intimate in a similar positive way to this one. But he has always made steady eye contact with him. He has kept that mutual intimacy through eye contact. This time, he’s analyzing Will visually, looking all across his face for answers, he’s darting back to the painting every time El is mentioned...he’s having A LOT harder of a time processing this information. Will in the scene where he’s packing is a great example of being relieved by hearing something you want to hear that gives your confidence back after a fight. He does not break eye contact. He just takes in the moment. He lets it be until it’s interrupted externally. But Mike isn’t doing it. He’s almost looking like he wants to get out of it not to stop the flow of information but just to escape into his own head (which he seems to do in the end). Will is the one more invested in the actual conversation. At the end, he too wants to break off because he needs to cry in private. He wants to break off for a similar reason of being alone with himself to process everything. But while he is trying to juggle processing it emotionally, Mike is trying to juggle processing it logically. He doesn’t want the flow of information to stop. And he is entranced. His full attention is on Will. Even when he glances away, it’s only in a dash because he is holding his focus and taking everything in, trying not to miss anything, and taking it in emotionally - things like why Will pushed him away.

I’d also like it noted that before this, they were also having quite an intimate conversation! An emotional one about how Mike feels and his deep insecurities. Will hadn’t talked much during it but when he did, this was not how Mike treated it. He didn’t treat it as morsels of invaluable information. He treated it like a normal response in a conversation. And yes, Will’s speech is more important information but still. During the speech, his faces aren’t so ambiguous for the audience. No good art is truly created for its audience. The characters in this have motives. Just like we may be placed in his shoes with Will even for those who knew to have confirmation, we are being placed in his here as well. It is ambiguous because he is confused. He doesn’t know how to react internally. He’s still just taking it all in trying not to miss anything vital.

Will’s words aren’t romantic. But the fact that he passes them off as Will’s is. And the fact that he would feel the need to hide them at all is too. Mike knows this. And he doesn’t know what to do with it. And he doesn’t know what to do with the fact that he doesn’t know what to do with it. Because one fact ABOUT not knowing what to do with it is that he doesn’t immediately know. He doesn’t immediately reject the idea mentally. He doesn’t KNOW that the answer is no - even a kind no. A mental “no” is fairly immediately. You just know these things. Of course, this is all just speculation. The entire point is that Mike’s face is unreadable from his confusion. We don’t GET any reactions from him. That’s. the point.

Until the end. He only responds one time, one word. And it’s to look for confirmation. It seems like a close to the information he’s getting: a concluding statement; an answer to his previous words. So he speaks for the first time. “Yeah?” “Yeah.” 

And he’s happy.

HE’S HAPPY with this. He isn’t still confused - I’m sure he is still processing, he goes back to the painting immediately after and continues looking over it (providing motive to look back up at Will, preoccupied enough to not notice Will is crying when looking back up at him, and/or see it and not be able to emotionally or decide he can’t situationally help). But his emotions are visible here. If we’re meant to be seeing Will’s feelings here. And we’re meant to have seen nothing from Mike indicating feelings for Will previous to this. The information we get is still clear: Will has feelings for Mike. And Mike is happy.

I don’t think it was delivered this way so that Mike doesn’t know about Will’s feelings. I think it was delivered this way so that Will doesn’t know that Mike knows.

And this also indicates to me that Mike didn’t know before this. About any of it. We know from an interview with Finn Wolfhard that Mike was, as of Vol 1 to note, completely oblivious. I am applying this to his own feelings as well. One can act in reaction to their feelings without being consciously aware of them. Mike’s reactions in the van scene are almost universally to himself. You don’t do that that much unless you have A LOT to say to yourself. And you don’t have that much to say to yourself if you’ve already had time to think on your own feelings - even if you have a lot of very confusing feelings. No, Mike is grappling with the concept itself. I don’t know that he has logically come to a conclusion by the end of it - in fact he probably hasn’t - but he does have an immediate emotional reaction upon coded confirmation. 

And this gives Mike time. He knows what Will feels now, so he confirms within Will’s code. He doesn’t ask “do you agree”, he keeps Will safe in his code. But he can clearly see and hear the emotion in the way Will answers. That’s the confirmation he needed. And this way, he keeps Will in the dark about him knowing. He gives himself time to sort it all out. And I’m not analyzing the reasons he does what he later does right now but I will say I know this: he does it in an effort to sort it out. Whether that be just to do what he has to in the moment or out of suppression. And I can also say that when Will telling him to tell El he loves her seems to hurt him. Right now, I don’t think because he takes it as a rejection, but rather because he understands more than we give him credit for. He understands what Will is sacrificing. That Will is hurting himself. He might have thought during the van scene that it was meant as a coded confession. A confession with a fallback plan. But now he sees that it wasn’t. That it was actually a secret always meant to stay a secret. That Will’s confession wasn’t him dipping his toe in the water. It was him being as self-indulgent as he would ever allow himself to be.

So now the ball is in Mike’s court. And he knows it. And he already bought himself as much time as he needs. There are loads of other factors including how he takes much of the information covered and not in this post. Who knows if he takes Will’s self-sacrifice as an invitation or a rejection, for example. But ultimately: Mike is the only one who can make a move, he is on his own time to do it, and he knows it. Now it’s just up to what he’ll do with that information.

a little analysis backtracking into s1-3 to explain his oblivion in the tags

[cornix-the-void-crow]

Welcome to little list of Alastor headcanons that are actually technically projections, in no particular order of importance:

Has the bob because his hair tends to not grow much longer past his shoulders

Triple A battery (Aroace and agender), started as "man by default" but over time presentation slowly leans more and more into something else entirely

Habitually presents himself as having everything under control. He is not. If he wasn't busy convincing himself that he is he would have started asking how in this ever damned hell anyone believes him

Perpetual eyebags (and dark circles around eyes to some extent) that never fully leave and get significantly worse if he does not sleep

Undiagnosed slight astigmatism that causes regular headaches and perpetual squinting

On the topic of headaches, can ignore pain but it will make him easily irritable

He knows really well how easy it is to verbally or physically hurt other people, and irritability lowers his restraint towards not using the most painful insults in his arsenal significantly

Does not handle disrespect towards his work well. Technically it's a form of rejection-sensitive dysphoria but feeling hurt from it just makes him angrier and more likely to fight someone

In some cases the desire to fight people also applies if criticised work wasn't his but his friends'

He also a hypocrite in that regard cause Alastor is (sometimes unintentionally, sometimes intentionally) cruel with his own criticism of others' work

Subconsciously (sometimes consciously) refuses to process a lot of things. Such as actual reasons why he does nice things to people, why he allows certain people to live, certain aspects of his appearance, that somehow to some people every little part of him is possible object of desire

The last one is better not being thought about ever cause if he ever realises it he would disappear for more than 7 years this time

[waywardsalt]

ive spent like 20 minutes trying to world this eloquently but i give up; im a big fan of linebeck just. not being capable of watching over kids not the person to be the guardian of a group of young people he struggles to take care of himself at times and has so much shit going on that it takes about one conversation with oshus for the old man to realize that this guy is. not doing great

[swinging-stars-from-satellites]

mostly I choose to blatantly ignore most plot points that happened while Bruce was lost in time but occasionally I get the whim to write something that actually reworks some of it in a way that 1) is actually in character and 2) is flagrantly self-indulgent

[blackkatdraws2]

[Toon x Mobster] Chapter 1: First encounter.

Next - (chapter list)

Jack Desmond was running under the heavy rain with a bag over his head as he had given his umbrella to an old lady on his way home, an act of generosity that wasn't out of place in the whimsical place of cartoons.

He had almost missed the dark shape sprawled out in an alleyway. Nothing too unusual, maybe some ne'er-do-wells or a goofy character caught in some mishap, but somehow, his gut told him that it felt different. Disturbingly out of place.

Hesitant yet worried, he trudges closer, his shoes being tainted with red as he knelt down beside the dark figure. “Hey, buddy, you alright?” he called out, voice full of concern. His fingers tentatively touched the man’s shoulder.

Jack gasped, pulling his hand back quickly. His fingers were smeared with something deeply red and thick. His brain blanks out as he processes what he's seeing. Ketchup? Paint? No, wait-

His spine crawls at the sight and he jolts up, gripping his wrist as if he'd just been burned by fire, confused eyes shaking yet staying transfixed on the injured person as he stumbles backwards. He takes a closer look at the man's face- or, just his entire self for that matter. Staring back at him was his face twisted into a harsh scowl, unconscious. Deep scars crisscrossed his face, making him look rather villainous.

This guy wasn’t a Toon. The thick dark coat, those scars- the blood. This man was from another genre, one that didn’t belong in their streets of lighthearted fun.

This was when Jack's mind remembered the news he'd been seeing lately. Reports of dangerous men, bad guys, causing unease in the city. His eyes caught sight of the gun tucked into the man’s coat, confirming Jack’s fears.

The Guktav, one of the biggest and most influential criminal syndicates in the Grim genre where this gloomy-looking person probably came from.

He wasn’t just hurt, he was dangerous. There were already plenty of news about these people doing serious harm to the citizens of this city, not even including the ones that's not covered by the media yet, and this man here was probably one of them.

His heart pounded in his chest, unsettled. “...S- serves him right.” Jack muttered, more to convince himself than anything else.

But the more he stared, the more the puddle of blood spread.

Jack’s stomach churned. He’d never seen anything like this in his life. The slapstick gags and violence he was used to always ended with a quick laugh and a bounce back. But this? This wasn’t funny. The sight made his insides twist.

Jack glanced down at his hands, still stained with blood. The rain hadn’t washed it away, no matter how hard it came down.

He slowly starts to walk away, ready to head home and call the authorities…. when his heart pounded in his chest, the conflicting battle of his mind and heart finally crashing down on him.

"Oh-! Applesticks!" Jack curses, turning back with a huff and stomping to the man. “This is a bad idea.” He muttered to himself, shaking his head as he bent down again-

Jack's heart nearly leapt out of his chest when the man's gruff hands grabbed unto his arms and pulled him down, bloodshot eyes glaring straight at him. Jack's legs felt weak, his knees buckling and harshly hitting the bloody floor, terrified as the man's stare told him all he needed to know.

Do anything bad and he'd kill him.

The man's eyelids twitched, pupils rolling back. His large body collapsed on top of the smaller man, making Jack stutter as he fell on his bum, unable to balance himself. Jack lets out a breath he didn't know he was holding, staring at the unconscious man lying limp on his stomach, staining Jack's suit with his blood.

Jack Desmond swallows hard, his heart wavering. Was he really about to do this?

[nochepsicodelica]

Toji who got really drunk after a misunderstanding you left him to ponder upon one morning when you left for work. You missed a part of your routinely goodbye to him and at first it didn't bother him. He understood that you were running late, but once he started chugging the cold drinks and he sat with the sentiment, he realized it did strike him.

He hated the entire process of getting drunk, hated that drinking was unbearable unless it was chased with sweet kisses from you, but there he was, downing bottle after bottle. He was starting to feel liquid full but even in this intoxicated state he didn't want to put down the bottles. At some point he starting feeling uncomfortable being by himself and didn't want to feel that way anymore, so he called and texted you. Multiple times. You finally picked up after the eighth call.

-Hi, baby! Sorry, I missed your calls. I just left work and i'm heading home.-

-Baby? Who are you calling baby?- He scoffs, a roll of his eyes following.

-You... Toji. It's you. Who else would I be calling baby?-

-Honestly, I...- He laughs, the sound not coming off as one of joy with the next words he speaks. -I didn't think you even loved me enough to give me stupid pet names. I feel very unloved by you and... mhm, just want you to know that.-

Now, that's just entirely untrue and it hurts to hear. You prove your love for him every day. What is this sudden false claim against you?

-Toji, love, what are you saying? I'm coming home, already. Maybe we should talk in person. This is hard to discuss over the phone.-

-Uh-huh, you do that.- He sighs, heavily, his eyes lidding with sluggishness. -Can't win a verbal argument, s-so you're gonna come over here and try to seduce me with your pretty face. I'm just gonna say no when you try to touch me. Just no.-

-I'll see you in a bit, Toji.- you say, before abruptly hanging up.

He sounded off. You knew something was up the second you saw his eight missed calls and a stack of messages just saying 'hey'.

Your keys jingled as you pulled them out of your bag to unlock the front door. The house was steady, no sign of Toji watching TV in the living room or of the shower running. You walked further in, calling his name. It was kind of eery walking through your silent house. You also knew of Toji's tendency of scaring you, so you were on guard for that as you paced around the house. You had one more room to check and it was the bedroom. You dragged your feet over to the room, knocking when you noticed the door was closed. There was no answer after two more knocks so you just opened the door.

The sound startled Toji who was lying against the headboard of the bed, almost falling asleep. The second he saw you his demeanor changed. He perked up like a dog when their owner comes home, before melting back to the stoic state he had been sitting in.

"Hey," you say, almost tentatively, as you walk towards your shared bed, sitting down on the edge. You're met with an acknowledging hum of a response. "What's wrong, baby?"

"There you go calling me baby again. Baby is for people who love each other, so stop it."

You look over the bed, spotting the evidence that led to the bite in his attitude towards you— those bottles that spill the remaining drops of their content and Toji's backwash onto the bed, making the sheets reek of alcohol.

"Well, I love you, so no, i'm not gonna stop calling you baby."

He crosses his arms over his chest, huffing like a child. "That so? It didn't seem that way this morning. I've never felt so forgotten about by you."

"I told you I was gonna be late for work, but you insisted on keeping me trapped beneath you. Bring that part to light, handsome." You can see the corners of his lips twitching. He's holding back the most wicked smirk at the short burst of memories from the morning. "Plus, I still gave you your goodbye kiss, so what are you on about?"

"You didn't say 'I love you'. That's part of goodbye with you, so you can't blame me for feeling this way." His eyes express something of hurt. Maybe it's enhanced by the drinks he had, but you can't leave him that way.

"You're loved, baby. Very much so. Me not saying it this one time doesn't diminish the actual feeling." He's been reduced to a cub over this, so as his lover, you step in to mend the feelings that were grazed.

"Can you..." he rasps, patting his thigh, signaling for you to sit. You drag yourself towards him, and plop yourself onto his lap. You can smell the alcohol on his breath as he rambles on about how you can't forget to say 'I love you' to him ever again, even if it's a blurted, rushed one that he doesn't get a chance to respond to as you rush out the door.

The look he reserves for you is entirely soft, his hands are hot against your clothed back as they feel the warm body he's missed for hours. "I still..." he pauses to sigh, tiredness imbued into the sound. "Still want you to call me baby," he starts again. "I was just bummed. Don't stop calling me baby. Don't ever do that." He's letting his hands roam all over you. Your back, your waist, your hips—everything.

"Are you gonna let me touch you or are you gonna say 'no'?" You grin, remembering his words, verbatim, just incase he tries to tell you he never said them.

"Why aren't you touching me? Why would I not want you to touch me?" He looks insulted by the question and you have half a mind to remind him of what he said to you on the phone, but the heat in his eyes dies out as quickly as it appeared. "Really need a hug, mama. Please, hug," he says, the last part muffled by your chest as he keeps his face buried into it.

You held him tight and murmured 'I love you' countless times, while he hummed in response and groaned quietly as you ran your fingers through his hair.