#hugo hori

[naifduygulublog]

Music: Anna Vissi - Horis To Moro Mou

Günaydın 🌅🌈 Good morning 🌞

"En karanlık gece bile sona erer ve güneş tekrar doğar."

Victor Hugo 🌅 🌈🌞🌤️

🌞🌤️🌞🌤️🌞

Sabah güzeldir. Sabahı insan için güzel kılan umuttur, sevgidir. Gün içimizde ayabiliyorsa gün/aydındır, aksi hâlde en karanlık geceden daha karanlıktır...

Sevgilerimle 💙❤️

5 Ekim 🧚

🌺💙❤️🌸

[marcmarcmomarc]

RWBY Spanish dub

Team RWBY

Ruby Rose: Valentina Souza

Weiss Schnee: Romina Marroquín Payró

Blake Belladonna: Alondra Hidalgo

Yang Xiao Long: Mireya Mendoza

Team JNPR

Jaune Arc: Óscar Flores

Nora Valkyrie: Analiz Sánchez, Regina Carrillo (young)

Pyrrha Nikos: Berenice Vega

Lie Ren: Alan Fernando Velázquez, Zoe Mora (young)

Team STRQ

Summer Rose: Ale Pilar

Taiyang Xiao Long: Arturo Mercado Jr.

Raven Branwen: Fernanda Robles

Qrow Branwen: Germán Fabregat

Beacon Academy

Professor Ozpin: Mario Arvizu

Glynda Goodwitch: Maru Guzmán

Peter Port: Francisco Colmenero

Bartholomew Oobleck: Beto Castillo

Salem’s Inner Circle

Salem: Irasema Terrazas

Cinder Fall: Dulce Guerrero

Roman Torchwick: Sergio Gutiérrez Coto

Emerald Sustrai: Alicia Vélez

Mercury Black: Erick Salinas

Neopolitan: Agustina Cirulnik

Dr. Arthur Watts: Armando Réndiz

Tyrian Callows: Miguel Ángel Ruiz

Hazel Rainart: Octavio Rojas

The Hound: Mario Castañeda

Leonardo Lionheart: Humberto Solórzano

Vernal: Rebeca Patiño

Tock: Simone Brook

Atlas Military

James Ironwood: Dafnis Fernández

Winter Schnee: Xóchitl Ugarte

Penny Polendina: Cristina Hernández

Caroline Cordovin: Magda Giner

Ruby’s Group

Oscar Pine: Luis Leonardo Suárez

Maria Calavera: Ángela Villanueva

Dr. Pietro Polendina: Gerardo Reyero

Team SSSNN

Sun Wukong: Alexis Ortega

Scarlet David: Alberto Bernal

Sage Ayana: Abraham Vega

Neptune Vasilias: Enzo Fortuny

Nolan Porfirio: Pepe Vilchis

Team CFVY

Coco Adel: Liliana Barba

Fox Alistair: Geezuz González

Velvet Scarlatina: Carla Castañeda

Yatsuhashi Daichi: Óscar Garibay

Ace-Ops

Clover Ebi: Raúl Anaya

Vine Zeki: Eduardo Giaccardi

Elm Ederne: Gabriela Guzmán

Harriet Bree: Karla Falcón

Marrow Amin: Ricardo Tejedo

Happy Huntresses

Robyn Hill: Erica Edwards

May Marigold: Ruth Toscano

Joanna Greenleaf: Yvette García

Fiona Thyme: Lupita Leal

The White Fang

Ghira Belladonna: Emilio Guerrero

Kali Belladonna: Rebeca Manríquez

Adam Taurus: Alejandro Orozco

Corsac Albain: Emmanuel Bernal

Fennec Albain: Eduardo Garza

Ilia Amitola: Monserrat Mendoza

Schnee Manor

Jacques Schnee: Arturo Mercado

Whitley Schnee: Moisés Iván Mora

Willow Schnee: Yolanda Vidal

Klein Sieben: Jesse Conde

Ancient Times

Ozma: Roberto Salguero/Ricardo Bautista

God of Light: José Luis Orozco

God of Darkness: Salvador Reyes

Jinn: Danann Huicochea

Ambrosius: Rubén Cerda

Xiong Family

Hei “Junior” Xiong: Eduardo Fonseca

Lil’ Miss Malachite: Leyla Rangel

Miltia and Melanie Malachite: Lourdes Arruti

Team CRDL

Cardin Winchester: Raúl Anaya

Russel Thrush: Yamil Atala

Team FNKI

Flynt Coal: José Ángel Torres

Neon Katt: Meli G

Arc Family

Saphron Cotta-Arc: Erika Ugalde

Terra Cotta-Arc: Carla Medina

The Ever After

Little/Somewhat: Angélica Villa

Curious Cat: Ángel Balam

Blacksmith: Carmen Sarahí

Jabberwalker: Víctor Hugo Aguilar

Jinxy: Jaime López

Red Prince: Pascual Meza

Herbalist: César Bono

Alyx: Julia Bilous

RWBY: Grimm Eclipse

Dr. Merlot: Sebastián Llapur

RWBY: Arrowfell

Amoncio Glass: Alfonso Grau

Hanlon Fifestone: Óscar Gómez

Bram Thornmane: Trujo

Olive Harper: Leslie Gil

Bianca Prisma: Cecilia Gómez

Roane Ashwood: Alicia Barragán

Ivy Thickety: Edurne Keel

Ruda Tilleroot: Jessica Ángeles

Minor characters introduced in Volume 1

Shopkeep: Eduardo Tejedo

Xiong Goons: Ricardo Mendoza “El Coyote, Carlo Vázquez

Cyril Ian: Víctor Ugarte

Lisa Lavender: Alondra Hidalgo

Police Officers: Daniel Lacy, Patricio Lago

Sailors: Marc Winslow, Noé Velázquez

White Fang Goon: David Bueno

Penny’s Driver: José Luis Miranda

Minor characters introduced in Volume 2

Tukson: Octavio Rojas

White Fang Lieutenant: Roberto Gutiérrez

“Deery”: Alicia Barragán

Perry: Arturo Castañeda

Councilman: Kevin Adrián

Minor characters introduced in Volume 3

Bolin Hori: José Antonio Macías

Nadir Shiko: Edson Matus

Brawnz Ni: Abraham Vega

Bartender: Carlos del Campo

Nebula Violette: Karla Falcón

Dew Gayl: Jessica Ángeles

Ciel Soleil: Camila Díaz Fraga

Amber: Ximena de Anda

Atlas Ship Captain: Víctor Hugo Aguilar

Minor characters introduced in Volume 4

Mayor: Alfredo Gabriel Basurto

Blacksmith: Jesús Ochoa

Dying Huntsman: Nando Estevané

Captain: Víctor Trujillo

News Reporters: Eduardo Fonseca, Sonia Casillas, César Costa

First Mate: Paulina García Casillas

Oscar’s Aunt: Kerygma Flores

Higanbana Waitress: Claudia Garzón

Businessman: José Luis Orozco

Businesswoman: Karina Altamirano

Henry Marigold: Emilio Treviño

Angry Businessman: Héctor Estrada

Trophy Wife: Ximena de Anda

Husband: Arturo Cataño

An Ren: Kerygma Flores

Kuroyuri Blacksmith: Alan Bravo

Boys: Luistio Comunica, Regina Blandón, Ana Layevska

Li Ren: Idzi Dutkiewicz

Mistral Pilot: Manuel Campuzano

Atlas Pilot: Hernán Bravo

Minor characters introduced in Volume 5

Mistral Pilot: Irene Jiménez

Menagerie Guards: Tatul Bernodat, Mark Pokora, Andrea Coto

Bartender: Víctor Covarrubias

Shay D. Mann: Esteban Desco

Sienna Khan: Lileana Chacón

Saber Rodentia: Ricardo Brust

Mata’s Mother: Gloria Obregón

Mata: Luis Fernando Orozco

Yuma: Bruno Coronel

Ramen Shop Owner: Ángel Mujica

Small Girl: Ivanna Corona

Trifa: Miriam Aceves

Mistral Police Captain: Rommy Mendoza

Minor characters introduced in Volume 6

Dee: Dan Osorio

Dudley: Alejandro Orozco

Mistral Woman: María Álcazar

Nubuck Guards: Raúl Solo

Red-Haired Woman: Rossy Aguirre

Terminal Soldier: Miguel Ángel Leal

Minor characters introduced in Volume 7

Drunk Mann: Raúl Aldana

Drinking Buddy: Héctor Emmanuel Gómez

Forest: Moisés Palacios

Fria: Isabel Martiñón

Councilman Sleet: Daniel del Roble

Councilwoman Camilla: Graciela Gámez

Minor characters introduced in Volume 8

Atlas Commander: Itatí Cantoral

Shovel Mom: Denisse Aragón

Disgruntled Grandmother: Diana Santos

Fiona’s Uncle: Gabriel Pingarrón

Crimson: José Luis Rivera

Madame: Rona Fletcher

Step-Sisters: Annie Rojas

Rhodes: Idzi Dutkiewicz

CCT Voice: Sonia Casillas

Minor characters introduced in Volume 9

Mouse Leader: Betzabé Jara

Townsperson: Kate del Castillo

Toy Soldiers: Ricardo Mendoza “El Coyote”, José Arenas, Ramón Bazet, Diego Becerril, Óscar Gómez

White Pawns: Cecilia Gómez, David Bueno, Enrique Cervantes, Ramón Bazet

Toy Guard: Roberto Carrillo

Hawker: Erick Selim

Teapot Lady: Maythe Guedes

Paper Pleasers: Iván Bastidas, Luis Carreño, Irwin Daayán, Gaby Cárdenas, Denisse Aragón

[thescrapbookingscientist]

Check out the Red/Blue Ships List here X

Continuation of my attempt to create a tierlist for every color scheme, here is the Orange/Black tierlist, which also includes Orange/Purple and Orange/Blue pairings due to the amount of overlap I was seeing in the color schemes. I was a lot more lenient here than the Red/Blue one on what counts as I figured there would be less, though I ended up with a lot more than I thought.

I don't know all the pairings here personally and just tried to include all I could find - If I left any of your favorites out let me know and I can retroactively add them (This goes for the other lists too).

Ships featured (In order of appearance):

-Sunati\Austen from Always Human

-Aki Hayakawa\Angel Devil from Chainsaw Man

-Allison Argent \Lydia Martin from Teen Wolf

-Aang\Katara from Avatar the Last Airbender

-Wanderer (Scaramouche)\Tartaglia (Childe) from Genshin Impact

-Hermes\Charon from Hades (Supergiant)

-Zhongli\Tartaglia (Childe) from Genshin Impact

-Giyu Tomioka\Sabito from Demon Slayer

-Subaru Akehoshi\Hokuto Hidaka from Ensemble Stars

-Rue Kuroha\Ahiru Arima (Duck) from Princess Tutu

-Fakir\Ahiru Arima (Duck) from Princess Tutu

-Hubert von Vestra\Ferdinand von Aieger from Fire Emblem: Three Houses

-Felix Hugo Fraldarius\Annette Fantine Dominic from Fire Emblem: Three Houses

-Lorenz Hellman Gloucester\Leonie Pinelli from Fire Emblem: Three Houses

-Papika\Cocona Cocomine from Flip Flappers

-Philip J. Fry\Turanga Leela from Futurama

-Son Goku\Chi-Chi from Dragon Ball

-Kamisato Ayaka\Naganohara Yoimiya from Genshin Impact

-Sansa Stark\Margaery Tyrell from Game of Thrones

-Harrowhark Nonagesimus\Gideon Nav from The Locked Tomb Series

-Kyouko Hori\Izumi Miyamura from Horimiya

-Hercules\Megara from Disney's Hercules

-Benery\Gordon Freeman from Half Life VR but the AI is Self-Aware*

-Retsuko\Haida from Aggretsuko

-Vriska Serket\Tavros Nitram from Homestuck

-Rukia Kuchiki\Ichigo Kurosaki from Bleach

-Jade Harley\Davesprite from Homestuck

-Jotaro Kujo\Noriaki Kakyoin from Jojo's Bizarre Adventure

-James "Logan" Howlett (Wolverine)\Jean Elaine Grey (Phoenix) from X-Men

-Shoyo Hinata\Tobio Kageyama from Haikyu!!

-Katarina Claes\Mary Hunt from My Next Life as a Villainess

-Calvin "Freckle" Mcmurry\Ivy Pepper from Lackadaisy

-Honoka Kosaka\Umi Sonoda from Love Live!

-Thorin Oakenshield\Bilbo Baggins from The Hobbit

-Heath Burns\Abbey Bominable from Monster High

-Zelda\Midna from The Legend of Zelda Franchise

-Twilight Sparkle\Sunset Shimmer from My Little Pony: Equestria Girls

-Rainbow Dash\Applejack from My Little Pony Friendship is Magic

-Rarity\Applejack from My Little Pony Friendship is Magic

-Mondo Owada\Kiyotaka Ishimaru from Danganronpa

-Sho Suzuki\Ritsu Kageyama from Mob Psycho 100

-Jack Skellington\Sally from The Nightmare Before Christmas

-Umetarou Nozaki\Chiyo Sakura from Monthly Girls Nozaki-kun

-Nobara Kugisaki\Maki Zenin from Jujutsu Kaisen

-Nozomi Tojo\Rin Hoshizora from Love Live!

-Nami\Nico Robin from One Piece

-Yoo Sangah\Han Sooyoung from Omniscient Reader's Viewpoint

-Phineas Flynn\Isabella Garcia-Shapiro from Phineas and Ferb

-Puss in Boots\Kitty Softpaws from Puss in Boots

-Ray\Emma from The Promised Neverland

-Leon\Raihan from Pokemon

-Sonia\Nessa from Pokemon

-Professor Sada\Professor Turo from Pokemon

-Chloe Beale\Beca Mitchell from Pitch Perfect

-Popuko\Pipimi from Pop Team Epic

-Raeliana McMillan\Noah Volstaire Wynknight from Why Raeliana Ended Up at the Duke's Mansion

-Alfredo Linguini\Colette Tatou from Ratatouille

-Kanaya Maryam\Rose Lalonde from Homestuck

-Kazuto Kirigaya (Kirito)\Asuna Yuuki from Sword Art Online

-Naruto Uzumaki\Sasuke Uchiha from Naruto

-Kyoko Mogami\Ren Tsuruga from Skip Beat!

-Akira Okudaira\Fumi Manjōme from Sweet Blue Flowers

-Daphne Blake\Velma Dinkley from Scooby Doo

-Clary Fray\Isabelle Lightwood from Shadowhunters

-Sun Wukong (The Monkey King)\Liu Er Mihou (Six-eared Macaque)

-Juri Arisugawa\Shiori Takatsuki from Revolutionary Girl Utena

-Osamu Dazai\Chūya Nakahara from Bungo Stray Dogs

-Jasper\Lapis Lazuli from Steven Universe

-He Tian\Mo Guanshan from 19 Days

-Sonic the Hedgehog\Miles Prower (Tails) from the Sonic Franchise

-Hijirikawa Masato\Jinguji Ren from Uta no Prince-sama

-Nanami Haruka\Ichinose Tokiya from Uta no Prince-sama

-Nanami Haruka\Hijirikawa Masato from Uta no Prince-sama

-Ash Ketchum\Misty from Pokemon

-Akira Takizawa\Saki Morimi from Eden of the East

-Fox Mulder\Dana Scully from X-Files

-Futaba Sakura\Yusuke Kitagawa from Persona 5

-Angel\Gaige from Borderlands

-Judy Hopps\Nick Wilde from Zootopia

-Riko Kurahashi\Natsuo Maki from Love Lab

*As a rule I use official art or personal edits for these but since that was not possible for Benrey/Gordon Freeman I used a fanart found here: X by Giaru-Orihidero - They are very talented so please check them out!

[caged-in-solitude]

"Whatever our souls are made of,"

Traveling down memory lane, I realized I'm never much of a hobbyist. I have placed interest in this and that, most of them are short lived and one day I would start placing my interest again on the thing I have abandoned for a while. Doesn't know where to settle, indecisive, you name it.

"To learn to read is to light a fire; every syllable that is spelled out is a spark." – Victor Hugo

When do you first learn how to read? To spell out each letter from a word? I remembered clearly, the first book I picked up myself was one with a bright yellow cover, a thin book that doesn't have many pages, ink printed on natural uncoated papers, only containing simple instruction how to read. I was determined to learn and finally able to read a full sentence on my own after driving my father's patience to the edge for two weeks long.

Books I have read so far:

Therapy by Sebastian Fitzek

The Maze Runner by James Dashner

The Scorch Trials by James Dashner

The Death Cure by James Dashner

The Happiness Hypothesis by Jonathan Haidt

Love for Imperfect Things by Haemin Sunim

The Woman in the Window by A. J. Finn

5cm by Donny Dhirgantoro

Kafka on the Shore by Haruki Murakami

Murder in Mesopotamia by Agatha Christie

Atomic Habits by James Clear

The Alchemist  by Paulo Coelho

I have read more books beside ones I have listed above. But alas, my memory has disappoint me.

"When life ends up breathtakingly fucked, you can generally trace it back to one big, bad decision. The one that sent you down the road of shitsburg." – Wade Wilson

I still laugh at myself every time I remember that the first time I went to a cinema was when I sneaked out with my highschool friends and came back home to give my mother a heart attack after she found out her child was no longer the infant she once craddled every night to sleep. My childhood was spent on the rural area where there was nothing but woodland and cliffs and so when my family first move out to the town, my curiosity got the better of me.

Movies/Series I have watched so far:

Harry Potter series

The Chronicles of Narnia series

MCU movies

Hotel Mumbai

The Silence of the Lambs

The Conjuring, The Conjuring 2

Annabelle

Hansel & Gretel: Witch Hunters

Bird Box

Insidious series

The Nun

The Curse of La Llorona

The Grand Budapest Hotel

Little Women

Kingsman series

The time passes by while I watch scene by scene unfold before my eyes will always be enchanting, thus the list will goes on for as long as the tip of my finger click on the play button and the movie starts. Same case as the books I have read, my brain seem to unable to recollect some of movies title I have watched. Long sigh.

"I don’t want to conquer anything. I just think the guy with the most freedom in the entire ocean is the Pirate King." – Monkey D. Luffy

Was it the time around 2nd grade of junior highschool when I first start placing my interest in anime and manga? No, I think it was before that, probably around 5th or 6th year of elementary school. My mother would let me sit in front of TV every day after I finished my study to watch Naruto and my father would allow me to pick a new comic every three months as a reward. It's a memory that's easy and pleasant to remember.

Anime/Manga I have watch/read:

Naruto

One Piece

Bleach

Kimetsu no Yaiba

Jujutsu Kaisen

Shingeki no Kyojin

Tokyo Ghoul

The Promised Neverland

Inuyasha

Rurouni Kenshin

Ajin

Kakegurui

Moriarty the Patriot

Death Note

K Project

Ansatsu Kyoushitsu

Hori-san to Miyamura-kun

Spy × Family

It is very likely that I have forgotten a few titles due the passage of time. I wish I could remember every single one of it so that I can go back and rewatch.

It's not always been the case, but lately I find myself enjoying a quiet time, sitting alone on a comfortable chair in my room, scrolling through my phone with my newfound hobby of reading manhwa or doing puzzles, sometimes I simply sat and play a music playlist then I start to space out. For a brief moment, I feel at ease.

[bourbonstreet]

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[luizdominguesfan]

http://luiz-domingues.blogspot.com/2022/06/ep-poenteana-gallian-por-luiz-domingues.html

Resenha sobre o EP “Poente”, da cantora Ana Gallian, disponível em meu Blog 1!

[elmexitlyotl]

(Karnak)

[impetuous-impulse]

Saint-Cyr: A Bad Comrade? Part 2: Context

Last we left off, we covered a potential action of Saint-Cyr’s that could have led to his reputation as a bad comrade. In his 1856 biography of Saint-Cyr, Gay de Vernon gives us the context that Saint-Cyr’s negative reputation came to be through an unfavourable light that Moreau and his circle cast on Saint-Cyr due to his behaviour.

Although Saint-Cyr frequently argued against or forwent Moreau’s orders, Gay de Vernon illustrates the cumulative frustration Saint-Cyr had experienced as Moreau’s premier lieutenant which might have induced him to do so. As premier lieutenant, he was officially authorised to command over all the other generals of division, and commanded the center of Moreau’s Armée du Rhin (p. 170-171, footnotes). It would make sense to me that Saint-Cyr had some degree of authority to question Moreau's orders.

As soon as he first met up with Moreau, Saint-Cyr had quickly taken to critiquing Moreau's special commandment of the reserve; he pressed Moreau to change an unsound, complicated and grossly inconvenient organisation. … Saint-Cyr had put much insistence in his observations, and expressed his design of resigning if Moreau did not revert to the correct principles of organisation. Moreau, who knowingly deceived him, only responded feebly, with embarrassment, and persisted in his unfortunate resolution; but he managed to persuade Saint-Cyr to at least start the campaign, and Saint-Cyr always reproached himself for this moment of condescension. The pretensions of the adjutant-général Lahorie and his grave influence on Moreau had committed him to adopting and maintaining this formation of the army. … On 25 April, the army passed the Rhine; …. During this long journey, Moreau did not leave Saint-Cyr, and the latter remarked, not without bitterness, that the general in chief did not accord him as much confidence as before; he resolved thus not to make any observations from now on, and to content himself with executing, [as quoted from Saint-Cyr’s memoirs of the 1800 campaign,] "as much as is possible in war, the orders he received. Having taken this determination, he did not deviate from it the whole time he remained in the army.” (p. 150)

Although Saint-Cyr's statement somewhat contradicts his later actions, Gay de Vernon’s point is that Saint-Cyr refused to be corrupted by cronyism, and even under what he perceived as a disservice to the army, to follow the orders of his superior officer as far as possible. However, Gay de Vernon's view may also have been tainted by the Napoleonic bias against Lahorie (also spelled La Horie), who seems to have never existed comfortably in Napoleon’s France, for he was implicated in Pichegru's and Moreau's conspiracies and was forced to go into hiding, helped by Victor Hugo's parents (interestingly, Hugo was his godson). He was later executed in 1812, allegedly for conspiring against Napoleon in accomplice with Malet.

In addition to proving Saint-Cyr’s incorruptibility, Gay de Vernon also gives explicit counterexamples to Saint-Cyr’s reputation as a bad comrade.

On 16 May, Kray, profiting skillfully from the occassion offered to him to batter [divisional commander] Sainte-Suzanne, isolated on the left of the Danube, attacked him in person with a corps of 30,000 men, of which 9,000 were cavalry. [The next part is quoted from Thiers' Histoire de la Révolution Française:] "Fortunately Saint-Cyr came running in haste,… Hearing the cannonade on the left bank, he had sent aides de camp after aides de camp for bringing back the divisions on edge of the Iller to the edge of the Danube. ... The combat of canon-fire [which Saint-Cyr arranged] gave the Austrians inspiration for their retreat, brought them back, relieved Sainte-Suzanne, and spread in the ranks of [the unfortunate French soldiers] a most lively joy, a completely new ardour." (pp. 163-164)

In light of the above two examples, Saint-Cyr did not seem to have acted out of spite for his comrades or to gain glory for himself, but because he was a genuine stickler for regulations and discipline and a believer of efficiency in battle over mindless obedience to a superior command, at least up until the campaign of 1800. Even then, he could make concessions and work for the 'greater good’ the army until its organisation became intolerable for him. 

Saint-Cyr's concern for executing "the art of war" perfectly would lead him to clash with Moreau for a final time due to the latter’s confusing leadership. In particular, Moreau decided to cross the Danube on 19 May to face Kray on the other coast of the river.

The troops, full of ardour and confidence, waited to mount the assault the next day, and Saint-Cyr pressed the general in chief to carry out this vigorous decision. Moreau could not bring himself to do so, and brought the army back to the right of the Danube, where it demurred twenty days in a sort of inaction. Such continuous fumbling, which, after the three victories of Engen, Mösskirch and Biberach, had reduced to powerlessness the best and most numerous of [the French] armies, disgusted Saint-Cyr more and more; he complained openly of these hesitations, of these uncertainties, of the multitude of unmotivated orders and counterorders which diminished the confidence of the the troops and raised the morale of the enemy… when Saint-Cyr had acquired proof that [Moreau] was in no way thinking to modify the organisation of the army, he demanded to resign, on 6 June, and he separated forever from Moreau; they parted almost hurriedly. (P. 164-165)

All in all, Saint-Cyr seemed to be quite a perfectionist: if events did not go according to plan, and no one was listening to his critique and solutions, he was likely to wash his hands of it. To put it more colloquially, his attitude was not malicious and felt more like, "I’m surrounded by idiots. Since they aren’t listening to my advice, I give up on them."

[ariel-seagull-wings]

TOP 12 PORTRAYALS OF RAPUNZEL

@princesssarisa​ @sunlit-music​ @superkingofpriderock​ @mademoiselle-princesse​ @amalthea9​ @theancientvaleofsoulmaking​ @astrangechoiceoffavourites​ @notyouraveragejulie​ @tilthenextbluemoon​ @giuliettaluce​

Rapunzel, Rapunzel: lay down your hair so i can climb the golden stair! 

These are the words to call the lady named after a vegetable, so one can climb her hair and visit the tower where she is kept prisoner. At the same time that she is known for her exotic name and very long hair, personality wise Rapunzel tends to get very underestimated. Some adaptations gaved her a pretty passive role, and pop culture parodies would usually paint her as “just a girl who cries for the Prince to save her”, downplaying the inteligence and resilience to adapt into harsh situations that she showed in the original Brothers Grimm’s tale. So today, i will share my twelve favorite portrayals of the long haired heroine, that showed respect to her, gaved her carisma and made justice to her strenghts.

12º The version from ‘The Story of Rapunzel’ (1951)

At the start of his career as a stop motion animator, Ray Harryhausen made, with the collaboration of his relatives, a series of shorts based on fairy tales. Those shorts were ‘The Mother Goose Stories’, ‘The Tortoise and The Hare’, ‘The Story of Rapunzel’, ‘The Story of Hansel and Gretel’, ‘The Story of Little Red Riding Hood’ and ‘The Story of King Midas’ (when this tale started to be taken out of greek mythology and be perceived as a medieval fairy tale in the public conscience), where the characters were silent and the voice was given to a narrator. This encarnation of Rapunzel is more on the naive and passive spectrum, but i like her design and the fact she is animated in stop motion, plus the short is historically significant for being one of the early atempts to adapt her tale , and that’s why she has a place on this ranking.

11º The version from Simsala Grimm (1999)

In this german-french, two plushies, Yoyo and Doc Croc, receive life from a magic book to have adventures inside the Brother’s Grimm tales. They go to the tale of Rapunzel and help her and Prince Egmond get together. This encarnation of Rapunzel is kept as both prisoner and apprentice of Frau Gothel, who wants to turn the young woman into a mean spirited sorceress like her. But Rapunzel can only make spells that create pretty and merry things, like squirrels and birds. It’s a nice touch of humour, and that grants her the Eleventh Place at this ranking.

10º Mackenzie Mauzy in Disney’s Into the Woods (2014)

This movie as a whole is a weak adaptation of the now classic Broadway stage musical. But it had some enjoyable elements, one of them being Mackenzie Mauzy’s performance as Rapunzel. Mauzy has a short time on screen, but in that short time she brings beauty, grace, melancholy and anger to the role, and this makes it stand out enough to be the Tenth Place in this ranking.

09º Linda Purl in Timeless Tales from Hallmark (1990-91)

Timeless Tales from Hallmark was a direct to video series that had a live action hosted by Olivia Newton John and animated segments showing the fairy tale of the day, animated by the Hannah-Barbera studio. Purl’s Rapunzel is the romantic dreamer archetype, who sings her wish to be free. She has two encounters with the Prince before getting caught by the Witch Scarlotta, having her hair cutted and exiled to the distant woods. She reunites with the Prince, who has been turned into a blue bird (i see what you did there, screenwriters), and breaks the spell over him with her tears. She should smell more onions to cry and bottle those tears, that can be very usefull.

08º Tisha Campbell in Happily Ever After: Fairy Tales for Every Child (1995)

In the bayous of Louisiana, Rapunzel is taken from her parents by Zenobia the Hoodoo Diva (played by Whoopi Goldberg, by the way), who seeks to make her a protege and shows her such neat tricks as voodoo dolls and shrinking her head down. Rapunzel is reluctant to do this when she sees Zenobia is hurting innocent creatures. Rapunzel soon attracts a handsome Creole prince, who must rescue Rapunzel and reunite her with her parents, but Zenobia seeks to thwart the interloper. One of the first african-american portrayals, this kind yet rebellious encarnation is a refreshing take on the character, and that is why she takes the Eight Place here.

07º Mandy Moore in Disney’s Tangled (2010)

After her mother dranked a tea made of a magical flower, Rapunzel was born with a magical hair that is able to heal any desease and rejuvenate anyone who touches it. Because of that, she was kidnapped and emprisoned in a Tower by Gothel, who raises Rapunzel to be insecure and afrayed of the outside world. But her curiosity is more powerfull, and with the guidance of a thief named Flinn Rider, the young lady escapes the Tower and goes on a journey to discover both what is scary and what is beautifull on the outside world with her own eyes, along the way captivating people with her merry and spontaneous personality, wich gives her the Seventh Place on this list.

06º Pamela Winslow Kashani in American Playhouse: Into the Woods (1991)

The lady who originated the role in the Broadway stage musical. Like Mackenzie Mauzy, Pamela Winslow Kashani brings the beauty, the grance, the melancholy and the anger to the role, but with an extra touch of energetic humour, taking advantage of the fact that she is in a stage show and getting intense as possible. That humour in the First Act  is what makes her PTSD and tragic death in the Second Act all the more heartbreaking. Plus, she probably has the most beautifull singing voice ever gaved to a Rapunzel encarnation, and sometimes that is enough to earn a place in my rankings.

05º Mitsuko Horie/Lara Cody in Grimm’s Fairy Tale Classics (1988-89)

This encarnation has a tragic backstory, having been forgotten by her parents after they received a memory spell from the Witch and they had three more kids after her. She is raised in the Tower as the Witch’s granddaughter, and develops a great talent to play the harp. Is the sound of that harp that attracts the atention of the Prince, who comes to the tower and conquers Rapunzel’s love. Sadly, when they are making plans on how to take her away from the Tower, the Witch sees the Prince climbing down, so she cuts Rapunzel’s hair and beats her till unconsciousness before exiling the poor young woman in the desert, where she learns to survive while raising the son that she conceived with the Prince, who searches for Rapunzel despite being blinded by thorns.

04º Luisa Wietzorek in Sechs Auf Einen Streich (2009)

This adaptation gives some interesting touches to Rapunzel’s story and character: until age 12, she lived a nomadic life, travelling in Gothel’s donkey pulled cart. But one day Gothel spots Rapunzel talking with a young boy, and decides to lock her in the Tower, where there is a magic golden haircomb that makes Rapunzel’s hair grow to be used as a ladder by her adoptive mother. Years pass, and the destiny brings the Prince, who was the young boy of the pass, to the Tower where the now grown up Rapunzel lives, and she has to face a dilema: continuing to live in the Tower, that brings the feel of comfort and safety, or taking risks and running away to freedom with the Prince she fell in love with.

03º Kelly Sheridan in Barbie as Rapunzel (2002)

This was my first animated adaptation of the fairy tale, and still is my favorite. In this movie, while giving some painting lessons to her little sister, Barbie tells a version of the Rapunzel story to encourage her creativity: kidnapped as a baby by the Witch Gothel, Rapunzel was raised as a house maid, receiving constant verbal mistreatments. But, thanks to her friendship with a rabbit named Hobie and a dragon cub (who still needs to learn how to fly) called Penelope, and her love of painting, the young long haired lady never lets her spirit be broken, always dreaming of someday go to live free in a castle by the sea. One night, she is surprised to find a haircomb that turns into a magic paint brush, wich can make a portal where she can escape and explore the ouside world, and in her first journey, she meets and falls in love with the dashing Prince Stefan, while asking him to not his name to her, because she is afrayed of being forced to tell it to Gothel. And she doesn’t stay long, because she fears that Gothel will get revenge on Hugo, Penelope’s father, for her escape. Talk about having a great sense of altruism, who wouldn’t want to have this lady as their best friend?!

02º Sylvia Wolff  in Rapunzel oder Der Zauber der Tränen (1988)

This german TV Movie combines the tale of Rapunzel with another, more obscure tale collected by the Brothers Grimm, called Maid Maleen. In this version, Rapunzel growed up very acustomed to the comfort and rich life provided by the Old Witch, using a magic reel to roll her hair in and make it grow to be used as a latter. Even tough she is in love with Prince Mathias, she is afrayed of going to the outside world. Later, not being enough that the Old Witch discovers her secret, cuts of her hair and blinds Prince Mathias, the King, after learning the existence of a maiden in the tower who becamed the love of his son, orders his troops to search the tower and seal its window, because he wants Mathias to marry another neighbour princess he arranged for him! Fortunally one of the soldiers takes enough pity to let a loose brick so Rapunzel can breath. She tries to use the point reel to scratch the clay that glues the bricks, and after cutting herself in the reel and crying over it, the reel regains magic, floating, opening the bricks, helping her to escape  to the outside world and search for her beloved Mathias...

And my Number One favorite portrayal of Rapunzel is:

01º Shelley Duvall in Faerie Tale Theatre (1983)

There were some small changes made in some detailles of the story (radishes replacing rampion to be more familiar with international, non german audiences,  insinuation that the Peasants Wife’s craving of the vegetal was a spell purposefully cast by the Witch, Rapunzel being traped in the Tower at adulthood instead of age twelve and a talking parrot/macaw that tells the Witch of the Prince’s visits), but as a whole, this is probably the most faithfull adaptation of the Brothers Grimm tale, and is all the more benefited for it, specially Rapunzel’s character, portrayed by the shows herself, Shelley Duvall. Duvall presented a very sincere passion for the source material, and in her performance, she showed a deep understanding of Rapunzel’s character and why she resonates with so many people: her rebeliousness, her curiosity, her romanticism, her inteligence, her quiet strenght, her resilience and her sense of hope, all of those qualities that the Grimm’s described in their heroine, are all there! When i watch this episode of Faerie Tale Theatre, i don’t see an actress playing a role, i see an icon of my childhood coming to life!

And that is why Shelley Duvall in Faerie Tale Theatre is whom i consider my definitive Rapunzel.

[newsintheshell]

So I’m a Spider, So What?: svelati un nuovo trailer, cast e staff dell’anime in arrivo a gennaio

La serie animata tratta dal fantasy isekai di Baba Okina verrà distribuita in simulcast da Crunchyroll.

Pubblicati una nuova locandina e un secondo trailer di “So I’m a Spider, So What?” (Kumo desu ga, Nani ka?), il quale ci dà un altro assaggio dell’attesa serie animata (sono passati più di due anni dal suo annuncio) tratta dal romanzo fantasy isekai di Baba Okina, confermandone il debutto per l’8 gennaio 2021.

L’anime verrà distribuita in simulcast da Crunchyroll e andrà in onda per due cour consecutivi, quindi possiamo aspettarci un format da 24 o 25 episodi.

Svelati anche i bozzetti e i principali membri del cast.

Kumoko: Aoi Yuuki (Tanya Degurechaff in Saga of Tanya the Evil)

Schlain Zagan Analeit (Shun): Shun Horie (Kazuya Kinoshita in Rent-A-Girlfriend)

Karnatia Seri Anabald (Katia): Nao Touyama (Rin Shima in Laid-Back Camp)

Hugo Baint Renxandt: Kaito Ishikawa (Naofumi Iwatani in The Rising of the Shield Hero)

Suelecia Zagan Analeit (Sue): Yui Ogura (Sana Futaba in Magia Record: Puella Magi Madoka Magica Side Story)

Feirune (Fei): Eri Kitamura (Made in Abyss)

Filimøs Harrifenas: Kaya Okuno (Karen Araragi in Bakemonogatari)

Yurin Ullen (Yuri): Aimi Tanaka (Umaru Doma in Himouto! Umaru-chan)

Julius Zagan Analeit: Junya Enoki (Yuuji Itadori in Jujutsu Kaisen)

Annunciato ufficialmente anche lo staff al lavoro sull’adattamento presso lo studio Millepensee (Cop Craft, Wake Up, Girls!). La serie è diretta da Shin Itagaki (Teekyū, Berserk 2016, Cop Craft) con l’assistenza di Shinichirou Ueda (direttore generale di One Room Second Season), la sceneggiatura è curata da Yuuichirou Momose (Infinite Dendrogram, My Sister My Writer) con la supervisione di Okina Baba stesso, mentre il character design è ad opera di Kie Tanaka (Hitori Bocchi no Marumaru Seikatsu, Hinomaru Sumo) . Le parti in computer grafica sono prodotte da Exsa e ENGI. Le musiche per la colonna sonora sono invece composte da Shuji Katayama (Overlord, Saga of Tanya the Evil). 

Ho sentito un dolore intenso, ho chiuso gli occhi... e quando li ho riaperti non ero più una liceale, ma un ragno in un dungeon di un altro mondo! Ehi, di solito non è così che vanno queste storie! Non solo sono un ragno - la specie sul gradino più basso della scala alimentare -  ma mi sono ritrovata sperduta nel peggior luogo possibile, un labirinto in cui scorrazzano rane velenose, serpenti giganti e perfino draghi?!

Questa è la storia della straordinaria strategia per la sopravvivenza di una ragazza dalla volontà d’acciaio!

La light novel viene serializzata dal 2015 ed è corredata delle illustrazioni realizzate da Tsukasa Kiryuu. L’opera si è posizionata al secondo posto nella classifica Kono Light Novel ga Sugoi! del 2018 e attualmente conta 13 volumi.

Sempre dal 2015 viene pubblicata anche una versione manga, disegnata da Asahiro Kakashi e giunta da poco al 9° volumetto, edita in Italia da J-POP Manga. 

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO))) (@s1lenzi0)

[FONTE]

[pilferingapples]

LM 1.1.4

Well this chapter escalated quickly.  Family gossip!  A little snark about grudging charity! Musings on the nature of sin and forgiveness! Abuse of the legal system by the prosecutor to destroy a family! PUBLIC EXECUTION. 

-the bit with the Countess is obviously mostly silly, but--I'm not sure how to say this? -- but ...like,we're told, repeatedly, by the narration and the Bishop , that their family Lost Everything and was in exile and had no one after the Revolution.  But here's this Countess, whose children have such great expectations and such a Promising Future in a very Inherited Position kind of way, not even one generation out from the Revolution.  I don't know if Hugo meant it (for once) , but to me it speaks to just how deeply  entrenched the old power structures were/are.   There was a disruption in the lines of power, but it clearly wasn't a permanent severing...

-I'm curious about the visiting priest and his speech! He may not have moved Geborand (...who I can only assume is a dig at someone Hugo knew , because aren't they always) to especially impressive heights of charity, but it's apparent that his sad little "pennyworth of paradise" is more than Myriel had been able to convince him to give. Is it maybe because Myriel , being Hugo's Ideal Priest , doesn't deal in Threat sermons and that's the only thing that gets Geborand's attention--not hope, or compassion for others,  but a threat to his own wellbeing?

-I love the "fall onto the knees" speech/section for a lot of reasons ( despite the Bahorel who lives in my head rent free definitely adding unintentional lols to that line) .  It introduces so many running through-lines? 

- Gad, the slow horror of the Counterfeiter case.  Sentencing the counterfeiter means leaving the mother and child without support --he was already committing crime to take care of them, so things must be desperate! -- and it means destroying what seems to have been a sincere love on both their sides.  It's very likely the mother and child won't live, or won't both live--and if she can't keep the child alive on her own , it's just as likely this prosecutor or another will be getting to accuse her of infanticide for her failure to survive the justice system.  It's such a direct study in how the systems of power convince people to act against their own interests ??   I'm Upset. 

- The death penalty case!  Beccaria namedrop!  And also first Joseph de Maistre namedrop, and yeah I see how that's already being set up in opposition to ..everything this book is in favor of , really

Abolishing the death penalty is one particular issue Hugo really could claim to have fought for all his life (unlike the republican politics, which, wellllll). He'd had personal acquaintance with it  since he was very young , with his mother's lover/his godfather, General Victor Fanneau de La Horie, being executed for treason in 1812. 

 The most obvious place that he first deals with it seriously is in the Diary of a Condemned Man; as (IIRC) @prudencepaccard once pointed  out, Bishop Myriel here is something like the ideal priest the prisoner of that story hopes for, one who can truly bring comfort and a sense of his God, and offer real sympathy and connection.  There's a lot to say about that--but what's sticking with me this time is the effect that the execution has on Myriel.  Aside from his obvious trauma about it (and this is the first time it's occurring to me he probably had friends and family executed, sight unseen by him, in exactly this way, and that...cannot be making it easier) , there's his speech: 

"I did not think that it was so monstrous. It is wrong to become absorbed in the divine law to such a degree as not to perceive human law. Death belongs to God alone. By what right do men touch that unknown thing?"

--which feels to me like it's hitting a lot of the same thematic notes as Enjolras does in the "Love, Thine is the Future" speech, but almost from the opposite direction? there's so much to say about the two of them in narrative conversation (the two genuine idealistic priests of their respective ideals, who are actually able to change and grow , who in their own way represent the Just) but..agh, this chapter write up is so long already? well, put a pin in it for later, I guess.><  

..And this read through is the firs time I've consciously made the connection-- Works Like Words, Les œuvres semblables aux paroles , that is, they're both based on the Gospels. Small thing , but it's zoomed past me all these years!

A Final Note for this chapter: I remain highly entertained by the concept of the Phantom of Social Justice haunting Myriel like a Woke Opera Ghost.  PRACTICE CHARITY!  PRACTICE CHARITY,  MY PRIEST OF JUSTICE!

[recentanimenews]

INTERVIEW: So I'm a Spider, So What? Fei Voice Actor Eri Kitamura

  In coordination with the current season of So I’m a Spider, So What?, Crunchyroll News was given the opportunity to officially translate interviews with the staff and cast of the series. You can read the original Japanese interview with Eri Kitamura right here.

The interview was conducted by Daisuke Iwakura. 

    So I'm a Spider, So What? Relay Interview with Eri Kitamura as Fei: "I'm trying to portray reservedness as a human, and strength as a monster."

"Me" (a.k.a. Kumoko) has obtained Parallel Minds. Meanwhile, on the human side, the Hero Julius has entered the Great Elroe Labyrinth ...

Things are starting to take shape on So I'm a Spider, So What?  For Part 9 of the relay interview series, we speak to Eri Kitamura-san, whose character was reincarnated as an Earth Wyrm. We spoke to her about what it was like to play a character who isn't human.

  —What was your first impression of this project?

Kitamura: I thought it was pretty bold. (Laughs) I think I expected the heroine to be a cute girl because of how things normally go, so I was really surprised to see Kumoko's design. But when I saw the way she was throwing around internet slang, along with the typical video game elements like skills and leveling up, I realized that the story and writing would be just as interesting as the designs, and how Kumoko is really iconic of the show's appeal as a whole. 

—When you auditioned, was it for the role of Fei? 

Kitamura: At the tape submission phase of the audition it was for the role of Katia, but during the studio audition I also tried out for Filimøs. After that, they suddenly asked me if I could read for the dragon. There was no art or script at the time, so when I asked whether or not I should go for something more natural or exaggerated, they told me to show them what the difference would sound like. (Laughs) I thought they were maybe looking for someone who could do monster voices on the side, so I tried making battle sounds and talking cutely, and at the time, I had no idea whether it was what they were looking for.

  —That's interesting.

Kitamura: When I was on my way out the door, Director (Shin) Itagaki said I did a good job, and I had no idea if he meant my take on Katia, Filimøs, or the dragon. (Laughs) But something about what I did made them think I was a good choice for Fei, so I'm glad about how it turned out. 

—What's your impression of Fei?

Kitamura: Before being reincarnated, Mirei stood out a bit in her class, and tended to get on Wakaba's case, so she struck me as a pretty traditional high school character. The kind of person who is a bit more confident about themselves because they're one of the popular kids. But Director Itagaki explained that she wasn't just a simple heelish character, and that when everyone was fawning over Mirei, Wakaba was the one person who didn't, which is what caused that animosity. Essentially she's a young girl who was convinced she should be the center of attention, and that's why she picks on Wakaba and takes a high-handed tone with her specifically. It's not that Mirei is a villainous character, and that balance was something I tried to be careful about.

  —She does have a bit of a precocious high schooler feeling.

Kitamura: I think so, too. I don't think she was quite what you would call a party girl, but she does come across as playful in the way that high school students who try to seem mature do. That was something I made an effort to get across, from Episode 1.

—Is there anything you're careful about because she's a monster?

Kitamura: Mostly just how monstrous to make her sound when she's using magic. An example of that is the scene in Episode 3 where they are using water magic for class. She becomes more powerful over time, so I didn't want to make her seem too strong from the get-go and tried to establish a baseline for how that she would sound initially instead.

  —During the battle with the Earth Wyrm, Fei really demonstrated her strength.

Kitamura: There was something about that I was curious about. After the battle, she earns the title of Kin Eater, and I was wondering if there was a point in the battle that she realized her relationship to this other creature. It's pretty clear she's realized what happened in the scene right after the battle, but it's not specified in the script, so I wondered when she realized who she was fighting, and asked the director about it. Fei doesn't seem the type to be able to fight while keeping a lid on her emotions, so depending on how that works, I thought about maybe changing up the tone when she has to bite into the wyrm's neck.

—What did the director say? 

Kitamura: He wasn't sure about the specifics of the Kin Eater thing, but he pointed out that she would be more analytical and cool-headed than Shun, and that she'd have a better idea of what's going on. Essentially, even if she did realize she was fighting a blood relative, she'd be able to figure out what needed to be done quickly, and would be able to fight normally. That being the case, I tried to make sure that it didn't sound like Fei was wavering or not sure about what to do, and tried to match the way the animation looked. 

—You let the animation direct the way you performed that scene.

Kitamura: I think so. When your character's face is on screen, there's always a temptation to try and get across some kind of subtext for the non-verbal parts, but in Fei's case, I generally try to make sure it's a neutral performance unless something specifically suggests otherwise. 

  —What's your impression of Fei and Shun's relationship?

Kitamura: They're pretty casual in an uncomplicated way, so I try to make sure that the performance comes across as low-key. She's a bit like Shun's pet in some ways, but instead of her being his familiar, their relationship is more of an extension of the one they had as classmates, which means they're on pretty even footing with each other. It's a bit like she's his adventure buddy and older sister.

—Adventuring Buddy and Older Sister is a great way of putting it. (Laughs)

Kitamura: She comes across as a lot more mature and reserved than Filimøs, who used to be their homeroom teacher. (Laughs) So when Hugo is being prickly, her reaction is to sigh and go, "Oh, well." She's not the type of character to push back when someone pushes her. She's reserved as a human being, and strong as a monster, and I think those two factors form the core of why I try to depict Fei with a pretty level-headed attitude.

—The way her relationship with Shun is so steady makes them seem like really good partners.

Kitamura: (Shun) Horie-kun is playing a character who's more calm instead of a really fiery young hero, so together we both give off a vibe of being level-headed. With these two, there's not a lot of, "Okay, let's do it!" "Yeah!" action. (Laughs) The way that they try to operate in a more collected fashion ends up making Hugo seem really impetuous in comparison.

  —With Hugo in the picture, what's your take on how the human part of the story is developing?

Kitamura: The way they don't all get along despite being classmates is realistic to me. They're not exactly in open conflict with each other, but they're not forcing the idea of being friends, either. The fact that you still have different cliques among the class, even after reincarnating in a fantasy world, gives it a strange feeling of realism. Hugo and Yuri stand out a bit from the others, but I feel like the others don't let that bother them. 

—Now that you mention it, excluding Yuri and Hugo, everyone seems to respect each other's space.

Kitamura: That's the case with Fei and Shun, too. Nobody has any idea what Filimøs is up to, and nobody is sticking excessively close to anyone else. They've all got a fair bit of independence from each other. I think Katia might be the one who's most on guard about their surroundings, though. It's that awareness that leads her to warn Shun about Hugo's hostility. There's no telling how everyone's relationships might change over time, which is one thing I'm looking forward to.

—Are there any characters you find interesting other than Fei?

Kitamura: Sue's brother complex is genuinely cute. Half of that is just me finding Yui Ogura cute, though. (Laughs) Other than that, definitely Kumoko. We record separately, and when I see the footage of her and how many lines she has, it always comes as a shock. Her sessions must make her feel like a ping pong ball being knocked around. When I encounter Ao-chan (Aoi Yuuki) in the studio, I always tell her she should be getting paid for three roles' worth this time around.

  —(Laughs)

Kitamura: The simple fact is that the amount of lines means that it'd be a terrifying role for any actor who can't process that amount of material efficiently, which makes me believe that she's a character that can only be pulled off by someone like Ao-chan. I think a big part of that is that she herself is a bit of an otaku ... Granted, I am one, too, so it's not like I can talk. (Laughs) But the way Kumoko talks to herself and certain things about her speech have that distinct otaku style to it, right?

—I agree.

Kitamura: I think the otaku audience has certain things that they like to hear that they recognize, and Ao-chan is able to pull those parts off. Usually, if you're not an otaku yourself, it takes a while to really wrap your head around slang like that. And you can't just say it convincingly, but you also need to incorporate it into your performance in a way that feels natural and sounds good. With her, you're like, "Yes, exactly like that!" And between the chaotic action bits and the comedy parts, she does a great job of displaying her range.

—Thanks for speaking with us. Is there anything coming up after Episode 7 that you'd recommend people keep an eye out for?

Kitamura: A little bit further on, we're going to get a picture of what Fei ... or rather, what Mirei is like as a person, and I think that'll be one of the highlights for the first half of Fei's story. Not just her, but we'll also see what Shun and Wakaba were like during school, so I'd keep an eye out for that. I hope everyone enjoys it.   

By: Guest Author

[abqne]

Algum Lugar ao Sol

Algum lugar ao sol Algum lugar ao sol  Quando a frente fria passar por aqui Me sirva um mate quente Que eu sigo sempre em frente sem perder a esperança Esperança Aquela que te ama nunca esquece seu nome Algum lugar ao sol Algum lugar ao sol  Algum lugar ao sol  Demora-se um bocado para aquecer essa pele Mas quando fica quente Parece um tornado esse amor que me aquece Aquela que te ama nunca esquece seu nome Algum lugar ao sol Algum lugar ao sol 

[ficha técnica]

Composição música e letra: ABQNE (H.Lyra/L. Pissutto)

Gravado em vários estúdios de Agosto de 2017/ Maio 2018.

Voz: Luana Camarah  Baixo: Fernando Nunes Guitarra: Tuco Marcondes  Teclados: Adriano Magoo  Bateria: Kuki Stolarski  Trompete: Paulinho Viveiro  Saxofone: Hugo Hori  Trombone e Arranjo de Metais: Maestro Tiquinho Direção Geral e Produção: L. Pissutto  Mixagem e Direção Musical: Serginho Fouad  Direção Artística, Incentivador, Entusiasta e Mestre: Zeca Baleiro

[bourbonstreet]

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[elmexitlyotl]

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Travessa do Ouvidor Rua do Ouvidor: o charme e a beleza da mais carioca das ruas

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