Magnus fandom, 2016: We're horny for this lady made of worms!
Me: Huh. Unexpected, I'm not sure how to feel about that.
Magnus fandom, 2024: We're horny for this guy made of needles!
Me: Of course you are, my children. Be free.
Magnus fandom 2024: We're horny for this bulbous oozing clown man!
Me: I think 95% of your are being facetious, but the true 5% can go with god.
Magnus fandom, just now: We're horny for a member of the British Aristocracy!
Me: Gross. No. Absolutely not. Sick freaks the lot of you. I am officially kinkshaming. You disgust me.
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princess tutu: die jahreszeiten 🌸
kind of a companion piece to my 2022 ptutu drawing | it's on inprnt
this print was at anime north; next con is otakuthon!
oops so my hand slipped and i made another princess tutu drawing. i admittedly don't watch that much anime so my catalogue of work is gonna be the same 5 animes LMAO. what can i say, i love "dark" fairy tales, and i've been really enjoying the more fine art approach to a lot of my drawings as of late (and the watercolour brush i've been using has been so perfect for that...!)
as my first princess tutu drawing is now 2 years old, there are some areas i've grown to have ... qualms with... although both drawings as a whole are pretty much exactly what i envisioned, and that's always satisfying!
both of these were drawn in roughly a week's time (yes really...) for con crunch period (and i went back to this drawing after the con to touch up some areas that were a bit rough!). i wanted a different approach to this new pt drawing, with the focus on the line work, rather than on colours and lighting in the 2022 drawing.
this drawing had 2 goals: to continue the style i adopted in my witch hat atelier "lantern bearers" drawing (which i promise i'll post in full soon as soon as all of the zine artists get their go-ahead to post their pieces!), and to emulate the art nouveau movement's heavy emphasis on line work, albeit not a 1:1 style replication of course.
the seasons also aren't a 1:1 representation, as i didn't necessarily pick flowers or colours that are most strongly associated with the season (e.g. summer being a dark tone is a bold choice?). but it's kinda whatever, as i said before i drew this in a week, there may be more appropriate flowers with better meanings. i couldn't spend too too much time drafting and researching.
FLOWER SYMBOLISM:
- spring: apple blossoms, tulips - the apple blossom is a quintessential spring flower, and thus symbolize the arrival of spring. spring is a season of change, which ahiru/princess tutu is a force of, instigating change in her friends and unravelling the story around her. the flowers below her are tulips, and there are many meanings to tulips depending on the colour, due to their ubiquitous nature. i narrowed on one, and intended for them to symbolize happiness. princess tutu's pose is one in which that is open, inviting, and warm - reflecting her nurturing nature in the series, and her willingness to help others achieve happiness.
- summer: deadly nightshade flower, yellow rose - i chose for rue/princess kraehe to symbolize a fiery summer's night instead of the typical dazzling heat of a summer's day, a rather bold and unusual choice. the warmth of sunshine didn't quite fit, as the character is quite dramatic and passionate, with her intentions often hidden in shadow. next, the deadly nightshade - atropa belladonna - has a lot of mythological associations, a lot to do with poisoning, as the flower is toxic. the flowers bloom at night (another reason why i picked a nighttime backdrop for "summer") and also outwardly match rue's dark design scheme, as the cherry on top. yellow roses, at the bottom of her frame, are the archetypal flower depicting jealousy (as with many yellow flowers are), and at one point in the story, rue only wished for her own happiness at the misfortune of others.
- autumn: douglas fir needles, orange calla lily - autumn is another season of change - although much more tumultuous, as this season is traditionally taken to prepare for a long winter ahead - fitting for fakir as the role of the storyteller. the douglas fir is not a flower of course, but is a tree - with many different parts of this tree offering many benefits in advance of the winter season. i wanted the versatile nature of the douglas fir to reflect on fakir's dependable personality. next up, the calla lily is a flower with a dual meaning - on one hand you have life, on the other you have death. a storyteller quite literally can grant both at the tip of their fingers.
- winter: birch tree, snowdrop - winter is a rather still and unchanging season, a lull in the passage of time. this symbolizes mytho's passive nature at the start of the series, especially with his doleful pose here, as if almost in hibernation. to contrast, mytho is perched on the branches of a birch tree, which means new beginnings and renewal - as mytho is one of the characters that undergo the most change throughout the series (i'd argue the most?), regaining pieces of his heart. under mytho's frame is the snowdrop flower - and if you've read my witch hat atelier: seasons piece symbolisms, one of the snowdrop's meanings is rebirth, with connotations to the bible, bringing hope, when all had forsaken eve. the snowdrop is one of the first flowers to bloom even when the snow has not yet fully melted, further echoing mytho as an analogy for rebirth.
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i love when a feedee is obviously a little dumb… like, awww you really couldn’t stop, could you?? no wonder you’re so big. did the thought to stop eating ever cross your mind, or did you just finish everything on your plate because that’s what you were always told to do? did you even realize your portion sizes were getting bigger, too? i bet you get a little mad when people point out how much you’re eating. of course it’s not your fault, you didn’t know any better..
stupid feedees that have to be told they’re out of control. they think they’re not even that big yet
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Dogwarts - A Horror-Themed Minecraft Map
Ever since the beheading, paranoia has taken hold of the Red King.
Dogwarts is a short Minecraft map full of secrets, made for AUFest 2024's Reverse Big Bang. You can find more information on it here, including the world download, content warnings, how-to-play guide, and a video showcase for anyone who can't or doesn't want to play through it themselves.
As part of the event I had the honor of working with two INCREDIBLE writers, Sparrow @erstwhilesparrow and Writer @capriciouswriter207!! Both of them did a masterful job bringing this story to life in a new medium, and I'm delighted that I got to have them on my team <3 Check out their fics:
branches, but softer by sesquidpedalian
The things Martyn carries with him have dwindled to almost nothing. One bucket that he doesn’t dare abandon to the capricious shadows, a handful of glass bottles. A scrap of banner that he keeps in his pocket, that he wipes his sweat on but never without feeling a little bad.
If it’s the tunnels themselves that are responsible for all his misfortune, they never make a sound to suggest so. If this place is haunted, it’s not haunted by any ghosts but his own.
What happens below (none will ever know) by Writer207
The enchanter must be protected at all costs. Away from prying eyes, deep below the ground, nobody but Ren will ever lay their eyes on it again. A labyrinth of dirt and stone must be dug to further protect it.
The process weighs heavily on Martyn, and the tunnels themselves seem to suffocate him. It's all worth it, though. The enchanter must be safe.
Thank you, and enjoy <3
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Excuse the format (I made this for instagram since that's what the publisher wants, rip) but this is basically a shorter, easy-to-read version of the history section at the back of my new book.
(Part 2 || The book)
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Disclaimer: I'm extremely not an expert, and this is only scratching the very surface of complex topics that are hard to simplify. I mostly made this to EXTREMELY rec these books and podcasts, and would urge you to go check them out if you're not familiar!!
This stuff might seem obvious to some of you, but let me tell you, I do NOT think it's widely known in the general UK population.
Imo a lot of the general (especially white) public think that the Windrush generation - Caribbean migrants brought in to help rebuild postwar Britain in the 50s - were the first Black communities in the UK. And yet there's deliberately not much focus on why the Caribbean has links with northern europe. HMMMM
(Britain loves, for example, to celebrate the abolition of slavery without mentioning WHAT CAME BEFORE IT - Britain being the biggest trader of enslaved people, with more than 1 million people enslaved in the British Caribbean. They literally just did it overseas.)
Telling the truth about history or British imperialism gets this massive manufactured backlash at the moment. There are so many ideas prevalent in UK politics - anti-Black, anti-refugee, anti-trans - based on going ‘back’ to some imaginary version of the past. Those are enabled by a long tradition of carving parts out of the historical record, and being selective about whose histories get told and preserved.
Even though the book I was making is a fun rom-com, by the time I finished researching, I decided to make an illustrated history section at the back too (this is a mini version). My hope is that readers who haven’t come across these histories might get an introduction to them - and some pointers of what they could read next to get a clearer view of our past.
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