#how to hate society

[lychee-twinkubus]

feeling hateful? try licking an ice cream cone off the hot concrete whilst onlookers do their best to either turn around or run around you into a busy intersection rather than witness you for one more moment in all your gluttony. make deep, guttural, and passionate howls at the sky as if you are a vampire who feeds off on not blood, but mint chocolate chip ice cream with a hint of pavement (best seasoning). then the police show up and arrest you for so called "public indecency" and "noise pollution." then, maybe you can start justifying any unethical thoughts that may spring up in your head telling you to help that old lady down the street a little too fast

Feeling very unethical today, might spread hate

[lilybug-02]

Patience and responsibility....that's a promise....right?

Part 27 First || Previous || Next

--Full Series--

An exorcism? In my family-friendly Deltarune? It's more likely than you may think. The backgrounds here were very interesting! Much more complex than how I usually do them (especially that computer).

Player POV:

Feral energy.

[the-muppet-joker]

First you start fucking a stuffed animal then you start pissing on it then when that stuffed animal is burned you claim that it's Spirit has gone into a plastic figure and now you want to eat the figure

Excellent summary!

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[neilperryismine]

we definitely don’t talk about this moment enough

the look todd gives mr keating after neil fathers takes him away. todd just wanted to speak to neil and tell him how good he was, and he was dragged away. and you can’t tell me that todd didn’t think there was something wrong because he looks so concerned

and imagine what would’ve happened if neil’s father didn’t turn up…sigh

[random-lil-illing]

i had a vision,,, asexual dps fans what do we think

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[raining-its-pouring]

A little tired of people saying Moon can’t stand up for herself. Like yeah I think one of the flaws she has is she is too lenient and forgiving, but also in her situation it’s VERY HARD not to be. And it’s very situational, usually manifesting with Five Pebbles.

She stops talking to you if you annoy her enough, and only starts again if you win her back over. You have to put in the work. She isn’t “rolling over” and letting things happen to her, despite the fact that she is in absolutely no position to bargain. As stated by her, her kindness and her words are the ONLY thing she has. So her taking those away from you, the player, is absolutely her standing up for herself.

Everyone brings up how she handles Five Pebbles (esp the comms thing) and it is incredible to me just how many people lay this entirely at her feet when the game states over and over again that even despite Moon’s intentional feather-light influence over him, he still resents her for being his superior. He seeks out a mentor who is her opposite.

He wants to be something more than what he is, wants to be detached from her, and she can’t do anything about that but do the best she can to exert as little influence over him as possible.

She is stuck between a rock and a hard place here, and was betting on her kindness to have fostered enough mutual respect that she wouldn’t have to resort to forced communications. She was wrong. He was driven by fierce desperation, something that she wasn’t privy to. And she paid for it.

Yes, this is a flaw of hers. But it’s not a universal one. (the rest of the iterators look to her for help- she’s the group senior for gods sake- and people act like she can’t take a stand) I genuinely doubt Moon would’ve waited so long to used forced comms if it were happening to anyone else. If it were being committed by anyone else. And that just makes the tragedy even sweeter.

[mollysunder]

The real sign of the inevitable dissolution of Jayce and Viktor's partnership/friendship really was the Progress Day Speech. I've seen people say this scene highlighted the growing shift in priorities between Jayce and Viktor. That Jayce was getting swept up in the limelight while Viktor wanted to keep it humble and stick to the work, and that's wrong.

First thing's first, Viktor does in fact want to go on stage (he was excited to just demonstrate the hexclaw), and Jayce is sincere in that he wants to share the spotlight and credit for hextech with Viktor. The problem in that scene is that for practically 7 years, Jayce has failed to see what's actually going on.

Jayce can't see that his face and only his face is on the mugs, the blimps, and the very banners that decorate the hall he's supposed to give a speech in. Jayce can't see that the Councilors direct all their questions on hextech to him while Viktor sits right next to him. Jayce doesn't notice that Mel, the most perceptive Councilor, still thought of Viktor as Heimerdinger's assistant (she didn't know they were close??!?!). He doesn't realize that the discussion on weaponizing hextech is centered on him rather than between him and his partner. Viktor isn't the one being invited to Piltover's parties for a reason.

Between Jayce and Viktor, they're partners on equal grounds, but to EVERYONE else in Piltover Viktor is practically a non-entity. The only person who doesn't get this is Jayce. It's a testament to Jayce's earnest naivette to think Viktor, as a Zaunite and visibly disabled, would be easily welcomed on stage by Piltover's elite to represent what Piltover has to offer. You'll notice this is the same crowd of people that attend Mel's Gala, the same Gala Viktor wasn't invited to.

This dynamic is insane!?!?! It's unsustainable!!!!! Obviously, Viktor is a grown man and could have mentioned something to Jayce, but also it's at least 7 years, how does someone miss this?!?!

By their last scene of the finale, Jayce was able to give Viktor a voice on the Council by literally standing by his side and giving him a seat at the table, but like peace treaty, the gesture has come far too late, and things cannot return to as they were.

[ginny-danburry-is-a-lesbian]

I have a huge history test tomorrow so why not do whatever this is instead of studying.

Also idk if it's Nolan or Mr Perry but both match so

Pls don't flop 🙏🙏

[blasphemousclaw]

I’ve been seeing a lot of people argue that Radahn would never agree to Miquella’s plans because he loves the Golden Order and would never want to replace it… but I think there are some nuances about the current state of the Golden Order that call that assumption into question?

The first thing to know about Radahn is that he’s defined by his idealization of Godfrey and his reign as Elden Lord. His lion armor is an explicit tribute to him, and he tries to emulate the “Lord of the Battlefield’s” martial prowess and heroic, honorable nature. When looking at the iconography associated with Radahn, it is always directly tied to Godfrey alone.

But Godfrey isn’t here anymore, he was banished… and the current state of the Golden Order is now extremely culturally different than it had been under his rule. The crucible and those associated with it gradually became less and less accepted, and more and more “disdained as an impurity as civilization advanced.” Godfrey’s crucible knights used to be heroes, and it’s even implied that they were the very face of the colosseums’ ritual combat… the Ritual Sword Talisman is “patterned after swords used in ritual combat held to honor the Erdtree,” and it’s the exact same design as Crucible Knight Ordovis’s sword:

so there’s this connection between the colosseums under Godfrey’s reign and the crucible.

But, in the present day, both the crucible knights and the colosseums have fallen by the wayside: “In time, the strength shown by these knights, and even their appearance, was seen as chaotic and deserving of scorn,” and regarding ritual combat, “the practice had died out by the age of King Consort Radagon.”

We do in fact see these hallmarks of Godfrey’s reign in association with Radahn as well — from Freyja’s backstory, we know that Radahn first met her by watching her fight as a gladiator at the colosseum (probably the one in Caelid!). And there’s a boss fight at Redmane castle with a Crucible Knight and a (red-haired!) Leonine Misbegotten! It’s also worth nothing that Godfrey, his crucible knights, and Consort Radahn all share the same earth-stomp move! Another interesting point is that Godfrey is associated with lions (Beast-Regent Serosh), and of course Radahn wears lion armor inspired by this, but there is also a Lion Guardian enemy at Redmane castle that has horns:

the old crucible society of the Hornsent revered the horned lion above all…

and Radahn, the “Lord of the Battlefield’s lion,” gains horns after being resurrected in Mohg’s body… literally becoming a horned lion!

I think it means something that Radahn is associated again and again with these symbols of the OLD Golden Order and the crucible… the time when Godfrey ruled, the crucible still flourished, and glorious combat reigned supreme. Yes, Radahn is absolutely defined by nostalgia and trying to recapture the glory of an old age… but I think this is actually a reason for him to OPPOSE the current Order, because now all the things he loved and admired about it are GONE! Indeed, there’s no evidence that Radahn made any attempt to preserve the current Order during the Shattering, and Morgott considers him to be a “willful traitor” with the rest of his siblings!

Does this mean that I think Radahn planned to be where he is with Miquella at the end of the dlc? Not necessarily, and I personally am really skeptical that where he ended up was entirely of his own choosing… I just think that the logic of assuming Radahn would want to preserve the Order in its current state is flawed, because the differences between Godfrey’s reign and Radagon’s reign are quite significant!

[they-call-me-hippie]

"Those who choose the lesser evil forget very quickly that they chose evil"

Hanna Arendt, "Personal Responsibility Under Dictatorship"

[gay-jesus-probably]

Okay so I have a lot of thoughts about the whole thing of the Gerudo being a race of entirely women, with the only exception being one man born every hundred years, and that man automatically being their king. Now this worldbuilding comes from Ocarina of Time, and there's obviously a metric fuckton of unfortunate implications there, because it was 1998. And it seems that Tears of the Kingdom is sticking with the lore of Gerudo men being extremely rare and becoming the King of their people, which once again has a metric fuckton of unfortunate implications because it's 2023 and Nintendo has somehow gotten even worse about this shit.

But let's set aside the whole... everything, and look at this from just the in-universe perspective. How does it work? I mean, it's pretty clear that there is no overlap between the kings; the old ones are normally long gone by the time a new one is born, but the Gerudo manage to take care of themselves during the hangtime. So they must have an established system of government and leadership that doesn't involve a king, and somehow that system is set up in a way that does a smooth transfer of power once a new king is born and old enough to take the throne. But why bother always declaring a random guy to be your King when you already have a perfectly functional system in place?

I mean again, the whole thing has a lot of sexist implications, but we're not looking at this from a real world context, we're examining it in-universe. And we could just go the lazy route and say that their king is in charge just because he's the only man, but I don't like that. I mean come on, the Gerudo are a race of entirely women, and most of their outside problems come from Hylian men being creepy about it. They are entirely a matriarchy; there is literally no reason for their culture to have an inherent respect for men, even if the man in question is one of them. And they're desert people; they live in an extremely harsh and dangerous landscape, if they don't have their shit together, they will die. By sheer necessity, their culture needs to put a lot of value in being practical, because if they're stupid about things, people die. They really can't afford to have a shitty leader take over, and just letting some guy take the wheel doesn't really fit with the way their culture must otherwise work.

So again, why the fuck do they bother having a King?

I think it's mainly just a ceremonial position. Yes, if the guy is a good leader he'll be in charge, but if he isn't good at being a King or isn't interested in the job... fuck it, they've already got a functional government system that's been leading their people the whole time, why fix what isn't broken? The title of Gerudo King isn't about leadership or power. I think it's more about belonging. Because the Gerudo are a culture where every single one of them can be defined in the same way... and there is exactly one exception once a century. Men are considered to be inherently outsiders at the best of times, and more often they're enemies. A man born into this culture is a natural outsider; he is completely unique, and that means he doesn't really fit into his community. And well... when someone is fundamentally different from the rest of their community, they tend to be ostracized.

So I think that's why the position of Gerudo King exists. It isn't about them needing or even wanting a man to lead them. The title of King doesn't need to involve any leadership at all. It's about giving the man born every century a place in their society. It's a way of saying yes, you are one of us, you are a Gerudo, you belong here, you are wanted and you are loved.

The Gerudo know that every hundred years, one of their children will be fundamentally different from all of his peers. And so their society is built to ensure that a child who is completely different from them will still be loved and accepted. He will always have a place in their society. He doesn't need to earn their love, he has it just for existing. These are his people.

The title of Gerudo King isn't an inherent position of authority. It's a promise of acceptance.

[allebooklover]

Seeing people hate on bnha’s ending for not being a utopia and claiming that nothing about their society has changed, and I just don’t agree with that.

Even if it’s not perfect, their society did change for the better. Crime still exists, but has gone down to the point that less heroes are needed. There’s less idolization on the pro-heroes career - in Deku’s teenage years the ideal job was pro-hero and only pro-hero, but in the epilogue other career tracks such as healthcare and technology are given equal recognition and value to the pro-hero career track. Therapy used to be viewed as a threat and something to be kept hidden because it is shameful to admit that you needed it, and in Toga’s case used outdated practices that did more harm than help - in the epilogue it’s instead seen as something regular and helpful, and that needing help is nothing to be ashamed about, and more up to date and effective at actually helping others, as seen by the therapy programs Uraraka and co created being talked about on tv. Society is shown (I’m mainly thinking about the old granny and the kid) to be less apathetic to those in need. Things have changed for the better.

It’s not a utopia. Crime still exists. Heroes are still needed. But they’re no longer the sole bandage for the gaping wound that used to be their society. Other people from other careers help serves as bandages too, and all of that ultimately helps society function in a way that benefits everyone better. If utopia is the top of the stairs and the society shown in the story’s beginning is at the bottom of the stairs, the society shown in the epilogue is on the step that is halfway up to the top. Not perfect, but improving, and one that is working on continuing their improvement so that they don’t fall stagnant and backslide back to the bottom of the stairs where they used to be.

(Ngl if I want to be more specific it’s that the beginning of the manga has them in the lower parts of the steps solely because All Might and his Symbol of Peace carried them there, but it’ll muddy the metaphor too much lol)

But anyways. BNHA’s ending does something I find much more interesting than ‘they’ve created a crime-free utopia where everyone is happy’. The ending goes ‘things aren’t perfect but they’re improving, and will continue to improve so long as everyone puts in the effort’. It acknowledges imperfections, and the beauty and importance of small steps that lead up to big changes. It promotes gradual growth as important and crucial, and that’s a message I find much more relatable than a crime-free utopia.

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them

[spooksier]

i really do love writing analysis and meta tb freaking h im thinking to starting back up my youtube purely to make videos about niche media analysis like steven quartz universe being allegorically transgender or how estrogen would've saved kendall roy